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Blog • Perfecting your Craft

Posted on Mar 29, 2019

170 Writing Quotes by Famous Authors for Every Occasion

When you're feeling stuck on your novel, an important thing to remember is that we've all been there in the past. That's right — even the J.K Rowling's and Ernest Hemingway's of this world. Which is why it's always a great idea to turn to your most famous peers (and their writing quotes) for inspiration.

Without further ado, here are 170 writing quotes  to guide you through every stage of writing. ( Yes! We've added more since we first published this post! )

The number one piece of advice that most authors have for other authors is to read, read, read. Here’s why.

1. “If you don't have time to read, you don't have the time ( or the tools ) to write. Simple as that.” — Stephen King

2. “You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.” — Annie Proulx

3. “Indeed, learning to write may be part of learning to read. For all I know, writing comes out of a superior devotion to reading.” — Eudora Welty

4. “Read, read, read. Read everything  —  trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.” — William Faulkner

5. “I kept always two books in my pocket: one to read, one to write in.” — Robert Louis Stevenson

6. “The Six Golden Rules of Writing: Read, read, read, and write, write, write.” — Ernest Gaines

7. “The greatest part of a writer’s time is spent in reading, in order to write; a man will turn over half a library to make one book.” — Samuel Johnson

8. “Read a thousand books, and your words will flow like a river.” ― Lisa See

9. “One sure window into a person’s soul is his reading list.” — Mary B. W. Tabor

The well of inspiration, we’re afraid, often does run dry. Here are the writing quotes to replenish it and, hopefully, remind you that there might be a story idea waiting for you just around the corner of life.

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10. "If there's a book that you want to read, but it hasn't been written yet, then you must write it." — Toni Morrison

11. “Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.” — Orson Scott

12. “Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, not your games with language, which will be the most compelling and seductive element in your style.” — Stephen King

13. “Most writers regard the truth as their most valuable possession, and therefore are most economical in its use.” — Mark Twain

14. “When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art.’ I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.” — George Orwell

15. “Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.” — Natalie Goldberg

16. “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” — Madeleine L'Engle

17. “How vain it is to sit down to write when you have not stood up to live.” — Henry David Thoreau

18. “Cheat your landlord if you can and must, but do not try to shortchange the Muse. It cannot be done. You can’t fake quality any more than you can fake a good meal.” — William S. Burroughs

19. “Write what should not be forgotten.” — Isabel Allende

20. “The story must strike a nerve in me. My heart should start pounding when I hear the first line in my head. I start trembling at the risk.” — Susan Sontag

21. “Sometimes the ideas just come to me. Other times I have to sweat and almost bleed to make ideas come. It’s a mysterious process, but I hope I never find out exactly how it works. I like a mystery, as you may have noticed.” — J.K. Rowling

22. “As for ‘Write what you know,’ I was regularly told this as a beginner. I think it’s a very good rule and have always obeyed it. I write about imaginary countries, alien societies on other planets, dragons, wizards, the Napa Valley in 22002. I know these things. I know them better than anybody else possibly could, so it’s my duty to testify about them.” — Ursula K. Le Guin

23. “I’m very lucky in that I don’t understand the world yet. If I understood the world, it would be harder for me to write these books.” — Mo Willems

24. “Ideas are cheap. It’s the execution that is all important.” — George R.R. Martin

25. “If you wait for inspiration to write you’re not a writer, you’re a waiter.” — Dan Poynter

Now, finding your "voice" is not as simple as entering a nationally-televised competition on NBC ( nyuk nyuk! ). Yet your voice will define you as a writer, and these famous writers have plenty of tips and writing quotes for you when it comes to finding it.

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26. “To gain your own voice, you have to forget about having it heard.” — Allen Ginsberg

27. “One day I will find the right words, and they will be simple.” — Jack Kerouac

28. “No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.” —Robert Frost

29. “It is only by writing, not dreaming about it, that we develop our own style.” — P.D. James

30. “Voice is not just the result of a single sentence or paragraph or page. It’s not even the sum total of a whole story. It’s all your work laid out across the table like the bones and fossils of an unidentified carcass.” — Chuck Wendig

31. “If it sounds like writing, I rewrite it. Or, if proper usage gets in the way, it may have to go. I can't allow what we learned in English composition to disrupt the sound and rhythm of the narrative.” — Elmore Leonard

32. “Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.” — Meg Rosoff

33. “I don’t want just words. If that’s all you have for me, you’d better go.” — F. Scott Fitzgerald

34. “Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.” — Virginia Woolf

35. “Everywhere I go, I’m asked if the universities stifle writers. My opinion is that they don’t stifle enough of them.” — Flannery O’Connor

36. “There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn’t because the book is not there and worth being written — it is only because the right form of the story does not present itself. There is only one right form for a story and, if you fail to find that form, the story will not tell itself.” — Mark Twain

37. “Start writing, no matter what. The water does not flow until the faucet is turned on.” — Louis L’Amour

38. “First, find out what your hero wants, then just follow him.” — Ray Bradbury

39. “All you have to do is write one true sentence. Write the truest sentence that you know.” — Ernest Hemingway

40. “Focus more on your desire than on your doubt, and the dream will take care of itself.” — Mark Twain

41. “Being a writer is a very peculiar sort of job: It’s always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.” — Neil Gaiman

42. “It’s none of their business that you have to learn to write. Let them think you were born that way.” — Ernest Hemingway

43. “It doesn’t matter how many book ideas you have if you can’t finish writing your book.” — Joe Bunting

44. “If I waited for perfection, I would never write a word.” — Margaret Atwood

45. “A blank piece of paper is God's way of telling us how hard it is to be God.” — Sidney Sheldon

46. “I am not at all in a humor for writing; I must write on until I am.” — Jane Austen

47. "Get it down. Take chances. It may be bad, but it's the only way you can do anything really good." — William Faulkner

48. “One thing that helps is to give myself permission to write badly. I tell myself that I’m going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I’ll have lost nothing — writing and tearing up five pages would leave me no further behind than if I took the day off.” — Lawrence Block

49. “Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.” — John Steinbeck

50. “You can fix anything but a blank page.” — Nora Roberts

51. “I don’t wait for moods. You accomplish nothing if you do that. Your mind must know it has got to get down to work.” — Pearl S. Buck

52. “There is nothing to writing. All you do is sit down at the typewriter and bleed.” — Ernest Hemingway

Don’t get discouraged if you get this far and you’re thinking that your first draft is rather poor. These writing quotes are reminders that it’s just part of the process.

53. “The first draft is just you telling yourself the story.” — Terry Pratchett

54. “Get through a draft as quickly as possible.” — Joshua Wolf Shenk

55. “I love deadlines. I like the whooshing sound they make as they fly by.” — Douglas Adams

56. “The first draft of everything is shit.” — Ernest Hemingway

57. “There is no real ending. It’s just the place where you stop the story.” — Frank Herbert

58. “I would advise any beginning writer to write the first drafts as if no one else will ever read them — without a thought about publication — and only in the last draft to consider how the work will look from the outside.” — Anne Tyler

59. “I just give myself permission to suck. I delete about 90 percent of my first drafts, so it doesn’t really matter much if on a particular day I write beautiful and brilliant prose that will stick in the minds of my readers forever, because there’s a 90 percent chance I’m just going to delete whatever I write anyway. I find this hugely liberating.” — John Green

60. “Be willing to write really badly.” — Jennifer Egan

61. “On first drafts: It is completely raw, the sort of thing I feel free to do with the door shut — it’s the story undressed, standing up in nothing but its socks and undershorts.” — Stephen King

62. “I do not over-intellectualise the production process. I try to keep it simple: Tell the damned story.” — Tom Clancy

63. “Anyone who says writing is easy isn’t doing it right.” — Amy Joy

64. “You fail only if you stop writing.” — Ray Bradbury

65. “If my doctor told me I had only six minutes to live, I wouldn't brood. I'd type a little faster.” — Isaac Asimov

66. “Just write every day of your life. Read intensely. Then see what happens. Most of my friends who are put on that diet have very pleasant careers.” — Ray Bradbury

67. “You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence.” ― Octavia E. Butler

68. “I believe myself that a good writer doesn’t really need to be told anything except to keep at it.” — Chinua Achebe

69. “The secret to being a writer is that you have to write. It’s not enough to think about writing or to study literature or plan a future life as an author. You really have to lock yourself away, alone, and get to work.” — Augusten Burroughs

70. “It is by sitting down to write every morning that one becomes a writer.” — Gerald Brenan

71. “Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but most of all, endurance.” — James Baldwin

72. “You just have to go on when it is worst and most helpless — there is only one thing to do with a novel and that is go straight on through to the end of the damn thing.” — Ernest Hemingway

73. “We have to continually be jumping off cliffs and developing our wings on the way down.” — Kurt Vonnegut

74. “The nearest I have to a rule is a Post-it on the wall in front of my desk saying ‘Faire et se taire’ from Flaubert. Which I translate for myself as ‘Shut up and get on with it.’” — Helen Simpson

75. “I’ve been writing since I was six. It is a compulsion, so I can’t really say where the desire came from; I’ve always had it. My breakthrough with the first book came through persistence, because a lot of publishers turned it down.” — J.K. Rowling

76. “Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he’ll eventually make some kind of career for himself as a writer.” — Ray Bradbury

77. “It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.” — Virginia Woolf

78. “A professional writer is an amateur who didn’t quit.” — Richard Bach

“Write drunk, edit sober” might be one of the most famous writing quotes about editing, but we can’t all outdrink Ernest Hemingway. Which is why these other words of wisdom and writing quotes exist!

79. “You can always edit a bad page. You can’t edit a blank page.” ― Jodi Picoult

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80. “When your story is ready for a rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.” — Stephen King

81. “The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. 'Finish your first draft and then we'll talk,' he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.” — Dominick Dunne

82. “Editing might be a bloody trade, but knives aren’t the exclusive property of butchers. Surgeons use them too.” — Blake Morrison

83. “The main thing I try to do is write as clearly as I can. I rewrite a good deal to make it clear.” — E.B. White

84. “You write to communicate to the hearts and minds of others what's burning inside you, and we edit to let the fire show through the smoke.” — Arthur Plotnik

85. “Half my life is an act of revision.” — John Irving

86. “I'm all for the scissors. I believe more in the scissors than I do in the pencil.” — Truman Capote

87. “It is perfectly okay to write garbage — as long as you edit brilliantly.” — C. J. Cherryh

88. “I've found the best way to revise your own work is to pretend that somebody else wrote it and then to rip the living shit out of it.” ― Don Roff

89. “Only kings, presidents, editors, and people with tapeworms have the right to use the editorial 'we'.” — Mark Twain

90. “So the writer who breeds more words than he needs, is making a chore for the reader who reads.” ― Dr. Seuss

91. “Not that the story need be long, but it will take a long while to make it short.” — Henry David Thoreau

92. “I would write a book, or a short story, at least three times — once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say. Somewhere I put it this way: first drafts are for learning what one's fiction wants him to say. Revision works with that knowledge to enlarge and enhance an idea, to reform it. Revision is one of the exquisite pleasures of writing.” — Bernard Malamud

93. “No author dislikes to be edited as much as he dislikes not to be published.” — Russell Lynes

94. “Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now.” — Annie Dillard

95. “No passion in the world is equal to the passion to alter someone else's draft.” — H.G. Wells

96. “A writer is a world trapped in a person.” — Victor Hugo

97. “A writer is someone for whom writing is more difficult than it is for other people.” — Thomas Mann

98. “People say, ‘What advice do you have for people who want to be writers?’ I say, they don’t really need advice, they know they want to be writers, and they’re gonna do it. Those people who know that they really want to do this and are cut out for it, they know it.” — R.L. Stine

99. “As a writer, you should not judge, you should understand.” ― Ernest Hemingway

100. “I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.” — Gustave Flaubert

101. “Let me live, love, and say it well in good sentences.” — Sylvia Plath

102. “I go out to my little office, where I’ve got a manuscript, and the last page I was happy with is on top. I read that, and it’s like getting on a taxiway. I’m able to go through and revise it and put myself — click — back into that world.” — Stephen King

103. “I think all writing is a disease. You can’t stop it.” — William Carlos Williams

104. “Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players. I have 10 or so, and that’s a lot. As you get older, you become more skillful at casting them.” — Gore Vidal

105. “For your born writer, nothing is so healing as the realization that he has come upon the right word.” — Catherine Drinker Bowen

106. “The task of a writer consists of being able to make something out of an idea.” — Thomas Mann

107. “Some editors are failed writers, but so are most writers.” — T.S. Eliot

108. “Many people hear voices when no one is there. Some of them are called mad and are shut up in rooms where they stare at the walls all day. Others are called writers and they do pretty much the same thing.” — Margaret Chittenden

109. “A writer never has a vacation. For a writer life consists of either writing or thinking about writing.” — Eugene Ionesco

110. “Either write something worth reading or do something worth writing.” — Benjamin Franklin

111. “A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.” — Roald Dahl

112. “Writing is the only thing that, when I do it, I don’t feel I should be doing something else.” — Gloria Steinem

From cavemen to our modern day in the 21st-century, we have written our joys and sorrows throughout history. What compels us to write? Here’s what some of the most beloved writers we know have to say.

113. “I can shake off everything as I write; my sorrows disappear, my courage is reborn.” — Anne Frank

114. “We write to taste life twice, in the moment and in retrospect.” — Anais Nin

115. “There is no greater agony than bearing an untold story inside you.” ― Maya Angelou

116. “The very reason I write is so that I might not sleepwalk through my entire life.” — Zadie Smith

117. “The good writing of any age has always been the product of someone’s neurosis.” — William Styron

118. “No matter what people tell you, words and ideas can change the world.” — Robin Williams

119. “Words can be like X-rays if you use them properly — they'll go through anything. You read and you're pierced.” — Aldous Huxley

120. “You can make anything by writing.” — C.S. Lewis

121. “Writers live twice.” —  Natalie Goldberg

122. “History will be kind to me for I intend to write it.” — Winston Churchill

123. “Anybody can make history. Only a great man can write it.” — Oscar Wilde

124. “You must stay drunk on writing so reality cannot destroy you.” — Ray Bradbury

125. “Don’t tell me the moon is shining; show me the glint of light on broken glass .” ― Anton Chekhov

126. “My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.” — Anton Chekhov

127. “There are three rules for writing a novel. Unfortunately, no one knows what they are.” — Somerset Maugham

128. “Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule.” — Stephen King

129. “Substitute 'damn' every time you're inclined to write 'very;' your editor will delete it and the writing will be just as it should be.” — Mark Twain

130. “Find your best time of the day for writing and write. Don’t let anything else interfere. Afterwards it won’t matter to you that the kitchen is a mess.” — Esther Freud

131. “Here is a lesson in creative writing. First rule: Do not use semicolons. [...] All they do is show you've been to college.” — Kurt Vonnegut

132. “To produce a mighty book, you must choose a mighty theme.” — Herman Melville

133. “Write drunk, edit sober.” — Ernest Hemingway

134. “The difference between the almost right word and the right word is the difference between the lightning bug and the lightning.” — Mark Twain

135. “The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.” — Neil Gaiman

136. “Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry. Writers are like dancers, like athletes. Without that exercise, the muscles seize up.” — Jane Yolen

137. “Style means the right word. The rest matters little.” — Jules Renard

138. “My aim in constructing sentences is to make the sentence utterly easy to understand, writing what I call transparent prose. I’ve failed dreadfully if you have to read a sentence twice to figure out what I meant.” — Ken Follett

139. “And one of [the things you learn as you get older] is, you really need less… My model for this is late Beethoven. He moves so strangely and quite suddenly sometimes from place to place in his music, in the late quartets. He knows where he’s going and he just doesn’t want to waste all that time getting there… One is aware of this as one gets older. You can’t waste time.” — Ursula K. Le Guin

140. “ Part 1. I notice that you use plain, simple language, short words and brief sentences. That is the way to write English — it is the modern way and the best way. Stick to it; don’t let fluff and flowers and verbosity creep in . Part 2. When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them – then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. Part 3. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.” — Mark Twain

“You miss 100% of the shots that you never take — Wayne Gretsky,” as Michael Scott once said. In tribute to this sentiment, these writing quotes help show why it’s important not to let failure or rejection get you down.

141. “You can’t let praise or criticism get to you. It’s a weakness to get caught up in either one.” — John Wooden

142. “Rejection slips, or form letters, however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil — but there is no way around them.” — Isaac Asimov

143. “Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn’t feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That’s my favorite part. It drives me, feeds me, and makes one hell of a story.” — Jennifer Salaiz

144. “I love my rejection slips. They show me I try.” — Sylvia Plath

145. “I would advise anyone who aspires to a writing career that before developing his talent, he would be wise to develop a thick hide.” — Harper Lee

147. “I used to save all my rejection slips because I told myself, one day I’m going to autograph these and auction them. And then I lost the box.” — James Lee Burke

148. “This manuscript of yours that has just come back from another editor is a precious package. Don’t consider it rejected. Consider that you’ve addressed it ‘to the editor who can appreciate my work’ and it has simply come back stamped ‘Not at this address’. Just keep looking for the right address.” — Barbara Kingsolver

149. “To ward off a feeling of failure, she joked that she could wallpaper her bathroom with rejection slips, which she chose not to see as messages to stop, but rather as tickets to the game.” — Anita Shreve

150. “Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” — Neil Gaiman

151. “The artist doesn’t have time to listen to the critics. The ones who want to be writers read the reviews, the ones who want to write don’t have the time to read reviews.” — William Faulkner

152. “I think that you have to believe in your destiny; that you will succeed, you will meet a lot of rejection and it is not always a straight path, there will be detours — so enjoy the view.” — Michael York

153. “I went for years not finishing anything. Because, of course, when you finish something you can be judged.” — Erica Jong

154. “I tell writers to keep reading, reading, reading. Read widely and deeply. And I tell them not to give up even after getting rejection letters. And only write what you love.” — Anita Diamant

155. “I could write an entertaining novel about rejection slips, but I fear it would be overly long.” — Louise Brown

156. “I had immediate success in the sense that I sold something right off the bat. I thought it was going to be a piece of cake and it really wasn’t. I have drawers full of — or I did have — drawers full of rejection slips.” — Fred Saberhagen

157. “An absolutely necessary part of a writer’s equipment, almost as necessary as talent, is the ability to stand up under punishment, both the punishment the world hands out and the punishment he inflicts upon himself.” — Irwin Shaw

158. “Failures are finger posts on the road to achievement.” — C. S. Lewis

Why does writing matter? If there’s anyone who might know the answer, it’s the people who write — and continue to write, despite adverse circumstances. Here are a few pennies for their thoughts.

159. “Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.” — Virginia Woolf

160. “If the book is true, it will find an audience that is meant to read it.” — Wally Lamb

161. “A word after a word after a word is power.” — Margaret Atwood

162. “If you want to change the world, pick up your pen and write.” — Martin Luther

163. “The purpose of a writer is to keep civilization from destroying itself.” — Albert Camus

164. “Good fiction’s job is to comfort the disturbed and disturb the comfortable.” — David Foster Wallace

165. “After nourishment, shelter and companionship, stories are the thing we need most in the world.” — Philip Pullman

166. “All stories have to at least try to explain some small portion of the meaning of life.” — Gene Weingarten

167. “If a nation loses its storytellers, it loses its childhood.” — Peter Handke

168. “The difference between fiction and reality? Fiction has to make sense.” — Tom Clancy

169. “If I had to give young writers advice, I would say don’t listen to writers talking about writing or themselves.” — Lillian Hellman

170. “Don’t take anyone’s writing advice too seriously.” — Lev Grossman

Of course, writing quotes by themselves won't write the book for you — you alone have that power. However, we hope that this post has helped inspire you in some way! If you're looking for more in-depth resources, you can check out these guides:

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• How to Develop a Strong Theme ( read here )
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• How to Become a Better Writer Today ( read here )

2 responses

Brian Welte says:

08/05/2019 – 12:28

Here's a quote I absolutely adore: "The author, in his work, must be like God in the Universe, present everywhere and visible nowhere" [Quote from Gustave Flaubert]

Comments are currently closed.

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21 Killer GRE Essay Quotes You Should Be Using Right Now

By Jitta Raghavender Rao • GRE Writing

“[A] quotation is a handy thing to have about, saving one the trouble of thinking for oneself, always a laborious business.” – A.A. Milne

Chances are you too know a few famous quotes, but you probably don’t use them. I know so, because I’m guilty of neglecting quotes on the GRE.

So, why should you use essay quotes on the GRE?  To start with, the right use of quotes in essays augments the power of your arguments and makes your essays appear more convincing. Plus, essays with quotes tend to score better than essays without them, because of the initial impact the use of quotes create on the reader, and help strengthen your point.

But we need to exercise prudence. Only use quotes as is, if you are convinced that paraphrasing would lower the impact or change the meaning of the original author’s words or when the argument could not be better expressed or said more succinctly.

Here is how you make sure you are doing it right.

How do I incorporate quotes into my essay?

At times, an essay can appear painfully discorded if the quotations are out of place or if the essay is too stuffed with quotes.

So, what should you do to avoid this?

A great quote plays one or more roles from the following:

• creates the initial impact on the essay grader
• makes your essay look more promising and interesting
• establishes credibility
• concludes the essay with a point to contemplate

If the quote doesn’t serve any of the above then you are forcing it into the essay and this could do more harm than good.

You should start writing your essay with a quote that lays foundation to the main idea behind the essay. This can have a major impact on the evaluator. You can also comment on the quotation in this introductory paragraph if you wish. Either way, to get a perfect score on the GRE essay, use a relevant quote strategically but don’t force it into the essay.

Can I alter the structure of the quotation?

Using the exact words from the original source is called quoting. You should quote when you believe that the way the original author expresses an idea is the most effective way to communicate the point you wish to make. If you want to borrow an idea from the author but don’t put the idea in their exact words, then it’s called paraphrasing. (but remember that you still have to cite the original author even when you are paraphrasing)

For example, Ronald Reagan said, “Trust, but verify.” You can alter the quotation on your own according to the passage, by saying: ‘To paraphrase Ronald Reagan’s famous quote, “It is easier to trust when you can verify.”‘ By doing this, you are not only citing the original author, but also gaining extra points for using your own version of the quote.

How many quotes should I use?

If you deploy a lot of quotations in your essay, it appears as though several people are talking about the topic apart from yourself. This would downplay your own voice and leaves little room for your own ideas. It is your essay and it should be your voice that needs to be heard, not some notable/famous person’s. Quote as infrequently as possible. So, don’t cram every quote you know into the essay. As a rule of thumb, refrain from using more than 2 quotes in any essay. (One in the introductory paragraph and the other if necessary in the conclusion)

How do I introduce the quote in my own words?

The last thing you would want is get your score cancelled on account of plagiarism. It’s highly recommended that you cite the author of the quotation. If you don’t cite, you may give the impression that you claim to be the original author and that could result in plagiarism. You should place the quote in double quotation marks. Here is an example usage citing the author:

Thomas Jefferson once said “The will of the people is the only legitimate foundation of any government, and to protect its free expression should be our first object.”

Categorization of GRE Essay Topics

The fascinating thing about the GRE essay topics is that they’re already published on the official ETS website. This may sound crazy because giving out the questions in advance is not normal. Now, use this to your advantage. You can find all the GRE essay topics on the official ETS website .

But there’s a catch! You were expecting a few, right?

Well, there are close to 200 topics in all – far too many to practice responses in advance. Also, practicing each of these topics is not advisable as it is going to take a lot of time and effort and there is no point in mugging them up. You could as well spend this time on learning some math. However, there’s a good news. Just scanning through these two lists will give you an excellent idea of the types of issues and arguments that show up on test day.

I just made things a bit easy for you, though. Most of the topics that show up on the GRE essay section can be broadly grouped into five categories.

• Government/Politics
• Sciences and Technology

So, next time when you practice writing an essay response, make sure you write at least one essay from each of these categories. And memorize a few quotes related to each one of these topics, as they will be handy.

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List of most useful essay quotes

I’ve compiled a list of easy-to-digest quotes that should help you write the perfect essay. Bookmark this page NOW for future reference.

The following quotes from great thinkers have been selected based on their relevance to common GRE essay topics and for their ease of usage.

• The only good is knowledge and the only evil is ignorance – Socrates
• A people that value its privileges above its principles soon loses both – Dwight D. Eisenhower
• In theory, there is no difference between theory and practice. But in practice, there is – Yogi Berra
• A little inaccuracy can sometimes save a ton of explanation – H.H Munro
• Any intelligent fool can make things bigger, more complex and more violent. It takes a touch of genius – and a lot of courage – to move in the opposite direction – E. F. Schumacher
• A consensus means that everyone agrees to say collectively what no one believes individually – Abba Eban
• Non-cooperation with evil is as much a duty as is cooperation with good – Mohandas Gandhi
• Whatever government is not a government of laws, is a despotism, let it be called what it may – Daniel Webster
• Good people do not need laws to tell them to act responsibly, while bad people will find a way around the laws – Plato
• Far and away the best prize that life offers is the chance to work hard at work worth doing – Theodore Roosevelt
• It is dangerous to be right, when the government is wrong – Voltaire
• The will of the people is the only legitimate foundation of any government, and to protect its free expression should be our first object – Thomas Jefferson
• No nation is fit to sit in judgment upon any other nation – Woodrow Wilson (28th U.S President)
• The artist is nothing without the gift, but the gift is nothing without work – Emile Zola
• The world is full of educated derelicts – Calvin Coolidge
• A lie gets halfway around the world before the truth has a change to get its pants on – Winston Churchill
• It’s not the size of the dog in the fight, it’s the size of the fight in the dog – Mark Twain
• Life contains but two tragedies. One is not to get your heart’s desire, the other is to get it – Socrates
• If women didn’t exist, all the money in the world would have no meaning – Aristotle Onasis
• Men are not disturbed by things, but the view they take of things – Epictetus
• As a rule, men worry more about what they can’t see than about what they can – Julius Caesar

Now, these are a handful of quotes. The goal is to memorize 5 or 6 of your favorite quotes so you’ll be able to contextually fit one into the essay on the test day. While practicing, you may look at the list of quotes found above however, if you can remember a specific quote apposite to your essay topic, try to use it – one quote for every essay.

For those avid writers, who believe the number of quotes above are too low, we have the right tool for you. Ellipsoid created a random quote generator tool that draws 5 famous quotes from Goodreads every time you reload the page. The good news is these 5 quotes are always theme based so you know where to use them.

Writing essays isn’t all about the substance. It’s the basics that many of us forget. If you are going to put in the time to practice writing essays, might as well maximize the score you could get by deploying a quote in your essays.

So, what’s your favorite quote?

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20 Comments to “21 Killer GRE Essay Quotes You Should Be Using Right Now”

i think it is difficult to remember even these 21 quotes in the exam. any tips to remember them will be helpful. thanks

Yes, it is rather difficult to remember all the 21 quotes, which is why we asked you to pick a few of your favorite ones from the list. Plus, the only way you can remember these quotes is by using them while you practice AWA essays.

Happy Studying! 🙂

I personally memorize the ones that can be useful in more than one topic, and as said learn the ones you like most.

Quote number 5… oh, Albert. You make my bricks fall off. As to you, Mr. Kaundinya, I might win a brand spankin’ new tablet thanks to your quotes. I’m sure my D.A.R.E essay will be awesome.

I found that they are advantageous,but i don’t think that i can get used of them in a short time.

thnx for these awesome quotes guys.i’m damn sure that the’ll help a looooooooot in improving my skills.

Super glad to know they helped you, Bhavya! Hope you’ll kill some essays with these quotes now. 🙂

It is really helpful

It Is Realy Inspiring $ Motivating I Am So Interested To It!

Thenks A Heap It Is Realy Inspiring And Motivating!

Yeah…awesome list

I must say you have high quality content here. Your content can go viral.

Thanks for your updates. I love your all status updates. Can you please update more for facebook . I am a big fan of you. I am waiting for your reply.

Wow! This is the fantastic technique to use quotes in essay, because this think bring something new in essay writing. I’m big fan of your after reading this article.

Very helpful

I liked those quotes

Those quotes are amazing….. I’m sure that it it will help in writting essays

Glad it helped, Merin! Feel free to message us if you have any questions! 🙂

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100 Quotes to Kickstart Your Personal Statement (with examples)

by Talha Omer, MBA, M.Eng., Harvard & Cornell Grad

In personal statement tips & advice.

Starting your personal statement for university admissions can be a daunting task. It’s the first thing the admissions committee will read about you, and it needs to capture your unique voice, experiences, and aspirations in just a few words. So, where do you begin?

One effective way to start is with a powerful quote that reflects your values, interests, or goals.  

A great quote can set the tone for your essay, grab the reader’s attention, and showcase your personality and potential. In this blog post, I’ll explore quotes that you can draw from. I’ll also provide a couple of examples where successful candidates used quotes to begin their personal statements.

To make the process of selecting the perfect quote for your personal statement even easier, I’ve organized the list into categories that are common themes in personal statements. Whether you’re seeking to showcase your resilience, or creativity, I’ve got you covered with a range of quotes that can help you stand out from the crowd.  

In this Article

• Inspirational Quotes for personal statement 

Leadership Quotes for personal statement

Personal growth quotes for personal statement, academic quotes for personal statement, professional quotes for personal statement, cultural quotes for personal statement, creative quotes for personal statement, perseverance quotes for personal statement, inspirational quotes for personal statement  .

Inspirational quotes can be a great way to show your motivation, resilience, and determination. They can also help you communicate your values and beliefs and demonstrate your commitment to achieving your goals.

• “Believe you can and you’re halfway there.” – Theodore Roosevelt
• “Success is not final, failure is not fatal: it is the courage to continue that counts.” – Winston Churchill
• “The only way to do great work is to love what you do.” – Steve Jobs
• “You miss 100% of the shots you don’t take.” – Wayne Gretzky
• “I can’t change the direction of the wind, but I can adjust my sails to always reach my destination.” – Jimmy Dean
• “Success is liking yourself, liking what you do, and liking how you do it.” – Maya Angelou
• “The only limit to our realization of tomorrow will be our doubts of today.” – Franklin D. Roosevelt
• “If you don’t stand for something, you will fall for anything.” – Malcolm X
• “It does not matter how slowly you go as long as you do not stop.” – Confucius
• “You are never too old to set another goal or to dream a new dream.” – C.S. Lewis 

Here is an example opening paragraph of a personal statement where the candidate used an inspirational quote to begin:

As a lifelong learner and problem-solver, I’ve always been drawn to the field of artificial intelligence. But it wasn’t until I read a quote by Alan Turing that I truly appreciated the transformative potential of this field: ‘We can only see a short distance ahead, but we can see plenty there that needs to be done.’ These words resonated with me deeply, and I realized that the possibilities of artificial intelligence are limited only by our imaginations and our willingness to take risks. Throughout my academic and professional journey, I’ve sought out opportunities to push the boundaries of what’s possible, from pursuing advanced degrees in computer science to working on cutting-edge research projects. Through these experiences, I’ve learned the importance of collaboration, innovation, and perseverance in tackling the toughest challenges facing our world today. And as I look forward to contributing to the field of artificial intelligence, I’m inspired by the limitless potential of this technology and committed to using it to make a positive impact on society.

Leadership quotes can help you showcase your ability to lead and inspire others, and your commitment to making a positive impact in your community. They can also demonstrate your understanding of the importance of teamwork, communication, and collaboration, which are essential skills in many fields of study and careers.

• “A leader is one who knows the way, goes the way, and shows the way.” – John C. Maxwell
• “Leadership and learning are indispensable to each other.” – John F. Kennedy
• “Alone we can do so little; together we can do so much.” – Helen Keller
• “The greatest leader is not necessarily the one who does the greatest things. He is the one that gets the people to do the greatest things.” – Ronald Reagan
• “If your actions inspire others to dream more, learn more, do more and become more, you are a leader.” – John Quincy Adams
• “Leadership is the capacity to translate vision into reality.” – Warren Bennis
• “Management is doing things right; leadership is doing the right things.” – Peter Drucker
• “The challenge of leadership is to be strong, but not rude; be kind, but not weak; be bold, but not a bully; be humble, but not timid; be proud, but not arrogant; have humor, but without folly.” – Jim Rohn
• “The art of leadership is saying no, not saying yes. It is very easy to say yes.” – Tony Blair
• “The function of leadership is to produce more leaders, not more followers.” – Ralph Nader

Here is an example opening paragraph of a personal statement where the candidate used a leadership quote to begin:

As an aspiring business leader, I am always striving to develop the qualities and characteristics that will enable me to make a positive impact in my chosen field. To me, leadership is not just about achieving success, but also about helping others to reach their full potential. That’s why I find inspiration in the words of former U.S. President John Quincy Adams, who once said, ‘If your actions inspire others to dream more, learn more, do more, and become more, you are a leader.’ This quote captures the essence of what I believe it means to be a leader – to inspire, to guide, and to empower others to achieve their goals. I am committed to embodying these qualities as I pursue my education and career in business, with the goal of making a meaningful difference in the lives of those around me.

