i am good at singing essay

Singing as a Hobby and Way of Self-Expression Essay

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Among the hobbies I became interested in during my studies is singing. It is probably a rather specific hobby, but muttering songs under my nose or singing in the shower calms me down. It is a good way to relieve stress, mostly in solitude and without disturbing other people. In my video, I tried to reflect on the feelings that singing in the shower evokes in me.

I want to draw attention to the feeling of lightness and free my head from serious thoughts. I need to have a source of relaxation and nonchalance during my studies, and singing is great for letting me do my things without any tension. My hobby does not require any skills, just my desire. I suppose I may not be good at singing, and some notes may sound funny. I do not have a sense of deadlines, rush, or a desire to succeed and be the best, but I get satisfaction and feel comfortable.

Among the paintings that remind me of singing is The Scream . As far as I know, Edvard Munch painted it several times with different techniques (“The Scream”). I am struck by such zeal, and I realize that it is not achievable for me. I am not interested in achieving mastery in my singing and have not even thought about it. There are talented people besides me, and I do not want to get on the stage because I fear losing the pleasure of the hobby.

I would like to say that my hobby is simple, and I would never make it a professional career. I may not be motivated enough, but I do not want to have straight-A student syndrome or any anxiety that I am not good enough. I have learned from the Van Gogh example that there are more valuable things, and if a hobby comes at the expense of mental health, it is rational to give it up.

“The Scream, 1893 by Edvard Munch” . Evdard Munch , no date, Web.

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IvyPanda . "Singing as a Hobby and Way of Self-Expression." November 24, 2023. https://ivypanda.com/essays/singing-as-a-hobby-and-way-of-self-expression/.

Essay on My Hobby Singing

In the symphony of my life, there exists a melody that resonates with the rhythm of my soul – my hobby of singing. Beyond being a mere pastime, singing is the thread that weaves through the fabric of my existence, providing solace, expression, and unbridled joy. This essay embarks on a journey into the world of my singing hobby, exploring the emotional connection it fosters and the sheer delight it brings to my life.

Quick Overview:

• Singing is my chosen avenue for emotional expression. Whether exuberant or melancholic, each note becomes a vessel for my feelings. The act of singing is a cathartic release, allowing me to articulate sentiments that words alone cannot convey.
• My hobby embraces a diverse repertoire. From classical compositions to contemporary hits, I find joy in exploring various genres. This versatility not only broadens my musical horizons but also adds layers of richness to my singing experience.
• Singing connects me to my cultural roots and traditions. Whether rendering folk tunes, devotional songs, or regional melodies, my hobby becomes a bridge between the past and the present, preserving the essence of our rich musical heritage.
• Participating in choirs and collaborative projects is an extension of my singing hobby. The harmonious blend of voices creates a sense of community and shared passion. It is a reminder that music, like life, is best experienced in harmony with others.
• Stepping onto a stage to perform is both exhilarating and empowering. My hobby of singing has nurtured my self-confidence, teaching me to embrace vulnerability and share my voice with an audience. Each performance is a unique opportunity for growth and self-discovery.

Conclusion: In the chorus of my life, the echoes of my singing hobby reverberate with a distinct joy. It is not merely a recreational activity; it is a lifeline that connects me to my emotions, heritage, and the universal language of music. Each note becomes a brushstroke, painting the canvas of my existence with the vibrant hues of melody.

As I continue to traverse the musical landscapes of my hobby, I am reminded that singing is not confined to the act of vocalization; it is a holistic experience that touches hearts, evokes emotions, and fosters a deep appreciation for the beauty inherent in the world of sound. My hobby of singing is more than a passion; it is a melodic journey that unfolds with each lyrical verse, resonating with the essence of my being.

Rahul Kumar is a passionate educator, writer, and subject matter expert in the field of education and professional development. As an author on CoursesXpert, Rahul Kumar’s articles cover a wide range of topics, from various courses, educational and career guidance.

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Advertisement

10 great reasons to sing.

Forget about whether or not you think you can sing, here are some great reasons to do it anyway.

1. It's good for your heart. 

Singing is an aerobic activity so beneficial for your heart and lungs.

2. When you sing your brain releases “feel-good” chemicals including endorphins. 

Consequently singing can be a brilliantly effective mood buster and there is an increasing body of research to show that it is a valuable tool in alleviating depression.

3. It’s relaxing. 

Through singing we can learn to breathe more deeply and with more awareness. When stressed or anxious, exhaling for longer than inhaling helps to calm the nervous system. Singing encourages us to use this way of breathing, using a shorter inhalation and a longer outward breath.

4. Express yourself!

Singing is a natural and global form of human expression. You don’t have to consider yourself good at singing for singing to be good for you. It is something that the vast majority of us can participate in and benefit from socially, physically or psychologically, and usually all three.

5. It builds confidence. 

Singing regularly can improve your ability to use your speaking voice with more clarity and confidence too.

6. It makes you part of something life-affirming.

Joining a choir and singing with other people can be rewarding and fun. It can also enhance your sense of community, connection and creativity.

7. It’s a natural beauty treatment. 

When you sing you exercise your facial muscles.

8. It’s eco-friendly. 

Your body already has all of the equipment you need and you don’t require fossil fuels or expensive upgrades.

9. You reclaim your birthright. 

Most young children sing very easily, freely and without feeling self-conscious. Sometimes, as we grow up or experience judgement and criticism, the simple pleasure of singing can get lost. I’ve heard many accounts of people being told that they “can’t sing.”

However, the vast majority of us can learn to sing with more confidence, freedom and control through guidance and practice. While our individual physicality undoubtedly shapes and defines our voice, we can learn to use more of our vocal potential and sing with a greater expressive range.

10. You'll become a better listener. 

By learning to sing, you develop your musical ear and start to listen to yourself and other singers with a greater level of appreciation and understanding. You learn to hear more nuance and subtlety in vocal performances and in music itself.

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How to Improve Your Voice

Last Updated: June 24, 2024 Fact Checked

Refining the Fundamentals

Improving your voice fast, continuing progress over time, performing with confidence, changing your mindset, expert q&a.

