How to get an A* at A-level Art

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So this is a step by step tour of my A-level coursework sketchbook where I explain throughout, I also include pictures of art I did outside my book.

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A-level Art and Design

7201, 7202, 7203, 7204, 7205, 7206

  • Specification
  • Planning resources
  • Teaching resources
  • Assessment resources
  • Introduction
  • Specification at a glance
  • 3.1 Summary of subject content
  • 3.2 Overarching knowledge, understanding and skills
  • 3.3 Art, craft and design
  • 3.4 Fine art
  • 3.5 Graphic communication
  • 3.6 Textile design
  • 3.7 Three-dimensional design
  • 3.8 Photography

Scheme of assessment

  • Non-exam assessment administration
  • General administration

 Scheme of assessment

Find past papers and mark schemes, and specimen papers for new courses, on our website at aqa.org.uk/pastpapers

The specification is designed to be taken over two years with all assessments taken at the end of the course.

Assessments and certification are eligible for submission for the first time in May/June and then every May/June for the life of the specification.

All materials are available in English only.

Synoptic assessment

Synoptic assessment in Art and Design involves students in:

  • drawing together the knowledge, understanding and skills learned in different parts of the course
  • selecting and presenting work which demonstrates their strengths across the areas of knowledge and the range of skills described and shows their ability to sustain their own lines of enquiry
  • a stimulus or issue
  • a design brief or problem
  • a task which specifies an image, object or other outcome to be achieved.

There is synoptic assessment in both components of the A-level that provide stretch and challenge opportunities for students as follows:

In Component 1, students develop work based on an idea, issue, concept or theme leading to a finished outcome or a series of related finished outcomes. Practical elements should make connections with some aspect of contemporary or past practice of artist(s), designer(s), photographers or craftspeople and include written work of no less than 1000 and no more than 3000 words which supports the practical work.

In Component 2, students respond to a stimulus, provided by AQA, to produce work which provides evidence of their ability to work independently within specified time constraints, developing a personal and meaningful response which addresses all the assessment objectives and leads to a finished outcome or a series of related finished outcomes.

Courses based on these specifications should encourage students to develop:

  • intellectual, imaginative, creative and intuitive capabilities
  • investigative, analytical, experimental, practical, technical and expressive skills, aesthetic understanding and critical judgement
  • independence of mind in developing, refining and communicating their own ideas, their own intentions and their own personal outcomes
  • an interest in, enthusiasm for and enjoyment of art, craft and design
  • the experience of working with a broad range of media
  • an understanding of the interrelationships between art, craft and design processes and an awareness of the contexts in which they operate
  • knowledge and experience of real-world contexts and, where appropriate, links to the creative industries
  • knowledge and understanding of art, craft, design and media and technologies in contemporary and past societies and cultures
  • an awareness of different roles, functions, audiences and consumers of art, craft and design.

Assessment objectives

Assessment objectives (AOs) are set by Ofqual and are the same across all A-level Art and Design specifications and all exam boards.

The assessments will measure how students have achieved the following assessment objectives:

  • AO1: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.
  • AO2: Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.
  • AO3: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.
  • AO4: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.

Weighting of assessment objectives for A-level Art and Design

The assessment objectives are equally weighted within each component. The table shows the approximate weighting of each of the assessment objectives across all components.

Assessment objectives (AOs)Component 1 weighting (approx %)Component 2 weighting (approx %)Overall weighting of AOs (approx %)
AO1151025
AO2151025
AO3151025
AO4151025
Overall weighting of components6040100

Quality of making

The ability to handle materials, techniques and processes effectively, skilfully and safely underpins all the assessment objectives. It is important in enabling students to develop a personal language, to express ideas and to link their intentions to outcomes in a confident and assured manner.

Assessment criteria

The assessment criteria must be applied to the assessment of students’ work for all components. The assessment objectives are equally weighted in each of the components. The Assessment criteria grid indicates the levels of response which would be expected for the award of marks in the ranges shown. It should be noted that the ranges have been drawn up to assist teachers in identifying individual levels of response and do not, in themselves, constitute grade descriptions.

Each component is marked out of a total of 96 marks. As the assessment objectives are equally weighted in each of the components, there is a maximum of 24 marks for each of the assessment objectives. The marks, out of 24, for each assessment objective must be added together to produce the total mark out of 96.

