The field of second language (L2) pronunciation instruction has benefited greatly from an increasing amount of research and attention in the last ten years. Before this, the field suffered from a narrow approach to pronunciation featuring a dominant emphasis on students sounding native-like. However, in the last ten years, a paradigm shift has occurred bringing focus to aspects of intelligibility and comprehensibility (Derwing & Munro, 2005; Levis, 2005). With the focus of L2 pronunciation research and instruction shifting, areas of word stress, intonation, connected speech, and suprasegmentals have seen much more exposure in scholarly articles and pronunciation instruction texts. These changes have resulted in the publication of New Ways in Teaching Connected Speech (2012). This book offers an extensive amount of pronunciation lessons created by teachers for teachers of a range of proficiency levels (i.e., beginner to advanced). The editor suggests that connected speech is not simply a marker for casual, less formal speech, but is instead present in all situations of language use to some degree. By enabling students to utilize rules for connected speech in English, teachers can provide their students with a means for being perceived as more intelligible and comprehensible.
The organization of this text allows a teacher to more succinctly target aspects of connected speech in need of instruction for students and to address those needs appropriately with provided lessons. The book features three major sections: Getting Ready for Connected Speech, Connected Speech, Mechanisms, and Putting Connected Speech All Together . These sections raise students’ awareness of unique traits for spoken English, providing guided practice with principles for connected speech, and joining these principles from connected speech in meaningful lessons. Within each major section of the text, there exist smaller sections devoted to more particular aspects within connected speech. These smaller sections consist of lessons, or modules, ranging in length from 15 to 90 minutes of class time. These lessons are meant to provide teachers resources for teaching important aspects of connected speech in the classroom. This review attempts to give readers a glimpse into what the book provides by highlighting a few lessons that represent the underlying approach to teaching connected speech within the book.
The first section of the book prepares learners to distinguish between written and spoken English. In the module Listening for Connected Speech , learners are given a checklist featuring twelve forms of connected speech preceded by their written forms. Before the listening activity, the teacher reviews each of the items on the list to prime students before engaging in listening. Along with this list, a script for recording is provided so that teachers can target the specific connected speech forms in a more contextualized manner. As the prerecorded passage is played, learners check yes or no as to whether they heard each connected speech example on the checklist. Finally, a paused-play review of the passage provides teachers the opportunity to help students heighten their awareness of connected speech as it exists in natural spoken language. This module serves as an exemplary for the targeted nature and ease of use for the rest of the modules within the first section of the book. The first section of the book provides meaningful context and guided practice for students who are unfamiliar with connected speech as a language phenomenon.
The Connected Speech Mechanisms section utilizes different aspects of connected speech as areas of focus (e.g., stress and changing sounds). The Same Consonant Twice in a Row module focuses on transitions. Before engaging in a targeted listening activity, the teacher reviews lengthening consonants. A list of examples is provided to draw students’ awareness to how this transitioning occurs in connected speech with different consonant types (i.e., stops, fricatives, and affricates). Students are then given a worksheet where two words in each numbered sentence have been removed. The object of the worksheet task is to engage students in targeted listening for instances where speakers transition from one word to another, blending the last phoneme from the initial word with the first phoneme of the following word (i.e., Bob Brown to /bab:raun/). A script is provided for the teacher to record and provide students context. This type of activity encourages a heightened awareness of the differing aspects of connected speech. It provides teachers with a short activity where students are presented with a description of and rules for connected speech forms, provided time for practicing listening for the forms, and given guidance in working with the contextualized use of connected speech.
The purpose of the modules and activities in the final section, Putting Connected Speech All Together , is to apply learned knowledge from the sound discrimination activities in earlier lessons of the book to producing and self-assessing those features in students’ own connected speech. One module repeated throughout the book is a Connected Speech Diary module. The activity engages students in meaningful reflection on the aspects and forms of connected speech learned in each section. By having students keep a diary, they can develop a metacognitive awareness of the ways in which connected speech is used in English and how they do or do not use connected speech in their own language use. The diary prompt for this section asks students to make note of modal and auxiliary verb phrases in their connected speech diary. Students are also asked to practice the phrases they have identified and reflect on whether the phrases pronounced are either similar to or different than the context where they were heard. This activity type is extremely valuable in solidifying the connections between connected speech forms and contexts of use.
One caveat for the book is its attention to listening activities over speaking activities. However, perception training is empirically supported as it contributes to a learner’s ability in pronunciation (Bradlow, et al., 1997). Additionally, the level of proficiency prescribed by lesson writers may need to be reconsidered by teachers using the book. Lessons rely on pre-existing knowledge of metalanguage (e.g., syllable, and schwa) and teachers must consider this when deciding how to utilize lessons in their classrooms. Because some teachers might lack training with teaching this terminology and the terminology itself, providing a working glossary for these terms might improve the practicality of the book. Overall, the book is quite accessible for beginning and experienced teachers.
By describing connected speech, providing listening and speaking practice with guidance, and giving teachers materials for classroom use, this book contributes greatly to the field of pronunciation instruction. These tenets of instruction are known to be integral in improving students’ pronunciation for higher intelligibility and comprehensibility (Celce-Murcia, et al., 2010). The book is an extremely beneficial addition to any pronunciation, speaking, listening, or integrated skills course and features information and activities that will certainly address a commonly forgotten aspect of spoken English. Language instructors in ESL and EFL contexts can begin to develop a broader sense of spoken American English among their students by using the lessons in this book as a guide to connected speech. The authors’ students have responded positively to the implementation of lessons from the book and most students have commented on their increased desire to learn more about this part of English that is so often overlooked.
Bradlow, A., Pisoni, D. B., Akahane-Yamada, R., & Tohkura, Y. (1997) Training Japanese listeners to identify English /r/ and /l/: IV. Some effects of perceptual learning on speech production. Journal of the Acoustical Society of America , 101, pp. 2299–2310.
Celce-Murcia, M., Brinton, D., Goodwin, J., & Griner, B. (2010). Teaching pronunciation: A course book and reference guide. (2nd edition?). New York: Cambridge University Press.
Derwing, T. M., & Munro, M. J. (2005). Second language accent and pronunciation teaching: A research‐based approach. TESOL Quarterly, 39 (3), 379-397.
Levis, J. M. (2005). Changing contexts and shifting paradigms in pronunciation teaching. TESOL Quarterly, 39 (3), 369-377.
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Tim's Free English Lesson Plans
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Action research: pronunciation project #2.
This is the second in a series of posts documenting a mini research project I’m doing with a group of C1/C2 students to see how effective explicit pronunciation instruction activities can be. If you haven’t already, please read the first post to get a better idea of the methods I’m using. Download the slides and handout for this second mini lesson plan below:
Full credit to Mark Hancock for the excellent -ed endings maze, you can get it and many more from this excellent website he runs together with Annie McDonald. You can also get loads more great materials from his Instagram page . If you get the chance to attend one of his seminars/webinars, go for it, loads of great ideas.
This particular lesson plan focuses on -ed endings of regular verbs and consonant to vowel linking in phrasal verbs. If you’re following along with the project with your students, please let me know how it’s going in the comments.
This is the first of a series of blog posts I plan to write on a little pronunciation project I’m going to run with a C1/C2 group of Catalan/Spanish speaking students. If you’d like to try to run the same experiment with your own groups, you can download the materials I’m going to use at the bottom of this post.
How much can high-level students’ spoken pronunciation be improved by explicit focus on connected speech during class time? The plan is to use both reactive teaching/error correction and explicit, mini-lessons on specific elements of connected speech to work on students’ spoken output. Their progress will then be tracked through the use of submitted voice recordings.