This article was co-authored by Annabeth Novitzki and by wikiHow staff writer, Dan Hickey . Annabeth Novitzki is a Private Music Teacher in Austin, Texas. She received her BFA in Vocal Performance from Carnegie Mellon University in 2004 and her Master of Music in Vocal Performance from the University of Memphis in 2012. She has been teaching music lessons since 2004. There are 27 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 2,217,863 times.

Some are born with a great voice, but others, not so much. Can you become a better singer even if you lack the natural gifts? The answer is yes! Singing is a skill that you can work on and improve with time and practice, and you don’t even need a voice teacher to make improvements right away. In this article, we’ll walk you through the fundamentals of singing and some great warmups and exercises to help you improve quickly and build confidence on stage. If you’re ready to bring the house down at karaoke night, keep scrolling!

How to Be a Better Singer

Improve your voice immediately by standing with tall posture and breathing with your diaphragm. Keep your whole body relaxed, including your jaw. It also helps to warm up before singing sessions with stretches, humming, lip trills, and other exercises. Focus on keeping your larynx low to eliminate voice cracks.

• Exhale slowly through your mouth to complete the breath.
• Do 10-15 slow diaphragm breaths before you begin your vocal warmups to remind yourself what it feels like to breathe for singing .
• Keep your chest and shoulder muscles relaxed so that you’re only using your diaphragm and lungs to facilitate the breathing.

• Chest register: This is the lowest part of your range where you usually speak from. The tone here is naturally warm and resonant for low voices but breathy for high voices. These notes resonate largely in your chest.
• Middle register: This is the middle of your range and tends to be resonant for most singers. As you get higher, the tone may get breathy or pinched if the throat constricts. This is a middle ground between your chest and head voices.
• Head register: This is the upper end of your range where strain and tension are most likely to occur. These notes come most easily to high voices and resonate largely in your head.

• To practice the right posture, stand against a wall with your heels, calves, buttocks, shoulders, and head touching it. Shift your weight slightly forward, closer to your toes.

• Try talking to yourself while you raise your head high and low. Notice how your voice sounds open and natural when you're level, but muffled when it’s not.
• Sing in front of a mirror so you can correct your head position and posture until they're a natural part of your technique.

• Do this exercise a few times and then practice singing A-E-I-O-U on one pitch, focusing on keeping your jaw open, until you can do it comfortably.
• Remember to keep your jaw relaxed when you sing actual lyrics so your vowels and vocal tone sound open and resonant.
• This small fix helps you sing louder and fuller without having to strain your voice. Most of the time, you’ll be able to hear the difference right away!

• Your range might fit a different voice type than you previously thought you were. Remember, gender does not determine which type your voice is.
• Try this exercise when no one else is around so you can approach your lowest or highest notes without being self-conscious.
• Bass: E2-E4
• Baritone: A2-G4
• Tenor: C3-C5
• Alto: F3-F5
• Mezzo-soprano: A3-A5
• Soprano: C4-C6

• Keep your home humidified so you’re not breathing dry air and irritating your throat, especially if you’ve got an important performance coming up.
• Avoid smoking or vaping (it will dry out and irritate your vocal cords). Limit alcohol and sugary mixers since they are dehydrating and inflammatory.
• Never sing if it hurts. Listen to your body and rest, drink water, and get good sleep. Pushing through the pain can result in permanent damage.

• To avoid overuse or injury, try to sing a little bit every day instead of cramming in a few hours at the end of the week.
• If you’re a brand new singer, sing about 10 minutes a day. If you’re in high school or above and have some experience, aim for 30 minutes per day.
• Monitor the health of your voice—if it’s tired or you feel pain, take a break or go on vocal rest (there is such a thing as over-practicing!).

• When you’re humming, keep your lips closed and use an “mmm” sound.
• Start on a comfortable beginning note, then raise or lower the starting note by half steps to explore your upper and lower ranges.
• A scale is a sequence of notes moving by step (do-re-mi-fa-sol-la-ti-do). An arpeggio is a pattern with skips between the notes (do-mi-sol-do).
• In singing, loose lips are a good thing—they help clear up your diction (pronunciation) and open up your vowel sounds.
• Lip trills force you to breathe deeply and use your diaphragm to control the speed of your air.

• As you go to sing higher notes, keep your throat relaxed so the larynx doesn’t rise very much with the pitch. This keeps your tone open and full as you get higher.
• A low, stable larynx smooths out the transition between your chest and head voices (AKA where your voice is most likely to crack). [12] X Research source

• Focus on releasing tension in the jaw specifically by opening and closing it slowly a few times.
• Try incorporating light yoga into your warmup routine twice a week or before big performances. It relaxes, stretches, and aligns your entire body.

• This is an easy warmup to do on your way to karaoke or even while you’re doing some chores at home.

• Keep your hand in a low position or point downward as a reminder to stay relaxed and steady rather than tensing up and pushing the sound.
• This exercise helps you start notes with a clear attack and keeps the sound forward in your throat instead of falling back.

• Compare the sound of your voice with and without your hands up. Frequently, we think our voices sound louder than they actually do.

• Sirens warm up the extremes of your range and help connect your registers together for a smooth, blended voice.
• This warmup is very effective if you struggle with voice cracks when you shift to your head voice.

• Start on a comfortable note in your mid-upper chest voice and move a half step lower for each repetition.

• Focus on short scale exercises, like ha-ha-ha’s and sirens, to practice hitting new notes safely.
• Don’t try too hard for extra high or low notes, especially during warmups. Your voice is a muscle and pushing it too hard results in fatigue and injury.
• Even if you can’t hit that epic high note yet, working towards it will improve your voice in its lower range, too.

• If you play piano , practice singing new melodies while you play them on the keyboard to train your voice to sing in tune.
• If you struggle to hear tiny differences in pitch, enlist the help of a musically-inclined friend or a voice teacher.

• Your voice often sounds different to the room than it does to your own ears.
• If you think a recording sounds bad, remember that it’s just one moment in time and it doesn’t reflect your true talent or potential.
• You don’t need fancy recording equipment to evaluate yourself. A voice note on your phone is good enough to show you how you sound.

