warrior telugu movie review

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The Warriorr

When Satya raises his voice against Guru, the latter revolts and bashes the former to hell. Satya makes a comeback as a cop to take revenge on Guru and put an end to his crime in Kurnool cit... Read all When Satya raises his voice against Guru, the latter revolts and bashes the former to hell. Satya makes a comeback as a cop to take revenge on Guru and put an end to his crime in Kurnool city. When Satya raises his voice against Guru, the latter revolts and bashes the former to hell. Satya makes a comeback as a cop to take revenge on Guru and put an end to his crime in Kurnool city.

• N. Linguswamy
• Sai Madhav Burra
• Brindha Sarathy
• Ram Pothineni
• Krithi Shetty
• 30 User reviews
• 1 Critic review

Top cast 18

• DSP Dr. Satya

• Whistle Mahalakshmi

• Satya's mother

• Person in jail

• Tea boy for the police station

• Mahalakshmi's father

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• Alternate versions The UK release was cut, the distributor chose to make changes to the film in order to obtain a 12A classification. Sequences of bloody violence were removed. An uncut 15 classification was available.
• Soundtracks Bullet Song (Telugu) Composed by - Devi Sri Prasad Lyrics by - Sree Mani Performed by - Silambarasan Rajendar , Hari Priya Duration - 3:57

User reviews 30

• harikrishnathoka
• Jul 15, 2022
• How long is The Warriorr? Powered by Alexa
• July 14, 2022 (India)
• Watch The Warriorr on Disney+ Hotstar
• The Warrior
• Srinivasaa Silver Screen
• See more company credits at IMDbPro
• ₹700,000,000 (estimated)

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• Runtime 2 hours 35 minutes

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The Warrior Movie Review

Article by Nanda Gopal Published by GulteDesk --> Published on: 11:13 am, 14 July 2022 | Updated on 12:30 pm, 15 July 2022

2 Hrs 35 Mins   |   Action   |   14-07-2022

Cast - Ram Pothineni, Aadhi Pinisetty, Krithi Shetty, Akshara Gowda, Nadhiya and others

Director - N. Lingusamy

Producer - Srinivasa Chitturi

Banner - Srinivasa Silver Screen

Music - Devi Sri Prasad

Ram and Lingusamy’s collaboration for a mass action drama has raised curiosity. While it marks Ram’s debut in Tamil, it also marks Lingusamy’s Telugu debut. This becomes a test for Ram and Lingusamy respectively. Will Ram & Lingusamy prove their mettle. Let’s find out whether they are successful in their mission or not.

What is it about?

Satya MBBS (Ram Pothineni) moves to Kurnool with his mother (Nadhiya) for his house surgeon where he meets RJ Whistle Mahalakshmi (Krithi Shetty). But honest doctor Satya is disturbed by the challenges from local rowdy Guru (Aadhi Pinisetty). He returns to Kurnool as Satya IPS and how he hunts down Guru forms the crux of the story.

Performances Ram is at ease as doctor Satya since he is seen as a soft, handsome and charming guy. When he transforms into DSP Satya he is not in full form. Krithi Shetty is okay as Whistle Mahalakshmi. She is good at songs and romance. Whereas her role is not ended properly and she goes missing in the conflict between the protagonist and the antagonist. Aadhi Pinisetty shines in the powerful role of Guru. He dominates with his performance. Nadhiya is alright as a determined and confident mother. But she is typecast for the role. Brahmaji’s plays dishonest police SI Devaraj which is also regular. Ajay’s character as villain’s side-kick is just filler and adds no value to the story. None of the other characters get noticed.

Technicalities Lingusamy picked up a story that is half-baked and fully predictable. While the characterisations of the lead were etched well, the director is clueless over weaving such a powerful story around them. He totally lost his grip on the film after revealing the crucial twist during the film’s interval. Devi Sri Prasad delivered good songs but he failed in giving thumping background music. But the songs placements do spoil the feel. Visuals are appealing, thanks to neat cinematography. The film’s pace struggles.

Villain Characterisation Songs

Thumbs Down

Slow & Predictable Screenplay Half-Baked Story & Dialogues Routine Climax

Lingusamy is a talented director who has delivered films like Anandam, Awara, Pandem Kodi and Run. But he had also delivered Pandem Kodi 2, Suriya’s Sikindar (Anjaan) that failed to impress. His latest offering The Warriorr, featuring Ram Pothineni, belongs to the latter. This is yet another disappointment from the seasoned filmmaker. The Warriorr takes off on a regular note where the hero is introduced followed by a song and then the hero shifts from Hyderabad to Kurnool where he meets his love interest (Krithi Shetty). There are some cute moments of romance initially. But they are not enough to take the story forward. The actual story begins when the face-off happens between Satya and Guru. The film’s first half is mostly managed by its treatment and the twist is saved for the interval.

Once the twist is unrevealed, the film turns even predictable. The DSP Satya’s mission is to take revenge on Guru and bring his empire down. After the interval, the film takes a nosedive. The director failed to sustain the interest in the conflict between the hero and villain. It is just a one-upmanship game that doesn’t interest the viewers. The scenes like the kidnapping of heroine and hero-villain track expected to work, but they don’t. The songs in the second half only obstruct the flow of the narration. However, songs may work for masses where Ram and Krithi danced well against nice sets. But the patience of critical audiences are tested here. The film is filled with scenes that are already seen in several old mass films.

The investigation of Dean Robert’s murder is also disappointing even after DSP Satya possessing a video proof. And the climax is even underwhelming where the hero lets go of such a baddie, guess why? Because he is a doctor at heart. The film also pays tribute to several doctor-police personnel in real-life. It is evident that a seasoned director suffers with second-half syndrome and the film failed at the script development stage itself. Despite good performances and nice songs, they can’t save the film owing to routine story and flat narration. Overall, The Warriorr is a case of ‘operation failed and patient dead’.

Bottom-line: War On Audience!

Rating: 2/5

Click Here For Telugu Review : సమీక్ష – ది వారియర్

Tags Ram Recommended The Warrior

Click Here for Recommended Movies on OTT (List Updates Daily)

THE WARRIORR MOVIE REVIEW

The blockbuster Tamil director of the 2000's is back with an out and out Telugu action film. He already has blockbuster action hits like Sandakozhi and Run to his credit. Let's see if his latest The Warriorr too joins this list. The film does have all the ingredients which are required for mass commercial film, a police hero, a fierce opponent and a cute heroine.

Playing a police character is a dream for every hero. It is often considered as the stepping stone towards becoming a mass hero. After Ismart Shankar, The Warriorr is a very smart choice by Ram Pothineni. He is all energy from start to finish and carries the film on his shoulders.

Krithi Shetty gets to play her own version of the pretty heroine in an action film. To her credit she remains a gorgeous diversion especially in the songs.

Aadhi Pinisetty is menacing as Guru. Right from the looks to the way the character behaves, Aadhi nails the part. Aadhi sincerity elevates the face-off between the two main leads. For a hero to win you need a convincing villain.  Aadhi is not just convincing, he is excellent in his part.

DSP's music was already a plus for the movie even before the release. The bullet song became a trending blockbuster. The other songs are in sync with the mood of the film. DSP truly shows his might in elevating a movie with his BGM.

Action sequences are the heartbeat of police films. In The Warriorr the action truly gives an adrenaline rush and makes us root for the hero.

This is Lingusamy's comeback after a brief hiatus and he has chosen the Telugu heartland to tell his story. He almost pulls off a near good comeback making an action commercial film with the Telugu audiences in mind.

The film is not without its flaws. The familiar story of good versus evil has been done N number of times. So, the screenplay becomes predictable after a while. The out of place comedy track doesn't help either. Despite these flaws The Warriorr is a fairly watchable rollercoaster ride. Overall The Warriorr is an out and out Ram Pothineni show.