Personal growth is a lifelong process of learning, self-discovery, and personal development, and it’s an important aspect of personal and academic success. Using a personal growth quote in your personal statement can demonstrate your commitment to self-improvement, your willingness to learn and grow, and your ability to overcome challenges and setbacks.

• “The greatest glory in living lies not in never falling, but in rising every time we fall.” – Nelson Mandela
• “Aim for the moon. If you miss, you may hit a star.” – W. Clement Stone
• “I have not failed. I’ve just found 10,000 ways that won’t work.” – Thomas A. Edison
• “The more that you read, the more things you will know. The more that you learn, the more places you’ll go.” – Dr. Seuss
• “The secret of getting ahead is getting started.” – Mark Twain
• “Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.” – Thomas A. Edison
• “The future belongs to those who believe in the beauty of their dreams.” – Eleanor Roosevelt
• “It’s not what happens to you, but how you react to it that matters.” – Epictetus

These quotes can be particularly relevant for students who have excelled academically, or who are interested in pursuing a career in academia or research. Academic quotes can be used to demonstrate your knowledge, and intellectual curiosity, as well as your ability to think critically and engage with complex ideas. They can also show your dedication to your field of study and your commitment to academic excellence.

• “The function of education is to teach one to think intensively and to think critically. Intelligence plus character – that is the goal of true education.” – Martin Luther King Jr.
• “The aim of education is the knowledge, not of facts, but of values.” – William S. Burroughs
• “Education is not the filling of a pail, but the lighting of a fire.” – W.B. Yeats
• “Education is the passport to the future, for tomorrow belongs to those who prepare for it today.” – Malcolm X
• “The only true wisdom is in knowing you know nothing.” – Socrates
• “Education is the most powerful weapon which you can use to change the world.” – Nelson Mandela
• “The beautiful thing about learning is that no one can take it away from you.” – B.B. King
• “Education is not preparation for life; education is life itself.” – John Dewey
• “Intelligence plus character – that is the goal of true education.” – Martin Luther King Jr.
• “Education is the movement from darkness to light.” – Allan Bloom 

These quotes can be used to demonstrate your understanding and passion for your chosen field, as well as your commitment to excellence and professionalism. They can also be used to highlight specific skills or achievements that you have acquired in your professional pursuits, such as teamwork, problem-solving, or leadership.

• “Choose a job you love, and you will never have to work a day in your life.” – Confucius
• “Success in business requires training and discipline and hard work. But if you’re not frightened by these things, the opportunities are just as great today as they ever were.” – David Rockefeller
• “A dream doesn’t become reality through magic; it takes sweat, determination, and hard work.” – Colin Powell
• “Opportunities don’t happen. You create them.” – Chris Grosser
• “The best way to predict the future is to create it.” – Peter Drucker
• “The only person you are destined to become is the person you decide to be.” – Ralph Waldo Emerson

These quotes can help you showcase your appreciation and understanding of cultural diversity, your willingness to learn from different perspectives, and your interest in contributing to the global community. They can also be used to highlight any experiences or achievements that you have had in cultural immersion, cross-cultural communication, or intercultural exchange.  

• “No culture can live if it attempts to be exclusive.” – Mahatma Gandhi
• “Culture is the widening of the mind and of the spirit.” – Jawaharlal Nehru
• “Culture makes people understand each other better. And if they understand each other better in their soul, it is easier to overcome the economic and political barriers.” – Paulo Coelho
• “Language is the road map of a culture. It tells you where its people come from and where they are going.” – Rita Mae Brown
• “Culture is not a luxury, but a necessity for every society.” – Pearl S. Buck
• “Culture is the arts elevated to a set of beliefs.” – Thomas Wolfe
• “Culture is the sum total of all the things that make a society distinctive.” – Clifford Geertz
• “The beauty of culture is that it evolves through time and generations, shaping our values and beliefs.” – Chinua Achebe
• “The richness of our culture reflects the diversity of our people.” – Unknown
• “Culture is the window reflecting the soul of a nation.” – Wang Meng

They can also be used if you want to showcase your ability to think outside the box or to approach problems in a creative and innovative way, regardless of your field of study.

• “Creativity is seeing what everyone else has seen, and thinking what no one else has thought.” – Albert Einstein
• “The creative adult is the child who survived.” – Ursula K. Le Guin
• “The worst enemy to creativity is self-doubt.” – Sylvia Plath
• “Imagination is everything. It is the preview of life’s coming attractions.” – Albert Einstein
• “Creativity takes courage.” – Henri Matisse
• “To be creative means to be in love with life.” – Osho
• “The creative process is a process of surrender, not control.” – Julia Cameron
• “The chief enemy of creativity is ‘good’ sense.” – Pablo Picasso
• “Creativity is a wild mind and a disciplined eye.” – Dorothy Parker
• “Creativity is contagious. Pass it on.” – Albert Einstein

Perseverance is a universal quality that is admired by all, and demonstrating a strong work ethic and determination to overcome challenges can be valuable in any academic or professional setting. Whether you have overcome personal obstacles or worked hard to achieve academic or professional success, using a perseverance quote can be a powerful way to convey your resilience and determination to admissions committees.  

• “Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.” – Thomas Edison
• “I have failed again and again throughout my life. That’s why I am a success.” – Michael Jordan
• “Perseverance is not a long race; it is many short races one after the other.” – Walter Elliot
• “I can accept failure, everyone fails at something. But I can’t accept not trying.” – Michael Jordan
• “When you get into a tight place and everything goes against you, till it seems as though you could not hold on a minute longer, never give up then, for that is just the place and time that the tide will turn.” – Harriet Beecher Stowe
• “Believe in yourself and all that you are. Know that there is something inside you that is greater than any obstacle.” – Christian D. Larson
• “Many of life’s failures are people who did not realize how close they were to success when they gave up.” – Thomas Edison
• “Fall seven times, stand up eight.” – Japanese Proverb
• “The only thing that stands between you and your dream is the story you keep telling yourself that you can’t achieve it.” – Jordan Belfort
• “Perseverance is the hard work you do after you get tired of doing the hard work you already did.” – Newt Gingrich
• I hope these quotes provide some inspiration and ideas for your personal statement! Remember, choose quotes that speak to you personally and help showcase your unique strengths and qualities to the admissions committee.

Selecting the right quote to begin your personal statement can be a powerful tool to help you stand out in the admissions process. By choosing a quote that resonates with you and reflects your unique qualities and aspirations, you can set the tone for your personal statement and make a memorable first impression on the admissions team.

Whether you choose a quote about perseverance, leadership, or anything else, make sure it authentically represents who you are and what you hope to achieve. With these inspiring quotes as your guide, you’ll be one step closer to crafting a personal statement that showcases your strengths, character, and potential.

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• Ideal Length for a Graduate School Personal Statement
• 100 Inspiring Quotes to Jumpstart Your Personal Statement

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How to Use a Quote in an Essay

Table of Contents

MLA in-text citation how-to

You can take a quote from different sources of information, such as books, magazines, websites or printed journals. Using quotes in an essay serves three goals:

• Present additional evidence to support your point of view or oppose a claim or idea;
• Help a reader better understand a topic under analysis;
• Strengthen your argumentation on a topic using another writer’s eloquence.

Since quotes are mostly used in Humanities, you’ll have to follow MLA citation referencing guidelines. The Modern Language Association citation manual implies two types of quotes – short and long.

• Short quote – Is less than 4 lines of typed text and can be embedded directly into a sentence;
• Long quote – Is more than 4 lines of typed text and requires a separate content block in an essay without quotation marks.

Writing college essays, the recommendation is to use short quotes.

Parenthetical citation

Referring to the works of other authors in-text is done using a parenthetical citation . Such a method implies the author-page style of quoting. For example:

When it comes to writing, King suggests: “Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.” (5)

Given the MLA in-text citation already contains King’s last name, you shouldn’t mention it in the parenthesis. If the author’s name isn’t mentioned in-text, it has to be specified in a parenthetical citation.

When it comes to writing, there’s a quote I like the most: “Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.” (King 5)

According to MLA guidelines, at the end of the essay, there has to be the Works Cited page . It contains the full reference featuring author’s full name, the full title of the source, the volume, the issue number, the date of publishing, and the URL (if the source was found online). Here’s an example of the full referencing in the Works Cited:

King, Larry L. “The Collection of Best Works.” Oxford University Press, vol. 2, no. 3, Jan.-Feb. 2017, http://www.prowritersdigest.com/editor-blogs/inspirational-quotes/72-of-the-best-quotes-about-writing.

How to start an essay with a quote?

Starting an essay with a quote is a matter of controversy. Experts in the pro camp suggest that a quote at the beginning of an essay helps make a powerful statement right from the start. Moreover, an interesting, captivating quote grabs the reader’s attention right from the start.

Experts from the against camp suggest that when you begin an essay with a quote, you miss on the opportunity to present your own take on the subject matter. In their opinion, when writing the introduction, you have to rely only on your words. Whereas quotes are most useful in the main body, serving as an additional argumentation. In conclusion, a quote can be placed, too.

How to use quotes in the middle of an essay?

Main Body is the place you’re meant to state a quote or two, depending on the length of a paper. A standard 5-paragraph essay will imply you to use 2-3 quotes in the main body. More quotes aren’t necessary for such a short assignment. Two quotes in the main body will do just fine.

In the main body paragraph, a quote is placed in the middle of the passage . First, you introduce a focal sentence of a paragraph highlighting your point of view regarding a topic. After that, you provide the evidence data and argumentation, among which is a relevant quote. And finally, you smoothly transit to the next body paragraph or the conclusion. Here’re three examples of how to present a quote in one of the main body paragraphs.

Accurate integration of a citation in a text is key. Or the whole passage will sound off.

People who want to become a writer don’t really need any piece of advice. “Those (…) who know that they really want to do this and are cut out for it, they know it.”

College essay quotes have to be naturally embedded in a text .

People who want to become a writer don’t really need any piece of advice: “Those (…) who know that they really want to do this and are cut out for it, they know it.”

There’s also the way to write an essay with quotes in the smoothest way possible.

People who want to become a writer don’t really need any piece of advice. They simply “know that they really want to do this and are cut out for it, they know it.”

See how organically a quote is inserted in a sentence? That’s the best-case scenario of using a quote in a sentence.

How to end an essay with a quote?

Sometimes, ending an essay with a quote is better than merely restating your thesis statement. Citations can be taken from both primary and secondary sources. Good quotes to end an essay might be of your course professor’s. According to essay writing websites , quotations taken from the words of subject authorities and thought leaders will do great, too.

A quote ending an essay helps meet 5 objectives:

• Provide a solid closure to your essay;
• Fortify your point of view;
• Give one final argument in favor of your thesis statement;
• Establish your authority on a topic;
• Helps your essay stand out.

Having a quotation at the end of an essay gives a good chance to score an “A”.

15 tips for using quotations in an essay

• Look up quotes in academic sources in the first place;
• Rely on the printed matter rather than internet sources;
• Avoid citing information from Wikipedia;
• Give context to every quotation you use;
• Always use quotation marks to avoid plagiarism-related troubles;
• Explain why the quote you’re about to use in a text is important;
• Seek to integrate quotes smoothly in a sentence for the best effect;
• Each quotation has to be attributed to the original source using parenthesis;
• Gather 10-15 quotes relevant to your topic and then sift through 5 quotes that will serve you best;
• Use the exact wording, punctuation, capitalization and sentence structure as in the original;
• Watch your punctuation when using quotes in a sentence;
• Avoid misquotations, as it’s a sign of a careless attitude towards the assignment;
• Use an ellipsis (…) to withdraw a part of a quote you don’t actually need;
• Try to use short quotes rather than long;
• Avoid quoting quotes, as it’s where students make mistakes most often.

5 motivational quotes for essay writing

Inspiration is a staple in every great writer’s routine. As a student, you might find drawing inspiration a bit too difficult. Here’re a couple of inspiring essay motivation quotes to help you break through the writer’s block. Or you can buy argumentative essay if doing the task yourself isn’t an option.

“I don’t need an alarm clock. My ideas wake me.”

“It’s none of their business that you have to learn to write. Let them think you were born that way.”

“The difference between the almost right word and the right word is … the difference between the lightning bug and the lightning.”

“Making people believe the unbelievable is no trick; it’s work . … Belief and reader absorption come in the details: An overturned tricycle in the gutter of an abandoned neighborhood can stand for everything.”

“To defend what you’ve written is a sign that you are alive.”

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73 Essay Hook Examples

Chris Drew (PhD)

Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

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An essay hook is the first one or two sentences of your essay that are used to grab the reader’s attention and draw them into your discussion.

It is called a hook because it “grabs” the reader and doesn’t let them go! It should have something in there that makes the reader feel curious and intrigued, compelling them to continue reading.

Techniques for Good Essay Hooks

Here are a few techniques that you can use to write a good essay hook:

• Use a Quotation : Sometimes, a relevant quotation from a well-known author or expert can help establish the context or theme of your essay. Next time you’re conducting research for an essay, keep an eye out for a really compelling quote that you could use as your hook for that essay.
• Start with a Statement that is Surprising or Unusual: A surprising or unusually statement will draw a reader in, making them want to know more about that topic. It’s good if the statement contradicts common knowledge or reveals an insight about your topic that isn’t immediately obvious. These can be particularly good for argumentative essays where you’re putting forward a controversial or compelling argument as your thesis statement .
• Tell a Brief Anecdote : A short, interesting story related to your topic can personaize the story, making it more than just a dry essay, and turning it into a compelling narrative that’s worth reading.
• Use Statistics or Facts: Interesting, surprising, or shocking facts or statistics work similarly to surprising statements: they make us want to know more about a topic. Statistics and facts in your introductions are particularly useful for analytical, expository , and argumentative essays.
• Start with a Question: Questions that make the reader think deeply about an issue, or pose a question that the reader themselves has considered, can be really effecitve. But remember, questions tend to be better for informal and personal essays, and are generally not allowed in formal argumentative essays. If you’re not sure if you’re allowed to use questions in your essays, check with your teacher first.

Below, I’ll present some examples of hooks that you could use as inspiration when writing your own essay hook.

Essay Hook Examples

These examples might help stimulate your thinking. However, keep in mind that your essay hook needs to be unique to your essay, so use these as inspiration but write your own essay hook that’s perfect for your own essay.

1. For an Essay About Yourself

An essay about yourself can be personal, use “I” statements, and include memories or thoughts that are deeply personal to you.

• Question: “Have you ever met someone who could turn even the most mundane events into a thrilling adventure? Let me introduce myself.”
• Anecdote: “The smell of freshly baked cookies always takes me back to the day when I accidentally started a baking business at the age of nine.”
• Intriguing Statement: “I’ve always believed that you haven’t truly lived until you’ve read a book upside down, danced in the rain, or taught a parrot to say ‘I love pizza.'”
• Quotation: “As Mark Twain once said, ‘The secret of getting ahead is getting started.’ That’s a philosophy I’ve embraced in every aspect of my life.”
• Humorous Statement: “I’m a self-proclaimed ‘professional chocolate tester’ – a title that’s not only delicious but also requires extreme dedication.”
• Start with your Mission Statement : “My life motto is simple but powerful: be the person who decided to go for it.
• Fact or Statistic: “According to a study, people who speak more than one language tend to be better at multitasking . As a polyglot, I certainly live up to that statistic.”
• Comparison or Metaphor: “If my life were a book, it would be a blend of an adventurous novel, a suspense thriller, and a pinch of romantic comedy.”
• Personal Revelation: “Ever since I was a child, I’ve had an uncanny ability to communicate with animals. It’s an unusual skill, but one that has shaped my life in many ways.”
• Narrative: “The day everything changed for me was an ordinary Tuesday. Little did I know, a single conversation would lead me to discover my true passion.”

2. For a Reflective Essay

A reflective essay often explores personal experiences, feelings, and thoughts. So, your hooks for reflective essays can usually be more personal, intriguing, and engaging than other types of essays. Here are some examples for inspiration:

• Question: “Have you ever felt as though a single moment could change your entire life? This essay is going to explore that moment for me.”
• Anecdote: “I was standing on the edge of the Grand Canyon, looking at the vast emptiness, and for the first time, I truly understood the word ‘perspective’.”
• Bold Statement: “There is a part of me that is still trapped in that room, on that rainy afternoon, holding the letter that would change everything.”
• Personal Revelation: “The first time I truly felt a sense of belonging wasn’t in a crowded room full of friends, but in the quiet solitude of a forest.”
• Intriguing Statement: “In my life, silence has been a teacher more profound than any words could ever be.”
• Quotation: “Einstein once said, ‘The only source of knowledge is experience.’ Now, looking back, I realize how profound that statement truly is.”
• Comparison or Metaphor: “If my life is a tapestry, then that summer was the vibrant thread that changed the entire pattern.”
• Narrative: “As the train pulled out of the station, I realized I wasn’t just leaving my hometown, I was leaving my old self behind.”
• Philosophical Statement: “In the theater of life, we are both the actor and the audience, playing our part and watching ourselves simultaneously.”
• Emotive Statement: “There is a sort of sweet sorrow in remembering, a joy tinged with a hint of sadness, like the last notes of a beautiful song.”

For an Argumentative Essay

Essay hooks for argumentative essays are often the hardest. This type of essay tends to require the most formal type of academic writing, meaning your hook shouldn’t use first person, and should be more based on fact and objectivity, often at the expense of creativity. Here are some examples.

• Quotation: “Thomas Jefferson once said, ‘Whenever the people are well-informed, they can be trusted with their own government.’ If Jefferson were alive today, he would likely feel that this meed for a well-informed citizenry is falling well short of where he would aspire.”
• Provocative Statement: “Despite what romantic films may portray, love at first sight is merely a myth perpetuated by society. This essay will prosecute the argument that love at first sight is a myth.”
• Statistical Fact: “According to the World Health Organization, depression is the leading psychological disability worldwide. Yet, mental health is still stigmatized and often overlooked. This essay will argue that depression should be seen as a health issue, and stigmatization of depression causes serious harm to society.”
• Comparison: “Much like an unchecked infection, climate change, if left ignored, can spread far beyond what it is today, causing long-term economic and social problems that may even threaten the longevity of humanity itself.”
• Contradiction : “While we live in an era of unprecedented technological advancements, millions around the world are still denied basic internet access.”
• Bold Declaration: “Animal testing is not only ethically unacceptable, but it also undermines the progress of medical research.”
• Challenging Belief: “Despite popular belief, the automation of jobs is not a threat but an opportunity for society to evolve.”
• Quotation: “George Orwell wrote in ‘1984’, ‘Big Brother is Watching You.’ In our modern society, with the advancement of technology, this is becoming more of a reality than fiction.”
• Intriguing Statement: “Despite countless diet fads and fitness trends, obesity rates continue to rise. This argumentative essay will argue that this is because medical practitioners’ approaches to health and weight loss are fundamentally flawed.”
• Statistical Fact: “Research reveals that over 90% of the world’s plastic waste is not recycled. This alarming figure calls for a drastic change in social attitudes towards consumption and waste management.”
• Challenging Assumption: “Society often assumes that progress and growth are intrinsically good, but this is not always the case in the realm of economic development.”
• Contradiction: “Western society upholds the value of freedom, yet every day, members of society cede personal liberties in the name of convenience and security.”
• Analogy: “Like an overplayed song, when a news story is repeated too often, it loses its impact. In the era of digital media, society is becoming desensitized to critical issues.”
• Relevant Anecdote: “In a village in India, the arrival of a single computer transformed the lives of the residents. This small anecdote underscores the importance of digital inclusion in today’s world.”
• Call to Rethink: “In a world where success is often equated with financial wealth, it is time for society to reconsidered what truly constitutes a successful life.”

For a Compare and Contrast Essay

A compare and contrast essay examines two issues, looking at both the similarities and differences between them. A good hook for a compare and contrast essay will immediately signal to the reader the subjects that are being compared and why they’re being compared. Here are sine ideas for hooks for a compare and contrast essay:

• Quotation: “As Charles Dickens wrote in his novel ‘A Tale of Two Cities’, ‘It was the best of times, it was the worst of times’. This could equally apply to the contrasting dynamics of urban and rural living.”
• Provocative Statement: “Despite popular belief, cats and dogs have more in common than society tends to think.”
• Comparison: “Comparing being an only child to growing up with siblings is like contrasting a solo performance with an orchestral symphony.”
• Contradiction: “While many view classic literature and contemporary fiction as worlds apart, they are more akin to two sides of the same coin.”
• Bold Declaration: “Android and iPhone may compete in the same market, but their philosophies could not be more different.”
• Statistical Fact: “Statistics show that children who grow up reading books tend to perform better academically than those who do not. But, the jury is out on how reading traditional books compares to reading e-books on screens.”
• Quotation: “As Robert Louis Stevenson once wrote, ‘Sooner or later, we all sit down to a banquet of consequences.’ This statement can be used to frame a comparison between short-term and long-term thinking.”
• Provocative Statement: “Democracy and dictatorship are often seen as polar opposites, but are they are not as different as they seem.”
• Comparison: “Climate change and plastic pollution are two major environmental issues, yet they demand different approaches and solutions.”
• Contradiction: “While traditional classrooms and online learning are seen as separate modes of education, they can often blend into a cohesive learning experience.”
• Bold Declaration: “Though both based on merit, the structures of capitalism and socialism lead to vastly different societal outcomes.”
• Imagery: “The painting styles of Van Gogh and Monet can be contrasted as a stormy sea versus a tranquil pond.”
• Historical Reference: “The philosophies of the Cold War-era – capitalism and communism – provide a lens to contrast economic systems.”
• Literary Comparison: “The dystopian societies portrayed in George Orwell’s ‘1984’ and Aldous Huxley’s ‘Brave New World’ serve as contrasting visions of the future.”
• Philosophical Question: “Individualism and collectivism shape societies in distinct ways, but neither one can truly exist without the other.”

See Here for my Guide on Writing a Compare and Contrast Essay

For a Psychology Essay

Writing an engaging hook for a psychology essay involves sparking the reader’s interest in the human mind, behavior, or the specific psychology topic you’re discussing. Here are some stimulating hooks for a psychology essay:

• Rhetorical Question: “How much control do we truly have over our own actions?”
• Quotation: “Sigmund Freud once said, ‘Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways.’ This essay will explore whether this is universally true.”
• Provocative Statement: “Contrary to popular belief, ‘venting out’ anger might actually be fueling the fire of fury.”
• Comparison: “Just as an iceberg reveals only a fraction of its bulk above water, conscious minds may only be a small piece of who humans truly are.”
• Contradiction: “While it may seem counterintuitive, studies show that individuals who are more intelligent are also more likely to suffer from mental health issues.”
• Bold Declaration: “Despite advances in technology, understanding the human brain remains one of the final frontiers in science.”
• Statistical Fact: “According to a study by the American Psychological Association, nearly one in five adults in the U.S. lives with a mental illness. Yet, mental health continues to be a topic shrouded in stigma.”

For a Sociology Essay

Writing an engaging hook for a sociology essay involves sparking the reader’s interest in social behaviors, cultural phenomena, or the specific sociology topic you’re discussing. Here are ideas for hooks for a sociology essay:

• Quotation: “As Karl Marx once noted, ‘Social progress can be measured exactly by the social position of the fair sex.’ Sadly, society has not made much progress in gender equality.”
• Provocative Statement: “Social media, initially created to connect people, is ironically leading society into an era of unprecedented isolation.”
• Comparison: “Comparing society to a theater, where each individual plays a role, it is possible to start to see patterns and scripts embedded in daily interactions.”
• Contradiction: “While people often believe that technology is bringing society closer together, evidence suggests that it’s actually driving a wedge between people, creating ‘digital divides’.”
• Bold Declaration: “Human societies are constructed on deeply ingrained systems of inequality, often invisible to those benefiting from them.”
• Statistical Fact: “A recent study found that women still earn only 81 cents for every dollar earned by men. This stark wage gap raises questions about equality in the workforce.”

For a College Application Essay

A college essay is a personal statement where you can showcase who you are beyond your grades and resume. It’s your chance to tell your unique story. Here are ten potential hooks for a college essay:

• Anecdote: “At the age of seven, with a wooden spoon as my baton, I confidently conducted an orchestra of pots and pans in my grandmother’s kitchen.”
• Provocative Statement: “I believe that life is like a game of chess. The king might be the most important piece, but it’s the pawns that can change the entire course of the game.”
• Personal Revelation: “It wasn’t until I was lost in a foreign city, armed with nothing but a map in a language I didn’t understand, that I truly discovered my love for adventure.”
• Intriguing Question: “Have you ever wondered how it feels to be part of two completely different cultures, yet wholly belong to neither?”
• Bold Declaration: “Breaking a bone can be a painful experience. Breaking stereotypes, however, is an entirely different kind of challenge.”
• Unusual Fact: “I can recite the periodic table backwards while juggling three tennis balls. It’s a strange talent, but it’s a perfect metaphor for how I tackle challenges.”
• Quotation: “As Albert Einstein once said, ‘Imagination is more important than knowledge.’ This quote has defined my approach to learning.”
• Narrative: “It was a cold winter’s day when I first discovered the magic of turning a blank page into a world full of characters, stories, and ideas.”
• Metaphor: “Like a caterpillar transforming into a butterfly, my high school years have been a period of profound metamorphosis.”
• Humorous Statement: “Being the youngest of five siblings, I quickly learned that the best way to be heard was to become the family’s unofficial lawyer.”

Conclusion: The Qualities of a Good Essay Hook

As I wrap up this article, I want to share a few last tips on qualities that a good essay hook should have. Keep these tips in mind when writing your essay hook and using the above essay hook examples:

First, relevance . A good hook should be directly relevant to the topic or theme of your essay. The hook should provide a preview of what’s to come without giving too much away.

Second, Intrigue. A great hook should make the reader want to continue reading. It should create a question in the reader’s mind or present a fascinating idea that they want to know more about.

Third, uniqueness. An effective hook should be original and unique. It should stand out from the many other essays that the reader might be going through.

Fourth, clarity. Even though a hook should be captivating and original, it should also be clear and easy to understand. Avoid complex sentences and jargon that might confuse the reader.

Fifth, genre conventions. Too often, my students try to be so creative in their essay hooks that they forget genre conventions . The more formal an essay, the harder it is to write the hook. My general approach is to focus on statistics and facts, and avoid rhetorical questions , with more formal essay hooks.

Keep in mind that you should run your essay hook by your teacher by showing them your first draft before you submit your essay for grading. This will help you to make sure it follows genre conventions and is well-written.

• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 25 Classroom Wall Decoration Ideas
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 31 Cute & Cozy Play Corner Ideas
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 24 Steiner-Waldorf Classroom Design Ideas
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 25 Kindergarten Decoration Ideas

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• 40 Useful Words and Phrases for Top-Notch Essays

To be truly brilliant, an essay needs to utilise the right language. You could make a great point, but if it’s not intelligently articulated, you almost needn’t have bothered.

Developing the language skills to build an argument and to write persuasively is crucial if you’re to write outstanding essays every time. In this article, we’re going to equip you with the words and phrases you need to write a top-notch essay, along with examples of how to utilise them.

It’s by no means an exhaustive list, and there will often be other ways of using the words and phrases we describe that we won’t have room to include, but there should be more than enough below to help you make an instant improvement to your essay-writing skills.

If you’re interested in developing your language and persuasive skills, Oxford Royale offers summer courses at its Oxford Summer School , Cambridge Summer School , London Summer School , San Francisco Summer School and Yale Summer School . You can study courses to learn english , prepare for careers in law , medicine , business , engineering and leadership.

General explaining

Let’s start by looking at language for general explanations of complex points.

1. In order to

Usage: “In order to” can be used to introduce an explanation for the purpose of an argument. Example: “In order to understand X, we need first to understand Y.”

2. In other words

Usage: Use “in other words” when you want to express something in a different way (more simply), to make it easier to understand, or to emphasise or expand on a point. Example: “Frogs are amphibians. In other words, they live on the land and in the water.”

3. To put it another way

Usage: This phrase is another way of saying “in other words”, and can be used in particularly complex points, when you feel that an alternative way of wording a problem may help the reader achieve a better understanding of its significance. Example: “Plants rely on photosynthesis. To put it another way, they will die without the sun.”

4. That is to say

Usage: “That is” and “that is to say” can be used to add further detail to your explanation, or to be more precise. Example: “Whales are mammals. That is to say, they must breathe air.”

5. To that end

Usage: Use “to that end” or “to this end” in a similar way to “in order to” or “so”. Example: “Zoologists have long sought to understand how animals communicate with each other. To that end, a new study has been launched that looks at elephant sounds and their possible meanings.”

Adding additional information to support a point

Students often make the mistake of using synonyms of “and” each time they want to add further information in support of a point they’re making, or to build an argument. Here are some cleverer ways of doing this.

6. Moreover

Usage: Employ “moreover” at the start of a sentence to add extra information in support of a point you’re making. Example: “Moreover, the results of a recent piece of research provide compelling evidence in support of…”

7. Furthermore

Usage:This is also generally used at the start of a sentence, to add extra information. Example: “Furthermore, there is evidence to suggest that…”

8. What’s more

Usage: This is used in the same way as “moreover” and “furthermore”. Example: “What’s more, this isn’t the only evidence that supports this hypothesis.”

9. Likewise

Usage: Use “likewise” when you want to talk about something that agrees with what you’ve just mentioned. Example: “Scholar A believes X. Likewise, Scholar B argues compellingly in favour of this point of view.”

10. Similarly

Usage: Use “similarly” in the same way as “likewise”. Example: “Audiences at the time reacted with shock to Beethoven’s new work, because it was very different to what they were used to. Similarly, we have a tendency to react with surprise to the unfamiliar.”

11. Another key thing to remember

Usage: Use the phrase “another key point to remember” or “another key fact to remember” to introduce additional facts without using the word “also”. Example: “As a Romantic, Blake was a proponent of a closer relationship between humans and nature. Another key point to remember is that Blake was writing during the Industrial Revolution, which had a major impact on the world around him.”

12. As well as

Usage: Use “as well as” instead of “also” or “and”. Example: “Scholar A argued that this was due to X, as well as Y.”

13. Not only… but also

Usage: This wording is used to add an extra piece of information, often something that’s in some way more surprising or unexpected than the first piece of information. Example: “Not only did Edmund Hillary have the honour of being the first to reach the summit of Everest, but he was also appointed Knight Commander of the Order of the British Empire.”

14. Coupled with

Usage: Used when considering two or more arguments at a time. Example: “Coupled with the literary evidence, the statistics paint a compelling view of…”

15. Firstly, secondly, thirdly…

Usage: This can be used to structure an argument, presenting facts clearly one after the other. Example: “There are many points in support of this view. Firstly, X. Secondly, Y. And thirdly, Z.

16. Not to mention/to say nothing of

Usage: “Not to mention” and “to say nothing of” can be used to add extra information with a bit of emphasis. Example: “The war caused unprecedented suffering to millions of people, not to mention its impact on the country’s economy.”

Words and phrases for demonstrating contrast

When you’re developing an argument, you will often need to present contrasting or opposing opinions or evidence – “it could show this, but it could also show this”, or “X says this, but Y disagrees”. This section covers words you can use instead of the “but” in these examples, to make your writing sound more intelligent and interesting.

17. However

Usage: Use “however” to introduce a point that disagrees with what you’ve just said. Example: “Scholar A thinks this. However, Scholar B reached a different conclusion.”

18. On the other hand

Usage: Usage of this phrase includes introducing a contrasting interpretation of the same piece of evidence, a different piece of evidence that suggests something else, or an opposing opinion. Example: “The historical evidence appears to suggest a clear-cut situation. On the other hand, the archaeological evidence presents a somewhat less straightforward picture of what happened that day.”

19. Having said that

Usage: Used in a similar manner to “on the other hand” or “but”. Example: “The historians are unanimous in telling us X, an agreement that suggests that this version of events must be an accurate account. Having said that, the archaeology tells a different story.”

20. By contrast/in comparison

Usage: Use “by contrast” or “in comparison” when you’re comparing and contrasting pieces of evidence. Example: “Scholar A’s opinion, then, is based on insufficient evidence. By contrast, Scholar B’s opinion seems more plausible.”

21. Then again

Usage: Use this to cast doubt on an assertion. Example: “Writer A asserts that this was the reason for what happened. Then again, it’s possible that he was being paid to say this.”

22. That said

Usage: This is used in the same way as “then again”. Example: “The evidence ostensibly appears to point to this conclusion. That said, much of the evidence is unreliable at best.”

Usage: Use this when you want to introduce a contrasting idea. Example: “Much of scholarship has focused on this evidence. Yet not everyone agrees that this is the most important aspect of the situation.”

Adding a proviso or acknowledging reservations

Sometimes, you may need to acknowledge a shortfalling in a piece of evidence, or add a proviso. Here are some ways of doing so.