You are required to provide a mark for each of the assessment objectives separately in accordance with the assessment criteria and a total mark out of 96 must be provided for each component. The assessment grid must be used to identify the student’s level of performance in relation to each of the assessment objectives.

Six mark band descriptors are provided, with a range of marks for each of the four assessment objectives.

A Candidate record form must be completed for each student for each component. When completing the Candidate record form the teacher should decide which mark band descriptor best describes the student’s performance for each assessment objective, then circle the appropriate mark. These marks should be transferred to the ‘mark awarded’ row and added together. This total should be entered in the ‘total mark’ box to the right of the grid.

Four marks are available for each mark band in each assessment objective. The lower mark indicates that the student has just met the requirements described in that particular band, the next mark indicates that evidence is adequate , the next that evidence is clear and the higher mark indicates that evidence is convincing but that the student has just failed to meet the requirements set out in the next band.

Assessing the Personal investigation

This is a practical component supported by written material. The practical work and written material must be assessed as an integrated whole. The practical work and the written material must be assessed together using the assessment grid to select which of the six mark band descriptors for each assessment objective best describes the student’s overall performance.

The written material and practical work must each show evidence of meeting all four assessment objectives.

Once the mark band has been selected the mark qualifiers ‘just’, ‘adequately’, ‘clearly’ or ‘convincingly’ should be applied to determine the specific mark within the band.

For further guidance on assessing the Personal investigation refer to the online exemplification materials at the start of the course. Please also see section Teacher standardisation for more information about Teacher standardisation meetings.

Assessing to the correct standard

Work submitted for assessment for A-level components is assessed at a standard that can be reasonably expected of a student after a full A-level course of study, 360 guided learning hours (GLH).

If your school or college offers the Art, craft and design title alongside endorsed titles, evidence of an area of study for the Art, craft and design title must be assessed to the same standard as it would for the relevant endorsed title.

  • all teachers delivering the course must access the on-line example materials (provided on Centre Services at the start of the course
  • a senior representative from your school or college, with responsibility for conducting internal standardisation, must also attend a teacher standardisation meeting in the autumn/spring term.

For more information on attendance at Teacher standardisation meetings and Internal standardisation refer to sections Teacher standardisation and Internal standardisation

Assessment criteria grid

The grid further expands on the assessment objectives. It should be used to mark students’ work and to complete Candidate record forms.

 Assessment Objective 1Assessment Objective 2Assessment Objective 3Assessment Objective 4

24Convincingly

An exceptional ability to develop ideas through sustained investigations informed by contextual and other sources.

Demonstrates exceptional analytical and critical understanding.

Demonstrates fluent use of appropriate specialist vocabulary.

An exceptional ability to explore and select appropriate resources, media, material, techniques and processes.

Reviews and refines ideas in a confident and purposeful manner as work develops.

An exceptional ability to record ideas, observations and insights relevant to intentions.

Demonstrates an exceptional ability to reflect critically on work and progress.

An exceptional ability to present a personal and meaningful response.

Demonstrates an exceptional ability to successfully realise intentions and, where appropriate, makes connections between visual, written and other elements.

Exceptionally clear, coherent and accurate use of language.

23Clearly
22Adequately
21Just
20Convincingly

A confident and highly developed ability to develop ideas through sustained investigations, informed by contextual and other sources.

Demonstrates confident and highly developed analytical and critical understanding.

Demonstrates assured use of appropriate specialist vocabulary.

A confident and highly developed ability to explore and select appropriate resources, media, materials, techniques and processes.

Reviews and refines ideas in a confident manner as work develops.

A confident and highly developed ability to record ideas, observations and insights relevant to intentions.

Demonstrates a confident and highly developed ability to reflect critically on work and progress.

A confident and highly developed ability to present a personal and meaningful response.

Demonstrates a highly developed ability to successfully realise intentions and, where appropriate, makes connections between visual, written and other elements.

Clear, coherent and accurate use of language.

19Clearly
18Adequately
17Just
16Convincingly

A consistent ability to develop ideas through sustained investigations, informed by contextual and other sources.

Demonstrates consistent analytical and critical understanding.