THE WARRIORR VIDEO REVIEW

BEHINDWOODS REVIEW BOARD RATING

Public review board rating, review rating explanation.

பிரேக்கிங் சினிமா செய்திகள், திரை விமர்சனம், பாடல் விமர்சனம், ஃபோட்டோ கேலரி, பாக்ஸ் ஆபிஸ் செய்திகள், ஸ்லைடு ஷோ, போன்ற பல்வேறு சுவாரஸியமான தகவல்களை தமிழில் படிக்க இங்கு கிளிக் செய்யவும்      

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The Warriorr Movie Review: The routine cop saga

As cops in films go, The Warriorr's Satya, played by Ram Pothineni, feels closer in spirit to Pawan Kalyan's straight-talking Gabbar Singh from the eponymous film (2012) over larger-than-life super-cop Narasimham from Yamudu (2010).

This gritty action entertainer directed by N Lingusamy is literally two films for the price of one. Set in Kurnool, the first half has our protagonist playing a doctor who believes in building trust and saving the people's lives while the second hour has him arriving as a fiery cop smashing the goons in slow motion. The two halves have a common enemy called Guru (Aadhi Pinisetty), a menacing rowdy who rules the roost in Kurnool.

The film opens nicely and coasts along well until it threatens to come incomplete in its final act. A commercial potboiler's potential considerably revolves around the interval bang, and here's where Lingusamy uses it to shift gears completely, albeit with a predictable 'twist'.

Movie: The Warriorr Cast: Ram Pothineni, Krithi Shetty, Aadhi Pinisetty, Nadhiya Director: N Lingusamy Rating: 2.5/5

Lingusamy opts for an entirely different tone in the second half, and it is where The Warriorr adopts many of the typical clichés of masala entertainers. In fact, it is after the interval that the real plot kicks in when Satya begins to find ways to nab Guru and uncover his organised crime racket. Soon he is involved in high-voltage action scenes and chilling confrontations and leaves no stone unturned to get over Guru's maze of accomplices. But Satya moves solely to work on settling scores with Guru, who has transformed Kurnool into a fortress for his criminal activities.

The camaraderie and the banter between Satya and Devaraj (Brahmaji) and other cops ring true, and the dialogues about the police department never feel out of step. And Satya has emerged into a one-man fighter by the time we reach the clunky climax. He's pretty much Gabbar Singh at this point.

Blame it on the disjointed screenplay if The Warriorr works not so much as a gripping, coherent, and racy entertainer, but a string of set pieces. As a result, the film feels way longer than its 155-minute run time, and the climax fight scene that takes place at the historical Kondareddy Buruju seems never-ending.

To be honest, the film has a fascinating premise and an especially unlikely character for Ram. I must say, he submits to his role by delivering a restrained and quiet performance. But the film cannot decide what it wants to be: an action thriller or a revenge drama with some twists and turns. The action scenes are impressively staged, but the narrative is slowed down by a couple of unnecessary songs and a boring love track between Ram and Whistle Mahalakshmi, played by Krithi Shetty.

Krithi's character of a radio jockey doesn't seem to be a crucial figure in the story. The film barely does any justice to her character, giving little room for her to breathe life into it. The other character played by Nadhiya seems like an extension of her portrayal in Prabhas-starrer Mirchi (2013). Her performance in the vegetable market scene and the penultimate one plays to the gallery with clap-trap lines.

The music by Devi Sri Prasad has its high points, especially the songs - Bullet and Whistle - which received a roaring response from the front benchers. The film is enhanced by brutal action and its striking camera work by Sujith Vasudev.

The Warriorr is not a perfect film, but it's way better than many of the regular super hits our commercial directors churn out. It's a masala entertainer with moments, but it's a light years away from being called a masterpiece.

This review originally appeared in cinemaexpress.com

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సమీక్ష – ది వారియర్.

Article by Ram V Published by GulteDesk --> Published on: 11:19 am, 14 July 2022

2 Hrs 35 Mins   |   Action   |   14-07-2022

Cast - Ram Pothineni, Aadhi Pinisetty, Krithi Shetty, Akshara Gowda, Nadhiya and others

Director - N. Lingusamy

Producer - Srinivasa Chitturi

Banner - Srinivasa Silver Screen

Music - Devi Sri Prasad

తాతల మూతుల నేతి వాసన చూడడం అంటే ఇదే. ఎప్పుడో బాగా కాయలు కాసిందని ఎండిపోయిన చెట్టును ఇంకా సాకడం అన్నా ఇదే. ఒకప్పుడు పందెంకోడి, రన్ లాంటి సినిమాలు అందించారు దర్ళకుడు లింగుస్వామి. ఈ మధ్య ఫ్లాపులే అందిస్తూ వస్తున్నారు. అలాంటి డైరక్టర్ దగ్గర ఇంకా ఏదో విషయం వుండే వుంటుందని భ్రమించి హీరో రామ్ అవకాశం ఇచ్చారు. తన మూతికి పాత నేతి వాసన తప్ప కొత్తగా ఏమీ మిగలలేదని రుజవు చేసేసారు లింగుస్వామి. ఇదా సినిమా, ఇదా కథ, ఇదా స్క్రీన్ ప్లే, అని ప్రతి ఒక్కరు పెదవి విరిచేంత దారుణమైన సినిమా తీసి థియేటర్లో పెట్టారు. సినిమా అంటే కేవలం ఒక్క పాయింట్ వుంటే సరిపోదు. దాని చుట్టూ సరైన సీన్లు, బ్లాక్ లు, లేయర్లు అల్లుకుంటూ జవసత్వాలు అందించాలి, అప్పుడే అది అలరిస్తుంది అన్నది మరిచిపోయారో లేదా చేతకాలేదో, మొత్తానికి ఏదో అయింది. వారియర్ అనే పేరు గొప్ప సినిమాను అందించారు.

వారియర్ సినిమాలో కథ వుంది. కానీ పరమ పాత చింతకాయపచ్చడి.

వారియర్ సినిమాకు స్క్రీన్ ప్లే..పరమ అమెచ్యూర్.

వారియర్ సినిమాలో సీన్లు…ఇప్పటికి సవాలక్షసార్లు చూసినవే.

వారియర్ సినిమాలో కంటెంట్ అణుమాత్రం కొత్తది కాదు.

డాక్టర్ అయిన హీరో హైదరాబాద్ నుంచి కర్నూలు వస్తాడు. అక్కడ ఓ భయంకరమైన గూండా. వాడిని ఎదుర్కోలేక వెనక్కు వెళ్లి ఐపిఎస్ రెండేళ్లలో చదివి పోలీసాఫీసరై వెనక్కు వచ్చి వాడి ఆటకట్టిస్తాడు. కర్నూలులో హీరోయిన్ రేడియో జాకీ. ఆమెతో ప్రేమాయణం. ఇదీ కథ.

ఇలా కథ ఎవరు చెప్పినా, ఏ హీరో డేట్లు ఇచ్చినా దండం పెటొచ్చు. కానీ ఇక్కడ చెప్పింది లింగస్వామి. అందుకే రామ్ డేట్ లు ఇచ్చేసాడు. ఆయన సినిమా తీసి ఇచ్చేసాడు. అంతే తప్ప ఆ లైన్ సరిపడా సరైన సీన్లు రాయలేదు. లేయర్లు అల్లలేదు. విలనిజం, యాక్షన్ బ్లాక్ లు పక్కన పెడితే లవ్ ట్రాక్ కానీ, మిగిలిన సీన్లు కానీ చూస్తే ఈయనేనా గతంలో అన్ని సినిమాలు తీసింది అన్న అనుమానం కచ్చితంగా కలుగుతుంది.