Baseline Level
In order to gauge students current level of spoken pronunciation, I wrote a text, which you’ll find below, that contains many elements of connected speech:
Dusty Dreams
I have always wanted to play in a rock and roll band but I can’t seem to find the time to practice enough. If you don’t put in the hours, you’re always going to put off fulfilling an ambition. I want to do it, but the harder I try to pick up the guitar, the busier I get, and at the weekends I tend to go out most nights and those dreams are left back in the corner gathering dust with my guitar.
In class today I collected their baseline recordings. They completed a simple comprehension task on the text, then each recorded themselves reading the text on their own mobile phones and sent me the resulting audio file.
I will also have them record themselves completing a Cambridge “long turn” task during the next class in order to gather a non-scripted sample of their spoken output.
Pronunciation Development
The pronunciation work students will complete will take a number of forms:
Tracking Development
The idea is to spend 15-20 mins a week explicitly focusing on pronunciation and then have students rerecord the original “Dusty Dreams” text in 6-8 weeks and compare the second recording to their original. I will also periodically collect long turn attempts to track the progress of more spontaneous/authentic speech. I also plan to use other texts or dialogue transcripts for later recordings as well as tracking students’ scores on C2 Proficiency reading comprehension tasks.
This is my first real attempt at action research, I’m probably doing a bunch of stuff wrong, but it’s exciting and my students seem to be up to the challenge! I’ll keep you posted.
If you’d like to follow along with your own students, you can download the first lesson plan, with the baseline text and a micro-lesson on weak forms of “to” and “for”, below:
Feel free to comment or give advice!
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This is a listening lesson for high B1+. I designed this lesson for my DELTA receptive skills assessed class. It’s based around a listening text from Speak Out Upper-Intermediate (Pearson), in which a woman describes how she had her bag stolen while sitting in a café. I chose this text because this type of crime is an extremely common occurence here in Barcelona.
Below you can download the lesson procedure, students’ and teachers’ handout, an annotated version of the transcript and the listening file.
Lesson Procedure
Lisas bad day student handout
Lisas bad day Teacher’s copy
The most important thing to bear in mind is that this is a class which focuses on developing students’ listening skills rather than simply testing their comprehension of a text so feel free to replay sections of the text as many times as it takes for them to get the message.
It’s important to follow the steps as laid out in the procedure. The pre-listening tasks, in which students make predictions about what will happen next, aid students in their comprehension as they are given the opportunity to apply their own knowledge and experience to the text.
After listening the language focus section on connected speech will help students to identify and decipher fast connetced speech, for example, the pronunciation of past modals “can’t/must/might have”. I’m currently working on my grammar assessment class in which I will come back to past modals of speculation. It should make a good follow-up class to this one so watch this space.
Check out this great lesson plan from Sandy Millin on advanced pronunciation. Students are introduced to different forms of connected speech and put it into practice by transcribing part of a listening text.
A library of free efl lessons, each one dedicated to using texts to their full potential in the classroom., video lesson – catch it if you can – connected speech.
Last year I attended a really good CPD session given by a colleague on using video clips in the classroom, I’ve never been a fan of using whole films in class, as I have always seen it as a cop out, but the focus on using short clips or parts of films really struck a chord with me and so I started thinking about how I could use them not just to stimulate interest in a topic or for comprehension questions but how it could be used for pronunciation practice. So, this lesson focuses on connected speech and listening skills using video. It uses a clip from Catch me if you can, which you may have been able to guess from the title.
This mini lesson can work in a couple of contexts:
Materials :
1. Listening: Students watch and listen to get a general idea of what is happening. Some of the students have probably seen the film and they can help those who haven’t, explaining the context and the situation.
2, Vocab building (optional): Encourage students to think about how they would describe the two characters and their behaviour. Board interesting vocab and push students to use more interesting words to describe them, e.g. calm, stressed, hesitant, looks annoyed.
3. Listening (Test): Tell students they are going to watch a very small clip of the film and you want them to copy down the words (dictation/dictagloss if they are familiar with the terms).
Play the recording from 43 seconds where Leo says: “Do you mind taking that gun out of my face please, really, it makes me nervous.” When you have played it once, ask them to compare together, then you can play it again to help them if you want, or use the worksheet with the option to cut the words up to reconstruct the sentence if you want to scaffold the task a little.
(Teach) Students may have had problems hearing the “do you mind” so focus on this and explain the way it is pronounced and drill /ʤə mɪnd/ or /ʤuː mɪnd/ whichever you yourself normally use, personally I am the former and think that is what is on the recording.
( Test) Play students a different clip of the film at 1.35 – 1.58 and ask them to listen for the two polite questions that are used in the clip you show. Ask them to check with partners and then listen again if necessary. Hopefully this time they were able to pick up the question forms, so this time highlight what happens to ‘mind if I’ – /maɪnɪfaɪ/ and drill this.
4. Practice: 1.Give the students the block of text and ask them to record themselves saying it. Then ask them to highlight which words are stressed, ask them to predict and then play it to check and you can either use the board to show them or use the answers provided here. Ask them to think about what happens to words like ‘and’, ‘a’ – if they know the schwa they should be able to see this, if not, here is a good moment to introduce it.
Also ask them to focus on what happens to groups of words like ‘look at’, ‘would have been’ and ‘got to’. Show them the clip again and ask them to identify the sounds and how they join together and which sounds are used. See below.
look at – /lʊkət/, would have been – /wʊdəbɪn/, got to – /gɒtə/ 2. Now ask them to say the text in pairs using the correct stress and also trying to join the words together where they are in the recording.
3. Ask the students to think about the adjectives they used earlier and think about how this might influence the way they speak. Ask the students to try to do the text again, taking both the stress and the emotions into account.
4. Ask them to stand up and do it, so that they can really get into it.
5. Ask them to do it without the script, tell them to adlib if they forget parts 6. Ask them to sit down and to record it again.
5. Reflection: Ask the students to listen to both recordings and in pairs discuss how they differ. Ask them which was better and why. Also explain that knowing the pronunciation is really useful for their listening, as if they don’t know what to hear, how will they hear it?
Many of the ideas for this lesson stem from sessions given by Gillian Lazar and Martin Parrott, so thanks to them!
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If anything in the first part of this guide is unfamiliar to you, you should probably take a little time to refresh your memory concerning the essential concepts in phonology. You can open that guide in a new tab by clicking here . You should also have worked through the guide to consonants and the guide to vowels (both new tabs) before tackling this. It is also assumed, in what follows, that you can read and write phonemic transcription.
Connected Speech phenomena occur where words meet. The first distinction to get clear is that of the pronunciation of a word in isolation and in a stream of speech. For example, if you read the words on this list aloud, one at a time, you will probably be pronouncing them in what is called their 'canonical', 'citation' or 'isolation' form. Here's the list to try. If you can, transcribe the words on a piece of paper as you pronounce them. Click here when you have done that .
The pronunciation you used is probably as follows:
/ɑːr/ | /biːn/ | ||
/hæv/ | /ðæt/ | ||
/frɒm/ | /ænd/ | ||
/ten/ | /ˈbɒt.l̩z/ |
Now memorise this sentence and then say it aloud at normal speed, contracting any words you can.
I have been to town and here are the ten bottles of beer I said that I would get from the shop.
That probably would have been pronounced something like this:
/ aɪv bɪn tə taʊn ənd hɪər ə ðə tem ˈbɒt.l̩z əv bɪər ˈaɪ ˈ seðət aɪd ˈɡet frəm ðə ʃɒp/
Look at the parts in black in that transcription and compare them to the transcription of the isolated forms of the words. What do you notice? Click here when you have an answer .
