Queen's Guitarist Publishes Astrophysics Thesis

Queen's Guitarist Publishes Astrophysics Thesis

The founder of the legendary rock band Queen has completedhis doctoral thesis in astrophysics after taking a 30-year break to play someguitar.

Brian May's thesis examines the mysterious phenomenon knownas Zodiacal light, a misty diffuse cone of light that appears in the westernsky after sunset and in the eastern sky before sunrise. Casual observers, ifthey live under very dark rural skies, can best see the light two to threehours before sunrise as they look east, and many people have been fooled intoseeing it as the first sign of morning twilight. A Persian astronomer who livedaround the 12th century referred to it as "false dawn" in a poem.

Astronomers now know that Zodiacal light represents reflectedsunlight shining on scattered space debris clustered most densely near thesun . The millions of particles range in size from tiny asteroids tomicroscopic dust grains, and extend outward beyond the orbit of Mars.

May's work focuses on an instrument that recorded 250 scansof morning and evening Zodiacal light between 1971 and 1972. The Fabry-PerotSpectrometer is located at the Observatorio del Teide at Izana in Tenerife, thelargest of the Canary Islands.

The completed thesis appears as the book "A Survey ofRadial Velocities in the Zodiacal Dust Cloud" (Springer and CanopusPublishing Ltd., 2008).

"I have thoroughly enjoyed my years playing guitar andrecording music with Queen, but it's extremely gratifying to see thepublication of my thesis," May said. "I've been fascinated withastronomy for years, and I was happy to finally complete my Ph.D. last year andrecord my studies of the Zodiacal Light in this book."

May officially received hisdoctorate on Aug. 24, 2007, from the Imperial College in London. He alsogained the appointmentof chancellor for Liverpool John Moores University in November of thatyear, showing that he's not just any guitar hero.

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brian may astrophysics thesis

brian may astrophysics thesis

A Survey of Radial Velocities in the Zodiacal Dust Cloud

  • © 2007
  • Brian Harold May 0

Astrophysics Group Department of Physics, Imperial College, London, UK

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  • Written by Brian May, guitarist of the legendary rock band, Queen

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Table of contents (5 chapters)

Front matter, introduction.

Brian Harold May

Preparations and experimental details 1971–1974

Reduction of the data, interpretation of results in terms of physical models, current developments and future plans, back matter, authors and affiliations, about the author, bibliographic information.

Book Title : A Survey of Radial Velocities in the Zodiacal Dust Cloud

Authors : Brian Harold May

DOI : https://doi.org/10.1007/978-0-387-77706-1

Publisher : Springer New York, NY

eBook Packages : Physics and Astronomy , Physics and Astronomy (R0)

Copyright Information : Springer-Verlag New York 2007

Hardcover ISBN : 978-0-387-77705-4

eBook ISBN : 978-0-387-77706-1

Edition Number : 1

Number of Pages : XXII, 215

Number of Illustrations : 25 b/w illustrations, 54 illustrations in colour

Additional Information : Jointly published with Canopus Publishing Ltd, Bristol, UK

Topics : Astronomy, Observations and Techniques , Popular Science in Astronomy , Planetology

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Queen Guitarist Brian May Is Also an Astrophysicist: Read His PhD Thesis Online

in Astronomy , Music , Physics | July 1st, 2019 6 Comments

brian may astrophysics thesis

Pho­to by ESO/G. Huede­pohl, via Wiki­me­dia Com­mons

Queen could­n’t pos­si­bly have been Queen with­out Fred­die Mer­cury, nor could it have been Queen with­out Bri­an May. Thanks not least to the recent biopic,  Bohemi­an Rhap­sody , the band’s already larg­er-than-life lead singer has become even larg­er still. But its gui­tarist, despite the film’s sur­face treat­ment of his char­ac­ter, is in his own way an equal­ly implau­si­ble fig­ure. Not only did he show musi­cal promise ear­ly, form­ing his first group while still at school, he also got his A Lev­els in physics, math­e­mat­ics, and applied math­e­mat­ics, going on to earn a Bach­e­lor of Sci­ence in Physics with hon­ors at Impe­r­i­al Col­lege Lon­don.

Nat­u­ral­ly, May then went for his PhD, con­tin­u­ing at Impe­r­i­al Col­lege where he stud­ied the veloc­i­ty of, and light reflect­ed by, inter­plan­e­tary dust in the Solar Sys­tem. He began the pro­gram in 1970, but “in 1974, when Queen was but a princess in its infan­cy, May chose to aban­don his doc­tor­ate stud­ies to focus on the band in their quest to con­quer the world.” So wrote The Tele­graph ’s Felix Lowe in 2007, the year the by-then 60-year-old (and long world-famous) rock­er final­ly hand­ed in his the­sis. “The 48,000-word tome, Radi­al Veloc­i­ties in the Zodi­a­cal Dust Cloud , which sounds sus­pi­cious­ly like a Spinal Tap LP, was stored in the loft of his home in Sur­rey.” You can read it online here .

Accord­ing to its abstract, May’s the­sis “doc­u­ments the build­ing of a pres­sure-scanned Fab­ry-Per­ot Spec­trom­e­ter, equipped with a pho­to­mul­ti­pli­er and pulse-count­ing elec­tron­ics, and its deploy­ment at the Obser­va­to­rio del Tei­de at Iza­ña in Tener­ife, at an alti­tude of 7,700 feet (2567 m), for the pur­pose of record­ing high-res­o­lu­tion spec­tra of the Zodi­a­cal Light.” Space.com describes the Zodia­cial Light as “a misty dif­fuse cone of light that appears in the west­ern sky after sun­set and in the east­ern sky before sun­rise,” one that has long tricked casu­al observers into “see­ing it as the first sign of morn­ing twi­light.” Astronomers now rec­og­nize it as “reflect­ed sun­light shin­ing on scat­tered space debris clus­tered most dense­ly near the sun.”

In his abstract, May also notes the unusu­al­ly long peri­od of study as 1970–2007, made pos­si­ble in part by the fact that lit­tle oth­er research had been done in this par­tic­u­lar sub­ject area dur­ing Queen’s reign on the charts and there­after. Still, he had catch­ing up to do, includ­ing obser­va­tion­al work in Tener­ife (as much of a hard­ship post­ing as that isn’t). Since being award­ed his doc­tor­ate, May’s sci­en­tif­ic activ­i­ties have con­tin­ued, as have his musi­cal ones and oth­er pur­suits besides, such as ani­mal-rights activism and stere­og­ra­phy. (Some­times these inter­sect: the 2017 pho­to­book Queen in 3‑D , for exam­ple, uses a VR view­ing device of May’s own design.) The next time you meet a young­ster dither­ing over whether to go into astro­physics or found one of the most suc­cess­ful rock bands of all time, point them to May’s exam­ple and let them know doing both isn’t with­out prece­dent.

Relat­ed Con­tent:

Gui­tarist Bri­an May Explains the Mak­ing of Queen’s Clas­sic Song, ‘Bohemi­an Rhap­sody’

Bri­an May’s Home­made Gui­tar, Made From Old Tables, Bike and Motor­cy­cle Parts & More

Stephen Hawking’s Ph.D. The­sis, “Prop­er­ties of Expand­ing Uni­vers­es,” Now Free to Read/Download Online

Watch 94 Free Lec­tures From the Great Cours­es: Dystopi­an Fic­tion, Astro­physics, Gui­tar Play­ing & Much More

Based in Seoul,  Col­in Mar­shall  writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book  The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les  and the video series  The City in Cin­e­ma . Fol­low him on Twit­ter at  @colinmarshall , on  Face­book , or on  Insta­gram .

by Colin Marshall | Permalink | Comments (6) |

brian may astrophysics thesis

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Comments (6), 6 comments so far.

“Woody Paul” Christ­man aka “King of the Cow­boy Fid­dlers” from the cow­boy band “Rid­ers in the Sky” (they did the music for the movie Toy Sto­ry) has a PhD in Plas­ma Physics from MIT. Yes, the King of Cow­boy Fid­dlers is a Rock­et Sci­en­tist!!!

Love­ly to see well known peo­ple with strong left brain as well as right brain men­tal activ­i­ty! Wow!

Bri­an May is so genius!! Tal­ent­ed, kind, sweet tge rea­son why he deserved all of this. Long live leg­end!! We quee­nies are so proud of you! :)

My son, Christo­pher, is an aero­space engi­neer (and a drum­mer in his band!) He had to explain to me what astro­physics is! I adore Queen and hope my dream to meet you, Bri­an, and Roger comes true when you are in Wash­ing­ton DC this month! It would be such a dream come true. (I have a lit­tle hedge hog present for you.) Music and space will always go togeth­er in our fam­i­ly and yours! May God bless your fam­i­ly, your kind­ness and com­pas­sion. Espe­cial­ly today, on our plan­et, we need more Bri­an Mays! Hope, hope, hope to shake your hand at the stage door. Love, Ann (Miss Fred­die so much.)

Got my A‑levels in physics, pure math, and applied math in Hert­ford­shire. Went on to get my BSc and ARCS in physics at Impe­r­i­al Col­lege in 1970. Very much inspired along the way by Sir Patrick Moore. Did­n’t know how much I had in com­mon with Sir Bri­an May. Wish I had met him when we were there. Great mem­o­ries.

The two fields aren’t as dis­parate as you might think. Music, at its core, is real­ly just very beau­ti­ful math.

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A Survey of Radial Velocities in the Zodiacal Dust Cloud

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A Survey of Radial Velocities in the Zodiacal Dust Cloud 2007th Edition

  • ISBN-10 0387777059
  • ISBN-13 978-0387777054
  • Edition 2007th
  • Publisher Springer
  • Publication date August 5, 2008
  • Language English
  • Dimensions 8.5 x 0.75 x 11 inches
  • Print length 237 pages
  • See all details

Editorial Reviews

From the reviews:

"The Queen guitarist Brian May has achieved a new milestone: he has published his PhD thesis in astronomy. … Entitled A Survey of Radial Velocities in the Zodiacal Dust Cloud, his thesis analyses what happens to the dust particles left over from the formation of the solar system about 4.6 billion years ago. … Mike Lockwood, a physics professor at Southampton University, said May’s work was timely … . Brian Cox, a physics professor at Manchester University, applauded May’s tenacity. … That’s hugely impressive." (Jonathan Leake and Robert Watts, Times Online, August, 2008)

From the Back Cover

The Zodiacal Light, that misty diffuse cone of light seen in the West after Sunset and the East before Sunrise, is a beautiful and intriguing phenomenon. Even though everyone can enjoy the sight from a suitably dark location, it is poorly understood, and has been the subject of relatively little research. Brian May began his research into the subject in 1970, and was finally awarded his PhD in 2007, after a hiatus of more than 30 years pursuing his other career as guitarist with his rock band Queen. This book is Brian’s thesis, and as such presents the results of his research for astronomers.