వారియర్ తొలి సగం మెల్లగా మొదలవుతుంది. తెర తెరచుకుంటేనే పాతకాలంలో మాదిరిగా హీరో ఇంట్రడక్షన్ సీన్..ఆ వెంటనే పాట. ఆ ఇంట్రడక్షన్ సీన్ కు బుర్రా రాసిన మాటలు అమోఘం. అక్కడి నుంచి క్లాస్ టచ్ తో మెల్లగా ముందుకు సాగి ఇంట్రవెల్ కు చేరుకుంటుంది. సరే, డాక్టర్ క్యారెక్టర్ కనుక మెత్తగా, మెల్లగా సాగింది. పోలీస్ క్యారెక్టర్ ఎంటర్ అయింది. ఇంక సినిమా దుమ్ము దులిపేస్తుంది అనుకుని సెకండాఫ్ లోకి వెళ్తాడు ప్రైక్షకుడు.

అక్కడ నుంచి నిజంగా సినిమా చూపించేసాడు దర్శకుడు. దేవీశ్రీప్రసాద్ బ్యాక్ గ్రవుండ్ స్కోర్ బాదేస్తుంటాడు. కానీ సీన్లలో మాత్రం దమ్ము వుండదు. రెండూ సింక్ కావు. విలన్ లుంగీ ఎగ్గొట్టుకోవడం, హీరో మీసాలు దువ్వుకోవడం తప్ప సీన్లలో సత్తా అన్నది పొరపాటున కూడా కనిపించదు. ఒక్క చిన్న సీన్ చెప్పుకుందాం..సరదాకి..’’ హీరో తల్లి బజార్లో కూరగాయలు కొంటూ వుంటుంది..విలన్ వచ్చి, నమస్కారం పెట్టి, కొడుకును జాగ్రత్తగా వుండమని చెప్పమ్మా అంటాడు. దానికి ఆమె కూడా హీరో లెవెల్ లోనే డైలాగులు కొడుతుంది’’ ఇలాంటి సినిమా తెలుగు సినిమా పుట్టిన తరువాత ఎన్ని సినిమాల్లో చూడలేదు చెప్పండి? హీరోయిన్ ను గూండాలు ఎత్తుకుపోతే అస్సలు పోన్ లు అన్నీ ఆపేసుకుని , మౌనంతో సాధించే సీన్, అరవింత సమేతలో సీన్ ను గుర్తుకు తెస్తుంది. ఈ సీన్ నే కాదు సినిమాలో ప్రతి సీన్ కూడా ఎక్కడో ఒక దగ్గర చూసేసి, అరిగిపోయినట్లే వుంటుంది.

సినిమా మొత్తం కర్నూలు కొండారెడ్డి బురుజు చుట్టూనే తిరుగుతూ వుంటుంది. హీరో..విలన్..హీరోయిన్..వంద మంది రౌడీ బ్యాచ్..అంతే. రంగుల రాట్నంలా అటు ఇటు అక్కడిక్కడే తిరుగుతూ వుంటుంది. సీన్లు కొత్తగా వుండక, స్క్రీన్ ప్లే కొత్తగా లేక, అవే మొహాలు, అదే చోట, రెండున్నర గంటలు జనం ఎలా చూస్తారని అనుకున్నారో అనుభవజ్ఙులైన దర్శకుడు, నిర్మాత కూడా.

ఇలాంటి సినిమాకు అదృష్టం ఏమిటంటే తొలిసగంలో రెండు పాటలు, మలిసగంలో రెండు పాటలు కూడా బాగుండడం. అంతకు మించిన లక్ మరొటి సినిమాలో లేదు. మిగిలినదంతా బ్యాడ్ లక్ నే.

రామ్ ఎనర్జిటిక్ గా బాగానే చేసాడు. తనదంటూ ఓ స్టయిల్ వుండేలా చూడాలనుకున్నాడు. కృతి శెట్టి మీద మరీ అన్ని క్లోజ్ లు వేయడం కాస్త ఇబ్బందిగానే వుంది. స్క్రీనంతా నోరే అన్నట్లు వుంది. ఆది పినిశెట్టి తమిళం వెర్షన్ ను దృష్టిలో పెట్టుకుని నటించినట్లున్నాడు. ఆది రొమాన్స్ సీన్ చూస్తే గతంలో మణిరత్నం సినిమాలో మాధవన్ గుర్తుకు వచ్చాడు.

మొత్తం మీద ది వారియర్… ‘నమ్మరాదే..సీనియర్లను ఇక నమ్మరాదే’ అని పాటేసుకునేలా వుంది.

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ఫినిషింగ్ టచ్: వారియర్…ది ఫెయిల్యూర్

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సమీక్ష : ది వారియర్ – ఆకట్టుకునే ఎమోషనల్ యాక్షన్ డ్రామా!

విడుదల తేదీ : జులై 14, 2022

123తెలుగు.కామ్ రేటింగ్ : 3/5

నటీనటులు: రామ్ పోతినేని, కృతి శెట్టి, ఆది పినిశెట్టి, అక్షర గౌడ, నదియా

దర్శకత్వం : ఎన్.లింగుసామి

నిర్మాత: శ్రీనివాస చిట్టూరి

సంగీత దర్శకుడు: దేవి శ్రీ ప్రసాద్

సినిమాటోగ్రఫీ: సుజిత్ వాసుదేవ్

ఎడిటర్: నవీన్ నూలి

ఎనర్జిటిక్ హీరో రామ్ పోతినేని హీరోగా యంగ్ టాలెంటెడ్ బ్యూటీ కృతి శెట్టి హీరోయిన్ గా దర్శకుడు ఎన్ లింగుసామి తెరకెక్కించిన చిత్రం “ది వారియర్”. ఈ సినిమా ప్రపంచ వ్యాప్తంగా ఈ రోజు గ్రాండ్ గా విడుదల అయింది. మరి ఈ చిత్రం, ఆడియన్స్‌ను ఏ మేరకు మెప్పించిందో సమీక్షలోకి వెళ్లి తెలుసుకుందాం !

సత్య (రామ్) ఒక డాక్టర్. కర్నూలులోని హాస్పిటల్ కి వస్తాడు. అయితే అప్పటికే అక్కడ గురు (ఆది పినిశెట్టి) రాజ్యం నడుస్తూ ఉంటుంది. తన దారుణాలకు అడ్డు వచ్చిన ప్రతి ఒకర్నీ చంపుకుంటూ చెట్లు నాటుకుంటూ వెళ్తాడు గురు. ఈ క్రమంలో సత్యకి గురుకి మధ్య గొడవ స్టార్ట్ అవుతుంది. గురు అన్యాయాలకు సత్య ఎదురు తిరుగుతాడు. ఈ మధ్యలో సత్య ఎదురింట్లో ఉండే విజిల్ మహాలక్ష్మి (కృతి శెట్టి)తో పరిచయం, ప్రేమగా మారుతుంది. అంతలో గురు, సత్య పై ఎటాక్ చేస్తాడు. ఆ తర్వాత సత్య ఏమయ్యాడు ? ఐపీఎస్ పాస్ అవ్వడానికి సత్య మోటివ్ ఏమిటీ ? కర్నూలు కి పోలీస్ గా వచ్చిన సత్య ఏమి సాధించాడు ? చివరకు ఈ కథ ఎలా ముగిసింది ? అనేది మిగిలిన కథ.

ప్లస్ పాయింట్స్:

ఈ సినిమాకు ప్రధాన బలం, బలగం హీరో రామ్ మాత్రమే. సత్య పాత్రలో రామ్ పరకాయ ప్రవేశం చేశారు. ప్రత్యేకించి యాక్షన్ సన్నివేశాల్లో రామ్ చాలా ఎనర్జిటిక్ గా కనిపించాడు. అలాగే తన పాత్రలో డిఫరెంట్ వేరియేషన్స్ చూపిస్తూ ఎప్పటిలాగే రామ్ తన స్టైలిష్ పెర్పార్మెన్స్ తో ప్రేక్షకులను మెస్మరైజ్ చేశారు. ముఖ్యంగా పోలీస్ గా అదరగొట్టాడు. హీరోయిన్ గా నటించిన కృతి శెట్టి కూడా బాగానే నటించింది.