Full form | Contracted | Transcription | Full form | Contracted | Transcription | Full form | *Contracted | Transcription | Full form | Contracted | Transcription |
/aɪm/ | /aɪv/ | /aɪd/ | /lets/ | ||||||||
/jə(r)/ | /juːv/ | /juːd/ | † | /nt/ | |||||||
/hiːz/ | /hiːz/ | /hiːd/ | /l/ | ||||||||
/ʃiːz/ | /ʃiːz/ | /ʃiːd/ | ‡ | /də/ | |||||||
/ɪts/ | /ɪts/ | /ˈɪ.təd/ | § | /s/ | |||||||
/wɪə(r)/ | /wiːv/ | /wiːd/ | /baʊt/ | ||||||||
/ðeə(r)/ | /ðeɪv/ | /ˈðeɪd/ | /ə/ |
To explain why all these changes have occurred, we need to look at the features of connected speech in English.
There are six main areas to understand.
BROADLY STRESS-TIMED LANGUAGES | BROADLY SYLLABLE-TIMED LANGUAGES |
ARABIC (with variations) CATALAN DUTCH ENGLISH GERMAN PERSIAN (FARSI / DARI / TAJIK) PORTUGUESE (EUROPEAN) RUSSIAN SCANDINAVIAN LANGUAGES | CHINESE LANGUAGES (also tonal) FRENCH GREEK INDIAN LANGUAGES ITALIAN JAPANESE PORTUGUESE (BRAZILIAN) SPANISH SWAHILI THAI (also tonal) TURKISH VIETNAMESE (also tonal) WEST AFRICAN LANGUAGES |
Before these sounds | this sound | assimilates to | for example | transcription |
/m/, /b/, /p/ | /n/ | /m/ | /ðem.beɪk.ɪt/ | |
/ðemˈpʊt.ɪt/ | ||||
/ðe.mɪks.ɪt/ | ||||
/t/ | /p/ or /ʔ/ | /ðəʔ.ˈmɪks.tʃə/ | ||
/ðəp.bred/ | ||||
/ðəʔ.ˈpeɪ.pə/ | ||||
/d/ | /b/ or /ʔ/ | /mæʔ.mæn/ | ||
/mæʔ.ˌbɔɪ/ | ||||
/mæb.ˈpɒ.lə.si/ | ||||
/k/, /ɡ/ | /n/ | /ŋ/ | /biːŋ.keɪks/ | |
/biːŋ.ɡʊd/ | ||||
/t/ | /k/ or /ʔ/ | /ðəʔ.keɪk/ | ||
/bək.ɡəʊ/ | ||||
/d/ | /ɡ/ | /beɡ.kləʊðz/ | ||
/j/ | /t/ | /tʃ/ | /maɪtʃu/ | |
/d/ | /dʒ/ | /hədʒu/ | ||
/ʃ/ | /s/ | /ʃ/ | /ˈɡlɑː.ʃɒp/ | |
/z/ | /ʃ/ | /hæ.ʃʌt/ |
There are more examples of connected speech phenomena in the course on learning to transcribe (new tab).
Of course there's a test .
This is the index of other guides in the in-service pronunciation section. | ||
Guides marked are in the initial plus section. |
References: Field, J, 2008, Listening in the Language Classroom , Cambridge: Cambridge University Press O'Brian, P, 1970, Master and Commander , London: Collins Roach, P, 2009, English Phonetics and Phonology: A practical course (4th edition), Cambridge: Cambridge University Press
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Published on, june 10, 2024, july 16, 2024, this article may contain affiliate links.
Maybe you’ve been studying English for a while now and gotten pretty good.
Perhaps you’ve learned all those pesky irregular verbs, you feel comfortable using the past perfect continuous tense in context, and maybe you even know the difference between “who” and “whom” .
But even with all your actual knowledge of English and your ability to use it correctly, you may not sound natural when you speak.
Natural spoken English comes down to more than just pronunciation and speaking fluently . It requires using connected speech .
I consider connected speech to be a fairly advanced language learning topic. If you’re still at the intermediate level, I wouldn't focus on this; I’d leave it for later. And if you’re a beginner, it’s definitely not the right lesson for you right now.
But if you’ve got quite a good grasp of the language and you’re really now trying to polish up your speaking skills, you might be at the right level to try to think about connected speech.
In this article, I’ll explain what connected speech is along with some real-world examples of it. Then I’ll suggest some activities that you can do to work on and practise your connected speech.
The first thing to understand about speaking English naturally is that it is very different from speaking English clearly.
In English, words bump into each other. We reduce words when we’re speaking, contract them, and then mash them together.
That’s what connected speech is: it’s continuous spoken language like you’d hear in a normal conversation. It’s called connected speech because the words are all connected, with sounds from one running into the next.
There are five types of connected speech: Catenation (or linking), Intrusion , Elision , Assimilation and Geminates .
Don't worry about the names. Let me give you some examples.
Catenation happens when a consonant sound at the end of one word gets attached to the first vowel sound at the beginning of the following word.
For example, when native speakers say “an apple” you’ll usually hear them say, “anapple”. The “n” in “an” gets joined with the “a” sound in “apple” and it becomes almost like a single word.
In some cases, the sound of the consonant sound changes when it’s linked. For example, if I were to say “that orange” you would probably hear me change the final consonant “t” sound to a “d” sound as in “thadorange”.
Here are some other examples:
Intrusion happens when an extra sound squishes in between two words. The intruding sound is often a “j”, “w”, or “r”.
For example, we often say:
Elision happens when the last sound of a word disappears. This often happens with “t” and “d” sounds. For example:
Assimilation happens when sounds blend together to make an entirely new sound. Some examples include:
Geminates are a doubled or long consonant sound. In connected speech, when a first word ends with the same consonant sound that the next word begins with, we often put the sounds together and elongate them. For example:
Notice that in none of these cases does the spelling actually change. It’s just the sounds that change when we say them.
Yes and no.
I like to think of learning connected speech in two halves: understanding it when you hear it, and recreating it when you’re speaking yourself.
Understanding connected speech when it’s used is extremely important. This is how native English speakers really talk. If you can’t understand English as it’s really spoken, you’re not really able to use the language.
So listening to connected speech and being able to parse it into meaning is very important.
Producing connected speech isn’t very important. Native speakers don’t need you to use connected speech to understand you. If you speak English clearly, carefully enunciating each syllable, you may sound a bit unnatural, but you’ll certainly be understood.
So being able to use connected speech yourself doesn’t have to be a priority.
You can get better both at understanding connected speech when it’s spoken by others and using it yourself. Here are some ways you can train yourself on it.
The way that we get better at understanding native speakers is by listening to them . So listen to native speakers as frequently as possible.
At higher levels, listen to different accents: American, British, Australian , and others. This will help you understand people using a range of different accents.
You can also use music to help you learn English. Music and songs are very helpful for connected speech.
One of the most difficult things to do when we’re new to a language is figure out where one word ends and another starts.
A great exercise for this is listening to a native speaker while you also read what they’re saying.
There are a few ways you can do this. You could listen to someone read an audiobook while you read the book itself. You could watch a show on Netflix or a YouTube video with the subtitles on .
And, of course, you could listen to an English podcast while reading the transcript of that podcast. ( Leonardo English conveniently provides transcripts to members for the English Learning for Curious Minds podcast for exactly this reason.)
Those are great for listening, but what about speaking?
Shadowing is the ideal exercise for practising connected speech. In shadowing, you mimic or imitate the sounds that you hear as you hear them. So you practise saying full sentences exactly like a native speaker.
This helps you see how native speakers really pronounce sentences—connected speech included.
Recording yourself speaking is another activity that has similar benefits. It lets you listen and see how the way you say a sentence might be different from a native speaker so you can correct yourself or make changes.
Speaking naturally is really only a skill you can develop through practice.
So practise speaking!
Find an online English conversation partner , join an English community, or find other ways of speaking English regularly . That’s how you’ll get better at speaking in general and also at using connected speech in particular.