24. Despite this

Usage: Use “despite this” or “in spite of this” when you want to outline a point that stands regardless of a shortfalling in the evidence. Example: “The sample size was small, but the results were important despite this.”

25. With this in mind

Usage: Use this when you want your reader to consider a point in the knowledge of something else. Example: “We’ve seen that the methods used in the 19th century study did not always live up to the rigorous standards expected in scientific research today, which makes it difficult to draw definite conclusions. With this in mind, let’s look at a more recent study to see how the results compare.”

26. Provided that

Usage: This means “on condition that”. You can also say “providing that” or just “providing” to mean the same thing. Example: “We may use this as evidence to support our argument, provided that we bear in mind the limitations of the methods used to obtain it.”

27. In view of/in light of

Usage: These phrases are used when something has shed light on something else. Example: “In light of the evidence from the 2013 study, we have a better understanding of…”

28. Nonetheless

Usage: This is similar to “despite this”. Example: “The study had its limitations, but it was nonetheless groundbreaking for its day.”

29. Nevertheless

Usage: This is the same as “nonetheless”. Example: “The study was flawed, but it was important nevertheless.”

30. Notwithstanding

Usage: This is another way of saying “nonetheless”. Example: “Notwithstanding the limitations of the methodology used, it was an important study in the development of how we view the workings of the human mind.”

Giving examples

Good essays always back up points with examples, but it’s going to get boring if you use the expression “for example” every time. Here are a couple of other ways of saying the same thing.

31. For instance

Example: “Some birds migrate to avoid harsher winter climates. Swallows, for instance, leave the UK in early winter and fly south…”

32. To give an illustration

Example: “To give an illustration of what I mean, let’s look at the case of…”

Signifying importance

When you want to demonstrate that a point is particularly important, there are several ways of highlighting it as such.

33. Significantly

Usage: Used to introduce a point that is loaded with meaning that might not be immediately apparent. Example: “Significantly, Tacitus omits to tell us the kind of gossip prevalent in Suetonius’ accounts of the same period.”

34. Notably

Usage: This can be used to mean “significantly” (as above), and it can also be used interchangeably with “in particular” (the example below demonstrates the first of these ways of using it). Example: “Actual figures are notably absent from Scholar A’s analysis.”

35. Importantly

Usage: Use “importantly” interchangeably with “significantly”. Example: “Importantly, Scholar A was being employed by X when he wrote this work, and was presumably therefore under pressure to portray the situation more favourably than he perhaps might otherwise have done.”

Summarising

You’ve almost made it to the end of the essay, but your work isn’t over yet. You need to end by wrapping up everything you’ve talked about, showing that you’ve considered the arguments on both sides and reached the most likely conclusion. Here are some words and phrases to help you.

36. In conclusion

Usage: Typically used to introduce the concluding paragraph or sentence of an essay, summarising what you’ve discussed in a broad overview. Example: “In conclusion, the evidence points almost exclusively to Argument A.”

37. Above all

Usage: Used to signify what you believe to be the most significant point, and the main takeaway from the essay. Example: “Above all, it seems pertinent to remember that…”

38. Persuasive

Usage: This is a useful word to use when summarising which argument you find most convincing. Example: “Scholar A’s point – that Constanze Mozart was motivated by financial gain – seems to me to be the most persuasive argument for her actions following Mozart’s death.”

39. Compelling

Usage: Use in the same way as “persuasive” above. Example: “The most compelling argument is presented by Scholar A.”

40. All things considered

Usage: This means “taking everything into account”. Example: “All things considered, it seems reasonable to assume that…”

How many of these words and phrases will you get into your next essay? And are any of your favourite essay terms missing from our list? Let us know in the comments below, or get in touch here to find out more about courses that can help you with your essays.

At Oxford Royale Academy, we offer a number of  summer school courses for young people who are keen to improve their essay writing skills. Click here to apply for one of our courses today, including law , business , medicine  and engineering .

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148 Of The Best Literary Quotes From Esteemed Authors

August 29, 2023 //  by  Lauren Du Plessis

Invite your lit-lovers to dive into a treasure trove of literary brilliance with our collection of 148 remarkable quotes. Pulled from the depths of world literature, these quotes explore the human condition in all its complexity! Each quote is an invitation to ponder, learn, and cherish the power of words. So, without further adieu, let’s have a read! 

1. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” – Jane Austen, Pride and Prejudice

2. “I would always rather be happy than dignified.” – Charlotte Bronte, Jane Eyre

3. “It matters not what someone is born, but what they grow to be.” – J.K. Rowling, Harry Potter and the Goblet of Fire

4. “So we beat on, boats against the current, borne back ceaselessly into the past.” – F. Scott Fitzgerald, The Great Gatsby

5. “There is no friend as loyal as a book.” – Ernest Hemingway

6. “All happy families are alike; each unhappy family is unhappy in its own way.” – Leo Tolstoy, Anna Karenina

7. “Do I dare disturb the universe?” – T.S. Eliot, The Love Song of J. Alfred Prufrock

8. “I am not afraid of storms, for I am learning how to sail my ship.” – Louisa May Alcott, Little Women

9. “It’s no use going back to yesterday because I was a different person then.” – Lewis Carroll, Alice’s Adventures in Wonderland

10. “Beware; for I am fearless and therefore powerful.” – Mary Shelley, Frankenstein

11. “The world was hers for the reading.” – Betty Smith, A Tree Grows in Brooklyn

12. “Not all those who wander are lost.” – J.R.R. Tolkien, The Lord of the Rings

13. “In our village, folks say God crumbles up the old moon into stars.” – Alexander Solzhenitsyn, One Day in the Life of Ivan Denisovich

14. “I took a deep breath and listened to the old brag of my heart. I am, I am, I am.” – Sylvia Plath, The Bell Jar

15. “One day I will find the right words, and they will be simple.” – Jack Kerouac, The Dharma Bums

16. “There is some good in this world, and it’s worth fighting for.” – J.R.R. Tolkien, The Two Towers

17. “So it goes.” – Kurt Vonnegut, Slaughterhouse-Five

18. “We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.” – Margaret Atwood, The Handmaid’s Tale

19. “Books are a uniquely portable magic.” – Stephen King, On Writing

20. “All we have to decide is what to do with the time that is given to us.” – J.R.R. Tolkien, The Fellowship of the Ring

21. “I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin but you begin anyway and you see it through no matter what.” – Harper Lee, To Kill a Mockingbird

22. “There are only the pursued, the pursuing, the busy and the tired.” – F. Scott Fitzgerald, The Great Gatsby

23. “The only way out of the labyrinth of suffering is to forgive.” – John Green, Looking for Alaska

24. “I can bear any pain as long as it has meaning.” – Haruki Murakami, 1Q84

25. “It is our choices that show what we truly are, far more than our abilities.” – J.K. Rowling, Harry Potter and the Chamber of Secrets

26. “He stepped down, trying not to look long at her, as if she were the sun, yet he saw her, like the sun, even without looking.” – Leo Tolstoy, Anna Karenina

27. “The half-life of love is forever.” – Junot Díaz, This Is How You Lose Her

28. “Don’t let the muggles get you down.” – J.K. Rowling, Harry Potter and the Prisoner of Azkaban

29. “Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.” – Ralph Ellison, Invisible Man

30. “There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves, it is not my nature.” – Jane Austen, Northanger Abbey

31. “Whatever our souls are made of, his and mine are the same.” – Emily Bronte, Wuthering Heights

32. “When a man really loves a woman, but her feelings towards him are not the same, it’s as if he was reading aloud from the most fascinating book in the world, and she, beside him, is staring blankly at the wall.” – Elif Shafak, The Forty Rules of Love

33. “No one forgets the truth; they just get better at lying.” – Richard Yates, Revolutionary Road

34. “My thoughts are stars I cannot fathom into constellations.” – John Green, The Fault in Our Stars

35. “To the stars who listen— and the dreams that are answered.” – Sarah J. Maas, A Court of Mist and Fury

36. “I wish you to know that you have been the last dream of my soul.” – Charles Dickens, A Tale of Two Cities

37. “It’s the possibility of having a dream come true that makes life interesting.” – Paulo Coelho, The Alchemist

38. “I am not pretty. I am not beautiful. I am as radiant as the sun.” – Suzanne Collins, The Hunger Games

39. “I am haunted by humans.” – Markus Zusak, The Book Thief

40. “Sometimes you read a book so special that you want to carry it around with you for months after you’ve finished just to stay near it.” – Markus Zusak

41. “As he read, I fell in love the way you fall asleep: slowly, and then all at once.” – John Green, The Fault in Our Stars

42. “You have bewitched me, body and soul, and I love, I love, I love you.” – Jane Austen, Pride and Prejudice

43. “It does not do well to dwell on dreams and forget to live, remember that.” – J.K. Rowling, Harry Potter and the Philosopher’s Stone

44. “We are all fools in love.” – Jane Austen, Pride and Prejudice

45. “The more that you read, the more things you will know. The more that you learn, the more places you’ll go.” – Dr. Seuss, I Can Read With My Eyes Shut

46. “There are no faster or firmer friendships than those formed between people who love the same books.” – Irving Stone, Clarence Darrow for the Defense

47. “You don’t love someone because they’re perfect, you love them in spite of the fact that they’re not.” – Jodi Picoult, My Sister’s Keeper

48. “Books are mirrors: you only see in them what you already have inside you.” – Carlos Ruiz Zafón, The Shadow of the Wind

49. “Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it.” – Mary Shelley, Frankenstein

50. “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.” – Jane Austen, Northanger Abbey

51. “There is no greater agony than bearing an untold story inside you.” – Maya Angelou, I Know Why the Caged Bird Sings

52. “There is some good in this world, and it’s worth fighting for.” – J.R.R. Tolkien, The Two Towers

53. “A reader lives a thousand lives before he dies . . . The man who never reads lives only one.” – George R.R. Martin, A Dance with Dragons

54. “I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.” – Jane Austen, Pride and Prejudice

55. “The world was hers for the reading.” – Betty Smith, A Tree Grows in Brooklyn

56. “There are no faster or firmer friendships than those formed between people who love the same books.” – Irving Stone, Clarence Darrow for the Defense

57. “Until I feared I would lose it, I never loved to read. One does not love breathing.” – Harper Lee, To Kill a Mockingbird

58. “The story so far: In the beginning the Universe was created. This has made a lot of people very angry and been widely regarded as a bad move.” – Douglas Adams, The Restaurant at the End of the Universe

59. “There is nothing either good or bad, but thinking makes it so.” – William Shakespeare, Hamlet

60. “I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book!” – Jane Austen, Pride and Prejudice

61. “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.” – Haruki Murakami, Norwegian Wood

62. “Books are the ultimate Dumpees: put them down and they’ll wait for you forever; pay attention to them and they always love you back.” – John Green, An Abundance of Katherines

63. “What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it.” – J.D. Salinger, The Catcher in the Rye

64. “The books that the world calls immoral are books that show the world its own shame.” – Oscar Wilde, The Picture of Dorian Gray

65. “A classic is a book that has never finished saying what it has to say.” – Italo Calvino, The Uses of Literature

66. “I have been in love with no one, and never shall,” she whispered, “unless it should be with you.” – J.D. Salinger, Franny and Zooey

67. “There is no charm equal to tenderness of heart.” – Jane Austen, Emma

68. “There are some things you learn best in calm, and some in storm.” – Willa Cather, The Song of the Lark

69. “Love is like the wind, you can’t see it but you can feel it.” – Nicholas Sparks, A Walk to Remember

70. “Life appears to me too short to be spent in nursing animosity or registering wrongs.” – Charlotte Bronte, Jane Eyre

71. “It is better to be hated for what you are than to be loved for what you are not.” – Andre Gide, Autumn Leaves

72. “Do not go gentle into that good night.” – Dylan Thomas, from his poem, Do Not Go Gentle Into That Good Night

73. “And, when you want something, all the universe conspires in helping you to achieve it.” – Paulo Coelho, The Alchemist

74. “It was love at first sight, at last sight, at ever and ever sight.” – Vladimir Nabokov, Lolita

75. “Memories warm you up from the inside. But they also tear you apart.” – Haruki Murakami, Kafka on the Shore

76. “Beauty is an enormous, unmerited gift given randomly, stupidly.” – Khaled Hosseini, And The Mountains Echoed

77. “What’s past is prologue.” – William Shakespeare, The Tempest

78. “You never really understand a person until you consider things from his point of view… Until you climb inside of his skin and walk around in it.” – Harper Lee, To Kill a Mockingbird

79. “The opposite of love is not hate, it’s indifference.” – Elie Wiesel, Night

80. “We accept the love we think we deserve.” – Stephen Chbosky, The Perks of Being a Wallflower

81. “I can’t go back to yesterday because I was a different person then.” – Lewis Carroll, Alice’s Adventures in Wonderland

82. “The world breaks everyone, and afterward, some are strong at the broken places.” – Ernest Hemingway, A Farewell to Arms

83. “The only thing that’s keeping you from getting what you want is the story you keep telling yourself.” – Tony Robbins, Awaken The Giant Within

84. “The greatest thing you’ll ever learn is just to love and be loved in return.” – Eden Ahbez, Nature Boy

85. “The moment you doubt whether you can fly, you cease forever to be able to do it.” – J.M. Barrie, Peter Pan

86. “It’s no use going back to yesterday because I was a different person then.” – Lewis Carroll, Alice’s Adventures in Wonderland

87. “Reality continues to ruin my life.” – Bill Watterson, The Complete Calvin and Hobbes

88. “We read to know we’re not alone.” – William Nicholson, Shadowlands

89. “Heaven knows we need never be ashamed of our tears, for they are rain upon the blinding dust of Earth, overlaying our hard hearts.” – Charles Dickens, Great Expectations

90. “It does not do to dwell on dreams and forget to live.” – J.K. Rowling, Harry Potter and the Philosopher’s Stone

91. “Life shrinks or expands in proportion to one’s courage.” – Anaïs Nin, The Diary of Anaïs Nin

92. “We are what we pretend to be, so we must be careful about what we pretend to be.” – Kurt Vonnegut, Mother Night

93. “We are all in the gutter, but some of us are looking at the stars.” – Oscar Wilde, Lady Windermere’s Fan

94. “Whenever you read a good book, somewhere in the world a door opens to allow in more light.” – Vera Nazarian, The Perpetual Calendar of Inspiration

95. “For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you.” – Anne Lamott, Bird by Bird

96. “Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.” – Neil Gaiman, Coraline

97. “That’s the thing about books. They let you travel without moving your feet.” – Jhumpa Lahiri, The Namesake

98. “Books are the plane, and the train, and the road. They are the destination and the journey. They are home.

99. “In books I have traveled, not only to other worlds but into my own.” – Anna Quindlen, How Reading Changed My Life

100. “A good book is an event in my life.” – Stendhal, The Red and the Black

101. “What you do makes a difference, and you have to decide what kind of difference you want to make.” – Jane Goodall, Reason for Hope: A Spiritual Journey

102. “That which does not kill us makes us stronger.” – Friedrich Nietzsche, Twilight of the Idols

103. “One must be careful of books, and what is inside them, for words have the power to change us.” – Cassandra Clare, The Infernal Devices

104. “To read is to voyage through time.” – Carl Sagan, Cosmos

105. “There is nothing like looking if you want to find something. You certainly usually find something, if you look, but it is not always quite the something you were after.” – J.R.R. Tolkien, The Hobbit

106. “A great book should leave you with many experiences, and slightly exhausted at the end. You live several lives while reading.” – William Styron, Conversations with William Styron

107. “Books are a uniquely portable magic.” – Stephen King, On Writing: A Memoir of the Craft

108. “Once you have read a book you care about, some part of it is always with you.” – Louis L’Amour, Matagorda/The First Fast Draw

109. “It is not true we have only one life to live; if we can read, we can live as many more lives and as many kinds of lives as we wish.” – S.I. Hayakawa, Language in Thought and Action

110. “Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers.” – Charles William Eliot, The Happy Life

111. “A book must be the axe for the frozen sea within us.” – Franz Kafka, Letters to Friends, Family, and Editors

112. “Reading brings us unknown friends” – Honoré de Balzac, Louis Lambert

113. “In the end, we’ll all become stories.” – Margaret Atwood, Moral Disorder and Other Stories

114. “All endings are also beginnings. We just don’t know it at the time.” – Mitch Albom, The Five People You Meet in Heaven

115. “Endings are the saddest part, So just give me a happy middle And a very happy start.” – Shel Silverstein, Every Thing on It

116. “A book is a device to ignite the imagination.” – Alan Bennett, The Uncommon Reader

117. “Reading is a basic tool in the living of a good life.” – Mortimer J. Adler, How to Read a Book

118. “Books are the mirrors of the soul.” – Virginia Woolf, Between the Acts

119. “Books are the treasured wealth of the world and the fit inheritance of generations and nations.” – Henry David Thoreau, Walden

120. “Books are my friends, my companions. They make me laugh and cry and find meaning in life.” – Christopher Paolini, Eragon

121. “It was the best of times, it was the worst of times.” – Charles Dickens, A Tale of Two Cities

122. “The pieces I am, she gathered them and gave them back to me in all the right order.” – Toni Morrison, Beloved

123. “You have bewitched me body and soul, and I love, I love, I love you.” – Jane Austen, Pride and Prejudice

124. “Isn’t it pretty to think so?” – Ernest Hemingway, The Sun Also Rises

125. “I am no bird, and no net ensnares me: I am a free human being with an independent will.” – Charlotte Bronte, Jane Eyre

126. “It is only with the heart that one can see rightly; what is essential is invisible to the eye.” – Antoine de Saint-Exupéry, The Little Prince

127. “We loved with a love that was more than love.” – Edgar Allan Poe, Annabel Lee

128. “There are darknesses in life and there are lights, and you are one of the lights, the light of all lights.” – Bram Stoker, Dracula

129. “The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.” – J.D. Salinger, The Catcher in the Rye

130. “Life’s under no obligation to give us what we expect.” – Margaret Mitchell, Gone with the Wind

131. “Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches.” – William Goldman, The Princess Bride

132. “To the stars who listen—and the dreams that are answered.” – Sarah J. Maas, A Court of Mist and Fury

133. “Never trust anyone who has not brought a book with them.” – Lemony Snicket, Horseradish

134. “And so we beat on, boats against the current, borne back ceaselessly into the past.” – F. Scott Fitzgerald, The Great Gatsby

135. “Words can be like X-rays if you use them properly — they’ll go through anything. You read and you’re pierced.” – Aldous Huxley, Brave New World

136. “People generally see what they look for, and hear what they listen for.” – Harper Lee, To Kill a Mockingbird

137. “Sometimes we love with nothing more than hope. Sometimes we cry with everything except tears.” – Gregory David Roberts, Shantaram

138. “Love all, trust a few, do wrong to none.” – William Shakespeare, All’s Well That Ends Well

139. “What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though.” – J.D. Salinger, The Catcher in the Rye

140. “Sleep is good, he said, and books are better.” – George R.R. Martin, A Clash of Kings

141. “Read the best books first, or you may not have a chance to read them at all.” – Henry David Thoreau, A Week on the Concord and Merrimack Rivers

142. “Every book you pick up has its own lesson or lessons, and quite often the bad books have more to teach than the good ones.” – Stephen King, On Writing: A Memoir of the Craft

143. “Life is a book and there are a thousand pages I have not yet read.” – Cassandra Clare, Clockwork Princess

144. “Reading one book is like eating one potato chip.” – Diane Duane, So You Want to Be a Wizard

145. “Literature is a textually transmitted disease, normally contracted in childhood.” – Jane Yolen, Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood

146. “To acquire the habit of reading is to construct for yourself a refuge from almost all the miseries of life.” – W. Somerset Maugham, Books and You

147. “Books break the shackles of time – proof that humans can work magic.” – Carl Sagan, Cosmos

148. “A half-read book is a half-finished love affair.” – David Mitchell, Cloud Atlas

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30 Best Quotes for Essay Writing

December 10, 2023 by Sandeep

The essay is an independent, educational, and scientific student research. In writing this paper, students master the methods and gain the ability to conduct research. In addition, essay writing helps form the student’s creative thinking, test the skills of collecting, analyzing, and interpreting literature, and formulate conclusions and suggestions.

Successful essay writing depends on strict adherence to the basic requirements. These requirements relate primarily to the scientific level of the work, its content, structure, form of presentation of the material, and design. The teacher may not accept works in violation of state standards and established requirements. Inconsistencies in the design can significantly affect the final evaluation of the work. The student’s compliance with all the requirements for writing and design of the essay instills certain skills in conducting research, which will be useful in creating other types of papers.

All of the above points are important to gain the ability to complete an essay. However, this is not an as simple type of student paper as it may seem at first glance. Students often have difficulty in both essay writing and designing. Fortunately, today everyone can find someone to write a paper online. It is only necessary to pay the set price. The best writers work for an online company DoMyEssay. To get their help, you should visit the site and request, “Please, do an essay for me.” The high quality and reliability of writing services are guaranteed for everyone.

Requirements for Quotes & References in Essay Writing

A compulsory component of any scientific work is a scientific citation. It is essential to cite the source from which the materials or individual results are borrowed or the ideas and conclusions based on which the problems, tasks, issues to which the work is devoted are developed. Such links make it possible to find relevant sources, check the accuracy of citations, obtain the necessary information about these sources.

The use of references in essays is mandatory and is used in the following cases:

• When quoting fragments of text, formulas, tables, illustrations;
• When paraphrasing, non-verbal reproduction of a fragment of another’s text;
• When analyzing the content of other publications in the text;
• When referring to other publications where the material to be discussed is more complete.

The absence of a link is a copyright infringement, and an incorrect link is considered a serious error. All sources cited in the list of references must be indicated in the text of the paper.

Importance of Correct Citation in Student Papers

The importance of citation is in the need to demonstrate the breadth of research and interest in the publications of other authors, to confirm own arguments with statements from other sources. Text borrowed from other sources is used for this purpose.

Here are three main functions that quotes perform in essay writing :

• Places your work in context, creates dialogue;
• Pay tribute to the previous work that formed the basis of your research;
• Maintains the authenticity and accuracy of scientific literature.

List of Helpful Quotes You Can Use in Your Essay Writing

Below is a list of 30 quotes you can use in your essay writing:

• The simplest example is more convincing than the most eloquent sermon (Lucius Annec Seneca);
• It is not people who need rules, but rules need people (S. Dube);
• The one who is no longer able to serve as anything serves as a good example (Andre Siegfried);
• Take an example from your elders, while they behave approximately (Jerzy Leszczynski);
• The need to set a good example for your children robs middle-aged people of all pleasure (William Feder);
• Remember: sooner or later, your son will follow your example and not your advice (Pierre Corneille);
• An example is stronger than a threat (Pierre Corneille);
• Bad examples are stronger than good rules (Joey Locke);
• You only have one life. You have to live it as fully as possible (Jojo Moyes);
• When life is good, there is no need to argue about it (Ray Bradbury);
• There are moments in life that change us once and for all (Jeffrey Deaver);
• The reader lives a thousand lives before he dies. The person who never reads experiences only one (George Martin);
• On our path in life, we will meet everyone who is destined to meet us (Charles Dickens);
• What is the sense of life? Serve others and do good (Aristotle);
• Those who illuminate the lives of others will not be left without light themselves (James Matthew Barry);
• In general, I live without hesitation, so I always have fun (Francis Scott Fitzgerald);
• An example is always more powerful than a sermon (Samuel Johnson);
• When it comes to budget, everyone wants to go to heaven, but no one wants to die (Jean Chrétien);
• Violating our duty, thereby we violate our rights (Jean-Jacques Rousseau);
• You cannot talk about the budget without knowing approximately the figures of its income and expenses (Theodor Herzl);
• Civilization road paved with tax receipts (Andrew McKenzie);
• If you know how to spend less than you get, then you have the Philosopher’s Stone (Benjamin Franklin);
• Only two incentives make people work: the thirst for wages and the fear of losing them (Henry Ford);
• There is no perfection in the world (Antoine de Saint-Exupery);
• You are forever responsible for the one you tamed (Antoine de Saint-Exupery);
• It’s good where we are not (Antoine de Saint-Exupery);
• All adults were children at first, only a few of them remember this (Antoine de Saint-Exupery);
• Live and learn (Lucius Annec Seneca);
• The end justifies the means (Ignatius de Loyola);
• Truth is in wine (Pliny the Elder).

25 Motivational Quotes to Inspire Your Scholarship Journey

by Gabrielle McCormick | Nov 1, 2018 | Inspiration and Motivation , Paying for College , Scholarship Applications | 0 comments

The scholarship search and application process can be draining due to the emotional highs and lows. Here’s a little motivation and inspiration to encourage you to start or continue your journey.

• When you are completely over the scholarship search process:

“People often say that motivation doesn’t last. Well, neither does bathing – that’s why we recommend it daily.” — Zig Ziglar

• When you’ve just gotten a scholarship rejection letter or email:

“Winning is great, sure, but if you are really going to do something in life, the secret is learning how to lose. Nobody goes undefeated all the time. If you can pick up after a crushing defeat, and go on to win again, you are going to be a champion someday.” — Wilma Rudolph

• When you have a breakdown because you’re stressed:  [clickToTweet tweet=”“Even if you’re on the right track, you’ll get run over if you just sit there.” — Will Rogers  #OwnYourDegree” quote=”“Even if you’re on the right track, you’ll get run over if you just sit there.” — Will Rogers “]
• When you don’t know what to write in your scholarship essay:

“Convince yourself that you are working in clay, not marble, on paper not eternal bronze: Let that first sentence be as stupid as it wishes.” — Jacques Barzun

• When you’ve earned your first scholarship:

“Quantity and persistence will get you the outcomes you need.” — James Altucher

• When you’ve earned another scholarship:

“Take your victories, whatever they may be, cherish them, use them, but don’t settle for them.” — Mia Hamm

• When you’re questioning your scholarship application:

“If you’ve really done the work. I mean really, really, really done the work…submit it. If not, do what you need to do. Point. Blank. Period.” — Gabrielle McCormick

• When you’re feeling a little jealous of a friend that has more scholarships than you:

“Stress is caused by being ‘here’ but wanting to be ‘there’.” — Eckhart Tolle

• When you’re wondering if you’re good enough to earn scholarships:

“Start out perfect and don’t change a thing. Always accentuate your best features by pointing at them. And conceal your flaws by sucker punching anyone who has the audacity to mention them.” — Miss Piggy

• When you feel overwhelmed by everything that has to be done:

“Don’t wait until everything is just right. It will never be perfect. There will always be challenges, obstacles, and less than perfect conditions. So what? Get started now. With each step you take, you will grow stronger and stronger, more and more skilled, more and more self-confident, and more and more successful.” — Mark Victor Hansen

• When you’ve procrastinated and are down to the last minute to get your application finished:  [clickToTweet tweet=”“Regretting wasted time is more wasted time.” — Author Unknown #OwnYourDegree” quote=”“Regretting wasted time is more wasted time.” — Author Unknown”]
• When you don’t know how to end your scholarship essay:

“You know the minute you stop thinking about it, it’ll happen.” — Sarah Dessen

• When you wonder if scholarships are really worth it:

“I’ve learned that fear limits you and your vision. It serves as blinders to what may be just a few steps down the road for you. The journey is valuable, but believing in your talents, your abilities, and your self-worth can empower you to walk down an even brighter path. Transforming fear into freedom – how great is that?” — Soledad O’Brien

• When you’ve had enough and want to give up:

“Effort only fully releases its reward after a person refuses to quit.” — Napoleon Hill

• When you’ve forgotten to submit a scholarship application:

“It’s how you deal with failure that determines how you achieve success.” — David Feherty

• When you’ve finished a scholarship application:

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

• When you find a scholarship you’ve missed the deadline for:

“Happiness can be found, even in the darkest of times, if one only remembers to turn on the light.” Harry Potter and the Prisoner of Azkaban — Quote by Albus Dumbledore

• When you’ve decided to submit a scholarship application that doesn’t consist of an essay:

“As you move outside of your comfort zone, what was once the unknown and frightening becomes your new normal.” — Robin S. Sharma

• When you realize that you can actually win scholarships:  [clickToTweet tweet=”“Control your own destiny or someone else will.” — Jack Welch #OwnYourDegree” quote=”“Control your own destiny or someone else will.” — Jack Welch”]
• When you think about the reasons why you need scholarships:

“Going after scholarships is living a few years of your life like most students won’t, so that you can live the rest of your life like most students can’t…with no or very few student loans.” — Gabrielle McCormick

• When you’re up late and still have scholarship stuff to do:

“If you fall behind, run faster. Never give up, never surrender, and rise up against the odds.” — Jesse Jackson

• When you’re up early trying to get scholarship things finished:

“It is well to be up before daybreak, for such habits contribute to health, wealth, and wisdom.” — Aristotle

• When you don’t feel like you have enough time to fit scholarships into your schedule:

“You can do anything, but not everything.” — David Allen

• When you question your writing ability:

“Our doubts are traitors, and make us lose the good we oft might win, by fearing to attempt.” ― William Shakespeare

• When you’re waiting to hear back from a scholarship committee:

“It’s really okay to charge up your battery because if you don’t you will run out of energy and power.” – Dyea Smith

And a bonus quote that pretty much sums up scholarships…

When you feel like you’re doing the best you can when it comes to scholarship:

“Never ever give up on what you really want to do. The person with big dreams is more powerful than one with all the facts.” — Albert Einstein

There you have it folks. I hope these quotes either kick-start your scholarship process or help to keep you going!

[info-box type=”success”] Real Talk: I know that it can be hard, frustrating, and stressful. But now is not the time to quit. You have to keep going. [/info-box]

P.S. If you’re struggling, need support, or just want to make sure you’re doing things right – make sure you join me over in our FREE Facebook Group or send me an email  ?

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Suggested Ways to Introduce Quotations

When you quote another writer's words, it's best to introduce or contextualize the quote. 

How To Quote In An Essay?

To introduce a quote in an essay, don't forget to include author's last name and page number (MLA) or author, date, and page number (APA) in your citation. Shown below are some possible ways to introduce quotations. The examples use MLA format.

Use A Full Sentence Followed by A Colon To Introduce A Quotation

• The setting emphasizes deception: "Nothing is as it appears" (Smith 1).
• Piercy ends the poem on an ironic note: "To every woman a happy ending" (25).

Begin A Sentence with Your Own Words, Then Complete It with Quoted Words

Note that in the second example below, a slash with a space on either side ( / ) marks a line break in the original poem.

• Hamlet's task is to avenge a "foul and most unnatural murder" (Shakespeare 925).
• The speaker is mystified by her sleeping baby, whose "moth-breath / flickers among the flat pink roses" (Plath 17).

Use An Introductory Phrase Naming The Source, Followed By A Comma to Quote A Critic or Researcher

Note that the first letter after the quotation marks should be upper case. According to MLA guidelines, if you change the case of a letter from the original, you must indicate this with brackets. APA format doesn't require brackets.

• According to Smith, "[W]riting is fun" (215).
• In Smith's words, " . . .
• In Smith's view, " . . .

Use A Descriptive Verb, Followed by A Comma To Introduce A Critic's Words

Avoid using says unless the words were originally spoken aloud, for instance, during an interview.

• Smith states, "This book is terrific" (102).
• Smith remarks, " . . .
• Smith writes, " . . .
• Smith notes, " . . .
• Smith comments, " . . .
• Smith observes, " . . .
• Smith concludes, " . . .
• Smith reports, " . . .
• Smith maintains, " . . .
• Smith adds, " . . .

Don't Follow It with A Comma If Your Lead into The Quotation Ends in That or As

The first letter of the quotation should be lower case.

• Smith points out that "millions of students would like to burn this book" (53).
• Smith emphasizes that " . . .
• Smith interprets the hand washing in MacBeth as "an attempt at absolution" (106).
• Smith describes the novel as "a celebration of human experience" (233).

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The 143 Most Important Quotes in The Great Gatsby, Analyzed

Book Guides

Need to solidify your Great Gatsby essay with some evidence from the text? Want a refresher on the novel's style and sound? Curious how to go from a piece of text to a close reading and an analysis? Then check out this article featuring key Great Gatsby quotes!

We've rounded up a collection of important quotes by and about the main characters, quotes on the novel's major themes and symbols, and quotes from each of The Great Gatsby 's chapters. In turn, each of the Great Gatsby quotes is followed by some brief analysis and explanation of its significance.

Article Roadmap

• Using the quotes

Nick Carraway

Daisy buchanan, tom buchanan, jordan baker, myrtle wilson, george wilson, money and materialism, the american dream, love and relationships.

• The green light
• The eyes of Doctor T.J. Eckelburg
• The valley of ashes
• Chapter quotes

Using These Great Gatsby Quotes

All of these are obviously presented outside of the full context of their chapters (if you're hazy on the plot, be sure to check out our chapter summaries! ). If you're going to use any of these quotes in an essay, you need to understand where each quote fits into the book, who's speaking, and why the line is important or significant. Or to put it more bluntly, don't just lift these for an essay without having read the book, or your essay won't be very strong!