విజిల్ మహాలక్ష్మి గా ఆమె తన నటనతో ఆకట్టుకుంది. అయితే, ఆమెకు సూప‌ర్బ్ పెర్ఫార్మెన్స్ ఇచ్చే స్కోప్ లేకపోయినా ఉన్నంతలో బాగానే చేసింది. దర్శకుడు లింగుస్వామి, రామ్ ను పవర్ ఫుల్ గా చూపించే విధానంలో చాలా వరకు విజయం సాధించాడు.

అలాగే కీలకమైన నదియా రోల్‌.. ఆ పాత్రలో ఆమె నటించిన విధానం ముఖ్యంగా ఎమోషనల్ సీన్స్ లో ఆమె నటన చాలా బాగుంది. విలన్ పాత్రలో నటించిన ఆది పినిశెట్టి ఆ పాత్రకు తగ్గట్లు చాలా బాగా నటించాడు. అదేవిధంగా మిగిలిన నటీనటులు కూడా అయా పాత్రల్లో తమ నటనతో ఆకట్టుకున్నారు.

మైనస్ పాయింట్స్:

స్టోరీ లైన్ బాగున్నా.. సెటప్ అండ్ స్క్రీన్ ప్లే అండ్ లవ్ స్టోరీ సినిమా స్థాయికి తగ్గట్టు లేదు. ఇంట్రస్టింగ్ గా సాగుతున్న సినిమాలో అంత ఎఫెక్టివ్ గా సాగని లవ్ ట్రాక్, అండ్ ఫేక్ ఎమోషన్స్ తో సాగే సీన్స్ తో కథను డైవర్ట్ చేశారు. అనవసరపు యాక్షన్ సీన్స్ ఇంకా ట్రీమ్ చేసి ఉంటే బాగుండేది. అలాగే ఇంటర్వెల్ కి గాని అసలు కథ ముందుకు కదలదు.

ఇక కొన్ని పోలీస్ సన్నివేశాల్లో కూడా మంచి పనితీరుని కనబర్చిన దర్శకుడు, కొన్ని మెయిన్ సీన్స్ ను మాత్రం నెమ్మదిగా నడిపించారు. ఆ సన్నివేశాలను కూడా ఇంకా ఆసక్తికరంగా మలిచే అవకాశం ఉన్నపటికీ, దర్శకుడు మాత్రం వాట్ని సింపుల్ గా నడిపారు. దీనికి తోడు కొన్ని కీలక సన్నివేశాలు మరీ సినిమాటిక్ గా సాగడం, అలాగే సెకెండ్ హాఫ్ లో హీరోకి విలన్ కి మధ్య వచ్చే సీక్వెన్స్ కూడా సరిగ్గా వర్కౌట్ అవ్వకపోవడం వంటి అంశాలు సినిమాలో మైనస్ పాయింట్స్ గా నిలిచాయి.

సాంకేతిక విభాగం:

సాంకేతిక విభాగం విషయానికి వస్తే.. లింగుస్వామి దర్శకుడిగా ఆకట్టుకున్నా.. రచయితగా మాత్రం పూర్తిస్థాయిలో మెప్పించలేకపోయారు. అయితే కథలో బలం లేకపోయినా, యాక్షన్ తో సాగే వైవిధ్యమైన పాత్రలతో చిత్రాన్ని ఆసక్తికరంగా తీర్చిదిద్దే ప్రయత్నం చేశారు. కానీ స్క్రిప్ట్ బాగాలేక పోవడంతో సినిమా ఆశించిన స్థాయిలో లేదు. సంగీత దర్శకుడు దేవి శ్రీ ప్రసాద్ సమకూర్చిన పాటలు పర్వాలేదు. ఐతే, సినిమాలో విజువల్ పరంగా వాటి పిక్చరైజేషన్ మాత్రం చాలా బాగుంది. నేపధ్య సంగీతం కూడా బాగుంది. అలాగే సినిమాటోగ్రఫీ వర్క్ కూడా బాగుంది. సినిమాలోని సన్నివేశాలన్నీ కథకి అనుగుణంగా చాలా అందంగా చిత్రీకరించారు. ఇక ఎడిటింగ్ బాగున్నప్పటికీ.. సినిమాలో కొన్నిచోట్ల స్లోగా సాగిన కథనాన్ని ఇంకా సాధ్యమైనంత వరకు ట్రీమ్ చేసి ఉంటే.. సినిమాకి ప్లస్ అయ్యేది. నిర్మాతలు ఎక్కడా కాంప్రమైజ్ కాకుండా ఈ చిత్రాన్ని నిర్మించారు. నిర్మాణ విలువులు బాగున్నాయి.

‘ది వారియర్’ అంటూ వచ్చిన ఈ యాక్షన్ డ్రామాలో రామ్ నటన, కృతి శెట్టి గ్లామర్ సినిమాలో హైలైట్ గా నిలిచాయి. అయితే స్క్రీన్ ప్లే లో ‘స్లో నెరేషన్’, కొన్ని సన్నివేశాలు పూర్తి స్థాయిలో ఆకట్టుకునే విధంగా లేకపోవడం సినిమాకి మైనస్ అయ్యాయి. ఐతే, డాక్టర్ నుంచి పోలీస్ గా మారడం అనే థీమ్ బాగుంది. కానీ, కొన్ని సన్నివేశాలను మాత్రం దర్శకుడు ఎఫెక్టివ్ గా తెరకెక్కించలేకపోయాడు. పైగా సినిమాలో లవ్ స్టోరీ కూడా పెద్దగా ఆకట్టుకోదు. అయితే రామ్ తన స్టైలిష్ పెర్పార్మెన్స్ తో తన అభిమానులను బాగా అలరించాడు. ఐతే మిగిలిన వర్గాల ప్రేక్షకులకు మాత్రం ఈ చిత్రం పర్వాలేదనిపిస్తోంది.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team

Click Here For English Review

సంబంధిత సమాచారం

మొదటి షో వివరాలు : “35 – చిన్న కథ కాదు”, ఇంటర్వ్యూ: ‘ది గోట్’ ఎక్సయిటింగ్‌గా ఉంటుంది – మీనాక్షి చౌదరి, 10 మిలియన్ వ్యూస్ తో “దావూదీ” సాంగ్, గేమ్ ఛేంజర్: నెగెటివ్ ట్రెండ్ పై థమన్ పోస్ట్, ఓటీటీ స్ట్రీమింగ్ డేట్ లాక్ చేసుకున్న ‘సింబా’, న్యూయార్క్‌లో వెకేషన్ ఎంజాయ్ చేస్తున్న మహేశ్ అండ్ ఫ్యామిలీ, ‘ది గోట్’ స్పెషల్ షోలకు గ్రీన్ సిగ్నల్.. ఎక్కడెక్కడ అంటే.., “ది గోట్” మూవీకి దర్శకులు లోకేష్, అట్లీ బెస్ట్ విషెస్, అక్టోబర్‌ 4న రిలీజ్‌కి సిద్ధమైన ‘రోటి కపడా రొమాన్స్‌’, తాజా వార్తలు, ఫోటోలు : అనన్య పాండే, వీక్షకులు మెచ్చిన వార్తలు.