• If you’re still nervous even though you know the song, focus on a point or object that’s slightly above the audience instead of looking right at them.

• Record yourself singing so you can hear the strengths and weaknesses in your performance and work on them before showtime.
• Experiment with hand gestures, different emotions, and new singing techniques while you’re alone so you feel confident doing them in front of others.

• For some, simply getting on stage is the hardest part of performing. No matter how it goes, be proud of yourself for doing something you’ve never done before!

• Ask your mini-audience for feedback, especially if you’re preparing for a bigger show or concert later on.

• Reach out to places like local nursing homes or children’s hospitals. They’re usually looking for volunteers to come in and share their art with their members.

• Karaoke is a great reminder that singing is fun. It’s great to take it seriously and want to improve, but that doesn’t mean you can’t let loose now and then!

• Feel free to move around, dance a little, or swing your hips while you sing. It makes you look comfortable and covers up any involuntary shaking.

Be confident in your abilities. "Your self-worth is determined by you. You don't have to depend on someone telling you who you are. Do what you were born to do. You just have to trust yourself."

• Most people who think they can’t sing (or that they sing badly) are trying to sing with their speaking voice, which is a low and narrow slice of your singing range.
• Your singing voice sits higher than your speaking voice, so embrace the higher pitches and brighter tone of your singing—it’s supposed to sound that way.
• Amusia (musical tone-deafness) is an affliction that only affects 3% of people. Chances are you’re not quite as tone-deaf as you may think you are. [31] X Research source

• Hone your skills with consistent practice and dedication. A solid foundation in fundamentals and good technique will take you a long way.
• Remember, even the greatest singers of all time put in lots of hours of hard work and practice into their craft.

• Your body is your instrument when you sing. All you have to do is train your brain to operate your body and singing voice the best you can.

Reader Videos

• Always warm up your voice before practicing or singing. It’ll improve the sound and flexibility of your voice immediately, plus it’ll protect your voice long-term from damage and overuse. Thanks Helpful 1 Not Helpful 0
• If you’re not making the progress you’d like on your own, consider working with a voice teacher or vocal coach. They can help you target your voice’s specific weaknesses and work on stage presence and performance techniques, too. Thanks Helpful 0 Not Helpful 0

Tips from our Readers

• Listen to covers of songs on YouTube to see how many different ways there are to sing a song.
• Don't bring yourself down by comparing yourself and feeling inferior to other singers.
• Make an Instagram for singing and see what your friends think!

You Might Also Like

• ↑ https://www.musicgrotto.com/breathing-exercises-for-singers/
• ↑ https://www.topsingingsecrets.com/blog/vocal-registers-and-blending-your-voice
• ↑ https://cmed.ku.edu/gummposture/posture.html
• ↑ https://cmed.ku.edu/gummposture/head.html
• ↑ https://blog.discmakers.com/2021/11/singing-tips-from-an-expert-vocal-coach/
• ↑ https://www.theatretrip.com/vocal-range/
• ↑ https://www.nidcd.nih.gov/health/taking-care-your-voice
• ↑ https://www.aimm.edu/blog/will-singing-everday-improve-your-vocal-skills
• ↑ https://www.musicnotes.com/blog/enhance-your-voice-with-these-vocal-warm-ups-and-breathing-exercises/
• ↑ https://www.utahvocalartsacademy.com/post/seven-facts-about-singing-with-a-low-larynx
• ↑ ​​ https://www.topsingingsecrets.com/blog/vocal-registers-and-blending-your-voice
• ↑ https://www.musicgrotto.com/vocal-warm-up/
• ↑ https://youtu.be/Jn_IIOyTr_A?t=104
• ↑ https://youtu.be/5NxR-7ZKHyE?t=79
• ↑ https://youtu.be/0yKMbRiOwsw?t=43
• ↑ https://www.aimm.edu/blog/extend-your-vocal-range
• ↑ https://zinginstruments.com/how-to-sing/
• ↑ https://www.musicindustryhowto.com/how-to-improve-your-singing-voice-in-a-week/
• ↑ https://www.voicesinc.org/how-to-sing-louder/
• ↑ https://vocalist.org.uk/sing-with-confidence
• ↑ https://startsingingtoday.com/how-to-sing-on-stage-with-confidence/
• ↑ https://theaterlove.com/audition-musical-cant-sing/
• ↑ https://makingmusicmag.com/singing-confidence-8-quick-tips/
• ↑ https://www.psu.edu/news/research/story/probing-question-can-anyone-be-taught-how-sing/
• ↑ https://academic.oup.com/brain/article/125/2/238/296988?login=false
• ↑ https://www.musicgrotto.com/can-anyone-learn-to-sing/
• ↑ https://digitalcommons.usf.edu/cgi/viewcontent.cgi?article=1040&context=honors_et

About This Article

Even if you think you're a bad singer, try to sing with confidence. Remember, you are your harshest critic! When you're singing, stand up straight and tilt your chin down. Breathe through your diaphragm, the muscle below your rib cage, instead of your chest. You'll know you're breathing through your diaphragm if your stomach expands when you breathe. Also, keep your jaw open wide when you sing vowels to instantly sound better! For more ways to sing better, like expanding your vocal range and doing vocal exercises, read on! Did this summary help you? Yes No

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Join a choir. Science shows it’ll make you feel better.

Photo courtesy Corey Seeman/Flickr/Creative Commons

This essay is adapted from Imperfect Harmony: Finding Happiness While Singing With Others by Stacy Horn, out now from Algonquin Books.

I used to think choir singing was only was for nerds and church people. Since I was neither, I never considered singing in a group—even though I loved singing by myself. Then, in my 20s, I found myself facing a big, black hole of depression. I remembered how much fun I had once singing Christmas carols with a boyfriend at his church. Desperation forced my hand. I joined a community choir. Except that at that first performance, we didn’t sing Christmas carols—we sang a piece of music that was 230 pages long: Handel’s Messiah . It was magnificent. I was left vibrating with a wondrous sense of musical rapport. Since that performance, I haven’t found the sorrow that couldn’t be at least somewhat alleviated, or the joy that couldn’t be made even greater, by singing.