We do some initial analysis here for each quote to get you thinking, but remember to close-read and bring your own interpretations and ideas to the text. It may be that you disagree with some of our analysis!

Quick Note on Our Citations

Our citation format in this guide is (chapter.paragraph). We're using this system since there are many editions of Gatsby, so using page numbers would only work for students with our copy of the book. To find a quotation we cite via chapter and paragraph in your book, you can either eyeball it (Paragraph 1-50: beginning of chapter; 50-100: middle of chapter; 100-on: end of chapter), or use the search function if you're using an online or eReader version of the text.

We will cover the characters in the following order, and also provide links to their character pages where you can check out their physical descriptions, backgrounds, action in the book, and common discussion topics.

Great Gatsby Character Quotes

Click on each character's name to read a detailed analysis!

Catchphrase: "old sport"

Gatsby adopts this catchphrase, which was used among wealthy people in England and America at the time, to help build up his image as a man from old money , which is related to his frequent insistence he is "an Oxford man." Note that both Jordan Baker and Tom Buchanan are immediately skeptical of both Gatsby's "old sport" phrase and his claim of being an Oxford man, indicating that despite Gatsby's efforts, it is incredibly difficult to pass yourself off as "old money" when you aren't.

He reached in his pocket and a piece of metal, slung on a ribbon, fell into my palm.

"That's the one from Montenegro."

To my astonishment, the thing had an authentic look.

Orderi di Danilo, ran the circular legend, Montenegro, Nicolas Rex.

Major Jay Gatsby, I read, For Valour Extraordinary. (4.34-39)

In this moment, Nick begins to believe and appreciate Gatsby, and not just see him as a puffed-up fraud. The medal, to Nick, is hard proof that Gatsby did, in fact, have a successful career as an officer during the war and therefore that some of Gatsby's other claims might be true.

For the reader, the medal serves as questionable evidence that Gatsby really is an "extraordinary" man— isn't it a bit strange that Gatsby has to produce physical evidence to get Nick to buy his story? (Imagine how strange it would be to carry around a physical token to show to strangers to prove your biggest achievement.)

He had passed visibly through two states and was entering upon a third. After his embarrassment and his unreasoning joy he was consumed with wonder at her presence. He had been full of the idea so long, dreamed it right through to the end, waited with his teeth set, so to speak, at an inconceivable pitch of intensity. Now, in the reaction, he was running down like an overwound clock. (5.114)

In Chapter 5, the dream Gatsby has been working towards for years—to meet and impress Daisy with his fabulous wealth—finally begins to come to fruition. And so, for the first time, we see Gatsby's genuine emotions, rather than his carefully-constructed persona. Nick finds these emotions almost as beautiful and transformative as Gatsby's smile, though there's also the sense that this love could quickly veer off the rails: Gatsby is running down "like an overwound clock." In that sense, this moment gently foreshadows the escalating tensions that lead to the novel's tragic climax.

"I wouldn't ask too much of her," I ventured. "You can't repeat the past."

"Can't repeat the past?" he cried incredulously. "Why of course you can!"

He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand.

"I'm going to fix everything just the way it was before," he said, nodding determinedly. "She'll see." (6.128-131)

This is probably Gatsby's single most famous quote. His insistence that he can repeat the past and recreate everything as it was in Louisville sums up his intense determination to win Daisy back at any cost. It also shows his naiveté and optimism, even delusion, about what is possible in his life —an attitude which are increasingly at odds with the cynical portrait of the world painted by Nick Carraway.

"Your wife doesn't love you," said Gatsby. "She's never loved you. She loves me." (7.238)

This is the moment Gatsby lays his cards out on the table , so to speak—he risks everything to try and win over Daisy. His insistence that Daisy never loved Tom also reveals how Gatsby refuses to acknowledge Daisy could have changed or loved anyone else since they were together in Louisville.

This declaration, along with his earlier insistence that he can "repeat the past," creates an image of an overly optimistic, naïve person, despite his experiences in the war and as a bootlegger. Especially since Daisy can't support this statement, saying that she loved both Tom and Gatsby, and Tom quickly seizes power over the situation by practically ordering Gatsby and Daisy to drive home together, Gatsby's confident insistence that Daisy has only ever loved him feels desperate, even delusional.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning——

So we beat on, boats against the current, borne back ceaselessly into the past. (9.153-154)

One of the most famous ending lines in modern literature, this quote is Nick's final analysis of Gatsby—someone who believed in "the green light, the orgastic future" that he could never really attain. Our last image of Gatsby is of a man who believed in a world (and a future) that was better than the one he found himself in—but you can read more about interpretations of the ending, both optimistic and pessimistic, in our guide to the end of the book

In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. "Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven't had the advantages that you've had." (1.1-2)

The first lines establish Nick as thoughtful, thorough, privileged, and judgmental . This line also sets the tone for the first few pages, where Nick tells us about his background and tries to encourage the reader to trust his judgment. While he comes off as thoughtful and observant, we also get the sense he is judgmental and a bit snobby.

To see more analysis of why the novel begins how it does, and what Nick's father's advice means for him as a character and as a narrator, read our article on the beginning of  The Great Gatsby .

When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction—Gatsby, who represented everything for which I have an unaffected scorn. (1.4)

Another quote from the first few pages of the novel, this line sets up the novel's big question: why does Nick become so close to Gatsby, given that Gatsby represents everything he hates? It also hints to the reader that Nick will come to care about Gatsby deeply while everyone else will earn his "unaffected scorn." While this doesn't give away the plot, it does help the reader be a bit suspicious of everyone but Gatsby going into the story.

Every one suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people that I have ever known. (3.171)

This is likely the moment when you start to suspect Nick doesn't always tell the truth —if everyone "suspects" themselves of one of the cardinal virtues (the implication being they aren't actually virtuous), if Nick says he's honest, perhaps he's not? Furthermore, if someone has to claim that they are honest, that often suggests that they do things that aren't exactly trustworthy.

Suddenly I wasn't thinking of Daisy and Gatsby any more but of this clean, hard, limited person who dealt in universal skepticism and who leaned back jauntily just within the circle of my arm. A phrase began to beat in my ears with a sort of heady excitement: "There are only the pursued, the pursuing, the busy and the tired." (4.164)

Nick's interactions with Jordan are some of the only places where we get a sense of any vulnerability or emotion from Nick. In particular, Nick seems quite attracted to Jordan and being with her makes a phrase "beat" in his ears with "heady excitement." If there are only the pursued, the pursuing, the busy, and the tired, it would appear Nick is happy to be the pursuer at this particular moment.

"They're a rotten crowd," I shouted across the lawn. "You're worth the whole damn bunch put together." (8.45)

This line, which comes after Myrtle's death and Tom, Daisy, and Jordan's cold reaction to it, establishes that Nick has firmly come down on Gatsby's side in the conflict between the Buchanans and Gatsby . It also shows Nick's disenchantment with the whole wealthy east coast crowd and also that, at this point, he is devoted to Gatsby and determined to protect his legacy. This hints to us that our once seemingly impartial narrator is now seeing Gatsby more generously than he sees others.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning—— So we beat on, boats against the current, borne back ceaselessly into the past. (9.153-4)

This is Nick's conclusion to his story, which can be read as cynical, hopeful, or realistic , depending on how you interpret it. You can read in detail about these lines in our article about the novel's ending .

She told me it was a girl, and so I turned my head away and wept. 'All right,' I said, 'I'm glad it's a girl. And I hope she'll be a fool—that's the best thing a girl can be in this world, a beautiful little fool." (1.118)

This deeply pessimistic comment is from the first time we meet Daisy in Chapter 1. She has just finished telling Nick about how when she gave birth to her daughter, she woke up alone—Tom was "god knows where." She asks for the baby's sex and cries when she hears it's a girl. So beneath her charming surface we can see Daisy is somewhat despondent about her role in the world and unhappily married to Tom. That said, right after this comment Nick describes her "smirking," which suggests that despite her pessimism, she doesn't seem eager to change her current state of affairs.

"Here, dearis." She groped around in a waste-basket she had with her on the bed and pulled out the string of pearls. "Take 'em downstairs and give 'em back to whoever they belong to. Tell 'em all Daisy's change' her mine. Say 'Daisy's change' her mine!'."

She began to cry—she cried and cried. I rushed out and found her mother's maid and we locked the door and got her into a cold bath. She wouldn't let go of the letter. She took it into the tub with her and squeezed it up into a wet ball, and only let me leave it in the soap dish when she saw that it was coming to pieces like snow.

But she didn't say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress and half an hour later when we walked out of the room the pearls were around her neck and the incident was over. Next day at five o'clock she married Tom Buchanan without so much as a shiver and started off on a three months' trip to the South Seas. (4.140-2)

In this flashback, narrated by Jordan, we learn all about Daisy's past and how she came to marry Tom, despite still being in love with Jay Gatsby. In fact, she seems to care about him enough that after receiving a letter from him, she threatens to call off her marriage to Tom. However, despite this brief rebellion, she is quickly put back together by Jordan and her maid—the dress and the pearls represent Daisy fitting back into her prescribed social role. And indeed, the next day she marries Tom "without so much as a shiver," showing her reluctance to question the place in society dictated by her family and social status .

"They're such beautiful shirts," she sobbed, her voice muffled in the thick folds. "It makes me sad because I've never seen such—such beautiful shirts before." (5.118)

During Daisy and Gatsby's reunion, she is delighted by Gatsby's mansion but falls to pieces after Gatsby giddily shows off his collection of shirts.

This scene is often confusing to students. Why does Daisy start crying at this particular display? The scene could speak to Daisy's materialism : that she only emotionally breaks down at this conspicuous proof of Gatsby's newfound wealth. But it also speaks to her strong feelings for Gatsby , and how touched she is at the lengths he went to to win her back.

"What'll we do with ourselves this afternoon," cried Daisy, "and the day after that, and the next thirty years?" (7.74)

In Chapter 7, as Daisy tries to work up the courage to tell Tom she wants to leave him, we get another instance of her struggling to find meaning and purpose in her life. Beneath Daisy's cheerful exterior, there is a deep sadness, even nihilism, in her outlook (compare this to Jordan's more optimistic response that life renews itself in autumn).

"Her voice is full of money," he said suddenly.

That was it. I'd never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals' song of it. . . . High in a white palace the king's daughter, the golden girl. . . . (7.105-6)

Gatsby explicitly ties Daisy and her magnetic voice to wealth. This particular line is really crucial, since it ties Gatsby's love for Daisy to his pursuit of wealth and status . It also allows Daisy herself to become a stand-in for the idea of the American Dream. We'll discuss even more about the implications of Daisy's voice below.

"Oh, you want too much!" she cried to Gatsby. "I love you now—isn't that enough? I can't help what's past." She began to sob helplessly. "I did love him once—but I loved you too." (7.264)

During the climactic confrontation in New York City, Daisy can't bring herself to admit she only loved Gatsby, because she did also love Tom at the beginning of their marriage. This moment is crushing for Gatsby, and some people who read the novel and end up disliking Daisy point to this moment as proof. "Why couldn't she get up the courage to just leave that awful Tom?" they ask.

However, I would argue that Daisy's problem isn't that she loves too little, but that she loves too much . She fell in love with Gatsby and was heartbroken when he went to war, and again when he reached out to her right before she was set to marry Tom. And then she fell deeply in love with Tom in the early days of their marriage, only to discover his cheating ways and become incredibly despondent (see her earlier comment about women being "beautiful little fools"). So by now she's been hurt by falling in love, twice, and is wary of risking another heartbreak.

Furthermore, we do see again her reluctance to part with her place in society . Being with Gatsby would mean giving up her status as old-money royalty and instead being the wife of a gangster. That's a huge jump for someone like Daisy, who was essentially raised to stay within her class. So it's hard to blame her for not giving up her entire life (not to mention her daughter!) to be with Jay.

"[Tom], among various physical accomplishments, had been one of the most powerful ends that ever played football at New Haven—a national figure in a way, one of those men who reach such an acute limited excellence at twenty-one that everything afterward savors of anti-climax." (1.16)

Tom is established early on as restless and bored , with the threat of physical aggression lurking behind that restlessness. With his glory days on the Yale football team well behind him, he seems to constantly be searching for—and failing to find—the excitement of a college football game. Perhaps Tom, like Gatsby, is also trying, and failing, to repeat the past in his own way .

"Well, it's a fine book, and everybody ought to read it. The idea is if we don't look out the white race will be—will be utterly submerged. It's all scientific stuff; it's been proved." (1.78)

In Chapter 1 , we learn Tom has been reading "profound" books lately, including racist ones that claim the white race is superior to all others and has to maintain control over society. This speaks to Tom's insecurity—even as someone born into incredible money and privilege, there's a fear it could be taken away by social climbers . That insecurity only translates into even more overt shows of his power—flaunting his relationship with Myrtle, revealing Gatsby as a bootlegger, and manipulating George to kill Gatsby—thus completely freeing the Buchanans from any consequences from the murders.

"Don't believe everything you hear, Nick," he advised me. (1.143)

Early in the book, Tom advises Nick not to believe rumors and gossip, but specifically what Daisy has been telling him about their marriage.

Nick certainly is wary of most people he meets, and, indeed, he sees through Daisy in Chapter 1 when he observes she has no intentions of leaving Tom despite her complaints: "Their interest rather touched me and made them less remotely rich—nevertheless, I was confused and a little disgusted as I drove away. It seemed to me that the thing for Daisy to do was to rush out of the house, child in arms—but apparently there were no such intentions in her head" (1.150). But as the book goes on, Nick drops some of his earlier skepticism as he comes to learn more about Gatsby and his life story, coming to admire him despite his status as a bootlegger and criminal.

This leaves us with an image of Tom as cynical and suspicious in comparison to the optimistic Gatsby—but perhaps also more clear-eyed than Nick is by the end of the novel.

"And what's more, I love Daisy too. Once in a while I go off on a spree and make a fool of myself, but I always come back, and in my heart I love her all the time." (7.251-252)

After seeing Tom's liaisons with Myrtle and his generally boorish behavior, this claim to loving Daisy comes off as fake at best and manipulative at worst (especially since a spree is a euphemism for an affair!).

We also see Tom grossly underreporting his bad behavior (we have seen one of his "sprees" and it involved breaking Myrtle's nose after sleeping with her while Nick was in the next room) and either not realizing or ignoring how damaging his actions can be to others. He is explicit about his misbehavior and doesn't seem sorry at all —he feels like his "sprees" don't matter as long as he comes back to Daisy after they're over.

In short, this quote captures how the reader comes to understand Tom late in the novel—as a selfish rich man who breaks things and leaves others to clean up his mess.

"I found out what your 'drug-stores' were." He turned to us and spoke rapidly. "He and this Wolfsheim bought up a lot of side-street drug-stores here and in Chicago and sold grain alcohol over the counter. That's one of his little stunts. I picked him for a bootlegger the first time I saw him, and I wasn't far wrong." (7.284)

Again, Tom's jealousy and anxiety about class are revealed. Though he immediately pegs Gatsby for a bootlegger rather than someone who inherited his money, Tom still makes a point of doing an investigation to figure out exactly where the money came from. This shows that he does feel a bit threatened by Gatsby , and wants to be sure he thoroughly knocks him down.

But at the same time, he's the only one in the room who sees Gatsby for who he actually is . This is also a moment where you, as a reader, can really see how clouded Nick's judgment of Gatsby has become.

"You two start on home, Daisy," said Tom. "In Mr. Gatsby's car."

She looked at Tom, alarmed now, but he insisted with magnanimous scorn.

"Go on. He won't annoy you. I think he realizes that his presumptuous little flirtation is over." (7.296-298)

A common question students have after reading Gatsby for the first time is this: why does Tom let Daisy and Gatsby ride back together? If he's so protective and jealous of Daisy, wouldn't he insist she come with him?

The answer is that he is demonstrating his power over both Daisy and Gatsby —he's no longer scared that Daisy will leave him for Gatsby, and he's basically rubbing that in Gatsby's face. He's saying that he doesn't even fear leaving them alone together, because he knows that nothing Gatsby says or does would convince Daisy to leave him. It's a subtle but crucial show of power—and of course ends up being a fatal choice.

"What if I did tell him? That fellow had it coming to him. He threw dust into your eyes just like he did in Daisy's but he was a tough one. He ran over Myrtle like you'd run over a dog and never even stopped his car." (9.143)

One of Tom's last lines in the novel, he coldly tells Nick that Gatsby was fooling both him and Daisy. Of course, since we know that Gatsby didn't actually run over Daisy, we can read this line in one of three ways:

• Maybe Daisy never actually admitted to Tom that she was the one driving the car that night, so he still has no idea that his wife killed his mistress.
• Or maybe the way Tom has made peace with what happened is by convincing himself that even if Daisy was technically driving, Gatsby is to blame for Myrtle's death anyway.
• Or maybe Tom is still scared of speaking the truth about Daisy's involvement to anyone, including Nick, on the off chance that the police will reopen the case with new evidence.

"And I like large parties. They're so intimate. At small parties there isn't any privacy." (3.29)

This is an early example of Jordan's unexpectedly clever observations —throughout the novel she reveals a quick wit and keen eye for detail in social situations. This comment also sets the stage for the novel's chief affair between Daisy and Gatsby, and how at the small party in Chapter 7 their secrets come out to disastrous effect.

Compare Jordan's comment to Daisy's general attitude of being too sucked into her own life to notice what's going on around her.

"You're a rotten driver," I protested. "Either you ought to be more careful or you oughtn't to drive at all."

"I am careful."

"No, you're not."

"Well, other people are," she said lightly.

"What's that got to do with it?"

"They'll keep out of my way," she insisted. "It takes two to make an accident."

"Suppose you met somebody just as careless as yourself."

"I hope I never will," she answered. "I hate careless people. That's why I like you." (3.162-169)

Here we get a sense of what draws Jordan and Nick together—he's attracted to her carefree, entitled attitude while she sees his cautiousness as a plus. After all, if it really does take two to make an accident, as long as she's with a careful person, Jordan can do whatever she wants!

We also see Jordan as someone who carefully calculates risks —both in driving and in relationships. This is why she brings up her car accident analogy again at the end of the book when she and Nick break up—Nick was, in fact, a "bad driver" as well, and she was surprised that she read him wrong.

"It's a great advantage not to drink among hard-drinking people." (4.144)

Another example of Jordan's observant wit , this quote (about Daisy) is Jordan's way of suggesting that perhaps Daisy's reputation is not so squeaky-clean as everyone else believes. After all, if Daisy were the only sober one in a crowd of partiers, it would be easy for her to hide less-than-flattering aspects about herself.

Suddenly I wasn't thinking of Daisy and Gatsby any more but of this clean, hard, limited person who dealt in universal skepticism and who leaned back jauntily just within the circle of my arm. (4.164)

In this moment, Nick reveals what he finds attractive about Jordan—not just her appearance (though again, he describes her as pleasingly "jaunty" and "hard" here), but her attitude. She's skeptical without being fully cynical, and remains upbeat and witty despite her slightly pessimistic outlook. At this point in the story, Midwestern Nick probably still finds this exciting and attractive, though of course by the end he realizes that her attitude makes it hard for her to truly empathize with others, like Myrtle.

"Life starts all over again when it gets crisp in the fall." (7.75)

In contrast to Daisy (who says just before this, rather despairingly, "What will we do today, and then tomorrow, and for the next thirty years?" (7.74)), Jordan is open to and excited about the possibilities still available to her in her life . As we'll discuss later, perhaps since she's still unmarried her life still has a freedom Daisy's does not, and the possibility to start over.

While she's not exactly a starry-eyed optimist, she does show a resilience, and an ability to start things over and move on, that allows her to escape the tragedy at the end relatively unscathed. It also fits how Jordan doesn't seem to let herself get too attached to people or places, which is why she's surprised by how much she felt for Nick.

"You threw me over on the telephone. I don't give a damn about you now but it was a new experience for me and I felt a little dizzy for a while." (9.130)

Jordan doesn't frequently showcase her emotions or show much vulnerability, so this moment is striking because we see that she did really care for Nick to at least some extent. Notice that she couches her confession with a pretty sassy remark ("I don't give a damn about you now") which feels hollow when you realize that being "thrown over" by Nick made her feel dizzy—sad, surprised, shaken—for a while.

Mrs. Wilson had changed her costume some time before and was now attired in an elaborate afternoon dress of cream colored chiffon, which gave out a continual rustle as she swept about the room. With the influence of the dress her personality had also undergone a change. The intense vitality that had been so remarkable in the garage was converted into impressive hauteur. Her laughter, her gestures, her assertions became more violently affected moment by moment and as she expanded the room grew smaller around her until she seemed to be revolving on a noisy, creaking pivot through the smoky air. (2.56)

Here, we see Myrtle transformed from her more sensuous, physical persona into that of someone desperate to come off as richer than she actually is . Wielding power over her group of friends, she seems to revel in her own image.

Unlike Gatsby, who projects an elaborately rich and worldly character, Myrtle's persona is much more simplistic and transparent. (Notably Tom, who immediately sees Gatsby as a fake, doesn't seem to mind Myrtle's pretensions—perhaps because they are of no consequence to him, or any kind of a threat to his lifestyle.)

"Daisy! Daisy! Daisy!" shouted Mrs. Wilson. "I'll say it whenever I want to! Daisy! Dai——"

Making a short deft movement Tom Buchanan broke her nose with his open hand. (2.125-126)

Here we see Myrtle pushing her limits with Tom—and realizing that he is both violent and completely unwilling to be honest about his marriage.

While both characters are willful, impulsive, and driven by their desires, Tom is violently asserting here that his needs are more important than Myrtle's . After all, to Tom, Myrtle is just another mistress, and just as disposable as all the rest.

Also, this injury foreshadows Myrtle's death at the hands of Daisy, herself. While invoking Daisy's name here causes Tom to hurt Myrtle, Myrtle's actual encounter with Daisy later in the novel turns out to be deadly.

"Beat me!" he heard her cry. "Throw me down and beat me, you dirty little coward!" (7.314)

When George confronts his wife about her affair, Myrtle is furious and needles at her husband—already insecure since he's been cheated on—by insinuating he's weak and less of a man than Tom. Also, their fight centers around her body and its treatment, while Tom and Daisy fought earlier in the same chapter about their feelings.

In this moment, we see that despite how dangerous and damaging Myrtle's relationship with Tom is, she seems to be asking George to treat her in the same way that Tom has been doing. Myrtle's disturbing acceptance of her role as a just a body—a piece of meat, basically—foreshadows the gruesome physicality of her death.

Michaelis and this man reached her first but when they had torn open her shirtwaist still damp with perspiration, they saw that her left breast was swinging loose like a flap and there was no need to listen for the heart beneath. The mouth was wide open and ripped at the corners as though she had choked a little in giving up the tremendous vitality she had stored so long. (7.317)

Even in death, Myrtle's physicality and vitality are emphasized . In fact, the image is pretty overtly sexual—notice how it's Myrtle's breast that's torn open and swinging loose, and her mouth ripped open at the corners. This echoes Nick's view of Myrtle as a woman and mistress, nothing more—even in death she's objectified.

This moment is also much more violent than her earlier broken nose. While that moment cemented Tom as abusive in the eyes of the reader, this one truly shows the damage that Tom and Daisy leave in their wake, and shapes the tragic tone of the rest of the novel.

Generally he was one of these worn-out men: when he wasn't working he sat on a chair in the doorway and stared at the people and the cars that passed along the road. When any one spoke to him he invariably laughed in an agreeable, colorless way. He was his wife's man and not his own. (7.312)

After our first introduction to George, Nick emphasizes George's meekness and deference to his wife, very bluntly commenting he is not his own man . Although this comment reveals a bit of Nick's misogyny—his comment seems to think George being his "wife's man" as opposed to his own is his primary source of weakness—it also continues to underscore George's devotion to Myrtle.

George's apparent weakness may make him an unlikely choice for Gatsby's murderer, until you consider how much pent-up anxiety and anger he has about Myrtle, which culminates in his two final, violent acts: Gatsby's murder and his own suicide.

His description also continues to ground him in the Valley of Ashes . Unlike all the other main characters, who move freely between Long Island and Manhattan (or, in Myrtle's case, between Queens and Manhattan), George stays in Queens, contributing to his stuck, passive, image. This makes his final journey, on foot, to Long Island, feel especially eerie and desperate.

Some man was talking to him in a low voice and attempting from time to time to lay a hand on his shoulder, but Wilson neither heard nor saw. His eyes would drop slowly from the swinging light to the laden table by the wall and then jerk back to the light again and he gave out incessantly his high horrible call.

"O, my Ga-od! O, my Ga-od! Oh, Ga-od! Oh, my Ga-od!" (7.326-7)

George is completely devastated by the death of his wife, to the point of being inconsolable and unaware of reality. Although we hear he treated her roughly just before this, locking her up and insisting on moving her away from the city, he is completely devastated by her loss. This sharp break with his earlier passive persona prefigures his turn to violence at the end of the book.

"I spoke to her," he muttered, after a long silence. "I told her she might fool me but she couldn't fool God. I took her to the window—" With an effort he got up and walked to the rear window and leaned with his face pressed against it, "—and I said ‘God knows what you've been doing, everything you've been doing. You may fool me but you can't fool God!' "

Standing behind him Michaelis saw with a shock that he was looking at the eyes of Doctor T. J. Eckleburg which had just emerged pale and enormous from the dissolving night.

"God sees everything," repeated Wilson.

"That's an advertisement," Michaelis assured him. Something made him turn away from the window and look back into the room. But Wilson stood there a long time, his face close to the window pane, nodding into the twilight. (8.102-105)

George is looking for comfort, salvation, and order where there is nothing but an advertisement. This speaks to the moral decay of New York City, the East Coast, and even America in general during the 1920s. It also speaks to how alone and powerless George is, and how violence becomes his only recourse to seek revenge.

In this moment, the reader is forced to wonder if there is any kind of morality the characters adhere to, or if the world really is cruel and utterly without justice—and with no God except the empty eyes of Dr. T.J. Eckleburg .

Key Great Gatsby Theme Quotes

Click on the title of each theme for an article explaining how it fits into the novel, which character it's connected to, and how to write an essay about it.

Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry "Lover, gold-hatted, high-bouncing lover, I must have you!"

—THOMAS PARKE D'INVILLIERS

The epigraph of the novel immediately marks money and materialism as a key theme of the book—the listener is implored to "wear the gold hat" as a way to impress his lover. In other words, wealth is presented as the key to love—such an important key that the word "gold" is repeated twice. It's not enough to "bounce high" for someone, to win them over with your charm. You need wealth, the more the better, to win over the object of your desire.

"They had spent a year in France, for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together." (1.17)

Our introduction to Tom and Daisy immediately describes them as rich, bored, and privileged . Tom's restlessness is likely one motivator for his affairs, while Daisy is weighed down by the knowledge of those affairs. This combination of restlessness and resentment puts them on the path to the tragedy at the end of the book.

"There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city, between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants including an extra gardener toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before…." (3.1—3.6)

The description of Gatsby's parties at the beginning of Chapter 3 is long and incredibly detailed, and thus highlights the extraordinary extent of Gatsby's wealth and materialism. In contrast to Tom and Daisy's expensive but not overly gaudy mansion , and the small dinner party Nick attends there in Chapter 1 , everything about Gatsby's new wealth is over-the-top and showy, from the crates of oranges brought in and juiced one-by-one by a butler, the "corps" of caterers to the full orchestra. Everyone who comes to the parties is attracted by Gatsby's money and wealth, making the culture of money-worship a society-wide trend in the novel, not just something our main characters fall victim to. After all, "People were not invited—they went there" (3.7). No one comes due to close personal friendship with Jay. Everyone is there for the spectacle alone.

He took out a pile of shirts and began throwing them, one by one before us, shirts of sheer linen and thick silk and fine flannel which lost their folds as they fell and covered the table in many-colored disarray. While we admired he brought more and the soft rich heap mounted higher—shirts with stripes and scrolls and plaids in coral and apple-green and lavender and faint orange with monograms of Indian blue. Suddenly with a strained sound, Daisy bent her head into the shirts and began to cry stormily.

"They're such beautiful shirts," she sobbed, her voice muffled in the thick folds. "It makes me sad because I've never seen such—such beautiful shirts before." (5.117-118)

Gatsby, like a peacock showing off its many-colored tail, flaunts his wealth to Daisy by showing off his many-colored shirts. And, fascinatingly, this is the first moment of the day Daisy fully breaks down emotionally—not when she first sees Gatsby, not after their first long conversation, not even at the initial sight of the mansion—but at this extremely conspicuous display of wealth . This speaks to her materialism and how, in her world, a certain amount of wealth is a barrier to entry for a relationship (friendship or more).

"She's got an indiscreet voice," I remarked. "It's full of——"

I hesitated.

That was it. I'd never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals' song of it. . . . High in a white palace the king's daughter, the golden girl. . . . (7.103-106)

Daisy herself is explicitly connected with money here, which allows the reader to see Gatsby's desire for her as desire for wealth, money, and status more generally. So while Daisy is materialistic and is drawn to Gatsby again due to his newly-acquired wealth, we see Gatsby is drawn to her as well due to the money and status she represents.

I couldn't forgive him or like him but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made. . . . (9.146)

Here, in the aftermath of the novel's carnage, Nick observes that while Myrtle, George, and Gatsby have all died, Tom and Daisy are not punished at all for their recklessness, they can simply retreat "back into their money or their vast carelessness… and let other people clean up the mess." So money here is more than just status—it's a shield against responsibility , which allows Tom and Daisy to behave recklessly while other characters suffer and die in pursuit of their dreams.

But I didn't call to him for he gave a sudden intimation that he was content to be alone—he stretched out his arms toward the dark water in a curious way, and far as I was from him I could have sworn he was trembling. Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. (1.152)

In our first glimpse of Jay Gatsby, we see him reaching towards something far off, something in sight but definitely out of reach. This famous image of the green light is often understood as part of The Great Gatsby 's meditation on The American Dream—the idea that people are always reaching towards something greater than themselves that is just out of reach . You can read more about this in our post all about the green light . The fact that this yearning image is our introduction to Gatsby foreshadows his unhappy end and also marks him as a dreamer, rather than people like Tom or Daisy who were born with money and don't need to strive for anything so far off.

Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.

A dead man passed us in a hearse heaped with blooms, followed by two carriages with drawn blinds and by more cheerful carriages for friends. The friends looked out at us with the tragic eyes and short upper lips of south-eastern Europe, and I was glad that the sight of Gatsby's splendid car was included in their somber holiday. As we crossed Blackwell's Island a limousine passed us, driven by a white chauffeur, in which sat three modish Negroes, two bucks and a girl. I laughed aloud as the yolks of their eyeballs rolled toward us in haughty rivalry.

"Anything can happen now that we've slid over this bridge," I thought; "anything at all. . . ."

Even Gatsby could happen, without any particular wonder. (4.55-8)

Early in the novel, we get this mostly optimistic illustration of the American Dream—we see people of different races and nationalities racing towards NYC, a city of unfathomable possibility. This moment has all the classic elements of the American Dream—economic possibility, racial and religious diversity, a carefree attitude. At this moment, it does feel like "anything can happen," even a happy ending.

However, this rosy view eventually gets undermined by the tragic events later in the novel. And even at this point, Nick's condescension towards the people in the other cars reinforces America's racial hierarchy that disrupts the idea of the American Dream . There is even a little competition at play, a "haughty rivalry" at play between Gatsby's car and the one bearing the "modish Negroes." Nick "laughs aloud" at this moment, suggesting he thinks it's amusing that the passengers in this other car see them as equals, or even rivals to be bested. In other words, he seems to firmly believe in the racial hierarchy Tom defends in Chapter 1, even if it doesn't admit it honestly.

His heart beat faster and faster as Daisy's white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips' touch she blossomed for him like a flower and the incarnation was complete. (6.134)

This moment explicitly ties Daisy to all of Gatsby's larger dreams for a better life —to his American Dream. This sets the stage for the novel's tragic ending, since Daisy cannot hold up under the weight of the dream Gatsby projects onto her. Instead, she stays with Tom Buchanan, despite her feelings for Gatsby. Thus when Gatsby fails to win over Daisy, he also fails to achieve his version of the American Dream. This is why so many people read the novel as a somber or pessimistic take on the American Dream, rather than an optimistic one.

...as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors' eyes—a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby's house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.

And as I sat there brooding on the old, unknown world, I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this blue lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night." (9.151-152)

The closing pages of the novel reflect at length on the American Dream, in an attitude that seems simultaneously mournful, appreciative, and pessimistic. It also ties back to our first glimpse of Gatsby, reaching out over the water towards the Buchanan's green light. Nick notes that Gatsby's dream was "already behind him" then, in other words, it was impossible to attain. But still, he finds something to admire in how Gatsby still hoped for a better life, and constantly reached out toward that brighter future.

For a full consideration of these last lines and what they could mean, see our analysis of the novel's ending .

