write an essay on poetry

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Writing About Poetry

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Writing about poetry can be one of the most demanding tasks that many students face in a literature class. Poetry, by its very nature, makes demands on a writer who attempts to analyze it that other forms of literature do not. So how can you write a clear, confident, well-supported essay about poetry? This handout offers answers to some common questions about writing about poetry.

What's the Point?

In order to write effectively about poetry, one needs a clear idea of what the point of writing about poetry is. When you are assigned an analytical essay about a poem in an English class, the goal of the assignment is usually to argue a specific thesis about the poem, using your analysis of specific elements in the poem and how those elements relate to each other to support your thesis.

So why would your teacher give you such an assignment? What are the benefits of learning to write analytic essays about poetry? Several important reasons suggest themselves:

• To help you learn to make a text-based argument. That is, to help you to defend ideas based on a text that is available to you and other readers. This sharpens your reasoning skills by forcing you to formulate an interpretation of something someone else has written and to support that interpretation by providing logically valid reasons why someone else who has read the poem should agree with your argument. This isn't a skill that is just important in academics, by the way. Lawyers, politicians, and journalists often find that they need to make use of similar skills.
• To help you to understand what you are reading more fully. Nothing causes a person to make an extra effort to understand difficult material like the task of writing about it. Also, writing has a way of helping you to see things that you may have otherwise missed simply by causing you to think about how to frame your own analysis.
• To help you enjoy poetry more! This may sound unlikely, but one of the real pleasures of poetry is the opportunity to wrestle with the text and co-create meaning with the author. When you put together a well-constructed analysis of the poem, you are not only showing that you understand what is there, you are also contributing to an ongoing conversation about the poem. If your reading is convincing enough, everyone who has read your essay will get a little more out of the poem because of your analysis.

What Should I Know about Writing about Poetry?

Most importantly, you should realize that a paper that you write about a poem or poems is an argument. Make sure that you have something specific that you want to say about the poem that you are discussing. This specific argument that you want to make about the poem will be your thesis. You will support this thesis by drawing examples and evidence from the poem itself. In order to make a credible argument about the poem, you will want to analyze how the poem works—what genre the poem fits into, what its themes are, and what poetic techniques and figures of speech are used.

What Can I Write About?

Theme: One place to start when writing about poetry is to look at any significant themes that emerge in the poetry. Does the poetry deal with themes related to love, death, war, or peace? What other themes show up in the poem? Are there particular historical events that are mentioned in the poem? What are the most important concepts that are addressed in the poem?

Genre: What kind of poem are you looking at? Is it an epic (a long poem on a heroic subject)? Is it a sonnet (a brief poem, usually consisting of fourteen lines)? Is it an ode? A satire? An elegy? A lyric? Does it fit into a specific literary movement such as Modernism, Romanticism, Neoclassicism, or Renaissance poetry? This is another place where you may need to do some research in an introductory poetry text or encyclopedia to find out what distinguishes specific genres and movements.

Versification: Look closely at the poem's rhyme and meter. Is there an identifiable rhyme scheme? Is there a set number of syllables in each line? The most common meter for poetry in English is iambic pentameter, which has five feet of two syllables each (thus the name "pentameter") in each of which the strongly stressed syllable follows the unstressed syllable. You can learn more about rhyme and meter by consulting our handout on sound and meter in poetry or the introduction to a standard textbook for poetry such as the Norton Anthology of Poetry . Also relevant to this category of concerns are techniques such as caesura (a pause in the middle of a line) and enjambment (continuing a grammatical sentence or clause from one line to the next). Is there anything that you can tell about the poem from the choices that the author has made in this area? For more information about important literary terms, see our handout on the subject.

Figures of speech: Are there literary devices being used that affect how you read the poem? Here are some examples of commonly discussed figures of speech:

• metaphor: comparison between two unlike things
• simile: comparison between two unlike things using "like" or "as"
• metonymy: one thing stands for something else that is closely related to it (For example, using the phrase "the crown" to refer to the king would be an example of metonymy.)
• synecdoche: a part stands in for a whole (For example, in the phrase "all hands on deck," "hands" stands in for the people in the ship's crew.)
• personification: a non-human thing is endowed with human characteristics
• litotes: a double negative is used for poetic effect (example: not unlike, not displeased)
• irony: a difference between the surface meaning of the words and the implications that may be drawn from them

Cultural Context: How does the poem you are looking at relate to the historical context in which it was written? For example, what's the cultural significance of Walt Whitman's famous elegy for Lincoln "When Lilacs Last in the Dooryard Bloomed" in light of post-Civil War cultural trends in the U.S.A? How does John Donne's devotional poetry relate to the contentious religious climate in seventeenth-century England? These questions may take you out of the literature section of your library altogether and involve finding out about philosophy, history, religion, economics, music, or the visual arts.

What Style Should I Use?

It is useful to follow some standard conventions when writing about poetry. First, when you analyze a poem, it is best to use present tense rather than past tense for your verbs. Second, you will want to make use of numerous quotations from the poem and explain their meaning and their significance to your argument. After all, if you do not quote the poem itself when you are making an argument about it, you damage your credibility. If your teacher asks for outside criticism of the poem as well, you should also cite points made by other critics that are relevant to your argument. A third point to remember is that there are various citation formats for citing both the material you get from the poems themselves and the information you get from other critical sources. The most common citation format for writing about poetry is the Modern Language Association (MLA) format .

Poetry Explained

How to Write a Poetry Essay (Complete Guide)

Unlock success in poetry essays with our comprehensive guide. Uncover the process to help aid understanding of how best to create a poetry essay.

While many of us read poetry for pleasure, it is undeniable that many poetry readers do so in the knowledge that they will be assessed on the text they are reading, either in an exam, for homework, or for a piece of coursework. This is clearly a daunting task for many, and lots of students don’t even know where to begin. We’re here to help! This guide will take you through all the necessary steps so that you can plan and write great poetry essays every time. If you’re still getting to grips with the different techniques, terms, or some other aspect of poetry, then check out our other available resources at the bottom of this page.

This Guide was Created by Joe Samantaria

Degree in English and Related Literature, and a Masters in Irish Literature

Upon completion of his degrees, Joe is an English tutor and counts W.B. Yeats , Emily Brontë , and Federico Garcia Lorca among his favorite poets. He has helped tutor hundreds of students with poetry and aims to do the same for readers and Poetry + users on Poem Analysis.

How to Write a Poetry Essay

• 1 Before You Start…
• 2 Introductions
• 3 Main Paragraphs
• 4 Conclusions
• 6 Other Resources

Before You Start…

Before we begin, we must address the fact that all poetry essays are different from one another on account of different academic levels, whether or not the essay pertains to one poem or multiple, and the intended length of the essay. That is before we even contend with the countless variations and distinctions between individual poems. Thus, it is impossible to produce a single, one-size-fits-all template for writing great essays on poetry because the criteria for such an essay are not universal. This guide is, therefore, designed to help you go about writing a simple essay on a single poem, which comes to roughly 1000-1200 words in length. We have designed it this way to mirror the requirements of as many students around the world as possible. It is our intention to write another guide on how to write a comparative poetry essay at a later date. Finally, we would like to stress the fact that this guide is exactly that: a guide. It is not a set of restrictive rules but rather a means of helping you get to grips with writing poetry essays. Think of it more like a recipe that, once practiced a few times, can be modified and adapted as you see fit.

The first and most obvious starting point is the poem itself and there are some important things to do at this stage before you even begin contemplating writing your essay. Naturally, these things will depend on the nature of the essay you are required to write.

• Is the poem one you are familiar with?
• Do you know anything about the context of the poem or the poet?
• How much time do you have to complete the essay?
• Do you have access to books or the internet?

These questions matter because they will determine the type, length, and scope of the essay you write. Naturally, an essay written under timed conditions about an unfamiliar poem will look very different from one written about a poem known to you. Likewise, teachers and examiners will expect different things from these essays and will mark them accordingly.

As this article pertains to writing a poverty essay, we’re going to assume you have a grasp of the basics of understanding the poems themselves. There is a plethora of materials available that can help you analyze poetry if you need to, and thousands of analyzed poems are available right here. For the sake of clarity, we advise you to use these tools to help you get to grips with the poem you intend to write about before you ever sit down to actually produce an essay. As we have said, the amount of time spent pondering the poem will depend on the context of the essay. If you are writing a coursework-style question over many weeks, then you should spend hours analyzing the poem and reading extensively about its context. If, however, you are writing an essay in an exam on a poem you have never seen before, you should perhaps take 10-15% of the allotted time analyzing the poem before you start writing.

The Question

Once you have spent enough time analyzing the poem and identifying its key features and themes, you can turn your attention to the question. It is highly unlikely that you will simply be asked to “analyze this poem.” That would be too simple on the one hand and far too broad on the other.

More likely, you will be asked to analyze a particular aspect of the poem, usually pertaining to its message, themes, or meaning. There are numerous ways examiners can express these questions, so we have outlined some common types of questions below.

• Explore the poet’s presentation of…
• How does the poet present…
• Explore the ways the writer portrays their thoughts about…

These are all similar ways of achieving the same result. In each case, the examiner requires that you analyze the devices used by the poet and attempt to tie the effect those devices have to the poet’s broader intentions or meaning.

Some students prefer reading the question before they read the poem, so they can better focus their analytical eye on devices and features that directly relate to the question they are being asked. This approach has its merits, especially for poems that you have not previously seen. However, be wary of focusing too much on a single element of a poem, particularly if it is one you may be asked to write about again in a later exam. It is no good knowing only how a poem links to the theme of revenge if you will later be asked to explore its presentation of time.

Essay plans can help focus students’ attention when they’re under pressure and give them a degree of confidence while they’re writing. In basic terms, a plan needs the following elements:

• An overarching answer to the question (this will form the basis of your introduction)
• A series of specific, identifiable poetic devices ( metaphors , caesura , juxtaposition , etc) you have found in the poem
• Ideas about how these devices link to the poem’s messages or themes.
• Some pieces of relevant context (depending on whether you need it for your type of question)

In terms of layout, we do not want to be too prescriptive. Some students prefer to bullet-point their ideas, and others like to separate them by paragraph. If you use the latter approach, you should aim for:

• 1 Introduction
• 4-5 Main paragraphs
• 1 Conclusion

Finally, the length and detail of your plan should be dictated by the nature of the essay you are doing. If you are under exam conditions, you should not spend too much time writing a plan, as you will need that time for the essay itself. Conversely, if you are not under time pressure, you should take your time to really build out your plan and fill in the details.

Introductions

If you have followed all the steps to this point, you should be ready to start writing your essay. All good essays begin with an introduction, so that is where we shall start.

When it comes to introductions, the clue is in the name: this is the place for you to introduce your ideas and answer the question in broad terms. This means that you don’t need to go into too much detail, as you’ll be doing that in the main body of the essay. That means you don’t need quotes, and you’re unlikely to need to quote anything from the poem yet. One thing to remember is that you should mention both the poet’s name and the poem’s title in your introduction. This might seem unnecessary, but it is a good habit to get into, especially if you are writing an essay in which other questions/poems are available to choose from.

As we mentioned earlier, you are unlikely to get a question that simply asks you to analyze a poem in its entirety, with no specific angle. More likely, you’ll be asked to write an essay about a particular thematic element of the poem. Your introduction should reflect this. However, many students fall into the trap of simply regurgitating the question without offering anything more. For example, a question might ask you to explore a poet’s presentation of love, memory, loss, or conflict . You should avoid the temptation to simply hand these terms back in your introduction without expanding upon them. You will get a chance to see this in action below.

Let’s say we were given the following question:

Explore Patrick Kavanagh’s presentation of loss and memory in Memory of My Father

Taking on board the earlier advice, you should hopefully produce an introduction similar to the one written below.

Patrick Kavanagh presents loss as an inescapable fact of existence and subverts the readers’ expectations of memory by implying that memories can cause immense pain, even if they feature loved ones. This essay will argue that Memory of My Father depicts loss to be cyclical and thus emphasizes the difficulties that inevitably occur in the early stages of grief.

As you can see, the introduction is fairly condensed and does not attempt to analyze any specific poetic elements. There will be plenty of time for that as the essay progresses. Similarly, the introduction does not simply repeat the words ‘loss’ and ‘memory’ from the question but expands upon them and offers a glimpse of the kind of interpretation that will follow without providing too much unnecessary detail at this early stage.

Main Paragraphs

Now, we come to the main body of the essay, the quality of which will ultimately determine the strength of our essay. This section should comprise of 4-5 paragraphs, and each of these should analyze an aspect of the poem and then link the effect that aspect creates to the poem’s themes or message. They can also draw upon context when relevant if that is a required component of your particular essay.

There are a few things to consider when writing analytical paragraphs and many different templates for doing so, some of which are listed below.

• PEE (Point-Evidence-Explain)
• PEA (Point-Evidence-Analysis)
• PETAL (Point-Evidence-Technique-Analysis-Link)
• IQA (Identify-Quote-Analyze)
• PEEL (Point-Evidence-Explain-Link)

Some of these may be familiar to you, and they all have their merits. As you can see, there are all effective variations of the same thing. Some might use different terms or change the order, but it is possible to write great paragraphs using all of them.

One of the most important aspects of writing these kind of paragraphs is selecting the features you will be identifying and analyzing. A full list of poetic features with explanations can be found here. If you have done your plan correctly, you should have already identified a series of poetic devices and begun to think about how they link to the poem’s themes.

It is important to remember that, when analyzing poetry, everything is fair game! You can analyze the language, structure, shape, and punctuation of the poem. Try not to rely too heavily on any single type of paragraph. For instance, if you have written three paragraphs about linguistic features ( similes , hyperbole , alliteration , etc), then try to write your next one about a structural device ( rhyme scheme , enjambment , meter , etc).

Regardless of what structure you are using, you should remember that multiple interpretations are not only acceptable but actively encouraged. Techniques can create effects that link to the poem’s message or themes in both complementary and entirely contrasting ways. All these possibilities should find their way into your essay. You are not writing a legal argument that must be utterly watertight – you are interpreting a subjective piece of art.

It is important to provide evidence for your points in the form of either a direct quotation or, when appropriate, a reference to specific lines or stanzas . For instance, if you are analyzing a strict rhyme scheme, you do not need to quote every rhyming word. Instead, you can simply name the rhyme scheme as, for example, AABB , and then specify whether or not this rhyme scheme is applied consistently throughout the poem or not. When you are quoting a section from the poem, you should endeavor to embed your quotation within your line so that your paragraph flows and can be read without cause for confusion.

When it comes to context, remember to check whether or not your essay question requires it before you begin writing. If you do need to use it, you must remember that it is used to elevate your analysis of the poem, not replace it. Think of context like condiments or spices. When used appropriately, they can enhance the experience of eating a meal, but you would have every right to complain if a restaurant served you a bowl of ketchup in lieu of an actual meal. Moreover, you should remember to only use the contextual information that helps your interpretation rather than simply writing down facts to prove you have memorized them. Examiners will not be impressed that you know the date a particular poet was born or died unless that information relates to the poem itself.

For the sake of ease, let’s return to our earlier question:

Have a look at the example paragraph below, taking note of the ways in which it interprets the linguistic technique in several different ways.

Kavanagh uses a metaphor when describing how the narrator ’s father had “fallen in love with death” in order to capture the narrator’s conflicted attitudes towards his loss. By conflating the ordinarily juxtaposed states of love and death, Kavanagh implies the narrator’s loss has shattered his previously held understanding of the world and left him confused. Similarly, the metaphor could suggest the narrator feels a degree of jealousy, possibly even self-loathing, because their father embraced death willingly rather than remaining with the living. Ultimately, the metaphor’s innate impossibility speaks to the narrator’s desire to rationalize their loss because the reality, that his father simply died, is too painful for him to bear.

As you can see, the paragraph clearly engages with a poetic device and uses an appropriately embedded quotation. The subsequent interpretations are then varied enough to avoid repeating each other, but all clearly link to the theme of loss that was mentioned in the question. Obviously, this is only one analytical paragraph, but a completed essay should contain 4-5. This would allow the writer to analyze enough different devices and link them to both themes mentioned in the question.

Conclusions

By this stage, you should have written the bulk of your essay in the form of your introduction and 4-5 main analytical paragraphs. If you have done those things properly, then the conclusion should largely take care of itself.

The world’s simplest essay plan sounds something like this:

• Tell them what you’re going to tell them
• Tell them what you’ve told them

This is, naturally, an oversimplification, but it is worth bearing in mind. The conclusion to an essay is not the place to introduce your final, groundbreaking interpretation. Nor is it the place to reveal a hitherto unknown piece of contextual information that shatters any prior critical consensus with regard to the poem you are writing about. If you do either of these things, the examiner will be asking themselves one simple question: why didn’t they write this earlier?

In its most simple form, a conclusion is there, to sum up the points you have made and nothing more.

As with the previous sections, there is a little more to a great conclusion than merely stating the things you have already made. The trick to a great conclusion is to bind those points together to emphasize the essay’s overarching thread or central argument. This is a subtle skill, but mastering it will really help you to finish your essays with a flourish by making your points feel like they are more than the sum of their parts.

Finally, let’s remind ourselves of the hypothetical essay question we’ve been using:

Remember that, just like your introduction, your conclusion should be brief and direct and must not attempt to do more than it needs to.

In conclusion, Kavanagh’s poem utilizes numerous techniques to capture the ways in which loss is both inescapable and a source of enormous pain. Moreover, the poet subverts positive memories by showcasing how they can cause loved ones more pain than comfort in the early stages of grief. Ultimately, the poem demonstrates how malleable memory can be in the face of immense loss due to the way the latter shapes and informs the former.

As you can see, this conclusion is confident and authoritative but does not need to provide evidence to justify this tone because that evidence has already been provided earlier in the essay. You should pay close attention to the manner in which the conclusion links different points together under one banner in order to provide a sense of assuredness.

You should refer to the poet by either using their full name or, more commonly, their surname. After your first usage, you may refer to them as ‘the poet.’ Never refer to the poet using just their first name.

This is a good question, and the answer entirely depends on the level of study as well as the nature of the examination. If you are writing a timed essay for a school exam, you are unlikely to need any form of referencing. If, however, you are writing an essay as part of coursework or at a higher education institution, you may need to refer to the specific guidelines of that institution.

Again, this will depend on the type of essay you are being asked to write. If you are writing a longer essay or writing at a higher educational level, it can be useful to refer to other poems in the writer’s repertoire to help make comments on an aspect of the poem you are primarily writing about. However, for the kind of essay outlined in this article, you should focus solely on the poem you have been asked to write about.

This is one of the most common concerns students have about writing essays . Ultimately, the quality of an essay is more likely to be determined by the quality of paragraphs than the quantity anyway, so you should focus on making your paragraphs as good as they can be. Beyond this, it is important to remember that the time required to write a paragraph is not fixed. The more you write, the faster they will become. You should trust the process, focus on making each paragraph as good as it can be, and you’ll be amazed at how the timing issue takes care of itself.

Other Resources

We hope you have found this article useful and would love for you to comment or reach out to us if you have any queries about what we’ve written. We’d love to hear your feedback!

In the meantime, we’ve collated a list of resources you might find helpful when setting out to tackle a poetry essay, which you can find below.

• Do poems have to rhyme?
• 10 important elements of poetry
• How to analyze a poem with SMILE
• How to approach unseen poetry
• 18 Different Types of Themes in Poetry

Home » Poetry Explained » How to Write a Poetry Essay (Complete Guide)

About Joe Santamaria

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Santamaria, Joe. "How to Write a Poetry Essay (Complete Guide)". Poem Analysis , https://poemanalysis.com/how-to-write-a-poetry-essay/ . Accessed 30 August 2024.

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How to write a poetry essay

• August 26, 2023

Whether you love literature or are just curious, this guide will help you understand, enjoy, and talk about poetry. So, let’s start exploring the world of lines and symbols, where each one tells a story to discover.

Here are the steps on writing a poetry essay.

Choose a poem

The first step is, of course, to choose a poem to write your essay . 

It should be one that you find interesting, thought-provoking, or emotionally resonant. It’s important to select a poem that you can engage with and analyze effectively.

• Choose a poem that genuinely captures your interest. Look for poems that evoke emotions, thoughts, or curiosity when you read them.
• Consider the themes addressed in the poem. It should offer ample material for analysis.

When choosing a poem

So for this guide, let’s choose Emily Dickinson’s poem “Because I could not stop for Death.” You’ll see a short excerpt of this poem for your understanding. 

Poem example for poetry essay

Because i couldn not stop for Death by Emily Dickinson

       Because I could not stop for Death –        He kindly stopped for me –        The Carriage held but just Ourselves –        And Immortality.        We slowly drove – He knew no haste        And I had put away        My labor and my leisure too,        For His Civility –        We passed the School, where Children strove        At Recess – in the Ring –        We passed the Fields of Gazing Grain –        We passed the Setting Sun –        The poem continues....

This poem is intriguing due to its exploration of mortality, the afterlife, and eternity. The imagery and language in the poem provide ample material for analysis, making it a suitable choice for a comprehensive essay.

After carefully choosing the poem that interests you, understanding the poem is the biggest key to writing an effective and nice poetry essay.

Understand the poem

Reading the poem several times to grasp its meaning is the most important part of a good analysis. You must first analyze the structure, rhyme scheme , meter and literary tools used in the poem.

For a solid understanding, you should:

• Read the poem multiple times to familiarize yourself with its content. Each reading may reveal new insights.
• Identify the central themes or messages the poem conveys.
• Study the rhyme scheme and meter (rhythmic pattern) of the poem.
• Consider how the structure, including its stanzas, lines, and breaks, contributes to the poem's meaning and impact.

For example

Remember, understanding the poem thoroughly is the foundation for a well-informed analysis. Take your time to grasp the poem’s various elements before moving on to the next steps in your essay.

Now that we have a clear understanding of the poem, let’s move into writing the introduction. 

Write a catchy introduction

• Begin with an attention-grabbing hook sentence that piques the reader's interest.
• Provide the necessary information about the poem and its author. Mention the poet's name and title of the poem.
• Offer some context about the poem's time period, literary movement, or cultural influences.
• Present your thesis statement , which outlines the main argument or focus of your essay.

Poetry essay introduction example

Introduction

Thesis statement for poetry essays

A thesis statement is a clear and concise sentence or two that presents the main argument or point of your essay . It provides a roadmap for your reader, outlining what they can expect to find in your essay.

In the case of a poetry essay, your thesis statement should capture the central message, themes, or techniques you’ll be discussing in relation to the poem.

Why is the thesis important for a poetry essay?

By reading your thesis statement, your audience should have a clear idea of what to expect from your poem analysis essay.

When creating a thesis statement, keep these in mind: 

• Start by identifying the key elements of the poem that you want to discuss. These could be themes, literary devices, emotions conveyed, or the poet's intentions.
• Based on the key elements you've identified, formulate a central argument that encapsulates your main analysis. What is the poem trying to convey? What are you trying to say about the poem?
• Your thesis should be specific and focused. Avoid vague or broad statements. Instead, provide a clear direction for your analysis.

Poetry essasy thesis statement example

....(introduction starts) ....(introduction continues) ....(introduction continues) In "Because I could not stop for Death," Emily Dickinson employs vivid imagery, personification, and an unconventional perspective on mortality to explore the transcendence of death and the eternity of the soul. Thesis statement, which is usually the last sentence of your introduction

Analyze language and imagery

Language and image analysis in poetry involves a close examination of the words, phrases and literary devices used by the poet. In this step you must uncover the deeper layers of meaning, emotion and sensory experiences conveyed by the poet’s choice of language and imagery.

Why language and imagery?

• Start by identifying and listing the literary devices present in the poem. These could include metaphors, similes, personification, symbolism, alliteration, onomatopoeia, and more.
• For each identified device, explain its significance. How does it contribute to the poem's meaning, mood, or tone?
• Analyze how the literary devices interact with the context of the poem. How do they relate to the themes, characters, or situations presented in the poem?
• Discuss how the use of specific language and imagery influences the reader's emotional response and understanding of the poem.