• “ఇంద్ర” ని ఓవర్ టేక్ చేసిన “గబ్బర్ సింగ్” ఆల్ టైం రికార్డ్
• మోక్షజ్ఞ ఎంట్రీ మామూలుగా ప్లాన్ చెయ్యడం లేదుగా
• అక్కడ నాని కెరీర్లోనే బిగ్గెస్ట్ గ్రాసర్ గా “సరిపోదా శనివారం”
• “దేవర”.. చుట్టమల్లే కి ఫస్ట్ ఎవర్ రికార్డు?
• 100 కోట్ల క్లబ్ వైపు దూసుకెళ్తున్న నాని “సరిపోదా శనివారం”
• “దేవర” భారీ ఆర్ధిక సాయం..
• వీడియో : విశ్వం టీజర్ (గోపీచంద్, శ్రీను వైట్ల)
• రేపటి కోసం.. “కల్కి” మేకర్స్ ఏపీ సీఎం రిలీఫ్ ఫండ్ కి ఆర్థిక సాయం
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What’s it about?

On his first job, Dr. Satya (Ram Pothineni) moves to Kurnool. Guru (Aadhi Pinishetty) controls the entire city, and his benami supplies poor-quality medicines to the hospital Satya works. No one has the guts to revolt against him, but Satya does. The powerful Guru nearly kills Satya in an incident.

Two years later, he enters the city not as a doctor but as an IPS officer. He is now a police officer and can take on Guru with all the powers.

Lingusamy, better known to the Telugu audience as the director of ‘Pandem Kodi’ and ‘Awaara’, in his Telugu debut has chosen a story of a cop vs a rowdy. “The Warriorr” is set against the backdrop of Kurnool city.

Inspired by true events, Lingusamy has written the story of a doctor becoming an IPS officer. MBBS graduates appearing for UPSC exams is not a new thing but the protagonist of Lingusamy’s ‘The Warriorr’ becomes an IPS officer for a different purpose. The protagonist believes that he can provide better treatment to a society suffering from rowdies than as a doctor. So, the doctor turns police officer for another ‘operation’.

Barring the point that a doctor becomes a police officer, ‘The Warriorr’ doesn’t have any novelty. It is a regular cop story much like Suriya starrer ‘Singam’ or other umpteen cop dramas. Lingusamy presents the first half of the film in a fast-paced manner, leaving no time for us to complain. Filled with mass moments and entertaining scenes, the interval comes in a jiffy.

By placing the entire story of the second half as a direct clash between the hero and the villain, Lingusamy let the film enter into a predictable zone. A mistake in the writing of the screenplay!

When you make the premise a regular battle between the protagonist and the antagonist without any new turns and twists, you invite trouble yourself. That is what happened here. Lingusamy’s narrative in the second half lacks inventiveness.

The standout scene in the entire drama is the villain Aadhi fearing for his life with the silence of the protagonist. The 15-minute kidnap sequence is terrific. But the film turns completely clichéd from here.

Ram single-handedly shoulders the film. Ram gets the chance to show two variations in a movie of a doctor and a cop. Despite playing the role of a police officer for the first time, he gets it right. He manages to hold our attention even when the narrative turns bland.

Krithi Shetty has played her part well. She has shared good chemistry with Ram and danced well. Aadhi Pinishetty’s performance as a villain is another interesting feature. Aadhi’s introduction is one of the best aspects of the film. Among other actors, Nadiya and Brahmaji are noteworthy.

Devi Sri Prasad has once again given foot tapping numbers. “Bullett”, “Dada Dada” and “Whistle” add energy to this film. Sujith Vassudev’s cinematography is another asset. 

Bottom-line:  With a regular storyline of a cop vs rowdy, ‘The Warriorr’ solely relies on Ram’s shoulders, and he delivers what is required. Three catchy songs and Ram’s acting are the better part of this routine cop drama. But the masala is not sufficient enough to satiate the taste buds. The second half of the film runs on complete predictable lines.

Rating: 2.5/5

By Jalapathy Gudelli

Film: The Warriorr Cast: Ram Pothineni, Aadhi Pinishetty, Krithi Shetty, Akshara Gowda, and others Dialogue: Sai Madhav Burra Music: Devi Sri Prasad Cinematography: Sujith Vassudev Editor: Navin Nooli Production Design: DY Sathya Narayana Producer: Srinivasaa Chitturi Director: N. Lingusamy Release Date: July 14, 2022

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The Warriorr Movie Review: Aadhi Pinisetty Shines In A Messy Film

Cast:  Ram Pothineni, Aadhi Pinisetty, Krithi Shetty , Akshara Gowda, Nadhiya Moidu

Director: N. Lingusamy

As a child, before going to boarding school where movies would never be screened, I'd pester my parents to bombard my brain with as many Telugu movies as possible. Mind you, this was the early 2000s. The films were terribly predictable and would be an assault on the senses. It was the mental equivalent of extra schezwan crispy fried noodles with extra garlic and chilly sauce. But because of the artificial scarcity created by boarding school, I would devour all these Telugu films. 

Watching The Warriorr took me down a nostalgia trip I never wanted to go down. It has all the elements of an early 2000s Telugu cinema and barely any nuance or twist expected in contemporary cinema. 

A hero enters a new town. Check.

A villain terrorizes the whole town. Check.

A ditzy heroine who's annoying. Check.

Garish costumes and songs. Check. 

Hero and villain lock horns at an iconic location. Check. 

Unsurprisingly in this film, it's Kurnool and Konda Reddy Buruju. There is much grouse to be taken with Telugu films depicting Rayalaseema as the badlands of the Telugu states. Agreed the region has a history of faction leaders who terrorized towns but hasn't this point been made a billion times?

Do we need one more film to show it again?

Do people from these towns not love? Are there no other stories to tell? Are they all part of a client-patron relationship and are always either subservient to the villain or in awe of the hero? Are there not interesting stories and dramas to be explored there? Are there not fascinating people there who aren't murderers or people waiting to be saved? Auto drivers, teachers, doctors, lovers, students, historians, farmers…film reviewers watching films massacre the image of the region. (Yes yes, I'm from that part so this trope is even more tiresome).

The Warriorr on the other hand chooses to tell the story of Satya (Ram Pothineni) an MBBS intern who comes to Kurnool to become a doctor. He believes that only mothers and doctors know the pain of saving a life and therefore its value. You know he's a good guy because he plays Holi with children, he has a playful relationship with his mother, and lectures the heroine Whistle Mahalaxmi (Krithi Shetty), a successful RJ, to get married. And terrorizing Kurnool is Guru (Aadhi Pinisetty) a real bad bad bad guy. He's so bad he beheaded someone when he was 14 and doesn't care about using children as bait to arm-twist his rivals. Ingenious stuff this is. But he also has a quasi-environmentalist bubbling inside him because every time he takes a life, he plants a tree. A piece of barren land has now become a forest. So maybe this Guru chap is on to something. Is he a misunderstood misanthrope? Only time will tell because this film surely doesn't tell us much more. 

Aadhi Pinisetty grimaces and scowls as he delivers dialogues in his accented Telugu and it is commendable that he's trying to salvage a part so comically derivative of every villain in every masala film ever that after a point I was happy that he got this pay cheque. I hope he used the money to buy something nice for himself because I definitely didn't get anything for my money.

Whistle Mahalaxmi is such a poorly treated character, she asks Satya to take her on his bike over speedbumps in the hope that he could cause a bump of his own in her belly. When playing with this kind of subtlety I wonder what kind of notes she was given as an actor. Was it just a page full of emojis with notes that say "Move your mouth a little bit so there can be dialogues dubbed over"? Who knows? But if the art tells something about the artist, then I know the top 5 emojis used by writer-director Lingusami. 

I remember as a child walking out of Jagadam in 2007 and Ready in 2008 feeling that Ram Pothineni is going to change the kind of stories that Telugu films tell. But in 2022 his title card which used to read "Ram Pothineni" now reads "Ustaad Ram Pothineni". I guess that's change. And you can't say nobody didn't warn us that progress was going to be slow. 