Here’s how you can make the best use of English podcasts like English Learning for Curious Minds to work on understanding and using connected speech.
This process will help you understand spoken English even when the words are mashed together. It will also help you get used to speaking more naturally in English yourself.
To wrap up this article, I want to stress that connected speech is about practice, not memorisation .
Earlier, I gave some names for different groups of connected speech sound changes—catenation, assimilation, and so on. I did that for your interest, but I don’t recommend trying to memorise them or learn those names by heart unless you’re a linguist.
You certainly don’t need to know what “elision” means to speak naturally. Most native speakers wouldn’t have any idea what that word means.
Instead of learning that linguistic theory, just practise using English. Listen to it and speak it. Connected speech will come naturally to you as you use English more.
Indeed, let’s remember that the reason connected speech happens is that it’s an easier way to speak.
When you are singing Beyonce’s Single Ladies , it would feel really weird to clearly pronounce “single” separately from “ladies”. It’s much more natural to jam the words together into “Singl-adies”
Similarly, it’s much harder to say “that orange” than it is to say “thadorange”. As soon as you’re saying those words together, you’ll probably find your mouth making the connected speech sounds automatically.
That’s important to remember: connected speech doesn’t happen randomly. It happens because it’s actually easier to say the words in that way.
So yes, learn what connected speech is. Practise listening to native speakers so you can understand them even when they speak at a normal pace and words jam together. Do your regular speaking activities.
But then relax. Natural, connected speech will come.
English Current
ESL Level : upper-intermediate
Class time : 30 minutes
Worksheet Download : File moved to TPT
Description These two dialogues can be used to practice connected speech. Students in pairs first practice their dialogue and then they perform it for another pair. The listening pair fills in the expressions they hear on the worksheet.
Note : This activity has been updated with improved dialogues and an answer key. The new lesson can be found here . I will leave the old lesson below so you can get an idea of the activity.
Detailed Instructions
Connected Speech Practice — Pair A
SPEAKING Part 1: Use connected speech to make the below dialogue more efficient. Then practice it with your partner and then read it to another group. They will listen and write in the missing words.
A: What are you doing?
B: Studying. I have a lot of homework. I hate math. I wish I could drop out of school.
A: Well, you have to go because you need to get your diploma.
B: I guess so. Hey, have you seen Benjamin?
A: No. If he's not in his room, then he must have gone out. He could have gone to the park to play basketball. It is a nice day.
B: Okay. I'll look for him there. Later.
LISTENING Part 2: Listen to your partner's dialogue. Write down the words you hear.
A: Hey Jake. ___________________ ?
B: I'm ___________________ upset.
A: Why? ______________________________________?
B: I lent ___________________ bucks to my friend last week. But he still hasn't paid me back.
A: You ___________________ lent money to him. It's not good when money gets between friends.
B: I know. He was ___________________ ___________________ yesterday, but he didn't. He didn't even mention it.
A: I ___________________ ___________________ __________________ about it. Why ___________________ remind him?
B: I guess I ___________________.
Connected Speech Practice — Pair B
A: Hey Jake. How are you?
B: I'm kind of upset.
A: Why? What's the matter?
B: I lent 100 bucks to my friend last week. But he still hasn't paid me back.
A: You shouldn't have lent money to him. It's not good when money gets between friends.
B: I know. He was supposed to pay me back yesterday, but he didn't. He didn't even mention it.
A: I bet you he has forgotten about it. Why don't you remind him?
B: I guess I have to.
A: _____________________________ _________ doing?
B: Studying. I have ___________________ homework. I hate math. I wish I could drop out of school.
A: Well, you ___________________ go ___________________ you need to get your diploma.
B: I guess so. Hey, ___________________ seen Benjamin?
A: No. If he's not in his room, then he ___________________ out. He ___________________ to the park to play basketball. It is a nice day.
- Matthew Barton of Englishcurrent.com
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It is great !i got more knowledge from here
This is great! Thanks a lot for sharing your work :)
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Thanks so much!!!
Thank you for this. I can get a lot of practice out of these 2 dialogues.
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by Taylor Veigga | Feb 4, 2018
It’s been a long time since I last posted. I have been very busy, but I will try to post here more often. I feel happy and energised, and I’m convinced this will be a great year for us all.
When it comes to teaching English, I think features of connected speech tend to be overlooked. That is why I wanted to start this series of posts with a lesson focusing on a feature that might be hard or tricky to some learners. Elision is a natural feature that happens in many languages. For instance, according to Swan & Smith (2001), Spanish speakers tend to omit the first or the last consonants from clusters. In Brazilian Portuguese, it is common to elide the final /r/ in verbs in the infinitive, such as amar. How do we help learners deal with elision then? Well, I think the first step is to show them it exists, and how it happens in English. As in many cases, awareness is key.
This lesson deals with elision in the context of relationships. I chose to work with the song New Rules (by Dua Lipa, 2017) not only because it contains samples of elision, but also because this song empowers women to take control and not accept just anything when it comes to relationships with men. In that regard, the song is relevant both in terms of teaching material and practical advice.
Do let me know what you think about this post, the content and whether you decided to adapt these ideas. I find the video very interesting too, so if you have ideas about how to incorporate it, I’d love to know. Happy teaching!
Lead-in (to set the context and engage students in the topic) | Teacher asks students if relationships these days are how they used to be. In pairs, Students discuss for two minutes.Teacher gets feedback on the differences, similarities. |
Pre-listening (to activate schemata on relationship problems, pre-teach vocabulary) | Teacher gives students and they need to figure out if the sentences refer to old rules of relationship or new rules.Teacher checks answers and meanings. |
Listening (to listen for the gist) | Teacher tells students they are going to . Students should decide if the song is about new rules or old rules. Teacher highlights students will listen for the general idea and it is not necessary to understand every word. Students listen to the song. Teacher gets feedback. |
Description and analysis (to provide oral and written illustrations of how elision is produced and occurs within spoken discourse) | Teacher says students are going to listen to the song again, but the parts of the lyrics in italics are written similarly to the way people speak. Students need to write the correspondent written form. Teacher models the first one. Teacher gives students .Students listen to the song again.Students check in pairsTeacher gets feedback, boards the answers.Teacher elicits why sounds disappear in some object pronouns and why some are pronounced. Teacher shows answers and elicits stress. Teacher elicits and shows stressed parts of the sentences: I’ve new , I them. |
Listening discrimination (to provide focused listening practice with learner’s ability to correctly discriminate elision) | Teacher tells students they will listen to five sentences of people reacting to the song. Students need to indicate if sounds disappear or not. Teacher gives them . Here I encourage you to have some good non-native English speaker teachers record the sentences. You’ll be providing students with models that they are numerically more likely to be exposed to.Students do the exercise. Students check in pairs. Teacher checks answers, plays recording again if necessary. |
Restricted practice (to raise learners consciousness on elision) | Teacher divides the class in Student A and Student B. Teacher tells students they are going to read a dialogue and each student has a role. Teacher hands in . Teacher tells students to pay attention to the colors in the text, as they will indicate which sounds are going to disappear. Teacher highlights students need to try to read in a normal or fast pace, not too slow. Teacher tells students to pay attention whether their partner makes the indicated sounds disappear.Students do the task. Teacher monitors. Teacher asks if students noticed if their partners made sounds disappear. |
Freer practice (to offer more structured communication practice to enable the learner to monitor for elision) | Teacher tells students to work individually on their own relationship rules. Students write 5 sentences about how they think relationships should be like. Students complete: 1- Ask him/ her/ them… 2- Tell him/ her/ them… 3- Let him/ her/ them… 4- Kiss him / her/ them when… 5- Help him/ her/ them with…Students write. |
Communicative practice (to practice paying attention to form and content) | In trios, students share their relationship rules and justify their sentences.Students share their ideas in groups. Teacher gets feedback and gives feedback. |
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For English language learners speaking is probably one of the most important and most feared language skills they have to learn . They may be shy, in both languages, or they may be afraid of making a mistake in front of their friends or classmates.