Continuing with Emily Dickinson’s “Because I could not stop for Death,” let’s analyze the use of imagery:

Language and imagery analysis example

Lines chosen for analysis

Discuss themes in body paragraphs

Exploring themes helps you grasp the deeper meaning of the poem and connect it to broader human experiences. Understanding the themes allows you to uncover what the poet is attempting to convey and how the poem relates to readers on a universal level.

In this step, you will likely dedicate multiple body paragraphs to the analysis of various aspects of language and imagery. Each body paragraph should focus on a specific literary device, phrase, or aspect of language and imagery.

Here’s how you can structure the body paragraphs.

Poetry essay body paragraphs example

Body Paragraph 1: Identify and Explain Literary Devices

Body Paragraph 2: Context and Interaction with Themes

Body Paragraph 3: Reader's emotional response and understanding

Provide evidence from the poem

Providing evidence involves quoting specific lines or stanzas from the poem to support the points you’re making in your analysis. These quotes serve as concrete examples that demonstrate how the poet uses language, imagery, or literary devices to convey specific meanings or emotions.

• Select lines or stanzas from the poem that directly relate to the point you're making in your analysis.
• Introduce each quote with context, explaining the significance of the lines and how they contribute to your analysis.
• Use quotation marks to indicate that you're using the poet's language.
• After providing the quote, interpret its meaning. Explain how the language, imagery, or devices used in the quoted lines contribute to your analysis.

Providing evidence example

In your essay, you should include several quotes and interpret them to reinforce your points. Quoting specific lines from the poem allows you to showcase the poet’s language while demonstrating how these lines contribute to the poem’s overall expression.

Write a conclusion

Conclusion paragraph is the last sentence of your poem analysis essay. It reinforces your thesis statement and emphasizes your insights.

Additionally, the conclusion offers a chance to provide a final thought that leaves a lasting impression on the reader. In your conclusion, make sure to:

• Start by rephrasing your thesis statement. Remind the reader of the main argument you've made in your essay.
• Provide a concise summary of the main points. Avoid introducing new information; focus on the key ideas.
• Discuss the broader significance or implications. How does the poem's message relate to readers beyond its specific context?
• End with a thoughtful reflection, observation, or question that leaves the reader with something to ponder.

Poetry essay conclusion example

In your essay, the conclusion serves as a final opportunity to leave a strong impression on the reader by summarizing your analysis and offering insights into the poem’s broader significance.

Now, it’s time to double check what you’ve written.

Proofread and revise your essay

Edit your essay for clarity, coherence, tense selection , correct headings , etc. Ensure that your ideas flow logically and your analysis is well-supported. Remember, a poetry essay is an opportunity to delve into the nuances of a poem’s language, themes, and emotions.

• Review each paragraph to ensure ideas flow logically from one to the next.
• Check for grammar and punctuation errors.
• Verify that your evidence from the poem is accurately quoted and explained.
• Make sure your language is clear and effectively conveys your analysis.

By proofreading and revising, you can refine your essay, improving its readability and ensuring that your insights are communicated accurately.

So this was the last part, you’re now ready to write your first poem analysis (poetry) essay. 

Frequently Asked Questions

What should i include in the introduction of a poetry essay.

In the introduction, provide background information about the poem and poet. Include the poem’s title, publication date, and any relevant context that helps readers understand its significance.

Can I include my emotional responses in a poetry essay?

Yes, you can discuss your emotional responses, but ensure they are supported by your analysis of the poem’s literary elements. Avoid focusing solely on personal feelings.

Is it important to understand the poet's background when writing a poetry essay?

While it can provide context, your focus should be on analyzing the poem itself. If the poet’s background is relevant to the poem’s interpretation, mention it briefly.

What's the best way to conclude a poetry essay?

In the conclusion, summarize your main points and tie them together. Offer insights into the poem’s broader significance, implications, or lasting impact.

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Writing Studio

Writing about poetry: questions and answers, frequently asked questions on writing about poetry.

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Question 1: So what is a poetry paper, and how is it different from summary papers or compare-and-contrast essays?

Answer: A poetry paper is actually called an explication , or a close reading of a poem. It is a line-by-line commentary about what is happening there.

However, when writing an explication, is it important to remember that it is more than just a long summary. Although you may have to summarize the poem in certain parts of your paper (like in the introduction or conclusion), or you may choose to paraphrase a few lines that don’t contain things related to the focus of your paper, an explication is far more complex.

It is, in fact, a close reading of a poem based on a claim that you have made about it. Generally, good explications go line by line, picking out every detail in the poem that supports your argument .

Question 2: Whoa, you just said “argument.” Do poetry papers have those?

Answer: Yes, they do. Poetry explications should have a central argument or thesis that guides your analysis. And remember, thesis statements often start by asking general questions like:

• What does this poem “mean”? What is the author (or speaker) trying to say in it?
• What is the major “theme” of the poem: loneliness, love, racism, or what?
• How will my explication help my readers understand the poem in a fresh, interesting way?

Once you have chosen a theme, try to shape your observation into a more developed statement.

For example, John Donne’s sonnet “Death Be Not Proud” is certainly about death, but it is also doing something else: the speaker is arguing that, because Death is only the end of a life on earth, it is not something to be afraid of, since, according to the Christian beliefs of the speaker, it is only temporary, and will no longer exist when God returns to earth.

Be sure to ask the big questions , but always allow them to lead you to a specific argument about the poem.

Question 3: Okay, I have an argument and I think I’m ready to write. So how do I prove it?

Answer: The key thing to remember about explications is to analyze . Pick apart the language of the poem. Look for things such as symbolism, imagery, metaphor, tone, syntax, irony, allusion , etc. Show how the language of the poem is connected to its content and/or theme.

For example, don’t just stop at the observation that Hughes uses a metaphor—make an argument about how that metaphor helps him do what he does in his poem.

Also, if applicable, attend to the form of the poem ( identify the type of poem, line-breaks, rhythm, stanza breaks, rhyme scheme, etc.). Again, connect your observations about form to your interpretations of the content or theme.

Question 4: Cool. Thanks for your help. Is there anything else I should keep in mind?

Answer: Sure. Here are some general tips for about writing about poetry:

General Tips for Writing About Poetry

Let’s start with the “don’ts” (or “avoids”):.

• AVOID talking about the poem in terms of “today’s society.” If you feel that the social, cultural, and/or historical context discussions are important, or that the author is trying to say something really cool to or about society, then meet the poem on its own turf: Ask yourself: What was happening in society the country, or in a specific community when the poem was written? Why are those facts important to my explication of the poem? Also, avoid using words like “timeless” or “universal” —every poem has its own context, and words like that often make your reader wonder if you’re trying to avoid the work of discussing that poem on its own terms.
• AVOID saying things that are meaningless or obviously true : “Countee Cullen’s poem makes use of diction and syntax.” Of course—a lot of poems do. Instead, ask yourself if there is something distinctive or unusual about his use of diction. If so, then what purpose does it serve in this poem?
• AVOID evaluating the poem in simple terms like “good” and “bad.” This also includes statements like “Brooks’ poem is a realistic example of a guilty mother.” Lots of poets might like to do that, but why is that “realism” important? Try to find something unique or interesting about her portrayal of the mother that makes the poem different from other poems about mothers.

And Now for the “DO”:

Organize the essay in a purposeful manner. You don’t have to write a standard five-paragraph essay, but you do need to give your reader a sense that your paper is headed somewhere. Here are a couple of conventional ways to organize poetry explications:

• The poem begins….
• In the next/following line…
• The speaker immediately adds….
• She then introduces….
• The next stanza begins by saying….
• By formal/stylistic device. For instance, you might have one paragraph on syntax, one on meter, and so on. Again, the key is to show how these different devices illuminate different aspects of the argument. Don’t just repeat, “Cullen’s use of diction [insert thesis here]”; “Cullen’s use of imagery [insert thesis here]”; “Cullen’s use of meter [insert thesis here again].” Show how each of them proves your argument in different ways , or how they illuminate certain complexities in your argument.
• By thematic element. A poem will have several thematic elements going on (sometimes even seemingly contradictory ones), with each contributing to the meaning in a different way, and you can definitely write about them in the same paper. Just remember, be specific . Even two poems written by the same author on the same theme probably present that theme in different ways each time.

Last revised: 8/2008 | Adapted for web delivery: 12/2021 

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How to Write a Poetry Essay: Step-By-Step-Guide

Table of contents

• 1 What Is A Poetry Analysis?
• 2 How to Choose a Poem for Analysis?
• 3.0.1 Introduction
• 3.0.2 Main Body
• 3.0.3 Conclusion
• 4.1 Title of the Poem
• 4.2 Poetry Background
• 4.3 Structure of the Poem
• 4.4 Tone and Intonation of the Poetry
• 4.5 Language Forms and Symbols of the Poetry
• 4.6 Poetic devices
• 4.7 Music of the Poem
• 4.8 Purpose of Poem
• 5 Poetry Analysis Template
• 6 Example of Poem Analysis

Edgar Allan Poe once said:

“Poetry is the rhythmical creation of beauty in words.” 

The reader’s soul enjoys the beauty of the words masterfully expressed by the poet in a few lines. How much meaning is invested in these words, and even more lies behind them? For this reason, poetry is a constant object of scientific interest and the center of literary analysis.

As a university student, especially in literary specialties, you will often come across the need to write a poetry analysis essay. It may seem very difficult when you encounter such an essay for the first time. This is not surprising because even experienced students have difficulty performing such complex studies. This article will point you in the right direction and can be used as a poetry analysis worksheet.

What Is A Poetry Analysis?

Any poetry analysis consists in an in-depth study of the subject of study and the background details in which it is located. Poetry analysis is the process of decomposing a lyrical work into its smallest components for a detailed study of the independent elements. After that, all the data obtained are reassembled to formulate conclusions and write literary analysis . The study of a specific lyric poem also includes the study of the hidden meaning of the poem, the poet’s attitude and main idea, and the expression of individual impressions. After all, the lyrics aim to reach the heart of the reader.

The goal of the poetry analysis is to understand a literary work better. This type of scientific research makes it possible to study entire categories of art on the example of specific works, classify them as certain movements, and find similarities and differences with other poems representing the era.

A poetry analysis essay is a very common type of an essay for university programs, especially in literary and philological areas. Students are often required to have extensive knowledge as well as the ability of in-depth analysis. Such work requires immersion in the context and a high level of concentration.

How to Choose a Poem for Analysis?

You are a really lucky person if you have the opportunity to choose a poem to write a poetry analysis essay independently. After all, any scientific work is moving faster and easier if you are an expert and interested in the field of study. First of all, choose a poet who appeals to you. The piece is not just a set of sentences united by a common meaning. Therefore, it is primarily a reflection of the thoughts and beliefs of the author.

Also, choose a topic that is interesting and close to you. It doesn’t matter if it is an intimate sonnet, a patriotic poem, or a skillful description of nature. The main thing is that it arouses your interest. However, pay attention to the size of the work to make your work easier. The volume should be sufficient to conduct extensive analysis but not too large to meet the requirement for a poem analysis essay.

Well, in the end, your experience and knowledge of the poetry topic are important. Stop choosing the object of study that is within the scope of your competence. In this way, you will share your expert opinion with the public, as well as save yourself from the need for additional data searches required for better understanding.

Poem Analysis Essay Outline

A well-defined structure is a solid framework for your writing. Sometimes our thoughts come quite chaotically, or vice versa, you spend many hours having no idea where to start writing. In both cases, a poem analysis outline will come to your aid. Many students feel that writing an essay plan is a waste of time. However, you should reconsider your views on such a work strategy. And although it will take you time to make a poetry analysis essay outline, it will save you effort later on. While a perfect way out is to ask professionals to write your essays online , let’s still take a look at the key features of creating a paper yourself. Working is much easier and more pleasant when you understand what to start from and what to rely on. Let’s look at the key elements of a poem analysis essay structure.

The essence of a poetry essay outline is to structure and organize your thoughts. You must divide your essay into three main sections: introduction, body, and conclusions. Then list brainstormed ideas that you are going to present in each of these parts.

Introduction

Your essay should begin with an introductory paragraph . The main purpose of this section is to attract the attention of the reader. This will ensure interest in the research. You can also use these paragraphs to provide interesting data from the author of the poem and contextual information that directly relates to your poem but is not a part of the analysis yet.

Another integral part of the poem analysis essay introduction is the strong thesis statement . This technique is used when writing most essays in order to summarize the essence of the paper. The thesis statement opens up your narrative, giving the reader a clear picture of what your work will be about. This element should be short, concise, and self-explanatory.

The central section of a literary analysis essay is going to contain all the studies you’ve carried out. A good idea would be to divide the body into three or four paragraphs, each presenting a new idea. When writing an outline for your essay, determine that in the body part, you will describe:

• The central idea.
• Analysis of poetic techniques used by the poet.
• Your observations considering symbolism.
• Various aspects of the poem.

Make sure to include all of the above, but always mind the coherence of your poem literary analysis.

In the final paragraph , you have to list the conclusions to which your poetry analysis came. This is a paragraph that highlights the key points of the study that are worth paying attention to. Ensure that the information in the conclusion matches your goals set in the introduction. The last few lines of a poem usually contain the perfect information for you to wrap up your paper, giving your readers a ground for further thought.

Tips on How to Analyze a Poem

Now, having general theoretical information about what a poetry analysis essay is, what its components are, and how exactly you can make an outline, we are ready to move on to practical data. Let’s take a closer look at the key principles that you should rely on in the poetry analysis. As you might guess, just reading a poem will not be enough to make a comprehensive analysis. You have to pay attention to the smallest details to catch what other researchers have not noticed before you.

Title of the Poem

And although the poems do not always have a title, if the work you have chosen has a name, then this is a good basis for starting the poetry analysis. The title of the poetic work gives the understanding of what the poet considers to be the key ideas of his verse. In some cases, this element directly reflects the theme and idea of the poem. However, there are also common cases when the poet plays with the name, putting the opposite information into it. Look at the correlation between the title and the content of the poem. This may give you new clues to hidden meanings.

Poetry Background

To fully immerse yourself in the context of the verse, you need to study the prerequisites for its writing. Analyze poetry and pay attention to the period of the author’s life in which the work was written. Study what emotions prevailed in a given time. The background information will help you study the verse itself and what is behind it, which is crucial for a critical analysis essay . What was the poet’s motivation, and what sensations prompted him to express himself specifically in this form? Such in-depth research will give you a broad understanding of the author’s intent and make your poem analysis essay writing more solid.

This fragment of your poem analysis essay study also includes interpretations of all the difficult or little-known words. Perhaps the analyzed poem was written using obsolete words or has poetic terms. For a competent poem analysis, you need to have an enhanced comprehension of the concepts.

Structure of the Poem

Each lyrical work consists of key elements. The theory identifies four main components of a poem’s structure: stanza, rhyme, meter, and line break. Let’s clarify each of the terms separately so that you know exactly what you are supposed to analyze.

The stanza is also called a verse. This element is a group of lines joined together and separated from other lines by a gap. This component of the poem structure exists for the ordering of the poem and the logical separation of thoughts.

The next crucial element is rhyme. This is a kind of pattern of similar sounds that make up words. There are different types of a rhyme schemes that a particular poem can follow. The difference between the species lies in the spaces between rhyming words. Thus, the most common rhyme scheme in English literature is iambic pentameter.

The meter stands for a composite of stressed and unstressed syllables, following a single scheme throughout the poem. According to the common silabotonic theory, the poem’s rhythm determines the measure of the verse and its poetic form. In other words, this is the rhythm with which lyrical works are written.

Finally, the line break is a technique for distinguishing between different ideas and sentences within the boundaries of one work. Also, the separation serves the reader as a key to understanding the meaning, thanks to the structuring of thoughts. If the ideas went continuously, this would create an extraordinary load on perception, and the reader would struggle to understand the intended message.

Writing an essay about poetry requires careful attention and analysis. Poems, although short, can be intricate and require a thorough understanding to interpret them effectively. Some students may find it challenging to analyze poetry and may consider getting professional help or pay to do an assignment on poetry. Regardless of the approach, it is essential to create a well-structured essay that examines the poem’s meaning and provides relevant examples.

Tone and Intonation of the Poetry

The tone and intonation of the poem could be analyzed based on two variables, the speaker and the recipient. Considering these two sides of the narrative, you can reach a better overview of the analyzed poem.

The first direction is to dig deeper into the author’s ideas by analyzing thematic elements. Pay attention to any information about the poet that can be gleaned from the poem. What mood was the author in when he wrote it, what exactly he felt, and what he wanted to share? What could he be hiding behind his words? Why did the poet choose the exact literary form? Is it possible to trace a life position or ideology through analysis? All of this information will help you get a clue on how to understand a poem.

The analysis of the figure of the recipient is also going to uncover some crucial keys to coherent study. Analyze a poem and determine whether the poem was written for someone specific or not. Find out whether the poet put motivational value into his work or even called readers to action. Is the writer talking to one person or a whole group? Was the poem based on political or social interests?

Language Forms and Symbols of the Poetry

Having sufficiently analyzed the evident elements of the poem, it is time to pay attention to the images and symbols. This is also called the connotative meaning of the work. It can sometimes get challenging to interpret poems, so we will see which other poetic techniques you should consider in the poetry analysis essay.

To convey intricate ideas and display thoughts more vividly, poets often use figurative language. It mostly explains some terms without directly naming them. Lyrical expression works are rich in literary devices such as metaphor, epithet, hyperbole, personification, and others. It may sometimes get really tough to research those poem elements yourself, so keep in mind buying lit essay online. Descriptive language is also one of the techniques used in poems that requires different literary devices in order to make the story as detailed as possible.

To fully understand poetry, it is not enough just to describe its structure. It is necessary to analyze a poem, find the hidden meanings, multiple artistic means, references the poet makes, and the language of writing.

Poetic devices

Poetic devices, such as rhythm, rhyme, and sounds, are used to immerse the audience. The poets often use figurative techniques in various poems, discovering multiple possibilities for the readers to interpret the poem. To discover the composition dedicated to the precise verse, you need to read the poem carefully. Consider studying poetry analysis essay example papers to better understand the concepts. It is a certain kind of reader’s quest aimed at finding the true meaning of the metaphor the poet has hidden in the poem. Each literary device is always there for a reason. Try to figure out its purpose.

Music of the Poem

Many poems formed the basis of the songs. This does not happen by chance because each poem has its own music. Lyrical works have such elements as rhythm and rhyme. They set the pace for reading. Also, sound elements are often hidden in poems. The line break gives a hint about when to take a long pause. Try to pay attention to the arrangement of words. Perhaps this will reveal you a new vision of the analyzed poem.

Purpose of Poem

While you analyze a poem, you are supposed to search for the purpose. Each work has its purpose for writing. Perhaps this is just a process in which the author shares his emotions, or maybe it’s a skillful description of landscapes written under great impressions. Social lyrics illuminate the situation in society and pressing problems. Pay attention to whether the verse contains a call to action or an instructive context. Your task is to study the poem and analyze the motives for its writing. Understanding the general context, and especially the purpose of the poet will make your analysis unique.

Poetry Analysis Template

To make it easier for you to research, we have compiled a template for writing a poetry analysis essay. The best specialists of the our writing service have assembled the main guides that will serve as a layout for your essay. Choose a poem that suits you and analyze it according to this plan.

Introduction:

•     The title of the poem or sonnet
•     The name of the poet
•     The date the poem was first published
•     The background information and interesting facts about the poet and the poem
•     Identify the structure of the poem, and the main components
•     Find out the data about the speaker and recipient
•     State the purpose of the poem
•     Distinguish the topic and the idea of the verse

Figurative language:

•     Study the literary devices
•     Search for the hidden meanings

Following these tips, you will write a competitive poem analysis essay. Use these techniques, and you will be able to meet the basic requirements for quality work. However, don’t forget to add personality to your essay. Analyze both the choices of the author of the poem and your own vision. First of all, beauty is in the eye of the beholder. Do not limit yourself to dry analysis, add your own vision of the poem. In this way, you will get a balanced essay that will appeal to teachers.

Example of Poem Analysis

Maya Angelou’s “Still I Rise,” is a powerful anthem of strength and resilience that has become an iconic piece of literature. The poem was written in the 1970s during the civil rights movement and was published in Angelou’s collection of poetry, “And Still I Rise,” in 1978. The structure of the poem is unique in that it is not divided into stanzas but is composed of a series of short phrases that are separated by semicolons. This creates a sense of continuity and momentum as the poem moves forward. The lack of stanzas also reflects the speaker’s determination to keep going, regardless of the obstacles she faces. The tone of the poem is confident and defiant, with a strong sense of pride in the speaker’s identity and heritage. The intonation is rhythmic and musical, with a repeated refrain that emphasizes the theme of rising above adversity. The language forms used in the poem are simple and direct. One of the most powerful symbols in the poem is the image of the rising sun… FULL POEM ANALYSIS

Our database is filled with a wide range of poetry essay examples that can help you understand how to analyze and write about poetry. Whether you are a student trying to improve your essay writing skills or a poetry enthusiast looking to explore different perspectives on your favorite poems, our collection of essays can provide valuable insights and inspiration. So take a look around and discover new ways to appreciate and interpret the power of poetry!

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A Full Guide to Writing a Perfect Poem Analysis Essay

01 October, 2020

14 minutes read

Author:  Elizabeth Brown

Poem analysis is one of the most complicated essay types. It requires the utmost creativity and dedication. Even those who regularly attend a literary class and have enough experience in poem analysis essay elaboration may face considerable difficulties while dealing with the particular poem. The given article aims to provide the detailed guidelines on how to write a poem analysis, elucidate the main principles of writing the essay of the given type, and share with you the handy tips that will help you get the highest score for your poetry analysis. In addition to developing analysis skills, you would be able to take advantage of the poetry analysis essay example to base your poetry analysis essay on, as well as learn how to find a way out in case you have no motivation and your creative assignment must be presented on time.

What Is a Poetry Analysis Essay?

A poetry analysis essay is a type of creative write-up that implies reviewing a poem from different perspectives by dealing with its structural, artistic, and functional pieces. Since the poetry expresses very complicated feelings that may have different meanings depending on the backgrounds of both author and reader, it would not be enough just to focus on the text of the poem you are going to analyze. Poetry has a lot more complex structure and cannot be considered without its special rhythm, images, as well as implied and obvious sense.

While analyzing the poem, the students need to do in-depth research as to its content, taking into account the effect the poetry has or may have on the readers.

Preparing for the Poetry Analysis Writing

The process of preparation for the poem analysis essay writing is almost as important as writing itself. Without completing these stages, you may be at risk of failing your creative assignment. Learn them carefully to remember once and for good.

Thoroughly read the poem several times

The rereading of the poem assigned for analysis will help to catch its concepts and ideas. You will have a possibility to define the rhythm of the poem, its type, and list the techniques applied by the author.

While identifying the type of the poem, you need to define whether you are dealing with:

• Lyric poem – the one that elucidates feelings, experiences, and the emotional state of the author. It is usually short and doesn’t contain any narration;
• Limerick – consists of 5 lines, the first, second, and fifth of which rhyme with one another;
• Sonnet – a poem consisting of 14 lines characterized by an iambic pentameter. William Shakespeare wrote sonnets which have made him famous;
• Ode – 10-line poem aimed at praising someone or something;
• Haiku – a short 3-line poem originated from Japan. It reflects the deep sense hidden behind the ordinary phenomena and events of the physical world;
• Free-verse – poetry with no rhyme.

The type of the poem usually affects its structure and content, so it is important to be aware of all the recognized kinds to set a proper beginning to your poetry analysis.

Find out more about the poem background

Find as much information as possible about the author of the poem, the cultural background of the period it was written in, preludes to its creation, etc. All these data will help you get a better understanding of the poem’s sense and explain much to you in terms of the concepts the poem contains.

Define a subject matter of the poem

This is one of the most challenging tasks since as a rule, the subject matter of the poem isn’t clearly stated by the poets. They don’t want the readers to know immediately what their piece of writing is about and suggest everyone find something different between the lines.