About the Author

Brian May CBE, PhD, ARCS, FRAS Is a founding member of Queen, a world-renowned guitarist, songwriter, producer and performer. Brian was forced to abandon his PhD studies at Imperial College London in 1974 when Queen’s popularity first exploded. He always retained a keen interest in astronomy and has been a regular contributor to The Sky at Night, BBC TV’s monthly astronomy programme hosted by Sir Patrick Moore. Returning to astrophysical research in 2006, he was awarded his PhD in 2007. He is Chancellor of John Moores University, and a patron to a number of charities, including the Mercury Phoenix Trust and the British Bone Marrow Donor Association. To contact Brian and enjoy updates on astronomy and his thoughts on various subjects from relativity to rock, visit his interactive website at www.brianmay.com.

Product details

  • Publisher ‏ : ‎ Springer; 2007th edition (August 5, 2008)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 237 pages
  • ISBN-10 ‏ : ‎ 0387777059
  • ISBN-13 ‏ : ‎ 978-0387777054
  • Item Weight ‏ : ‎ 2.6 pounds
  • Dimensions ‏ : ‎ 8.5 x 0.75 x 11 inches
  • #198 in London England Travel Books
  • #323 in Astronomy & Astrophysics
  • #711 in Earth Sciences (Books)

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Queen Guitarist Brian May On Writing Anthems And Studying Astrophysics

Terry Gross square 2017

Terry Gross

Brian May spoke to Fresh Air in 2010 about writing "We Will Rock You," recording the many vocals in "Bohemian Rhapsody" and getting a Ph.D. The biopic Bohemian Rhapsody details Queen's meteoric rise.

Hear The Original Interview

Queen's Brian May Rocks Out To Physics, Photography

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Queen's brian may rocks out to physics, photography.

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Queen's Brian May to complete astrophysics doctorate

Social sharing.

Queen guitarist and songwriter Brian May, who gave up studying the stars to become one, will soon complete his doctorate in astrophysics.

May, 60, will submit a thesis titled Radial Velocities in the Zodiacal Dust Cloud next week at Imperial College London.

May joined with Freddie Mercury and Roger Taylor to help form the rockgroup Queen in 1969.

The group became an international success with hits such as Bohemian Rhapsody and We Will Rock You and May left his doctorate unfinished.

After Mercury's death in 1991, May recorded several solo albums, including 1998's Another World.

He continued his interest in astrophysics and co-wrote Bang! The Complete History of the Universe , which was published last year.

May has also appeared on the BBC program The Sky at Night with Patrick Moore.

Now he's ready to complete hisdoctorate.

"I didn't want an honorary PhD. I wanted the real thing that I worked for," he told the BBC.

To gain his doctorate he has studied the night skies at an observatory on the island of La Palma, in Spain's Canary Islands.

With files from the Associated Press

Meet the rock guitarist who helped NASA land on an asteroid

Brian May is the co-founder of the band Queen—and an astrophysicist. He talks to National Geographic about consulting on NASA missions and blending art with science.

As a working-class youth in London, Brian May first built his own telescope. Then he built his own electric guitar. Two days after earning a bachelor’s degree in physics, he was onstage with his band, opening for Pink Floyd. It was 1968.

Today May, 76, is known as one of the greatest guitarists in rock history. This month he’s back on the road with the latest incarnation of Queen, the legendary band he co-founded with Roger Taylor and the late Freddie Mercury. Also this month: publication day for May’s latest book, an atlas of the asteroid Bennu, featuring May’s stereoscopic photography .

Portrait of a man with long grey hair.

I met May in 2015 when he was working with NASA’s New Horizons mission . He’s now a friend; we share a fascination with the stars (he earned a Ph.D. in astrophysics in 2007), as well as a deep and abiding love of animals (he’s an activist for animal welfare). I’ve been to more than a few of his concerts, often running into others backstage who are both Queen fans and space nerds (including a NASA official who once showed up with a copy of May’s doctoral thesis ).

This interview has been edited and condensed for clarity.

NADIA DRAKE: I’m betting that many people who know you as a musician have no idea you’re Dr. May—that you earned a Ph.D. studying zodiacal dust, a cloud of rocky grains that fills interplanetary space in our solar system. Why did you choose that topic?

BRIAN MAY: I knew you were going to ask. I was doing my graduate work in infrared astronomy at Imperial College in the 1970s, and one of the professors had been doing spectroscopic studies of zodiacal dust. It had come to a standstill because most of the equipment didn’t work anymore. So they said, Would you like to take this over? Once I looked at it, I thought, This is fascinating. It was something few people had done.

What did you want to know about the dust?

Very simply, where it comes from and where it’s going. Everybody else was studying the light reflected by the zodiacal cloud, but we were looking at how that cloud moved, by tracking an absorption line in the sun’s spectrum, which is Doppler shifted because of the motions of the dust relative to Earth. We thought that a component of the dust ought to be the debris shed by comets, and a certain amount of it might be from asteroids. I had this crazy idea that a small component might be interstellar because the solar system is moving through space. But I was kind of dismissed as a crank, and my supervisor said, “Don’t put that in the thesis, because everyone’s gonna laugh at you.”

But you were right?

The funny thing is, I thought I could see an interstellar element that was flowing through the solar system. But I never published that part of the data—after all, there were big error bars on my measurements. Looking back on it, I kind of wish I had because we now know that interstellar stuff is coming through all the time. Notably ‘ Oumuamua , the interstellar object that zipped through in 2017. Now there’s a big lump of dust that sure didn’t come from inside our solar system—and there’s no knowing what we’re going to encounter next, is there?

You’ve moved on from dust and are now working a lot with asteroids and other small bodies in the solar system. Where does that interest come from?

That’s a passion, really. It connects to my interest in stereoscopic photography. All of the objects visited by uncrewed spacecraft lend themselves to 3D stereo images—for those, you need two different views of an object to make a stereo pair. And it is a very basic fact that everything in the solar system rotates. Which is fortunate, because rotation gives you the pair of views from slightly different angles that you need. I basically trawl the data from every space mission with a colleague of mine in Italy, and we find data to make 3D pictures.

We started to get friendly with some of the teams from NASA, the European Space Agency, and the Japan Aerospace Exploration Agency, and once they saw what we were doing, the word spread to other missions. Our first great opportunity was New Horizons, which made history with its flyby of Pluto.

I remember running into you during the flyby in 2015. Such a fun time!

Watching that data come in was one of the greatest experiences of my life. We saw what Pluto looked like for the first time, and we got two different views: one just before the flyby and one that came in as the spacecraft was going by. I put a couple of those together and made the first 3D picture of Pluto.

I’ve done a lot of good stuff in my life—I’ve been very lucky—but that was one of the most thrilling moments I can remember: to suddenly see Pluto, which in my childhood was a white dot, in all its glorious detail in three dimensions. It was just a thrill beyond measure.

Now you’re working with the   OSIRIS-REx team , which sent a spacecraft to the asteroid   Bennu .

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That mission proved that stereo imagery isn’t just for fun; it can be useful too. Stereo can give you such an instinctive feel for terrain that it can help you choose a landing site. This was crucial at Bennu: The mission was to take a sample of the asteroid, so we were put to work making stereo pictures of every potential landing site. I think there were 24 of them. And we did it—we helped to choose the final site, and the samples were safely gathered.

What will we learn by studying this asteroid?

Asteroids are like time capsules from the early solar system. We can learn a lot about what this place was like 4.5 billion years ago by studying primordial material from Bennu.

They’re also a whole lot more important than people realized until recently. They’ve long been recognized as potential hazards . They’re also possible sources of minerals—people are talking about mining them. But what’s become more and more apparent is the role that asteroids must have played in setting up the Earth for us to be on it, for the biosphere to be here, by delivering water and organic molecules.

You suddenly realize that asteroids, as well as being the harbingers of death and destruction, must have played a crucial role in the creation of life on Earth. Then you develop a lot more respect for them.

What are the unanswered questions in astronomy, astrophysics, or planetary science that are the most compelling to you now?

A lot of things. I’m excited about this multiverse idea. It’s funny how these concepts start off as something which is crazy, and then everybody is talking about them as a very normal thing.

One of my favorite memories from your concerts is when special effects had you standing on an asteroid, surrounded by planets, riffing on Dvořák’s New World Symphony (photo at top).

I’m planning a new variation of that for the coming U.S. tour. I will be going further down that road. I love it. And those little planetoids around me are real objects; they’re not projections.

You’re at the center of your own planetary system! That’s typical of your approach to art and science: You mash up these fields. Why? And are they really so different from one another?

This is central to my life and my beliefs. I was told that I couldn’t do art and science as I progressed through school. And I was very resentful about that because I love them both. I feel like the rest of my life has been trying to prove them wrong. More and more and more, I’ve discovered that artistic thinking and scientific thinking are just different parts of the same thing. It’s a continuum. They’re inextricably linked. You have to have both sides to function at your full potential.

Creativity seems like another shared element there. To succeed in both fields, you must be willing to break the rules, to test new ideas, and ultimately to help people see the world in a different way.

Yeah, that’s right. I actually don’t think I had that talent as a Ph.D. student, or maybe I didn’t have enough confidence to apply it. When Queen started to move, when it looked like we could actually go out as a rock group, I was quite relieved to give up the Ph.D. I’d already written it up, I’d submitted it to my supervisor, and he’d rejected it and told me I had to go away and do more research.

I always thought science benefited from me going off and playing music for 30 years; I hope it’s also benefited from me coming back.

Are you excited about going back on tour?

I’m excited, but I’m also nervous. It’s a long time to be away from home, and these days I don’t find that so easy. But apart from that, it ought to be good to get out and do what we do one more time, right?

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Brian May: Queen guitarist and astrophysicist

Brian May: Queen guitarist and astrophysicist

Starmus: “It was a blast!” Brian May

Jarre/May concert - PR Photo ©Tomas Kika

JEAN-MICHEL JARRE AND BRIAN MAY IGNITE THE BRATISLAVA SKIES WITH HISTORIC LIVE CONCERT-EVENT ‘BRIDGE FROM THE FUTURE’

Over 100,000 people attended in and around the city last night, may 12, the concert officially launched the seventh edition of starmus festival, which runs until may 17th.

Jean-Michel Jarre and special guest Sir Brian May electrified the Bratislava skies last night with Bridge from the Future, the opening concert event of the seventh edition of STARMUS Festival. In association with ESET, a global leader in digital security; the electronic music pioneer conceived this one-off futuristic staging installation, hosting the live performance set against the stunning backdrop of the SNP (UFO) Bridge. 

During the afternoon, as the audience were congregating around the Danube from throughout the city, they were welcomed by a brand new composition titled ‘Blue Dot in Space’.  The music was specially created by Jarre specifically for this event, where real sounds of the stars were weaved into the soundscape, inviting the audience to consider our position on Earth within the cosmos, and the future of our home planet, reflecting the theme of this year’s edition of STARMUS Festival.

The staggering production featured exquisitely choreographed architectural light and laser displays which were visible from three different countries including Austria and Hungary. A mesmerising 400-drone ballet painted the night sky with a supernova-like display, while fireworks punctuated the musical score. The stage included two towering turrets at over 30 metres tall, perfectly framing the UFO bridge behind it, which itself was adorned with lights and lasers. Jarre designed the entire visual element himself, conceiving it as a score to the music. 