Demonstrates consistent use of appropriate specialist vocabulary.

A consistent ability to explore and select appropriate resources, media, materials, techniques and processes.

Reviews and refines ideas with increasing confidence as work develops.

A consistent ability to record ideas, observations and insights relevant to intentions.

Demonstrates a consistent ability to reflect critically on work and progress.

A consistent ability to present a personal and meaningful response.

Demonstrates a consistent ability to successfully realise intentions and, where appropriate, makes connections between visual, written and other elements.

Generally clear, coherent and accurate use of language.

15Clearly
14Adequately
13Just
12Convincingly

A reasonably consistent ability to develop ideas through sustained investigations, informed by contextual and other sources.

Demonstrates reasonably consistent analytical and critical understanding.

Demonstrates reasonably consistent use of appropriate specialist vocabulary.

A reasonably consistent ability to explore and select appropriate resources, media, materials, techniques and process.

Reviews and refines ideas with a degree of success as work develops.

A reasonably consistent ability to record ideas, observations and insights relevant to intentions.

Demonstrates a reasonably consistent ability to reflect critically on work and progress.

A reasonably consistent ability to present a personal and meaningful response.

Demonstrates a reasonably consistent ability to successfully realise intentions and, where appropriate, makes connections between visual, written and other elements.

Basic clarity, coherence and accuracy in using language.

11Clearly
10Adequately
9Just
8Convincingly

Some ability to develop ideas and sustain investigations, informed by contextual and other sources.

Demonstrates some analytical and critical understanding.

Demonstrates limited use of appropriate specialist vocabulary.

Some ability to explore and select appropriate resources, media, materials, techniques and process.

Reviews and refines ideas with limited success as work develops.

Some ability to record ideas, observations and insights relevant to intentions.

Demonstrates some ability to reflect critically on work and progress.

Some ability to present a personal and meaningful response which is uneven.

Demonstrates some ability to successfully realise intentions and, where appropriate, makes connection between visual, written and other elements.

Limited clarity, coherence and accuracy in using language.

7Clearly
6Adequately
5Just
4Convincingly

Minimal ability to develop ideas and sustain investigations, informed by contextual and other sources.

Demonstrates minimal analytical and critical understanding.

Demonstrates little or no use of appropriate specialist vocabulary.

Minimal ability to explore and select appropriate resources, media, materials, techniques and process.

Minimal evidence of reviewing and refining ideas as work develops.

Minimal ability to record ideas, observations and insights relevant to intentions.

Demonstrates minimal ability to reflect critically on work and progress.

Minimal ability to present a personal and meaningful response, limited by a lack of skill and understanding.

Demonstrates minimal ability to realise intentions and, where appropriate, make connections between visual, written and other elements.

Unclear and often inaccurate language is used.

3Clearly
2Adequately
1Just
0

No work

Assessment weightings

The marks awarded will be scaled to meet the weighting of the components. Students’ final marks will be calculated by adding together the scaled marks for each component. Grade boundaries will be set using this total scaled mark. The scaling and total scaled marks are shown in the table below.

Component Maximum raw mark Scaling factor Maximum scaled mark
A-level Component 1 Personal investigation 96 x3 288
A-level Component 2 Externally set assignment 96 x2 192
    Total scaled mark: 480
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A-Level Art Sample Essay

A-Level Art Sample Essay

Subject: Art and design

Age range: 16+

Resource type: Unit of work

Jump_into_learning's Shop

Last updated

13 August 2020

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a level art coursework examples

A* sample essay of A2/ A-Level Art Essay, which goes alongside coursework. This student focuses on the theme of sunlight and researches into historic and contemporary artists throughly. Exam board: AQA

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a level art coursework examples

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An art student, drawing

  • Campus: Rotherham College
  • Code: RFEAD001
  • Type: Courses (16 – 18)

Pathways to Art (RFERT001)

The art and design Level 1 programme is a one-year course which is designed to teach you the basics of art and design. The course is ideal for people who have an interest in art, but have no qualifications in an arts related subject.The aim of the course is to provide motivation and inspiration so that you can develop your art and design skills in a wide range of media and materials learning new techniques and processes. You will be supported by specialist staff that will encourage learning and develop your skills leading to independent thinking.