What is the subject matter? In a nutshell, it is the main idea of the poem. Usually, a poem may have a couple of subjects, that is why it is important to list each of them.

In order to correctly identify the goals of a definite poem, you would need to dive into the in-depth research.

Check the historical background of the poetry. The author might have been inspired to write a poem based on some events that occurred in those times or people he met. The lines you analyze may be generated by his reaction to some epoch events. All this information can be easily found online.

Choose poem theories you will support

In the variety of ideas the poem may convey, it is important to stick to only several most important messages you think the author wanted to share with the readers. Each of the listed ideas must be supported by the corresponding evidence as proof of your opinion.

The poetry analysis essay format allows elaborating on several theses that have the most value and weight. Try to build your writing not only on the pure facts that are obvious from the context but also your emotions and feelings the analyzed lines provoke in you.

How to Choose a Poem to Analyze?

If you are free to choose the piece of writing you will base your poem analysis essay on, it is better to select the one you are already familiar with. This may be your favorite poem or one that you have read and analyzed before. In case you face difficulties choosing the subject area of a particular poem, then the best way will be to focus on the idea you feel most confident about. In such a way, you would be able to elaborate on the topic and describe it more precisely.

Now, when you are familiar with the notion of the poetry analysis essay, it’s high time to proceed to poem analysis essay outline. Follow the steps mentioned below to ensure a brilliant structure to your creative assignment.

Best Poem Analysis Essay Topics

• Mother To Son Poem Analysis
• We Real Cool Poem Analysis
• Invictus Poem Analysis
• Richard Cory Poem Analysis
• Ozymandias Poem Analysis
• Barbie Doll Poem Analysis
• Caged Bird Poem Analysis
• Ulysses Poem Analysis
• Dover Beach Poem Analysis
• Annabelle Lee Poem Analysis
• Daddy Poem Analysis
• The Raven Poem Analysis
• The Second Coming Poem Analysis
• Still I Rise Poem Analysis
• If Poem Analysis
• Fire And Ice Poem Analysis
• My Papa’S Waltz Poem Analysis
• Harlem Poem Analysis
• Kubla Khan Poem Analysis
• I Too Poem Analysis
• The Juggler Poem Analysis
• The Fish Poem Analysis
• Jabberwocky Poem Analysis
• Charge Of The Light Brigade Poem Analysis
• The Road Not Taken Poem Analysis
• Landscape With The Fall Of Icarus Poem Analysis
• The History Teacher Poem Analysis
• One Art Poem Analysis
• The Wanderer Poem Analysis
• We Wear The Mask Poem Analysis
• There Will Come Soft Rains Poem Analysis
• Digging Poem Analysis
• The Highwayman Poem Analysis
• The Tyger Poem Analysis
• London Poem Analysis
• Sympathy Poem Analysis
• I Am Joaquin Poem Analysis
• This Is Just To Say Poem Analysis
• Sex Without Love Poem Analysis
• Strange Fruit Poem Analysis
• Dulce Et Decorum Est Poem Analysis
• Emily Dickinson Poem Analysis
• The Flea Poem Analysis
• The Lamb Poem Analysis
• Do Not Go Gentle Into That Good Night Poem Analysis
• My Last Duchess Poetry Analysis

Poem Analysis Essay Outline

As has already been stated, a poetry analysis essay is considered one of the most challenging tasks for the students. Despite the difficulties you may face while dealing with it, the structure of the given type of essay is quite simple. It consists of the introduction, body paragraphs, and the conclusion. In order to get a better understanding of the poem analysis essay structure, check the brief guidelines below.

Introduction

This will be the first section of your essay. The main purpose of the introductory paragraph is to give a reader an idea of what the essay is about and what theses it conveys. The introduction should start with the title of the essay and end with the thesis statement.

The main goal of the introduction is to make readers feel intrigued about the whole concept of the essay and serve as a hook to grab their attention. Include some interesting information about the author, the historical background of the poem, some poem trivia, etc. There is no need to make the introduction too extensive. On the contrary, it should be brief and logical.

Body Paragraphs

The body section should form the main part of poetry analysis. Make sure you have determined a clear focus for your analysis and are ready to elaborate on the main message and meaning of the poem. Mention the tone of the poetry, its speaker, try to describe the recipient of the poem’s idea. Don’t forget to identify the poetic devices and language the author uses to reach the main goals. Describe the imagery and symbolism of the poem, its sound and rhythm.

Try not to stick to too many ideas in your body section, since it may make your essay difficult to understand and too chaotic to perceive. Generalization, however, is also not welcomed. Try to be specific in the description of your perspective.

Make sure the transitions between your paragraphs are smooth and logical to make your essay flow coherent and easy to catch.

In a nutshell, the essay conclusion is a paraphrased thesis statement. Mention it again but in different words to remind the readers of the main purpose of your essay. Sum up the key claims and stress the most important information. The conclusion cannot contain any new ideas and should be used to create a strong impact on the reader. This is your last chance to share your opinion with the audience and convince them your essay is worth readers’ attention.

Problems with writing Your Poem Analysis Essay? Try our Essay Writer Service!

Poem Analysis Essay Examples 

A good poem analysis essay example may serve as a real magic wand to your creative assignment. You may take a look at the structure the other essay authors have used, follow their tone, and get a great share of inspiration and motivation.

Check several poetry analysis essay examples that may be of great assistance:

• https://study.com/academy/lesson/poetry-analysis-essay-example-for-english-literature.html
• https://www.slideshare.net/mariefincher/poetry-analysis-essay

Writing Tips for a Poetry Analysis Essay

If you read carefully all the instructions on how to write a poetry analysis essay provided above, you have probably realized that this is not the easiest assignment on Earth. However, you cannot fail and should try your best to present a brilliant essay to get the highest score. To make your life even easier, check these handy tips on how to analysis poetry with a few little steps.

• In case you have a chance to choose a poem for analysis by yourself, try to focus on one you are familiar with, you are interested in, or your favorite one. The writing process will be smooth and easy in case you are working on the task you truly enjoy.
• Before you proceed to the analysis itself, read the poem out loud to your colleague or just to yourself. It will help you find out some hidden details and senses that may result in new ideas.
• Always check the meaning of words you don’t know. Poetry is quite a tricky phenomenon where a single word or phrase can completely change the meaning of the whole piece. 
• Bother to double check if the conclusion of your essay is based on a single idea and is logically linked to the main body. Such an approach will demonstrate your certain focus and clearly elucidate your views. 
• Read between the lines. Poetry is about senses and emotions – it rarely contains one clearly stated subject matter. Describe the hidden meanings and mention the feelings this has provoked in you. Try to elaborate a full picture that would be based on what is said and what is meant.

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How to Write a Poem Analysis: 6 Steps for Students and New Reviewers

Even if you do not plan on learning how to write a poem analysis essay, building a routine of analysis into your reading can deepen your appreciation.

Elliot Riley

Emily Butler is a librarian and writer. You can discover more of their literary opinions on their YouTube channel, youtube.com/emilybutler, and follow them on Twitter @EmilyFButler1.

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If you’re a student or new reviewer first approaching the task, you may be wondering how to write a poem analysis. Fortunately, there are concrete steps you can take to analyze a poem or collection of poetry. Even if you do not plan on learning how to write a poem analysis essay, building a routine of analysis into your poetry reading can deepen your appreciation for the genre.

Poems have many layers of meaning. A particularly beautiful and well-crafted poem only becomes more enjoyable the more you increase your understanding of the decisions the poet made to craft it. The following steps outline the kinds of questions to ask yourself while writing a poem analysis.

Step 1: Read the Poem Aloud

Poetry has a long oral history. Poets often utilize sound techniques which are easier to detect when reading the poem aloud. Read it once without an analytical focus. Simply notice how you respond to the poem. Begin by asking yourself broad, simple questions such as: How did this make me feel? What do I think the poet is trying to say?

Jot some notes down about your initial impression. Analyzing a poem is a recursive process. You will read the poem several times, and these first impressions can provide interesting clues for what to focus on in your analysis.

Step 2: Identify the Type of Poem

There are several different types of poems, but all poems fall into three overarching categories: free verse, formal verse, and prose poems. Formal poetry itself comes in many more specific forms. Check out A Beginner’s Guide to Different Types of Poems.

There are certain analytical questions you can ask yourself depending on the type of the poem you’re reading. If this is a prose poem, ask yourself, what exactly makes this piece of writing a poem, as opposed to a short piece of prose? Recognizing a specific poetic form allows you to contextualize the poem in history. For example, if you’re reading a sonnet, consider how the poem you’re analyzing fits with or fights against the conventions of sonnets.

Step 3: Mark It Up

There is no one correct way to mark up a poem. You can underline lines which stand out to you. You can take notes in the margins identifying poetic techniques as you see them. You can scan the poem,  a method of marking stressed and unstressed syllables. You can circle words which seem important or stand out as surprising.

If you are reviewing an entire poetry collection, it’s a good idea to take notes in the margins about particular motifs or themes. That way, when you are finished with your first read, you can look for ideas which appeared in multiple poems.

Step 4: Consider Poetic Techniques

Read the poem several times, considering a single poetic technique at a time. For example, free verse and formal poems use line breaks. Read through the poem once, focusing on how the poet has broken lines, and the impact of those decisions. If the poem contains stanzas, do the same for stanzas. You can repeat this process with any poetic technique: similes, metaphors, imagery, assonance, consonance, alliteration. How do these poetic techniques support, enhance, or problematize the overall message of the poem? Your observations will prove crucial when you are ready to sit down and write a poem analysis.

Step 5: Pay Attention to the Turn(s)

In poetry, the term “volta,” sometimes called a “turn,” is a shift in the tone, meaning, or style of a poem. This is a common enough poetic technique that it warrants its own step in the analytic process. Nearly every sonnet contains a turn in the final two lines of the poem, but countless other types of poems contain some sort of shift.

Voltas are so common that if the poem you’re reading does not contain a volta, that is a decision worth incorporating into a poem analysis. You can always ask yourself whether or not a poem contains a turn, and how this impacts the poem overall. Focus on the final lines of a poem, since that is where the volta typically appears.

Step 6: Make an Argument

If you are reviewing an entire poetry collection you can use the above steps for each poem. Then consider the way that the poet has chosen to order the poems within the collection. Revisit the first and last poems, asking yourself how they might function as a kind of introduction and conclusion to the collection.

As with any other essay in the realm of literature, in order to write a poem analysis essay, you should formulate an argument and back it up with evidence. Different readers can have opposing ideas about how a poem or collection of poetry operates, and that’s okay, as long as both readers have evidence to support their claims. How do you back up your claims with evidence? Refer to your notes, especially your observations of poetic techniques. Whenever necessary, quote exact lines or stanzas and use them to support your argument.

Step 7: Consider the Audience

Writing a book review of a poetry collection is considerably different from writing an essay about it. That is because book reviews serve a different purpose than essays do. Individual readers, book buyers, and librarians read reviews in order to decide whether or not to purchase a book.

Ask yourself: what kind of reader might enjoy this collection? It’s always a good idea to compare and contrast to other collections of poetry. You can recommend the poetry collection you’re reviewing to fans of another poet, for example.

Book reviews tend to be considerably shorter than essays, often as short as two or three hundred words. For that reason, it’s important to be concise. Unlike reviewing fiction or nonfiction, you do not exactly need to “summarize” a poetry collection. Most poetry collections cannot be summarized the way that a novel or nonfiction book can. Instead, list some of the central thematic concerns of the collection and describe the poetic style. Tell your readers what kind of poems they will find in this collection. Are these prose poems, free verse, formal verse, or a combination? Are they simple, accessible poems, or complex poems with unusual syntax? Does the collection contain a lot of references?

In a book review, you will want to quote a line or two which represents some aspect of the poetry collection as a whole. Since you do not have a lot of space, choose something representative of the poet’s style. This will give readers an idea of whether or not this collection appeals to them. For more information about writing book reviews, check out How To Write a Book Review: Six Steps to Take .

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Writing About Poetry

By seth ducharme ’92, get to know the poem, describe the poem.

Before you begin to organize your essay, read the poem aloud several times, noting its structure, meter, recurring images or themes, rhyme scheme-­anything and everything which creates an effect.

Paraphrase the poem

Again, before you begin to organize your essay, make sure you understand the language of the poem. Poetry, particularly from other time periods, often contains confusing syntax or vocabulary. Put into your own words those lines or phrases which are especially difficult. Resist the temptation to brush over the lines or phrases which seem unintelligible; these can be the most crucial parts of the poem. The Oxford English Dictionary is a good resource for defining difficult vocabulary.

How the Poem Works

Analyze the poem.

Since your analysis should make up the bulk of your essay, approach it with care. Knowing that you will not be able to address every aspect of the poem, select the elements which work together to create special effects. Look beyond the surface meaning of the words and start to think about how the techniques used in the poem add depth to its meaning. How do the elements work together? Do they complement each other, do they create tension, or both? Think in terms of cause and effect and look for relationships within the poem itself. For example, if you see a pattern of imagery which suggests something about the speaker, look at other areas of the poem for more evidence along the same lines. In poetry, form and content are inseparable, so you must not overlook the relationship between what the speaker says and how he or she says it.

Interpret the poem

Using your analysis of how the poem works as your evidence, interpret the poem--answer the question, “So what is this poem all about?” In the interpretation, you bring together your analysis of the elements in the poem and show what they mean to the poem as a whole. You may suggest an interpretation of the speaker's state of mind, the poem’s subject, or the nature of the experience which the poem creates. For example, does Poe’s “The Raven” describe a dream? A drug-induced hallucination? A recollection? Why do you think so? What evidence, from your analysis, supports your idea? The main argument of your paper should begin to take form as you struggle with this process. You have great freedom in interpreting a poem, provided that your assertions are solidly linked to your evidence. Interpretation that does not align with your analysis will be invalid. In the words of M. H. Abrams, editor of the Norton Anthology of Poetry , “There is no one, right interpretation of a poem—but there is one which is more right than any of the others.” The multi-faceted nature of poetry demands that you know where you are going before you begin to construct your written argument, which is why the description and paraphrase stages are so important. Your selective analysis emerges from them in the form of an argument that is limited to a manageable set of ideas. After you have thought through these stages and taken good notes, you should be ready to begin writing your essay.

Constructing Your Paper

Review your notes. Look for patterns and themes. Formulate a thesis statement that will allow you to explain the relationships and the effects of elements in the poem. If you can, indicate in the thesis the areas or features of the poem important to your argument (a pattern of imagery, for instance, or a series of crucial lines). Remember, your thesis statement must argue a point; instead of simply saying that a poet uses certain poetic devices, you must give some indication in your thesis as to how those devices work and what they do to the poem’s meaning. You do not need to go into elaborate detail in your thesis, but do show the relationship between the poem and your argument.

Introduction

Your first paragraph should make your reader comfortable with the poem by identifying the poet, offering a brief, general description of the poem and, most importantly, leading into the thesis and development of the argument by narrowing and limiting the subject. It may be helpful to imagine the introduction as a funnel, initially appealing to your reader from a wide perspective and then swiftly directing him or her into the body of your essay. Avoid sweeping, abstract statements or statements which you cannot concretely link to your thesis. The more quickly you get away from the general and focus on the specific, the sooner you will engage your reader.

The Development of Your Argument

The approach you undertake in your thesis determines the organization of the rest of the essay. Some arguments lend themselves to a linear presentation. For example, if you choose to trace the development of the speaker according to the recurrence of an image throughout the poem, you might want to go through the poem chronologically to show how that image changes in significance from line to line or stanza to stanza. You need not limit yourself to such a presentation, however. Many poems are difficult to explain chronologically; some poems are better suited to a non-linear argument which reflects cycles or other patterns in the poem. If you organize your argument according to the patterns you choose to address, your argument might move through the poem several times, according to the instances of the images and their contextual significance. For example, one word may have a formal relationship to numerous other words in the poem. The word “snow” has a relationship to the word “flow” in that they rhyme, and to the word “ice” in that they are both associated with winter. To discuss the significance of these relationships, you may find yourself jumping around the poem. That’s fine, as long as you make your argument clear and keep your thesis in sight.

Each paragraph should consist of a point which is credible, relevant to your thesis, and analytical. Remember that you are arguing for a certain position and need to convince your reader of that position. At the beginning of each paragraph, tell your reader the focus of your argument in that paragraph by starting with a topic sentence. The rest of the paragraph should address the assertion with convincing evidence. The effectiveness of your argument depends heavily on how well you incorporate evidence into your paragraphs.

Using Evidence

You cannot create a compelling argument without evidence to back it up, but you must present that evidence in the context of your own argument. Merely including a line or a passage in your paper without linking it to your argument will not be convincing. Try incorporating your evidence into a “sandwich” of information which will allow your reader to receive the full impact of the lines. Before the quotation, describe the evidence in terms of the poem. Where is it located in the poem? Is it part of a pattern? Let your reader know what he or she should be looking for. After the quotation, if the passage is particularly difficult to understand, you should explain problematic syntax or vocabulary. Then, you must analyze the quote and show how that quote supports the claims you are making in your thesis. This is the most important part of your paper; it is where you make your interpretation clear to the reader and where you prove your thesis. Don't assume that the quotation will speak for itself—it is your job to explain it.

Be sure to cite your evidence properly. Citing from a poem is different from citing from a prose text. Because the line form of poetry is so important, you must indicate where lines end by separating them with a slash mark “/”. If you are quoting more than three lines, single space the passage, indent, and present the passage as it appears in the poem. Follow the quotation with the appropriate line numbers enclosed in parentheses (see English Department handout on use of quotations and citations, available from the Department office and the Writing Center).

The Conclusion

Conclusions take many forms. In your conclusion you can emphasize crucial ideas, raise questions about the poem, or connect the poem to other literary works or experiences. This is where you can offer your interpretation of the poem, which by now should be convincing to your reader since you have presented your evidence in the body of the paper. You may raise new ideas in a conclusion, provided that they are solidly linked to the development of your argument. Remember, you have flexibility, but your conclusion should flow naturally from the body of your paper.

Final Thoughts

• If you have the choice of which poem to write about, pick one you like.
• Read the poem aloud. Your ear will notice things your eyes miss.
• Notice the way the poem looks on the page. The form of the poem may reveal something about the way it works.
• Be careful to make a clear distinction between the poet and the speaker. Even in poems that are written in the first person, you should be careful not to assume anything about the speaker that the poem itself does not suggest.
• Let your interpretation follow your analysis—avoid making unsupported assertions.
• Be selective with your evidence. Limit the length of your quotations to a workable size. Passages longer than a few lines will be impossible to explain in a single paragraph.  

Enjoy the Poem!

Poems are artistic expressions that demand that you appreciate them before you begin to reduce them to something explainable. Often, the most brilliant elements in a poem are very subtle and will be felt before they are understood. Remember, you are not just explaining what a poem does, you are explaining what it does to you. You are the medium in which the poem comes to life. Writing about poetry offers you a special opportunity to interact with a work of art.

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Poem Analysis Essay Guide: Outline, Template, Structure

Poetry analysis, which is similar to poetry review, involves analyzing the language and figures of speech used by a poet. It also entails sharing personal views regarding the poem and breaking down the poetic instruments utilized by the said poet. However, it’s not just about the words used (Headrick, 2014). It entails reading between the lines and understanding what made the poet come up with a particular poem. So it may require some background research on the author and history behind the creation of the poem.

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What Is A Poetry Analysis?

Poetry analysis may define as a critical review given on a poem, a reflection on the depth and gravity of a poem. It revolves around multiple aspects of a poem starting from the subject of a poem, its theme (meaning), tone, literary devices or speech figures, form to the feeling of the poet to how a reader feels about the poem. It is not only the analysis of techniques used in a poem, but poetry analysis provides a broader and wider picture of the poem, its reality, its hidden meanings between the lines, a study of poet’s mind, feeling and intention behind a poem. Different techniques used in poetry analysis are helpful tools in investigating and reviewing the poem. Behind every review or analysis vital research on poet (author), era (time frame), possible reasons, the background behind the conceptualization poem is vital.

If you have been asked to write a poem analysis essay, then it means to examine the piece and further dissect it into key elements including its form, techniques used and historical value. Then further appreciating the poem and highlighting to others these points, and gaining a better understanding.

It is also important to show as many ideas as possible that relate to the poem and then create conclusions on this.

To start writing a poetry analysis essay let's look at the prewriting stage.

How to Choose a Topic for a Poetry Analysis Essay?

• In the subject of the poem we mainly focus on the reasons such as why is the poem written or what is it all about?
• What is the context, the central content of the poem?
• Who wrote the poem and why?
• When and where the poet did write the poem, what or who has influenced the poet and what are the key features of the poem?

A topic should be chosen based on the theme you want to write. The theme is the message that the poem is trying to convey. You need to look therefore for concepts and notions that pop up in the poem and come up with an appropriate theme based on those perceptions or "feelings". If you can’t still figure out what topic you should choose for your analysis, it is recommended that you go through other poems similar poems and get a suitable topic for your analysis. Don’t also forget to cite your poem well. And also use in-text citations while quoting from the poem.

Poem Analysis Essay Outline

To create a good essay, it is needed to plan out the structure of a poem analysis essay so the writing stage will be easier and faster.

Here is an outline of a poem analysis essay to use:

Opening paragraph - Introduce the Poem, title, author and background.

Body of text - Make most of the analysis, linking ideas and referencing to the poem.

Conclusion - State one main idea, feelings and meanings.

Poem Analysis Essay Introduction

To start an introduction to a poem analysis essay, include the name of the poem and the author . Other details like the date of when it was published can also be stated. Then some background information and interesting facts or trivia regarding the poem or author can also be included here.

Poem Analysis Essay Body

When writing the main body of text keep in mind you have to reference all ideas to the poem so include a quotation to back up the sentence, otherwise, it will be a wasted comparison and not count. Be clear with your statements.

Poem Analysis Essay Conclusion

Now, this is where you should take a step back from analyzing the individual elements of the poem and work out its meaning as a whole. Combine the different elements of the analysis and put forward one main idea.

What is the poet trying to say, and how is it enforced and with what feeling? Then look at the meaning and what timeframe does this evolve over?

For example, is it obvious from the start, or does it gradually change towards the end? The last few lines can be very significant within a poem and so should be included in the poem analysis essay conclusion and commented on the impact on the piece.

Remember that you can always send us a " write an essay for me " text and have your assignment done for you.

How to Analyze a Poem?

Before even thinking about your first draft, read the poem as much as possible. If it's possible, listen to it in the original form. This depends on many factors which include if the poet is still alive?

Also reading aloud can help identify other characteristics that could be missed and even to a friend or colleague will give a chance to more insight. It is important to remember that poetry is a form of art painted with only words, this said it could take time to fully appreciate the piece. So take note of any first thoughts you have about the poem, even if they are negative.

Your opinions can change over time but still mark these first thoughts down.

So that to analyze a poem properly, you have to pay attention to the following aspects:

Title of the Poem

So let's go deeper into the poem analysis essay and look at the title. The poet may have spent a lot of time thinking about naming the piece so what can be observed from this and what further questions can be asked?

• What are your expectations? For example, the poem could be titled “Alone” written by Edgar Allan Poe and from this it is natural to assume it will be sad. After reading further does the reality turn out to be different?
• What is the literature style used? So for example, the work could be called “His last sonnet” by John Keats. From appearance, it is possible to deduce that it could be in sonnet form and if not why did the poet choose to mislead the audience?
• What is the poem about? In the poem, “How do I love thee? Let me count the ways” by Elizabeth Barrett, it already states what could be included and what to expect but if it differs from the title what would this suggest?

Literal Meaning of the Poetry

According to our  to fully appreciate a piece, it is needed to understand all the words used. So, for example, get a good dictionary and look up all the unknown words. Then go through partly known words and phrases and check these too. Also, maybe check the meaning of words that are used a lot, but remember some text may have had a different meaning a century ago, so use the internet to look up anything that is not clear. Furthermore, people and places and any cultural relevance of the time should be researched too to get a deeper look at the poet's attitude towards the piece. Patterns might become visible at this point and maybe the theme of the poem.