Daisy and Tom Marriage Quotes

Why they came east I don't know. They had spent a year in France, for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. (1.17)

Nick introduces Tom and Daisy as restless, rich, and as a singular unit: they. Despite all of the revelations about the affairs and other unhappiness in their marriage, and the events of the novel, it's important to note our first and last descriptions of Tom and Daisy describe them as a close, if bored, couple . In fact, Nick only doubles down on this observation later in Chapter 1.

Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. 'All right,' I said, 'I'm glad it's a girl. And I hope she'll be a fool—that's the best thing a girl can be in this world, a beautiful little fool."

"You see I think everything's terrible anyhow," she went on in a convinced way. "Everybody thinks so—the most advanced people. And I know. I've been everywhere and seen everything and done everything." Her eyes flashed around her in a defiant way, rather like Tom's, and she laughed with thrilling scorn. "Sophisticated—God, I'm sophisticated!"

"The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged." (1.118-120)

In this passage, Daisy pulls Nick aside in Chapter 1 and claims, despite her outward happiness and luxurious lifestyle, she's quite depressed by her current situation. At first, it seems Daisy is revealing the cracks in her marriage —Tom was "God knows here" at the birth of their daughter, Pammy—as well as a general malaise about society in general ("everything's terrible anyhow").

However, right after this confession, Nick doubts her sincerity. And indeed, she follows up her apparently serious complaint with "an absolute smirk." What's going on here?

Well, Nick goes on to observe that the smirk "asserted her membership in a rather distinguished secret society to which she and Tom belonged." In other words, despite Daisy's performance, she seems content to remain with Tom, part of the "secret society" of the ultra-rich.

So the question is: can anyone—or anything—lift Daisy out of her complacency?

"I never loved him," she said, with perceptible reluctance.

"Not at Kapiolani?" demanded Tom suddenly.

From the ballroom beneath, muffled and suffocating chords were drifting up on hot waves of air.

"Not that day I carried you down from the Punch Bowl to keep your shoes dry?" There was a husky tenderness in his tone. ". . . Daisy?" (7.258-62)

Over the course of the novel, both Tom and Daisy enter or continue affairs, pulling away from each other instead of confronting the problems in their marriage.

However, Gatsby forces them to confront their feelings in the Plaza Hotel when he demands Daisy say she never loved Tom. Although she gets the words out, she immediately rescinds them—"I did love [Tom] once but I loved you too!"—after Tom questions her.

Here, Tom—usually presented as a swaggering, brutish, and unkind—breaks down, speaking with "husky tenderness" and recalling some of the few happy moments in his and Daisy's marriage. This is a key moment because it shows despite the dysfunction of their marriage, Tom and Daisy seem to both seek solace in happy early memories. Between those few happy memories and the fact that they both come from the same social class, their marriage ends up weathering multiple affairs.

Daisy and Tom were sitting opposite each other at the kitchen table with a plate of cold fried chicken between them and two bottles of ale. He was talking intently across the table at her and in his earnestness his hand had fallen upon and covered her own. Once in a while she looked up at him and nodded in agreement.

They weren't happy, and neither of them had touched the chicken or the ale—and yet they weren't unhappy either. There was an unmistakable air of natural intimacy about the picture and anybody would have said that they were conspiring together. (7.409-10)

They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made. . . . (9.146)

By the end of the novel, after Daisy's murder of Myrtle as well as Gatsby's death, she and Tom are firmly back together, "conspiring" and "careless" once again, despite the deaths of their lovers.

As Nick notes, they "weren't happy…and yet they weren't unhappy either." Their marriage is important to both of them, since it reassures their status as old money aristocracy and brings stability to their lives. So the novel ends with them once again described as a unit, a "they," perhaps even more strongly bonded since they've survived not only another round of affairs but murder, as well.

Myrtle and George Marriage Quotes

I heard footsteps on a stairs and in a moment the thickish figure of a woman blocked out the light from the office door. She was in the middle thirties, and faintly stout, but she carried her surplus flesh sensuously as some women can. Her face, above a spotted dress of dark blue crepe-de-chine, contained no facet or gleam of beauty but there was an immediately perceptible vitality about her as if the nerves of her body were continually smouldering. She smiled slowly and walking through her husband as if he were a ghost shook hands with Tom, looking him flush in the eye. Then she wet her lips and without turning around spoke to her husband in a soft, coarse voice:

"Get some chairs, why don't you, so somebody can sit down."

"Oh, sure," agreed Wilson hurriedly and went toward the little office, mingling immediately with the cement color of the walls. A white ashen dust veiled his dark suit and his pale hair as it veiled everything in the vicinity—except his wife, who moved close to Tom. (2.15-17)

As we discuss in our article on the symbolic valley of ashes , George is coated by the dust of despair and thus seems mired in the hopelessness and depression of that bleak place, while Myrtle is alluring and full of vitality. Her first action is to order her husband to get chairs, and the second is to move away from him, closer to Tom.

In contrast to Tom and Daisy, who are initially presented as a unit, our first introduction to George and Myrtle shows them fractured, with vastly different personalities and motivations. We get the sense right away that their marriage is in trouble, and conflict between the two is imminent.

"I married him because I thought he was a gentleman," she said finally. "I thought he knew something about breeding, but he wasn't fit to lick my shoe."

"You were crazy about him for a while," said Catherine.

"Crazy about him!" cried Myrtle incredulously. "Who said I was crazy about him? I never was any more crazy about him than I was about that man there." (2.112-4)

Here we get a bit of back-story about George and Myrtle's marriage: like Daisy, Myrtle was crazy about her husband at first but the marriage has since soured. But while Daisy doesn't have any real desire to leave Tom, here we see Myrtle eager to leave, and very dismissive of her husband. Myrtle seems to suggest that even having her husband wait on her is unacceptable—it's clear she thinks she is finally headed for bigger and better things.

Again, in contrast to the strangely unshakeable partnership of Tom and Daisy, the co-conspirators, Michaelis (briefly taking over narrator duties) observes that George "was his wife's man," "worn out." Obviously, this situation gets turned on its head when George locks Myrtle up when he discovers the affair, but Michaelis's observation speaks to instability in the Wilson's marriage, in which each fights for control over the other . Rather than face the world as a unified front, the Wilsons each struggle for dominance within the marriage.

"Beat me!" he heard her cry. "Throw me down and beat me, you dirty little coward!"

A moment later she rushed out into the dusk, waving her hands and shouting; before he could move from his door the business was over. (7.314-5)

We don't know what happened in the fight before this crucial moment, but we do know George locked Myrtle in a room once he figured out she was having an affair. So despite the outward appearance of being ruled by his wife, he does, in fact, have the ability to physically control her. However, he apparently doesn't hit her, the way Tom does, and Myrtle taunts him for it—perhaps insinuating he's less a man than Tom.

This outbreak of both physical violence (George locking up Myrtle) and emotional abuse (probably on both sides) fulfills the earlier sense of the marriage being headed for conflict. Still, it's disturbing to witness the last few minutes of this fractured, unstable partnership.

Daisy and Gatsby Relationship Quotes

"You must know Gatsby."

"Gatsby?" demanded Daisy. "What Gatsby?" (1.60-1)

In the first chapter, we get a few mentions and glimpses of Gatsby, but one of the most interesting is Daisy immediately perking up at his name. She obviously still remembers him and perhaps even thinks about him, but her surprise suggests that she thinks he's long gone, buried deep in her past.

This is in sharp contrast to the image we get of Gatsby himself at the end of the Chapter, reaching actively across the bay to Daisy's house (1.152). While Daisy views Gatsby as a memory, Daisy is Gatsby's past, present, and future. It's clear even in Chapter 1 that Gatsby's love for Daisy is much more intense than her love for him.

"Gatsby bought that house so that Daisy would be just across the bay."

Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendor. (4.151-2)

In Chapter 4, we learn Daisy and Gatsby's story from Jordan: specifically, how they dated in Louisville but it ended when Gatsby went to the front. She also explains how Daisy threatened to call off her marriage to Tom after receiving a letter from Gatsby, but of course ended up marrying him anyway (4.140).

Here we also learn that Gatsby's primary motivation is to get Daisy back, while Daisy is of course in the dark about all of this. This sets the stage for their affair being on unequal footing: while each has love and affection for the other, Gatsby has thought of little else but Daisy for five years while Daisy has created a whole other life for herself .

"We haven't met for many years," said Daisy, her voice as matter-of-fact as it could ever be.

"Five years next November." (5.69-70)

Daisy and Gatsby finally reunite in Chapter 5, the book's mid-point. The entire chapter is obviously important for understanding the Daisy/Gatsby relationship, since we actually see them interact for the first time. But this initial dialogue is fascinating, because we see that Daisy's memories of Gatsby are more abstract and clouded, while Gatsby has been so obsessed with her he knows the exact month they parted and has clearly been counting down the days until their reunion.

They were sitting at either end of the couch looking at each other as if some question had been asked or was in the air, and every vestige of embarrassment was gone. Daisy's face was smeared with tears and when I came in she jumped up and began wiping at it with her handkerchief before a mirror. But there was a change in Gatsby that was simply confounding. He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room. (5.87)

After the initially awkward re-introduction, Nick leaves Daisy and Gatsby alone and comes back to find them talking candidly and emotionally. Gatsby has transformed—he is radiant and glowing. In contrast, we don't see Daisy as radically transformed except for her tears. Although our narrator, Nick, pays much closer attention to Gatsby than Daisy, these different reactions suggest Gatsby is much more intensely invested in the relationship.

"They're such beautiful shirts," she sobbed, her voice muffled in the thick folds. "It makes me sad because I've never seen such—such beautiful shirts before." (5.118).

Gatsby gets the chance to show off his mansion and enormous wealthy to Daisy, and she breaks down after a very conspicuous display of Gatsby's wealth, through his many-colored shirts.

In Daisy's tears, you might sense a bit of guilt—that Gatsby attained so much just for her—or perhaps regret, that she might have been able to be with him had she had the strength to walk away from her marriage with Tom.

Still, unlike Gatsby, whose motivations are laid bare, it's hard to know what Daisy is thinking and how invested she is in their relationship, despite how openly emotional she is during this reunion. Perhaps she's just overcome with emotion due to reliving the emotions of their first encounters.

In flashback, we hear about Daisy and Gatsby's first kiss, through Gatsby's point of view. We see explicitly in this scene that, for Gatsby, Daisy has come to represent all of his larger hopes and dreams about wealth and a better life—she is literally the incarnation of his dreams . There is no analogous passage on Daisy's behalf, because we actually don't know that much of Daisy's inner life, or certainly not much compared to Gatsby.

So we see, again, the relationship is very uneven—Gatsby has literally poured his heart and soul into it, while Daisy, though she obviously has love and affection for Gatsby, hasn't idolized him in the same way. It becomes clear here that Daisy—who is human and fallible—can never live up to Gatsby's huge projection of her .

"Oh, you want too much!" she cried to Gatsby. "I love you now—isn't that enough? I can't help what's past." She began to sob helplessly. "I did love him once—but I loved you too."

Gatsby's eyes opened and closed.

"You loved me too?" he repeated. (7.264-66)

Here we finally get a glimpse at Daisy's real feelings— she loved Gatsby, but also Tom, and to her those were equal loves . She hasn't put that initial love with Gatsby on a pedestal the way Gatsby has. Gatsby's obsession with her appears shockingly one-sided at this point, and it's clear to the reader she will not leave Tom for him. You can also see why this confession is such a blow to Gatsby: he's been dreaming about Daisy for years and sees her as his one true love, while she can't even rank her love for Gatsby above her love for Tom.

"Was Daisy driving?"

"Yes," he said after a moment, "but of course I'll say I was." (7.397-8)

Despite Daisy's rejection of Gatsby back at the Plaza Hotel, he refuses to believe that it was real and is sure that he can still get her back. His devotion is so intense he doesn't think twice about covering for her and taking the blame for Myrtle's death. In fact, his obsession is so strong he barely seems to register that there's been a death, or to feel any guilt at all. This moment further underscores how much Daisy means to Gatsby, and how comparatively little he means to her.

She was the first "nice" girl he had ever known. In various unrevealed capacities he had come in contact with such people but always with indiscernible barbed wire between. He found her excitingly desirable. He went to her house, at first with other officers from Camp Taylor, then alone. It amazed him—he had never been in such a beautiful house before. But what gave it an air of breathless intensity was that Daisy lived there—it was as casual a thing to her as his tent out at camp was to him. There was a ripe mystery about it, a hint of bedrooms upstairs more beautiful and cool than other bedrooms, of gay and radiant activities taking place through its corridors and of romances that were not musty and laid away already in lavender but fresh and breathing and redolent of this year's shining motor cars and of dances whose flowers were scarcely withered. It excited him too that many men had already loved Daisy—it increased her value in his eyes. He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions. (8.10, emphasis added)

In Chapter 8, when we get the rest of Gatsby's backstory, we learn more about what drew him to Daisy—her wealth, and specifically the world that opened up to Gatsby as he got to know her. Interestingly, we also learn that her "value increased" in Gatsby's eyes when it became clear that many other men had also loved her. We see then how Daisy got all tied up in Gatsby's ambitions for a better, wealthier life.

You also know, as a reader, that Daisy obviously is human and fallible and can never realistically live up to Gatsby's inflated images of her and what she represents to him. So in these last pages, before Gatsby's death as we learn the rest of Gatsby's story, we sense that his obsessive longing for Daisy was as much about his longing for another, better life, than it was about a single woman.

Tom and Myrtle Relationship Quotes

"I think it's cute," said Mrs. Wilson enthusiastically. "How much is it?"

"That dog?" He looked at it admiringly. "That dog will cost you ten dollars."

The airedale—undoubtedly there was an airedale concerned in it somewhere though its feet were startlingly white—changed hands and settled down into Mrs. Wilson's lap, where she fondled the weather-proof coat with rapture.

"Is it a boy or a girl?" she asked delicately.

"That dog? That dog's a boy."

"It's a bitch," said Tom decisively. "Here's your money. Go and buy ten more dogs with it." (2.38-43)

This passage is great because it neatly displays Tom and Myrtle's different attitudes toward the affair . Myrtle thinks that Tom is spoiling her specifically, and that he cares about her more than he really does—after all, he stops to by her a dog just because she says it's cute and insists she wants one on a whim.

But to Tom, the money isn't a big deal. He casually throws away the 10 dollars, aware he's being scammed but not caring, since he has so much money at his disposal. He also insists that he knows more than the dog seller and Myrtle, showing how he looks down at people below his own class—but Myrtle misses this because she's infatuated with both the new puppy and Tom himself.

Myrtle pulled her chair close to mine, and suddenly her warm breath poured over me the story of her first meeting with Tom.

"It was on the two little seats facing each other that are always the last ones left on the train. I was going up to New York to see my sister and spend the night. He had on a dress suit and patent leather shoes and I couldn't keep my eyes off him but every time he looked at me I had to pretend to be looking at the advertisement over his head. When we came into the station he was next to me and his white shirt-front pressed against my arm—and so I told him I'd have to call a policeman, but he knew I lied. I was so excited that when I got into a taxi with him I didn't hardly know I wasn't getting into a subway train. All I kept thinking about, over and over, was 'You can't live forever, you can't live forever.' " (2.119-20)

Myrtle, twelve years into a marriage she's unhappy in, sees her affair with Tom as a romantic escape. She tells the story of how she and Tom met like it's the beginning of a love story. In reality, it's pretty creepy —Tom sees a woman he finds attractive on a train and immediately goes and presses up to her like and convinces her to go sleep with him immediately. Not exactly the stuff of classic romance!

Combined with the fact Myrtle believes Daisy's Catholicism (a lie) is what keeps her and Tom apart, you see that despite Myrtle's pretensions of worldliness, she actually knows very little about Tom or the upper classes, and is a poor judge of character. She is an easy person for Tom to take advantage of.

Some time toward midnight Tom Buchanan and Mrs. Wilson stood face to face discussing in impassioned voices whether Mrs. Wilson had any right to mention Daisy's name.

Making a short deft movement Tom Buchanan broke her nose with his open hand. (2.124-6)

In case the reader was still wondering that perhaps Myrtle's take on the relationship had some basis in truth, this is a cold hard dose of reality. Tom's vicious treatment of Myrtle reminds the reader of his brutality and the fact that, to him, Myrtle is just another affair, and he would never in a million years leave Daisy for her.

Despite the violence of this scene, the affair continues. Myrtle is either so desperate to escape her marriage or so self-deluded about what Tom thinks of her (or both) that she stays with Tom after this ugly scene.

There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. (7.164)

Chapter 2 gives us lots of insight into Myrtle's character and how she sees her affair with Tom. But other than Tom's physical attraction to Myrtle, we don't get as clear of a view of his motivations until later on. In Chapter 7, Tom panics once he finds out George knows about his wife's affair. We learn here that control is incredibly important to Tom—control of his wife, control of his mistress, and control of society more generally (see his rant in Chapter 1 about the "Rise of the Colored Empires" ).

So just as he passionately rants and raves against the "colored races," he also gets panicked and angry when he sees that he is losing control both over Myrtle and Daisy. This speaks to Tom's entitlement —both as a wealthy person, as a man, and as a white person—and shows how his relationship with Myrtle is just another display of power. It has very little to do with his feelings for Myrtle herself. So as the relationship begins to slip from his fingers, he panics—not because he's scared of losing Myrtle, but because he's scared of losing a possession.

"And if you think I didn't have my share of suffering—look here, when I went to give up that flat and saw that damn box of dog biscuits sitting there on the sideboard I sat down and cried like a baby. By God it was awful——" (9.145)

Despite Tom's abhorrent behavior throughout the novel, at the very end, Nick leaves us with an image of Tom confessing to crying over Myrtle. This complicates the reader's desire to see Tom as a straightforward villain. This confession of emotion certainly doesn't redeem Tom, but it does prevent you from seeing him as a complete monster.

Nick and Jordan Relationship Quotes

I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. (1.57)

As Nick eyes Jordan in Chapter 1, we see his immediate physical attraction to her , though it's not as potent as Tom's to Myrtle. And similarly to Gatsby's attraction to Daisy being to her money and voice, Nick is pulled in by Jordan's posture, her "wan, charming discontented face"— her attitude and status are more alluring than her looks alone . So Nick's attraction to Jordan gives us a bit of insight both in how Tom sees Myrtle and how Gatsby sees Daisy.

"Good night, Mr. Carraway. See you anon."

"Of course you will," confirmed Daisy. "In fact I think I'll arrange a marriage. Come over often, Nick, and I'll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing——" (1.131-2)

Throughout the novel, we see Nick avoiding getting caught up in relationships—the woman he mentions back home, the woman he dates briefly in his office, Myrtle's sister—though he doesn't protest to being "flung together" with Jordan. Perhaps this is because Jordan would be a step up for Nick in terms of money and class, which speaks to Nick's ambition and class-consciousness , despite the way he paints himself as an everyman. Furthermore, unlike these other women, Jordan isn't clingy—she lets Nick come to her. Nick sees attracted to how detached and cool she is.

"I hope I never will," she answered. "I hate careless people. That's why I like you."

Her grey, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. (3.162-70)

Here, Nick is attracted to Jordan's blasé attitude and her confidence that others will avoid her careless behavior—an attitude she can afford because of her money. In other words, Nick seems fascinated by the world of the super-wealthy and the privilege it grants its members.

So just as Gatsby falls in love with Daisy and her wealthy status, Nick also seems attracted to Jordan for similar reasons. However, this conversation not only foreshadows the tragic car accident later in the novel, but it also hints at what Nick will come to find repulsive about Jordan: her callous disregard for everyone but herself .

It was dark now, and as we dipped under a little bridge I put my arm around Jordan's golden shoulder and drew her toward me and asked her to dinner. Suddenly I wasn't thinking of Daisy and Gatsby any more but of this clean, hard, limited person who dealt in universal skepticism and who leaned back jauntily just within the circle of my arm. A phrase began to beat in my ears with a sort of heady excitement: "There are only the pursued, the pursuing, the busy and the tired." (4.164)

Nick, again with Jordan, seems exhilarated to be with someone who is a step above him in terms of social class, exhilarated to be a "pursuing" person, rather than just busy or tired . Seeing the usually level-headed Nick this enthralled gives us some insight into Gatsby's infatuation with Daisy, and also allows us to glimpse Nick-the-person, rather than Nick-the-narrator.

And again, we get a sense of what attracts him to Jordan—her clean, hard, limited self, her skepticism, and jaunty attitude. It's interesting to see these qualities become repulsive to Nick just a few chapters later.

Just before noon the phone woke me and I started up with sweat breaking out on my forehead. It was Jordan Baker; she often called me up at this hour because the uncertainty of her own movements between hotels and clubs and private houses made her hard to find in any other way. Usually her voice came over the wire as something fresh and cool as if a divot from a green golf links had come sailing in at the office window but this morning it seemed harsh and dry.

"I've left Daisy's house," she said. "I'm at Hempstead and I'm going down to Southampton this afternoon."

Probably it had been tactful to leave Daisy's house, but the act annoyed me and her next remark made me rigid.

"You weren't so nice to me last night."

"How could it have mattered then?" (8.49-53)

Later in the novel, after Myrtle's tragic death, Jordan's casual, devil-may-care attitude is no longer cute—in fact, Nick finds it disgusting . How can Jordan care so little about the fact that someone died, and instead be most concerned with Nick acting cold and distant right after the accident?

In this brief phone conversation, we thus see Nick's infatuation with Jordan ending, replaced with the realization that Jordan's casual attitude is indicative of everything Nick hates about the rich, old money group . So by extension, Nick's relationship with Jordan represents how his feelings about the wealthy have evolved—at first he was drawn in by their cool, detached attitudes, but eventually found himself repulsed by their carelessness and cruelty.

She was dressed to play golf and I remember thinking she looked like a good illustration, her chin raised a little, jauntily, her hair the color of an autumn leaf, her face the same brown tint as the fingerless glove on her knee. When I had finished she told me without comment that she was engaged to another man. I doubted that though there were several she could have married at a nod of her head but I pretended to be surprised. For just a minute I wondered if I wasn't making a mistake, then I thought it all over again quickly and got up to say goodbye.

"Nevertheless you did throw me over," said Jordan suddenly. "You threw me over on the telephone. I don't give a damn about you now but it was a new experience for me and I felt a little dizzy for a while."

We shook hands.

"Oh, and do you remember—" she added, "——a conversation we had once about driving a car?"

"Why—not exactly."

"You said a bad driver was only safe until she met another bad driver? Well, I met another bad driver, didn't I? I mean it was careless of me to make such a wrong guess. I thought you were rather an honest, straightforward person. I thought it was your secret pride."

"I'm thirty," I said. "I'm five years too old to lie to myself and call it honor." (9.129-135)

In their official break-up, Jordan calls out Nick for claiming to be honest and straightforward but in fact being prone to lying himself . So even as Nick is disappointed in Jordan's behavior, Jordan is disappointed to find just another "bad driver" in Nick, and both seem to mutually agree they would never work as a couple. It's interesting to see Nick called out for dishonest behavior for once. For all of his judging of others, he's clearly not a paragon of virtue, and Jordan clearly recognizes that.

This break-up is also interesting because it's the only time we see a relationship end because the two members choose to walk away from each other —all the other failed relationships (Daisy/Gatsby, Tom/Myrtle, Myrtle/George) ended because one or both members died. So perhaps there is a safe way out of a bad relationship in Gatsby—to walk away early, even if it's difficult and you're still "half in love" with the other person (9.136).

If only Gatsby could have realized the same thing.

Key Great Gatsby Symbol Quotes

Click on each symbol to see how it relates to the novel's characters and themes and to get ideas for essay topics!

The Green Light

...a figure had emerged from the shadow of my neighbor's mansion and was standing with his hands in his pockets regarding the silver pepper of the stars. Something in his leisurely movements and the secure position of his feet upon the lawn suggested that it was Mr. Gatsby himself, come out to determine what share was his of our local heavens.

...he stretched out his arms toward the dark water in a curious way, and far as I was from him I could have sworn he was trembling. Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. When I looked once more for Gatsby he had vanished, and I was alone again in the unquiet darkness. (1.151-152)

One thing in particular is interesting about the introduction of the green light: it's very mysterious . Nick seems not to be quite sure where the light is, or what its function might be:

• Although physically bounded by the width of the bay, the light is described as impossibly small ("minute" means "tiny enough to be almost insignificant") and confusingly distant.
• Even though we find out later that the light never turns off, here Nick only seems to be able to see the light when Gatsby is reaching out towards it. As soon as Gatsby disappears, Nick is in "darkness."
• This vagueness and mystery is a good way for the novel to underscore the fact that this light is a symbol —it stands not just for the physical object that it describes, but for an idea within the book. What's the idea? I'll talk all about it in the next section of this article.

"If it wasn't for the mist we could see your home across the bay," said Gatsby. "You always have a green light that burns all night at the end of your dock."

Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one. (5.117-118)

This appearance of the green light is just as vitally important as the first one, mostly because the way the light is presented now is totally different than when we first saw it. Instead of the "enchanted" magical object we first saw, now the light has had its "colossal significance," or its symbolic meaning, removed from it. This is because Gatsby is now actually standing there and touching Daisy herself, so he no longer needs to stretch his arms out towards the light or worry that it's shrouded in mist.

However, this separation of the green light from its symbolic meaning is somehow sad and troubling . Gatsby seemingly ignores Daisy putting her arm through his because he is "absorbed" in the thought that the green light is now just a regular thing. Nick's observation that Gatsby's "enchanted objects" are down one sounds like a lament—how many enchanted objects are there in anyone's life?

And as I sat there brooding on the old, unknown world, I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this blue lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

So we beat on, boats against the current, borne back ceaselessly into the past. (9.152-154)

Now the light has totally ceased being an observable object. Nick is not in Long Island any more, Gatsby is dead, Daisy is gone for good, and the only way the green light exists is in Nick's memories and philosophical observations. This means that the light is now just a symbol and nothing else .

But it is not the same deeply personal symbol it was in the first chapter. Check out the way Nick transitions from describing the green light as something "Gatsby believed in" to using it as something that motivates "us." Gatsby is no longer the only one reaching for this symbol—we all, universally, "stretch out our arms" toward it , hoping to reach it tomorrow or the next day.

You can read more in-depth analysis of the end of the novel in our article on the last paragraphs and last line of the novel .

The Eyes of Doctor T.J. Eckelburg

But above the grey land and the spasms of bleak dust which drift endlessly over it, you perceive, after a moment, the eyes of Doctor T. J. Eckleburg. The eyes of Doctor T. J. Eckleburg are blue and gigantic - their retinas are one yard high. They look out of no face but, instead, from a pair of enormous yellow spectacles which pass over a nonexistent nose. Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens, and then sank down himself into eternal blindness or forgot them and moved away. But his eyes, dimmed a little by many paintless days under sun and rain, brood on over the solemn dumping ground… I followed [Tom] over a low white-washed railroad fence and we walked back a hundred yards along the road under Doctor Eckleburg's persistent stare... "Terrible place, isn't it," said Tom, exchanging a frown with Doctor Eckleburg. (2.1-20)

Just like the quasi-mysterious and unreal-sounding green light in Chapter 1 , the eyes of Doctor Eckleburg are presented in a confusing and seemingly surreal way :

Instead of simply saying that there is a giant billboard, Nick first spends several sentences describing seemingly living giant eyes that are hovering in mid-air.

Unlike the very gray, drab, and monochrome surroundings, the eyes are blue and yellow. In a novel that is methodically color-coded, this brightness is a little surreal and connects the eyes to other blue and yellow objects.

Moreover, the description has elements of horror. The "gigantic" eyes are disembodied, with "no face" and a "nonexistent nose."

Adding to this creepy feel is the fact that even after we learn that the eyes are actually part of an advertisement, they are given agency and emotions. They don't simply exist in space, but "look out" and "persistently stare," the miserable landscape causes them to "brood," and they are even able to "exchange a frown" with Tom despite the fact that they have no mouth.

It's clear from this personification of an inanimate object that these eyes stand for something else—a huge, displeased watcher.

We were all irritable now with the fading ale and, aware of it, we drove for a while in silence. Then as Doctor T. J. Eckleburg's faded eyes came into sight down the road, I remembered Gatsby's caution about gasoline….That locality was always vaguely disquieting, even in the broad glare of afternoon, and now I turned my head as though I had been warned of something behind. Over the ashheaps the giant eyes of Doctor T. J. Eckleburg kept their vigil but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away.

In one of the windows over the garage the curtains had been moved aside a little and Myrtle Wilson was peering down at the car. (7.136-163)

This time, the eyes are a warning to Nick that something is wrong . He thinks the problem is that the car is low on gas, but as we learn, the real problem at the garage is that George Wilson has found out that Myrtle is having an affair.

Of course, Nick is quickly distracted from the billboard's "vigil" by the fact that Myrtle is staring at the car from the room where George has imprisoned her. She is holding her own "vigil" of sorts, staring out the window at what she thinks is the yellow car of Tom, her would-be savior, and also giving Jordan a death stare under the misguided impression that Jordan is Daisy.

The word "vigil" is important here. It refers to staying awake for a religious purpose, or to keep watch over a stressful and significant time. Here, though, both of those meanings don't quite apply, and the word is used sarcastically.

The billboard eyes can't interact with the characters, but they do point to—or stand in for—a potential higher authority whose "brooding" and "caution" could also be accompanied by judgment. Their useless vigil is echoed by Myrtle's mistaken one—she is vigilant enough to spot Tom driving, but she is wrong to put her trust in him. Later, this trust in Tom and the yellow car is what gets her killed.

"Have you got a church you go to sometimes, George? Maybe even if you haven't been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?"

"Don't belong to any." ...

Wilson's glazed eyes turned out to the ashheaps, where small grey clouds took on fantastic shape and scurried here and there in the faint dawn wind.

"I spoke to her," he muttered, after a long silence. "I told her she might fool me but she couldn't fool God. I took her to the window—" With an effort he got up and walked to the rear window and leaned with his face pressed against it, "—and I said 'God knows what you've been doing, everything you've been doing. You may fool me but you can't fool God!' "

"That's an advertisement," Michaelis assured him. Something made him turn away from the window and look back into the room. But Wilson stood there a long time, his face close to the window pane, nodding into the twilight. (8.72-105)

Here, finally, the true meaning of the odd billboard that everyone finds so disquieting is revealed.

To the unhinged George Wilson , first totally distraught over Myrtle's affair and then driven past his breaking point by her death, the billboard's eyes are a watchful God . Wilson doesn't go to church, and thus doesn't have access to the moral instruction that will help him control his darker impulses. Still, it seems that Wilson wants God, or at least a God-like influence, in his life—based on him trying to convert the watching eyes of the billboard into a God that will make Myrtle feel bad about "everything [she's] been doing."

In the way George stares "into the twilight" by himself, there is an echo of what we've often seen Gatsby doing—staring at the green light on Daisy's dock . Both men want something unreachable, and both imbue ordinary objects with overwhelming amounts of meaning.

So in the same way Myrtle couldn't see the truth above, this lack of a larger moral compass here guides George (or at least leave him vulnerable) to committing the murder/suicide . Even when characters reach out for a guiding truth in their lives, not only are they denied one, but they are also led instead toward tragedy.

The Valley of Ashes

About half way between West Egg and New York the motor-road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes - a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of grey cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-grey men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight…

The valley of ashes is bounded on one side by a small foul river, and when the drawbridge is up to let barges through, the passengers on waiting trains can stare at the dismal scene for as long as half an hour. There is always a halt there of at least a minute and it was because of this that I first met Tom Buchanan's mistress. (2.1-3)

After telling us about the "fine health to be pulled down out of the young breath-giving air" (1.12) of West Egg in Chapter 1 , Nick shows us just how the glittering wealth of the nouveau riche who live there is accumulated. Much of it comes from industry: factories that pollute the area around them into a "grotesque" and "ghastly" version of a beautiful countryside.

Instead of the bucolic, green image of a regular farm, here we have a "fantastic farm" (fantastic here means "something out of the realm of fantasy") that grows ash instead of wheat and where pollution makes the water "foul" and the air "powdery."

This imagery of growth serves two purposes.

• First, it's disturbing, as it's clearly meant to be. The beauty of the natural world has been transformed into a horrible hellscape of gray ashes. Not only that, but it is turning regular humans into "ash-grey men" who "swarm" like insects around the factories and cargo trains (that's the "line of grey cars"). These are the people who do not get to enjoy either the luxury of life out on Long Island, or the faster-paced anonymous fun that Nick finds himself enjoying in Manhattan. In the novel's world of haves and have-nots , these are the have-nots.
• Second, the passage shows how disconnected the rich are from the source of their wealth . Nick is annoyed when he is a train passenger who has to wait for the drawbridge to lead barges through. But the barges are carrying the building products of the factories. Nick is a bond trader, and bonds are basically loans people give to companies (companies sell bond shares, use that money to grow, and then have to pay back that money to the people who bought the bonds). In the 1920s, the bond market was fueling the construction of skyscrapers, particularly in New York. In other words, the same construction boom that is making Queens into a valley of ashes is also buoying up the new moneyed class that populates West Egg .