We have been teaching English for a lot of years and here are 15 of the best English Speaking games and activities we have researched and trialed in our classrooms. They have been massively useful to us over the years, so we hope they are for you as well.
I often try to speak in the students first language to show them that of course people make mistakes, and that is perfectly acceptable , of course some times funny, and nothing NOTHING to worry about!
Also where we have them on our site we will link to the files for you to download to make it more convenient for you. If you want to jump to a specific game just click on the list below .
Just before we jump into these 17 ESL Reading Games and Activities we have the four skills covered on the site. Speaking, Reading, Writing and Listening.
The Best ESL Games and Activities – 4 Booklets in 1
1. 30 second speech.
There are two ways to approach this, you can introduce the task by asking them to work individually first, or move straight onto the game below.
As they practice the task above write the rules on the board and split class in half
Adaptations:
We have a separate page for the full details, and it is in this speaking exercise book ( free download ) but will highlight the basics here to see if it is something that fits your teaching needs.
You will need the table worksheet for students to fill in and the list of information and clues both on the links includes here
Adaptations: It is possible to add clues (carefully to make sure they fit the answers) doing this makes it much easier. The aim is to get the students speaking to each other not just the logic side of the activity.
The activity.
Also it is possible to have your class spend a lesson coming up with the directions themselves and then putting them all in a box or bag at the front for the whole class to use. This means you add writing and they are actually using their own work to prepare a lesson.
5. responses lesson.
As a game you can then repeat the same sort or exercise as the activity above. Have a selection of sentences than usually require a response and then ask for the incorrect response. No one expects you to say congratulations when you tell them your little rabbits died yesterday!!!
This game is based on a old TV show from the UK called Wacaday. In it they had a rather colorful character called Timmy Mallet who, among other things, played a game called mallets mallet. In this game the players, always children, had to think of a word associated with whatever Timmy said. There was no hesitation, repetition, or ummm or errrrrs allowed or they got a bonk on the head. (softly of course) the winner was the one who didn’t get hit!
If they get it wrong they get a ‘bonk’ on the head and 3 times bonked and a new pair or students comes up or you could even play winner stays on. For fun they can play against the teacher as well.
You can make this much slower than the video if you are working with second language or ESL students, and if you don’t want a hammer you can use a rolled up piece of paper or just play it as a point game without the hammer. (its more fun with one of course!)
Adaptations: This is also great as an Icebreaker activity for students and teacher to get to know each other. You can keep the activity as wishes or ask them to write three things about themselves. You can even change it to two things true and one lie to add some fun and creativity. ( and to create another English Speaking game called ”would I lie to you” or Call my Bluff.
It is better to teacher this to students with at least a basic abilty, but it doesnt have to be high level as you can level the wuestion you ask.
Allowing your students to communicate with each other takes off some of the pressure of a whole class environment and allows them to risk take with their English speaking in a less public arena
This allows the teacher to compare the two drawings with the students and ask what language they could have added to get more details into the picture. This really enables students to start to think about expanding and adding to the phrases they say.
Although you can use the Guess Who board game if you have it, its about 15 USD on Amazon if you have a need! It is probably easier and more adaptable for the culture or location you are teaching in to make a simple version with famous people from your area.
With older groups you can have some real fun and you might be surprised what you’ll learn about some of your students when playing this particular EFL game.
12. doctors in.
Actually this stems for a party (or drinking) game at universities and can be adapted to what ever vocabulary or topic you are teaching at the time. In the university version we all stick a post it to our foreheads and have to guess the famous person we are. Similar to the Guess who game above. In ESL or Classroom use we can do this with Jobs , animals, furniture, absolutely anything all you need are some post its or similar to stick to peoples heads or backs – anywhere they can not read it. It is a great ESL speaking game for classrooms with limited resources.
15. think fast, share this:, making english fun, similar posts, environment reading passages for grade 2 and 3., what is the past tense of freeze, what are the 7 reading comprehension strategies., free dolch sight word worksheets – ‘make’, free printable grade 2 sight word worksheet – “why”, how to teach english in hong kong., always welcome thoughts and comments, new blogs can be lonely cancel reply.
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Discovering the art of clear and confident speech involves diving into articulation activities, those nifty exercises designed to spruce up how we talk. These activities focus on getting speech sounds just right, covering everything from repeating single sounds to playful games and even reminiscing sessions. Why bother? Well, t hey’re a game-changer for folks dealing with speech quirks, offering a path to better communication, less social jitters, and a confidence boost.
Now, let’s talk about X fun activities for all ages. Kids can enjoy games like Articulation Bingo and Sound Scavenger Hunt. For the middle-aged crew, Word Puzzles and Conversation Cards add a fun twist. Senior citizens can relish Reminiscence Therapy and cozy reading aloud sessions. Each activity isn’t just about talking; it’s a mix of fun, socializing, and honing speech skills.
But the speech journey doesn’t stop there. Tips for speaking clearly and confidently roll in, from regular practice to focusing on pronunciation and even recording yourself. It’s a gradual process, but hey, progress is progress. If you’re serious about levelling up your speech game the following will help.
Why should one practice articulation activities, what are articulation activities .
Articulation activities are exercises or tasks designed to help individuals improve their speech and pronunciation , particularly in terms of producing specific speech sounds accurately. These activities are often used in speech therapy, language development programs, or by educators to address difficulties with articulation, phonological disorders, or speech sound disorders.
Articulation activities may involve various techniques and tools to target specific speech sounds or patterns. Here are some common types of articulation activities:
These activities involve focusing on a single speech sound in isolation, without combining it with other sounds . This allows individuals to concentrate on the specific movement of the articulators (e.g., lips, tongue) required for accurate production. For example, saying the target sound (/r/, /s/, etc.) repeatedly in isolation.
This step involves practicing the target sound within syllables and words. This helps individuals integrate the correct sound into different linguistic contexts. For instance, repeating syllables like “ba,” “be,” “bi,” or words like “cat,” “dog,” “ball” containing the target sound.
Minimal pairs are pairs of words that differ by only one sound (e.g., “bat” vs. “pat”) . Practicing minimal pairs helps individuals distinguish between similar sounds and develop the ability to produce the correct one through auditory discrimination.
Extending the practice to sentences and phrases helps individuals use the target sound more naturally and communicatively. This can involve constructing sentences or responding to prompts that incorporate the target sound .
Reading aloud provides a contextualized approach to articulation practice . Individuals read passages, stories, or sentences that contain the target sounds. This helps bridge the gap between isolated practice and using the sounds in real-life situations.
Articulation Games: Making learning enjoyable, games can include board games, card games, or online activities that encourage the repetition of target sounds in a playful manner. This fosters engagement and motivation, especially in younger individuals.
Visual aids, such as mouth diagrams or videos, offer a visual representation of correct articulatory movements . This visual feedback enhances understanding and awareness, aiding individuals in mimicking the correct mouth and tongue positions.
Observing one’s articulatory movements in a mirror provides immediate visual feedback . This self-monitoring approach helps individuals become more aware of their articulation and assists in self-correction.
Engaging in role-playing scenarios involves using the target sounds in real-life, communicative situations . This activity not only targets articulation but also integrates social and pragmatic aspects of speech.
Articulation activities are often tailored to an individual’s specific needs and may vary based on the severity and nature of the articulation difficulty. Regular practice and consistent feedback from speech-language professionals or educators are crucial components of successful articulation therapy.
Some of the most fun and effective articulation activities are divided into groups based on age ranges – children , middle-aged people, and senior citizens:
1. articulation bingo:.