Structure of the Poem

When looking at the structure of the piece this will reveal more information so pay close attention to this. Look at the organization and sections, this will unlock more questions:

• What does each part discuss?
• How do the parts relate to each other?
• Can you see formal separations?
• What logical sense does it have?
• Is there emotional sense that can be evaluated?
• Does having a strict format say anything about the poet?
• Also failing to have a strict structure does this reveal something?

Once you have observed the structure, it is possible to go deeper into the poem analysis essay and investigate how the speaker communicates the poem to the reader.

Tone and Intonation of the Poetry

So now it is possible to look at the poet and see what details can be obtained from them. Is it possible to see the gender or age of the speaker? Is there some race or religious references to pick up on? Then can we see if the speaker is directly communicating their thoughts and ideas to the reader? If not, what is the character the poet has created to convey the ideas or messages? Does the poet's persona differ to the character created and what can be analyzed from this? Also the mood of the speaker could be available now, are they happy or sad, and how can you find out this from the poem?

Once the poet is understood it is possible to move onto who or what the poem is designed for. Then you can see the purpose of the poetry, what does the poet want from the reader? It is also possible that the poet does not desire a response from the audience and is simply making a statement or expressing themselves.

For example, a poem about spring could just be a happy statement that winter has ended. Looking from the other side, this could be an attempt to attract someone's attention or maybe just an instruction to plow the field.

Purpose of the Poem

The subject of the poem can help identify the purpose, as this usually will be what the poet is describing. Then the theme can be identified also, and what does it say about the work? Are there any links between the theme and the subject and what can analyzed from that? The timeframe is also an important factor to consider, for example, the poet's goal back when it was written, may have changed and why? Furthermore, has the original purpose survived the test of time and can it be said to be the best indicator of success?

Language and Imagery of the Poetry

Until this point it was only possible to analyze the literal information available which is the denotative meaning.’ Now let's look at the imagery, symbolism and figures of speech, this is the connotative meaning.

This is where you should look for pictures described within the text and analyze why they have been depicted? So for example, if the poet thas decided to describe the moon this could set the time in the work or maybe the mood of the poem. Also look for groups of images described and patterns within this, what can be deducted from that?

So when looking for symbolism within the text this could be an event or physical object, including people and places that represent non-physical entities like an emotion or concept. For example, a bird flying through the air can be seen as freedom and escaping usual conforms.

Poetic devices

In your analysis you will look at techniques like metaphors, similes, personification and alliteration to include just a few. It's important to identify the actual device used and why it was chosen. For example, when comparing something within the text using a metaphor then look at how they are connected and in what way they are expressed? Try to use all available clues to gain better insight into the mind of the poet.

Music of the Poem

Poetry and music have deep connections and can be compared together due to the history and uses throughout the ages.

Here are some things to look out for to help with those comparisons:

• Meter - This can be available to investigate in different ways, for example, iambic pentameter has a strict five beats per line just like a musical score if used what does it say?
• Rhythm - Just like with music, poem can have a rhythm but if there is no given meter, it is needed to look closer and observe what this does to the work. For example, a particular beat that is fast could make the poem happy.
• Special effects - Looking for not so obvious signs where the poet has written in a way so you take longer to pronounce words. Also it is possible to grab your attention in other ways, for what reason has the writer done that?
• Rhyme - There are many different types of rhyming techniques used within poetry, once identified look at how it impacts on the work like make it humorous for example? Be careful to look for unusual patterns for example rhymes within the lines and not just at the end of the sentences, even reading out aloud might help find these and then what does it this say about the poem?
• Sound effects - The depiction of different sounds can be powerful and also using different voices, look at what impact this has on the piece and why?
• Breaking Rules - Rhyme and meter for example can have very specific rules but what if the poet decided to break these conventional techniques and make something new, what does this add to the work and why

How to Write a Poem Analysis Essay?

Below you will find a compelling guide on how to analyze poetry with handy writing tips:

• Choose a suitable poem - If possible, before you start, pick the main subject of your essay, a poem that you would like to analyze. The more you find it interesting, the easier it will be to handle the task.
• Read it fully - If you are wondering how to analyse poetry, the first step you can’t go without is carefully reading the chosen poem multiple times and, preferably, out loud.
• Always double-check the meanings - When reading a poem, don’t forget to check for the meanings of unknown (and known as well) words and phrases.
• Collect all the details you need - To write a compelling essay, you need to study the poem’s structure, contents, main ideas, as well as other background details.
• Explore hidden meanings - When analyzing poem, be sure to look beyond the words. Instead, focus on finding broader, hidden ideas that the author wanted to share through his piece.
• Make an outline - Once you have analyzed poem, outline your essay and write it following the plan.
• Proofread and edit - Finally, once your essay is ready, take your time to revise and polish it carefully.

Poetry Analysis Template

To write a winning poem analysis essay, use the template below or order an essay from our professionals.

Introduction

• Name of Poem
• Name of Poet
• Date of Publication
• Background or any relevant information

Form of poem

• Structure of poem
• Rhyme of poem

Meaning of poem

• Overall meaning
• How can we relate the poem to our life

Poetic Techniques

• Literary devices

Form of the Poem

Poems are written in some ways, here one need to identify which structure the poet has used for the poem. The forms of poems broadly are stanzas, rhythm, punctuation and rhymes. Carefully analyze the length and number of stanzas , does the rhythm impacts the meaning of the poem, is there many punctuations or little, either the rhyme is consistent, or it’s breaking and what is the rhyme contributing to the meaning of the poem or is it random.

Theme, Meaning or Message of the Poem

In this part, we focus on the topic, main issue or idea of the poem. There are layers of meaning hidden in a poem.

• Meaning: surface meaning that what is actually or physically happening in the poem which a reader can sense.
• Deeper Meaning: the central idea of the poem or what is it actually about.
• Theme: in poetry, there is always a hidden meaning in every line, which depicts the message about life.

Numerous topics can be covered in poems such as love, life, death, birth, nature, memory, war, age, sexuality, experience, religion, race, faith, creator and many others.

Tone of the Poem

The tone of the poem shows attitude or mood of the language used by the poet. Analyze the different shades of the language used in the poem for example; is it formal, judgmental, informal, critical, positive, bitter, reflective, solemn, frustrated, optimistic, ironic, scornful, regretful or morbid.

Literary Device used in the Poem

Find out what the different literary devices are or what sort of figures of speech is used by the poet . Analyze these techniques and suggest their use in the poem by the poet. The poem can contain a symbol, similes, metaphor, alliteration, allegories, oxymoron, assonances, dissonances, repetition, hyperbole, irony.

Conclusion or Feel of the Poem

Lastly, analyze the emotions and feelings linked with the poem; of the poet and what do you feel when you read the poem. This is the very critical part of reviewing a poem because we analyze the inner depth of the poem, the intention & feelings of the poet, the targeted audience, does the poem reflect the poet’s persona, perspective or it does not match with the poet.

Poetry Analysis Essay Example

Analysis of Edgar Allan Poe’s Poem “Annabel Lee”

Written in 1849 and first published after the author’s death, Annabel Lee by Edgar Allan Poe is a beautiful story of true love that goes beyond life. In the poem, the author is commemorating the girl named Annabel Lee, whom he knew since childhood. Despite the young age, the love between the narrator and Annabel was so deep and true that even angels were jealous, and, according to Edgar Allan Poe, their jealousy was so severe that they killed the love of his life. The poem ends with young Annabel Lee being buried in a tomb, leaving the readers with a feeling that the author kept holding on to his love for her for many years after her death.

The two evident topics in the poem are love and loss. The entire narration revolves around the author’s agonizing memory, at the same time demonstrating to the readers the purity and power of true love that makes him cherish the memory of his beloved one even after she is gone. Apart from that, Edgar Allan Poe also discusses such issues of love as jealousy and envy. The author states that the love of the two teens was so strong that even angels in heaven were not half as happy as Annabel and Edgar, which caused them to invade the teens’ romantic “kingdom by the sea” and kill the girl.

The topics discussed in the poem, as well as the style of narration itself, give the poem a very romantic atmosphere. It follows the main principles of the romantic era in poetry in the 18th and 19th centuries, which Edgar Allan Poe was representing. At the same time, the author also gives his poem a sense of musicality and rhythm. The poem’s rhyme scheme puts emphasis on the words “Lee”, “me”, and “sea”. The repetition of these words gives the poem a song-like sound.

A significant role in Edgar Allan Poe’s poem is played by imagery, which emphasizes the author’s unique style. The main imagery used by Allan Poe in Annabel Lee is the Kingdom. The author uses this imagery to set the right tone for his poem and give it a sort of a fairytale feel. At the same time, this imagery is used to take the reader to a different place, though not specifying what exactly this place is. To confirm this - the author uses the phrase “the kingdom by the sea” multiple times in his piece, never specifying its meaning. This trick enables the readers to leave this to their own imagination.

Apart from the Kingdom, the author also operates with the imagery of angels and demons. The narrator blames them for their envy for their deep love, which resulted in the death of Annable Lee. Thus, the author gives a negative attitude towards this imagery. This brings us to another big topic of good and evil discussed in the poem.

Nevertheless, even though the angels’ intervention seems to be clear to the reader from what the author says, Poe’s choice of words doesn’t directly implicate their responsibility for the girl’s death. The narrator blames everybody for his loss. However, he does this in a very tactical and covert way.

In conclusion, it becomes clear that the narrator in Annabel Lee did not only pursue a goal to share his pain and loss. He also emphasizes that true love is everlasting by stating that his love for the gone girl lives with him after all these years. With all its deep topics, imagery, and musicality, Annabel Lee is now considered one of the best works by Edgar Allan Poe.

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Poetry Analysis: How to Analyze a Poem

Every author and poet has their own unique style that cannot be replicated. Based on how they think or what they are trying to portray, they create various poems to explore several ideas or theories that were on their mind.

By mastering how to analyze poetry, you also learn how to ask questions, see multiple meanings in simple things, and develop figurative thinking. Let’s give your brain a boost! Discover how to write poetry analysis from EssayPro service - custom dissertation writing .

What Is a Poetry Analysis?

Poetry analysis is the process of reviewing the multiple artistic, functional, and structural pieces that make up a poem. Typically, this review is conducted and recorded within the structure of a literary analysis essay.

The nature of poetry is expressing complex feelings, which usually makes multiple meanings. To understand them, you must examine not only words, but also rhythm, images, obvious meaning, and implied meaning.

Writing a poem analysis essay requires one to take a more in-depth look at both the choices that a poet made and the overall effects of those choices. These papers need a detailed analysis of all of the parts that were used to form a work of poetry.

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4 Pre-Writing Steps to Take

Read the poem carefully.

It is essential to reread the analyzed poetry several times to get a full grasp of the numerous ideas and concepts. This also gives you an opportunity to make a note of the rhyme scheme (if there is one), the type of poem (limerick, ode, sonnet, lyric, haiku, free verse, etc.) and other poetic techniques that the poet used (such as enjambment, meter, end-stopped lines, figurative language, etc.).

• Limerick: Limerick is a stanza of five lines, with the first, second and fifth rhyming with one another and having three feet of three syllables each; and the shorter third and fourth lines also rhyme with each other, but having only two feet of three syllables.
• Ode: Its structure — 10-line stanzas rhyming, with the 8th line iambic trimeter and all the others iambic pentameter
• Sonnet: A fourteen-line poem written in iambic pentameter. Was made famous by non-other than Shakespeare! (Shakespeare invented the word "swag"... just saying)
• Lyric: A lyric poem is a comparatively short, non-narrative poem in which a single speaker presents a state of mind or an emotional state. Rather than tell a story, the speaker talks about his thoughts using a specific rhyming style.
• Haiku: Invented by the Japanese, a haiku is a three-line poem with seventeen syllables, written in a 5/7/5 syllable count.
• Free-Verse: Rather simple, free verse is poetry that does not rhyme or have a regular rhythm.

All of those elements of the poem are essential to know when one is writing a poetry analysis essay because they are a part of the poem’s structure and can affect the content.

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Learn About the Background of the Poem

This means that you can find it beneficial to look up the poet, the date that the poem was written, and the cultural context of the work. All of that information typically gives the reader a more in-depth understanding of the poem, and it seems self-explanatory that one who has an enhanced comprehension of the poem would have an easier time analyzing that poem.

Define a Composition Dedicated to the Subject Matter of the Poem

This can be analyzed during the reader’s quest to determine the theme, tone, mood, and meaning of the poem. The subject matter — and the thematic elements that support the intended message behind the subject — is often an interpretive minefield.

Pick a Side Among the Various Theories That You Have Created

Often, people have different ideas about what a poet is trying to say by their use of a subject, so unless the message is implicitly stated, it is best to report multiple possibilities about what the poet may have meant and included evidence for these theories.

The amateur writer can try to elaborate on several existing ideas and theories. Be careful not to mistake this with choosing a popular opinion or biased one. They should be defending the one that carries the most weight or offers the most validation. As the essay is supposed to be an analysis, try to avoid opinions in favor of facts and conjectures that are backed by evidence from work.

How to Choose a Poem to Analyze?

A great way to choose a topic for a poetry analysis essay is to decide on one that would deal with information that you are already familiar with. For example, if the choice of the poem to analyze is up to you, then it may be beneficial for you to choose a poem that you have encountered before. If the choice is to be made between different subject areas within a poem, then you could find it easier to choose to focus on writing about an area that plays to your strengths, so that the statements made in the essay are conveyed clearly and confidently.

A poem analysis essay may seem like a daunting writing assignment at first, but if the topic, outline, and paper are composed following the steps mentioned above, the paper will no doubt, turn out very well.

Poetry Analysis Essay Outline

An outline for a poetry analysis essay can be very simple. It is merely a guideline for the writer to build upon. Put the title of the paper at the top of the page, then place the number one (1) underneath, just before the word “Introduction.” Under this, you can list brainstormed ideas for the introduction paragraph of the paper. The final portion of this section should be dedicated to the thesis statement of the paper.

Need a poetry analysis essay outline? Here is a basic structure to follow for your outline:

Following an outline for a poetry research essay is recommended to make sure you organize all your thoughts and statements you want to say. No matter whether you know how to write poetry — an outline will help identify areas that need to be explored in the analysis.

Introduction

Starting with the title for the analysis can be something very basic or a clever quote, a statement from the piece. Moving onto the introduction to poetry analysis, this should open with a “hook” to get the reader's attention. Follow up with the Authors name and title for the piece. Add some interesting trivia or background info that is not known to the audience, but try to keep it short. To finish off the introduction to a poetry analysis, state your thesis.

The bulk of ideas and comparisons need to be explored here in a clear, focused way. When writing a poetry analysis, each paragraph should be devoted to one point or feature you are comparing. You can divide each point by using the corresponding letter from the outline. Try to make it a coherent and specific about what is being compared (example: when stating your ideas about what the poetic devices do to the piece check whether you state each one and do not generalize). Using transition words and phrases will keep the paragraphs flowing well and more helpful to read.

It's important when looking at how to analyze a poem to finish with a set-out conclusion. Firstly, start by restating the thesis in different words. Summarize the most important findings to prove the thesis. From this, you can draw up your own opinions and take a step back and say what it all means with one key idea. Lastly, try to leave the reader with something memorable to take away with them (a thought-provoking sentence or question about the poem).

Tips for a Poetry Analysis

We have put together some handy tips to help you with when writing a poetry analysis essay:

• If possible, choose a poem that you would like to write about. This seems like a simple enough idea but very relevant. If you have the choice pick a poem you enjoy.
• Try reading the poem to a colleague or friend and even just out loud to yourself. This will help discover any hidden information from the sound, and it’s always good to get a second opinion or extra ideas.
• Don’t be scared to double-check the meanings of words and phrases. This is vital to know how to write a poem analysis essay and to the best, you can. Some words may have had different meanings, cultural references and places all should be looked up if only half certain.
• Check if the conclusion has one clear central idea or theme. Do not put in many confusing ideas or conclusions as this will look like you have not evaluated the work with focus. To go beyond a simple poetry analysis for middle school, try to show how it links to broader themes and the outside world.
• Always try to look beyond the words themselves. Hunt for hidden meanings and any little clues upon which to build a picture. Anybody could know how to write a poem but to explore the hidden meanings within poetry takes time, skill, and a lot of research.

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Poetry Analysis Essay Example

Read also a very fascinating article the Divine Comedy summary . Our readers find it very informative.

Ballad of Birmingham is the author of the poem that revolves around a little girl who would like to go downtown to take part in a freedom protest. Her mother, however, says that she cannot go because of the dangerous conditions outside. Her mother instead tells her to go to church despite the little girl's constant explanations that she would not be alone. Defeated and in a show of respect for her mother, the little girl gets dressed and goes to church. Her mother is contented that she would be fine at the church. Sooner her mother hears of an explosion that sets her racing downtown in search of her daughter. Unfortunately, she finds her daughters dress and shoes in the piles and rubbles. She is left wondering where her daughter is.

Have a Poem to Analyze and Feel Stumped?

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Poetry Explications

What this handout is about.

A poetry explication is a relatively short analysis which describes the possible meanings and relationships of the words, images, and other small units that make up a poem. Writing an explication is an effective way for a reader to connect a poem’s subject matter with its structural features. This handout reviews some of the important techniques of approaching and writing a poetry explication, and includes parts of two sample explications.

Preparing to write the explication

Before you try to tackle your first draft of the explication, it’s important to first take a few preliminary steps to help familiarize yourself with the poem and reveal possible avenues of analysis.

• Read the poem or excerpt of poetry silently, then read it aloud (if not in a testing situation). Repeat as necessary.
• Circle, highlight, underline, or otherwise note specific moments that caught your attention as you were reading, and reflect on why you noticed them. These could be moments that made sense to you, profoundly confused you, or something in between. Such moments might be single words, phrases, or formal features (e.g., rhyme, meter, enjambment).
• Reflect on the poem and what it conveyed to you as a reader. You might not be able to fully and logically describe this, but take note of what you noticed. You might consider jotting down your initial thoughts after your first reading, and then noting how your ideas changed after you re-read the poem.

The large issues

Before you really delve into linguistic and formal elements, it’s first important to take a step back and get a sense of the “big picture” of a poem. The following key questions can be helpful when assessing a poem’s overall message:

How did the poem affect you as a reader? The word “affect” can be helpful to consider here since it denotes the overall subjective experience one has in response to reading something (or seeing or experiencing anything, really). This can encompass thoughts, emotions, moods, ideas, etc.—whatever the experience produced in you as a person. You can ask yourself what affective, or emotional, atmosphere the poem produced, even if something about it is difficult to describe. What adjective would you use to describe the tone of the poem? Happy? Sad? Thoughtful? Despairing? Joyous? How did the poem make you feel generally? Did the poem bring to mind certain ideas or images, etc.?

Does the poem have an identifiable speaker or addressee? Is the poem attributed to a specific speaker, or is this unclear or ambiguous? Is the speaker clearly addressing a specific second person audience, or a general one, or does this not come up? Is there a specific dramatic motivation driving the speaker to speak? You may have to make decisions about how to discuss the speaker or addressee in your explication, so it’s worth noticing how the poem is framed.

What seems to be the larger theme, or point, of the poem? This is the first question to try to address. Even if the larger message of the poem seems highly ambiguous, it’s important to first try to get a sense of this before you can move into analyzing the poem more fully. Does the poem seem to be an attempt to understand something? To appreciate something? To express a feeling? To work through a complex idea? To convey an image? Some combination of motivations?

After considering these questions, keep in mind that it’s okay if the poem still confuses you or eludes your full understanding. In fact, this sense of mystery can encourage further thought when trying to explicate a poem. Keep thinking carefully about the intricacies of the language and you may be able to convey some of this sense in your explication.

The details

To analyze the design of the poem, we must focus on the poem’s parts, namely how the poem dramatizes conflicts or ideas in language. By concentrating on the parts, we develop our understanding of the poem’s structure, and we gather support and evidence for our interpretations. Some of the details we should consider include the following:

• Form: Does the poem represent a particular form (sonnet, sestina, etc.)? Does the poem present any unique variations from the traditional structure of that form?
• Rhetoric: How does the speaker make particular statements? Does the rhetoric seem odd in any way? Why? Consider the predicates and what they reveal about the speaker.
• Syntax: Consider the subjects, verbs, and objects of each statement and what these elements reveal about the speaker. Do any statements have convoluted or vague syntax?
• Vocabulary: Why does the poet choose one word over another in each line? Do any of the words have multiple or archaic meanings that add other meanings to the line? Use the Oxford English Dictionary as a resource.

The patterns

As you analyze the design line by line, look for certain patterns to develop which provide insight into the dramatic situation, the speaker’s state of mind, or the poet’s use of details. Some of the most common patterns include the following:

• Rhetorical Patterns: Look for statements that follow the same format.
• Rhyme: Consider the significance of the end words joined by sound; in a poem with no rhymes, consider the importance of the end words.
• Patterns of Sound: Alliteration and assonance create sound effects and often cluster significant words.
• Visual Patterns: How does the poem look on the page?
• Rhythm and Meter: Consider how rhythm and meter influence our perception of the speaker and language.

Basic terms for talking about meter

Meter (from the Greek metron, meaning measure) refers principally to the recurrence of regular beats in a poetic line. In this way, meter pertains to the structure of the poem as it is written.

The most common form of meter in English verse since the 14th century is accentual-syllabic meter, in which the basic unit is the foot. A foot is a combination of two or three stressed and/or unstressed syllables. The following are the four most common metrical feet in English poetry:

• IAMBIC (the noun is “iamb”): an unstressed syllable followed by a stressed syllable, a pattern which comes closest to approximating the natural rhythm of speech. Note line 23 from Shelley’s “Stanzas Written in Dejection, Near Naples”: ⏑ / ⏑ / ⏑ / ⏑ / And walked | with in | ward glo | ry crowned
• TROCHAIC (the noun is “trochee”): a stressed followed by an unstressed syllable, as in the first line of Blake’s “Introduction” to Songs of Innocence: / ⏑ / ⏑ / ⏑ / Piping | down the | valleys | wild
• ANAPESTIC (the noun is “anapest”): two unstressed syllables followed by a stressed syllable, as in the opening to Byron’s “The Destruction of Sennacherib”: ⏑ ⏑ / ⏑ ⏑ / ⏑ ⏑ / ⏑ ⏑ / The Assyr | ian came down | like the wolf | on the fold
• DACTYLIC (the noun is “dactyl”): a stressed syllable followed by two unstressed syllables, as in Thomas Hardy’s “The Voice”: / ⏑ ⏑ / ⏑ ⏑ / ⏑ ⏑ / ⏑ ⏑ Woman much | missed, how you | call to me, | call to me

Meter also refers to the number of feet in a line:

Any number above six (hexameter) is heard as a combination of smaller parts; for example, what we might call heptameter (seven feet in a line) is indistinguishable (aurally) from successive lines of tetrameter and trimeter (4-3).

To scan a line is to determine its metrical pattern. Perhaps the best way to begin scanning a line is to mark the natural stresses on the polysyllabic words. Take Shelley’s line:

And walked with inward glory crowned.

Then mark the polysyllabic nouns, verbs, adjectives, and adverbs that are normally stressed:

Then fill in the rest:

Then divide the line into feet:

Then note the sequence:

The line consists of four iambs; therefore, we identify the line as iambic tetrameter.

I got rhythm

Rhythm refers particularly to the way a line is voiced, i.e., how one speaks the line. Often, when a reader reads a line of verse, choices of stress and unstress may need to be made. For example, the first line of Keats’ “Ode on Melancholy” presents the reader with a problem:

No, no, go not to Lethe, neither twist

If we determine the regular pattern of beats (the meter) of this line, we will most likely identify the line as iambic pentameter. If we read the line this way, the statement takes on a musing, somewhat disinterested tone. However, because the first five words are monosyllabic, we may choose to read the line differently. In fact, we may be tempted, especially when reading aloud, to stress the first two syllables equally, making the opening an emphatic, directive statement. Note that monosyllabic words allow the meaning of the line to vary according to which words we choose to stress when reading (i.e., the choice of rhythm we make).

The first line of Milton’s Paradise Lost presents a different type of problem.