"Oh, sure," agreed Wilson hurriedly and went toward the little office, mingling immediately with the cement color of the walls. A white ashen dust veiled his dark suit and his pale hair as it veiled everything in the vicinity—except his wife, who moved close to Tom. (2.17)

In the valley, there is such a thick coating gray dust that it looks like everything is made out of this ashy substance . It's important to note that from a general description of people as "ash-grey men" we now see that ashy description applied specifically to George Wilson . He is covered in a "veil" of desolation, sadness, hopelessness, and everything else associated with the ash.

Also, we see that Myrtle Wilson is the only thing that isn't covered by ash . She visually stands out from her surroundings since she doesn't blend into the "cement color" around her. This makes sense since she is an ambitious character who is eager to escape her life. Notice that she literally steps towards Tom, allying herself with a rich man who is only passing through the ash heaps on his way from somewhere better to somewhere better.

"I'm going to make a big request of you today," he said, pocketing his souvenirs with satisfaction, "so I thought you ought to know something about me. I didn't want you to think I was just some nobody."...

Then the valley of ashes opened out on both sides of us, and I had a glimpse of Mrs. Wilson straining at the garage pump with panting vitality as we went by.

With fenders spread like wings we scattered light through half Astoria—only half, for as we twisted among the pillars of the elevated I heard the familiar "jug—jug—spat!" of a motor cycle, and a frantic policeman rode alongside.

"All right, old sport," called Gatsby. We slowed down. Taking a white card from his wallet he waved it before the man's eyes.

"Right you are," agreed the policeman, tipping his cap. "Know you next time, Mr. Gatsby. Excuse me!"

"What was that?" I inquired. "The picture of Oxford?"

"I was able to do the commissioner a favor once, and he sends me a Christmas card every year." (4.43-54)

While West and East Egg are the settings for the ridiculously extravagance of both the old and new money crowd, and Manhattan the setting for business and organized crime , the valley of ashes tends to be where the novel situates the grubby and underhanded manipulations that show the darker side of the surrounding glamor.

Check out just how many unethical things are going on here:

• Gatsby wants Nick to set him up with Daisy so they can have an affair.
• Mrs. Wilson's "panting vitality" reminds us of her thoroughly unpleasant relationship with Tom.
• A policeman lets Gatsby off the hook for speeding because of Gatsby's connections.
• Nick jokes about Gatsby's shady-sounding story about being an Oxford man.
• Gatsby hints at doing something probably illegal for the police commissioner (possibly supplying him with alcohol?) that makes the commissioner be permanently in his pocket.

Wilson's glazed eyes turned out to the ashheaps, where small grey clouds took on fantastic shape and scurried here and there in the faint dawn wind. (8.101)

This brief mention of the ashheaps sets up the chapter's shocking conclusion, once again positioning Wilson as a man who is coming out of the gray world of ashy pollution and factory dust . Notice how the word "fantastic" comes back. The twisted, macabre world of the valley of ashes is spreading. No longer just on the buildings, roads, and people, it is what Wilson's sky is now made out of as well. At the same time, in combination with Wilson's "glazed" eyes, the word "fantastic" seems to point to his deteriorating mental state.

No telephone message arrived but the butler went without his sleep and waited for it until four o'clock—until long after there was any one to give it to if it came. I have an idea that Gatsby himself didn't believe it would come and perhaps he no longer cared. If that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about . . . like that ashen, fantastic figure gliding toward him through the amorphous trees. (8.110)

The final reference to the ashheaps is at the moment of the murder-suicide, as George skulks towards Gatsby floating in his pool. Again, the ashy world is "fantastic"—a word that smacks of scary fairy tales and ghost stories, particularly when combined with the eerie description of Wilson as a "gliding figure" and the oddly shapeless and out of focus ("amorphous") trees.

It's significant that what threatens the fancy world of the Eggs is the creeping encroachment of the ash that they so look down on and are so disgusted by.

Key Quotes From Each Great Gatsby Chapter

Click on the chapter number to read a summary, important character beats, and the themes and symbols the chapter connects with!

Chapter 1 Quotes

In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.

"Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven't had the advantages that you've had." (1.1-2)

The opening lines of the book color how we understand Nick's description of everything that happens in the novel. Nick wants to present himself as a wise, objective, nonjudgmental observer, but in the course of the novel, as we learn more and more about him, we realize that he is snobby and prejudiced . In fact, it is probably because he knows this about himself that he is so eager to start the story he is telling with a long explanation of what makes him the best possible narrator.

Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men. (1.4)

This is how Nick sums up Gatsby before we have even met him, before we've heard anything about his life. As you read the book, think about how this information informs the way you're responding to Gatsby's actions. How much of what we see about Gatsby is colored by Nick's predetermined conviction that Gatsby is a victim whose "dreams" were "preyed on"? It often feels like Nick is relying on the reader's implicit trust of the narrator to spin Gatsby, make him come across as very sympathetic, and gloss over his flaws.

"Well, it's a fine book, and everybody ought to read it. The idea is if we don't look out the white race will be—will be utterly submerged. It's all scientific stuff; it's been proved."

"Well, these books are all scientific," insisted Tom, glancing at her impatiently. "This fellow has worked out the whole thing. It's up to us who are the dominant race to watch out or these other races will have control of things." (1.78-80)

Tom says this at dinner about a book he's really into. Tom is introduced as a bully and a bigot from the very beginning , and his casual racism here is a good indicator of his callous disregard for human life. We will see that his affinity for being "dominant" comes into play whenever he interacts with other people. At the same time, however, Tom tends to surround himself with those who are weaker and less powerful—probably the better to lord his physical, economic, and class power over them.

"I'm glad it's a girl. And I hope she'll be a fool—that's the best thing a girl can be in this world, a beautiful little fool." (1.118)

Daisy tells Nick that these are the first words she said after giving birth to her daughter.

This funny and depressing take on what it takes to succeed as a woman in Daisy's world is a good lens into why she acts the way she does. Because she has never had to struggle for anything, because of her material wealth and the fact that she has no ambitions or goals, her life feels empty and meaningless to her. In a way, this wish for her daughter to be a "fool" is coming from a good place. Based on her own experiences, she assumes that a woman who is too stupid to realize that her life is pointless will be happier than one (like Daisy herself) who is restless and filled with existential ennui (which is a fancy way of describing being bored of one's existence).

The first time Nick sees him, Gatsby is making this half-prayerful gesture to the green light at the end of Daisy's dock . This is our first glimpse of his obsession and his quest for the unobtainable. Gatsby makes this reaching movement several times throughout the book , each time because something he has strived for is just out of his grasp.

Chapter 2 Quotes

About half way between West Egg and New York the motor-road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. (2.1)

Every time anyone goes from Long Island to Manhattan or back, they go through this depressing industrial area in the middle of Queens. The factories located here pollute the air and land around them—their detritus is what makes the "ash" dust that covers everything and everyone. This is the place where those who cannot succeed in the rat race end up, hopeless and lacking any way to escape . Check out our focused article for a much more in-depth analysis of what the crucial symbol of "the valley of ashes" stands for in this novel.

The eyes of Doctor T. J. Eckleburg are blue and gigantic—their retinas are one yard high. They look out of no face but, instead, from a pair of enormous yellow spectacles which pass over a nonexistent nose. Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens, and then sank down himself into eternal blindness or forgot them and moved away. But his eyes, dimmed a little by many paintless days under sun and rain, brood on over the solemn dumping ground. (2.2)

There is no God in the novel. None of the characters seems to be religious, no one wonders about the moral or ethical implications of any actions, and in the end, there are no punishments doled out to the bad or rewards given to the good. This lack of religious feeling is partly what makes Tom's lie to Myrtle about Daisy being a Catholic particularly egregious. This lack of even a basic moral framework is underscored by the eyes of Doctor T.J. Eckleburg , a giant billboard that is as close as this world gets to having a watchful authoritative presence.

This chapter is our main exposure to Myrtle Wilson, Tom's mistress . Here, we see the main points of her personality—or at least the way that she comes across to Nick. First, it's interesting to note that aside from Tom, whose hulkish physique Nick really pays a lot of attention to, Myrtle is the only character whose physicality is dwelt on at length. We hear a lot about her body and the way she moves in space—here, we not only get her "sweeping" across the room, "expanding," and "revolving," but also the sense that her "gestures" are somehow "violent." It makes sense that for Nick, who is into the cool and detached Jordan, Myrtle's overenthusiastic affect is a little off-putting. But remember this focus on Myrtle's body when you read Chapter 7 , where this body will be exposed in a shocking way.

Making a short deft movement Tom Buchanan broke her nose with his open hand. (2.124-126)

This bit of violence succinctly encapsulates Tom's brutality , how little he thinks of Myrtle, and it also speaks volumes about their vastly unequal and disturbing relationship . Two things to think about:

#1: Why doesn't Tom want Myrtle to mention Daisy? It could be a way of maintaining discretion—to keep secret her identity in order to hide the affair. But, considering everyone in town apparently knows about Myrtle, this doesn't seem to be the reason. More likely is the fact that Tom does actually hold Daisy in much higher regard than Myrtle, and he refuses to let the lower class woman "degrade" his high-class wife by talking about her freely. This is yet again an example of his extreme snobbery.

#2: Tom is a person who uses his body to get what he wants. Sometimes this is within socially acceptable boundaries—for example, on the football field at Yale—and sometimes it is to browbeat everyone around him into compliance. It's also interesting that both Tom and Myrtle are such physically present characters in the novel—in this moment, Myrtle is the only character that actually stands up to Tom. In a way, they are a perfect match.

Chapter 3 Quotes

I believe that on the first night I went to Gatsby's house I was one of the few guests who had actually been invited. People were not invited—they went there. They got into automobiles which bore them out to Long Island and somehow they ended up at Gatsby's door. Once there they were introduced by somebody who knew Gatsby and after that they conducted themselves according to the rules of behavior associated with amusement parks. Sometimes they came and went without having met Gatsby at all, came for the party with a simplicity of heart that was its own ticket of admission. (3.7)

Gatsby's parties are the epitome of anonymous, meaningless excess—so much so that people treat his house as a kind of public, or at least commercial, space rather than a private home. This is connected to the vulgarity of new money —you can't imagine Tom and Daisy throwing a party like this. Or Nick for that matter. The random and meaningless indulgence of his parties further highlights Gatsby's isolation from true friends . As Jordan says later, large parties are great because they provide privacy/intimacy, so Gatsby stands alone in a sea of strangers having their own intimate moments.

A stout, middle-aged man with enormous owl-eyed spectacles was sitting somewhat drunk on the edge of a great table, staring with unsteady concentration at the shelves of books. …He waved his hand toward the book-shelves.

"About that. As a matter of fact you needn't bother to ascertain. I ascertained. They're real…."Absolutely real—have pages and everything. I thought they'd be a nice durable cardboard. Matter of fact, they're absolutely real. Pages and—Here! Lemme show you."

Taking our skepticism for granted, he rushed to the bookcases and returned with Volume One of the "Stoddard Lectures."

"See!" he cried triumphantly. "It's a bona fide piece of printed matter. It fooled me. This fella's a regular Belasco. It's a triumph. What thoroughness! What realism! Knew when to stop too—didn't cut the pages. But what do you want? What do you expect?" (3.41-50)

Belasco was a renowned theatrical producer, so comparing Gatsby to him here is a way of describing the library as a stage set for a play—in other words, as a magnificent and convincing fake. This sea of unread books is either yet more tremendous waste of resources, or a kind of miniature example of the fact that a person's core identity remains the same no matter how many layers of disguise are placed on top.

Gatsby has the money to buy these books, but he lacks the interest, depth, time, or ambition to read and understand them , which is similar to how he regards his quest to get Daisy.

He smiled understandingly—much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey. Precisely at that point it vanished—and I was looking at an elegant young rough-neck, a year or two over thirty, whose elaborate formality of speech just missed being absurd. Some time before he introduced himself I'd got a strong impression that he was picking his words with care. (3.76)

Lots of Gatsby's appeal lies in his ability to instantly connect with the person he is speaking to , to make that person feel important and valued. This is probably what makes him a great front man for Wolfsheim's bootlegging enterprise, and connects him with Daisy, who also has a preternaturally appealing quality— her voice .

Dishonesty in a woman is a thing you never blame deeply—I was casually sorry, and then I forgot. (3.161)

The offhanded misogyny of this remark that Nick makes about Jordan is telling in a novel where women are generally treated as objects at worst or lesser beings at best. Even our narrator, ostensibly a tolerant and nonjudgmental observer, here reveals a core of patriarchal assumptions that run deep.

There are layers of meaning and humor here.

First, the humor:

While in Christian tradition there is the concept of cardinal virtues, honesty is not one of them. So here, since the phrase "cardinal sin" is the more familiar concept, there is a small joke that Nick's honesty is actually a negative quality, a burden.

Nick is telling us about his scrupulous honesty a second after he's revealed that he's been writing love letters to a girl back home every week despite wanting to end their relationship, and despite dating a girl at his office, and then dating Jordan in the meantime. So honesty to Nick doesn't really mean what it might to most people.

Second, the meaning:

What does it mean to have our narrator tell us in one breath that he is honest to a fault, and that he doesn't think that most other people are honest? This sounds like a humblebrag kind of observation. But also, we need to question Nick's ability to understand/empathize with other people if he thinks he is on such a removed plane of existence from them. And of course since he just showed us that he is not actually all that honest only a paragraph ago, we need to realize that his narration is probably not completely factual/accurate/truthful. Plus, this observation comes at the end of the third chapter, after we've met all the major players finally—so it's like the board has been set, and now we finally have enough information to distrust our narrator.

Chapter 4 Quotes

"I'm going to make a big request of you today," he said, pocketing his souvenirs with satisfaction, "so I thought you ought to know something about me. I didn't want you to think I was just some nobody. You see, I usually find myself among strangers because I drift here and there trying to forget the sad thing that happened to me." (4.43)

The more Gatsby seems to reveal about himself, the more he deepens the mystery —it's amazing how clichéd and yet how intriguing the "sad thing" he mentions immediately is. It's also interesting that Gatsby uses his origin story as a transaction —he's not sharing his past with Nick to form a connection, but as advance payment for a favor. At the same time, there's a lot of humor in this scene. Imagine any time you told anyone something about yourself, you then had to whip out some physical object to prove it was true!

Even Gatsby could happen, without any particular wonder. (4.56-58)

In a novel so concerned with fitting in, with rising through social ranks, and with having the correct origins, it's always interesting to see where those who fall outside this ranking system are mentioned. Just he earlier described loving the anonymity of Manhattan , here Nick finds himself enjoying a similar melting-pot quality as he sees an indistinctly ethnic funeral procession ("south-eastern Europe" most likely means the people are Greek) and a car with both black and white people in it.

What is now racist terminology is here used pejoratively, but not necessarily with the same kind of blind hatred that Tom demonstrates. Instead, Nick can see that within the black community there are also social ranks and delineations—he distinguishes between the way the five black men in the car are dressed, and notes that they feel ready to challenge him and Gatsby in some car-related way. Do they want to race? To compare clothing? It's unclear, but it adds to the sense of possibility that the drive to Manhattan always represents in the book.

"Meyer Wolfshiem? No, he's a gambler." Gatsby hesitated, then added coolly: "He's the man who fixed the World's Series back in 1919."

"Fixed the World's Series?" I repeated.

The idea staggered me. I remembered of course that the World's Series had been fixed in 1919 but if I had thought of it at all I would have thought of it as a thing that merely happened, the end of some inevitable chain. It never occurred to me that one man could start to play with the faith of fifty million people—with the single-mindedness of a burglar blowing a safe.

"How did he happen to do that?" I asked after a minute.

"He just saw the opportunity."

"Why isn't he in jail?"

"They can't get him, old sport. He's a smart man."

(4.113-119)

Nick's amazement at the idea of one man being behind an enormous event like the fixed World Series is telling. For one thing, the powerful gangster as a prototype of pulling-himself-up-by-his-bootstraps, self-starting man, which the American Dream holds up as a paragon of achievement, mocks this individualist ideal .

It also connects Gatsby to the world of crime, swindling, and the underhanded methods necessary to effect enormous change. In a smaller, less criminal way, watching Wolfshiem maneuver has clearly rubbed off on Gatsby and his convolutedly large-scale scheme to get Daisy's attention by buying an enormous mansion nearby.

Nick thinks this about Jordan while they are kissing. Two things to ponder:

• Which one does he think he is: the pursued or the pursuing? The busy or the tired? Perhaps we are meant to match these adjectives up to the two people involved in the main love story, in which case Gatsby is both the pursuing and the busy, while Daisy is the pursued and the tired.
• If Tom, Daisy, and Gatsby are locked into a romantic triangle (or square, if we include Myrtle), then Jordan and Nick are vying for the position of narrator . Nick presents himself as the objective, nonjudgmental observer—the confidant of everyone he meets. So it's interesting that here we get his perspective on Jordan's narrative style—"universal skepticism"—right after she gets to take over telling the story for a huge chunk of the chapter. Which is the better approach, we are being asked, the overly credulous or the jaded and disbelieving? Are we more likely to believe Jordan when she says something positive about someone since she is so quick to find fault? For example, it seems important that she be the one to state that Daisy hasn't had any affairs, not Nick.

Chapter 5 Quotes

"You're selling bonds, aren't you, old sport?"..."Well, this would interest you. It wouldn't take up much of your time and you might pick up a nice bit of money. It happens to be a rather confidential sort of thing."

I realize now that under different circumstances that conversation might have been one of the crises of my life. But, because the offer was obviously and tactlessly for a service to be rendered, I had no choice except to cut him off there. (5.22-25)

Nick recognizes that what he quickly dismissed in the moment could easily have been the moral quandary that altered his whole future. It seems that Nick thinks this was his chance to enter the world of crime—if we assume that what Gatsby was proposing is some kind of insider trading or similarly illegal speculative activity—and be thus trapped on the East Coast rather than retreating to the Midwest.

It's striking that Nick recognizes that his ultimate weakness—the thing that can actually tempt him—is money . In this way, he is different from Gatsby, whose temptation is love, and Tom, whose temptation is sex —and of course, he is also different because he resists the temptation rather than going all-in. Although Nick's refusal could be spun as a sign of his honesty, it instead underscores how much he adheres to rules of politeness. After all, he only rejects the idea because he feels he "had no choice" about the proposal because it was "tactless." Who knows what shenanigans Nick would have been on board with if only Gatsby were a little smoother in his approach?

On the one hand, the depth of Gatsby's feelings for Daisy is romantic . He's living the hyperbole of every love sonnet and torch song ever written. After all, this is the first time we see Gatsby lose control of himself and his extremely careful self-presentation. But on the other hand, does he actually know anything about Daisy as a human being? Notice that it's "the idea" that he's consumed with, not so much the reality. The word "wonder" makes it sound like he's having a religious experience in Daisy's presence. The pedestal that he has put her on is so incredibly high there's nothing for her to do but prove disappointing.

Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one. (5.121)

Almost immediately when he's finally got her, Daisy starts to fade from an ideal object of desire into a real life human being . It doesn't even matter how potentially wonderful a person she may be—she could never live up to the idea of an "enchanted object" since she is neither magical nor a thing. There is also a question here of "what's next?" for Gatsby. If you have only one goal in life, and you end up reaching that goal, what is your life's purpose now?

Chapter 6 Quotes

The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God—a phrase which, if it means anything, means just that—and he must be about His Father's Business, the service of a vast, vulgar and meretricious beauty. (6.7)

Here is the clearest connection of Gatsby and the ideal of the independent, individualistic, self-made man —the ultimate symbol of the American Dream . It's telling that in describing Gatsby this way, Nick also links him to other ideas of perfection.

• First, he references Plato's philosophical construct of the ideal form—a completely inaccessible perfect object that exists outside of our real existence.
• Second, Nick references various Biblical luminaries like Adam and Jesus who are called "son of God" in the New Testament—again, linking Gatsby to mythic and larger than life beings who are far removed from lived experience. Gatsby's self-mythologizing is in this way part of a grander tradition of myth-making.

Tom was evidently perturbed at Daisy's running around alone, for on the following Saturday night he came with her to Gatsby's party. Perhaps his presence gave the evening its peculiar quality of oppressiveness—it stands out in my memory from Gatsby's other parties that summer. There were the same people, or at least the same sort of people, the same profusion of champagne, the same many-colored, many-keyed commotion, but I felt an unpleasantness in the air, a pervading harshness that hadn't been there before. Or perhaps I had merely grown used to it, grown to accept West Egg as a world complete in itself, with its own standards and its own great figures, second to nothing because it had no consciousness of being so, and now I was looking at it again, through Daisy's eyes. It is invariably saddening to look through new eyes at things upon which you have expended your own powers of adjustment. (6.60)

What for Nick had been a center of excitement, celebrity, and luxury is now suddenly a depressing spectacle. It's interesting that partly this is because Daisy and Tom are in some sense invaders—their presence disturbs the enclosed world of West Egg because it reminds Nick of West Egg's lower social standing. It's also key to see that having Tom and Daisy there makes Nick self-aware of the psychic work he has had to do to "adjust" to the vulgarity and different "standards" of behavior he's been around. Remember that he entered the novel on a social footing similar to that of Tom and Daisy. Now he's suddenly reminded that by hanging around with Gatsby, he has debased himself.

But the rest offended her—and inarguably, because it wasn't a gesture but an emotion. She was appalled by West Egg, this unprecedented "place" that Broadway had begotten upon a Long Island fishing village—appalled by its raw vigor that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a short cut from nothing to nothing. She saw something awful in the very simplicity she failed to understand. (6.96)

Just as earlier we were treated to Jordan as a narrator stand-in , now we have a new set of eyes through which to view the story—Daisy's. Her snobbery is deeply ingrained, and she doesn't do anything to hide it or overcome it (unlike Nick, for example). Like Jordan, Daisy is judgmental and critical. Unlike Jordan , Daisy expresses this through "emotion" rather than cynical mockery. Either way, what Daisy doesn't like is that the nouveau riche haven't learned to hide their wealth under a veneer of gentility —full of the "raw vigor" that has very recently gotten them to this station in life, they are too obviously materialistic. Their "simplicity" is their single-minded devotion to money and status, which in her mind makes the journey from birth to death ("from nothing to nothing") meaningless.

He wanted nothing less of Daisy than that she should go to Tom and say: "I never loved you." (6.125)

Hang on to this piece of information—it will be important later. This is really symptomatic of Gatsby's absolutist feelings towards Daisy . It's not enough for her to leave Tom. Instead, Gatsby expects Daisy to repudiate her entire relationship with Tom in order to show that she has always been just as monomaniacally obsessed with him as he has been with her. The problem is that this robs her of her humanity and personhood—she is not exactly like him, and it's unhealthy that he demands for her to be an identical reflection of his mindset.

"I'm going to fix everything just the way it was before," he said, nodding determinedly. "She'll see."

He talked a lot about the past and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was. . . (6.128-132)

This is one of the most famous quotations from the novel. Gatsby's blind faith in his ability to recreate some quasi-fictional past that he's been dwelling on for five years is both a tribute to his romantic and idealistic nature ( the thing that Nick eventually decides makes him "great" ) and a clear indication that he just might be a completely delusional fantasist. So far in his life, everything that he's fantasized about when he first imagined himself as Jay Gatsby has come true. But in that transformation, Gatsby now feels like he has lost a fundamental piece of himself—the thing he "wanted to recover."

Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man's, as though there was more struggling upon them than a wisp of startled air. But they made no sound and what I had almost remembered was uncommunicable forever. (6.135)

Just as Gatsby is searching for an unrecoverable piece of himself, so Nick also has a moment of wanting to connect with something that seems familiar but is out of reach . In a nice bit of subtle snobbery, Nick dismisses Gatsby's description of his love for Daisy as treacly nonsense ("appalling sentimentality"), but finds his own attempt to remember a snippet of a love song or poem as a mystically tragic bit of disconnection. This gives us a quick glimpse into Nick the character—a pragmatic man who is quick to judge others (much quicker than his self-assessment as an objective observer would have us believe) and who is far more self-centered than he realizes.

Chapter 7 Quotes

Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room.

"Bles-sed pre-cious," she crooned, holding out her arms. "Come to your own mother that loves you."

The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother's dress.

"The Bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say How-de-do."

Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don't think he had ever really believed in its existence before. (7.48-52)

This is our first and only chance to see Daisy performing motherhood . And "performing" is the right word, since everything about Daisy's actions here rings a little false and her cutesy sing song a little bit like an act. The presence of the nurse makes it clear that, like many upper-class women of the time, Daisy does not actually do any child rearing .

At the same time, this is the moment when Gatsby's delusional dreams start breaking down . The shock and surprise that he experiences when he realizes that Daisy really does have a daughter with Tom show how little he has thought about the fact the Daisy has had a life of her own outside of him for the last five years. The existence of the child is proof of Daisy's separate life, and Gatsby simply cannot handle then she is not exactly as he has pictured her to be.

Finally, here we can see how Pammy is being bred for her life as a future "beautiful little fool", as Daisy put it . As Daisy's makeup rubs onto Pammy's hair, Daisy prompts her reluctant daughter to be friendly to two strange men.

"What'll we do with ourselves this afternoon," cried Daisy, "and the day after that, and the next thirty years?"

"Don't be morbid," Jordan said. "Life starts all over again when it gets crisp in the fall."(7.74-75)

Comparing and contrasting Daisy and Jordan ) is one of the most common assignments that you will get when studying this novel. This very famous quotation is a great place to start.

Daisy's attempt at a joke reveals her fundamental boredom and restlessness. Despite the fact that she has social standing, wealth, and whatever material possessions she could want, she is not happy in her endlessly monotonous and repetitive life. This existential ennui goes a long way to helping explain why she seizes on Gatsby as an escape from routine.

On the other hand, Jordan is a pragmatic and realistic person, who grabs opportunities and who sees possibilities and even repetitive cyclical moments of change. For example here, although fall and winter are most often linked to sleep and death, whereas it is spring that is usually seen as the season of rebirth, for Jordan any change brings with it the chance for reinvention and new beginnings.

Here we are getting to the root of what it is really that attracts Gatsby so much to Daisy.

Nick notes that the way Daisy speaks to Gatsby is enough to reveal their relationship to Tom. Once again we see the powerful attraction of Daisy's voice. For Nick, this voice is full of "indiscretion," an interesting word that at the same time brings to mind the revelation of secrets and the disclosure of illicit sexual activity. Nick has used this word in this connotation before—when describing Myrtle in Chapter 2 he uses the word "discreet" several times to explain the precautions she takes to hide her affair with Tom.

But for Gatsby, Daisy's voice does not hold this sexy allure, as much as it does the promise of wealth , which has been his overriding ambition and goal for most of his life. To him, her voice marks her as a prize to be collected. This impression is further underscored by the fairy tale imagery that follows the connection of Daisy's voice to money. Much like princesses who is the end of fairy tales are given as a reward to plucky heroes, so too Daisy is Gatsby's winnings, an indication that he has succeeded.

"You think I'm pretty dumb, don't you?" he suggested. "Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don't believe that, but science——" (7.123)

Nick never sees Tom as anything other than a villain ; however, it is interesting that only Tom immediately sees Gatsby for the fraud that he turns out to be . Almost from the get-go, Tom calls it that Gatsby's money comes from bootlegging or some other criminal activity. It is almost as though Tom's life of lies gives him special insight into detecting the lies of others.

The relentless beating heat was beginning to confuse me and I had a bad moment there before I realized that so far his suspicions hadn't alighted on Tom. He had discovered that Myrtle had some sort of life apart from him in another world and the shock had made him physically sick. I stared at him and then at Tom, who had made a parallel discovery less than an hour before—and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child. (7.160)

You will also often be asked to compare Tom and Wilson , two characters who share some plot details in common.This passage, which explicitly contrasts these two men's reactions to finding out their wives are having affairs , is a great place to start.

• Tom's response to Daisy and Gatsby's relationship is to immediately do everything to display his power. He forces a trip to Manhattan, demands that Gatsby explain himself, systematically dismantles the careful image and mythology that Gatsby has created, and finally makes Gatsby drive Daisy home to demonstrate how little he has to fear from them being alone together.
• Wilson also tries to display power. But he is so unused to wielding it that his best effort is to lock Myrtle up and then to listen to her emasculating insults and provocations. Moreover, rather than relaxing under this power trip, Wilson becomes physically ill, feeling guilty both about his part in driving his wife away and about manhandling her into submission.
• Finally, it is interesting that Nick renders these reactions as health-related. Whose response does Nick view as "sick" and whose as "well"? It is tempting to connect Wilson's bodily response to the word "sick," but the ambiguity is purposeful. Is it sicker in this situation to take a power-hungry delight in eviscerating a rival, Tom-style, or to be overcome on a psychosomatic level, like Wilson?

"Self control!" repeated Tom incredulously. "I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that's the idea you can count me out. . . . Nowadays people begin by sneering at family life and family institutions and next they'll throw everything overboard and have intermarriage between black and white."

Flushed with his impassioned gibberish he saw himself standing alone on the last barrier of civilization.

"We're all white here," murmured Jordan.

"I know I'm not very popular. I don't give big parties. I suppose you've got to make your house into a pigsty in order to have any friends—in the modern world."

Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. (7.229-233)

Nick is happy whenever he gets to demonstrate how undereducated and dumb Tom actually is . Here, Tom's anger at Daisy and Gatsby is somehow transformed into a self-pitying and faux righteous rant about miscegenation, loose morals, and the decay of stalwart institutions. We see the connection between Jordan and Nick when both of them puncture Tom's pompous balloon : Jordan points out that race isn't really at issue at the moment, and Nick laughs at the hypocrisy of a womanizer like Tom suddenly lamenting his wife's lack of prim propriety.

"She never loved you, do you hear?" he cried. "She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved any one except me!" (7.241)

Gatsby throws caution to the wind and reveals the story that he has been telling himself about Daisy all this time. In his mind, Daisy has been pining for him as much as he has been longing for her, and he has been able to explain her marriage to himself simply by eliding any notion that she might have her own hopes, dreams, ambitions, and motivations. Gatsby has been propelled for the last five years by the idea that he has access to what is in Daisy's heart. However, we can see that a dream built on this kind of shifting sand is at best wishful thinking and at worst willful self-delusion.

"Daisy, that's all over now," he said earnestly. "It doesn't matter any more. Just tell him the truth—that you never loved him—and it's all wiped out forever." ...

She hesitated. Her eyes fell on Jordan and me with a sort of appeal, as though she realized at last what she was doing—and as though she had never, all along, intended doing anything at all. But it was done now. It was too late….

"You loved me too?" he repeated. (7.254-266)

Gatsby wants nothing less than that Daisy erase the last five years of her life. He is unwilling to accept the idea that Daisy has had feelings for someone other than him, that she has had a history that does not involve him, and that she has not spent every single second of every day wondering when he would come back into her life. His absolutism is a form of emotional blackmail.

For all Daisy's evident weaknesses, it is a testament to her psychological strength that she is simply unwilling to recreate herself, her memories, and her emotions in Gatsby's image. She could easily at this point say that she has never loved Tom, but this would not be true, and she does not want to give up her independence of mind. Unlike Gatsby, who against all evidence to the contrary believes that you can repeat the past, Daisy wants to know that there is a future. She wants Gatsby to be the solution to her worries about each successive future day, rather than an imprecation about the choices she has made to get to this point.

At the same time, it's key to note Nick's realization that Daisy "had never intended on doing anything at all." Daisy has never planned to leave Tom. We've known this ever since the first time we saw them at the end of Chapter 1 , when he realized that they were cemented together in their dysfunction.

It passed, and he began to talk excitedly to Daisy, denying everything, defending his name against accusations that had not been made. But with every word she was drawing further and further into herself, so he gave that up and only the dead dream fought on as the afternoon slipped away, trying to touch what was no longer tangible, struggling unhappily, undespairingly, toward that lost voice across the room. (7.292)

The appearance of Daisy's daughter and Daisy's declaration that at some point in her life she loved Tom have both helped to crush Gatsby's obsession with his dream. In just the same way, Tom's explanations about who Gatsby really is and what is behind his facade have broken Daisy's infatuation. Take note of the language here— as Daisy is withdrawing from Gatsby, we come back to the image of Gatsby with his arms outstretched, trying to grab something that is just out of reach . In this case it's not just Daisy herself, but also his dream of being with her inside his perfect memory.

Myrtle fights by provoking and taunting . Here, she is pointing out Wilson's weak and timid nature by egging him on to treat her the way that Tom did when he punched her earlier in the novel.

However, before we draw whatever conclusions we can about Myrtle from this exclamation, it's worthwhile to think about the context of this remark.