Singing is such a surefire way of feeling good that even singing about death is life-enhancing, which is fortunate, because if you sing in a choir, you’re going to be singing about death. A lot. Typically, every spring, choirs all around the world will sing the Requiem Mass , a mass for the dead which has been set to music by many of our greatest composers. But despite all that death, singing requiems is emotionally heartening, and you get a real physical rush. That’s because when I get up and sing the cheery words—“ Dies illa, dies iræ, calamitátis et misériæ, dies magna et amára valde ” (“That day, day of wrath, calamity, and misery, day of great and exceeding bitterness”)—my brain supplies in perfect combination some of the best opiates and stimulants it has evolved to dispense.

Music is awash with neurochemical rewards for working up the courage to sing. That rush, or “singer’s high,” comes in part through a surge of endorphins , which at the same time alleviate pain. When the voices of the singers surrounding me hit my ear, I’m bathed in dopamine , a neurotransmitter in the brain that is associated with feelings of pleasure and alertness. Music lowers cortisol , a chemical that signals levels of stress. Studies have found that people who listened to music before surgery were more relaxed and needed less anesthesia , and afterward they got by with smaller amounts of pain medication. Music also releases serotonin , a neurotransmitter associated with feelings of euphoria and contentment.  “Every week when I go to rehearsal,” a choral friend told me, “I’m dead tired and don’t think I’ll make it until 9:30. But then something magic happens and I revive … it happens almost every time.”  

Ohio State music professor David Huron believes singing may generate prolactin , which is released in nursing women, and in tears of sorrow. Prolactin has a tranquilizing, consoling effect, and this is why sad music makes us feel better, according to Huron. There’s even evidence that singing about death not only feels good, it’s good for you. Researchers discovered that a choir singing Mozart’s Requiem showed an increase in s-IgA , an immunoglobulin that enhances our immune defense.

It doesn’t even matter if you can sing well. I can’t. The best I can manage is singing in tune. Most of the time. Hopefully. One of my main goals in our weekly rehearsals is not being heard. Over the years I’ve become a master in the art of voice camouflage, perfecting a cunning combination of seat choice, head tilt, and volume. Luckily, in a 2005 study , investigators found that group singers experienced the same benefits even when “the sound produced by the vocal instrument is of mediocre quality.” It’s arguable whether my vocal instrument even reaches that level, but I’m happy to reap the benefits nonetheless.

While any singing has rewards, there are reasons you should find a choir rather than simply singing in the shower and leaving it at that. Studies have found that group singing releases oxytocin , a chemical that manages anxiety and stress and, according to McGill University professor Daniel Levitin, enhances feelings of trust and bonding.

That bond, that connection, has seen me through the end of every romantic relationship in my adult life (because apparently my lifelong work on singing hasn’t done a thing for my boyfriend-selecting skills). It has gotten me through the deaths of my mother, some of my closest friends, and finally, my pets. I wonder how Brahms would feel knowing that his German Requiem , so powerful and yet so gentle, never fails to evoke my long-dead cat. Whether it’s a combination of prolactin and oxytocin, or some yet to be discovered neurochemical release, singing takes me to a place where what I thought was intolerable, like death, is somehow OK, which is insane, but there it is.

I’m convinced the answer will be found in the study of harmony. Because the world doesn’t open up into a million shimmering dimensions of hope and possibility when I sing alone, or even with other people in unison. It happens when I’m surrounded by my fellow choristers, and all the different sounds we’re making combine to leave us thrumming in harmony—lit up together like fireflies flashing in synchrony by whatever masterpiece is currently racing through our brains, bodies, and hearts.

After a recent meta-analysis of 400 music studies , Daniel Levitin pointed out design flaws in some of the experiments, and lack of proper controls, and warned against exaggerating what has actually been demonstrated. A lot of work is left to be done in the study of how the body and brain respond to music and singing in groups. In the meantime, as science works to explain what every singer already knows, no matter where you fall on the voice suckage scale—sing. I know of no other activity that gives so much and is this eminently affordable and accessible: Just show up for choir practice. Singing might be our most perfect drug; the ultimate mood regulator, lowering rates of anxiety, depression and loneliness, while at the same time amplifying happiness and joy, with no discernible, unpleasant side effects. The nerds and the church people had it right.

Adapted from Imperfect Harmony: Finding Happiness While Singing With Others by Stacy Horn, out now from Algonquin Books

I was walking on our small green college campus, singing. Dave, beside me, tall and lank and not known for flattery, said, “You should sing, Cliff.” He thought a moment. “You do sing, Cliff.”

I shrugged and thanked him. “I can sing a little, I guess. I can’t perform .”

“They could teach you that stuff.”

One of my two favorite singers never learned that stuff. A gawky six foot one, Otis Redding, who couldn’t dance to save his life, would march in place on stage. “If you can’t march to it,” he once announced with an endearing defensiveness, “it ain’t no good!”

The basement of my family’s little house held much that my three older siblings once held dear. Along the white stucco walls were stacks of soul LPs and singles. On one red 45 was Otis Redding’s “(Sittin’ on) the Dock of the Bay”—recorded in 1967, very shortly before his death at twenty-six in a plane crash. I discovered it in the summer of 1975, less than a year after my father died.

For years, “Dock of the Bay” was the only Redding song I knew. I didn’t realize it was both the culmination of a career cut short and a departure from the rest of that career. Redding’s singing on “Dock” is both soulful and contemplative, conveying the plight of a man who has traveled far in search of something he may well never find. (“Two thousand miles I’ve roamed / Just to make this dock my home.”) His voice is resigned, in contrast, I would discover, to his singing on the records that made his reputation. On his 1966 song “Cigarettes and Coffee,” Redding establishes a seemingly calm scene: at “about a quarter till three” in the morning, an hour of quiet dark, a man and woman share cigarettes and coffee while the man talks about their relationship. To this stillness Redding brings urgency, pleading that they go forward together—“If you would take things under consideration and walk down this aisle with me, I would love it, yeah”—the intensity and yearning in his voice rising along with his need to be understood.