Of Man’s First Disobedience, and the Fruit

Again, this line is predominantly iambic, but a problem occurs with the word “Disobedience.” If we read strictly by the meter, then we must fuse the last two syllables of the word. However, if we read the word normally, we have a breakage in the line’s metrical structure. In this way, the poet forges a tension between meter and rhythm: does the word remain contained by the structure, or do we choose to stretch the word out of the normal foot, thereby disobeying the structure in which it was made? Such tension adds meaning to the poem by using meter and rhythm to dramatize certain conflicts. In this example, Milton forges such a tension to present immediately the essential conflicts that lead to the fall of Adam and Eve.

Writing the explication

The explication should follow the same format as the preparation: begin with the large issues and basic design of the poem and work through each line to the more specific details and patterns.

The first paragraph

The first paragraph should present the large issues; it should inform the reader which conflicts are dramatized and should describe the dramatic situation of the speaker. The explication does not require a formal introductory paragraph; the writer should simply start explicating immediately. According to UNC ‘s Professor William Harmon, the foolproof way to begin any explication is with the following sentence:

“This poem dramatizes the conflict between …”

Such a beginning ensures that you will introduce the major conflict or theme in the poem and organize your explication accordingly.

Here is an example. A student’s explication of Wordsworth’s “Composed upon Westminster Bridge” might begin in the following way:

This poem dramatizes the conflict between appearance and reality, particularly as this conflict relates to what the speaker seems to say and what he really says. From Westminster Bridge, the speaker looks at London at sunrise, and he explains that all people should be struck by such a beautiful scene. The speaker notes that the city is silent, and he points to several specific objects, naming them only in general terms: “Ships, towers, domes, theatres, and temples” (6). After describing the “glittering” aspect of these objects, he asserts that these city places are just as beautiful in the morning as country places like “valley, rock, or hill” (8,10). Finally, after describing his deep feeling of calmness, the speaker notes how the “houses seem asleep” and that “all that mighty heart is lying still” (13, 14). In this way, the speaker seems to say simply that London looks beautiful in the morning.

The next paragraphs

The next paragraphs should expand the discussion of the conflict by focusing on details of form, rhetoric, syntax, and vocabulary. In these paragraphs, the writer should explain the poem line by line in terms of these details, and they should incorporate important elements of rhyme, rhythm, and meter during this discussion.

The student’s explication continues with a topic sentence that directs the discussion of the first five lines:

However, the poem begins with several oddities that suggest the speaker is saying more than what he seems to say initially. For example, the poem is an Italian sonnet and follows the abbaabbacdcdcd rhyme scheme. The fact that the poet chooses to write a sonnet about London in an Italian form suggests that what he says may not be actually praising the city. Also, the rhetoric of the first two lines seems awkward compared to a normal speaking voice: “Earth has not anything to show more fair. / Dull would he be of soul who could pass by” (1-2). The odd syntax continues when the poet personifies the city: “This City now doth, like a garment, wear / The beauty of the morning” (4-5). Here, the city wears the morning’s beauty, so it is not the city but the morning that is beautiful …

The conclusion

The explication has no formal concluding paragraph; do not simply restate the main points of the introduction! The end of the explication should focus on sound effects or visual patterns as the final element of asserting an explanation. Or, as does the undergraduate here, the writer may choose simply to stop writing when they reach the end of the poem:

The poem ends with a vague statement: “And all that mighty heart is lying still!” In this line, the city’s heart could be dead, or it could be simply deceiving the one observing the scene. In this way, the poet reinforces the conflict between the appearance of the city in the morning and what such a scene and his words actually reveal.

Tips to keep in mind

Refer to the speaking voice in the poem as the “speaker” or “the poet.” For example, do not write, “In this poem, Wordsworth says that London is beautiful in the morning.” However, you can write,

“In this poem, Wordsworth presents a speaker who…”

We cannot absolutely identify Wordsworth with the speaker of the poem, so it is more accurate to talk about “the speaker” or “the poet” in an explication.

Use the present tense when writing the explication. The poem, as a work of literature, continues to exist!

To avoid unnecessary uses of the verb “to be” in your compositions, the following list suggests some verbs you can use when writing the explication:

An example of an explication written for a timed exam

The Fountain

Fountain, fountain, what do you say Singing at night alone? “It is enough to rise and fall Here in my basin of stone.” But are you content as you seem to be So near the freedom and rush of the sea? “I have listened all night to its laboring sound, It heaves and sags, as the moon runs round; Ocean and fountain, shadow and tree, Nothing escapes, nothing is free.”

—Sara Teasdale (American, 1884-1933)

As a direct address to an inanimate object “The Fountain” presents three main conflicts concerning the appearance to the observer and the reality in the poem. First, since the speaker addresses an object usually considered voiceless, the reader may abandon his/her normal perception of the fountain and enter the poet’s imaginative address. Secondly, the speaker not only addresses the fountain but asserts that it speaks and sings, personifying the object with vocal abilities. These acts imply that, not only can the fountain speak in a musical form, but the fountain also has the ability to present some particular meaning (“what do you say” (1)). Finally, the poet gives the fountain a voice to say that its perpetual motion (rising and falling) is “enough” to maintain its sense of existence. This final personification fully dramatizes the conflict between the fountain’s appearance and the poem’s statement of reality by giving the object intelligence and voice.

The first strophe, four lines of alternating 4- and 3-foot lines, takes the form of a ballad stanza. In this way, the poem begins by suggesting that it will be story that will perhaps teach a certain lesson. The opening trochees and repetition stress the address to the fountain, and the iamb which ends line 1 and the trochee that begins line 2 stress the actions of the fountain itself. The response of the fountain illustrates its own rise and fall in the iambic line 3, and the rhyme of “alone” and “stone” emphasizes that the fountain is really a physical object, even though it can speak in this poem.

The second strophe expands the conflicts as the speaker questions the fountain. The first couplet connects the rhyming words “be” and “sea” these connections stress the question, “Is the fountain content when it exists so close to a large, open body of water like the ocean?” The fountain responds to the tempting “rush of the sea” with much wisdom (6). The fountain’s reply posits the sea as “laboring” versus the speaker’s assertion of its freedom; the sea becomes characterized by heavily accented “heaves and sags” and not open rushing (7, 8). In this way, the fountain suggests that the sea’s waters may be described in images of labor, work, and fatigue; governed by the moon, these waters are not free at all. The “as” of line 8 becomes a key word, illustrating that the sea’s waters are not free but commanded by the moon, which is itself governed by gravity in its orbit around Earth. Since the moon, an object far away in the heavens, controls the ocean, the sea cannot be free as the speaker asserts.

The poet reveals the fountain’s intelligence in rhyming couplets which present closed-in, epigrammatic statements. These couplets draw attention to the contained nature of the all objects in the poem, and they draw attention to the final line’s lesson. This last line works on several levels to address the poem’s conflicts. First, the line refers to the fountain itself; in this final rhymed couplet is the illustration of the water’s perpetual motion in the fountain, its continually recycled movement rising and falling. Second, the line refers to the ocean; in this respect the water cannot escape its boundary or control its own motions. The ocean itself is trapped between landmasses and is controlled by a distant object’s gravitational pull. Finally, the line addresses the speaker, leaving him/her with an overriding sense of fate and fallacy. The fallacy here is that the fountain presents this wisdom of reality to defy the speaker’s original idea that the fountain and the ocean appear to be trapped and free. Also, the direct statement of the last line certainly addresses the human speaker as well as the human reader. This statement implies that we are all trapped or controlled by some remote object or entity. At the same time, the assertion that “Nothing escapes” reflects the limitations of life in the world and the death that no person can escape. Our own thoughts are restricted by our mortality as well as by our limits of relying on appearances. By personifying a voiceless object, the poem presents a different perception of reality, placing the reader in the same position of the speaker and inviting the reader to question the conflict between appearance and reality, between what we see and what we can know.

Suggestions for improvement

The writer observes and presents many of the most salient points of the short poem, but they could indeed organize the explication more coherently. To improve this explication, the writer could focus more on the speaker’s state of mind. In this way, the writer could explore the implications of the dramatic situation even further: why does the speaker ask a question of a mute object? With this line of thought, the writer could also examine more closely the speaker’s movement from perplexity (I am trapped but the waters are free) to a kind of resolution (the fountain and the sea are as trapped as I am). Finally, the writer could include a more detailed consideration of rhythm, meter, and rhyme.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How to Write a Poetry Analysis Essay: Template, Topic, Sample

Samuel Gorbold

Poetry analysis is simply the process of reviewing the multiple artistic, functional, and structural pieces that make up a poem. Normally, this review is conducted and recorded within an analytical essay . This type of essay writing requires one to take a deeper look at both the choices that a poet made and the effects of those choices. In essence, these essays require an in-depth analysis of all parts that were used to form a work of poetry. Read the details from our essay writing service .

What Is A Poetry Analysis?

From an academic literary point of view, knowing the steps to follow to understand how to analyze poetry is essential. All kinds of jobs are usually found on the Internet, from relatively informal web articles to pedagogical documents in indexed journals. All of them typically coincide on one point: poems are a type of lyrical expression structured in verses. From that we can derive what a poem analysis essay should be about.

Therefore, when you have chosen a poem to analyze, it is crucial to review definitions such as stanza, lyrical object, rhyme, synalepha, syneresis, among others. In this way, poems can be classified, interpreted, and "measured." Of course, without pretending to form unanimous criteria, since a stylized narrative emerged from inspiration always has a tremendous subjective load for whoever reads it. A good poem analysis essay or any poetry analysis in general leaves some room for interpretation. It's better not to deal in absolutes which you can see in all poem analysis essay examples.

Poetry Analysis Essay Subject Matter

The final element to writing a poetry analysis essay is a part of the composition dedicated to the poems subject matter. This can be analyzed during the reader’s quest to determine the theme, tone, mood, and poems meaning. The subject matter – and the thematic elements that support the intended message behind the subject – is often an interpretive minefield. Often, people have different ideas about what a poet is trying to say by their use of a subject, so unless the message is implicitly stated, it is best to state multiple possibilities about what the poet may have meant and included evidence for these theories. As the essay is to be an analysis, opinions are to be avoided in favor of facts and conjectures that are backed by evidence from work.

How To Choose A Topic For A Poem Analysis Essay?

A great way to choose a topic for these type of assignments is to decide on a topic that would deal with information that one is already familiar with. For example, if the choice of the poem to analyze is up to the writer, then it may be beneficial for the writer to choose a poem that he/she has encountered before. If the choice is to be made between different subject areas within a poem, then the writer could find it easier to choose to focus on writing about an area that plays to his/her strengths, so that the statements made in the essay are conveyed clearly and confidently. Such assignments may seem like a daunting writing experience at first, but if the topic, outline, and paper are composed following the steps above, the essay should turn out very well.

The analysis essay is a challenging type of assignment. Your task is not to retell poetry in prose because a lyric poem is not a transposition of some prosaic intention. Still, while embodying a particular poetic state of the artist and analyzing the lyrics, you should also be able to "enter" a similar condition. To interpret in a poem analysis essay a work means to approach the author’s intention. This can be done by following the path of the so-called "slow reading" – from the first verse to the last, considering each line of poetry, its content and form, sound, images, the logic of development of the author’s feeling or thought as a step towards solving the author’s idea.

How To Write A Poetry Analysis Essay?

In order to compose a poetry analysis essay, one must first read the poem carefully. This reading allows one to become familiar with the poem helping produce a strong literary analysis essay . It is also an opportunity to make note of the rhyme scheme (if there is one), the type of poem (limerick, ode, sonnet, lyric, haiku, free verse, etc.) and other poetic techniques that the poet used (such as enjambment, meter, end-stopped lines, figurative language, etc.). All of those elements in the poem are essential to know when one is writing such an essay because they are a part of the poem’s structure and can affect the content. It is not a bad idea to read up on these poetic terms before writing an essay, since being knowledgeable about a subject can allow one to assume a more confident tone when composing a literary analysis essay on that topic. By following the guidelines provided in this blog you will not be wondering how to write a poetry analysis assignment any longer. It is also important to follow the poem analysis essay structure. It's not paramount but it will make your poem analysis essay writing much easier.

Poetry Analysis Essay Outline

An outline for a poetry analysis essay can be very simple, as it is just a guideline for the writer to build upon as the first draft is written. When starting your introductions it would probably be best to put the essays title at the top of a page, then place a Roman numeral one (I) underneath, preceding the word "introduction." Under this, one can list brainstormed ideas for the introductory paragraph. The final portion of your poem analysis essay introduction should be dedicated to the papers thesis statement.  Following the completion of that portion of the outline, one can move on to the body paragraphs of your example. Each of the Roman numerals used to label this part should denote a different subject area in respect to the poem that will be discussed in the essay. Letters under these numerals may be followed by subtopics within each subject area that are to be dealt within individual paragraphs (or sentences, if it is to be a shorter essay) within the body of the paper. At this point you are almost done with your poem analysis essay outline.

Introduction

It is necessary to add a poem’s title and author in the introduction to poetry essays. Other information, such as the date of printing, may be used. You can also include the poem’s or author’s additional details, as well as interesting facts or trivia.

Body Of Text

How to analysis poetry? When composing the main body of text, bear in mind that you must reference all the poem concepts, so add a quote to support the sentence; otherwise, the analogy would be a waste of time and will not be counted. Your comments must be explicit.

Now is the time to stand back from examining the poem’s elements and find out the poem’s general significance. It is bringing together the various aspects of the study into one key concept when writing about poetry.

What is the poet’s message, and how is it expressed, and with what emotion?

Then understand the context and how this evolves.

Is it clear from the outset, or does it progressively change as the story progresses? The last few lines of a poem can be significant, so they should be included in the poem review essay conclusion and discussed in terms of their influence on the work.

How To Analyze A Poem?

So how to analyze a poem? Commenting on a text is a way to verify what the author said and how he transmitted it, relating both concepts. You have to observe the connotations and the implicit meanings, interconnecting them with precise ideas. It is a moment when the reader establishes affinity with the text he reads, exposing his aesthetic sensitivity, articulating what the author said, the way he did it, with his subjectivity of those who analyze and comment.

When you analyze poem, the text must be coherent, resulting from the articulation of all aspects to be dealt with in the different analysis plans. Citations must appear in quotation marks. When it is not necessary to quote a complete verse or a complete sentence, you must use the sign [...] at the place where the transcription is interrupted. When it is desired to quote more than one verse, and that quote follows precisely the order of the analyzed poem, the respective verses must be separated using an oblique bar.

This is an essential step. Analyzing a poem, you need to understand the central message; the author’s primary emotion is trying to share with the poem’s recipient.

So now you can pay attention to the poet and see what information you can learn from them. Is it easy to get the speaker’s gender or age? Were there any racial or theological allusions to be found? Can we really tell whether the speaker is expressing their opinions and suggestions to the reader directly? If not, who is the poet’s character who is conveying the thoughts or messages? Your essay on poetry must include all the vital answers.

When you’ve figured out who or what the poem is about, you should go on to who or what the poem is about. Can the meaning of the poem be seen; what does the author expect from the audience? It’s pretty likely that the poet merely makes a comment or expresses themselves without expecting a reaction from the crowd.

A poem about March, for example, might be a cheerful declaration that winter is over. At the same time, it could be an intention to get somebody’s focus.

The analysis of poetic language is the most challenging part of the whole poetry essay. It has multiple openings, and the resources are very varied, so it is necessary to analyze the elements and assign them significant values.

Presenting a list of worthless poetic elements is not of great interest to the commentary of the poem. Analyzing poems, better share your images of what’s related to the topic.

Poetic Techniques

To analyse a poem successfully, you should remember the technical part of the task. If the poem has many metaphors, repetitions, or alliterations, it is in your best interests to highlight the emotional representation and expressiveness of the work you are interpreting. But don’t limit yourself to defining the style figures (for example, alliteration is the repetition of phonemes); this does not matter for the essay.

Technical Poetry Analysis Worksheet

After covering the technical aspects of a poem, it is best to learn about the poem's background. This means that one may find it beneficial to look up the poet, the date that the poem was written, and the cultural context surrounding the work. All of that information typically permits the reader a better understanding of the poem, and it seems self-explanatory that one who has an enhanced comprehension of the poem would have an easier time conducting an analysis of that poem.

Poetry Analysis Essay Tips

If you want to analyse poetry successfully, here are a few things to keep in mind:

• Read the poem at least twice. This poetic analysis tip is general and applies to all text types: always read the text two times minimum. Read, in fact, as many times as necessary to understand poetry. We miss some critical points by doing just one reading, especially in poetry that expresses personal information.
• Identify the figures of speech. Another critical step is to pay attention to the figures of speech – this is precisely where you will find some information implied in the text. Pay attention to metaphors, antitheses, or any other model of speech that appears in the poem.
• Don’t let your opinion interfere with the interpretation. Precisely because it is a text with a lot of subjectivity, do not let your idea and conception of a specific theme interfere with the understanding of poetry. Always read neutrally concerning the poet’s point of view, without prejudice about the subject matter.
• Get to know the authors’ lives briefly. If you do this, you will have complementary information that will help you to interpret the poetry.
• Keep the habit of reading and try to analyze poems. Finally, keep the poetry reading habit. Reading is one of the most natural ways to get intimate with the language and its particularities.

Poetry Analysis Essay Template

1. Author and title of the poem .

2. Style : romanticism, realism, symbolism, Acmeism, sentimentalism, avant-garde, futurism, modernism, etc.

3. Genre : epigram, epitaph, elegy, ode, poem, ballad, novel in verse, song, sonnet, dedication poem, etc.

4. The history of the poem’s creation (when it was written, for what reason, to whom it was dedicated). How important is this exact poem in the poet’s biography.

5. Theme, idea, main idea .

6. The poet’s vocabulary (everyday, colloquial; bookish, neutral, journalistic).

7. Composition of the work .

- Analyze the micro-theme of each stanza. Highlight the main parts of the poetic work, show their connection (= determine the emotional drawing of the poem);

8. Description of a lyrical hero .

9. Your impressions of the work .

Poetry Analysis Essay Example

A good poem analysis essay example is an essential factor that can help you understand how to write an evaluative poetry essay. The poetry essay aims to test the ability to perceive and interpret the problems and artistic merits of the studied and independently read literary works, using the information obtained in studying the subject on the theory and history of literature. Let’s have a look at the analysis essay example of two poems.

The poem’s problem is an essential part of the poem structure and is determined by the formulation of the question in the text or the work’s subtext. This aspect of poetic work is not generally different from other literature types: the social and ethical questions are asked by the poets, and they also respond to "eternal" philosophical questions.

A poetry analysis worksheet can also be a specific set of parameters that the instructor has asked you to examine the work from. In this scenario, it is important to create a structure that will highlight the given set of instructions. An example of such a task would be "The Tyger" by William Blake. In this poem, one can examine it from the initial emerging theme examining the process of a tiger’s creation and unavoidably its end. This context lets us understand that no power other than God himself could create something as beautiful and terrifying as the tiger. However, some literary analysis essays will require you to adopt different interpretations of this subject matter. Some often compared the beauty and fear inspired by the tiger to the industrial revolution and new machinery being built at the time when Blake wrote this poem.

Another version of a poem background is that Blake explores the coexistence of good and evil and asks about the source of their existence, wondering how one creator could create both beauty and horror. Modern readers can resonate with this poem easily because the questions asked there are essential.

Sun Of The Sleepless

The author of the poem, George Byron («Sun of the Sleepless» taken as our poetry essay example), was born on January 22, 1788, in London into a titled but low-income family. The first education, from the biography of Byron, was received at a private school. Then he began to study at the classical gymnasium, the school of Dr. Gleni (there was a great desire for reading), the Harrow school. Byron wrote several poems in this school.

Metaphor is one of the linguistic, stylistic devices most often found in Byron’s lyrics; many of them indicate the poet’s peculiar style. In verse, the star illuminates the darkness that it cannot dispel. The meaning of Byron’s image: not hopelessness and bitterness of reproach, but the thought that the memory of happiness does not save, but even more "painfully" highlights the darkness.

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Poetry & Poets

Explore the beauty of poetry – discover the poet within

How To Write Poetry In An Essay

Understand the Different Kinds of Poetry

Writing poetry in an essay can be quite a challenge, especially to someone unfamiliar with the craft. Understanding the many different styles of poetry and how they work, however, is the first step to success. Variety is key when writing a poem, as each style has its own advantages and disadvantages. Poems can range from traditional sonnets, to free verse, to even modern abstract pieces. The most traditional type of poetry is the sonnet. This consists of a four-line stanza and uses a rhyme scheme of abbaabba. Sonnets often follow a particular pattern of imagery and metaphors, so understanding that pattern is essential to writing an effective sonnet. Furthermore, meter and rhythm are key components of the sonnet, as it emphasizes the structure and form of the poem. Free verse poems also have their own set of guidelines to follow. The main difference between sonnets and free verse is that sonnets utilize rhyme and meter, while free verse poetry is more open in its form. Though they lack the rhyme, much of free verse poetry still contains subtle forms of cadence, which can help guide the flow of written words. Relying more on imagery and broken line work, free verse is often the best choice for poems dealing with topics of great gravity and depth. Contemporary poetry follows a fluid, improvised form and looks to break down traditional poetic form. Using concise word choices combined with more visual elements, like line breaks and counters, helps accomplish this goal. Innovative ideas, such as phrases or words written in all caps can also help express the emotional tones of the piece. But as with any type of style, understanding the usage of punctuation is of utmost importance.

Read and Analyze Poetry

Reading and analyzing poetry will not only help inform the creative process, but also give one insight into the context and history of the poem. Knowing the context of a poem allows one to better understand the author’s intent, the implications of certain words, and the overall tone of the piece. Analyzing the structure and rhyme scheme of the poem may also help identify recurring themes and motifs in the writing. Furthermore, reading and analyzing the work of other poets can also be beneficial. For example, learning how other poets address different topics, such as nostalgia or loneliness, can provide great insight into how to approach similar topics. By understanding how poets choose to convey their ideas, one can better articulate their own.

Craft Essays with Poetry in Mind

When writing an essay that includes poetry, one must be mindful of the structure and organization of the piece as a whole. Unlike narrative essays, poetry essays should focus more on the analysis of the content. Identifying relevant themes, symbols, and motifs, as well as the implications of the poem are essential to a thorough analysis. Ideally, all information included in the essay should directly relate to the poem, elaborating the content of the poem. Be open to the idea of reinterpreting and reimagining the poem in new and expansive ways. Comparing and contrasting the poem with other works can also provide insight into the overall power of the piece.

Integrate Poetic Techniques

Integrating poetic techniques like rhythm, imagery, and alliteration can also help enhance a poem essay. Poetic language not only provides a vivid aesthetic to the essay, it also creates a powerful emotional connection to the reader. When using poetic devices, be sure that they are incorporated in a logical and intentional way that ultimately serves the purpose of the essay. Rhythm, in particular, is essential to a poem as it provides a musical quality that can carry the reader into and through the piece. Utilizing active verbs and expanded phrases and ideas can also help give shape and movement to the essay. Furthermore, being mindful of the implications of certain words and incorporating symbolism into the writing can effectively illustrate even the most abstract themes present in the poem.

Avoid Clichés

When writing a poem essay, especially when trying to utilize poetic language, there is a fine line between beautiful imagery and overbearing clichés. Clichés should be avoided in writing, as they are often formulaic and unoriginal. Furthermore, they can detract from the uniqueness and fluidity of the piece. Readers are often overwhelmed by overly sentimental phrasing and mawkish turns of phrase. Instead of relying on trite language and phrases, strive for something more thoughtful and creative. Think about the implications and the words’ connotations and be warned that intricate, heartfelt phrasings cannot easily be replaced with romance-fuelled images. Be imaginative and let the momentousness of the poem inspire limitless allegory.

Understand Tone and Emotion

The tone of a poem is a reflection of the feelings and emotions of the poet, as well as the overall tone and mood of the piece. Oftentimes, emotions arise in a poem as a result of personification and intensified language. Understanding how tone and emotion interact can be beneficial to writing a poem essay. For example, in a poem that deals with a melancholic subject, the writing should be filled with sadness and longing. Moments of joy and clarity should be isolated and written in the clearest terms possible. Furthermore, when writing the essay, the focus should be on how the poet conveys these emotions and how the reader interprets them.