Create Bingo cards with colorful images representing words with the target sound.
Use a variety of words to keep it engaging and diverse.
Encourage children to say the word aloud when marking it on their cards, reinforcing articulation.
Provide a list of target words, and children can check them off as they find corresponding objects.
Include a mix of common and challenging words to maintain interest.
Make it a collaborative activity, fostering teamwork and social interaction.
Use story cubes with a variety of images to spark creativity.
Discuss the story together, emphasizing the articulation of words containing the target sound.
Rotate roles, allowing each child to contribute to the story.
Encourage creativity by having children come up with their silly sentences.
Provide a mix of words with the target sound and other sounds to create a balanced challenge.
This activity can be turned into a game with points for the silliest sentences.
Include a mix of easy and challenging words in the charades game.
This game promotes movement, making it an active and enjoyable way to practice articulation.
Rotate roles so that everyone has a chance to act out and guess.
Check this out for more information and this video to know some fun strategies for children-
6. word puzzles:.
Tailor puzzles to the interests of the group (e.g., themed puzzles related to hobbies or current events).
Provide hints or clues related to the target sounds to make the activity more engaging.
Collaborative puzzle-solving can foster a sense of community.
Create cards with open-ended questions that naturally incorporate the target sounds.
Encourage participants to share personal stories, ensuring the use of the target sound in context.
Use a variety of topics to keep conversations interesting and diverse.
Start with simpler tongue twisters and gradually progress to more challenging ones.
Practice each tongue twister multiple times, gradually increasing speed.
This activity enhances articulatory agility and control.
Tailor scenarios to situations commonly encountered in daily life.
Use role-playing as an opportunity to practice articulation in realistic, everyday conversations.
Provide constructive feedback to reinforce correct articulation.
Include images along with words on the memory cards to make it more visually engaging.
As individuals turn over cards, encourage them to say the words aloud and emphasize the target sounds.
Adjust the difficulty level by increasing the number of pairs or using more challenging words.
11. reminiscence therapy:.
Incorporate prompts related to different life stages to facilitate reminiscence.
Encourage individuals to articulate memories with clarity while engaging in a meaningful and nostalgic activity.
Create a relaxed and supportive environment for open sharing.
Choose reading materials that align with the interests and preferences of the group.
Allow individuals to take turns reading paragraphs or pages.
Discuss the content, promoting articulation in a context that fosters comprehension.
Select familiar songs with clear lyrics and melodies.
Singing together provides a social and enjoyable way to practice articulation.
Consider incorporating hand movements or gestures to enhance engagement.
Choose poems with rhythmic patterns and rhymes.
Break down longer poems into smaller sections for easier recitation.
Discuss the meaning of the poems, adding depth to the articulation practice.
Integrate relaxation techniques with articulation practice.
Guide participants through deep breathing exercises while enunciating words with the target sound.
Emphasize the calming and therapeutic aspects of combining mindfulness with speech practice.
Remember, the activities can be adapted based on individual preferences, needs, and the severity of articulation challenges. It’s always beneficial to consult with speech-language professionals for personalized guidance.
Among Us, a popular online multiplayer game, requires players to work together on a spaceship while identifying impostors among them. Effective communication, persuasion, and critical thinking are crucial as players discuss suspicions and observations to deduce the impostors.
Codenames, a captivating word-based party game, challenges players to connect words using clues provided by their team’s spymaster. The game encourages strategic thinking and improves verbal communication by requiring players to convey information while avoiding confusion.
Keep Talking and Nobody Explodes is a unique cooperative game simulating bomb defusal. Effective communication is essential for conveying complex information quickly and accurately, promoting teamwork, time management, and clear information sharing.
Pictionary, a classic drawing and guessing game, relies on non-verbal communication and creativity. It encourages players to express ideas visually and interpret visual cues, making it a fun and interactive way to improve both artistic and communicative skills.
Escape room games, in board or digital form, provide an immersive experience requiring teamwork, problem-solving, and effective communication. Players must share information and ideas to uncover hidden clues, fostering collaboration within a team.
Practicing articulation activities is important for several reasons, particularly for individuals with speech sound disorders or difficulties . Here are some key reasons why one should engage in articulation activities:
Articulation activities aim to enhance an individual’s ability to produce speech sounds accurately. Clear and precise articulation is crucial for effective communication , as it ensures that spoken words are easily understood by others.
Correct articulation contributes to improved speech intelligibility. When individuals can articulate sounds properly, it minimizes the risk of miscommunication and allows listeners to comprehend spoken language more easily.
Regular practice of articulation activities, especially when combined with positive reinforcement and support, can boost an individual’s confidence in their speech abilities. Increased confidence can lead to more willingness to engage in communication.
Individuals with speech sound disorders may experience social anxiety due to concerns about being understood or judged. Articulation activities help address these concerns by improving speech clarity, thus reducing anxiety in social interactions.
Clear and effective communication is essential for academic success. Articulation activities can benefit students by improving their speech skills, leading to better participation in class, understanding of instructional materials, and overall academic achievement.
Articulation difficulties can sometimes lead to academic and social challenges. Addressing these challenges early through articulation activities can prevent potential issues and help individuals thrive academically and socially.
Clear articulation allows individuals to express themselves more accurately. This is crucial in various aspects of life, including personal relationships, work environments, and social interactions.
For children, engaging in articulation activities is a fundamental aspect of speech development. The correct production of speech sounds during early years lays the foundation for effective communication and language skills.
Articulation activities contribute to the overall development of communication competence. Individuals who practice articulation exercises are likely to develop better phonological awareness, auditory discrimination, and overall communication skills.
It’s important to note that the effectiveness of articulation activities often depends on the individual’s specific needs, the severity of their speech sound disorder, and the consistency of practice. Speech-language pathologists and educators may tailor articulation activities to address the unique requirements of each individual.
In summing up our exploration, getting the hang of clear and confident speech involves diving into the world of articulation activities, understanding their importance, and enjoying the perks of regular practice. These activities, ranging from tongue twisters and syllable repetition to engaging games like Articulation Bingo and Memory Games, form the foundation for getting the pronunciation right and building a base for effective communication. The fun and effective articulation activities we’ve explored aren’t just limited to kids; they cater to individuals of all ages , ensuring that the journey toward clear speech is both personalized and enjoyable.
Digging into the ‘why’ behind articulation activities reveals a host of benefits, from improved communication skills and enhanced speech clarity to boosted confidence and reduced social anxiety. The positive effects stretch to academic and professional success, making articulation exercises a handy tool for individuals aiming to excel in various aspects of life. To speak with clarity and confidence, individuals are encouraged to embrace a holistic approach, including regular recording, mindful pacing, and the artful use of pauses. The journey towards articulate and confident speech is unique for each person, marked by dedication, positivity, and the celebration of milestones . Seeking guidance from speech-language professionals can provide invaluable support along this fulfilling and ongoing journey toward improved communication skills.
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There is a pronunciation exercise using video and text available for pronouncing the different vowel to vowel linking.
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or | or | |
or | or |
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Gender issues
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Connected speech
General English
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Speech-Language Pathology SLP
| 1 December 2020
Do you have a child, family member, or student who faces challenges with speaking or communicating? Speech therapists use fun activities, from vocabulary games to board games and beyond, to help their clients practice language production. As a layperson, you can try out the same activities with your loved one or student.
The speech therapy ideas in this post are geared toward parents, family members, and teachers who are looking for language games to play at home or in the classroom. Speech therapists, also known as speech-language pathologists , and speech-language pathology assistants may find these suggestions useful for planning therapy sessions. Whether the person in your life needs practice with pronunciation, sentence fluency, or speaking in turn, these activities may help them improve. You can tailor the games to be more or less challenging depending on the person’s age and abilities. Check out the link to printables for some free therapy materials!