The concert in Bratislava represented the culmination of Jarre’s artistic vision, honed meticulously since he pioneered the concept of large-scale open-air events spanning entire cities, from Houston to Moscow and beyond. With this show in Bratislava, he continues to surpass himself, showcasing how he adeptly harnesses the latest technology to push the boundaries of live performance and entertainment. This event not only symbolises Jarre’s innovative spirit but also underscored the inseparable connection between science, technology, and art, a core principle of STARMUS Festival.

Among the concert’s repertoire of 19 musical works spanning Jean-Michel Jarre’s career was a remarkable new arrangement of Antonín Dvo?ák’s ‘New World Symphony’. Crafted by Jean-Michel Jarre and Brian May, this rendition marked a historic first-time collaboration between the iconic musicians. Each brought their individual musical backgrounds and histories to the table, converging to create a singularly distinctive performance, firmly focused on the future. Brian May also performed with Jarre on newly adapted works ‘Bratislava Time’ and ‘Rendez-vous Bratislava’. Jarre was also accompanied on stage by his backing band featuring longstanding accomplice Claude Samard and newcomer British musician Adiescar Chase who played among other instruments the violin, bass guitar and didgeridoo. They were also joined by members of the Slovak Philharmonic Orchestra and a 19-piece chorus from the Slovak Philharmonic Choir.

The mammoth set, designed by Jarre, was constructed over a period of a month by a team of over 100 people working day and night, including hundreds of kilometres of cables, 21 screens, 150 lighting projectors and over 170 tonnes of staging equipment. It was the largest stage ever constructed in Slovakia. In an environmentally responsible approach and to offset its carbon impact, the production has also committed to the preservation and sustainable management of over 150 years of pan-European forests, notably in Slovakia.

The concert was televised on Slovakian National TV network RTVS as well as globally via the EBU network and live-streamed on Jean-Michel Jarre’s YouTube channel. The concert is available to watch online for another seven days here.

Bridge from the Future inaugurated the seventh edition of STARMUS Festival, the globe’s preeminent gathering uniting science, art, and music. This year, with the theme of ‘STARMUS Earth: the future of our home planet’, powered by ESET Digital Security, the festival convenes Nobel laureates, distinguished scientists and researchers, astronauts, intellectuals, and artists to exchange knowledge and insights as we explore profound and urgent existential questions. It was founded by astrophysicist Garik Israelian, PhD, and Queen guitarist and PhD in astrophysics Sir Brian May, under the auspices of the late Stephen Hawking. Science, often referred to as the bridge to tomorrow, holds the promise of transformative advancements – if we embrace its discoveries and predictions without hesitation.

STARMUS strives to inspire future explorers and reignite the passion for discovery by tackling pressing global challenges. Bridge from the Future embodies values of curiosity, creativity, and collaboration, echoed by main partner ESET, demonstrating their commitment to promoting science, culture, and education.

Jean-Michel Jarre said: “It is a great honour for me to be associated with Starmus Earth Festival and all the brilliant minds that will gather exceptionally in Bratislava to share their knowledge and vision with students and the general public over the week under the auspices of the extraordinary Dr Jane Goodall. Our planet needs scientists, artists and entrepreneurs that can invest their knowledge, vision and resources, beyond all political mandates, to gather together in educating the next generation, for them to be able to shape the future positively. Also as UNESCO Ambassador now for over three decades, I will always contribute where I can in pursuing progress in the fields of Education, Science & Culture : that is my mission as an active citizen of our planet and Starmus Earth in Slovakia is all about that.”

Brian May said: “It was a blast! The perfect kick-off for Starmus Earth.”

This 2024 edition of STARMUS Festival champions the theme of ‘The Future of our Home Planet,’ accentuating the vital role that both science and art play in ensuring a sustainable future for Earth. While science illuminates the truths of our universe, art and music inspire us to seek out further revelations.

The five-day event (May 13-17) comprises lectures and discussions on topics including Environment, AI and Cybersecurity, and Space. It also includes the annual presentation of the Stephen Hawking Medal for Science Communication, for which Jean-Michel Jarre was a recipient in 2017. This year, Jean-Michel has been announced as the latest STARMUS Advisory Board member.

Photo: Tomas Kika

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brian may astrophysics thesis

Starmus: “It was a blast!" Brian May

JEAN-MICHEL JARRE AND BRIAN MAY IGNITE THE BRATISLAVA SKIES WITH HISTORIC LIVE CONCERT-EVENT ‘BRIDGE FROM THE FUTURE’

OVER 100,000 PEOPLE ATTENDED IN AND AROUND THE CITY LAST NIGHT, MAY 12

THE CONCERT OFFICIALLY LAUNCHED THE SEVENTH EDITION OF STARMUS FESTIVAL, WHICH RUNS UNTIL MAY 17th

Jean-Michel Jarre and special guest Sir Brian May electrified the Bratislava skies last night with Bridge from the Future, the opening concert event of the seventh edition of STARMUS Festival. In association with ESET, a global leader in digital security; the electronic music pioneer conceived this one-off futuristic staging installation, hosting the live performance set against the stunning backdrop of the SNP (UFO) Bridge. 

During the afternoon, as the audience were congregating around the Danube from throughout the city, they were welcomed by a brand new composition titled 'Blue Dot in Space'.  The music was specially created by Jarre specifically for this event, where real sounds of the stars were weaved into the soundscape, inviting the audience to consider our position on Earth within the cosmos, and the future of our home planet, reflecting the theme of this year’s edition of STARMUS Festival.

The staggering production featured exquisitely choreographed architectural light and laser displays which were visible from three different countries including Austria and Hungary. A mesmerising 400-drone ballet painted the night sky with a supernova-like display, while fireworks punctuated the musical score. The stage included two towering turrets at over 30 metres tall, perfectly framing the UFO bridge behind it, which itself was adorned with lights and lasers. Jarre designed the entire visual element himself, conceiving it as a score to the music. 

The concert in Bratislava represented the culmination of Jarre’s artistic vision, honed meticulously since he pioneered the concept of large-scale open-air events spanning entire cities, from Houston to Moscow and beyond. With this show in Bratislava, he continues to surpass himself, showcasing how he adeptly harnesses the latest technology to push the boundaries of live performance and entertainment. This event not only symbolises Jarre's innovative spirit but also underscored the inseparable connection between science, technology, and art, a core principle of STARMUS Festival.

Among the concert’s repertoire of 19 musical works spanning Jean-Michel Jarre’s career was a remarkable new arrangement of Antonín Dvo?ák’s ‘New World Symphony’. Crafted by Jean-Michel Jarre and Brian May, this rendition marked a historic first-time collaboration between the iconic musicians. Each brought their individual musical backgrounds and histories to the table, converging to create a singularly distinctive performance, firmly focused on the future. Brian May also performed with Jarre on newly adapted works ‘Bratislava Time’ and ‘Rendez-vous Bratislava’. Jarre was also accompanied on stage by his backing band featuring longstanding accomplice Claude Samard and newcomer British musician Adiescar Chase who played among other instruments the violin, bass guitar and didgeridoo. They were also joined by members of the Slovak Philharmonic Orchestra and a 19-piece chorus from the Slovak Philharmonic Choir.

The mammoth set, designed by Jarre, was constructed over a period of a month by a team of over 100 people working day and night, including hundreds of kilometres of cables, 21 screens, 150 lighting projectors and over 170 tonnes of staging equipment. It was the largest stage ever constructed in Slovakia. In an environmentally responsible approach and to offset its carbon impact, the production has also committed to the preservation and sustainable management of over 150 years of pan-European forests, notably in Slovakia.

The concert was televised on Slovakian National TV network RTVS as well as globally via the EBU network and live-streamed on Jean-Michel Jarre’s YouTube channel. The concert is available to watch online for another seven days here .

Bridge from the Future inaugurated the seventh edition of STARMUS Festival, the globe’s preeminent gathering uniting science, art, and music. This year, with the theme of ‘STARMUS Earth: the future of our home planet’, powered by ESET Digital Security, the festival convenes Nobel laureates, distinguished scientists and researchers, astronauts, intellectuals, and artists to exchange knowledge and insights as we explore profound and urgent existential questions. It was founded by astrophysicist Garik Israelian, PhD, and Queen guitarist and PhD in astrophysics Sir Brian May, under the auspices of the late Stephen Hawking. Science, often referred to as the bridge to tomorrow, holds the promise of transformative advancements - if we embrace its discoveries and predictions without hesitation.

STARMUS strives to inspire future explorers and reignite the passion for discovery by tackling pressing global challenges. Bridge from the Future embodies values of curiosity, creativity, and collaboration, echoed by main partner ESET, demonstrating their commitment to promoting science, culture, and education.

Jean-Michel Jarre said: “It is a great honour for me to be associated with Starmus Earth Festival and all the brilliant minds that will gather exceptionally in Bratislava to share their knowledge and vision with students and the general public over the week under the auspices of the extraordinary Dr Jane Goodall. Our planet needs scientists, artists and entrepreneurs that can invest their knowledge, vision and resources, beyond all political mandates, to gather together in educating the next generation, for them to be able to shape the future positively. Also as UNESCO Ambassador now for over three decades, I will always contribute where I can in pursuing progress in the fields of Education, Science & Culture : that is my mission as an active citizen of our planet and Starmus Earth in Slovakia is all about that.”

Brian May said: “It was a blast! The perfect kick-off for Starmus Earth.”

This 2024 edition of STARMUS Festival champions the theme of ‘The Future of our Home Planet,’ accentuating the vital role that both science and art play in ensuring a sustainable future for Earth. While science illuminates the truths of our universe, art and music inspire us to seek out further revelations.

The five-day event (May 13-17) comprises lectures and discussions on topics including Environment, AI and Cybersecurity, and Space. It also includes the annual presentation of the Stephen Hawking Medal for Science Communication, for which Jean-Michel Jarre was a recipient in 2017. This year, Jean-Michel has been announced as the latest STARMUS Advisory Board member.

Photo: Tomas Kika

View this post on Instagram A post shared by STARMUS Festival (@starmus)
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Born
(1947-07-19) 19 July 1947 (age 77)
Occupation
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 (2008)

Sir Brian Harold May CBE (born 19 July 1947) is an English musician, songwriter, record producer, animal rights activist and astrophysicist. He achieved worldwide fame as the lead guitarist and backing vocalist of the rock band Queen , which he co-founded with singer Freddie Mercury and drummer Roger Taylor. His guitar work and songwriting contributions helped Queen become one of the most successful acts in music history.

May previously performed with Taylor in the progressive rock band Smile , which he had joined while he was at university. After Mercury joined to form Queen in 1970, bass guitarist John Deacon completed the line-up in 1971. They became one of the biggest rock bands in the world with the success of the album A Night at the Opera and its single " Bohemian Rhapsody ". From the mid-1970s until 1986, Queen played at some of the biggest venues in the world, including an acclaimed performance at Live Aid in 1985. As a member of Queen, May became regarded as a virtuoso musician and was identified with a distinctive sound created through his layered guitar work, often using a home-built electric guitar called the Red Special. May wrote numerous hits for Queen, including " We Will Rock You ", "I Want It All", "Fat Bottomed Girls", "Flash", "Hammer to Fall", "Save Me", "Who Wants to Live Forever" and "The Show Must Go On".