Construct a Poetic Perspective

When presenting a poem within an essay, it is important to remain as close to the source as possible. This means avoiding making broad and sweeping statements that are not backed up by the evidence from the text. Rather, make sure to point out specific lines and examples from the poem that help build and justify the argument. In essence, the essay should serve as an extension of the poem, not a replacement of it.

Evaluate the Poem Objectively

The most objective way to evaluate a poem is to analyze the elements of the poem—its flow and structure, use of language, and its overall discussion of the subject at hand—in an informed and comprehensive way. By asking questions about the poem’s use of metaphor, imagery, theme, irony, and symbolism, one can better understand the poet’s intent. Additionally, one should make sure to look beyond the surface level themes of the poem and look for the implications of the text, as well as its underlying messages. Finally, it is important to look for any patterns that might be present in the poem, and identify any possible recurring motifs.

Discern the Poet’s Message

Being able to articulate the poet’s message is essential when addressing any type of poem. Understanding what the poet is saying and attempting to convey is of particular importance when writing an essay that incorporates poetry. One should look for any recurring ideas or themes and figure out what emotions the poet is trying to evoke. Furthermore, discernment of the poet’s message should encompass all levels of the work, from literal references to more subtle metaphors and symbols.

Make Connections to Real-Life Circumstances

Making connections between the poem and real life is another helpful tool when writing a poem essay. Identifying how the content of the poem relates to the real world can add an extra dimension of analysis and insight to the work. For example, if the poem is about loss, one can look for how the poem speaks to anyone that has ever experienced it. Furthermore, looking at how the poem relates to one’s own personal emotions can also provide unique insight. This can help to provide broader and more general themes to be analyzed, instead of just looking at the intricacies of the poem in a vacuum.

Utilize Examples from Other Works

When writing an essay involving a poem, it can be helpful to look to similar works for reference. Whether it be another poet’s work or a piece of literature, leveraging examples from other sources can help illustrate different interpretations of the poem. For instance, when discussing the emotions explored in a poem, one can look to other works that utilize similar techniques and discuss why that poem’s techniques are different or more effective. By looking at various sources, one can gain different perspectives on the poem and arrive at a more informed opinion.

Think Beyond the Prescribed Assignment

When writing a poem essay, it is important to think beyond the scope of the assignment. Poems often explore vast and nebulous abstractions, and a thorough examination of the poem should mean each emotion and idea has a chance to be discussed. Instead of stopping at what the assignment requires, consider the implications of the poem further and explore different ways of interpreting it. Discuss the poem’s relation to the real-world and even contemplate what the poem means in the grand scheme of things. By going beyond the requirements of the assignment, one can create something much more personal and true to oneself.

Minnie Walters

Minnie Walters is a passionate writer and lover of poetry. She has a deep knowledge and appreciation for the work of famous poets such as William Wordsworth, Emily Dickinson, Robert Frost, and many more. She hopes you will also fall in love with poetry!

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Essays About Poetry: 5 Interesting Examples and Topic Ideas

Let’s look at some examples of essays about poetry and topics to use as a starting point for your poetry essay.

To many, poetry is like a massage for the soul. Deep lyrics, interesting connections, and reflections on the commonalities that connect all humans make poetry a language that can connect us all.

From Walt Whitman to Edgar Allen Poe, poetry has long been recognized as a form of literary art. Different from visual art, poetry allows authors to use diction, rhyme scheme, and literary devices to paint a picture for the reader. Some poets work to describe physical scenes or events with great detail, while others use language that makes the emotion they’re describing feel real to the reader.

There are many different kinds of poetry, from epic poems to lyric essays. Each poet must decide what poetry format works best to get their point across to their reader. It’s important to note that popular styles of poetry change over time, and readers can expect a different style from an eighteenth-century poet than from a poem written from a modernist perspective.

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Examples Of Essays About Poetry

• 1. How Poetry Changed My Life By Shuly Cawood
• 2. 8 Reasons Why Poetry Is Good For The Soul By Kim Barkley
• 3. Top 20 Best Poets Of All Time By Bizhan Romani
• 4. Walt Whitman’s Guide To A Thriving Democracy By Mark Edmundson
• 5. “What Might Have Been And What Has Been”: How T. S. Eliot Looked At Lives By Lyndall Gordon

Topic Ideas For Essays About Poetry

1. who is the greatest american poet of all time, 2. what’s the purpose of poetry, 3. who was the most impactful poet of the twentieth century, 4. what makes a good poem, 5. social standing and poetry, 6. how does gender influence poetry, 7. working through trauma: how poetry and other creative writing can help, 8. poetry and social justice, 9. amanda gorman: who is the national youth poet laureate, 1.  how poetry changed my life  by shuly cawood.

It was  Dr. David Citino  who let me into his poetry writing seminar, Dr. David Citino who taught me how to take sentimentality out, Dr. David Citino who made it possible for me to stay in my journalism program and finish. Poetry kept me from quitting. This is one of the reasons that when National Poetry Month comes around every year, I can’t help but celebrate. Poetry did not just save me from quitting my journalism degree: poetry has been my constant companion and has guided me through upheavals, emotions, and changes and has helped me cope, understand, and let go.

Halfway through her master’s degree program in journalism, Cawood wanted to give up on her degree. She felt called to study poetry but knew that her journalism degree would give her the career opportunities she wanted after graduation. In this essay, Cawood celebrates Dr. Citino, her poetry professor, who helped give her the strength to finish her master’s program while learning more about the literature she loved.

2.  8 Reasons Why Poetry Is Good For The Soul   By Kim Barkley

Have you ever sat there and not known what to write? Picking up poetry, reading through different excerpts from classic poets can blossom ideas you never knew existed. Reading and writing poetry makes you think of new ideas, but can also dramatically change the way you perceived old ones. It is a way to process experiences, visual descriptions, and emotions.

One of the most common arguments about poetry is that it doesn’t serve a literary purpose or educate readers on important topics. Barkley (rightfully) argues that this isn’t the case. Poetry can help children develop reading skills, open the imagination, and provide a safe space for authors to express difficult emotions that can be difficult to convey using traditional prose.

3.   Top 20 Best Poets Of All Time  By Bizhan Romani

Like art, poetry can be highly subjective as much of its worth lies in the emotional connection felt by its audience. It can therefore be difficult to judge poetry on its technical merits alone or to rank one poet against another. With that said, there are some poets that have made outstanding achievements in different forms of poetry, influenced literary movements, or left a lasting impression on pop culture.

Whether you’re looking for inspiration for your essay about poetry or you’re simply looking for a good jumping-off point to begin reading poetry in general, Romani’s list is an excellent compilation of some of the best poets of all time, including Sylvia Plath, Sappho, Edgar Allen Poe, Emily Dickinson, Pablo Neruda, and more.

4.  Walt Whitman’s Guide To A Thriving Democracy  By Mark Edmundson

“Song of Myself,” arguably Whitman’s greatest work, can be seen as a vision quest. In the original version, which had no title when it was published in 1855, in the first edition of Leaves of Grass, Whitman begins as an everyday workingman. He is “one of the roughs,” the tough, laboring type who is depicted on the book’s  frontispiece —shirt open, hat tilted to the side, a calmly insouciant expression on his face. Through a series of poetic and spiritual encounters he gains in experience and wisdom to become a representative democratic individual, one who can show his countrymen and countrywomen the way to a thriving and joyous life.

One of the most well-known and well-respected poets in American history, Walt Whitman is known not just for his descriptive, personal poetic style but also for helping to shape pre-abolition America. In this essay, Edmundson doesn’t just dig into Whitman’s life as he wrote his most famous works—he also discusses how Ralph Waldo Emerson and William Wordsworth influenced Whitman. Poetry is full of both original ideas and borrowed thoughts, and Edmundson works to explain how Whitman’s greatness was due to both his literary prowess and his respect for other greats of his time.

5.  “What Might Have Been And What Has Been”: How T. S. Eliot Looked At Lives   By Lyndall Gordon

Eliot acknowledges the routine plot of existence—“in my beginning is my end”—but he will reverse this: “in my end is my beginning.” Though, of course, this looks to eternal life beyond death, he is thinking also of the life of his ancestor, Andrew Eliott, sailing in 1669 from East Coker, Somerset, across the North Atlantic—a dangerous, three-month voyage—to Salem, Massachusetts. Here is one model life: the risk taker who can begin again in middle age, who takes off for a new life in the New World. This risk mirrors Eliot’s move in middle age to remake his private life during the thirties.

Twentieth-century poet T. S. Eliot seemed to have visions of a perfect life. Since he died in the mid-1960s, many people have been surprised to discover proverbial skeletons in the closet of the poet’s earliest works, including elitism and anti-Semitism present in his early poetry. Today, many wonder how Eliot’s poetry has remained ever-present in today’s literary culture. In this essay, the author suggests that despite Eliot’s unacceptable beginnings, his words—specifically those about how people do not begin to reflect on a person’s life until their death—remain relevant to today’s society.

Exploring the greatest American poets can be fun to delve into different poets’ styles, including Walt Whitman, Emily Dickinson, Robert Frost, Edgar Allen Poe, and Sylvia Plath. As you explain your opinion on which poet you believe is the best of all time, explain why you feel the poet you chose stands out among their peers. You may also want to explore current poets and discuss whether it’s possible that the greatest American poet of all time is still alive and writing.

There’s no doubt about it—poetry is art. Musings on the purpose of poetry can provide solid insight into how words can portray emotion. If you decide to write about the purpose of poetry, be sure to explain to your readers how poetry has influenced your life. Share examples of poems that have had a significant impact on you, and explain how poetry contributes to the betterment of society. Be sure to include quotes from well-known poets about the purpose of their work and why they believe they’ve been able to impact society by sharing their creative gifts positively.

Poetry doesn’t just provide poets with an outlet to express themselves—it can also have a significant impact on society and make the world a better place. In an essay on the most impactful poets of the twentieth century, please explain why you feel the poet you selected stands out from their peers. From Maya Angelou to e.e. cummings, you’ll have myriad opportunities to discuss poetic excellence. Explain how the poet you chose affected people, social movements, and history.

While this essay topic is subject to opinion, you can write about what you believe to be a good poem and provide examples from your favorites to support your thesis. You may feel that epic poems that allow the author to tell a detailed story are superior to other forms of poetry, or you may feel that lyrical essays that describe deep human truths are key to the literary world. No matter what argument you choose for what makes a good poem, support your argument with quotes, and don’t rely too much on stories of how a particular form of poetry affected you personally.

Poetry can break down barriers and, in many cases, provide a common language based on shared experiences from people of varying social standing. In your essay about social standing and poetry, explore how poetry has been used throughout history to connect people in various economic situations. You may also want to delve into how poetry can be used to help people understand the experiences of others (for example, explain how poetry can help a person who grew up in poverty express their experience to someone who grew up in a different situation). 

Male and female poets both have incredibly valuable offerings to the literary world, and it can be interesting to explore themes of gender within poetry. In your essay on how gender influences poetry, explore both poems about gender and how the idea of gender can influence a poet’s work. Discuss how societal expectations that go with traditional gender roles are a theme in the work of many poets and how rallying against traditional gender roles can cause issues, both in a poet’s personal and professional life.

Writing can be therapeutic, and many people depend on journaling to help them process difficult and traumatic events. In an essay on how writing can help people work through trauma, dig into the latest research on therapeutic writing. You may also want to interview a therapist or counselor about how they use journaling or writing in their practice to help their clients work through difficult issues. If you have personally been able to work through trauma with the help of writing or journaling, it’s fine to use a personal anecdote to begin or end your essay. Be careful that you don’t lean on anecdotes to carry the body of your essay, however. You’ll want to provide research-driven proof that writing can be used to impact mental health positively. 

Social justice movements have been used to change the course of history repeatedly. In many cases, poetry has served as an important part of social justice movements, providing a voice to those deemed voiceless. In your essay about poetry and social justice, talk about social justice movements both currently and in the past, and refer to poems that have worked to inform others about social issues and create positive change. In your essay, you can focus on one facet of social justice (such as racism or sexism) or look at how poetry and social justice interact with a wider lens. 

National Youth Poet Laureate Amanda Gorman took the world by storm with her poem The Hill We Climb, which she read aloud at President Biden’s 2021 inauguration ceremony. In your essay on Gorma, be sure to talk about her past, her education (a Harvard graduate), her rise to fame, and her goals for the future–she has her eyes set on a future presidential run.

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A comprehensive guide to writing a poem analysis essay.

Delving into the intricate world of poetry analysis can be a rewarding and enlightening experience. A poem analysis essay allows you to explore the nuances of a poem, dissect its themes, and uncover the hidden meanings within its verses. It offers a unique opportunity to delve into the poet’s mind and understand their perspective.

When crafting a poem analysis essay, it is essential to approach the task with a critical eye and an open mind. Careful attention to detail, a keen understanding of poetic devices, and a thoughtful analysis of the poem’s structure are key components of a successful essay. By following a systematic approach and employing effective writing techniques, you can create a compelling and insightful analysis that showcases your literary prowess.

In this article, we will provide you with valuable tips and strategies to help you craft a thought-provoking poem analysis essay. From conducting a thorough analysis of the poem to structuring your essay effectively, we will guide you through the process of analyzing a poem with skill and finesse. By mastering the art of poetry analysis, you can unlock the deeper layers of meaning hidden within the lines of a poem and gain a deeper appreciation for the art of poetry.

Understand the Poem’s Context

When analyzing a poem, it’s essential to understand the context in which it was written. Consider the historical, cultural, and social background that influenced the poet and the poem itself. Research the time period in which the poem was written, the poet’s biography, and any significant events or movements that may have impacted the poet’s work.

Furthermore, pay attention to the poet’s intentions and motivations for writing the poem. Understanding the context can provide valuable insights into the poem’s themes, symbols, and stylistic choices. By delving into the context, you can deepen your interpretation and appreciation of the poem’s meaning.

Analyze the Poem’s Structure

Examining the structure of a poem is crucial in understanding the poet’s intentions and the overall impact of the work. Consider the poem’s form, including the stanza structure, line length, and rhyme scheme. Look for patterns in the organization of the poem, such as repetition, enjambment, or other structural techniques. Pay attention to the rhythm and meter of the poem, as this can contribute to the tone and mood of the piece. By analyzing the structure of the poem, you can uncover deeper meanings and insights that may not be immediately apparent.

Identify Key Themes and Symbols

One important aspect of crafting a poem analysis essay is identifying the key themes and symbols within the poem. Themes are recurring ideas or messages that the poet conveys through the poem, while symbols are objects, characters, or elements that represent deeper meanings.

When analyzing a poem, pay attention to the themes that emerge as you read. Consider what the poet is trying to communicate about topics such as love, nature, life, or death. Look for recurring symbols or images that carry symbolic meaning, such as birds symbolizing freedom or light symbolizing hope.

By identifying the key themes and symbols in a poem, you can gain a deeper understanding of the poet’s message and the significance of the poem as a whole. This analysis can help you craft a thoughtful and insightful essay that explores the poem’s meaning in depth.

Discuss the Poem’s Tone and Mood

One key aspect to consider when analyzing a poem is its tone and mood. The tone of a poem refers to the attitude or feelings that the poet expresses towards the subject matter. It can be playful, serious, sarcastic, melancholic, or any other emotion that the poet conveys through the language and imagery used in the poem. On the other hand, the mood of a poem is the overall feeling or atmosphere that the poem evokes in the reader. The mood can be somber, joyful, contemplative, or any other emotional response that the reader experiences when reading the poem. To analyze the tone and mood of a poem, pay attention to the language, imagery, and metaphors used by the poet, as these elements can reveal the underlying emotions and attitudes that the poet is trying to convey.

Provide Evidence from the Text

When analyzing a poem, it is crucial to support your interpretations with evidence directly from the text. This evidence can include specific lines, phrases, or stanzas that illustrate the themes, imagery, or language used by the poet.

For example: If you are discussing the theme of love in a poem, quote lines where the poet describes emotions, interactions, or relationships to demonstrate how the theme is developed throughout the poem.

Remember: Providing textual evidence not only strengthens your analysis but also shows your deep engagement with the poem and your ability to support your interpretations with concrete examples.

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To learn how to write a poem step-by-step, let’s start where all poets start: the basics.

This article is an in-depth introduction to how to write a poem. We first answer the question, “What is poetry?” We then discuss the literary elements of poetry, and showcase some different approaches to the writing process—including our own seven-step process on how to write a poem step by step.

So, how do you write a poem? Let’s start with what poetry is.

How to Write a Poem: Contents

What Poetry Is

• Literary Devices

How to Write a Poem, in 7 Steps

How to write a poem: different approaches and philosophies.

• Okay, I Know How to Write a Good Poem. What Next?

It’s important to know what poetry is—and isn’t—before we discuss how to write a poem. The following quote defines poetry nicely:

“Poetry is language at its most distilled and most powerful.” —Former US Poet Laureate Rita Dove

Poetry Conveys Feeling

People sometimes imagine poetry as stuffy, abstract, and difficult to understand. Some poetry may be this way, but in reality poetry isn’t about being obscure or confusing. Poetry is a lyrical, emotive method of self-expression, using the elements of poetry to highlight feelings and ideas.

A poem should make the reader feel something.

In other words, a poem should make the reader feel something—not by telling them what to feel, but by evoking feeling directly.

Here’s a contemporary poem that, despite its simplicity (or perhaps because of its simplicity), conveys heartfelt emotion.

Poem by Langston Hughes

I loved my friend. He went away from me. There’s nothing more to say. The poem ends, Soft as it began— I loved my friend.

Poetry is Language at its Richest and Most Condensed

Unlike longer prose writing (such as a short story, memoir, or novel), poetry needs to impact the reader in the richest and most condensed way possible. Here’s a famous quote that enforces that distinction:

“Prose: words in their best order; poetry: the best words in the best order.” —Samuel Taylor Coleridge

So poetry isn’t the place to be filling in long backstories or doing leisurely scene-setting. In poetry, every single word carries maximum impact.

Poetry Uses Unique Elements

Poetry is not like other kinds of writing: it has its own unique forms, tools, and principles. Together, these elements of poetry help it to powerfully impact the reader in only a few words.

The elements of poetry help it to powerfully impact the reader in only a few words.

Most poetry is written in verse , rather than prose . This means that it uses line breaks, alongside rhythm or meter, to convey something to the reader. Rather than letting the text break at the end of the page (as prose does), verse emphasizes language through line breaks.

Poetry further accentuates its use of language through rhyme and meter. Poetry has a heightened emphasis on the musicality of language itself: its sounds and rhythms, and the feelings they carry.

These devices—rhyme, meter, and line breaks—are just a few of the essential elements of poetry, which we’ll explore in more depth now.

More About What Poetry Is

Learn more about what poetry is here:

https://writers.com/what-is-poetry

Understanding the Elements of Poetry

As we explore how to write a poem step by step, these three major literary elements of poetry should sit in the back of your mind:

• Rhythm (Sound, Rhyme, and Meter)

1. Elements of Poetry: Rhythm

“Rhythm” refers to the lyrical, sonic qualities of the poem. How does the poem move and breathe; how does it feel on the tongue?

Traditionally, poets relied on rhyme and meter to accomplish a rhythmically sound poem. Free verse poems —which are poems that don’t require a specific length, rhyme scheme, or meter—only became popular in the West in the 20th century, so while rhyme and meter aren’t requirements of modern poetry, they are required of certain poetry forms.

Poetry is capable of evoking certain emotions based solely on the sounds it uses. Words can sound sinister, percussive, fluid, cheerful, dour, or any other noise/emotion in the complex tapestry of human feeling.

Take, for example, this excerpt from the poem “Beat! Beat! Drums!” by Walt Whitman:

Red — “b” sounds

Blue — “th” sounds

Green — “w” and “ew” sounds

Purple — “s” sounds

Orange — “d” and “t” sounds

This poem has a lot of percussive, disruptive sounds that reinforce the beating of the drums. The “b,” “d,” “w,” and “t” sounds resemble these drum beats, while the “th” and “s” sounds are sneakier, penetrating a deeper part of the ear. The cacophony of this excerpt might not sound “lyrical,” but it does manage to command your attention, much like drums beating through a city might sound.

To learn more about consonance and assonance, euphony and cacophony, onomatopoeia , and the other uses of sound, take a look at our article “12 Literary Devices in Poetry.”

https://writers.com/literary-devices-in-poetry

It would be a crime if you weren’t primed on the ins and outs of rhymes. “Rhyme” refers to words that have similar pronunciations, like this set of words: sound, hound, browned, pound, found, around.

Many poets assume that their poetry has to rhyme, and it’s true that some poems require a complex rhyme scheme. However, rhyme isn’t nearly as important to poetry as it used to be. Most traditional poetry forms—sonnets, villanelles , rimes royal, etc.—rely on rhyme, but contemporary poetry has largely strayed from the strict rhyme schemes of yesterday.

There are three types of rhymes:

• Homophony: Homophones are words that are spelled differently but sound the same, like “tail” and “tale.” Homophones often lead to commonly misspelled words .
• Perfect Rhyme: Perfect rhymes are word pairs that are identical in sound except for one minor difference. Examples include “slant and pant,” “great and fate,” and “shower and power.”
• Slant Rhyme: Slant rhymes are word pairs that use the same sounds, but their final vowels have different pronunciations. For example, “abut” and “about” are nearly-identical in sound, but are pronounced differently enough that they don’t completely rhyme. This is also known as an oblique rhyme or imperfect rhyme.

Meter refers to the stress patterns of words. Certain poetry forms require that the words in the poem follow a certain stress pattern, meaning some syllables are stressed and others are unstressed.

What is “stressed” and “unstressed”? A stressed syllable is the sound that you emphasize in a word. The bolded syllables in the following words are stressed, and the unbolded syllables are unstressed:

• Un• stressed
• Plat• i• tud• i•nous
• De •act•i• vate
• Con• sti •tu• tion•al

The pattern of stressed and unstressed syllables is important to traditional poetry forms. This chart, copied from our article on form in poetry , summarizes the different stress patterns of poetry.

2. Elements of Poetry: Form

“Form” refers to the structure of the poem. Is the poem a sonnet , a villanelle, a free verse piece, a slam poem, a contrapuntal, a ghazal , a blackout poem , or something new and experimental?

Form also refers to the line breaks and stanza breaks in a poem. Unlike prose, where the end of the page decides the line breaks, poets have control over when one line ends and a new one begins. The words that begin and end each line will emphasize the sounds, images, and ideas that are important to the poet.

To learn more about rhyme, meter, and poetry forms, read our full article on the topic:

https://writers.com/what-is-form-in-poetry

3. Elements of Poetry: Literary Devices

“Poetry: the best words in the best order.” — Samuel Taylor Coleridge

How does poetry express complex ideas in concise, lyrical language? Literary devices—like metaphor, symbolism , juxtaposition , irony , and hyperbole—help make poetry possible. Learn how to write and master these devices here:

https://writers.com/common-literary-devices

To condense the elements of poetry into an actual poem, we’re going to follow a seven-step approach. However, it’s important to know that every poet’s process is different. While the steps presented here are a logical path to get from idea to finished poem, they’re not the only tried-and-true method of poetry writing. Poets can—and should!—modify these steps and generate their own writing process.

Nonetheless, if you’re new to writing poetry or want to explore a different writing process, try your hand at our approach. Here’s how to write a poem step by step!

1. Devise a Topic

The easiest way to start writing a poem is to begin with a topic.

However, devising a topic is often the hardest part. What should your poem be about? And where can you find ideas?