But let's talk about DSP. No, not the clever trick the film thinks it has up its sleeve. Not even Divya SriPada who is another talented actor in this film wasted in the role of "woman getting chased by goons so that Hero can enter" character. I could just imagine her holding the cheque and looking at the camera guiltlessly to say "I did a film called Middle Class Melodies but that doesn't mean I want to remain middle class." 

I am talking about DSP – Devi Sree Prasad. He croons a song that goes "He's a fighter, He's a survivor, He's the warrior". That's him. Nearly 3 decades in, he's churning out films and knowing when to give good music and when not to. You knew  Pushpa: The Rise was going to be a great film when the music felt fresh and rooted in the film's context. You felt the same with the music of Uppena and Rangasthalam . But listen to him croon the above lyrics in The Warriorr and it feels like he probably sang it when he was stuck at a traffic signal, after missing three meals in a row, and he had heard the story of this film. 

But the real fighters, survivors, and warriors are my parents who put up with me when I was a petulant child. Now I understand what they felt like while they sat with me through countless mediocre films.

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The Warriorr Review

What's Behind

Energetic Star Ram's The Warriorr directed by Lingusamy is generating immense interest. Ram is making his entry into Kollywood with his mass action entertainer while Lingusamy is doing the same in Tollywood. The film is releasing on July 14,2022 amidst huge expectations. Let us see how Ram showed his power as The Warriorr at the box office.

Story Review

Satya (Ram Pothineni) goes to Kurnool to join as a House Surgeon in the Kurnool government hospital. As Satya endears himself to all as a doctor with a generous heart, stunning developments take place in his life. To find out those stunning developments and how his relationship with his mother Rajyalakshmi (Nadiya) and how his love life with Whistle Mahalakshmi (Kriti Shetty) progressed and what it has got to do with the hard core criminal and aspiring politician Guru (Aadi Pinisetty), what is the secret behind DSP Satya, enjoy The Warriorr on the screen.

Artists, Technicians Review

Ram slipped into the role tailor-made for him. As he has done lover boy roles and mass roles in his career, doing the role with dual shades turned out to be a cakewalk. While as a doctor he looked soft and handsome and his chemistry with Kriti Shetty appealed to all. Then as a tough police officer, he looked mass and rugged and took on Aadi Pinisetty. His body language, expressions, and emotions are good in both roles. He showed variations in these things as a doctor and as a police officer.

Kriti Shetty looked cute and oozed with glamor in songs. She got a good screen presence and made the best use of it. She emoted well in a few of the scenes. The songs are well choreographed between both of them and it is a treat to watch both of them on screen. Nadiya performed well as a caring mother and at the same time showed her toughness when confronted by Aadi. Aadi Pinisetty looked menacing on screen. His looks and hairstyle are perfect and his mannerisms are good. However at times, one gets an impression that he imitated Allu Arjun's mannerisms and dialogue delivery in Pushpa. Brahmaji performed well as a cop showing dual shades. Akshara Gowda, Bharati Raja, Jayaprakash, Ajay, and others performed according to their roles.

Lingusamy is known for his mass action entertainers. When Ram teamed with Lingusamy, many expected breathtaking action sequences. Lingusamy tried to elevate Ram's mass image with intense action blocks. He started off the narration in a slow and normal manner and as the story progressed elevated Ram's heroism vis a vis Aadi Pinisetty. The narration went on a predictable note and as in Lingusamy's earlier films, the story lacks logic. He blended the first half with family elements, a few romantic scenes, and sentiment sequences in the Hospital to show Ram as a person who cares about everyone. Ram and Kriti Shetty's romance is shown in a realistic and appealing manner and with the entry of Aadi Pinisetty, the narration picks up pace. The entire first half talks about Ram as a caring doctor trying to bring justice to the people taking on the mighty and powerful Aadi Pinisetty. The Interval block introduces Ram as the DSP and this sets the stage for the clash between Ram and Aadi in the second half.

The second half is loaded with mass action elements between Ram and Aadi and though the intensity is there when movie lovers expected Lingusamy to take it to the next level, it comes down crashing. Few of the action blocks are shot in an interesting manner but the second half turned a bit predictable and routine and finally, the story comes to an end. Scenes involving Ram and Naditya elevated the mother-son bonding, Ram and Kriti Shetty, a beautiful romance, and Ram and Aadi, a clash of personalities. For all the highs, Lingusamy failed to power Warriorr to the next level with a weak story, screenplay, and direction.

Devi Sri Prasad's songs are foot tapping and Whistle and Bulletu songs stand out. His background music at times elevated the proceedings but at times failed to do so. Sujith Vasudevan's cinematography is good and could have been better. Naveen Nooli could have used his editing scissors more to do away with the routine elements both in the first and the second half. Production values are fine.

Ram's energetic performance

Kriti Shetty's cute looks

Aadi Pinisetty

A couple of songs

Disadvantages

Story, Screenplay, Direction

Lack of elevations

Rating Analysis

Ram and Lingusamy's The Warriorr increased expectations with interesting promotions. The foot-tapping songs increased the hype and fans got excited about Ram's Kollywood debut. Lingusamy true to his forte elevated Ram's mass image to another level showing him as a caring doctor and then as a ruthless police officer. Though Ram's heroism is elevated with a few intense action sequences, foot tapping mass beats, the story turned out to be extremely routine and Lingusamy failed to power it to another level with his screenplay and direction. Considering all these aspects, CJ goes with a 2.75 for The Warriorr.

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Ram’s ‘Warriorr’ Movie Review

The Warriorr Movie Review

Telugu360 Rating 2.5/5

Dr. Satya (Ram Pothineni) works at Kurnool government hospital, cross paths with the local don Guru (AdiPinisetty) . Vexed with the inactive police officers who afraid to take on Guru, Dr. Satya himself becomes IPS officer. Satya is posted to Kurnool as DSP, confronts with the menacing Guru. Rest of the story deals with the Satya, Guru’s actions to counter each other

Expectations are moderate to above the average on this film due to HIT audio. First one hour of the movie is fast-paced despite being a regular story. The director Linguswamy shows his strength dealing with mass elements mainly highlighting the villainy. Mass scenes offer some freshness from shot making perspective, but the honeymoon period is short lived. When the doctor becomes IPS, the movie goes redundant loops instead of racing up. Writing team had good opportunity to elevate the movie further as the foundation in first half was setup for the Satya Vs Guru war in second half. However, the film turns predictable and unappealing confrontation scenes spoil second half

Ram as a doctor looked innocent, and equally good as IPS officer.KrithiSetty as RJ Mahalakshmi looks wise is just okay. Color Color song is a routine hero introduction song. Audio hit songs “ Bullet Song “ and “whistle song” come in second half , both sets follow same color scheme anddances are good. AadhiPinisetty role is menacing as mafia don Guru. Devisri Prasad background score is not up to the mark. However, the songs are good.

• Ram,Aadhi Performance
• Mass appealing first half
• Three Good Songs
• Predictable story
• Redundant Guru Vs Satya scenes

‘The Warriorr ‘film is a mediocre one. First half of the film works for the masses, second half is not up to the mark.Ram and Aadhi did perform well. Entire movie runs on Satya Vs Guru thread, which turns as the major drawback.

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The Warriorr Review: Loses The Battle

Movie: The Warriorr Rating: 2.5/5 Banner: Srinivasaa Silver Screen Cast: Ram Pothineni, Aadhi Pinishetty, Krithi Shetty, Nadiya, Akshara Gowda, and others Music: Devi Sri Prasad DOP: Sujith Vassudev Dialogues: Sai Madhav Burra Editor: Navin Nooli Production Design: DY Sathya Narayana Presents: Pavan Kumar Producer: Srinivasaa Chitturi  Written and Directed by: N. Lingusamy Release Date: July 14, 2022

One film that has generated the right buzz and hype with its songs and promos in recent times is “The Warriorr”. The “Bullett” song went viral. With Tamil director N Lingusamy helming the film, it has raised curiosity. Has the film lived up to all expectations?