Following the death of Mercury in 1991, aside from the 1992 tribute concert, the release of Made in Heaven (1995) and the 1997 tribute single to Mercury, "No-One but You (Only the Good Die Young)" (written by May), Queen were put on hiatus for several years but were eventually reconvened by May and Taylor for further performances featuring other vocalists. In 2005, a Planet Rock poll saw May voted the seventh-greatest guitarist of all time. He was ranked at No. 33 on Rolling Stone 's 2023 list of 250 greatest guitarists of all time. In 2012, he was further ranked the second-greatest guitarist in a Guitar World magazine readers poll. In 2001, May was inducted into the Rock and Roll Hall of Fame as a member of Queen and, in 2018, the band received the Grammy Lifetime Achievement Award.

May was appointed a Commander of the Most Excellent Order of the British Empire (CBE) in 2005 for services to the music industry and for charity work. May earned a PhD degree in astrophysics from Imperial College London in 2007, and was Chancellor of Liverpool John Moores University from 2008 to 2013. He was a "science team collaborator" with NASA's New Horizons Pluto mission. He is also a co-founder of the awareness campaign Asteroid Day. Asteroid 52665 Brianmay was named after him. In 2023, May contributed to NASA's OSIRIS-REx mission, the agency's first successful collection and earth delivery of samples directly from an asteroid (the asteroid Bennu ). May is also an animal rights activist, campaigning against fox hunting and the culling of badgers in the UK . May was knighted by King Charles III in the 2023 New Year Honours for services to music and charity.

1968–1970: Smile

1970–1995: queen, 1983–1999: side projects and solo works, 2004–2009: queen + paul rodgers, 2011–present, 2011–present: queen + adam lambert, guitar style, amplifiers and effects, piano and other instruments, scientific career, stereophotography, portrayal in film, discography.

Brian Harold May was born 19 July 1947 in a nursing home at Hampton Hill, near Twickenham , Middlesex , the only child of Ruth Irving ( née Fletcher) and Harold May, who worked as a draughtsman at the Ministry of Aviation. His mother, who was Scottish , married his father, who was English , at Moulin in Perthshire, Scotland in 1946. May attended the local Hanworth Road state primary school, and at the age of 11 won a scholarship to Hampton Grammar School, then a voluntary aided school. During this time, he formed his first band, named 1984 after George Orwell 's novel of the same name , with vocalist and bassist Tim Staffell .

At Hampton Grammar School, May attained ten GCE Ordinary Levels and three GCE Advanced Levels in Physics, Mathematics, and Applied Mathematics. He studied Mathematics and Physics at Imperial College London , graduating with a BSc degree in Physics in 1968 with honours. Following his graduation, May received a personal invitation from Sir Bernard Lovell to work at the Jodrell Bank Observatory while continuing to prepare his doctorate. He declined, choosing instead to remain at Imperial College to avoid breaking from Smile, the London-based band he was in at the time.

In 2007, May was awarded a PhD degree in astrophysics from Imperial College London for work started in 1971 and completed in 2007.

Musical career

May formed the band Smile in 1968. The group included Tim Staffell as the lead singer and bassist, and later, drummer Roger Taylor, who also went on to play for Queen. The band lasted for only two years, from 1968 to 1970, as Staffell departed in 1970, leaving the band with a catalogue of nine songs. Smile would reunite for several songs on 22 December 1992. Taylor's band The Cross were headliners, and he brought May and Staffell on to play "Earth" and "If I Were a Carpenter". May also performed several other songs that night.

Hannover7907

In Queen's three-part vocal harmonies, May was generally the lower-range backing vocalist. On some of his songs, he sings the lead vocals, most notably the first verse of "Who Wants to Live Forever", the final verse of "Mother Love", the middle eight on "I Want It All" and "Flash's Theme", and full lead vocals on " Some Day One Day ", "She Makes Me (Stormtrooper in Stilettoes)", "'39", "Good Company", "Long Away", "All Dead, All Dead", "Sleeping on the Sidewalk", "Leaving Home Ain't Easy" and "Sail Away Sweet Sister" .

May frequently wrote songs for the band and has composed many hits such as " We Will Rock You ", "Tie Your Mother Down", "I Want It All", "Fat Bottomed Girls", "Who Wants to Live Forever" and "The Show Must Go On" as well as "Hammer to Fall", "Flash", "Now I'm Here", " Brighton Rock ", "The Prophet's Song", "Las Palabras de Amor", "No-One but You (Only the Good Die Young)" and "Save Me".

Brian may mdp

After the Live Aid concert in 1985, Mercury rang his band members and proposed writing a song together. The result was "One Vision", which was basically May on music (the Magic Years documentary shows how he came up with the opening section and the basic guitar riff); the lyrics were co-written by the four band members.

For their 1989 release album, The Miracle , the band had decided that all of the tracks would be credited to the entire band, no matter who had been the main writer. Interviews and musical analyses tend to help identify the input of each member on each track. May composed "I Want It All" for that album, as well as "Scandal" (based on his problems with the British press). For the rest of the album, he did not contribute much creatively. However, he helped in building the basis of "Party" and "Was It All Worth It" (both being predominantly Mercury's pieces) and created the "Chinese Torture" guitar riff.

Queen's subsequent album was Innuendo . May's contributions increased, although more in terms of arranging than actual writing in most cases. He did some of the arrangement for the heavy solo on the title track. He added vocal harmonies to "I'm Going Slightly Mad" and composed the solo for "These Are the Days of Our Lives", a song for which the four of them decided the keyboard parts together.

Two songs May had composed for his first solo album, "Headlong" and "I Can't Live With You", eventually ended up on the Queen project. His other composition was "The Show Must Go On", which he coordinated and was the primary composer. In recent years, he has supervised the remastering of Queen albums and various DVD and greatest hits releases. In 2004, he announced that he and drummer Roger Taylor were going on tour for the first time in 18 years as "Queen", along with Free/Bad Company vocalist Paul Rodgers . Billed as " Queen + Paul Rodgers ", the band played throughout 2005 and 2006 in South Africa, Europe, Aruba, Japan, and North America and released a new album with Rodgers in 2008, entitled The Cosmos Rocks . This album was supported by a major tour.

Paul Rodgers left the band in May 2009. It was not until 2011 that another vocalist, Adam Lambert , was recruited. Queen + Adam Lambert toured Europe in 2012 and toured the world tour over 2014 and 2015. Their most recent outing was the 2016 Festival Tour. They also played the Big Ben New Year concert on New Year's Eve 2014 and New Year's Day 2015.

During 1983, several members of Queen explored side projects. On 21 and 22 April in Los Angeles, May was in a studio with Eddie Van Halen , with no intention of recording anything. The result of the two-day session was a mini album titled Star Fleet Project , which was not originally going to be released. In 1986, May contributed to former Genesis guitarist Steve Hackett 's album Feedback 86 , playing guitar on the track "Cassandra" and providing guitar and vocals for "Slot Machine", which May co-wrote. Although produced in 1986, the album was not released commercially until 2000. In the same year, May worked with actress Anita Dobson on her first album, most noted for the song "Anyone Can Fall in Love", which added lyrics to the EastEnders theme tune and reached number four on the UK Singles Chart in August 1986. May and Dobson married in 2000. In 1988, May contributed guitar solos to the song "When Death Calls" on Black Sabbath 's 14th album Headless Cross , and the Living in a Box track "Blow The House Down" on the album Gatecrashing . Both albums were released in 1989.

In the aftermath of the November 1991 death of Mercury, May chose to deal with his grief by committing himself as fully as possible to work, first by finishing his solo album, Back to the Light , and then touring worldwide to promote it. He frequently remarked in press interviews that this was the only form of self-prescribed therapy he could think of. According to Def Leppard lead singer Joe Elliott, "It was undoubtedly an enormous and terrible blow to lose someone he was so close to. Personally, I know it ripped the heart out of Brian, but having said that, he was in great spirits after the album was finished." Back to the Light featured the single "Too Much Love Will Kill You", on which he collaborated as a songwriter with Frank Musker and Elizabeth Lamers. A version with Freddie Mercury's vocals was later released on the Queen album Made in Heaven and won the Ivor Novello Award for Best Song Musically & Lyrically in 1996.

In late 1992, the Brian May Band was officially formed. May had loosely formed an earlier version of the band for 19 October 1991, when May took part in the Guitar Legends guitar festival in Seville , Spain. The line-up for his performance was May on vocals and lead guitar, Cozy Powell on drums and percussion, Mike Moran and Rick Wakeman on keyboards, and Maggie Ryder, Miriam Stockley and Chris Thompson on backing vocals. The original line-up was May on vocals and lead guitar, Powell on drums and percussion, Michael Casswell on guitar, Neil Murray on bass, and Ryder, Stockley and Thompson on backing vocals. This version of the band was together only during the South American support tour (supporting The B-52's and Joe Cocker ) on five dates.

Afterwards, May made significant changes, feeling the group never quite gelled. May brought guitarist Jamie Moses on board to replace Mike Caswell. The backing vocalists, Ryder, Stockley and Thompson, were replaced by Catherine Porter and Shelley Preston. On 23 February 1993, this new line-up of The Brian May Band began its world tour in the US, supporting Guns N' Roses and headlining a few dates. The tour included dates in North America, Europe (support act: Valentine) and Japan. On 15 June 1993, the band did a show in London that would end up as The Brian May Band's only release as a collective, namely Live at the Brixton Academy. At the show, May would sing a few lines of "Love of My Life", and then, as Mercury used to, let the audience join in. After the tour ended on 18 December 1993, May returned to the studio with fellow surviving Queen band members Roger Taylor and John Deacon to work on tracks that became Made in Heaven , the final Queen studio album. The band took Mercury's solo album demos and last recordings, which he managed to perform in the studio after the album Innuendo was finished, and completed them with their additions both musically and vocally. After Mercury's death, work on the album by Deacon and May began originally in 1992 but was left until a later date due to other commitments.

In 1995, May began working on a new solo album of covers tentatively titled Heroes , in addition to working on various film and television projects and other collaborations. May subsequently changed the approach from covers to focus on those collaborations and new material. The songs included Another World , and featured mainly Spike Edney, Cozy Powell, Neil Murray and Jamie Moses. On 5 April 1998, Cozy Powell was killed in a car accident on the M4 motorway near Bristol , England. This incident caused an unexpected disruption to the upcoming tour for The Brian May Band, which now needed a new drummer on short notice. Steve Ferrone was brought on to help May finish recording the drum tracks and join the band for the early stage promotional tour of five dates in Europe before the world tour. Following the early promotional tour, Eric Singer replaced him on the 1998 world tour.