Here are a few places to search for inspiration:

• Other Works of Literature: Poetry doesn’t exist in a vacuum—it’s part of a larger literary tapestry, and can absolutely be influenced by other works. For example, read “The Golden Shovel” by Terrance Hayes , a poem that was inspired by Gwendolyn Brooks’ “We Real Cool.”
• Real-World Events: Poetry, especially contemporary poetry, has the power to convey new and transformative ideas about the world. Take the poem “A Cigarette” by Ilya Kaminsky , which finds community in a warzone like the eye of a hurricane.
• Your Life: What would poetry be if not a form of memoir? Many contemporary poets have documented their lives in verse. Take Sylvia Plath’s poem “Full Fathom Five” —a daring poem for its time, as few writers so boldly criticized their family as Plath did.
• The Everyday and Mundane: Poetry isn’t just about big, earth-shattering events: much can be said about mundane events, too. Take “Ode to Shea Butter” by Angel Nafis , a poem that celebrates the beautiful “everydayness” of moisturizing.
• Nature: The Earth has always been a source of inspiration for poets, both today and in antiquity. Take “Wild Geese” by Mary Oliver , which finds meaning in nature’s quiet rituals.
• Writing Exercises: Prompts and exercises can help spark your creativity, even if the poem you write has nothing to do with the prompt! Here’s 24 writing exercises to get you started.

At this point, you’ve got a topic for your poem. Maybe it’s a topic you’re passionate about, and the words pour from your pen and align themselves into a perfect sonnet! It’s not impossible—most poets have a couple of poems that seemed to write themselves.

However, it’s far more likely you’re searching for the words to talk about this topic. This is where journaling comes in.

Sit in front of a blank piece of paper, with nothing but the topic written on the top. Set a timer for 15-30 minutes and put down all of your thoughts related to the topic. Don’t stop and think for too long, and try not to obsess over finding the right words: what matters here is emotion, the way your subconscious grapples with the topic.

At the end of this journaling session, go back through everything you wrote, and highlight whatever seems important to you: well-written phrases, poignant moments of emotion, even specific words that you want to use in your poem.

Journaling is a low-risk way of exploring your topic without feeling pressured to make it sound poetic. “Sounding poetic” will only leave you with empty language: your journal allows you to speak from the heart. Everything you need for your poem is already inside of you, the journaling process just helps bring it out!

Learn more about keeping a daily journal here:

How to Start Journaling: Practical Advice on How to Journal Daily

3. Think About Form

As one of the elements of poetry, form plays a crucial role in how the poem is both written and read. Have you ever wanted to write a sestina ? How about a contrapuntal, or a double cinquain, or a series of tanka? Your poem can take a multitude of forms, including the beautifully unstructured free verse form; while form can be decided in the editing process, it doesn’t hurt to think about it now.

4. Write the First Line

After a productive journaling session, you’ll be much more acquainted with the state of your heart. You might have a line in your journal that you really want to begin with, or you might want to start fresh and refer back to your journal when you need to! Either way, it’s time to begin.

What should the first line of your poem be? There’s no strict rule here—you don’t have to start your poem with a certain image or literary device. However, here’s a few ways that poets often begin their work:

• Set the Scene: Poetry can tell stories just like prose does. Anne Carson does just this in her poem “Lines,” situating the scene in a conversation with the speaker’s mother.
• Start at the Conflict : Right away, tell the reader where it hurts most. Margaret Atwood does this in “Ghost Cat,” a poem about aging.
• Start With a Contradiction: Juxtaposition and contrast are two powerful tools in the poet’s toolkit. Joan Larkin’s poem “Want” begins and ends with these devices. Carlos Gimenez Smith also begins his poem “Entanglement” with a juxtaposition.
• Start With Your Title: Some poets will use the title as their first line, like Ron Padgett’s poem “Ladies and Gentlemen in Outer Space.”

There are many other ways to begin poems, so play around with different literary devices, and when you’re stuck, turn to other poetry for inspiration. You can learn more about starting a poem here: 

How to Start a Poem (When You Don’t Know Where to Start)

5. Develop Ideas and Devices

You might not know where your poem is going until you finish writing it. In the meantime, stick to your literary devices. Avoid using too many abstract nouns, develop striking images, use metaphors and similes to strike interesting comparisons, and above all, speak from the heart.

6. Write the Closing Line

Some poems end “full circle,” meaning that the images the poet used in the beginning are reintroduced at the end. Gwendolyn Brooks does this in her poem “my dreams, my work, must wait till after hell.”

Yet, many poets don’t realize what their poems are about until they write the ending line . Poetry is a search for truth, especially the hard truths that aren’t easily explained in casual speech. Your poem, too, might not be finished until it comes across a necessary truth, so write until you strike the heart of what you feel, and the poem will come to its own conclusion.

7. Edit, Edit, Edit!

Do you have a working first draft of your poem? Congratulations! Getting your feelings onto the page is a feat in itself.

Yet, no guide on how to write a poem is complete without a note on editing. If you plan on sharing or publishing your work, or if you simply want to edit your poem to near-perfection, keep these tips in mind.

• Adjectives and Adverbs: Use these parts of speech sparingly. Most imagery shouldn’t rely on adjectives and adverbs, because the image should be striking and vivid on its own, without too much help from excess language.
• Concrete Line Breaks: Line breaks help emphasize important words, making certain images and themes clearer to the reader. As a general rule, most of your lines should start and end with concrete words—nouns and verbs especially.
• Stanza Breaks: Stanzas are like paragraphs to poetry. A stanza can develop a new idea, contrast an existing idea, or signal a transition in the poem’s tone. Make sure each stanza clearly stands for something as a unit of the poem.
• Mixed Metaphors: A mixed metaphor is when two metaphors occupy the same idea, making the poem unnecessarily difficult to understand. Here’s an example of a mixed metaphor: “a watched clock never boils.” The meaning can be discerned, but the image remains unclear. Be wary of mixed metaphors—though some poets (like Shakespeare) make them work, they’re tricky and often disruptive.
• Abstractions: Above all, avoid using excessively abstract language. It’s fine to use the word “love” 2 or 3 times in a poem, but don’t use it twice in every stanza. Let the imagery in your poem express your feelings and ideas, and only use abstractions as brief connective tissue in otherwise-concrete writing.

Lastly, don’t feel pressured to “do something” with your poem. Not all poems need to be shared and edited. Poetry doesn’t have to be “good,” either—it can simply be a statement of emotions by the poet, for the poet. Publishing is an admirable goal, but also, give yourself permission to write bad poems, unedited poems, abstract poems, and poems with an audience of one. Write for yourself—editing is for the other readers.

Poetry is the oldest literary form, pre-dating prose, theater, and the written word itself. As such, there are many different schools of thought when it comes to writing poetry. You might be wondering how to write a poem through different methods and approaches: here’s four philosophies to get you started.

How to Write a Poem: Poetry as Emotion

If you asked a Romantic Poet “what is poetry?”, they would tell you that poetry is the spontaneous emotion of the soul.

The Romantic Era viewed poetry as an extension of human emotion—a way of perceiving the world through unbridled creativity, centered around the human soul. While many Romantic poets used traditional forms in their poetry, the Romantics weren’t afraid to break from tradition, either.

To write like a Romantic, feel—and feel intensely. The words will follow the emotions, as long as a blank page sits in front of you.

How to Write a Poem: Poetry as Stream of Consciousness

If you asked a Modernist poet, “What is poetry?” they would tell you that poetry is the search for complex truths.

Modernist Poets were keen on the use of poetry as a window into the mind. A common technique of the time was “Stream of Consciousness,” which is unfiltered writing that flows directly from the poet’s inner dialogue. By tapping into one’s subconscious, the poet might uncover deeper truths and emotions they were initially unaware of.

Depending on who you are as a writer, Stream of Consciousness can be tricky to master, but this guide covers the basics of how to write using this technique.

How to Write a Poem: Mindfulness

Mindfulness is a practice of documenting the mind, rather than trying to control or edit what it produces. This practice was popularized by the Beat Poets , who in turn were inspired by Eastern philosophies and Buddhist teachings. If you asked a Beat Poet “what is poetry?”, they would tell you that poetry is the human consciousness, unadulterated.

To learn more about the art of leaving your mind alone , take a look at our guide on Mindfulness, from instructor Marc Olmsted.

https://writers.com/mindful-writing

How to Write a Poem: Poem as Camera Lens

Many contemporary poets use poetry as a camera lens, documenting global events and commenting on both politics and injustice. If you find yourself itching to write poetry about the modern day, press your thumb against the pulse of the world and write what you feel.

Additionally, check out these two essays by Electric Literature on the politics of poetry:

• What Can Poetry Do That Politics Can’t?
• Why All Poems Are Political (TL;DR: Poetry is an urgent expression of freedom).

Okay, I Know How to Write a Poem. What Next?

Poetry, like all art forms, takes practice and dedication. You might write a poem you enjoy now, and think it’s awfully written 3 years from now; you might also write some of your best work after reading this guide. Poetry is fickle, but the pen lasts forever, so write poems as long as you can!

Once you understand how to write a poem, and after you’ve drafted some pieces that you’re proud of and ready to share, here are some next steps you can take.

Publish in Literary Journals

Want to see your name in print? These literary journals house some of the best poetry being published today.

https://writers.com/best-places-submit-poetry-online

Assemble and Publish a Manuscript

A poem can tell a story. So can a collection of poems. If you’re interested in publishing a poetry book, learn how to compose and format one here:

https://writers.com/poetry-manuscript-format

How to Write a Poem: Join a Writing Community

Writers.com is an online community of writers, and we’d love it if you shared your poetry with us! Join us on Facebook and check out our upcoming poetry courses .

Poetry doesn’t exist in a vacuum, it exists to educate and uplift society. The world is waiting for your voice, so find a group and share your work!

Sean Glatch

38 comments.

super useful! love these articles 💕

Finally found a helpful guide on Poetry’. For many year, I have written and filed numerous inspired pieces from experiences and moment’s of epiphany. Finally, looking forward to convertinb to ‘poetry format’. THANK YOU, KINDLY. 🙏🏾

Indeed, very helpful, consize. I could not say more than thank you.

I’ve never read a better guide on how to write poetry step by step. Not only does it give great tips, but it also provides helpful links! Thank you so much.

Thank you very much, Hamna! I’m so glad this guide was helpful for you.

Best guide so far

Very inspirational and marvelous tips

Thank you super tips very helpful.

I have never gone through the steps of writing poetry like this, I will take a closer look at your post.

Beautiful! Thank you! I’m really excited to try journaling as a starter step x

[…] How to Write a Poem, Step-by-Step […]

This is really helpful, thanks so much

Extremely thorough! Nice job.

Thank you so much for sharing your awesome tips for beginner writers!

People must reboot this and bookmark it. Your writing and explanation is detailed to the core. Thanks for helping me understand different poetic elements. While reading, actually, I start thinking about how my husband construct his songs and why other artists lack that organization (or desire to be better). Anyway, this gave me clarity.

I’m starting to use poetry as an outlet for my blogs, but I also have to keep in mind I’m transitioning from a blogger to a poetic sweet kitty potato (ha). It’s a unique transition, but I’m so used to writing a lot, it’s strange to see an open blog post with a lot of lines and few paragraphs.

Anyway, thanks again!

I’m happy this article was so helpful, Eternity! Thanks for commenting, and best of luck with your poetry blog.

Yours in verse, Sean

One of the best articles I read on how to write poems. And it is totally step by step process which is easy to read and understand.

Thanks for the step step explanation in how to write poems it’s a very helpful to me and also for everyone one. THANKYOU

Totally detailed and in a simple language told the best way how to write poems. It is a guide that one should read and follow. It gives the detailed guidance about how to write poems. One of the best articles written on how to write poems.

what a guidance thank you so much now i can write a poem thank you again again and again

The most inspirational and informative article I have ever read in the 21st century.It gives the most relevent,practical, comprehensive and effective insights and guides to aspiring writers.

Thank you so much. This is so useful to me a poetry

[…] Write a short story/poem (Here are some tips) […]

It was very helpful and am willing to try it out for my writing Thanks ❤️

Thank you so much. This is so helpful to me, and am willing to try it out for my writing .

Absolutely constructive, direct, and so useful as I’m striving to develop a recent piece. Thank you!

thank you for your explanation……,love it

Really great. Nothing less.

I can’t thank you enough for this, it touched my heart, this was such an encouraging article and I thank you deeply from my heart, I needed to read this.

great teaching Did not know all that in poetry writing

This was very useful! Thank you for writing this.

After reading a Charles Bukowski poem, “My Cats,” I found you piece here after doing a search on poetry writing format. Your article is wonderful as is your side article on journaling. I want to dig into both and give it another go another after writing poetry when I was at university. Thank you!

Thanks for reading, Vicki! Let us know how we can support your writing journey. 🙂

Thank you for the nice and informative post. This article truly offers a lot more details about this topic.

Very useful information. I’m glad to see you discussed rhyming, too. I was in the perhaps mistaken idea that rhyming is frowned upon in contemporary poems.

Thanks alot this highly needed for a starter like me

Thanks for this Beautiful 🌹 step by step piece. As I dive into learning how to write poems I will probably find them helpful and refer to them later on again when needed. Thanks♥️

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Poems & Poets

Tradition and the Individual Talent

BY T. S. Eliot

Introduction

Often hailed as the successor to poet-critics such as John Dryden, Samuel Taylor Coleridge, and Matthew Arnold, T.S. Eliot’s literary criticism informs his poetry just as his experiences as a poet shape his critical work. Though famous for insisting on “objectivity” in art, Eliot’s essays actually map a highly personal set of preoccupations, responses and ideas about specific authors and works of art, as well as formulate more general theories on the connections between poetry, culture and society. Perhaps his best-known essay, “Tradition and the Individual Talent” was first published in 1919 and soon after included in The Sacred Wood: Essays on Poetry and Criticism (1920). Eliot attempts to do two things in this essay: he first redefines “tradition” by emphasizing the importance of history to writing and understanding poetry, and he then argues that poetry should be essentially “impersonal,” that is separate and distinct from the personality of its writer. Eliot’s idea of tradition is complex and unusual, involving something he describes as “the historical sense” which is a perception of “the pastness of the past” but also of its “presence.” For Eliot, past works of art form an order or “tradition”; however, that order is always being altered by a new work which modifies the “tradition” to make room for itself. This view, in which “the past should be altered by the present as much as the present is directed by the past,” requires that a poet be familiar with almost all literary history—not just the immediate past but the distant past and not just the literature of his or her own country but the whole “mind of Europe.” Eliot’s second point is one of his most famous and contentious. A poet, Eliot maintains, must “self-sacrifice” to this special awareness of the past; once this awareness is achieved, it will erase any trace of personality from the poetry because the poet has become a mere medium for expression. Using the analogy of a chemical reaction, Eliot explains that a “mature” poet’s mind works by being a passive “receptacle” of images, phrases and feelings which are combined, under immense concentration, into a new “art emotion.” For Eliot, true art has nothing to do with the personal life of the artist but is merely the result of a greater ability to synthesize and combine, an ability which comes from deep study and comprehensive knowledge. Though Eliot’s belief that “Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality” sprang from what he viewed as the excesses of Romanticism, many scholars have noted how continuous Eliot’s thought—and the whole of Modernism—is with that of the Romantics’; his “impersonal poet” even has links with John Keats, who proposed a similar figure in “the chameleon poet.” But Eliot’s belief that critical study should be “diverted” from the poet to the poetry shaped the study of poetry for half a century, and while “Tradition and the Individual Talent” has had many detractors, especially those who question Eliot’s insistence on canonical works as standards of greatness, it is difficult to overemphasize the essay’s influence. It has shaped generations of poets, critics and theorists and is a key text in modern literary criticism.

In English writing we seldom speak of tradition, though we occasionally apply its name in deploring its absence. We cannot refer to “the tradition” or to “a tradition”; at most, we employ the adjective in saying that the poetry of So-and-so is “traditional” or even “too traditional.” Seldom, perhaps, does the word appear except in a phrase of censure. If otherwise, it is vaguely approbative, with the implication, as to the work approved, of some pleasing archaeological reconstruction. You can hardly make the word agreeable to English ears without this comfortable reference to the reassuring science of archaeology.

Certainly the word is not likely to appear in our appreciations of living or dead writers. Every nation, every race, has not only its own creative, but its own critical turn of mind; and is even more oblivious of the shortcomings and limitations of its critical habits than of those of its creative genius. We know, or think we know, from the enormous mass of critical writing that has appeared in the French language the critical method or habit of the French; we only conclude (we are such unconscious people) that the French are “more critical” than we, and sometimes even plume ourselves a little with the fact, as if the French were the less spontaneous. Perhaps they are; but we might remind ourselves that criticism is as inevitable as breathing, and that we should be none the worse for articulating what passes in our minds when we read a book and feel an emotion about it, for criticizing our own minds in their work of criticism. One of the facts that might come to light in this process is our tendency to insist, when we praise a poet, upon those aspects of his work in which he least resembles any one else. In these aspects or parts of his work we pretend to find what is individual, what is the peculiar essence of the man. We dwell with satisfaction upon the poet’s difference from his predecessors, especially his immediate predecessors; we endeavour to find something that can be isolated in order to be enjoyed. Whereas if we approach a poet without this prejudice we shall often find that not only the best, but the most individual parts of his work may be those in which the dead poets, his ancestors, assert their immortality most vigorously. And I do not mean the impressionable period of adolescence, but the period of full maturity.

Yet if the only form of tradition, of handing down, consisted in following the ways of the immediate generation before us in a blind or timid adherence to its successes, “tradition” should positively be discouraged. We have seen many such simple currents soon lost in the sand; and novelty is better than repetition. Tradition is a matter of much wider significance. It cannot be inherited, and if you want it you must obtain it by great labour. It involves, in the first place, the historical sense, which we may call nearly indispensable to any one who would continue to be a poet beyond his twenty-fifth year; and the historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his own contemporaneity.

No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. I mean this as a principle of aesthetic, not merely historical, criticism. The necessity that he shall conform, that he shall cohere, is not onesided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new. Whoever has approved this idea of order, of the form of European, of English literature will not find it preposterous that the past should be altered by the present as much as the present is directed by the past. And the poet who is aware of this will be aware of great difficulties and responsibilities.

In a peculiar sense he will be aware also that he must inevitably be judged by the standards of the past. I say judged, not amputated, by them; not judged to be as good as, or worse or better than, the dead; and certainly not judged by the canons of dead critics. It is a judgment, a comparison, in which two things are measured by each other. To conform merely would be for the new work not really to conform at all; it would not be new, and would therefore not be a work of art. And we do not quite say that the new is more valuable because it fits in; but its fitting in is a test of its value—a test, it is true, which can only be slowly and cautiously applied, for we are none of us infallible judges of conformity. We say: it appears to conform, and is perhaps individual, or it appears individual, and many conform; but we are hardly likely to find that it is one and not the other.

To proceed to a more intelligible exposition of the relation of the poet to the past: he can neither take the past as a lump, an indiscriminate bolus, nor can he form himself wholly on one or two private admirations, nor can he form himself wholly upon one preferred period. The first course is inadmissible, the second is an important experience of youth, and the third is a pleasant and highly desirable supplement. The poet must be very conscious of the main current, which does not at all flow invariably through the most distinguished reputations. He must be quite aware of the obvious fact that art never improves, but that the material of art is never quite the same. He must be aware that the mind of Europe—the mind of his own country—a mind which he learns in time to be much more important than his own private mind—is a mind which changes, and that this change is a development which abandons nothing en route , which does not superannuate either Shakespeare, or Homer, or the rock drawing of the Magdalenian draughtsmen. That this development, refinement perhaps, complication certainly, is not, from the point of view of the artist, any improvement. Perhaps not even an improvement from the point of view of the psychologist or not to the extent which we imagine; perhaps only in the end based upon a complication in economics and machinery. But the difference between the present and the past is that the conscious present is an awareness of the past in a way and to an extent which the past’s awareness of itself cannot show.

Some one said: “The dead writers are remote from us because we know so much more than they did.” Precisely, and they are that which we know.

I am alive to a usual objection to what is clearly part of my programme for the métier of poetry. The objection is that the doctrine requires a ridiculous amount of erudition (pedantry), a claim which can be rejected by appeal to the lives of poets in any pantheon. It will even be affirmed that much learning deadens or perverts poetic sensibility. While, however, we persist in believing that a poet ought to know as much as will not encroach upon his necessary receptivity and necessary laziness, it is not desirable to confine knowledge to whatever can be put into a useful shape for examinations, drawing-rooms, or the still more pretentious modes of publicity. Some can absorb knowledge, the more tardy must sweat for it. Shakespeare acquired more essential history from Plutarch than most men could from the whole British Museum. What is to be insisted upon is that the poet must develop or procure the consciousness of the past and that he should continue to develop this consciousness throughout his career.

What happens is a continual surrender of himself as he is at the moment to something which is more valuable. The progress of an artist is a continual self-sacrifice, a continual extinction of personality.

There remains to define this process of depersonalization and its relation to the sense of tradition. It is in this depersonalization that art may be said to approach the condition of science. I, therefore, invite you to consider, as a suggestive analogy, the action which takes place when a bit of finely filiated platinum is introduced into a chamber containing oxygen and sulphur dioxide.

Honest criticism and sensitive appreciation are directed not upon the poet but upon the poetry. If we attend to the confused cries of the newspaper critics and the susurrus of popular repetition that follows, we shall hear the names of poets in great numbers; if we seek not Blue-book knowledge but the enjoyment of poetry, and ask for a poem, we shall seldom find it. I have tried to point out the importance of the relation of the poem to other poems by other authors, and suggested the conception of poetry as a living whole of all the poetry that has ever been written. The other aspect of this Impersonal theory of poetry is the relation of the poem to its author. And I hinted, by an analogy, that the mind of the mature poet differs from that of the immature one not precisely in any valuation of “personality,” not being necessarily more interesting, or having “more to say,” but rather by being a more finely perfected medium in which special, or very varied, feelings are at liberty to enter into new combinations.

The analogy was that of the catalyst. When the two gases previously mentioned are mixed in the presence of a filament of platinum, they form sulphurous acid. This combination takes place only if the platinum is present; nevertheless the newly formed acid contains no trace of platinum, and the platinum itself is apparently unaffected; has remained inert, neutral, and unchanged. The mind of the poet is the shred of platinum. It may partly or exclusively operate upon the experience of the man himself; but, the more perfect the artist, the more completely separate in him will be the man who suffers and the mind which creates; the more perfectly will the mind digest and transmute the passions which are its material.

The experience, you will notice, the elements which enter the presence of the transforming catalyst, are of two kinds: emotions and feelings. The effect of a work of art upon the person who enjoys it is an experience different in kind from any experience not of art. It may be formed out of one emotion, or may be a combination of several; and various feelings, inhering for the writer in particular words or phrases or images, may be added to compose the final result. Or great poetry may be made without the direct use of any emotion whatever: composed out of feelings solely. Canto XV of the Inferno (Brunetto Latini) is a working up of the emotion evident in the situation; but the effect, though single as that of any work of art, is obtained by considerable complexity of detail. The last quatrain gives an image, a feeling attaching to an image, which “came,” which did not develop simply out of what precedes, but which was probably in suspension in the poet’s mind until the proper combination arrived for it to add itself to. The poet’s mind is in fact a receptacle for seizing and storing up numberless feelings, phrases, images, which remain there until all the particles which can unite to form a new compound are present together.

If you compare several representative passages of the greatest poetry you see how great is the variety of types of combination, and also how completely any semi-ethical criterion of “sublimity” misses the mark. For it is not the “greatness,” the intensity, of the emotions, the components, but the intensity of the artistic process, the pressure, so to speak, under which the fusion takes place, that counts. The episode of Paolo and Francesca employs a definite emotion, but the intensity of the poetry is something quite different from whatever intensity in the supposed experience it may give the impression of. It is no more intense, furthermore, than Canto XXVI, the voyage of Ulysses, which has not the direct dependence upon an emotion. Great variety is possible in the process of transmutation of emotion: the murder of Agamemnon, or the agony of Othello, gives an artistic effect apparently closer to a possible original than the scenes from Dante. In the Agamemnon , the artistic emotion approximates to the emotion of an actual spectator; in Othello to the emotion of the protagonist himself. But the difference between art and the event is always absolute; the combination which is the murder of Agamemnon is probably as complex as that which is the voyage of Ulysses. In either case there has been a fusion of elements. The ode of Keats contains a number of feelings which have nothing particular to do with the nightingale, but which the nightingale, partly, perhaps, because of its attractive name, and partly because of its reputation, served to bring together.