You will study a range of topics including: Gain knowledge and understanding of different techniques and processes including drawing, painting, mark making, 3D design, fashion and art history Work individually and as part of a team for an external client Develop your awareness of the world of art and design through practical work and visits Develop an understanding of the employment opportunities in the creative sector Produce work of a high standard for our end of year exhibition

On this course you will work with industry-standard facilities and be taught by a range of industry professionals in art and design You will have access to professional standard art, 3D and fashion studios and equipment You will work on a range of exciting, dynamic and challenging briefs, which will encourage you to think creatively and build your skills and confidence across a wide range of art and design subjects You will produce work for external agencies, such as working with local care homes to create exciting artwork and resources for residents.

There are no formal requirements but you will need a keen interest in the subject.

You can apply using our online application form and clicking the Apply Now button at the top of this page. For more information support with your enquiry or application please contact Student Services by emailing [email protected] or by calling 01709 362111 .

UAL Level 2 Diploma in Art, Design and Fashion

16-18 year olds do not need to pay course fees Those aged 19 or over may not need to pay fees depending on their circumstances. Find out if you qualify here . If you need further advice or guidance please contact the Enquiries Team on 01709 362111.

Students are asked to purchase an art kit and to contribute to the cost of gallery visits.

“Coming to college has allowed me to develop more confidence to help prepare me for my next step in life.” Georgia Whitbread Level 3 Art and Design, Former student at Rawmarsh Community School

We make every effort to ensure information within our online course directory is accurate and a true representation of the courses we are offering in 24-25. However, we do reserve the right to make changes if necessary.

Start an exciting career in Art, Graphic Design and Fashion

The art and design sector is ideal for those who have a creative spark, passion for art and want to pursue a colourful career.

A student creating a fashion item

Graphic Designer

Graphic designers create visual branding, adverts, brochures, magazines, website designs, product packaging and displays.

Discuss requirements with clients and come up with creative ideas, work out budgets and deadlines, produce rough drafts and present your ideas, prepare designs using specialist software, make presentations to clients for feedback and approval, keep up with design trends and developments in software tools.*

You could work in a creative studio, in an office, at a client’s business or from home.*

*Information from nationalcareers.service.gov.uk

Fashion Designer

Fashion designers use creative and technical skills to design new clothing and fashion ranges.

Work to design instructions, analyse or predict trends in fabrics, colours and shapes, produce designs by hand or by using computer-aided design (CAD), estimate costs for materials and manufacture, make in-house presentations, for example to finance departments and merchandisers.*

You could work in a workshop or in a creative studio.*

In-demand skills that commonly appear in job descriptions for roles within the art and design sector include** :

Communication | Detail Orientated | Time Management | Creativity | Innovative

**Information from EMSI 2024

What our students say

“College has allowed me to focus on something I am passionate about and helped me gain a better understanding of the art industry.” Eddie Barlow Level 3 Art and Design Former student at Oakwood High School

A2 Art Personal Study: A Beautiful Illustrated Essay

Last Updated on April 2, 2023

This Personal Study was completed by Mary Faber , while studying A Level Art (CIE 9704) at ACG Strathallan College in 2004. A simple, yet elegant ‘book’ presentation, Mary’s Personal Study focuses upon the painting techniques, processes and compositions of New Zealand artist Russell Hollings , gaining an overall grade of 91%.

Mary began her study by completing an Outline Proposal Form . This was submitted to CIE for feedback at the end of April, once her A2 Coursework project was well underway. This meant Mary was able to clearly establish how her Personal Study might assist and link to her Coursework before she began. (It is no longer a requirement that the Personal Study relates to the Coursework project – although it can be advantageous if it does).

NOTE: Outline Proposal Forms are available through the CIE Teacher Support site , which is password protected (teachers have access to this) and can be submitted to the examiners electronically; alternatively, forms can be photocopied from the back of the 9704 syllabus booklet).

Within the Outline Proposal Form, Mary describes her intentions as:

To thoroughly analyse the painting processes and techniques of Russell Hollings, from initial preparation of a painting surface, through to final application of paint. I will discuss the effect of various marks and brushstrokes and how such a painting style conveys mood and meaning. Links will be made to well known international artists who use similar painting techniques. Finally I will discuss how these painting processes and techniques can be used in my own painting.