The 1998 tour saw the brief introduction of a 'support act' known as T. E. Conway. Conway (Brian May in a wig and colourful suit playing the part of a teddy boy crooner) would play several 1950s rock and roll standards before May's 'arrival'. A bonus T. E. Conway EP entitled Retro Rock Special was attached to some pressings of the Another World album. The Conway character was retired at the end of the tour. In May 1999, May recorded lead guitars for the Guns N' Roses song "Catcher in the Rye" on Chinese Democracy , however, his performance was removed from the album by the time it was released in 2008.

Queen 2005 1010016

From his last solo release in 1998, May has been performing as a solo artist, as part of an ensemble, and infrequently as Queen with Roger Taylor. On 22 October 2000, he made a guest appearance at the Motörhead 25th Anniversary show at Brixton Academy along with Eddie Clarke (former Motörhead guitarist) for the encore song "Overkill". As part of the Golden Jubilee of Elizabeth II celebrations on 3 June 2002, May performed a guitar solo of " God Save the Queen " from the roof of Buckingham Palace , with the performance appearing on the 30th Anniversary DVD edition of A Night at the Opera . May played guitar on the song "Someone to Die For" on the Spider-Man 2 soundtrack in 2004.

On the Queen's birthday honours list of 2005, he was made a Commander of the Most Excellent Order of the British Empire "for services to the music industry and for charity work". In the same year he played the guitar on the song Il mare... for Italian singer Zucchero Fornaciari, on his album Zu & Co. , and he took part in the concert at the Royal Albert Hall in London held in May 2004, with the other guests of the Italian bluesman. May was a celebrity guest at the Genesis reunion concert at Twickenham Stadium in 2007. May and Genesis frontman Phil Collins worked together on two previous occasions, at The Prince's Trust Rock Gala in 1988 and the Party at the Palace in 2002, when Collins had played drums with Queen. .....

Brian May

May worked extensively with stage actress and singer Kerry Ellis after he cast her in the musical We Will Rock You . He produced and arranged her debut studio album Anthems (2010), a follow-up to her extended play Wicked in Rock (2008), as well as appearing with Ellis at many public performances—playing guitar alongside her. He also contributed a guitar solo to Meat Loaf 's Hang Cool, Teddy Bear album in exchange for the use of drummer John Miceli. Along with Elena Vidal, May released a historical book in 2009 entitled A Village Lost and Found: Scenes in Our Village . The book is an annotated collection of stereoscopic photographs taken by the Victorian era photographer T. R. Williams . It included a focusing stereoscope. May became an enthusiast of stereoscope photographs as a child, and first encountered the work of Williams during the late 1960s. In 2003, May announced a search to identify the actual location of the Scenes in Our Village images. In 2004 May reported that he had identified the location as the village of Hinton Waldrist in Oxfordshire.

On 20 May 2009, May and Queen bandmate Roger Taylor performed "We Are the Champions" live on the season finale of American Idol with winner Kris Allen and runner-up Adam Lambert providing a vocal duet. In November 2009, May appeared with Taylor on The X Factor , with Queen mentoring the contestants, then later performed "Bohemian Rhapsody". In April 2010, May founded the "Save Me" 2010 project to work against any proposed repeal of the British fox-hunting ban, and to promote animal rights in Britain. In February 2011, it was announced that May would tour with Kerry Ellis, playing 12 dates across the UK in May 2011.

2005 Queen + Paul Rodgers

At the end of 2004, May and Taylor announced that they would reunite and return to touring in 2005, with Paul Rodgers, the founder and former lead singer of Free and Bad Company. Brian May's website also stated that Rodgers would be "featured with" Queen as Queen + Paul Rodgers, not replacing the late Freddie Mercury. The retired John Deacon would not be participating.

Between 2005 and 2006 Queen and Paul Rodgers embarked on a world tour, the first leg being Europe and the second, Japan and the US in 2006. On 25 May 2006, Queen received the inaugural VH1 Rock Honors at the Mandalay Bay Events Center in Las Vegas , Nevada, and May and Taylor were joined on stage with the Foo Fighters to perform a selection of Queen songs. On 15 August 2006, May confirmed through his website and fan club that Queen + Paul Rodgers would begin producing their first studio album in October, to be recorded at a "secret location". The album, titled The Cosmos Rocks , was released in Europe on 12 September 2008 and in the United States on 28 October 2008. Following the album's release, the band embarked on a tour through Europe and parts of the US, opening on Kharkiv's freedom square in front of 350,000 Ukrainian fans. The show in Ukraine was later released on DVD. Queen and Paul Rodgers officially split up on 12 May 2009. Rodgers did not rule out the possibility of working together again.

On 18  April 2011, Lady Gaga confirmed that May would play guitar on her track "You and I" from her latest album Born This Way , released on 23 May 2011. May joined Gaga on stage during the performance of "You and I" at the 2011 MTV Video Music Awards held at Nokia Theatre in Los Angeles. May performed with Tangerine Dream at the Starmus Festival on Tenerife in June 2011, celebrating the 50th anniversary of Yuri Gagarin 's first spaceflight.

May performed "We Will Rock You" and "Welcome to the Black Parade" with the rock band My Chemical Romance at the Reading Festival on 26 August 2011. On 10 October, May made an appearance to celebrate the reunion of rock band The Darkness at an "intimate" 100 Club show with support from Dark Stares. A long-time fan of the group, May performed three songs onstage with The Darkness, including Queen's "Tie Your Mother Down", at the Hammersmith Apollo on their subsequent "comeback" tour.

At the 2011 MTV Europe Music Awards on 6 November, Queen received the Global Icon Award, which Katy Perry presented to Brian May. Queen closed the awards ceremony, with Adam Lambert on vocals, performing "The Show Must Go On", "We Will Rock You" and "We Are the Champions". The collaboration garnered a positive response from both fans and critics, resulting in speculation about future projects together. Queen + Adam Lambert played two shows at the Hammersmith Apollo, London, on 11 and 12 July 2012. Both shows sold out within 24 hours of tickets going on open sale. A third London date was added for 14 July. On 30 June, Queen + Lambert performed in Kyiv , Ukraine at a joint concert with Elton John for the Elena Pinchuk ANTIAIDS Foundation. Queen also performed with Lambert on 3 July 2012 at Moscow's Olympic Stadium, and on 7 July 2012 at the Municipal Stadium in Wroclaw, Poland.

Brian May & Roger Taylor @ London - 2012 (36082808132)

In January 2012, May featured on N-Dubz frontman Dappy's solo single "Rockstar", providing "rumbling guitar riffs which culminate in an electrifying solo". The pair also collaborated on a performance of "We Will Rock You" for BBC Radio 1 's Live Lounge.

Queen performed at the closing ceremony of the 2012 Summer Olympics in London on 12 August 2012. May performed part of the "Brighton Rock" solo before being joined by Taylor and solo artist Jessie J for a performance of "We Will Rock You". On 16 September 2012, May appeared at the Sunflower Jam charity concert at the Royal Albert Hall, performing alongside bassist John Paul Jones (of Led Zeppelin ), drummer Ian Paice (of Deep Purple ), and vocalists Bruce Dickinson (of Iron Maiden ) and Alice Cooper .

In a 2013 West End run of Spamalot (the musical adaptation of Monty Python 's 1975 film Monty Python and the Holy Grail ), May was among the celebrities who played the part of voicing God for a week in aid of charity. In 2015, May played guitar on the end credits song "One Voice" from the film A Dog Named Gucci . The song also features the talents of: Norah Jones , Aimee Mann , Susanna Hoffs , Lydia Loveless, Neko Case, and Kathryn Calder. It was produced by Dean Falcone, who wrote the film's score. "One Voice" was released on Record Store Day, 16 April 2016, with profits from the sale of the single going to benefit animal charities.

Welsh electronic musician Jayce Lewis collaborated with May in 2018 on the song We Are One , taken from Lewis' 2018 album release Million . Incorporating a repurposed Finger tapping/Hammering riff from May's solo track Cyborg from his album; Another World (Brian May album), both artists re-recorded May's guitar at a slower speed, and included it to the new song composition.

On 29 March 2019, May inducted Def Leppard into the Rock and Roll Hall of Fame . He worked with contemporary metal band Five Finger Death Punch and blues artist Kenny Wayne Shepherd to re-record a new version of "Blue on Black" in support of The Gary Sinise Foundation in April 2019. The artists came together to merge country and mainstream rock to re-create the classic song originally co-written by Shepherd. At the end of the month he also performed songs including "All the Young Dudes" with Def Leppard's Joe Elliott at a Mott the Hoople show at the Shepherd's Bush Empire .

In 2024, May contributed guitar to a re-release of Mark Knopfler 's "Going Home: Theme of the Local Hero" in aid of the Teenage Cancer Trust.

Not long after performing with American Idol finalists Kris Allen and Adam Lambert during the programme's season finale in 2009, May and Taylor began contemplating the future of Queen after the group's amicable split with frontman Paul Rodgers. At the 2011 MTV Europe Music Awards, Queen was presented with that year's Global Icon Award, accepted by May. As part of the broadcast, Queen performed a short set with Lambert, receiving an overwhelmingly welcoming response. Speculation regarding collaboration with Lambert soon arose, with the three formally announcing a short summer tour of Europe in 2012, including three dates at the Hammersmith Apollo in London, as well as shows in Ukraine, Russia and Poland.

Queen And Adam Lambert - The O2 - Tuesday 12th December 2017 QueenO2121217-45 (39066611155)

The collaboration was revived in 2013, when the three performed together at the iHeartRadio Music Festival at the MGM Grand Hotel & Casino in Las Vegas on 20 September. Five months later, May, Taylor and Lambert announced a 19-date summer tour of North America on Good Morning America . Because of ticket demand, five dates were soon added. In May 2014, shows in Australia and New Zealand were announced, along with festival performances in South Korea and Japan. The tour was extended to the UK and greater Europe in early 2015. The group performed together in South America in September 2015, including Queen's first performance at the Rock in Rio Festival since 1985.

Brian May Queen Adam Lambert 6 June 2022

In 2016, the group embarked across Europe and Asia on the Queen + Adam Lambert 2016 Summer Festival Tour. This included closing the Isle of Wight Festival in England on 12 June where they performed "Who Wants to Live Forever" as a tribute to the victims of the mass shooting at a gay nightclub in Orlando, Florida earlier that day. On 12 September they performed at the Yarkon Park in Tel Aviv, Israel for the first time in front of 58,000 people. In September 2018 the group had a residency in the MGM Park Theater in Las Vegas. Though the collaboration remains active, there are currently no plans to record a studio album, though the three are willing to do so in the future. On 31 March 2020, Queen + Adam Lambert confirmed that their touring dates were postponed until 2021 because of the global COVID-19 pandemic.

On 4 June 2022, Queen + Adam Lambert opened the Platinum Party at the Palace outside Buckingham Palace to mark the Platinum Jubilee of Elizabeth II . Performing a three-song set, May appeared in front of the Victoria Memorial monument as they opened with "We Will Rock You" which had been introduced in a comedy segment where the Queen and Paddington Bear tapped their tea cups to the beat of the song.