The point of view which I am struggling to attack is perhaps related to the metaphysical theory of the substantial unity of the soul: for my meaning is, that the poet has, not a “personality” to express, but a particular medium, which is only a medium and not a personality, in which impressions and experiences combine in peculiar and unexpected ways. Impressions and experiences which are important for the man may take no place in the poetry, and those which become important in the poetry may play quite a negligible part in the man, the personality.

I will quote a passage which is unfamiliar enough to be regarded with fresh attention in the light—or darkness—of these observations:

And now methinks I could e’en chide myself For doating on her beauty, though her death Shall be revenged after no common action. Does the silkworm expend her yellow labours For thee? For thee does she undo herself? Are lordships sold to maintain ladyships For the poor benefit of a bewildering minute? Why does yon fellow falsify highways, And put his life between the judge’s lips, To refine such a thing—keeps horse and men To beat their valours for her? . . .

In this passage (as is evident if it is taken in its context) there is a combination of positive and negative emotions: an intensely strong attraction toward beauty and an equally intense fascination by the ugliness which is contrasted with it and which destroys it. This balance of contrasted emotion is in the dramatic situation to which the speech is pertinent, but that situation alone is inadequate to it. This is, so to speak, the structural emotion, provided by the drama. But the whole effect, the dominant tone, is due to the fact that a number of floating feelings, having an affinity to this emotion by no means superficially evident, have combined with it to give us a new art emotion.

It is not in his personal emotions, the emotions provoked by particular events in his life, that the poet is in any way remarkable or interesting. His particular emotions may be simple, or crude, or flat. The emotion in his poetry will be a very complex thing, but not with the complexity of the emotions of people who have very complex or unusual emotions in life. One error, in fact, of eccentricity in poetry is to seek for new human emotions to express; and in this search for novelty in the wrong place it discovers the perverse. The business of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actual emotions at all. And emotions which he has never experienced will serve his turn as well as those familiar to him. Consequently, we must believe that “emotion recollected in tranquillity” is an inexact formula. For it is neither emotion, nor recollection, nor, without distortion of meaning, tranquillity. It is a concentration, and a new thing resulting from the concentration, of a very great number of experiences which to the practical and active person would not seem to be experiences at all; it is a concentration which does not happen consciously or of deliberation. These experiences are not “recollected,” and they finally unite in an atmosphere which is “tranquil” only in that it is a passive attending upon the event. Of course this is not quite the whole story. There is a great deal, in the writing of poetry, which must be conscious and deliberate. In fact, the bad poet is usually unconscious where he ought to be conscious, and conscious where he ought to be unconscious. Both errors tend to make him “personal.” Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.

δ δε νους ισως Θειοτερον τι και απαθες εστιν

This essay proposes to halt at the frontier of metaphysics or mysticism, and confine itself to such practical conclusions as can be applied by the responsible person interested in poetry. To divert interest from the poet to the poetry is a laudable aim: for it would conduce to a juster estimation of actual poetry, good and bad. There are many people who appreciate the expression of sincere emotion in verse, and there is a smaller number of people who can appreciate technical excellence. But very few know when there is an expression of significant emotion, emotion which has its life in the poem and not in the history of the poet. The emotion of art is impersonal. And the poet cannot reach this impersonality without surrendering himself wholly to the work to be done. And he is not likely to know what is to be done unless he lives in what is not merely the present, but the present moment of the past, unless he is conscious, not of what is dead, but of what is already living.

The 1948 winner of the Nobel Prize in Literature, T.S. Eliot is highly distinguished as a poet, a literary critic, a dramatist, an editor, and a publisher. In 1910 and 1911, while still a college student, he wrote “ The Love Song of J. Alfred Prufrock ,” published in Poetry magazine, and other poems that are landmarks in the history of modern literature. Eliot’s most notable works include The Waste ...

How to Write a Grade 9 Unseen Poetry Essay ( WJEC Eduqas GCSE English Literature )

Revision note.

English Senior Content Creator

How to Write a Grade 9 Unseen Poetry Essay

To get a Grade 9 in the Unseen Poetry section of the exam, you need to know how to write an effective essay. In Section C, you are assessed on two assessment objectives: AO1 and AO2.  

Find out how to approach the exam question:

Exam skill 1: Developing an informed personal response (AO1)

Exam skill 2: analysing form, structure and language (ao2).

Exam skill 3: Comparing poems

In both parts of Section C you are assessed on AO1. Assessment objective 1 requires you to show an understanding of the two unseen poems, maintain a critical style, present an informed personal response and use textual references to support your interpretations. Writing an “informed personal response” means offering your individual thoughts and feelings about the poems. A “critical style” means interrogating the poems, which means sharing your own unique insights, interpretations or any connections you draw from the poems.

Let’s look at the type of question you could be asked for the first question in Section C. The poem we will focus on is ‘Midwinter’ by Grahame Davies. In this poem the speaker reflects on the bleakness and stillness of the winter season.  

For this question, you will always be asked to write a response that explores how the poet conveys their message in the poem. You will not be given a theme to explore, so you should always try to think about the meaning of the poem. What emotions or ideas are depicted in the poem? What do you think the poet is trying to say about the subject(s) depicted in their poem?

First, let’s read through the poem:

To demonstrate AO1 skills you could include some of these points in your response to this question:

Once you have identified points which address the question, you need to develop these into a fully developed response. Consider this model answer which develops some of these bullet points.

Examiners are looking for a personal judgement, with evidence, in the form of references and quotations, from throughout your text. Add your own interpretations and make sure all of your points are fully developed.

When analysing the form and structure of a poem, it’s essential to explore the reasons behind the poet’s selection of a specific form or structure and how these choices influence the poem’s meaning.

When writing about form, it is important to consider why the poet has chosen that particular form. It’s especially important, if they have altered the rules of that particular poetry form, to interrogate why they might have done so. It is also useful to consider how the form reflects the theme of the poem.

Some of the primary forms of poetry are:

Pay particular attention to the type of verse used in your unseen poem: for example, is the poem written in free verse? Then consider why you think the poet has chosen to use this particular form.

Think about how the poem has been put together in its particular form. A poet might make use of structural devices such as juxtaposition , enjambment , caesura or stanza length for example, or the poem’s rhyme scheme and metre.

How do these structural devices impact the meaning of the poem? What other aspects of structure do you notice as you read the poem? How does the structure link to the opening and final lines of the poem? Can you spot any changes in mood or tone as the poem progresses?

Let’s take a look at an example. The following poem is ‘Home’ by Fran Landesman. In this poem, the speaker explores the contradictory feelings associated with the concept of home.

The examiner expects you to comment on how the poet uses form and structure for effect.  Throughout your response, add your own interpretation and ensure that all of your points are fully developed. Consider this model answer which explores form and structure in Landesman’s poem.

Exam skill 2: Analysing language (AO2)

Analysing language means that you consider the deliberate choices the poets have made to include specific words or phrases in their poems. Scan the poems and look for any repeated words, linked words, phrases, images, or any other connections that you can make in relation to language choices. Can you identify any particular vivid words or phrases, or any that stand out to you? Can you identify any emotive words? Can you find examples of imagery? How does the imagery help you to understand the ideas in the poems? What patterns can you see?

When commenting on words and phrases from the poems, consider why you think the poets have chosen that particular word to use. Being familiar with key literary terms can also help to support your analysis of the unseen poems. As an example, we will explore some specific literary techniques and consider Fran Landesman’s intentions using the same poem.

The examiner expects you to comment on how the poets use language for effect. Throughout your response, add your own interpretation and ensure that all of your points are fully developed. Review this model paragraph to see how to use literary terms in your analysis:

Give your own personal, unique and alternative ideas and interpretations of the poem. For example, in Fran Landesman’s poem, you could comment on the poem’s connections to contemporary issues, like body image, toxic relationships, and the lasting “triggering” effects of experiences. You could choose to explore this as part of the current themes and concerns of society.

Exam skill 3: Comparing poems 

In Section C you will be presented with two unseen poems from the 20th and/or 21st centuries. In the first question you will be asked to write about a previously unseen poem. In the second question, you will be asked to write about a second previously unseen poem and compare it to the first. Each question will have four bullet points which you should use to help guide your response.

The ultimate goal of comparing two poems is to draw insights from the similarities and differences you have identified. What do these shared and distinct elements reveal about the poets’ intentions and perspectives? Do these comparisons shed light on the larger themes within which these poems exist?

You must compare both poems in the second question of Section C.

You could compare:

Content (what they are about)

Wider ideas and themes

Mood or atmosphere

Words and phrases

Techniques and the way the poems are written

Your views on the poems

Here are some words and phrases that can be used to signal comparisons and contrasts in your response: 

Let’s look at the type of question you could be asked for the second question in Section C. The poems we will focus on are ‘Home’ by Fran Landesman and ‘Coming Home’ by William Cooke. Both poems describe thoughts and feelings about home.

Let’s read through Cooke’s poem first:

Here are some similarities and differences which you might draw from both poems.

There are different ways in which you could structure your comparison. You can do either of the following:

Analyse the second poem but make links back to the first poem to compare as you go along

Analyse the second poem and then write about the points of comparison between both poems separately

Review this model paragraph to see how you might compare both of these poems.

For a full model answer, see our Grade 9 answer .

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Author: Nick Redgrove

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

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What is Poetry?

Preface—for a book with an intimidating title 1.

Why and how does this thing called “poesy” or poetic mind occur in our mind?

I’m giving a humble introduction to this book that has a somewhat intimidating title, What is Poetry , while clumsily speaking and carefully listening to my own voice. I expect, by doing so, that a subtle hum-like voice would be heard beyond or besides my voice, or from afar. 2

There used to be poets like Chuya Nakahara 3 or Kenji Miyazawa 4 who established their poetry in their youth with their innate genius. However, in my case—and perhaps this is the norm of all my contemporaries—it’s taken more than sixty years to become aware of and be able to talk about my subconscious poetic history and memory . . . about so many things that I’ve unconsciously preserved in a “storage room” in my mind. I never know if it will go well, and I always have these nagging doubts, but still I persist.

The poetic side, or mind, or spirit; poesy, or simply “poetry” . . . we have many names for it, but it must be basal, primordial, and unnamable, and more like an incorporeal body of concepts rather than so-called “thought.” What we must do is seize its workings, as well as the faint inducements for it to work. Now that we’ve experienced several great wars and terrible natural disasters, it’s high time to take it as our duty, although I know “duty” sounds too heavy, that we try and reach for nontrivial fragilities. Poetry is one of the few narrow paths for that. Poetry has drastically changed after World War Ⅱ; it’s parted from art—including poems, waka, haiku, and novels written until around the end of the War—that adheres to a certain purposive style and “shape.”

I only write in Japanese, a language that is plural by nature. It’s a language that has embraced several languages in its making, so you may hear the Chinese of the Tang, Song, Ming, or Qing periods, or the languages of Okinawa, Ainu, or Korea resonating within it. Asia is a region with an extensive history of a totally different sort from the West. Like in Africa, I guess, we inherit a thick layer of profound time in our basal memory that shapes our physical and mental subconscious gestures, and we always have to remember that.

That being said, Japanese is too complicated to discuss, so let me return to the topic of poetry. I know from experience that my mind goes blank if I’m suddenly given a pen or pencil and asked to write poetry. And that’s what matters. While discussing translation, Walter Benjamin advocated a concept of “pure language” as an extreme goal of all languages. Supposing that every language aspires to this “pure language,” we must make efforts to set our sights on it. 

There’ll be neither failure nor success in doing so, as it’s just an attitude of mind. Basho 5 famously phrased it as “fuga no makoto,” 6 the essence of poesy, and claimed that poetry must reach for this invisible “fuga no makoto,” which is slightly different from so-called poesy, poetry, or uta. 7 We must ceaselessly reach for it, as though eternally transcending the previous state, just as Nietzsche put it. All living things, including plants and animals, are destined to live out the given that is their ever-changing mortal life in this universe. Language is a particular given, as is the “original sin” in the language of Christianity, to us humans. We must tirelessly reach for our primitive mind, remembering “an unending motion of a primitive hand,” 8 an image that I conceived when I was intensely copying Takaaki Yoshimoto.

Sometimes, poetry unexpectedly comes into being, just like an out-of-place smoke or cloud. Let me talk about my recent experience. It was sometime in June 2021. I was proofreading the final draft of my latest book, Voix (2021), which took me three years to complete, in a hotel room in Ishinomaki. 9 I was thinking to myself, “This part is weak, I can’t see an image, maybe I should cancel it,” and it might have oozed out. It was a part where I mentioned a woman whose life was taken by a tsunami in Onagawa;  I was writing that her spirit was entering my room (206, Hotel New Sakai) through a vent in the wall. The phrase was “a white smoke or a dolomite cloud came into my room,” and then I realized that the white smoke-cloud was also entering my mind as a concrete form of poetry.

The smoke was a sensible variation of poetry. There are those apparently negligible, weak, and ephemeral things that slip through the net of highbrow notions as “pure language” and “primitive hand.” The gateway of poetry is opened by frail things, which also pave the way for music, paintings, and philosophy because of their elusive nature. 

A Path to Pure Language

Pure language isn’t the privilege of scholarly discourse, philosophy, or the history of art and poetry. It’s for everyone, just like a humble streetlamp in some impoverished village, or a streak of salvative lightning that strikes after a long struggle. Poetry would come into being if we searched tirelessly for it, for what we used to call a flash of inspiration or an afflatus, by voluntarily undertaking it as our task. (Remember that the character for “task,” 課, is composed of “word,” 言, and “exhaust, limit, result,” 果.)

The question now is how, and in what shape, it comes into being. Sometimes it comes out as a great piece, but that’s a rare and miraculous case. “Poetry” here refers to not only poems but to the hearts of uta and paintings, such as those of Paul Klee, Wassily Kandinsky, van Gogh, Gyokudo Uragami, Sesshu Toyo, Franz Kafka, and Buson Yosa, which border on language and faintly signal the whereabouts of a path to “pure language.”

Walter Benjamin owned a work by Paul Klee 10 —you know those unforgettable lines, I reckon—and he kept it with him until he killed himself on the French-Spanish border after being persecuted by the Nazis. Not long after World War Ⅱ, I saw the lines of informalist and abstract painters such as Wols and Arshile Gorky, along with Klee, for the first time, and they made me realize that the lines, as well as the smudgelike, stainlike shapes—even the very nature of being informal—aspired to “pure language.”  

Walking down Heidegger’s Holzwege

I’ve been carefully speaking, keeping in mind that this is for a shinsho pocket paperback for general readers. I’ve been thinking of my own reaction to “what is poetry,” as though . . . being amused by the phrase “as though,” which leads to an odd time and gesture . . . listening to my mind while observing my stance, gesture, and attitude . . . Now it’s early summer of 2021. If it were twenty years ago or ten years later, the gesture, posture, and tone of my voice would be completely different. Despite being somewhat overwhelmed by that presumption, I started anyway.

I’ve tried to answer this ultimate question, “what is poetry,” in writing before. As I tried, however, I heard a voice that went, “That’s not what you can answer in a written form,” as if my thought had obtained its own voice. For sixty-odd years, I’ve ceaselessly moved my hands and devoted myself to make poetry through écriture. Chuya Nakahara likened poetry writing to “wrinkling,” but the metaphor is no longer adequate. There is a narrow path that leads a tiny way away from writing, from écriture, and that seems to be where it’s justifiable to question what poetry truly is. Takaaki Yoshimoto’s hypothetical proposition, “poetry is a wrong expression,” would also hold up there.

I enjoy reading philosophy books and repeatedly return to Nietzsche, Kierkegaard, Wittgenstein . . . and Heidegger. I know Heidegger is controversial nowadays due to his political stance, but when it comes to the philosophical appreciation of the essence of poetry, I feel the strongest kinship with him.

Among his writings, there is a book titled Holzwege , which was rendered as “woodsman’s paths” in Japanese. “Holzwege” are narrow paths in the forest, often covered in undergrowth, whose destinations are unclear and may or may not lead to a clearing. Heidegger compared the clearing to “truth,” a grandiose word that I’d avoid; and I have a feeling that what I’m trying to do in this book is like tracing a narrow path that leads to “something true.”

Interestingly, the French title of Holzwege means “paths to nowhere” 11 . . . But I wouldn’t be able to make a book if the path led nowhere. So, I hope and try—although my effort may not be worth much—to get as close to the imposing question of “what is poetry” as possible.  

I just talked about the incident when I was proofreading a final draft in a hotel room in Ishinomaki. I also said that I saw white smoke as a tangible poem—but then, before I knew it, it metamorphosed into the phrase “i no ki no kimi ga tatte kite ita” (a tree of “i” was rising). 12 I said to myself, “I’ve waited for this line for three, ten years, or even my whole life.” I was deeply moved. It was one example of how poetry could come into being. 

I have a feeling that poetry exists beyond “pure language” as excellently articulated by Benjamin . . . in a space that cannot be confined by the concept of “pure poetry.” What we ought to do is to mine beneath “pure language” to seize not a positive but a negative existence, as impossible and futile as that may be. Maybe it’s unsound to make this claim . . . But I believe that the struggle to reach out for the impossible is poetry; that poetry momentarily reveals itself in our hesitation, in our vacillations, not in the petrified “works” that we produce. 

Before I conclude the preface, let me refer to Dogen, a great Buddhist priest and philosopher of the Kamakura period. Dogen went to China during the Song dynasty, acquired the language, and composed his thoughts in Song Chinese. After his return, he established the Soto school of Zen and wrote a massive volume of philosophical essays titled Shobogenzo (正法眼蔵, True Dharma Eye Treasury), in which he said we must think “as though scooping water with a sieve.” 13  

It should be the other way around, right? The water would just go through if you scooped it with a sieve.  It presumably means that all we have to do is listen to the falling water and just concentrate on that very moment. In other words, we must think beyond the “purpose” or “efficiency” of our actions and keep reorienting our mind toward somewhere beyond Benjamin’s “pure language.”

Well, it is a tough journey, indeed. Having turned eighty-two, I’ve tried to expound on where I am, an old poet with a weird name, as a foreword to this book. Arigato gozaimashita.

1. In 2021, Gozo Yoshimasu published a dictated book titled What is Poetry ( Shi to ha nanika ) at the age of eighty-two, having devoted more than sixty years to writing, performing, and tirelessly thinking about poetry. The book was published by Kodansha, the largest Japanese publisher by sales (as of 2023), as a shinsho pocket paperback designed for the general public. This essay appears as the preface of the book.

Despite the intended audience, What is Poetry is not an easy read. Gozo frequently makes digressions, leaves sentences unfinished, omits the object of a verb or blurs the grammatical subject. Speaking of the subject, he frequently uses “we” in the preface: “we must,” “we have to.” This “we” is ambiguous. It could refer to contemporary poets, literati, or his contemporaries in general, or it could refer to the poet and his alter egos (“the others in me”), which Gozo frequently speaks of in his recent writings. You may remember the first paragraph of the preface, in which he says, “a subtle hum-like voice would be heard” from somewhere afar or just next to his voice. He’d then write the voice down to metamorphose it into a verse. (Shamanic? Yes, a little. As he avows.) ↩

2. “A subtle hum-like voice would be heard”: Gozo often compares the way he receives poetic inspiration to “hearing a voice”. ↩

3. Chuya Nakahara (1907–1937): A poet who was strongly influenced by Dada and other European, mostly French, experimental poetry of the time. He is often called the “Japanese Rimbaud.” Note: All Japanese names in this text are written in the so-called Western order, with the family name coming last. ↩

4. Kenji Miyazawa (1896–1933): A poet, novelist, and writer who is widely known for junior novels, such as Night on the Galactic Railroad and Kaze no Matasaburo . ↩

5. Basho (1644–1694): Known as the greatest poet in the Edo period. Initially recognized for his works in the renga form—collaborative linked verse—Basho also made the opening seventeen-syllable verse of renga independent as haiku, and promoted the art of haiku as equivalent to the traditional higher-rank poetic forms, such as kanshi, uta/waka/tanka, and renga (explained in more detail in Footnote 7). ↩

6. Fuga no Makoto: Makoto (誠) means “truth” or “essence”. Fug a (風雅) means 1) “poetry” and 2) “elegance,” “refinement,” and “grace,” especially with appreciation of the transient beauty of nature and the seasons. With the particle no (の), the phrase “fuga no makoto” therefore means 1) the essence of poetry and 2) the true refinement (of poetry). ↩

7. Uta (歌) primarily means “song” in contemporary Japanese, but it also means, especially in literary and historical contexts, waka/tanka, a structured thirty-one-syllable poem. In Basho’s time, there was a poetic hierarchy. The most authorized, and therefore most official and sophisticated, were Chinese-style poems (kanshi); next were thirty-one-syllable poems (called waka or tanka); then linked verse (renga); and lastly haiku, the shortest poetic form, which originated as the opening part of renga and was largely promoted by Basho. Gozo’s use of the word “uta” here is intended to mean both the rich tanka/waka tradition as well as “songs” in general. ↩

8. “An unending motion of a primitive hand”: Gozo published a book on Takaaki Yoshimoto’s poetry, Kongen no Te (A primitive hand), in 2016. He spent more than two years hand-copying Yoshimoto’s writings, including 480 poems, as a gesture of mourning, soon after Yoshimoto passed away—which happened to be a year after the East Japan Great Earthquake and Tsunami of March 11, 2011 (hereinafter called “3.11”). In the book, Gozo describes Yoshimoto’s manner of relating himself to the world as “a primitive hand that is ceaselessly reaching out for all things in the universe.” ↩

9. Ishinomaki: A city in Miyagi prefecture in the northeast of Japan, which was devastated during  3.11. Gozo was invited to a reconstructive art project, “Reborn Art Festival,” in 2019, and stayed in room 206 in Hotel New Sakai. In the room, he wrote poems that were later published as Voix (2021), kept a video diary, and inscribed quotations from his poems on the window that faced the sacred island mountain Kinkasan. His room was made available for public viewing during the Art Festival in following years. ↩

10. “A work by Paul Klee”: Angelus Novus ( New Angels ), made by Paul Klee in 1920 as a monoprint. Benjamin purchased the print in 1921 and owned it until his death in 1940. It is currently in the collection of the Israel Museum. https://www.imj.org.il/en/collections/199799-0 ↩

11. The French title of Holzwege means “paths to nowhere”: Martin Heidegger, trans. Wolfgang Brokmeier, Chemins qui ne mènent nulle part ( Holzwege , 1950), Gallimard, 1962. ↩

12. A tree of “i” was rising: This line says , “ A tree, which takes the shape of “i” and pronounces /i/, was rising.” Gozo has particular liking for the letter “i” (lowercase) for its pronunciation (/i/ and /ai/) and shape (a stick with a dot on top), admitting several layers of metaphor to be included in it in both Japanese and English contexts. ↩

13. “As though scooping water with a sieve”: From the chapter “Bussho” (仏性, Buddha nature) in Shobogenzo . A modern literal translation is “one should scoop water with a fishing net again and again; the capability (of catching, of understanding) is in the net,” whereas the modern interpretative translation that Gozo refers to goes, “One must go through (the monk’s words to appreciate) slowly, thoroughly, and repeatedly, as though scooping water by a sieve.” The original text says to “dredge water (for something) with a seine again and again,” but the translation that Gozo refers to says “with a sieve” instead of a seine or fishing net, and Gozo sees the water, not the fish, as the objective. ↩

© Gozo Yoshimasu. Translation © 2024 by Sayuri Okamoto. By arrangement with the author. All rights reserved.

Gozo Yoshimasu

Gozo Yoshimasu is a poet born in 1939. He has led the Japanese poetic scene for more than half a century with his unconventional expressions that push the borders of literary language.

Sayuri Okamoto

Sayuri Okamoto is a translator, curator, and founder of Alba, a studio and gallery space in Kyoto.

A Rolled-up Paper Gun

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