• First, we are getting this speech third-hand. This is Nick telling us what Michaelis described overhearing, so Myrtle's words have gone through a double male filter.
• Second, Myrtle's words stand in isolation. We have no idea what Wilson has been saying to her to provoke this attack. What we do know is that however "powerless" Wilson might be, he still has power enough to imprison his wife in their house and to unilaterally uproot and move her several states away against her will. Neither Nick nor Michaelis remarks on whether either of these exercises of unilateral power over Myrtle is appropriate or fair—it is simply expected that this is what a husband can do to a wife.

So what do we make of the fact that Myrtle was trying to verbally emasculate her husband? Maybe yelling at him is her only recourse in a life where she has no actual ability to control her life or bodily integrity.

The "death car" as the newspapers called it, didn't stop; it came out of the gathering darkness, wavered tragically for a moment and then disappeared around the next bend. Michaelis wasn't even sure of its color—he told the first policeman that it was light green. The other car, the one going toward New York, came to rest a hundred yards beyond, and its driver hurried back to where Myrtle Wilson, her life violently extinguished, knelt in the road and mingled her thick, dark blood with the dust.

Michaelis and this man reached her first but when they had torn open her shirtwaist still damp with perspiration, they saw that her left breast was swinging loose like a flap and there was no need to listen for the heart beneath. The mouth was wide open and ripped at the corners as though she had choked a little in giving up the tremendous vitality she had stored so long. (7.316-317)

The stark contrast here between the oddly ghostly nature of the car that hits Myrtle and the visceral, gruesome, explicit imagery of what happens to her body after it is hit is very striking. The car almost doesn't seem real—it comes out of the darkness like an avenging spirit and disappears, Michaelis cannot tell what color it is. Meanwhile, Myrtle's corpse is described in detail and is palpably physical and present.

This treatment of Myrtle's body might be one place to go when you are asked to compare Daisy and Myrtle in class . Daisy's body is never even described, beyond a gentle indication that she prefers white dresses that are flouncy and loose. On the other hand, every time that we see Myrtle in the novel, her body is physically assaulted or appropriated. Tom initially picks her up by pressing his body inappropriately into hers on the train station platform. Before her party, Tom has sex with her while Nick (a man who is a stranger to Myrtle) waits in the next room, and then Tom ends the night by punching her in the face. Finally, she is restrained by her husband inside her house and then run over.

They weren't happy, and neither of them had touched the chicken or the ale—and yet they weren't unhappy either. There was an unmistakable air of natural intimacy about the picture and anybody would have said that they were conspiring together. (7.409-410)

And so, the promise that Daisy and Tom are a dysfunctional couple that somehow makes it work (Nick saw this at the end of Chapter 1 ) is fulfilled. For careful readers of the novel, this conclusion should have been clear from the get-go. Daisy complains about Tom, and Tom serially cheats on Daisy, but at the end of the day, they are unwilling to forgo the privileges their life entitles them to.

This moment of truth has stripped Daisy and Tom down to the basics. They are in the least showy room of their mansion, sitting with simple and unpretentious food, and they have been stripped of their veneer. Their honesty makes what they are doing—conspiring to get away with murder, basically—completely transparent. And it is the fact that they can tolerate this level of honesty in each other besides each being kind of a terrible person that keeps them together.

Compare their readiness to forgive each other anything—even murder!—with Gatsby's insistence that it's his way or no way.

Chapter 8 Quotes

She was the first "nice" girl he had ever known. In various unrevealed capacities he had come in contact with such people but always with indiscernible barbed wire between. He found her excitingly desirable. He went to her house, at first with other officers from Camp Taylor, then alone. It amazed him—he had never been in such a beautiful house before. But what gave it an air of breathless intensity was that Daisy lived there—it was as casual a thing to her as his tent out at camp was to him. There was a ripe mystery about it, a hint of bedrooms upstairs more beautiful and cool than other bedrooms, of gay and radiant activities taking place through its corridors and of romances that were not musty and laid away already in lavender but fresh and breathing and redolent of this year's shining motor cars and of dances whose flowers were scarcely withered. It excited him too that many men had already loved Daisy—it increased her value in his eyes. He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions. (8.10)

The reason the word "nice" is in quotation marks is that Gatsby does not mean that Daisy is the first pleasant or amiable girl that he has met. Instead, the word "nice" here means refined, having elegant and elevated taste, picky and fastidious. In other words, from the very beginning what Gatsby most values about Daisy is that she belongs to that set of society that he is desperately trying to get into: the wealthy, upper echelon. Just like when he noted the Daisy's voice has money in it, here Gatsby almost cannot separate Daisy herself from the beautiful house that he falls in love with.

Notice also how much he values quantity of any kind —it's wonderful that the house has many bedrooms and corridors, and it's also wonderful that many men want Daisy. Either way, it's the quantity itself that "increases value." It's almost like Gatsby's love is operating in a market economy —the more demand there is for a particular good, the higher the worth of that good. Of course, thinking in this way makes it easy to understand why Gatsby is able to discard Daisy's humanity and inner life when he idealizes her.

For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment of the "Beale Street Blues" while a hundred pairs of golden and silver slippers shuffled the shining dust. At the grey tea hour there were always rooms that throbbed incessantly with this low sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.

Through this twilight universe Daisy began to move again with the season; suddenly she was again keeping half a dozen dates a day with half a dozen men and drowsing asleep at dawn with the beads and chiffon of an evening dress tangled among dying orchids on the floor beside her bed. And all the time something within her was crying for a decision. She wanted her life shaped now, immediately - and the decision must be made by some force - of love, of money, of unquestionable practicality - that was close at hand. (8.18-19)

This description of Daisy's life apart from Gatsby clarifies why she picks Tom in the end and goes back to her hopeless ennui and passive boredom: this is what she has grown up doing and is used to. Daisy's life seems fancy. After all, there are orchids and orchestras and golden shoes.

But already, even for the young people of high society, death and decay loom large . In this passage for example, not only is the orchestra's rhythm full of sadness, but the orchids are dying, and the people themselves look like flowers past their prime. In the midst of this stagnation, Daisy longs for stability, financial security, and routine. Tom offered that then, and he continues to offer it now.

"Of course she might have loved him, just for a minute, when they were first married—and loved me more even then, do you see?"

Suddenly he came out with a curious remark:

"In any case," he said, "it was just personal."

What could you make of that, except to suspect some intensity in his conception of the affair that couldn't be measured? (8.24-27)

Even though he can now no longer be an absolutist about Daisy's love, Gatsby is still trying to think about her feelings on his own terms . After admitting that the fact that many men loved Daisy before him is a positive, Gatsby is willing to admit that maybe Daisy had feelings for Tom after all, just as long as her love for Gatsby was supreme.

Gatsby is ambiguous admission that "it was just personal" carries several potential meanings:

• Nick assumes that the word "it" refers to Gatsby's love, which Gatsby is describing as "personal" as a way of emphasizing how deep and inexplicable his feelings for Daisy are.
• But of course, the word "it" could just as easily be referring to Daisy's decision to marry Tom. In this case, what is "personal" are Daisy's reasons (the desire for status and money), which are hers alone, and have no bearing on the love that she and Gatsby feel for each other.

He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever. (8.30)

Once again Gatsby is trying to reach something that is just out of grasp , a gestural motif that recurs frequently in this novel. Here already, even as a young man, he is trying to grab hold of an ephemeral memory.

"They're a rotten crowd," I shouted across the lawn. "You're worth the whole damn bunch put together."

I've always been glad I said that. It was the only compliment I ever gave him, because I disapproved of him from beginning to end. First he nodded politely, and then his face broke into that radiant and understanding smile, as if we'd been in ecstatic cahoots on that fact all the time. His gorgeous pink rag of a suit made a bright spot of color against the white steps and I thought of the night when I first came to his ancestral home three months before. The lawn and drive had been crowded with the faces of those who guessed at his corruption—and he had stood on those steps, concealing his incorruptible dream, as he waved them goodbye. (8.45-46)

It's interesting that here Nick suddenly tells us that he disapproves of Gatsby. One way to interpret this is that during that fateful summer, Nick did indeed disapprove of what he saw, but has since come to admire and respect Gatsby , and it is that respect and admiration that come through in the way he tells the story most of the time.

It's also telling that Nick sees the comment he makes to Gatsby as a compliment. At best, it is a backhanded one—he is saying that Gatsby is better than a rotten crowd, but that is a bar set very low (if you think about it, it's like saying "you're so much smarter than that chipmunk!" and calling that high praise). Nick's description of Gatsby's outfit as both "gorgeous" and a "rag" underscores this sense of condescension. The reason Nick thinks that he is praising Gatsby by saying this is that suddenly, in this moment, Nick is able to look past his deeply and sincerely held snobbery, and to admit that Jordan, Tom, and Daisy are all horrible people despite being upper crust.

Still, backhanded as it is, this compliment also meant to genuinely make Gatsby feel a bit better. Since Gatsby cares so, so much about entering the old money world, it makes Nick glad to be able to tell Gatsby that he is so much better than the crowd he's desperate to join.

Usually her voice came over the wire as something fresh and cool as if a divot from a green golf links had come sailing in at the office window but this morning it seemed harsh and dry.

Jordan's pragmatic opportunism , which has so far been a positive foil to Daisy's listless inactivity , is suddenly revealed to be an amoral and self-involved way of going through life . Instead of being affected one way or another by Myrtle's horrible death, Jordan's takeaway from the previous day is that Nick simply wasn't as attentive to her as she would like.

Nick is staggered by the revelation that the cool aloofness that he liked so much throughout the summer—possibly because it was a nice contrast to the girl back home that Nick thought was overly attached to their non-engagement—is not actually an act. Jordan really doesn't care about other people, and she really can just shrug off seeing Myrtle's mutilated corpse and focus on whether Nick was treating her right. Nick, who has been trying to assimilate this kind of thinking all summer long, finds himself shocked back into his Middle West morality here.

Clearly Wilson has been psychologically shaken first by Myrtle's affair and then by her death—he is seeing the giant eyes of the optometrist billboard as a stand-in for God. But this delusion underlines the absence of any higher power in the novel. In the lawless, materialistic East, there is no moral center which could rein in people's darker, immoral impulses. The motif of Doctor T. J. Eckleburg's eyes runs through the novel, as Nick notes them watching whatever goes on in the ashheaps . Here, that motif comes to a crescendo. Arguably, when Michaelis dispels Wilson's delusion about the eyes, he takes away the final barrier to Wilson's unhinged revenge plot. If there is no moral authority watching, anything goes.

Nick tries to imagine what it might be like to be Gatsby, but a Gatsby without the activating dream that has spurred him throughout his life . For Nick, this would be the loss of the aesthetic sense—an inability to perceive beauty in roses or sunlight. The idea of fall as a new, but horrifying, world of ghosts and unreal material contrasts nicely with Jordan's earlier idea that fall brings with it rebirth .

Chapter 9 Quotes

I found myself on Gatsby's side, and alone. From the moment I telephoned news of the catastrophe to West Egg village, every surmise about him, and every practical question, was referred to me. At first I was surprised and confused; then, as he lay in his house and didn't move or breathe or speak hour upon hour it grew upon me that I was responsible, because no one else was interested—interested, I mean, with that intense personal interest to which every one has some vague right at the end. (9.3)

Just like during his life, after his death, rumors swirl around Gatsby. Usually, death makes people treat even the most ambiguous figures with the respect that's supposedly owed to the dead. But Gatsby's death only invites more speculation, gawking, and a circus-like atmosphere . Note that even here, Nick still does not acknowledge his feelings of friendship and admiration for Gatsby. Instead, he claims to be the point person for Gatsby is funeral because of a general sense that "everyone" deserves someone to take a personal interest. But of course, there is no such right, as evidenced by the fact that Nick is the only person who cares about Gatsby as a human being rather than a sideshow.

After a little while Mr. Gatz opened the door and came out, his mouth ajar, his face flushed slightly, his eyes leaking isolated and unpunctual tears. He had reached an age where death no longer has the quality of ghastly surprise, and when he looked around him now for the first time and saw the height and splendor of the hall and the great rooms opening out from it into other rooms his grief began to be mixed with an awed pride. (9.43)

Gatsby's father is the only person who has the kind of response to this mansion that Gatsby could have hoped for. Everyone else has found it either gaudy, vulgar, or fake. Perhaps this shows that for all his attempts to cultivate himself, Gatsby could never escape the tastes and ambitions of a Midwestern farm boy.

After that I felt a certain shame for Gatsby—one gentleman to whom I telephoned implied that he had got what he deserved. However, that was my fault, for he was one of those who used to sneer most bitterly at Gatsby on the courage of Gatsby's liquor and I should have known better than to call him. (9.69)

Gatsby was unable to parlay his hospitality into any genuine connection with anyone besides Nick, who seems to have liked him despite the parties rather than because of them. This highlights a clash of values between the new, anything-goes East and the older, more traditionally correct West . The East is a place where someone could come to a party and then insult the host—and then imply that a murdered man had it coming! Compare this to the moment when Gatsby feels uneasy making a scene when having lunch with Tom and Daisy because "I can't say anything in his house, old sport." (7.102).

"When a man gets killed I never like to get mixed up in it in any way. I keep out. When I was a young man it was different—if a friend of mine died, no matter how, I stuck with them to the end. You may think that's sentimental but I mean it—to the bitter end….Let us learn to show our friendship for a man when he is alive and not after he is dead," he suggested. "After that my own rule is to let everything alone." (9.95-99)

Wolfshiem's refusal to come to Gatsby's funeral is extremely self-serving. He is using this quasi-philosophical excuse in order to protect himself from being anywhere near a crime scene. However, in a novel which is at least partly concerned with how morality can be generated in a place devoid of religion, Wolfshiem's explanation of his behavior confirms that the culmination of this kind of thinking is treating people as disposable .

It also plays into the novel's overriding idea that the American Dream is based on a willful desire to forget and ignore the past , instead straining for a potentially more exciting or more lucrative future. Part of forgetting the past is forgetting the people that are no longer here, so for Wolfshiem, even a close relationship like the one he had with Gatsby has to immediately be pushed to the side once Gatsby is no longer alive.

I tried to think about Gatsby then for a moment but he was already too far away and I could only remember, without resentment, that Daisy hadn't sent a message or a flower. Dimly I heard someone murmur "Blessed are the dead that the rain falls on," and then the owl-eyed man said "Amen to that," in a brave voice. (9.116)

The theme of forgetting continues here. For Nick, Gatsby the man is already "too far away" to remember distinctly. Perhaps it is this kind of forgetting that allows Nick to think about Daisy without anger. On the one hand, in order to continue through life, you need to be able to separate yourself from the tragedies that have befallen. But on the other hand, this easy letting go of painful memories in the past leads to the kind of abandonment that follows Gatsby's death .

When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour before we melted indistinguishably into it again.

That's my middle west—not the wheat or the prairies or the lost Swede towns but the thrilling, returning trains of my youth and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family's name. I see now that this has been a story of the West, after all—Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life. (9.124-125)

All along, the novel has juxtaposed the values and attitudes of the rich to those of the lower classes. However here, in this chapter, as Nick is starting to pull away from New York, the contrast shifts to comparing the values of the Midwest to those of the East. Here, the dim lights, the realness, and the snow are natural foils for the bright lights and extremely hot weather associated in the novel with Long Island and the party scene.

Nick's summary judgment of Tom and Daisy seems harsh but fair. They are people who do not have to answer for their actions and are free to ignore the consequences of what they do . This is one of the ways in which their marriage, dysfunctional as it is, works well. They both understand that they just don't need to worry about anything that happens in the same way that everyone else does. It is interesting to consider how this cycle will perpetuate itself with Pammy, their daughter.

On the last night, with my trunk packed and my car sold to the grocer, I went over and looked at that huge incoherent failure of a house once more. On the white steps an obscene word, scrawled by some boy with a piece of brick, stood out clearly in the moonlight and I erased it, drawing my shoe raspingly along the stone. Then I wandered down to the beach and sprawled out on the sand. (9.150)

It's fitting that Nick feels responsible for erasing the bad word. His whole project in this book has been to protect Gatsby's reputation and to establish his legacy. Otherwise, without someone to notice and remark on Gatsby's achievement, nothing would remain to indicate that this man had managed to elevate himself from a Midwestern farm to glittering luxury.

Check out our very in-depth analysis of this extremely famous last sentence, last paragraphs, and last section of the book .

What's Next?

Want to show off your love of The Great Gatsby with a poster or t-shirt? Check out our list of the best Gatsby-themed decor and apparel .

Writing an essay about The Great Gatsby ? We've got articles to help you compare and contrast the most common character pairings , show you how to do an in-depth character analysis , help you write about a theme , and teach you how to best analyze a symbol .

Digging into the plot? Check out our summary of the novel , explore the meaning of the title , get a sense of how the novel's beginning sets up the story , and why the last line of the novel has become one of the most famous in Western literature.

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Important Quotes for UPSC Civil Services Mains Exam General Studies and Essay Papers

Using quotes from revered personalities to emphasise your point adds a lot of value to your answers in the IAS exam. With the introduction of the GS 4 paper (Ethics, Integrity and Aptitude) and the changing nature of the Essay paper (UPSC mains 2018 Essay paper had four topics related to quotes/philosophy/character), it has become quite necessary to include some relevant quotes in the answers.

For the UPSC Exam , selecting quotes is important as quoting some celebrity/non-entity is likely to do more harm than good. During the preparation phase, an IAS aspirant can either classify quotes based on the source or organise them under broad pertinent categories such as education, Justice, etc.

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In this article, we have compiled a list of quotes which are important from the UPSC syllabus point of view. Also, the two ways to categorise the quotes for quick revision are illustrated below. Candidates are advised to use the approach that suits their study process.

Important Quotes for UPSC GS and Essay

• Issue-based categories

The list given above is just a brief example. Aspirants should identify issues/keywords and make their list of UPSC relevant quotes.

• Quotes categorised by author/personality

Although comprehensive, the table of odd quotes above is by no means exhaustive. IAS aspirants should go through UPSC mains GS and essay papers from past years to understand how these quotes can come in handy and then compile and categorise their own lists.

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Macbeth Essay Quotes

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Yet do I fear thy nature; It is too full o' the milk of human kindness.

If chance will have me king, why, chance may crown me.

False face must hide what the false heart doth know.

I am in blood Stepp'd in so far, that, should I wade no more, Returning were as tedious as go o'er.

A little water clears us of this deed.

Fair is foul, and foul is fair, hover through fog and filthy air.

Vaulting ambition, which o'erleaps itself And falls on the other side

Will all great Neptune's ocean wash this blood clean from my hand? No, this my hand will rather the multitudinous seas incarnadine, making the green one red.

Look like the innocent flower, But be the serpent under it.

My hands are of your color, but I shame to wear a heart so white.

All the perfumes of Arabia will not sweeten this little hand! Oh, oh, oh!

Bloody instructions, which, being taught, return to plague the inventor.

I dare do all that may become a man; Who dares do more, is none

Life's but a walking shadow, a poor player, that struts and frets his hour upon the stage, and then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing.

So foul and fair a day I have not seen.

The instruments of darkness tell us truths.

Tomorrow, and tomorrow, and tomorrow,Creeps in this petty pace from day to day

Out, damned spot! Out, I say!

Yet who would have thought the old man to have had so much blood in him? - Lady Macbeth

We fail! But screw your courage to the sticking-place, And we'll not fail.

It is a tale told by an idiot, full of sound and fury; signifying nothing.

By the pricking of my thumbs, Something wicked this way comes.

Nothing in his life became him like leaving it.

To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.

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Make Your Note

• 06 Sep 2018
• 10 min read

Gender Equality

" A gender-equal society would be one where the word 'gender' does not exist: where every one can be themselves "

— GLORIA STEINEM

" When God created man and woman, he was thinking, 'Who shall I give the power to, to give birth to the next human being?' And God chose woman. And this is the big evidence that women are powerful "

— MALALA YOUSAFZAI

" Gender equality is more than a goal in itself. It is a precondition for meeting the challenge of reducing poverty, promoting sustainable development and building good governance "

— KOFI ANNAN

" Achieving gender equality requires the engagement of women and men, girls and boys. It is everyone's responsibility "

— BAN KI-MOON

" I measure the progress of a community by the degree of progress which women have achieved "

— B. R. AMBEDKAR

" Women are the largest untapped reservoir of talent in the world "

— HILLARY CLINTON

" You educate a man, you educate a man. You educate a woman, you educate a generation "

— BRIGHAM YOUNG

" To educate girls is to reduce poverty "

— KOFI ANNAN

" Empower a woman - Empower a community "

" When women do better economies do better "

— CHRISTINA LAGARDE

" There is no chance of the welfare of the world unless the condition of women is improved. It is not possible for a bird to fly on one wing "

— SWAMI VIVEKANAND

" We cannot all succeed when half of us are held back "

— MALALA YOUSAFZAI

" The measure of any society is how it treats its women and girls "

— MICHELLE OBAMA

" We may have different religions, different languages, different colored skin, but we all belong to one human race "

" Poverty is like a punishment for a crime you didn’t commit. "

— ELI KHAMAROV

" It is the health that is real wealth and not pieces of gold and silver "

— MAHATMA GANDHI

ENVIRONMENT AND CLIMATE CHANGE

" What we are doing to the forests of the world is but a mirror reflection of what we are doing to ourselves and to one another "

" This is our world, a common world. Everybody should feel a common responsibility "

— BAN KI MOON

" Climate change is simply, the greatest collective challenge we face as a human family "

" Sustainable development and climate change are two sides of the same coin "

" Climate change does not respect border; it does not respect who you are- rich and poor, small and big. Therefore, this is what we call global challenges, which require global solidarity "

SUSTAINABLE DEVELOPMENT

" Sustainable development is the pathway to the future we want for all. It offers a framework to generate economic growth, achieve social justice, exercise environmental stewardship and strengthen governance "

" Any society that does not succeed in tapping into the energy and creativity of its youth will be left behind "

" Young people should be at the forefront of global change and innovation. Empowered, they can be key agents for development and peace "

INCLUSIVE DEVELOPMENT

" You cannot have peace without security, and you cannot have security without inclusive development "

" Literacy is a bridge from misery to hope "

" One child, one teacher, one book and one pen can change the world "

" We want the education by which character is formed, strength of mind is increased, the intellect is expanded, and by which one can stand on one's own feet "

" Happiness is when what you think, what you say, and what you do are in a harmony "

" Be truthful, gentle and fearless "

" Heart is a very good fertilizer; anything we plant love, fear, hate, hope, revenge, jealousy-surely grows and bears fruit. We have to decide what to harvest "

" We must become the change we want to see "

" To believe in something, and not live it, is dishonest "

SEVEN DANGERS TO HUMAN VIRTUE

1. Wealth without work

2. Pleasure without conscience

3. Knowledge without character

4. Business without ethics

5. Science without humanity

6. Religion without sacrifice

7. Politics without principle

" You must not lose faith in humanity. Humanity is an ocean; if a few drops of the ocean area dirty, the ocean does not become dirty "

" The best way to find yourself is to lose yourself in the service of others "

" An eye for an eye only ends up making the whole world blind "

" Strength does not come from physical capacity. It comes from an indomitable will "

" It has always been a mystery to me how men can feel themselves honored by the humiliation of their fellow beings "

" Peace is its own reward "

" The mind is everything. What you think, you become "

— BUDDHA

" Be kind to all creatures; this is the true religion "

" Purity, patience, and perseverance are the three essentials to success, and, above all, love "

" Gratitude is a flower that blooms in noble souls "

— POPE FRANCIS

" May your choices reflect your hopes, not your fears "

— NELSON MANDELA

" Nearly all men can stand adversity, but if you want to test a man’s character, give him power "

— ABRAHAM LINCOLN

" Success is not about how much money you make, it’s about the difference you make in people’s lives "

" Injustice anywhere is a threat to justice everywhere "

— MARTIN LUTHER KING JR.

" Greed has poisoned man’s souls "

— CHARLIE CHAPLIN

" Educating the mind without educating the heart is no education at all "

— ARISTOTLE

" The best test of a man is authority. "

— ANONYMOUS

" We are unnecessarily wasting our precious resources in wars... if we must wage war, we have to do it on unemployment, disease, poverty, and backwardness "

— ATAL BIHARI VAJPAYEE

" Good governance depends on ability to take responsibility by both administration as well as people "

— NARENDRA MODI

" Progress is more plausibly judged by the reduction of deprivation than by the further enrichment of the opulent "

— AMARTYA SEN

" The test of progress is not whether we add more to the abundance of those who have much; It is whether we provide enough for those who have little "

— FRANKLIN D ROOSEVELT

" Children are like buds in a garden and should be carefully and lovingly nurtured, as they are the future of the Nation and the citizens of tomorrow "

— Pt. JAWAHAR LAL NEHRU

SCIENCE & TECH

" I fear the day when technology will suppress human interaction and the world will have a generation of idiots "

— ALBERT EINSTEIN

" The great thing about social media was how it gave a voice to voiceless people. "

— JON RONSON

" Social media is reducing social barriers. It connects people on the strength of human values, not identities "

" It is dangerously destabilizing to have half the world on the cutting edge of technology while the other half struggles on the bare edge of survival "

— BILL CLINTON

" The Internet is becoming the town square for the Global village of tomorrow "

— BILL GATES

AGRICULTURE

" If agriculture fails, everything else will fail "

— M S SWAMINATHAN

Writing a good Essay in UPSC Mains, Explained by Anudeep Durishetty

ForumIAS announcing GS Foundation Program for UPSC CSE 2025-26 from 26th June. Click Here for more information.

Novelist Stephen King put it beautifully when he said, “I write to find out what I think.”

Writing is a window to your thought process. What you write on paper will tell the reader how you think, how you argue and the way you substantiate your viewpoint. This is why for most competitive examinations and academic entrance tests, essay is mandatory.

In the Civil Services Exam too, we have a paper worth 250 marks, equivalent to a General Studies paper. Despite its importance, essay paper often does not get the attention it deserves from aspirants. First timers think they will write an excellent essay in the final exam itself, whereas experienced aspirants believe that since they had already studied a ton for GS, it will alone be enough to write a good essay. This is a fatal miscalculation.

I was one of those who made these errors in the past, and it is not a coincidence that I scored only 100 in CSE 2015. But in 2017, I devoted adequate time to this paper. I collected useful quotes, prepared notes and even made rough essay drafts for frequently asked topics. All this effort in essay paper helped me score 155.

What follows is an elaborate post on how you should tackle the Essay paper. I’ve organised the content as follows:

What UPSC says about the essay paper

How and from where to prepare?

Improving language and expression

• On subheadings and rough drafts
• What you must avoid
• How to write a powerful introduction?
• Developing the content of an Essay

Substantiating your arguments

• How to conclude an Essay
• My notes, quote collection and sample essays

“Candidates may be required to write essays on multiple topics. They will be expected to  keep closely to the subject of the essay,   to arrange their ideas in an orderly fashion, and to write concisely . Credit will be given for  effective and exact expression .”

Essay distinguishes itself from GS in the sense that in GS, marks will be awarded purely for content. But in essay, examiners will pay special attention to not just the content, but also the language, coherence and the way you organise your write-up.

So you must take adequate care to arrange your ideas properly and not commit any fundamental spelling or grammatical errors.

Most of the content you write in Essay will come from your GS preparation. Apart from this, the following sources will help:

• Reading non-fiction  helps you develop a matured thought process. Apart from imparting knowledge, they will also let you come across good figures of speech, art of argumentation, powerful rhetoric and unique content etc. For example, in an essay on Artificial Intelligence, I took arguments from Yuval Harari’s  Homo Deus  to argue that AI is an imminent threat to humanity. Or if you read  Why Nations Fail,  a book replete with examples, you will understand the importance of innovation, political and economic freedoms in propelling a nation forward. So my suggestion is, apart from UPSC related material, develop the hobby of reading non-fiction books. I do not mean to suggest that you should start reading one  non-fiction book per topic to get good scores in Essay, but reading them occasionally in your free time will benefit you in the long run.
• Referring to specific magazines:  For certain topics, you can refer to specific issues of Yojana/EPW/Economic Survey etc. Example: for an essay on tribal issues or public health, you can go through specific issues of these magazines for getting the latest statistics (IMR, MMR, malnutrition levels etc) and also about the positives and criticisms of govt schemes in that sector.
• Collecting good stories/anecdotes and quotes: Anecdotes, quotes and real life stories you see in newspapers and books which can be used in essay should be noted down. In most of my essays, I used to start with a relevant story or an anecdote that has the essay topic as its underlying theme. Apart from these, I also used a couple of quotes of eminent persons.

         List of quotes, anecdotes I collected are available in the link at the end of this article.

Language in essay must be simple and clear with as little jargon as possible. If you want to use complex definitional terms such as, say, ‘Constitutionalism’ or ‘Sanskritisation’ please define it in sentence just before you use it. Examiner will also understand clearly what you want to convey. Clear writing is clear thinking. And that is what any reader looks for.

Keep your sentences short and powerful. Long, winding sentences makes it difficult to read and understand. If you tack on one clause after another through conjunctions, what you get is a bad sentence sprawl.

Example of a bad sentence sprawl:

At the end of World War 2, on the one hand, while capitalism was successfully championed by the nations in North America and Europe, on the other hand, it was USSR that put Communism at the forefront due to which there was an ideological clash between the the two superpowers which had led to proxy wars in various parts of the globe, a nuclear arms race and a rapid deterioration of the security of the world.

(By the time readers finish reading it, they will lose their breath and the point of the sentence)

So I had a simple rule: If you run out of your breath while  reading a sentence, then probably you will have to break it into two.

Rewriting the aforementioned example after breaking it into two (which makes it much easier to read and comprehend):

After World War 2, while the North American and European nations championed capitalism, USSR put communism at the forefront. This ideological clash between the superpowers led to several proxy wars, a nuclear arms race and a rapid deterioration of world security.

There is no need to memorise complex words for writing a good essay. But an occasional use of a powerful word, or a good phrase definitely gives your write-up an edge.

Also, I believe that learning numerous words by rote will not make them stick in your brain for long. The best way to build your vocabulary is by reading non-fiction and English newspapers. While reading these, if you come across a good turn of phrase, or a word that you don’t recognise, please note it down in a book, find its meaning and understand the context in which the word was used. This helps in long term memory. Having a dictionary app on your phone also helps.

Building vocabulary is a slow process, but with consistency, anyone can become better at using an expansive set of words.

Subheadings & Rough Drafts

We can be a little innovative in our subheadings. Instead of bland subheadings such as ‘ Benefits of Nuclear Energy’  we can use “ Nuclear Energy: Promise or Peril?’  Similarly, for the essay on Social Media, instead of writing ‘ Advantages and Disadvantages of Social Media ’, I wrote  “Social Media: A Double Edged Sword”

You can find my collection of a few such subheadings in the link to my notes, given at the end of the article.

I also prepared a rough draft for a few essay topics (link given at the end). You may need to modify the structure as per the demand of the question.

What you must avoid in Essay

• Do not focus excessively only on one point, or one dimension (such as the historical or political aspect) Your essay needs to be expansive and multi-dimensional.
• During preparation, we read a lot and it’s understandable that we feel strongly about certain topics. And since essay offers freedom to write, it’s very easy to get carried away with such a topic. But make sure that you write what is asked, not what you know or feel like. No  mann ki baat . Always stick to the subject of the topic. It helps to read the question in the midst of your essay to ensure that you are not steering away from the topic.
• If you are not comfortable writing about abstract philosophical topics (I am terrible at writing them), avoid such questions. Your choice of topic has no bearing on the marks and that is why, selecting an unpopular topic just for the sake of it is unwise. Also, if there’s a technical term in the question, be doubly sure that you understand it correctly. For instance, in 2014, there was a question on ‘standard tests’, which is a technical term. I misunderstood it and wrote a generic essay. I got 112.
• When you take a final stand on an issue, it’s best to avoid extreme or highly unpopular opinions. We are free to have any opinion in the privacy of our minds, but in UPSC essay why take that risk? For instance, in an essay on Capital Punishment, in the main body content, you should present a case for both abolition and retention. But when you take a stance, it’s best to be an abolitionist.
• No ranting. You might be a great fan of Karl Marx, but if there’s a question on Capitalism, do not rant or rail against it ? You must present both the positives and negatives of Capitalism and end the essay on a balanced note.
• Do not dedicate disproportionate amount of time for the first essay and scamper through the second. Both carry equal marks, so please invest equal time.

How to transition smoothly from one para to the next

This can be done in three ways.

Through a link sentence at the end of a para:

Here, at the end of a para, you write a sentence that signals to the examiner what’s coming next. For example, let’s say you have just written a para about the threat posed by Artificial Intelligence (AI) to jobs. At the end of that para you can write a link sentence—   “Further, we must be mindful of the fact that Artificial Intelligence poses a major challenge not just economically, but also ethically.”  And in the next para, you can write about the ethical issues concerning AI.