Musicianship

Koeln1998 Brian May

May has been referred to as a virtuoso guitarist by many publications and musicians. He has featured in various music polls of great rock guitarists, and in 2011 was ranked number 26 on Rolling Stone magazine's list of the " 100 Greatest Guitarists of All Time ". In January 2007, the readers of Guitar World voted May's guitar solos on " Bohemian Rhapsody " and "Brighton Rock" into the "top 50 Greatest Guitar Solos of all time" (No.20 and No.41 respectively). Former Van Halen vocalist Sammy Hagar stated, "I thought Queen were really innovative and made some great sounding records... I like the rockin' stuff. I think Brian May has one of the great guitar tones on the planet, and I really, really love his guitar work." Justin Hawkins , lead guitarist of the Darkness, cites May as his earliest influence, saying "I really loved his tone and vibrato and everything. I thought his playing sounded like a singing voice. I wanted to be able to do that. Whenever I went to guitar lessons, I was always asking to learn Queen stuff."

Most of May's electric guitar work live and in the studio is done on the Red Special, which he built with his father, an electronics engineer, when he was sixteen years old. It was built with wood from an 18th-century fireplace, and was composed of household items such as mother-of-pearl buttons, shelf edging, and motorbike valve springs. While May and his father were building the Red Special, May also produced plans to build a second guitar. However, the Red Special was so successful that May did not need to build another guitar. These plans were eventually given to guitar luthier Andrew Guyton in around 2004–05. Guyton made some slight modifications and the guitar was built. It was named "The Spade", as the body's shape resembled the form shown on playing cards. However, the guitar also came to be known as "The Guitar That Time Forgot".

In addition to using his home-made guitar he prefers to use coins (especially a sixpence from the farewell proof set of 1970), instead of a more traditional plastic plectrum , because he feels their rigidity gives him more control in playing. He is known to carry coins in his pockets specifically for this purpose.

A meticulous arranger, he focuses on multi-part harmonies, often more contrapuntal than parallel—a relative rarity for rock guitar. Examples are found in Queen's albums A Night at the Opera and A Day at the Races , where he arranged a jazz band for guitar mini-orchestra ("Good Company"), a vocal canon ("The Prophet's Song") and guitar and vocal counterpoints ("Teo Torriatte").

..... Some of his solos and orchestral parts were composed by Freddie Mercury , who then asked May to bring them to life ("Bicycle Race", "Lazing on a Sunday Afternoon", "Killer Queen", "Good Old Fashioned Lover Boy"). May also performed notable acoustic works, including the finger-picked solo of "White Queen" (from Queen II ), "Love of My Life" and the skiffle-influenced "'39" (both from A Night at the Opera ).

Aided by the uniqueness of the Red Special, May was often able to create strange and unusual sound effects. ..... Queen used a "No synthesizers were used on this album" sleeve note on their early albums to make this clear to the listeners. May also used his guitar to create the chime effect in "Bohemian Rhapsody".

May's early influences included Cliff Richard and the Shadows, who he says were "the most metallic thing(s) out at the time." Many years later he gained his opportunity to play on separate occasions with Cliff Richard and Shadows lead guitarist Hank Marvin . He has collaborated with Cliff Richard on a re-recording of the Cliff Richard and the Shadows (then known as the Drifters) 1958 hit "Move It" on the Cliff Richard duets album Two's Company which was released on 6 November 2006.

May always stated that the Beatles , Led Zeppelin , The Who and Jimi Hendrix were the greatest influences on him. On the Queen for an Hour interview on BBC Radio 1 in 1989, May listed Hendrix, Jeff Beck and Eric Clapton as his guitar heroes. In a 1991 interview for Guitar World magazine, May referred to The Who as "my inspiration", and on seeing Led Zeppelin stated, "We used to look at those guys and think, 'That's the way it should be done.'" May told Guitarist in 2004: "I don't think anyone has epitomised riff writing better than Jimmy Page – he's one of the great brains of rock music".

May also cites Rory Gallagher as a major influence, saying "He was a magician. He was one of the very few people of that time who could make his guitar do anything, it seemed. I remember looking at that battered Stratocaster and thinking, 'How does that (sound) come out of there?'" According to May, "...it was Rory that gave me my sound, and that's the sound I still have." May was also influenced by Steve Hackett , guitarist of the progressive rock band Genesis, in particular his harmony guitar solo at the end of the band's epic 1971 song "The Musical Box". Hackett said of May, "Equally, his energetic approach to guitar inspired me."

Queen + Adam Lambert 5 (38119549814)

From 1975 onwards, May had some replicas made of the Red Special, some of which were also used for live and recording purposes, others being mainly spares. The most famous replicas were made by John Birch in 1975 (May smashed it during a concert in the US in 1982), Greco BM90 (featured in the promo video of "Good Old-Fashioned Lover Boy" in 1977), Guild (back-up from 1984 to 1993), Fryers (1997–1998, used both live and in the studio) and Guyton (back-up from 2003 to present). On stage, May used to carry at least one backup guitar (in case he broke a string). He occasionally would use others for specific songs or parts, such as alternate tunings. Currently, May owns a company that makes guitars whose design is modelled after the original Red Special guitar.

  • July 1973 – May 1974: Fender Stratocaster CBS era (thought to be 1972)
  • October 1974 – May 1975: Gibson Les Paul Deluxe, and the Stratocaster from the previous tour.
  • November 1975 – May 1976: Same two guitars as before, plus a natural finish John Birch replica of the Red Special.
  • September 1976: Same three as before, plus a Martin D-18 acoustic for "'39".
  • January 1977 – August 1979: Just the Birch replica plus an Ovation Pacemaker 12-string acoustic on some numbers ("'39", "Love of My Life", "Dreamer's Ball").
  • November 1979 – June 1982: Birch replica (back-up), Fender Telecaster ("Crazy Little Thing Called Love" 2nd verse, middle-eight and solo), Ovation (acoustic numbers).
  • July – November 1982: Added a Gibson Flying V as second back-up. On 9 August 1982, May smashed the Birch guitar, so the Flying V became the only spare.
  • August – October 1984: The Flying V became a second back-up again as his main spare was the Guild replica. He also used Roger Taylor's Gibson Chet-Atkins Classical Electric.
  • July 1985 – August 1986: Gibson Flying V no longer used. The rest remained the same. May used a Gibson Chet-Atkins guitar on the 1986 Magic Tour.
  • In 2012, he received a double-neck replica of the Red Special, with the second neck having 12-strings. He used this guitar at a few gigs with Adam Lambert now being able to play the 12-string part from the studio version of "Under Pressure" live.

He currently has a Guild 12-string to replace his Ovation Pacemaker. Some of the non-RS electric guitars he used in the studio included:

  • Burns Double Six on "Long Away" (1976) and "Under Pressure" (1981).
  • Fender Telecaster on "Crazy Little Thing Called Love" (1979). May used it for the video (but not the recordings) of "Back Chat" (1982).
  • Gibson Firebird on "Hammer to Fall" and "Tear It Up" (album versions only, not on stage).
  • Ibanez JS on "Nothing But Blue" (1991).
  • Parker Fly on "Mother Love" (1993–1995).

For acoustic, he favoured Ovation, Martin, Tōkai Hummingbird, Godin and Guild. On a couple of videos, he also used some different electric guitars: a Stratocaster copy on "Play the Game" (1980) and a Washburn RR2V on "Princes of the Universe" (1986).

In 1984, Guild released the first official Red Special replica for mass production and made some prototypes specifically for May. However, the solid-body construction (the original RS has hollow cavities in the body) and the pick-ups (DiMarzio) that were not a replica of the Burns TriSonic did not make May happy. The production of the guitars stopped after just 300 guitars. In 1993, Guild made a second replica of the RS, made in just 1000 copies, of which May has some and used as a back-up. At the moment, he uses the two guitars made by Greg Fryer—the luthier who restored the Old Lady in 1998—as back-up. They are almost identical to the original, except for the Fryer logo on the headstock (May's original one has a sixpence).

VOX AC30 Twin

May has used Vox AC30 amplifiers almost exclusively since a meeting with his long-time hero Rory Gallagher at a gig in London during the late 1960s/early 1970s. In the mid-1970s he used six of them, with an Echoplex delay (with extended delay time) plugged into a separate amplifier, and a second Echoplex plugged into yet another amp; he used a homemade booster, his only effects pedal, which was on all the time. His choice is the model AC30TBX, the top-boost version with Blue Alnico speakers, and he runs the amp at full volume on the Normal channel.

Fryer Brian May Treble Booster Touring, true bypass & LED mod by Cluster

May also customises his amps by removing the Brilliant and Vib-trem channels (leaving only the circuitry for the Normal). This alters the tone slightly, with a gain addition of 6–7 dB. He always used a treble booster which, along with the AC30 and his custom 'Deacy Amp' transistor amp, built by Queen bass player John Deacon, went a long way in helping to create many of his signature guitar tones. He used the Dallas Rangemaster for the first Queen albums, up to A Day at the Races . Effects designer Pete Cornish built for him the TB-83 (32 dB of gain) that was used for all the remaining Queen albums. He switched in 2000 to the Fryer's booster, which actually gives less boost than the TB-83.

When performing live, May uses banks of Vox AC30 amplifiers, keeping some amps with only guitar and others with all effects such as delay, flanger and chorus. He has a rack of 14 AC30s, which are grouped as Normal, Chorus, Delay 1, Delay 2. On his pedal board, May has a custom switch unit made by Cornish and subsequently modified by Fryer that allows him to choose which amps are active. He uses a BOSS pedal from the '70s, the Chorus Ensemble CE-1, which can be heard in " In The Lap of The Gods " ( Live at Wembley '86 ) or "Hammer to Fall" (slow version played live with P. Rodgers). Next in the chain, he uses a Foxx Foot Phaser ("We Will Rock You", "We Are the Champions", "Keep Yourself Alive", etc.), and two delay machines to play his trademark solo in "Brighton Rock".

As a child, May was trained on classical piano. Although Freddie Mercury was the band's primary pianist, May would step in occasionally (such as on "Save Me" and "Flash"). He mostly used Freddie Mercury's 1972 Steinway piano. From 1979 onwards, he also played synthesisers, organ ("Wedding March", "Let Me Live") and programmed drum-machines for both Queen and outside projects (such as producing other artists and his own solo records). In the studio, May used Yamaha DX7 synths for the opening sequence of "One Vision" and the backgrounds of "Who Wants to Live Forever" (also on stage), "Scandal" and "The Show Must Go On".

The first instrument May learned to play was the banjolele. He used a "genuine George Formby Ukulele-Banjo" in "Bring Back That Leroy Brown" and "Good Company". Occasionally, May would also record on other string instruments such as harp (one chord per take, then copied and pasted by the engineer to make it sound like a continuous performance) and bass (on some demos and many songs in his solo career, and the Queen + Paul Rodgers album). May was keen on using some toys as instruments as well. He used a Yamaha plastic piano in "Teo Torriatte" and a toy mini koto in "The Prophet's Song".

May is also an accomplished singer. From Queen's Queen II to The Game , May contributed lead vocals to at least one song per album. May co-composed a mini-opera with Lee Holdridge, Il Colosso , for Steve Barron 's 1996 film, The Adventures of Pinocchio . May performed the opera with Jerry Hadley , Sissel Kyrkjebo, and Just William . On-screen, it was performed entirely by puppets.