These fun preschool games are perfect language activities for younger kids.
Draw a hopscotch on the sidewalk or driveway and write target words in each box. Then have the player say the words out loud to practice speech sounds as they skip through the game.
Helps with: Pronunciation
One player chooses an item in the room that all players can see, then offers clues so that the other players can guess the item they are thinking of. The player who guesses correctly has to use the word in a sentence.
Helps with: Speaking in turn, sentence fluency
While driving in the car or walking around your neighborhood, have the player try to find all the letters of the alphabet on signs. Older players can record each letter they find on a piece of paper. See how long it takes to get all 26! For an added challenge, have them say a word that starts with each letter they find.
Hide objects or speech cards in a sandbox at the playground or under a pile of leaves, and have the player find them. When they do, have them pronounce the object’s name or the word on the card. To add another element to this game, have them use the word in a sentence.
Helps with: Pronunciation, sentence fluency
Find a word search that is appropriate for the player’s age, as there are many difficulty levels. When they find a word, have them say it aloud. Download our easy printable word search activity below. It’s perfect for ages 5 to 7.
Have the player find word cards you place around the house. When they find a card, have them pronounce the word on the card. For those who can’t read, use cards with pictures.
The Articulation Station app by Little Bee Speech is designed for kids ages 4 and up. The app offers practice at the word, sentence, and story levels. It features six activities, including flashcards, matching, rotating sentences, unique sentences, and two levels of stories.
Helps with: Word finding, sentence fluency, pronunciation
Heads Up! is a smartphone app game that combines trivia and charades. (You can download it from the Apple App Store or from Google Play.) The player who will be guessing the word or phrase holds the smartphone on their forehead, revealing the word or phrase to others, who act out clues.
Helps with: Learning to speak in turn
Combining speech therapy with yoga can double the fun. Have the yogi practice different sounds and sentences while holding yoga poses.
Helps with: Wor d finding, sentence fluency, pronunciation
In this game, one player makes a list of words that have a clear opposite, such as “yes,” “down,” “happy,” etc. The player reads each word aloud and the other player states the opposite.
Helps with: Word finding, speaking in turn
Set a topic, such as a movie or current event, and create a safe space for players to discuss. This is a great way to practice more natural communication.
This activity involves naming items within a certain category. The best way to play is with cards that have written directions on them, such as “Name five fruits.” In turn, each player picks a card and responds to the directions. Download our name game activity below.
Helps with: Word finding
Because reading and language development are interconnected, writing in a journal can help people improve language production and comprehension. Provide a list of writing prompts that the player can choose from. Have them write without stopping for 5 or 10 minutes.
Helps with: Word finding, sentence fluency
Similar to the name game, the player is given a category and is asked to name ten things that fit within that category. For example, you can ask the player to name ten colors, fruits, animals, or sports.
Players choose a sound they want to target, such as an “S” or “T” sound. Then they take turns saying sentences aloud using as many words as possible that include that sound. For example, if players are targeting an “S” sound, one player might say, “My sister Sally sat sideways in the seat.”
Helps with: Pronunciation, word finding
Speech therapy activities are a fun way for people of all ages to develop the skills they need to communicate better and gain confidence. Check out our other resources for speech therapists as well.
For those who need more guidance, it may be helpful to work with a speech-language pathologist (SLP), who will create a custom treatment plan based on their client’s unique needs. SLPs earn their Master of Science in Speech-Language Pathology (MS-SLP) degree, in which they are trained in assessing and treating disorders of speech, language, and swallowing. At the University of St. Augustine for Health Sciences, our MS-SLP program features online coursework and hands-on clinical practice, preparing graduates to positively impact the lives of others.
The University of St. Augustine for Health Sciences (USAHS) offers a Master of Science in Speech-Language Pathology (MS-SLP). Designed for working students, the MS-SLP is an online program with four required on-campus residencies on either the USAHS Austin or Dallas campus. The program offers two intakes per year, in January and September. Prepare to make a difference in the lives of clients across the lifespan with a meaningful career in speech therapy!
Accreditation Status*
The Master of Science in Speech-Language Pathology education program at the University of St. Augustine for Health Sciences is a Candidate for Accreditation by the Council on Academic Accreditation in Audiology and Speech-Language Pathology (CAA) of the American Speech-Language-Hearing Association, 2200 Research Boulevard, #310, Rockville, MD 20850, 800-498-2071 or 301-296-5700. Candidacy is a “preaccreditation” status with the CAA, awarded to developing or emerging programs for a maximum period of 5 years.
*The candidacy status includes the MS-SLP program offered at Austin, TX and Dallas, TX locations.
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Teaching Expertise
July 1, 2023 // by Kit Berry
When students get poor marks on writing assignments, it is often because they don’t have a solid grasp of the parts of speech and how they function. Parts of speech is a topic that needs to be revisited regularly in order for it to stick, but maybe you’re a busy teacher who doesn’t have time to rework every activity you know! Not to worry: here are 23 parts of speech activities, grammar games, and creative lessons to help students of all ages learn this tough topic once and for all!
1. ping pong toss.
Bring out your class’ competitive spirit with this game! Label some cups with the parts of speech and then write vocabulary words on the ping pong balls. Have your kiddos take turns at tossing the words into their corresponding parts of speech cup. You can have students guess which part of speech will fill up first, or challenge them to fill all the cups as quickly as they can! All you’ll need are some ping pong balls and some plastic cups!
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Who doesn’t love a scavenger hunt? This activity has printable sheets making this the perfect quiet activity for your kiddos to read as a warm-up or if they are fast finishers. They’ll take a worksheet and book and will have to hunt through their book to find adjectives, verbs, nouns, and other parts of speech.
Learn More: 123 Homeschool 4 Me
In groups, give each of your kids a part of speech and instruct them to say a word that corresponds with that part of speech whenever they have the ball. After they say their word aloud, they roll the ball to someone else in the circle. This is a great activity for young students who are learning basic vocabulary and developing hand-eye coordination. You could even use this ball for an extra challenge where they’ll have to start their word with the letter their hand lands on!
Learn More: New Age Kidz Store
If you don’t have the space for physical, outdoor activity, worksheets are a good way to engage your students from their desks. Worksheets are also great for some quiet work time.
Learn More: Scholastic
Create a visual web with your classroom and put it up on the wall for students to see. A visual reference during grammar lessons is essential in solidifying the concepts. Let the web grow with example vocabulary words attached to their respective parts of speech. Use colorful paper, designs, and images to go with the vocabulary words.
Learn More: Braun 107
Let your students create their own flipbooks to keep for reference. Let students personalize their flipbooks with sketches, colorful ink, and colored paper. This is a good activity for 3rd-grade students and above who might find some of the other elementary school activities too simple.
Learn More: Teachers Pay Teachers
Who doesn’t love a sing-a-long? These fun parts of speech songs are set to familiar tunes like the “Spongebob Squarepants” theme song! You can put the lyrics up on the projector and have the whole class sing along.
Learn More: The Classroom Key
These books are all about the parts of speech and are geared toward very young students. Get a few of these for your classroom and you can have students read them on their own or in small groups.
Learn More: Learn In Color
If you’ve been looking for an excuse to finally get that label maker you’ve had your eye on, then this is it! Label everything in the classroom with parts of speech! You might think everything is going to be a “noun,” but with a little creativity, you can add a variety of labels to each object. A chair could have labels like, “chair = noun” and “sit = verb,” or even “comfy = adjective.
10. parts of speech jeopardy.
Make the parts of speech your top-row categories and write sentences under each points square. When a student selects “verbs for 200,” read the sentence and the student will respond with the verbs as their answer.