READ NEXT: How to make an artist website (and why you need one)

personal study art and design

Presentation is a crucial aspect of the Personal Study and must be given considerable thought. Mary created a square ‘book’, bound along the left-hand edge with a black spiral bind. Pages are cut from lightweight A3 sheets of reddish-brown card. This colour was selected as it echoes the hues used throughout Russell Hollings’ paintings and thus visually links the presentation together.

Text has been printed onto high quality cream paper, which is also used as the backing mount for illustrations. This allows Mary to combine hand-crafted illustrations with computer generated text in a tidy, cohesive way.

A2 art personal study introduction

A skilful, creative and articulate A Level Art student, Mary is now an exceptional typography designer .

If you would like more information about this topic, please read the Student Art Guide introduction to the A Level Art Personal Study .

Amiria Gale

Amiria has been an Art & Design teacher and a Curriculum Co-ordinator for seven years, responsible for the course design and assessment of student work in two high-achieving Auckland schools. She has a Bachelor of Architectural Studies, Bachelor of Architecture (First Class Honours) and a Graduate Diploma of Teaching. Amiria is a CIE Accredited Art & Design Coursework Assessor.

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High school sketchbooks publication

IMAGES

  1. A-Level Art, Craft & Design Coursework Unit: A Grade :-)

    a level art coursework examples

  2. A LEVEL ART A GRADE COURSEWORK SKETCHBOOK

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  3. How to choose a topic: A Level Art

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VIDEO

  1. A* A Level Art

  2. Whiteboard animation/ stop motion

  3. A Long Way Gone

  4. SKETCHBOOK TOUR!

  5. Cleaning Up

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COMMENTS

  1. AS Art Coursework: A Guide for Students

    Further AS Level Art Coursework examples and case studies will be added here over the coming months. This article relates to CIE AS Coursework, Component 2, 9704 A Level Art and Design - the International version of A Levels, assessed by the University of Cambridge. Information is sourced from the CIE A Level Art and Design syllabus.

  2. How to develop your ideas: A Level Art Coursework development

    In other words, an A Level Art Coursework portfolio must tell a visual story: with a starting point, a conclusion, and a journey in between. It is not acceptable, for example, to show the same things drawn or painted from different angles over and over again, or to execute the same composition first in pastel, then in paint, then in charcoal ...

  3. Cambridge International AS & A Level Art & Design (9479)

    Not available to private candidates. The Cambridge International A Level Art and Design syllabus considers expression and communication. Learners gain an understanding of visual perception and aesthetic experience, and the ways in which art and design creates a language of its own. Most of the work for this syllabus is practical or studio based ...

  4. PDF Example Candidate Responses

    Example Candidate Responses - Component 3 14 Cambridge International AS & A Level Art & Design (9704) How the candidate could have improved their coursework The candidate could have improved their coursework through stronger analysis of the experimentation an d more in-depth exploration of the final idea.

  5. PDF Example Candidate Responses

    6 Cambridge International AS & A Level Art & Design (9704) Coursework Example Candidate Response 1 Moderator comments The candidate has used a range of media to record their observations. These studies demonstrate a very good ability to use the visual elements such as tone, shape, form, colour and texture to communicate their observations.

  6. 100% A Level Art Sketchbook + Coursework Project (AS)

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  8. PDF Syllabus Cambridge International AS & A Level Art & Design 9479

    Component 1 Coursework 15 Component 2 Externally Set Assignment 16 Component 3 Personal Investigation 17 Avoidance of plagiarism 18 ... Cambridge International A Level Art & Design provides a foundation for the study of art and design or related courses in higher education. Equally it is suitable as part of a course of general education.

  9. A Level Art & Design Past Papers

    A Level Art & Design Past Papers for AQA, Edexcel, OCR, WJEC Eduqas. Clear and structured resources to guide you through key topics.

  10. How to get an A* at A-level Art

    So this is a step by step tour of my A-level coursework sketchbook where I explain throughout, I also include pictures of art I did outside my book. About Me FAQ Contact Abstract Biro Commissions Digital Art Experimental Landscapes Photography Portraits

  11. Preparing for the Personal Study

    This article relates to preparing for the Personal Study, an important aspect of A level Art & Design. It has been written (and updated) with the following intentions: To shed some light on what the Personal Study actually is (although the official line from Edexcel can be found here - other exam boards available).; To provide students with practical advice for writing their essay - developing ...