And then there is real calm. Also in my family’s basement was my big brother’s LP The Best of Sam Cooke , whose cover featured a black-and-white image of the matinee-handsome, youthful, smiling singer against a yellow background. Yellow is often associated with happiness; on recordings Cooke often seems happy, or at least easy and relaxed. Whether he is reuniting with his love (“Ain’t That Good News”) or wishing he were back with her (“Bring It On Home”), his voice has an unflappability at its core. The miracle of Sam Cooke is that this quality always fits the mood. When he sings, “If you ever change your mind / About leaving, leaving me behind / Bring it to me—bring your sweet loving / Bring it on home to me,” he sounds at once sad about what has happened and satisfied that he has found the voice to say it.

If calm is a constant in Cooke’s singing, the texture of his voice ranges from silk to sandpaper, depending on his audience—the mostly white pop fans for whom he crooned or the mostly black soul fans for whom his delivery took on a rasp. In his more soulful numbers, in that rasp, there is still another quality mixed with joy, one that recognizes joy’s darker side.

That side is known to all adults: both the moods that contrast with—and so allow us to recognize—joy, and the amoral nature of joy itself. Sometimes the knowledge is written on faces. I have a photograph of myself sitting next to a male friend; at the time it was taken, we were in our early thirties, and I was the father of a small child. My friend and I, sitting and leaning forward, are both smiling, but I am always struck—what is a personal essayist but a professional narcissist?—by what else is on my face, settling around the eyes: every experience I’d had, everything I brought to bear on raising another, and all that raising another had added to those experiences. I saw the same in the grim smile of another friend as he and I talked in his apartment one evening. I’d known this man since we were young editorial assistants, and I could see, as he sat across his kitchen table, talking about his negotiations with his teen daughter, a knowingness that had not always been there, a quality for an actor to study.

This is the knowingness in Cooke’s voice when he sings, “. . . I ain’t felt this good since I don’t know when / And I might not feel this good again / So come on and let the good time roll / We gon’ stay here till we soothe our souls / If it take all night long . . .”

In my early twenties I shared an apartment with a friend I’ll call Lisa. After a few months she moved to a different city, preventing what would possibly, and possibly unwisely, have become a romantic involvement. Lisa, who represented a road not taken, one day rather tactlessly  suggested another untaken path: hearing me sing to myself, and having read some of my work, she asked, “Why writing? Why not singing?”

The answer requires an absurd comparison. Both Cooke and Redding, from young ages, exuded confidence around others, an invaluable asset for performers; I remember a counselor at the summer day-camp I attended saying that I was “too quiet.” Cooke and Redding grew up in religious households where singing—beginning with gospel music—was simply what their families did ; Sundays found the members of my household scattered to the winds, and a story famous in our family has it that when I was a baby, my mother came running from our next-door neighbor’s house because she thought I was screaming in agony—only to find one of my sisters singing while washing the dishes.

And yet I love to sing. Writing allows one to express what  one thinks and feels, but singing, for me, is all feeling, guided by instinct to the right notes but otherwise freed from my near-constant companion, rationality. My eyes close; I am lost in sound.

I occasionally fantasize about singing “Ain’t That Good News” in a coffeehouse somewhere. But I am happy singing for myself. I don’t regret that I never tried to do it professionally. Some ideas may live most happily at the dream stage.

My regret is that I don’t seem to do it as well as I once did. As a family man who has not lived alone for over a quarter-century, I do not belt as often or as freely as before, and maybe my singing muscle has atrophied. Maybe after five decades voices just get worse. Whatever the cause, sometimes when I sing now, I hear my voice straying from the right note, like a small child too curious to walk home in straight lines. Has my voice faded? Or is it that my ear has gotten better? None of this would seem to matter, since I only ever sang for myself. But it presents a minor challenge to my sense—which I have carried deep into middle age—of who I am, who I have been, and what I can do going forward. In itself this challenge is not much; yet it seems a harbinger of a great deal.

Why are Cooke and Redding my favorite singers? Why not, say, Aretha Franklin and Whitney Houston, who, objectively speaking, had two of the greatest voices ever to grace the recording industry? Such preferences are mysterious and subjective, but if I had to make a guess, it would involve my father. His death, when I was eleven, was both sudden and not. He had long had cardiovascular problems, which his smoking did not help; on the other hand, his maladies did not fit my limited understanding of illness, and his death, for me, came out of nowhere—one day he was walking and talking like a normal, healthy person, and the next day he was gone. I still had the guidance and heard the voices of the women in my life—my mother, my grandmother, my two sisters—but the chief male voice had been silenced. Is it possible that on some level, missing that authoritative male voice, I craved others, even the disembodied? Especially when those disembodied voices were so beautiful?

One bit of irony is that I soon lived longer than both of my elders Cooke and Redding. Another is that if I really was seeking guidance in the two men’s voices, keys to the mystery of how to live, the circumstances of Cooke’s death suggest that I was barking up the wrong tree. Cooke’s great demon was his libido. Three of his girlfriends were pregnant with his children at the same time. On the last night of his life, in late 1964, he checked into a motel with a woman who turned out to be a prostitute and who ran off with his wallet and pants; enraged, wearing only a jacket and shoes, he went to the motel office demanding to know where the woman had gone, and the manager—who later claimed Cooke had become violent with her—fired a gun at him. The last words of the soul icon were reported to be, “Lady, you shot me!” He was thirty-three years old.

Why do I still listen to these men? Cooke and Redding, who both died young, would not seem able to provide guidance from beyond the grave to a growing boy, let alone an aging man. Yet the work each did in the last year of his life offers a clue for going forward. After years of singing songs whose trademark was their urgency, Redding, in his final recording, offered up a masterpiece of mournful contemplation. Cooke, spurred by a personal encounter with racism to write and record the 1964 song “A Change Is Gonna Come,” an anthem of the civil rights movement, traded the calm at the core of his delivery for a tone of restlessness and longing.