Let’s find out.

Story: Satya (Ram Pothineni), a young doctor in Kurnool, pretty soon understands that rowdy Guru (Aadhi Pinishetty) controls the entire city.

When Satya complains about Guru in a police station, he also comes to know that the police are of little to help to the people here.

When Satya directly confronts Guru, the rowdy beats the doctor to the pulp. Satya’s mother (Nadiya) takes her wounded son to another city. Two years later, Satya is back in the city. This time as an IPS officer!

The rest of the drama is Satya vs Guru. 

Artistes’ Performances: In his career, Ram Pothineni has never played a cop until now. As a doctor turned police officer, he delivers a flawless act. He is in his form. He shows a marked difference between his two avatars - doctor and cop.

Aadhi Pinishetty has delivered a believable act in the role of rowdy Guru.  

Krithi Shetty gets a cute role of Radio Jockey, but her character doesn't add much value to the story. She complements Ram very well with her dance. 

Nadhiya is okay. Brahmaji gets one noticeable scene.

Technical Excellence: Devi Sri Prasad’s music is a huge asset. The catchy songs – “Bullett” and “Whistle” have helped much to the proceedings. Sai Madhav Burra shows his mark in some of the dialogues. The camerawork and the production design and values are decent. 

Highlights: Ram Pothineni’s act as a cop DSP's Songs Krithi Shetty’s kidnap scene

Drawback: Regular story Climax and final scenes Predictable narrative

Analysis Director Lingusamy’s maiden Telugu directorial starring Ram follows the regular theme of action dramas. The story isn't anything new except for Ram being a doctor turned police officer.

The introduction of Aadhi Pinishetty is interesting. For every murder he does, he plants a tree. To prove his murderous acts, the camera zooms on a vast forest. Such sequences have added novelty to an action drama at the start.

The fun romantic drama between the Radio Jockey (Krithi) and the doctor (Ram) in the beginning makes the proceedings watchable. Although the clash between Ram and Aadhi Pinishetty is routine, the early portions hold our attention.

The problem with this predictable storyline is that director Lingusamy has not added any new twist after the interval. It is a plain fight between a hero and a villain.

Everyone knows that hero will win against the villain in the end. So, what’s the thrill? The excitement one needs when two forces clash goes missing here in the second half.

The only highlight in the second half of the film is Krithi Shetty’s kidnap scene. The tense moments are written, acted, and directed terrifically. Barring this, the rest of the film goes on the expected line - the battle between the hero and the villain.

Lingusamy has presented Ram in his fiercest avatar as a cop, but he should have added more masala in the final portions.

The Kurnool backdrop, a rowdy controlling the entire city, a police officer taking on the rowdy… none of these are new to the Telugu audience. Perhaps, director Lingusamy thought a doctor becoming an IPS officer to give treatment to the wounded system might bring newness to the mass genre. It would have been different had he infused some energy in the latter part.

Despite three terrific songs, Ram’s hyperactive performance, and a couple of interesting scenes, the film lacks the ‘fire’ required for such mass entertainers. 

In a nutshell, “The Warriorr” is like Rayalaseema’s famous Ragi Sankati but this Sankati is not served with ‘Kodi koora’ but with sambar or chutney. Hence, the spiciness is missing. It is edible, but not tasty enough.

Bottom line: Not Whistle Worthy

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Tags: The Warriorr The Warriorr Movie Review The Warriorr Review The Warriorr Telugu Movie Review The Warriorr Rating The Warriorr Movie Rating

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The Warriorr Review – Boring Mass Drama

Boring Mass Drama

OUR RATING 2/5

Satya (Ram), a doctor, comes to Kurnool city as an intern in a hospital. He soon finds out about injustice happening in the city and exposes one scam that’s related to the hospital. The issue angers Guru (Aadi Pinisetty) who is a rowdy terrorising the city.

What happens when an angry Guru decides to kill Satya? How Satya comes back reformed and takes head on the monster is the movie’s core plot.

Performances

Ram is back with a new outing after a long gap. He plays a character with dual shades that helps him cater to both the class and mass. As doctor Satya, Ram is extremely classy whereas he turns ‘massy’ as police. He does well in both roles with required fun and intensity.

It takes a little time to get used to Ram as a police officer in uniform though. His personality is accentuated, but that’s only initially and we settle down eventually as the aggressive cop avatar takes over.

Krithi Shetty plays a routine commercial cinema heroine in the true sense. She is there only for comedy and songs. She has nothing to show as an actor. However, glamour wise she is presented well, especially in the songs.

N Lingusamy, a senior name in Tamil cinema, directs The Warrior. It is a mass action entertainer the likes of which he has handled deftly in the past.

Lingusamy picks a wafer-thin story for The Warrior. It is all about the screenplay and treatment for the movie to succeed. He has delivered successful mass outings in the past with similar hair brain plots. Unfortunately, Lingusamy fails to do so here.

Right from the start, there is something off with The Warrior. The transitions between the hospital scenes to family fun are poorly done. One gets a messy vibe before things settle with a powerful villain introduction block.

By the time the villain is introduced and some drama happens related to the hero, the issue plaguing the movie becomes even more transparent. There is an unevenness in proceedings. The screenplay fails in building momentum and energy out of some well-executed scenes. The predictability on top of it all further mars the experience.

The pre-interval and interval blocks again are symptomatic of the above-mentioned problem. There are small parts which give a terrific impression, but overall a high is missing.

The second half starts on a much better note with Ram taking charge as the cop. The focus is on action and drama which leads to a cohesive narrative briefly. The build-up and delivery in a couple of action scenes are neatly done.

However, the same issues related to unevenness crop up again. Additionally, the weakness in direction is also visible. Many scenes fail to hit the high due to dull and flat execution. The face-off between the hero and villain is a classic example here. It should have been explosive. There is material but a combination of direction, background score and writing don’t let it explode.

The last half an hour including the climax is laborious, to say the least. The narrative chugs along to reach a predictable face-off and then end. The duel between the hero and villain is a mere sparkle when it should have been a bomb.

Overall, The Warrior is a routine mass entertainer which has some mass moments working intermittently. But, a weak direction and screenplay play spoilsport. What should have been a cracker of a mass entertainer turns out to be a boring actioner.

Apart from the lead pair, Aadhi Pinisetty and Nadiya have key roles. The former especially is crucial to the whole movie as he is the antagonist.

Aadhi Pinisetty gets a typical mass villain role who is powerful and dreaded by everyone. It is in contrast background-wise compared to his last such memorable act in Sarrainodu. However, there is nothing much here for the actor to do. We have seen it all before and he pulls it off with ease. There is a good screen presence, but the impact is missing barring a few scenes. The whole act would have been forgettable if not for those small well portrayed bits.

Nadhiya appears on and off playing the mom. She is alright and delivers the required. Among the rest, there are a few known faces like Ajay, Jayaprakash etc. but they are wasted.

Devi Sri Prasad gives typical commercial songs that work on screen with placement and choreography. When it comes to the background score, it is a mixed bag. Some parts are fine, but a few are very jarring and loud and come across as noisy. Then there are a few repetitive bits which are both outdated and loud.

Sujith Vassudevan’s cinematography is alright. There are some portions which could have been better visually. Naveen Nooli’s editing should have been better during the initial portions. The choreography of a couple of songs is fine. The writing is ordinary.

Highlights?