  12. Writing the A2 Art Personal Study: examples, help and guidance

    This Personal Study by CIE A2 Level Art and Design student Alice Ham, from ACG Parnell College, shows a cleverly selected quote alongside images by New Zealand charcoal artist Liam Gerrard. Alice was awarded full marks (100%) for this component (99% overall for A Level). A carefully composed Personal Study page for 9704 CIE Art and Design. 3.

  13. PDF A-level

    Throughout the A-level Art and Design course we actively encourage diversity in all its many shapes, forms and practice and our specification is designed to give ... We aim to exemplify and encourage as many examples of different working practice and approaches as well as new, innovative and challenging responses through the

  14. As Level Art Coursework Examples

    As Level Art Coursework Examples - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Writing an AS Level Art coursework can be challenging for several reasons: it requires in-depth analysis of art techniques and styles, thorough research and analysis of artists, creative expression through original artwork, and strong time management skills.

  15. PDF Guide to Administering Art & Design Cambridge International AS & A

    Zhai Xiaoning, Deputy Principal, The High School Affiliated to Renmin University of China. Cambridge Assessment International Education The Triangle Building, Shaftesbury Road, Cambridge CB2 8EA Tel: +44 (0)1223 553554 Fax: +44 (0)1223 553558 Email: [email protected] www.cambridgeinternational.org.

  16. A-level

    a stimulus or issue. a design brief or problem. a task which specifies an image, object or other outcome to be achieved. There is synoptic assessment in both components of the A-level that provide stretch and challenge opportunities for students as follows: In Component 1, students develop work based on an idea, issue, concept or theme leading ...

  17. PDF Syllabus Cambridge International AS & A Level Art & Design 9479

    llabusCambridge International AS & A Level Art & De. ign 9479For examination at AS Level in June and November 2019.Also ava. lable for examination at AS Level in March 2019 for India only.For. examination at AS & A Level in June and November 2020 and 2021.Also available for ex. t AS & A Level in Mar.

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    Underwater Coursework Guide. About 70 percent of the Earth is covered in water. It's probably the least-explored part of our planet - we've explored more of space than the oceans. But maybe because of that, for artists, water has been a theme, a subject and even a medium to work with.

  19. A-Level Art Sample Essay

    A-Level Art Sample Essay. Subject: Art and design. Age range: 16+. Resource type: Unit of work. File previews. pdf, 866.25 KB. A* sample essay of A2/ A-Level Art Essay, which goes alongside coursework. This student focuses on the theme of sunlight and researches into historic and contemporary artists throughly. Exam board: AQA.

  20. CIE A Level Art and Design

    A Level Art: An Overview. The diagram below illustrates how the AS and A2 components combine, over two years, to create a final grade for A Level Art and Design (CIE 9704). As you can see, the AS Course (usually completed in Year 12) counts towards 50% of the final result, with the A2 Course (usually completed in Year 13) making up the other 50%.

  21. Stunning A Level Art Sketchbook, Preparation and Final Piece

    Distortion of Form: A Level Art Sketchbook, Preparation and Final Piece. These last few weeks I have been fortunate enough to write about three amazing A Level Art portfolios. This is the second of the three: a comprehensive and well-executed A2 Painting project (AQA A Level Fine Art) awarded 100%. It was completed by Claire Lynn, while she was ...

  22. Pathways to Art (RFERT001)

    The art and design Level 1 programme is a one-year course which is designed to teach you the basics of art and design. The course is ideal for people who have an interest in art, but have no qualifications in an arts related subject.The aim of the course is to provide motivation and inspiration so that you can develop your art and design skills in a wide range of media and materials learning ...

  23. A2 Art Personal Study

    A2 Art Personal Study: A Beautiful Illustrated Essay. This Personal Study was completed by Mary Faber, while studying A Level Art (CIE 9704) at ACG Strathallan College in 2004. A simple, yet elegant 'book' presentation, Mary's Personal Study focuses upon the painting techniques, processes and compositions of New Zealand artist Russell ...