Through a question:

Instead of a link sentence, you can also add a question at the end of a para so that examiner’s attention is helplessly carried to the next. To take the similar example as above, the question can be something like—   “Thus we have examined the threat posed by AI to our economy, but what about the challenges brought by AI to our ethics and morals?”  And in the next para, you can write about the ethical issues concerning AI.

Signalling the shift at the start of next paragraph:

Here you can simply add a word or two at the beginning of a para that signals a shift in your subtopic. For example in an essay on  Globalisation , let’s say you have just written a para about its historical evolution and impact. You can start the next para with something like—  “Politically too, globalisation has had a tremendous impact……” This way examiner immediately knows what to expect.

These steps will ensure that the transition between paragraphs is not abrupt.

How to write a good Introduction to your Essay?

Essay introduction can be:

a fictitious incident or story (where you introduce a character); a real life anecdote; a quote; or a simple definition of the words in the question (not recommended in Essay)

In GS, definitional approach is a great way to introduce your answers. But in essay, they are rather stale, lacking in any human element. I always believe that a good way to start your essay is to have that touch of humanity and warmth in your introduction.

In my Mains exam, this was my introduction to the essay ‘Destiny of a nation is shaped in its classroom’

“The year was 1945. Towards the end of a gruesome world war, the world powers decided to carve up the Korean peninsula along the 38th parallel.

“Before partition, North and South Korea might have been homogeneous in every respect, but after the division, they steered onto different paths. While schools in the North chose to ‘educate’ their children in the worship of a cult leader, ideological indoctrination and servility, its southern counterpart focused on liberal education, innovation and economic growth.

“Today, almost seven decades later, the difference in the fates of these people and the trajectories of both these nations cannot be more stark. One is known for gross violation of human rights, while the other a champion of liberal democracy. One is known for gut-wrenching poverty, while the other unbridled prosperity.

“This only proves the age old adage that the destiny of a nation is indeed shaped in its classrooms.”

Similarly, for the Social Media essay, my introduction sought to bring to the fore the paradox of Social Media. I wrote on how social media was leveraged to crowdsource help and rescue during Chennai floods in 2015. At the same time, I mentioned how it was used nefariously in 2012 to cause mass exodus of northeast people from Bangalore. And taking cue from this introduction, in the main body, I discussed about the inherent selfishness and altruism associated with social media.

These real life stories, anecdotes and incidents are everywhere in our books and newspapers. So when you come across them, note down and ponder as to how you can use them in your essay.

Developing the Main Content from the Topic

This is like spinning the web from a thread. Depending on the topic, you can choose among the following options that fits best.

• Temporal: Past, present and future
• Sectoral: Media, Science & Tech, Business, Sports, Religion, Politics, Administration etc
• Walks of Life : Individual, Family, Professional workplace, Society, Community, National, Global
• Problem & Solution:  Concept (historical evolution+status), benefits, problems, solutions
• Standard : Social, Political, Economical, Administrative, International, Environmental, Historical, Scientific, Security/Defence, Legal

Example: for a topic like  “Has Globalisation delivered on its promise?”  I find the problem & solution method an apt way to develop your narrative. So choose as per the question.

In the main body of the essay, each para must have an argument or an idea and a reasoning to back that argument. You can substantiate it through a real life example, a statistic, an authentic committee or organisational report etc.

For example, if you are arguing that Capital punishment is an expensive form of justice, you should be able to given an example or a statistic or Law Commission’s opinion as to how the subjects of death penalty are overwhelmingly from poor communities.

Statistics, examples, expert opinions and constitutional provisions are crucial and they make your arguments authoritative.

Concluding an Essay

Conclusion needs to be on  a futuristic, optimistic note. You need to summarise the complete essay in 3-4 sentences, after which you can write your vision for future.

You can source some useful terms from the speeches of PM Modi. Phrases like  Sabka saath sabka vikas ,  Reform-Perform-Transform, Building A New India  etc can come handy.  Rhetoric, lofty expressions, constitutional ideals, sanskrit slokas and quotes are a good way to conclude your essay.

But suppose in your introduction, if you had written about a fictitious character, then it’s always advisable to end your write-up with a reference to that character. It gives a sense of completeness to the essay.

Readers should keep in mind that these notes are written rather haphazardly (I mean who makes notes thinking that in future, they might have to upload them publicly :D)

They are fragmented in certain pages, so you may not be able to comprehend them completely, but nevertheless I hope you take home something useful.

Link to handwritten notes:

https://drive.google.com/open?id=1jmVMGOzAk2d9B5Y0HQ9XpVF5Mh2IXGku

Quote collection:

https://drive.google.com/open?id=1jk71jLao60hHwJoTuGYaIDgJWccxa5Xn

List of Topics one needs to prepare:

https://drive.google.com/open?id=1q0W0PeH-80EKt6ucJTFOVPUlmXvCIzd-

Sample Essays:  

https://drive.google.com/open?id=1jqfUi1FXdG0icBdJpdQvwH1wlAizCMvo

Read More at: https://anudeepdurishetty.in/ 

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50 positive life quotes to inspire, and lift your spirit each day

" Life's a climb. But the view is great ." There are times when things seemingly go to plan, and there are other moments when nothing works out.

During those instances, you might feel lost. But words of encouragement can help. Certain quotes can inspire and remind you to live life to the fullest and persevere through whatever challenges come your way.

If you're looking for more, here is a list of quotes about life throughout the decades:

50 quotes about life

• "You will face many defeats in life, but never let yourself be defeated." – Maya Angelou , "And Still I Rise"
• "In three words I can sum up everything I've learned about life: It goes on." –  Robert Frost
• "Life is a long lesson in humility." – J.M. Barrie , "The Little Minister"
• "To live is the rarest thing in the world. Most people exist, that is all." – Oscar Wilde
• "The most important thing is to enjoy your life–to be happy–it's all that matters." – Audrey Hepburn
• "To succeed in life, you need three things: a wishbone, a backbone and a funnybone." – Reba McEntire
• "We must be willing to let go of the life we planned so as to have the life that is waiting for us." – Joseph Campbell
• "Life is a succession of lessons which must be lived to be understood." – Ralph Waldo Emerson
• "Love the life you live. Live the life you love." – Bob Marley
• "I was taught that the way of progress was neither swift nor easy." – Marie Curie
• "He who has a why to live for can bear almost any how." –  Friedrich Nietzsche
• "You only live once, but if you do it right, once is enough." – Mae West
• "The whole secret of a successful life is to find out what is one's destiny to do, and then do it." – Henry Ford
• "In order to write about life first you must live it." – Ernest Hemingway
• "Life has no limitations, except the ones you make." – Les Brown
• "It's your outlook on life that counts. If you take yourself lightly and don't take yourself too seriously, pretty soon you can find the humor in our everyday lives. And sometimes it can be a lifesaver." – Betty White
• "Live for each second without hesitation." – Elton John
• "The most wasted of all days is one without laughter." – E. E. Cummings
• "Start each day with a positive thought and a grateful heart." – Roy Bennett
• "All you need in this life is ignorance and confidence; then success is sure." – Mark Twain
• "I believe that if you'll just stand up and go, life will open up for you. Something just motivates you to keep moving." – Tina Turner
• "Many of life's failures are people who did not realize how close they were to success when they gave up." – Thomas Edison
• "I have very strong feelings about how you lead your life. You always look ahead, you never look back." – Ann Richards
• "Life is like riding a bicycle. To keep your balance, you must keep moving." – Albert Einstein
• "Life shrinks or expands in proportion to one's courage." – Anais Nin
• "You do not find the happy life. You make it." – Camilla Eyring Kimball
• "A life is not important except in the impact it has on other lives." – Jackie Robinson
• "The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience." – Eleanor Roosevelt
• "The biggest adventure you can ever take is to live the life of your dreams." – Oprah Winfrey
• "If you own this story you get to write the ending." – Brené Brown
• "Life is like a coin. You can spend it any way you wish, but you only spend it once." – Lillian Dickinson
• "Life is about making an impact, not making an income." – Kevin Kruse
• "There are no regrets in life, just lessons." – Jennifer Aniston
• "Accept no one's definition of your life, define yourself." – Harvey Fierstein
• "The longer I live the more beautiful life becomes." – Frank Lloyd Wright
• "If you love life, don't waste time, for time is what life is made up of." – Bruce Lee
• "Mistakes are a fact of life. It is the response to the error that counts." – Nikki Giovanni
• "Life is not a problem to be solved, but a reality to be experienced." – Soren Kierkegaard
• "Your time is limited, so don't waste it living someone else's life." – Steve Jobs
• "If everything was perfect, you would never learn and you would never grow." – Beyoncé
• "If we don't change, we don't grow. If we don't grow, we aren't really living." – Gail Sheehy
• "I have learned that success is to be measured not so much by the position that one has reached in life as by the obstacles which he has overcome while trying to succeed." – Booker T. Washington
• "Life doesn't have to be perfect to be wonderful." – Annette Funicello
• "The big lesson in life, baby, is never be scared of anyone or anything." – Frank Sinatra
• "I think I've discovered the secret of life – you just hang around until you get used to it." – Charles Schulz
• "Life is very interesting... in the end, some of your greatest pains, become your greatest strengths." – Drew Barrymore
• "Challenges are what make life interesting and overcoming them is what makes life meaningful." – Joshua J. Marine
• "Make it a rule of life never to regret and never to look back. Regret is an appalling waste of energy; you can't build on it; it's only good for wallowing in." – Katherine Mansfield
• "The most important trip you may take in life is meeting people halfway." – Henry Boye
• "Life isn't about finding yourself. Life is about creating yourself." – George Bernard Shaw

Quotes about love: 50 love quotes to express how you feel: 'Where there is love there is life'

Inspirational quotes: 50 motivational motivational words to brighten your day.

Just Curious for more? We've got you covered

USA TODAY is exploring the questions you and others ask every day. From " What is the rarest blood type? " to " Who was the oldest Golden Girl? " to " What state has the lowest population? " – we're striving to find answers to the most common questions you ask every day. Head to our  Just Curious section  to see what else we can answer.

150 Quotes About Life That Will Inspire and Motivate You

These encouraging words are guaranteed to brighten your mood.

Maybe you’re looking for motivational quotes to get you through a tough work week, or you want to send friends words of encouragement to let them know you care. Quotes about life are perfect for these situations. Or perhaps you, yourself, will want to bookmark these words of wisdom to read at the start of your day to help set you up for success. If you’re more of an evening person, maybe reading some life quotes before bed will yield more pleasant dreams.

From trailblazing icons like Dolly Parton and Oprah Winfrey to actresses like Sofia Vergara and Drew Barrymore , these amazing sayings offer a fresh look at life. Read on and make sure to share these with friends, family, or even a stranger to brighten their day. And if you’re looking for something specific, check out our loneliness quotes , friendship quotes , and self-love quotes .

Inspirational life quotes

• “You have to believe in yourself when no one else does.” —Serena Williams
• “When you have a dream, you’ve got to grab it and never let go.” —Carol Burnett
• “The most important thing is to enjoy your life—to be happy—it’s all that matters.” —Steve Jobs
• “Spread love everywhere you go. Let no one ever come without leaving happier.” —Mother Teresa
• “Be yourself; everyone else is already taken.” —Oscar Wilde
• “The biggest adventure you can take is to live the life of your dreams.” —Oprah Winfrey
• “The only thing we have to fear is fear itself.” —Franklin D. Roosevelt
• “I can accept failure, everyone fails at something. But I can’t accept not trying.” —Michael Jordan
• “You’ve got to be in it to win it.” —Tony Robbins
• “It does not matter how slowly you go, as long as you do not stop.” —Confucius
• “Find out who you are and do it on purpose.” —Dolly Parton
• “For me, becoming isn’t about arriving somewhere or achieving a certain aim. I see it instead as forward motion, a means of evolving, a way to reach continuously toward a better self. The journey doesn’t end.” —Michelle Obama
• “Confident people have a way of carrying themselves that makes others attracted to them.” —Sofia Vergara
• “If you can do what you do best and be happy, you are further along in life than most people.” —Leonardo DiCaprio
• “You can be everything. You can be the infinite amount of things that people are.” —Kesha
• “Always go with your passions. Never ask yourself if it’s realistic or not.” —Deepak Chopra
• “When you change your thoughts, remember to also change your world.” —Norman Vincent Peale
• “The more you know who you are, and what you want, the less you let things upset you.” —Stephanie Perkins
• “By being yourself, you put something wonderful in the world that was not there before.” —Edwin Elliot
• “Do one thing every day that scares you.” —Eleanor Roosevelt
• “It is never too late to be what you might have been.” —George Elliot
• “Find out who you are and be that person. That’s what your soul was put on this earth to be. Find the truth, live that truth, and everything else will come.” —Ellen DeGeneres
• “When we are no longer able to change a situation, we are challenged to change ourselves.” —Viktor E. Frankl
• “If you cannot do great things, do small things in a great way.” —Napoleon Hill
• “Always do your best. What you plant now, you will harvest later.” —Og Mandino
• “Get busy living or get busy dying.” —Stephen King
• “In three words I can sum up everything I’ve learned about life: It goes on.” ―Robert Frost
• “You can’t help what you feel, but you can help how you behave.” ―Margaret Atwood
• “No need to hurry. No need to sparkle. No need to be anybody but oneself.” ―Virginia Woolf
• “Promise me you’ll always remember: You’re braver than you believe, and stronger than you seem, and smarter than you think.” —A. A. Milne

Motivational life quotes

• “Failure is a great teacher and, if you are open to it, every mistake has a lesson to offer.” —Oprah Winfrey
• “If you don’t like the road you’re walking, start paving another one.” —Dolly Parton
• “Don’t let yesterday take up too much of today.”—Will Rogers
• “Keep smiling, because life is a beautiful thing and there’s so much to smile about.” —Marilyn Monroe
• “Be persistent and never give up hope.” —George Lucas
• “When we strive to become better than we are, everything around us becomes better too.” —Paulo Coelho
• “Believe and act as if it were impossible to fail.” —Charles Kettering
• “There are so many great things in life; why dwell on negativity?” —Zendaya
• “Happiness often sneaks in through a door you didn’t know you left open.” —John Barrymore
• “Always remember that you are absolutely unique. Just like everyone else.” —Margaret Mead
• “Keep your face towards the sunshine and shadows will fall behind you.” —Walt Whitman
• “A problem is a chance for you to do your best.” —Duke Ellington
• “You don’t always need a plan. Sometimes you just need to breathe, trust, let go and see what happens.” —Mandy Hale
• “Nothing is impossible. The word itself says ‘I’m possible!’” —Audrey Hepburn
• “Life does not have to be perfect to be wonderful.” —Annette Funicello
• “It is during our darkest moments that we must focus to see the light.” —Aristotle
• “The best way out is through.” —Robert Frost
• “Don’t be afraid to give up the good to go for the great.” —John D. Rockefeller
• “Whether you think you can or you can’t, you’re right.” —Henry Ford
• “Don’t take yourself too seriously. Know when to laugh at yourself, and find a way to laugh at obstacles that inevitably present themselves.” —Halle Bailey
• “Love the life you live. Live the life you love.” —Bob Marley
• “The only person you are destined to become is the person you decide to be.” —Ralph Waldo Emerson
• “I’m not going to continue knocking that old door that doesn’t open for me. I’m going to create my own door and walk through that.” —Ava DuVernay
• “If you change the way you look at things, the things you look at change.” —Wayne Dyer
• “I believe that if you’ll just stand up and go, life will open up for you. Something just motivates you to keep moving.” —Tina Turner
• “Once you face your fear, nothing is ever as hard as you think.” —Olivia Newton-John
• “Next time, ask ‘What’s the worst that will happen?’ Then push yourself a little further than you dare.” —Audre Lorde
• “Dreams do not come true just because you dream them. It’s hard work that makes things happen. It’s hard work that creates change.” —Shonda Rhimes
• “Let us make our future now, and let us make our dreams tomorrow’s reality.” —Malala Yousafzai

Life quotes about the future

• “You will face many defeats in life, but never let yourself be defeated.” —Maya Angelou
• “The future belongs to those who believe in the beauty of their dreams.” —Eleanor Roosevelt
• “Take the time to enjoy the little things, for one day you may look back and realize they were the big things.” —Robert Brault
• “The future is not something we enter. The future is something we create.” —Leonard I. Sweet
• “Life has got those twists and turns. You’ve got to hold on tight and off you go.” —Nicole Kidman
• “The future belongs to those who prepare for it today.” —Malcolm X
• “Don’t wait around for other people to be happy for you. Any happiness you get you’ve got to make yourself.” —Alice Walker
• “You miss 100% of the shots you don’t take.” —Wayne Gretzky
• “Life is a long lesson in humility.” —James M. Barrie
• “You define your own life. Don’t let other people write your script.” —Oprah Winfrey
• “We must let go of the life we have planned, so as to accept the one that is waiting for us.” —Joseph Campbell
• “We make a living by what we get, but we make a life by what we give.” —Winston Churchill
• “Mistakes are a fact of life. It is the response to the error that counts.” —Nikki Giovanni
• “When I let go of what I am, I become what I might be.” —Lao Tzu
• “Ignore your mistakes. The number one thing to worry about is: Am I doing what I’m good at?” —Max Levchin
• “If you are not willing to risk the usual, you will have to settle for the ordinary.” —Jim Rohn
• “Life has no limitations, except the ones you make.” —Les Brown
• “In the end, it’s not the years in your life that count. It’s life in your years.” —Abraham Lincoln
• “You may not control all the events that happen to you, but you can decide not to be reduced by them.” —Maya Angelou
• “Life is a succession of lessons which must be lived to be understood.” —Ralph Waldo Emerson
• “Dreaming, after all, is a form of planning.” —Gloria Steinem
• “We become what we think about most of the time.” —Earl Nightingale
• “Life is very interesting…in the end, some of your greatest pains become your greatest strengths.” —Drew Barrymore
• “Life is a daring adventure or it is nothing at all.” —Helen Keller
• “I had that familiar conviction that life was beginning over again with the summer.” —F. Scott Fitzgerald
• “Life is made of ever so many partings welded together.” —Charles Dickens
• “My interest is in the future because I am going to spend the rest of my life there.” —Charles Kettering
• “Life is what happens to you when you are busy making other plans.” —John Lennon
• “Yesterday is but today’s memory and tomorrow is today’s dream.” —Khalil Gibran
• “It’s amazing how a little tomorrow can make up for a whole lot of yesterday.” —John Guare

Life quotes about success

• “Success is falling nine times and getting up 10.” —Jon Bon Jovi
• “Develop success from failures. Discouragement and failures are two of the surest stepping stones to success.” —Dale Carnegie
• “Start where you are. Use what you have. Do what you can.” —Arthur Ashe
• “Before anything else, preparation is the key to success.” —Alexander Graham Bell
• “Ambition is the path to success. Persistence is the vehicle you arrive in.” —Bill Bradley
• “If you don’t have any shadows you’re not in the light.” —Lady Gaga
• “There are no regrets in life. Just lessons.” —Jennifer Aniston
• “Coming together is a beginning; keeping together is progress; working together is success.” —Henry Ford
• “If you have knowledge, let others light their candles in it.” —Margaret Fuller
• “A person who never made a mistake never tried anything new.” —Albert Einstein
• “How dare you settle for less when the world made it so easy for you to be remarkable?” —Seth Godin
• “Challenges are what make life interesting and overcoming them is what makes life meaningful.” —Joshua J. Marine
• “We cannot solve problems with the kind of thinking we employed when we came up with them.” —Albert Einstein
• “It’s always better to shock people and change people’s expectations than to give them exactly what they think you can do.” —Jonah Hill
• “And when you want something, all the universe conspires in helping you achieve it.” —Paulo Coelho
• “Don’t judge each day by the harvest you reap but by the seeds that you plant.” —Robert Louis Stevenson
• “It is better to fail in originality than to succeed in imitation.” —Herman Melville
• “Don’t worry about failure, you only have to be right once.” —Drew Houston
• “Experience is a hard teacher because she gives the test first, the lesson afterwards.” —Vernon Sanders Law
• “Dream big and dare to fail.” —Norman Vaughan
• “Be sure you put your feet in the right place, then stand firm.” —Abraham Lincoln
• “I’m not going to continue knocking on that old door that doesn’t open for me. I’m going to create my own door and walk through that.” —W.P. Kinsella
• “For the great doesn’t happen through impulse alone, and is a succession of little things that are brought together.” —Vincent Van Gogh
• “It’s a good place when all you have is hope and not expectations.” —Danny Boyle
• “Many of life’s failures are people who did not realize how close they were to success when they gave up.” —Thomas A. Edison
• “Never let the fear of striking out keep you from playing the game.” —Babe Ruth
• “If you live long enough, you’ll make mistakes. But if you learn from them, you’ll be a better person.” —Bill Clinton
• “To succeed in life, you need three things: a wishbone, a backbone, and a funnybone.” —Reba McEntire
• “You have succeeded in life when all you really want is only what you really need.” —Vernon Howard

Quotes about the meaning of life

• “Living might mean taking chances, but they’re worth taking.” —Lee Ann Womack
• “The simple things are also the most extraordinary things, and only the wise can see them.” —Paulo Coelho
• “Live in the sunshine, swim the sea, drink the wild air.” —Ralph Waldo Emerson
• “There is no perfection, only life.” —Milan Kundera
• “I go to seek a Great Perhaps.” —François Rabelais
• “My wish for you is that you continue. Continue to be who you are, to astonish a mean world with your acts of kindness.” —Maya Angelou
• “The art of life is to know how to enjoy a little and to endure very much.” —William Hazlitt
• “You only live once, but if you do it right, once is enough.” —Mae West
• “There is no passion to be found playing small—in settling for a life that is less than the one you are capable of living.” —Nelson Mandela
• “The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience.” —Eleanor Roosevelt
• “The great courageous act that we must all do is to have the courage to step out of our history and past so that we can live our dreams.” —Oprah Winfrey
• “Life isn’t about finding yourself. Life is about creating yourself.” —George Bernard Shaw
• “If you love life, don’t waste time, for time is what life is made up of.” —Bruce Lee
• “We are here to add what we can to life, not to get what we can from life.” —William Osler
• “Be where you are; otherwise you will miss your life.” — Buddha
• “The purpose of life is a life of purpose.” —Robert Byrne
• “We pass through this world but once.” —Stephen Jay Gould
• “Life isn’t a matter of milestones, but of moments.” —Rose Kennedy
• “One of the deep secrets of life is that all that is really worth the doing is what we do for others.” —Lewis Carroll
• “Life is tough my darling, but so are you.” —Stephanie Bennett Henry
• “There’s love enough in this world for everybody, if people will just look.” —Kurt Vonnegut
• “Whatever we are, whatever we make of ourselves, is all we will ever have—and that, in its profound simplicity, is the meaning of life.” ―Philip Appleman
• “In the long run, the sharpest weapon of all is a kind and gentle spirit.” —Anne Frank
• “Living an experience, a particular fate, is accepting it fully.” —Albert Camus
• “So, what if, instead of thinking about solving your whole life, you just think about adding additional good things. One at a time. Just let your pile of good things grow.” —Rainbow Rowell
• “Life isn’t about waiting for the storm to pass, it’s about learning to dance in the rain.” —Vivian Greene
• “The new dawn blooms as we free it. For there is always light if only we’re brave enough to see it, if only we’re brave enough to be it.” —Amanda Gorman
• “There is not one big cosmic meaning for all; there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person.” —Anais Nin
• “The mystery of life isn’t a problem to solve, but a reality to experience.” —Frank Herbert
• “To love oneself is the beginning of a lifelong romance.” —Oscar Wilde

Elissa Johnson is an editorial associate intern at Prevention . She is a communication student at Penn State University. When not writing about health and wellness trends for Prevention.com, you can find her searching for the best bubble tea, exploring NYC, or listening to SZA.

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22 Quotes to Ease The Pain of a Broken Heart

Wise words to help you heal and move past the end of your relationship

Wendy Rose Gould is a lifestyle reporter with over a decade of experience covering health and wellness topics.

Verywell Mind / Getty Images

As they say, breaking up is hard to do. But seriously, the pain of losing a romantic partner can be so profound that you feel physical pain—as if your heart is literally breaking into two pieces. I remember when I split from my first serious boyfriend in college and could barely eat or get out of bed for a week.

But to be real with you, while you’re probably deep in those feels right now and it may seem like the swirling anguish is impossible to emerge from, the truth is that this too shall pass. Almost everyone has endured a painful breakup and has come out on the other side all the better for their experience. 

Still, we need support. And when you've talked your mom and bestie's ear off on the subject and are lying in bed on your phone, scrolling through self-help articles in tears, the wise words of exceptional writers, incredible poets, proverbs, and experts can be quite handy. They have a knack for saying exactly the right thing to help you move through even the most difficult breakup and find your way back to yourself.

23 Quotes to Mend a Broken Heart 

We’ve put together a list of quotes about enduring heartbreak, moving forward after cutting ties, and easing the pain of a shattered heart. We hope that reading through them might help you find solace in the fact that you’re experiencing, sadly, a rite-of-passage that so many others have navigated.

Yung Pueblo

We allow ourselves to love because it’s worth the risk. Even though there is the chance of loss or hurt, we take the leap again and again because love is one of the best parts of being alive. We don’t do it because it’s easy, we do it because connection makes everything brighter.

Steve Maraboli

Cry. Forgive. Learn. Move on. Let your tears water the seeds of your future happiness.

Kentaro Miura

You're going to be alright. You just stumbled over a stone in the road. It means nothing. Your goal lies far beyond this, doesn't it? I'm sure you'll overcome this. You'll walk again...soon.

Viktor Frankl

When the situation is good, enjoy it. When the situation is bad, transform it. When the situation cannot be transformed, transform yourself.

Faraaz Kazi

Some people are going to leave, but that's not the end of your story. That's the end of their part in your story.

Cheryl Strayed

You cannot convince people to love you. This is an absolute rule. No one will ever give you love because you want him or her to give it. Real love moves freely in both directions. Don’t waste your time on anything else.

James Baldwin

You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.

Andrea Gibson

When your heart is broken, you plant seeds in the cracks and you pray for rain.

Brianna Wiest

This relationship affected you more than you are letting yourself believe. The ending hurt you more than you acknowledged, and you need to process that. Your continued interest in this person means there’s something about the relationship that is still unresolved, and it is probably some kind of closure or acceptance that you need to find for yourself.

S.C. Lourie

Be confused, it’s where you begin to learn new things. Be broken, it’s where you begin to heal. Be frustrated, it’s where you start to make more authentic decisions. Be sad, because if we are brave enough we can hear our heart’s wisdom through it. Be whatever you are right now. No more hiding. You are worthy. Always.

Those who do not know how to weep with their whole heart do not know how to laugh either.

The most powerful relationship you will ever have is the relationship with yourself.

Be who you are and say what you feel, because those who mind don’t matter and those who matter don’t mind.

Coco J. Ginger

When we are in love, we are convinced nobody else will do. But as time goes, others do do, and often do do, much much better.

Elizabeth Gilbert

Someday you’re gonna look back on this moment of your life as such a sweet time of grieving. You’ll see that you were in mourning and your heart was broken, but your life was changing.

Sophia Bush

You are allowed to be both a masterpiece and a work in progress simultaneously.

Patti Roberts

Every time your heart is broken, a doorway cracks open to a world full of new beginnings, new opportunities.

Ljeoma Umebinyeo

Healing comes in waves, and maybe today the wave hits the rocks. And that’s OK, that’s OK, darling.  You are still healing. You are still healing.

Glennon Doyle

Heartbreak delivers your purpose. If you are brave enough to accept that delivery and seek out the people doing that particular world-changing work, you find your people.  

Stephanie Klein

What we wait around a lifetime for with one person, we can find in a moment with someone else.

Nicholas Sparks

The emotion that can break your heart is sometimes the very one that heals it.

Karen Salmansohn

Often, what feels like the end of the world is really a challenging pathway to a far better place.

Why Quotes About Heartbreak Help

There's something about quotes or love songs or books that bring us comfort and peace when we're hurting? Let's explore.

They Help Us Process: Quotes have a profound way of allowing us to feel and work through our grief. Have you ever listened to a sad song , maybe even on repeat, just so you could feel those emotions alongside the singer? It's that same idea. According to research, these sorts of songs elicit a range of emotions, including positive ones like wonder, nostalgia , and peacefulness.

They Offer New Perspectives: When we're in the thick of our feelings it can be difficult to see outside of our own bubble. Reading others' thoughts on the topic opens our minds to new perspectives that may otherwise be difficult to view from where we're sitting.

They Validate Us: Knowing that others have gone through similar experiences can help us find peace in knowing we're not alone. These quotes about heartbreak articulate the emotions we're experiencing and help us feel more understood.

They Motivate and Empower: Building awareness of this collective experience can motivate and empower us, too. Many heartbreak quotes highlight how this experience can actually lead to personal growth and self-discovery, and empower us to believe in our own resilience and capabilities.

Keep in Mind

As much as this hurts, and as impossible as getting to the other side of this breakup may seem, you're going to be OK. Allow yourself to feel your grief and confusion, pour energy into yourself and your healing, and know that this door closing means many others will be revealed. The world has just opened up for you.

Kross, E., Berman, M. G., Mischel, W., Smith, E. E., & Wager, T. D. (2011). Social rejection shares somatosensory representations with physical pain. Proceedings of the National Academy of Sciences , 108 (15), 6270–6275. https://doi.org/10.1073/pnas.1102693108

Vuoskoski, J. K., Thompson, W. F., McIlwain, D., & Eerola, T. (2012). Who enjoys listening to sad music and why? Music Perception , 29 (3), 311–317. https://doi.org/10.1525/mp.2012.29.3.311

By Wendy Rose Gould Wendy Rose Gould is a lifestyle reporter with over a decade of experience covering health and wellness topics.

Sports Betting

Spain vs. England Euro 2024 final odds: Spain favored to win for the fourth time

The Euro 2024 final is set and Spain is the favorite heading into Sunday’s meeting with England. The Spaniards emerged as the tournament favorite after beating Germany in a quarterfinal and remain the favorite after getting by France in a semifinal.

England was the favorite once the knockout stage started. The Three Lions had a less difficult path to the final, but did come from behind to beat the Netherlands in Wednesday’s semifinal.

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With a win, Spain would become the nation with the most European championships. Spain and Germany both have won the title three times. Spain’s previous wins came in 1964 (at home), 2008 and 2012.

England has never won at the Euros, but is making a second straight appearance in the final. England lost in penalties to Italy at Wembley Stadium in London three years ago.

All odds from BetMGM . Odds to win or draw are over 90 minutes.

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Spain vs. England

Regular time odds:

This match is a meeting of two teams that got to the final in opposite ways.

Spain cruised through the group stage with three wins, the only team in the tournament to do so. The quarterfinal win against Germany required extra time, but wins against Georgia and France were more convincing. On pure aesthetics, Spain has been one of the most entertaining teams to watch and it’s easy to argue Spain has looked like the best team throughout.

Meanwhile, England labored throughout the tournament to get here. The Three Lions beat Serbia 1-0 in their opener, but were unimpressive in draws against Slovenia and Denmark to close out group play. Then, England trailed for over an hour against Slovakia and needed a 95th minute goal from Jude Bellingham to force extra time in that match. In the quarterfinals, Switzerland took the lead in the 75th minute, but England answered again and eventually won in penalties. The Netherlands scored first in the semifinal, but Ollie Watkins produced a 90th-minute winner.

England trailed in all three knockout games and won only two of its six matches inside 90 minutes. Manager Gareth Southgate has been under pressure for the English being defensive and mostly uninteresting to watch, but the results have been good enough.

In some ways, England is similar to Spain’s semifinal opponent, France. France is an incredibly talented side that has had fantastic results in recent years, but struggled to score and was, to put it bluntly, not interesting to watch considering the ability on the squad. England has made semifinals at three of the past four major tournaments and has a talented squad on paper, but has also been downright dull to watch for much of this tournament. England probably played its best game of the tournament against the Dutch, but Spain is a step up in level of competition.

It’s a one-match final between two of the powers in the sport so Spain isn’t a massive favorite, but the odds clearly favor Spain. This is not viewed as a toss-up. Spain is a bigger favorite against England than it was against France (and a bigger favorite than England was against the Netherlands). This is the first time this tournament that England has not been favored.

More Euro 2024 coverage

Spain take risks and reap the rewards – it’s what makes them so different at Euro 2024

Ollie Watkins ‘lost for words’ after sending England to Euro 2024 final: ‘It’s the best feeling ever’

Dani Olmo, Spain’s shy Euro 2024 Golden Boot leader and €60m summer transfer target

Late substitute Watkins hits winner to set up Euro 2024 final with Spain

(Photo of Nico Williams: Justin Setterfield / Getty Images)

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Dan Santaromita is a senior editor for sports betting at The Athletic. Dan previously wrote for NBC Sports Chicago and ProSoccerUSA. He is a University of Missouri graduate who resides in Chicago. Follow Dan on Twitter @ TheDanSanto