Rock Star and Astrophysicist Brian May Visits Paranal

May studied physics and mathematics at Imperial College London, graduating with a BSc (Hons) degree and ARCS in physics with Upper Second-Class Honours. From 1970 to 1974, he studied for a PhD degree at Imperial College, studying reflected light from interplanetary dust and the velocity of dust in the plane of the Solar System. When Queen began to have international success in 1974, he abandoned his doctoral studies, but nonetheless co-authored two peer-reviewed research papers, which were based on his observations at the Teide Observatory in Tenerife.

In October 2006, May re-registered for his doctorate at Imperial College, and he submitted his thesis in August 2007 (one year earlier than he estimated it would take to complete). As well as writing up the previous work he had done, May had to review the work on zodiacal dust undertaken during the intervening 33 years, which included the discovery of the zodiacal dust bands by NASA 's IRAS satellite. After a viva voce, the revised thesis (titled "A Survey of Radial Velocities in the Zodiacal Dust Cloud") was approved in September 2007, some 37 years after it had been commenced. He was able to submit his thesis only because of the minimal amount of research on the topic during the intervening years and has described the subject as one that became in-demand again in the 2000s. In his doctoral research, he investigated radial velocity using absorption spectroscopy and doppler spectroscopy of zodiacal light using a Fabry–Pérot interferometer based at the Teide Observatory in Tenerife. His research was initially supervised by Jim Ring, Ken Reay and in the latter stages by Michael Rowan-Robinson. He graduated at the awards ceremony of Imperial College held in the Royal Albert Hall on 14 May 2008.

Lintott, Moore, May

In October 2007, May was appointed a visiting researcher in Imperial College and he continues his interest in astronomy and involvement with the Imperial Astrophysics Group. He is co-author, with Sir Patrick Moore and Chris Lintott, of Bang! – The Complete History of the Universe and The Cosmic Tourist . May appeared on the 700th episode of The Sky at Night hosted by Sir Patrick Moore, along with Chris Lintott, Jon Culshaw , Professor Brian Cox , and the Astronomer Royal Martin Rees who, on departing the panel, told Brian May, who was joining it, "I don't know a scientist who looks as much like Isaac Newton as you do." May was also a guest on the first episode of the third series of the BBC's Stargazing Live , on 8 January 2013.

On 17 November 2007, May was appointed chancellor of Liverpool John Moores University, and he was installed in 2008 having also been awarded an honorary fellowship from the university for his contribution to astronomy and services to the public understanding of science. He held the post until 2013. Asteroid 52665 Brianmay was named after him on 18 June 2008 on the suggestion of Patrick Moore (probably influenced by the asteroid's provisional designation of 1998 BM 30 ).

Brian May (NHQ201812310024) (cropped)

In 2014, May co-founded Asteroid Day with Apollo 9 astronaut Rusty Schweickart , B612 Foundation COO Danica Remy and German filmmaker Grigorij Richters. Asteroid Day is a global awareness campaign where people from around the world come together to learn about asteroids and what we can do to protect our planet. May was a guest at the 2016 Starmus Festival where he also performed on stage with composer Hans Zimmer . The theme was Beyond The Horizon: A Tribute To Stephen Hawking .

During the New Horizons Pluto flyby NASA press conference held on 17 July 2015 at Johns Hopkins Applied Physics Lab, May was introduced as a science team collaborator. He told the panel "You have inspired the world." From 31 December 2018 until 1 January 2019, May was in attendance at the watch party for the New Horizons flyby of the Kuiper belt object, 486958 Arrokoth , and performed an updated version of his "New Horizons" celebratory song. As part of May's role as a collaborator with NASA's science team on the New Horizons mission, he worked on the first stereoanaglyph based on images of (486958) Arrokoth that were captured by the spacecraft.

In 2019, he was awarded the Lawrence J. Burpee Medal of the Royal Canadian Geographical Society for outstanding contributions to the advancement of geography.

In 2020, he participated in the team that contributed the stereography images of numerical simulations of asteroid disruptions and re-accumulations in a publication in the peer-reviewed journal Nature Communications by Michel, P. et al. (2020) presenting a scenario of formation of the asteroids (101955) Bennu and (162173) Ryugu , visited by NASA OSIRIS-REx and JAXA Hayabusa2 probes, respectively. He was awarded the JAXA Hayabusa2 Honor Award for his contribution by making stereoscopic images of Ryugu.

Brian May receives Stephen Hawking medal at Starmus IV Festival Yerevan, Armenia

In 2021, he contributed the stereography images of the structural stability of double asteroid (65803) Didymos, the target of the NASA DART and ESA Hera missions, in a publication in the peer-reviewed journal Icarus by DART and Hera team members. He is also on the advisory board of the NEO-MAPP project ( Near-Earth-Object Modelling and Payloads for Protection), funded by the European Union.

In 2022, May was awarded a Doctorate of Science honoris causa by Professor Brad Gibson in the EA Milne Centre for Astrophysics at the University of Hull. Unable to attend in person, he joined the graduation ceremony via video link. At the Starmus IV festival in Yerevan , Armenia in September 2022, May was awarded the Stephen Hawking Medal for Science Communication.

In December 2022 May was made a Knight Bachelor in the 2023 New Year Honours, the first list of King Charles III 's reign. In March 2023, May was officially knighted by the King.

Personal life

From 1976 to 1988, May was married to Christine Mullen. They had three children. They separated in 1988. May met actress Anita Dobson in 1986. She inspired him to write the 1989 hit "I Want It All". They married on 18 November 2000.

According to The Sunday Times Rich List of 2019, May is worth £160 million. He has homes in London and Windlesham, Surrey. May's father Harold was a long-time heavy cigarette smoker. As a result, May dislikes smoking, to the point where he was already prohibiting smoking indoors at his concerts before many countries imposed smoking bans. He is an active animal rights advocate, and he was appointed a vice-president of an animal welfare charity, the RSPCA , in September 2012. A vegan since taking part in the 2020 Veganuary challenge, May has stated that meat eating is responsible for the COVID-19 pandemic. May describes himself as "not belonging to an organized religion, but feels there is a god of some kind which we know very little about".

May is a long-term champion of woodland as a haven and "corridor" for wildlife—both in Surrey, where he has a house, and elsewhere. In 2012, he bought land threatened by building development at Bere Regis, Dorset, and, in 2013 and with the enthusiastic support of local villagers, initiated a project to create an area of woodland, now called May's Wood (or "the Brian May Wood"). The wood consists of 157 acres (64 ha), formerly under the plough, planted by May's team of co-workers with 100,000 trees. May's Wood is said to be flourishing.

In 2013, a new species of the genus Heteragrion (Odonata: Zygoptera) from Brazil was named Heteragrion brianmayi —one of four Heteragrion flatwing damselflies named after the bandmates, paying tribute to the 40th anniversary of Queen's founding.

May experienced a small heart attack in May 2020. It required the insertion of three stents into three blocked arteries. May said he had been "very near death".

Brian May filming for the BBC's 'The One Show'

May has formed a group to promote animal welfare. Though a Conservative Party voter most of his life, he has stated that their policies on fox hunting and the culling of badgers meant he did not vote for them in the 2010 UK general election . His animal welfare–focused organisation, Save Me (named after the May-written Queen song), campaigns for the protection of all animals against unnecessary, cruel and degrading treatment, with a particular emphasis on preventing hunting of foxes and the culling of badgers. The group's primary concern is to ensure that the Hunting Act 2004 and other laws protecting animals are retained in situ.

In an interview in September 2010 with Stephen Sackur for the BBC's HARDtalk program, May said that he would rather be remembered for his animal rights work than for his music or scientific work. May is a staunch supporter of the RSPCA, the International Fund for Animal Welfare, the League Against Cruel Sports, PETA UK and the Harper Asprey Wildlife Rescue. In March 2012, May contributed the foreword to a target paper published by the think tank the Bow Group, urging the government to reconsider its plans to cull thousands of badgers to control bovine TB, stating that the findings of Labour's major badger culling trials, several years earlier, show that culling does not work. The paper was authored by Graham Godwin-Pearson with contributions by leading tuberculosis scientists, including Lord Krebs .

In 2013, May joined French guitar player Jean-Pierre Danel for a charity Danel launched for the benefit of animal rights in France. The guitarists signed guitars and art photos together, and were joined by Hank Marvin.

Brianmaywestminster

In May 2013, May teamed up with actor Brian Blessed and Flash cartoonist Jonti "Weebl" Picking , as well as animal rights groups including the RSPCA, to form Team Badger, a "coalition of organisations that have teamed up to fight the planned cull of badgers". With Weebl and Blessed, May recorded a single, "Save the Badger Badger Badger"—a mashup of Weebl's viral 2003 Flash cartoon meme , "Badger Badger Badger", and Queen's "Flash", featuring vocals by Blessed. On 1 September 2013, "Save the Badger Badger Badger" charted at No. 79 on the UK Singles Chart, No. 39 on the UK iTunes chart and No. 1 on the iTunes Rock chart. In June 2013 naturalist Sir David Attenborough and rock guitarist Slash joined May to form a supergroup, Artful Badger and Friends, and released a song dedicated to badgers, "Badger Swagger".

Prior to the 2015 general election , it was reported that May was considering standing as an independent Member of Parliament . It was also revealed that May had started a "Common Decency" project "to re-establish common decency in our lives, work and Parliament". May said he wanted to "get rid of the current government" and wished to see a House of Commons containing "individuals voting according to their conscience". May was one of several celebrities who endorsed the parliamentary candidacy of the Green Party 's Caroline Lucas at the election. He also endorsed a Conservative Party candidate, Henry Smith, on the grounds of his animal welfare record.

In July 2015, May criticised UK Prime Minister David Cameron for giving Members of Parliament a free vote on amending the ban on fox hunting in England and Wales. During a live television interview, he described the pro-hunting organisation the Countryside Alliance as "a bunch of lying bastards" for their support for a change to the law. The government postponed the vote following the intervention of the Scottish National Party 's Westminster MPs, who committed to vote to keep the ban as it existed. May told anti-hunt protesters in a rally outside Parliament that it was "a very, very important day for our democracy" but added "we have not yet won the war, there's no room for complacency".

In June 2017, May endorsed Labour Party leader Jeremy Corbyn in the 2017 general election . May shared an article on Twitter by The Independent headlined "Jeremy Corbyn says Fox hunting is 'barbarity' and pledges to keep it banned" and captioned it: "Well, I guess that just about clinches it !! Anyone see any good reason not to prefer the evidently decent Corbyn over the weak and wobbly Mrs May? Bri".

In October 2018, May said, "I don't like all this separatist stuff and you know this sort of illusion that we can all stand on our own, to me the future lies in co-operation. I get up every day and put my head in my hands about Brexit – I think it's the stupidest thing we ever tried to do." He also said that Prime Minister Theresa May was "driven by vanity and thirst for power".