Ram And Aadhi Couple Of Action Blocks Two Songs

Screenplay Routine Story Direction No Real High BGM

The same subject could be made racy with a better screenplay. An alternative take would be better integration of romance and family drama or external hurdles in the narrative.

Did I Enjoy It?

Yes, In Parts

Will You Recommend It?

Yes, But With Huge Reservations

The Warriorr Telugu Movie Review by M9News

The Warriorr Telugu Movie Review

Average Ratings: 2.5/5 Score: 50% Positive Reviews Counted:4 Positive:1 Neutral:2 Negative:1

Ratings: 2.5/5 Review By: Telugu360 Site:Telugu360

The Warriorr film is a mediocre one. First half of the film works for the masses, second half is not up to the mark.Ram and Aadhi did perform well. Entire movie runs on Satya Vs Guru thread, which turns as the major drawback.

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Ratings: 2/5 Review By: Mirchi9 Site:Mirchi9

Overall, The Warrior is a routine mass entertainer which has some mass moments working intermittently. But, a weak direction and screenplay play spoilsport. What should have been a cracker of a mass entertainer turns out to be a boring actioner.

Ratings: 3/5 Review By: 123Telugu Site:123Telugu

On the whole, The Warriorr is a typical masala cop drama that has some impressive mass blocks. Ram and Aadhi Pinisetty hold the screen with their impressive act but the story is a bit routine and predictable. If you are okay with this aspect and like to attempt a mass film, The Warrior can be happily given a shot at a single screen to enjoy the euphoria.

Ratings: 2.5/5 Review By: ABPDesam Site:ABPTelugu

About ‘The Warrior’… An action entertainer with a commercial feel. Ram, Adi Pinishetti’s acting… Kriti Shetty’s glamour… three songs… action episodes… good. The length is longer. Hence, the second half is slow. Linguswamy of yesteryear was not seen as a director. If you go to this movie without any expectations, you can pass the time happily. ‘The Warrior’… for commercial movie lovers!

The Warriorr Cast

Ram Pothineni Aadhi Pinisetty Krithi Shetty Akshara Gowda Nadhiya

The Warriorr Release Date

July 14, 2022 straight to Theaters

The Warriorr Plot

Satya takes charge as the DSP in Kurnool (in Telugu) / Madurai (in Tamil) and cross paths with a notorious gangster in the city named Guru.

The Warriorr Director

The warriorr producer.

Srinivasa Chitturi

The Warriorr Runtime

2 Hours 35 minutes ( 155 minutes)

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The music for "35 Chinna Katha Kaadu" was composed by Vivek Sagar with cinematography by Niketh Bommi. Presented by Rana Daggubati, the movie is produced by Srujan Yarabolu and Siddharth Rallapalli under the banners of Suresh Productions, S Originals, and Waltair Productions.

After a special premiere show of 35 Chinna Katha Kaadu, Cinema Madness on X (formerly Twitter) gave the movie a rating of 3.5/5, praised as "BEAUTIFUL." The review highlights a surprisingly emotional second half that deeply connects viewers with the characters. Nivetha Thomas delivers an exceptional performance, while Vishwadev Rachakonda is noted for his surprising depth, and Priyadarshi is celebrated as a significant asset to Telugu cinema. The film's writing is lauded for its relatability, with Vivek Sagar's music described as the backbone of the movie. The Tirupati slang and Tirumala setting add a positive touch, making it a recommended watch for families.

#35Movie (Telugu) {3.5/5} - BEAUTIFUL 😍 #35MovieReview @i_nivethathomas @imvishwadev @PriyadarshiPN @gautamitads @RanaDaggubati @nikethbommi #VivekSagar @siddharthr87 @srujanyarabolu1 @SOriginals1 @WALTAIRPRO @SureshProdns @asiansureshent @adityamusic @mediayouwe … pic.twitter.com/dUHJt3TCRo — Cinema Madness 24*7 (@CinemaMadness24) September 3, 2024

35 Chinna Katha Kaadu Synopsis

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Exploring Ibomma: The Ultimate Guide To Telugu Movies Online

• 23 Aug 2024
• Globalnexusnews15

Ibomma has emerged as a significant platform for Telugu cinema enthusiasts, providing a vast collection of movies that caters to diverse tastes. This online streaming service has gained popularity due to its user-friendly interface and extensive library, making it a go-to destination for fans of Telugu films. In this article, we will dive deep into what Ibomma is, its offerings, and why it has become a favorite among viewers.

With the rise of digital streaming, many film lovers are seeking convenient ways to access their favorite movies. Ibomma not only fulfills this need but also introduces viewers to a variety of genres, from action-packed blockbusters to heartwarming dramas. Whether you're a long-time fan or new to Telugu cinema, understanding the features and benefits of Ibomma will enhance your viewing experience.

This comprehensive guide will cover various aspects of Ibomma, including its history, features, user experience, and the legalities surrounding online streaming. By the end of this article, you will have a better understanding of why Ibomma is a significant player in the online movie streaming industry.

Table of Contents

1. history of ibomma, 2. features of ibomma, 3. user experience on ibomma, 4. legal aspects of ibomma, 5. popular movies on ibomma, 6. how to access ibomma, 7. pros and cons of using ibomma, 8. conclusion.

Ibomma was founded with the vision of bringing Telugu cinema to a broader audience through digital platforms. Initially launched as a simple website, it quickly evolved into a comprehensive streaming service that houses a wide range of films. The platform gained traction during the pandemic when many people turned to online streaming for entertainment.

The growth of Ibomma can be attributed to its commitment to providing high-quality content and an easy-to-navigate interface. As the demand for Telugu movies surged, Ibomma expanded its library, including not only classic films but also the latest releases, making it a one-stop shop for movie lovers.

Ibomma offers a range of features that enhance the user experience, making it stand out in the crowded streaming market. Some of the notable features include:

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2.1 Streaming Quality

Ibomma prioritizes streaming quality, ensuring that users can enjoy their favorite films without interruptions. The platform supports various video resolutions, allowing viewers to choose based on their internet connection.

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The user interface of Ibomma is designed for convenience, with easy navigation and categorization of films. Users can quickly find their desired movies through search filters or by browsing through different categories.

The user experience on Ibomma is generally positive, with many users praising its simplicity and efficiency. Navigating the site is straightforward, allowing users to access movies with minimal effort.

Moreover, Ibomma frequently incorporates user feedback to improve its services. The platform's responsiveness to viewer needs has contributed to its growing popularity among Telugu film enthusiasts.

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It is essential for users to choose platforms that comply with copyright laws to support the film industry and ensure a sustainable viewing experience. Legal streaming services often provide better quality and a wider selection of films without the risk of penalties.

Ibomma features a range of popular Telugu movies that have captivated audiences. Some noteworthy films include:

• **RRR** - A historical fiction film that has garnered international acclaim.
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• **Arjun Reddy** - A romantic drama that has resonated with younger audiences.
• **Eega** - A unique fantasy film that showcases innovative storytelling.

Accessing Ibomma is simple. Users can visit the official website or download the Ibomma app on their devices. Following these steps will help you get started:

• Visit the Ibomma website or download the app.
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• Enjoy streaming your favorite Telugu movies.

As with any service, Ibomma comes with its advantages and disadvantages. Here’s a brief overview:

• Extensive collection of Telugu films.
• Convenient streaming options.
• User-friendly interface.
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• Quality may vary for some films.

In conclusion, Ibomma has established itself as a popular platform for Telugu movie streaming. With its extensive library, user-friendly interface, and commitment to quality, it has become a favorite among fans. However, users must remain vigilant about the legal implications of streaming content online. We encourage you to explore Ibomma and discover the wealth of Telugu cinema it has to offer.

If you enjoyed this article, please leave a comment below, share it with your friends, or check out our other articles for more insights into the world of cinema.

Thank you for reading, and we hope to see you back on our site soon!

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