When I was a young man and felt I was singing well, my voice followed the style of the singer I’d heard perform the song. On the page, I’ve never consciously imitated another writer.

Otis Redding admired, and sought for himself, both Sam Cooke’s status as a soul singer and his autonomy in the studio. Jonathan Gould, author of Otis Redding: An Unfinished Life , observes that fairly far into Redding’s career, Cooke’s “effortless grace” as a performer “still eluded” Redding; somehow he never learned “that stuff.” But we do not turn to Redding for effortless grace—we already have Cooke. Redding’s art, at least before “Dock of the Bay,” lay in obvious effort, the feeling that he conveyed so strongly through the suggestion that he could not convey it strongly enough.

As people age, their faces become the faces of their families. (In that photo, I begin to resemble my father.) Yet the people become more themselves. They begin to know better what they love. The things I love bring me joy of the kind that shone forth from Sam Cooke; in my desire to embrace those things in the years I have left, I feel the urgency of Otis Redding.

It is the urgency of a young man walking home with his small child. The man is set on his destination; the child wants to stop at every rock, every tree. Leaves have fallen, and the wind carries a chill. Sometimes, nonetheless, the man lets himself stray from the path a little and follow his child, because he never knows what they might find.

Clifford Thompson is the author of Signifying Nothing: A Novel (2009); Love for Sale and Other Essays (2013); Twin of Blackness: A Memoir (2015); and What It Is: Race, Family, and One Thinking Black Man’s Blues (forthcoming this November). Winner of a 2013 Whiting Award, he teaches at Sarah Lawrence College, New York University, and the Bennington Writing Seminars. He lives in Brooklyn. (updated 09/2019)

Essay on Hobby Singing

Students are often asked to write an essay on Hobby Singing in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Hobby Singing

Introduction to hobby singing.

Singing is a popular hobby that many people enjoy. It’s a fun activity that lets you express your feelings through music. Singing can be done alone or with friends, at home, or in a choir. It doesn’t need expensive equipment. All you need is your voice and a love for music.

The Joy of Singing

Singing brings joy and happiness. When you sing, you can forget your worries for a while. It helps you feel relaxed and calm. Singing your favorite songs or trying new ones can also boost your mood and make you feel good.

Benefits of Singing

Singing is not just fun, it’s also good for your health. It helps improve your breathing and posture. It can even make your heart stronger. Singing also trains your brain and improves your memory. Plus, it helps you learn about different cultures through their music.

In conclusion, singing is a wonderful hobby. It brings joy, helps you relax, and is good for your health. So, why not try it? You might discover a new passion and have a lot of fun along the way.

250 Words Essay on Hobby Singing

Singing brings happiness. When we sing, we can forget our worries and just enjoy the moment. It’s a way to express our emotions and let out our feelings. Whether we’re singing a happy song or a sad one, it can make us feel better.

Learning to Sing

Anyone can learn to sing. It’s not just for people with natural talent. With practice and patience, anyone can improve their singing. There are many ways to learn, like joining a choir, taking lessons, or even using online tutorials. It’s all about finding what works best for you.

Benefits of Hobby Singing

Singing is good for our health. It helps us breathe better, improves our posture, and can even make us feel more confident. Plus, it’s a great way to make friends and connect with others. When we sing with others, we can create beautiful harmony and share a special bond.

In conclusion, singing is a wonderful hobby. It brings joy, helps us express ourselves, and can even improve our health. Whether you’re a beginner or an experienced singer, there’s always more to learn and enjoy in the world of singing. So why not give it a try? You might just find a new passion.

500 Words Essay on Hobby Singing

Introduction.

Singing is a hobby that many people enjoy. It is a fun activity that lets you express your feelings and emotions. Singing as a hobby is not just about being a good singer. It is more about the joy and happiness it brings to you and others around you.

Learning to sing is not very hard. You can start by singing along to your favorite songs. This will help you understand the rhythm and tune. You can also join a music class or get a singing teacher. They can guide you and help you improve your singing skills. There are also many online resources and apps that can help you learn to sing.

Practicing Singing

Practicing is very important in singing. The more you practice, the better you become. You should try to practice singing every day. It does not have to be for a long time. Even a few minutes each day can make a big difference. You can also record your singing. This will help you listen to your voice and find out what you need to improve.

Sharing Your Singing

Singing is a wonderful hobby. It brings joy, reduces stress, and helps improve many skills. It is easy to learn and practice. It is also a great way to connect with others. So, if you enjoy music, why not try singing? It might become your favorite hobby!

This essay is a simple and easy-to-understand explanation of the hobby of singing. It is suitable for school-going students and anyone who wants to learn about singing. The essay is organized into several sections, each focusing on a different aspect of singing. It is written in a simple and clear language that is easy to understand. The total word count of this essay is exactly 500 words.

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My Hobby Singing Essay in English

My Hobby Singing Essay

My Hobby Singing Essay in English Like any other young teenager, I also have hobbies and passions. My hobby is singing and thankfully I am very good at it.  Even my mother is a singer and this is why I have got the skills.  Since my childhood, I am dragged to music automatically and my mum says I love singing since I was in her belly.  She used to sing songs for me and she said I used to respond to her voice.

This s amazing and I know why I have so deep a connection with music because it is in my blood. I can listen to music for hours and even days. I have no particular choice in music, but everything is melodious to my ears. Since my childhood, I had many favorites and I used to listen to songs on repeat.

Even my parents and grandparents used to be mesmerized by looking at my passion for music. In my family everyone likes music and we all have favorites of our own.  My mom has many stories about me about my childhood and music.

I had so many instrumental toys and toys with music. Every toy I had was having some sort of music because these were the only toys that used to attract me. On my 3 rd birthday, I also got a karaoke so that I can practice my singing skills and that beautiful gift helped me realize more about my passion for singing.

Essay on My Hobby Singing in English

As I grew older my passion began to rise and I decided to learn to sing professionally so that one day I can become a professional singer. Since my childhood, I was always insisted to sing a song at birthday parties and other events.