This printable activity is an excellent way to get your kiddies some practice at identifying the different parts of speech. Ask them to use a few different colors to highlight the different parts of speech they come across in each sentence. You can make this activity even more fun by having your students copy sentences from their favorite books to use for this exercise.
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Cinquain poems, like haikus, follow a very specific, strict structure. Cinquain poem rules don’t just restrict your syllables, but also what part of speech to use on each line.
Learn More: Poetry Tea Time
Ask students to read a few passages from a book and tally up how many times each part of speech is used. This is a great activity for all levels of students because you can adjust the reading level of the material being tallied. This is also a good independent online activity for students who are still virtual and are unable to participate in an interactive game.
Learn More: The School Run
Use this fun interactive game on your smartboard and have your kiddos edit a story into a bestseller! Task them with changing the sentences by substituting given words with other words that match the respective part of speech. They’ll go through each part of the speech until the sentence is completely changed! “How now, said the brown cow,” becomes “When then, ran a cozy table!
Learn More: Top Marks
See how much information about parts of speech your students remember! Have them create their very own cheat sheets with definitions of each part of speech and some ‘wow’ vocabulary to help them make their writing interesting! The more they use their cheat sheet, the less they’ll eventually need it.
Sentence diagrams are a great way to make parts of speech concrete for middle school students and there are a variety of ways to diagram parts of speech.
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With this printable bingo game, students can practice parts of speech while relaxing and having fun!
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18. partner match game with post-it notes.
Give each student a post-it note with a word or phrase written on it. Tell them to stick the post-it to their forehead without looking at it. Students can go around the classroom asking questions about the word on their post-its. Once they know what part of speech it fits into, they can partner up to make full, silly sentences!
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Zines are a fun activity and a great way to get creative. Have your students make zines about the parts of speech.
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The classic game of charades can also help students identify parts of speech. Break into teams and have students act out basic sentences by focusing on the parts of speech.
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Have students break into groups and write short skits based on parts of speech. One group could have proper nouns, while another has interjections, and so forth. Each group will write and perform a skit focused on the use of their assigned part of speech.
Have students write a paragraph or two, then pass their work to the left for review. The reviewer will then suggest alternative nouns before passing the paper to the left again. The second reviewer will suggest alternative verbs before passing the paper to the left again.
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To play this grammar-based classroom baseball game, you’ll set up “bases” and ask students who are “up to bat” to identify parts of speech in a basic sentence on the board. Alternatively, you could ask students to correct sentences instead. This is an exciting game and is sure to get students up and moving around!
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Weak forms: In connected speech, many words are pronounced in a weak form. In the classroom Intensive listening activities can help raise awareness of the features of connected speech, as can teaching phonemic symbols to illustrate these features. Modelling and drilling contextualised language can help learners to approximate connected speech.
A good activity to start learners thinking about connected speech and weak forms is to dictate just part of some phrases. For example: 'uvbin'. After students have written these down as best they can (this should be a light-hearted activity), you dictate the full phrase, in this case 'I've been to Paris.'.
Connected speech. Teaching pronunciation used to involve little more than identifying and practising the sounds of which a language is composed, that is to say, its phonemes. Recently however, there has been a shift of focus towards the other systems operating within phonology, which may be more important in terms of overall intelligibility.
These changes have resulted in the publication of New Ways in Teaching Connected Speech (2012). This book offers an extensive amount of pronunciation lessons created by teachers for teachers of a range of proficiency levels (i.e., beginner to advanced). The editor suggests that connected speech is not simply a marker for casual, less formal ...
The pronunciation work students will complete will take a number of forms: Explicit teaching of sentence stress, weak forms, and other elements of connected speech. Use of tubequizard.com in their free time as ear-training/decoding. Exposure to a "model" version of the target text, read by me, for students to compare/mimic.
Connected speech 2. An advanced student of mine speaks both clearly and usually correctly, but can often sound over formal and at times stilted. Author. Vanessa Steele. He has learnt his English "through the eye" and has trouble interpreting the utterances of native speakers who do not monitor their output.
So, this lesson focuses on connected speech and listening skills using video. It uses a clip from Catch me if you can, which you may have been able to guess from the title. Time: 30-60mins. Level: High Int +. Aim: To raise awareness of how spoken English sounds. Sub aim: To highlight stressed and unstressed words.
When the sound at the end of one stretch of language is the same as the one at the beginning of the next item, they are usually reduced to a single sound in connected speech so, for example: I'm meeting Mary. is pronounced as: /aɪ.ˈmiːt.ɪŋ.ˈmeər.i/ not /aɪm.ˈmiːt.ɪŋ.ˈmeər.i/. and. Don't take that table.
5. Geminates. Geminates are a doubled or long consonant sound. In connected speech, when a first word ends with the same consonant sound that the next word begins with, we often put the sounds together and elongate them. For example: "single ladies" turns into "single-adies". "social life" turns into "social-ife".
ESL Level: upper-intermediate. Class time: 30 minutes. Worksheet Download: File moved to TPT. Description These two dialogues can be used to practice connected speech. Students in pairs first practice their dialogue and then they perform it for another pair. The listening pair fills in the expressions they hear on the worksheet.
Here are 3 activities to try in the classroom: Bottom-up Listening Dictation. a. Read the sentence "I'm an English student learning about the schwa, what am I going to learn?". Make sure you read it at normal speaking speed, using connected speech features. (Change the sentence depending on level, create more challenge for B1+ students) b.
In pairs, Students discuss for two minutes.Teacher gets feedback on the differences, similarities. Teacher gives students worksheet 1 and they need to figure out if the sentences refer to old rules of relationship or new rules.Teacher checks answers and meanings. Teacher tells students they are going to listen to a song.
Pop songs are a fun way to improve your connected speech. Because they are repetitive, songs provide a great opportunity to notice links between words. They also give you the chance to practice connected speech as you sing along. Here are five features of connected speech with pop songs to illustrate each point.
1. 30 Second Speech. This English speaking activity is both fun and useful. The aim is to get students to speak for 30 seconds about topics that may or may not be out of their comfort zone. We have a list of topics here for you to choose from, and of course you can think of your own.
1. Among Us: Among Us, a popular online multiplayer game, requires players to work together on a spaceship while identifying impostors among them. Effective communication, persuasion, and critical thinking are crucial as players discuss suspicions and observations to deduce the impostors.
Pronunciation exercises - Connected Speech. There is a pronunciation exercise using video and text available for pronouncing the different vowel to vowel linking. These pronunciation exercises are accessible by clicking on the links below. You can also record and listen to your voice after viewing each lesson, by using the Vocaroo recorder.
15. There are some highly frequent words in which /l/ is often deleted. Examples: already also alright. 15. A syllable containing the unstressed /ə/ vowel is sometimes lost. Example: int (e)rest diff (e)rent sim (i)lar libr (a)ry secret (a)ry. 15. Some types and examples of connected speech.
Speech Therapy Games for Preschoolers. These fun preschool games are perfect language activities for younger kids. 1. Hopscotch Word Fun. Draw a hopscotch on the sidewalk or driveway and write target words in each box. Then have the player say the words out loud to practice speech sounds as they skip through the game. Helps with: Pronunciation.
23. Baseball Grammar Game. To play this grammar-based classroom baseball game, you'll set up "bases" and ask students who are "up to bat" to identify parts of speech in a basic sentence on the board. Alternatively, you could ask students to correct sentences instead.
Then write sentences using indirect speech on five to ten separate cards. Shuffle the cards together and lay them in a grid face down on the table. Students play against a partner to find the most matches for the sentences. To keep a pair, they must match the direct quote with the correct reported speech. 4.
It can help in polishing and refining the concept of reported speech in a better fashion and help students master it. 5. The Speech Bingo. This is a fun individual game that is based on the concept of Bingo. This game is a creative way of teaching and making students practice the concept of reported speech.
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