In the run-up to the 2019 United Kingdom general election May criticised what he saw as the poor conduct of the media and declined to endorse either candidate, stating that he found it "impossible" to vote for either Jeremy Corbyn or Boris Johnson . After the election in which the Conservatives won a majority, May vowed to continue fighting for animal rights but in an Instagram and blog post he urged his followers to congratulate Johnson and "wish Boris a decent chance to rebuild Britain" before praising reforms to animal welfare laws made by Conservative Party Environment Secretary Michael Gove . In 2021 May criticised Johnson for his response to the COVID-19 pandemic, calling it inadequate.

In the lead up to the 2019 Okinawan referendum on landfill work at Henoko Bay for the expansion of the base in Okinawa, Japan, May advocated voting in opposition to the landfill.

May has had a lifelong interest in collecting Victorian stereophotography. In 2009, with co-author Elena Vidal, he published his second book, A Village Lost and Found, on the work of English stereophotography innovator T. R. Williams. He was awarded The Royal Photographic Society's Saxby Medal in 2012 for achievement in the field of three-dimensional imaging.

May made a significant technical contribution to the book to accompany the exhibition 'Stereoscopic Photographs of Pablo Picasso by Robert Mouzillat', held at the Holburne Museum in Bath , England, from February to June 2014. The book provides photographs of Picasso in his studio, at a bullfight at Arles , and in his garden. May's 3D Owl viewer is used to view the photographs in 3D.

The purchase of his first card in 1973 started May on a lifelong and worldwide search for Les Diableries, which are stereoscopic photographs depicting scenes of daily life in Hell. On 10 October 2013 the book Diableries: Stereoscopic Adventures in Hell by Brian May, Denis Pellerin and Paula Fleming was published.

In 2017, May published Queen in 3-D , chronicling the group's 50-year history. It contains over 300 of his own stereoscopic photos and is the first book about the band published by one of its members. Included with the book is May's patented OWL Stereoscopic Viewer.

In the 2018 biographical film Bohemian Rhapsody , he was portrayed by Gwilym Lee. May himself served as a creative and musical consultant for the film, and worked especially closely with Lee.

  • Queen (1973)
  • Queen II (1974)
  • Sheer Heart Attack (1974)
  • A Night at the Opera (1975)
  • A Day at the Races (1976)
  • News of the World (1977)
  • Jazz (1978)
  • The Game (1980)
  • Flash Gordon (1980)
  • Hot Space (1982)
  • The Works (1984)
  • A Kind of Magic (1986)
  • The Miracle (1989)
  • Innuendo (1991)
  • Made in Heaven (1995)

Solo discography

  • Back to the Light (1992)
  • Another World (1998)
  • Furia (2000) soundtrack

Collaborations

  • Star Fleet Project (with Eddie Van Halen ) (1983)
  • El Vampiro Bajo el Sol (with Paralamas do Sucesso and Fito Paez) (1994)
  • Anthems (with Kerry Ellis) (2010)
  • Acoustic by Candlelight (with Kerry Ellis) (2013)
  • Golden Days (with Kerry Ellis) (2017)
  • We are One (with Jayce Lewis) (2018)
  • Blue on Black (with Five Finger Death Punch, Kenny Wayne Shepherd, and Brantley Gilbert) (2019)
  • Floating in Heaven (single with Graham Gouldman) (2022)
  • Fought & Lost (single with Sam Ryder) (2023)
  • List of animal rights advocates
  • This page was last modified on 31 August 2024, at 06:05. Suggest an edit .

IMAGES

  1. Queen’s Brian May: Star Guitarist and Stargazing Astrophysicist

    brian may astrophysics thesis

  2. Una detallada lectura de la tesis astrofísica sobre el polvo

    brian may astrophysics thesis

  3. Queen's Guitarist Publishes Astrophysics Thesis

    brian may astrophysics thesis

  4. Del escenario a la NASA: Brian May y su tesis de astrofísica

    brian may astrophysics thesis

  5. Brian May, from being a guitarist for Queen to completing his doctoral

    brian may astrophysics thesis

  6. Brian May (Queen’s lead guitarist) has a PhD in astrophysics

    brian may astrophysics thesis

VIDEO

  1. The Emergence of Space and Time

  2. UoC/IA-FORTH PhD Thesis Presentation of Konstantinos Kovlakas

  3. The 4-dimensional Universe explained by Nobel Laureate Brian Schmidt

  4. Brian May: Pre Astrofest talk message

  5. Columbia University MFA Acting Thesis: The Class of 2015 Presents "Light" and "Fen"

  6. Trench Warfare Libertarias

COMMENTS

  1. Queen's Guitarist Publishes Astrophysics Thesis

    The founder of the legendary rock band Queen has completedhis doctoral thesis in astrophysics after taking a 30-year break to play someguitar. Brian May's thesis examines the mysterious phenomenon ...

  2. A Survey of Radial Velocities in the Zodiacal Dust Cloud

    Entitled A Survey of Radial Velocities in the Zodiacal Dust Cloud, his thesis analyses what happens to the dust particles left over from the formation of the solar system about 4.6 billion years ago. …. Mike Lockwood, a physics professor at Southampton University, said May's work was timely … . Brian Cox, a physics professor at Manchester ...

  3. Brian May, guitarist for rock band Queen, completes Ph.D. thesis

    Brian May, the guitarist and founding member of the legendary rock band Queen, earned his PhD in astronomy last year from Imperial College London. His PhD thesis A Survey of Radial Velocities in ...

  4. Queen Guitarist Brian May Is Also an Astrophysicist: Read His PhD

    Bri­an May's Home­made Gui­tar, Made From Old Tables, Bike and Motor­cy­cle Parts & More. Stephen Hawking's Ph.D. The­sis, "Prop­er­ties of Expand­ing Uni­vers­es," Now Free to Read/Download Online. Watch 94 Free Lec­tures From the Great Cours­es: Dystopi­an Fic­tion, Astro­physics, Gui­tar Play­ing & Much More.

  5. A Survey of Radial Velocities in the Zodiacal Dust Cloud

    From the reviews: "The Queen guitarist Brian May has achieved a new milestone: he has published his PhD thesis in astronomy. … Entitled A Survey of Radial Velocities in the Zodiacal Dust Cloud, his thesis analyses what happens to the dust particles left over from the formation of the solar system about 4.6 billion years ago. …

  6. PDF Brian May, guitarist for rock band Queen, completes Ph.D. thesis

    Brian May, the guitarist and founding member of the legendary rock band Queen, earned his PhD in astronomy last year from Imperial ... May's thesis documents the building of a pressure-scanned ...

  7. Queen's Brian May rhapsodic about doctorate in astrophysics

    Brian May, the guitarist for iconic rock band Queen, has been awarded a doctorate in astrophysics, more than 30 years after he began his studies. "I'm feeling rather joyful. I cannot tell you how ...

  8. Queen Guitarist Brian May On Writing Anthems And Studying Astrophysics

    Brian May, a founding member and the band's lead guitarist, spoke with Terry Gross in 2010. Back then, he was concerned with a different kind of dust. In 2007, he submitted his doctoral thesis in ...

  9. Queen's Brian May to complete astrophysics doctorate

    Queen guitarist and songwriter Brian May, who gave up studying the stars to become one, will soon complete his doctorate in astrophysics. May, 60, will submit a thesis titled Radial Velocities in ...

  10. Queen guitarist Brian May awarded astrophysics doctorate

    The Associated Press. LONDON — Guitarist and songwriter Brian May has completed his doctorate in astrophysics — three decades after he put academia on hold to form the rock group Queen. The ...

  11. BBC NEWS

    Queen star hands in science PhD. Queen guitarist Brian May has handed in his astronomy PhD thesis - 36 years after abandoning it to join the band. May recently carried out observational work in Tenerife, where he studied the formation of "zodiacal dust clouds". The subject forms the basis of a 48,000-word thesis for Imperial College, London ...

  12. Queen guitarist Brian May is also an astrophysicist

    Queen guitarist Brian May is also an astrophysicist

  13. Brian May

    Brian May - Wikipedia ... Brian May

  14. Brian May PHD Thesis

    The document discusses Brian May's process of completing his PhD thesis in astrophysics decades after joining the band Queen. It describes some of the challenges of thesis writing and details how Brian May sought to finish his thesis, presenting his work "Radial Velocities in the Zodiacal Dust Cloud" at Imperial College London. The document also provides background on Brian May's initial ...

  15. A Survey of Radial Velocities in the Zodiacal Dust Cloud

    In the summer and autumn of 2006 I read several interviews with Brian May in which he mentioned his desire to complete the PhD that he had abandoned in 1974. I looked up the papers he had published while a PhD student, which were on spectroscopic studies of the motion of the dust responsible for the zodiacal light, and felt that there was a basis for a thesis.

  16. How fast does the Sun orbit the Milky Way?

    This week I sat down and read Dr Brian May's (from Queen) astrophysics thesis all about dust in the plane of the Solar System. You can usually see the glow f...

  17. Meet the rock guitarist who helped NASA land on an asteroid

    Meet the rock guitarist who helped NASA land on an asteroid

  18. Taking too long to finish your Astrophysics dissertation? Do not despair!

    Case in point: Brian May had done substantial observational work on the zodiacal background light (and is a co-author on two referreed publications), but he also liked playing guitar. Rather than continue his thesis revisions, he dropped out and joined a rock band. They went on to record about 15 albums (and then Brian made several solo albums).

  19. Brian May Astrophysics Thesis

    Brian May Astrophysics Thesis - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Brian May is renowned as the guitarist of the legendary rock band Queen. However, he also embarked on a journey to earn his PhD in astrophysics in the 1970s, conducting research on the velocities of zodiacal dust in the solar system.

  20. Interview

    Queen guitarist and astrophysicist Brian May received a PhD from Imperial College, London, in 2007, after completing a thesis on zodiac dust, three decades after he left academics to pursue music. He collected four Grammy nominations before he received his PhD, and along the way he became what many consider the best guitarist of all time.

  21. Starmus: "It was a blast!" Brian May

    Brian May said: "It was a blast! The perfect kick-off for Starmus Earth.". This 2024 edition of STARMUS Festival champions the theme of 'The Future of our Home Planet,' accentuating the vital role that both science and art play in ensuring a sustainable future for Earth. While science illuminates the truths of our universe, art and ...

  22. Brian May: Queen guitarist suffers minor stroke but says he's OK

    Sir Brian May says badgers not to blame for bovine TB. ... and earned a PhD in astrophysics in 2007, 36 years after abandoning his thesis when the band took off.

  23. QueenOnline.com

    It was founded by astrophysicist Garik Israelian, PhD, and Queen guitarist and PhD in astrophysics Sir Brian May, under the auspices of the late Stephen Hawking. Science, often referred to as the bridge to tomorrow, holds the promise of transformative advancements - if we embrace its discoveries and predictions without hesitation.

  24. Brian May facts for kids

    Sir Brian Harold May CBE (born 19 July 1947) is an English musician, songwriter, record producer, animal rights activist and astrophysicist. He achieved worldwide fame as the lead guitarist and backing vocalist of the rock band Queen, which he co-founded with singer Freddie Mercury and drummer Roger Taylor. His guitar work and songwriting contributions helped Queen become one of the most ...