In my school, I have participated in many singing competitions and even won some of them. I never feared the stage as it was thrilling for me. I always used to get so excited before my performances. The limelight you get on the stage is beyond anything.  I have a strong bond with music. I feel connected to everything that enters my ears.

I wanted to produce my own music one day and I wish to turn my hobby into a profession one day. I knew my journey of singing had started the day I was born. I have music in my nerves and mind.  I just get mesmerized with the tunes and music whenever I listen to any. 

Music is an emotion, a feeling that I live always to its fullest. I am very grateful to God that he made me so passionate about music. Music is relieving and like mediation to me. It gives me positivity and I feel very peaceful whenever I listen to music and sing.

I can sing many songs both from Hollywood as well as Bollywood. I am also practicing singing in other languages because I don’t want any barrier to stand in front of me when I am learning music. I love to sing songs in multiple languages such s hind, English, Marathi, and South Indian languages.

Also Read: My Favourite Player Sachin Tendulkar Essay

My Favourite Hobby Singing Essay in English

From the beginning, I knew what I had to become in the future and that was a popular singer. Musical instruments, my music collection, songs, and melodies are my life. Every day I wake up singing and even sing before I go to bed.

Singing is all that I have and I wish to be superb in this skill. Singing was my hobby till the age of 5, but after that, my hobby changed into my passion and then my career.  Every artist knows how important it is to brush their skills to be professional one day.

The beauty of this hobby of mine was I was god gifted and never had to put an extra effort into learning something new. I wanted to be best in the singing and I was totally dedicated to this hobby since I was a child. In my school days, I was a very popular artist in my school.

Everyone used to know that I am a great singer and no school function ever begin without my Vandana in the opening of the function.  I used to love performing on the stage and the excitement was the most thrilling I had to go through.

I participated in many singing competitions help inside and outside our school. From there I started gaining my singing skills. Till then I was not learning from anywhere, my mother used to teach me a few things about singing and that was all I needed to move ahead and fly.

My neighbors, my parents, friends, and teachers everyone appreciated my talent and always supported me to carry this hobby further. I always feel so lucky about myself and the people around me. Everyone supported me and used to gift me things that were related to singing. 

I can remember when I was14 my neighbor gifted me with audio of our great Indian singers and that was the best gift I ever had. It had 1000 songs from all the popular artists of India like Lata Mangeshkar, Kishore Kumar, Asha Bhonsle, Rafi, etc I was so inspired by that gift and started paying attention more to singing.

When I grew up I desired more exposure and wanted to participate in musical events and functions. I used to travel a lot and made many friends who were musical like me. The world is full of talent, I have many friends who sing so differently and have so much knowledge about music. I have friends from all around the world who belong to my music cult.

We have different native languages, but we still sing songs of other nationalities. Music has no language and now when I see people singing songs of different languages proved it. Singing gives a peaceful message and can make you filled with joy.

Anyone can lift up their bad moods by just listening to one beautiful song. I am so excited about music that I have sung many songs in many places and events, but even one request from others to sing a song makes me excited like a baby every time. 

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Essay Samples on Singing

Famous jazz female performers: holiday, fitzgerald, vaughn, simone.

Growing up, whenever I would listen to or learn about Jazz, I would think that it was a genre of music that was only performed by male musicians. Little did I know that I was completely wrong and misinformed. Yes, there are a lot of...

The Revival and Closing of the Broadway Music and Their Examples

Shows on Broadway open and close every few months. While this may be normal, many theatergoers don’t understand while their favorite shows close. Broadway is a billion-dollar-a-year-industry (2016-2017 Broadway End-of-Season Statistics), so it only makes sense that the main reason that shows close is money....

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Discovering Musical Traits of the Musically Gifted Child Through Homeschooling

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The Main Elements of Comedy

Having roots in the Latin word ‘Comedia’ which means to reveal some information while singing. Well to most people the definition of comedy is a lot different. Even though the element so revelation and song may be included, they are not fundamental to every piece...

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The Mixture of Various Genres in Singing in the Rain

Comedy The entire story of Singing in the Rain blends different elements together; it is dramatic, comedy, musical and romantic. The genre of this movie are Comedy, Musical and Romantic. The film message is to be patient and be yourself because in the best way...

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A Superb Performance By “Marty Stuart: Lord, I’M Coming Home

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Analysis Of The Chapell's Newest Album ‘Soul Man’

Chapell is rightfully an indie rock band on the rise. The band exhibits extraordinary musical talent that truly distinguishes them from the masses of junior musicians trying to make it big. The bands newest album ‘Soul Man’ is a work of art. Each song from...

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Musical Heritage of Southeast-Asian Countries: Music Fests and Their History

Existing since 1970, Cantopop has evolved from Cantonese music blending along with Western genres like- Jazz, Rock, Blues, Rhythm, Electronic pop, etc. Most of the music created is again highly sold within Hong Kong mostly attaining its success during the 1980s. These piece of musical...

Post Malone And His Sophomore album "Beerbongs And Bentleys"

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The Popularity Of Kris Jones's Singing

Four months ago, Kris Jones’s daughter took a video of him that took a 360° turn in his life. The video, which showed him singing beautifully while he was driving, was shared numerous times on social media, showed him featured Jones while he sang Tennesse...

Best topics on Singing

1. Famous Jazz Female Performers: Holiday, Fitzgerald, Vaughn, Simone

2. The Revival and Closing of the Broadway Music and Their Examples

3. Discovering Musical Traits of the Musically Gifted Child Through Homeschooling

4. The Main Elements of Comedy

5. The Mixture of Various Genres in Singing in the Rain

6. A Superb Performance By “Marty Stuart: Lord, I’M Coming Home

7. Analysis Of The Chapell’s Newest Album ‘Soul Man’

8. Musical Heritage of Southeast-Asian Countries: Music Fests and Their History

9. Post Malone And His Sophomore album “Beerbongs And Bentleys”

10. The Popularity Of Kris Jones’s Singing

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Essay on My Hobby Singing | [Essay for Students]

Hello, students today we have come up with an essay on My Hobby Singing. In this essay I have told why singing is my hobby and why do I love it. So let us start with the essay.

My Hobby Singing essay.

My hobby is singing, and I have been passionate about it since I was a child. Singing brings me a great sense of joy and fulfillment, and it has played a significant role in my life.

Overall, my hobby of singing has brought me many wonderful experiences and opportunities, and it has had a positive impact on my life. I will continue to pursue it with passion and dedication, and I hope to continue to share my love of singing with others.

Students, which is your favourite song you like to sing the most? Do tell us in the comment section below.

This essay can be used by students of classes 1st, 2nd, 3rd, 4th, 5th, 6th, 7th, 8th, 9th, 10th, 11th, and 12th for their educational purposes.

Students, we hope you have liked this essay and if you need an essay on any topic then do tell us in the comment section below.

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My hobby is Singing and actually lovedbthe essay soo much and wrote a essay about singing

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I Sing to Use the Waiting: A Collection of Essays About the Women Singers Who've Made Me Who I Am Paperback – January 23, 2024

I Sing to Use the Waiting: A Collection of Essays about the Women Singers Who've Made Me Who I Am  is a vital and affecting reflection on how popular culture can shape personal identity.

With remarkable grace, candor, and a poet’s ear for prose, Zachary Pace recounts the women singers—from Cat Power to Madonna, Kim Gordon to Rihanna—who shaped them as a young person coming-of-age in rural New York, first discovering their own queer voice. Structured like a mixtape, Pace juxtaposes their coming out with the music that informed them along the way. They recount how listening to themselves sing along as a child to a Disney theme song they recorded on a boom box in 1995, was when they first realized there was an effeminate inflection to their voice. As childhood friendships splinter, Pace discusses the relationship between Whitney Houston and Robyn Crawford. Cat Power’s song “My Daddy Was a Musician” spurs a discussion of Pace’s own musician father, and their gradual estrangement. Resonant and compelling,  I Sing to Use the Waiting  is a deeply personal rumination on how queer stories are abundant yet often suppressed, and how music may act as a comforting balm carrying us through difficult periods and decisions.

Read an excerpt: Debutiful  presents:  “Colors of the Wind,” an excerpt from Zachary Pace's   I Sing to Use the Waiting .

Further reading: LitHub  presents:  "Zachary Pace on the Push and Pull of Working in Publishing as a Writer"  (Jan. 23, 2024)

• Print length 190 pages
• Language English
• Publisher Two Dollar Radio
• Publication date January 23, 2024
• Dimensions 5.5 x 0.12 x 7.5 inches
• ISBN-10 195338742X
• ISBN-13 978-1953387424
• See all details

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Editorial Reviews

"Meticulously researched and thrillingly individual... Part of what makes Pace’s book so refreshing is that the author is uninterested in finding, or inventing, breadcrumb trails that point to an artist’s sexuality, or assembling an alternative taxonomy of LGBTQ+ anthems. Rather, queerness is a kaleidoscopic filter that can destabilize familiar narratives about the artists you love, find hidden nuances, or empower your wildest takes. It’s a bold stance to say that all sound is queer; In I Sing to Use the Waiting , Pace says you may just have to listen closely." —Owen Myers, Pitchfork

"Zachary Pace’s I Sing to Use the Waiting: A Collection of Essays About the Women Singers Who’ve Made Me Who I Am has the propulsive charm of a well-crafted playlist—a form so suited to mapping its maker’s passions and preoccupations, shames and joys. Whether considering their own gender and sexuality, the social and economic strictures within which we live, or what psychoanalytic theory can teach us about the cinematic performances of Whitney Houston and Cher, Pace writes with a poet’s attunement to language and an archivist’s love of the deep cut. By turns personal, critical, and dazzlingly ekphrastic, this debut introduces a mind worth tuning into." —Jameson Fitzpatrick, BOMB INTERVIEW: "Zachary Pace by Jameson Fitzpatrick: The writer on the resonance of music and crafting identity through song" (Feb 1, 2024)

"A stunning testament to the effects music (and musicians) have on our lives." —David Gutowski,  Largehearted Boy AUTHOR PLAYLISTS: Zachary Pace’s playlist for their essay collection  I Sing to Use the Waiting  (Jan. 23, 2024)

"This stunning essay collection explores sound, gender, queerness, survival, and the shaping of identity through voice and pop culture. Blending reportage, cultural criticism, and personal narrative, this beautiful, intimate debut is definitely the best 2024 book I’ve read so far."  —Rachel León,  Chicago Review of Books "Most Anticipated Books of January"

" 'Tell each other how We sang/To Keep the Dark away,' ends the Emily Dickinson poem from which Pace gets the title of this collection, which explores gender, sexuality and liberation."  —Shreya Chattopadhyay,  The New York Times "Paperback Row: 6 New Paperbacks to Read This Week"

"In  I Sing to Use the Waiting,  Zachary Pace writes about how women singers shaped their coming-of-age and discovering their queerness. Throughout the collection, the writer explores a variety of topics, including an essay about how Disney’s  Pocahontas  reinforces racist, misogynistic, and homophobic views." —Adam Vitcavage,  Debutiful INTERVIEW & EXCERPT:  “Colors of the Wind,” an excerpt from Zachary Pace's  I Sing to Use the Waiting .  (Jan. 23, 2024)

"The essays each center on a singer (or group of singers) who were influential, and Pace’s style is smart and analytical, while still being vulnerable and personal. The essay collection as a whole forms a mosaic of Zachary as an individual along with the 1980s-2000s so familiar to many of us." —Lara Lillibridge,  Hippocampus Magazine INTERVIEW: "Zachary Pace, Author of  I Sing to Use the Waiting "

"It is music that enabled Pace to find comfort in their identity, and it is their writing about music that provides readers an entryway into their world. As they say in their strong, affirming poetic voice, 'Language isn’t a virus, language is a remedy.' Through their words in  I Sing To Use The Waiting , Pace allows us to step into their world for a brief moment of time and heal with them." —Edward Banchs,  Pittsburgh Post-Gazette REVIEW:  I Sing to Use the Waiting

"Zachary Pace is, at heart, a fan. Their writing is from a perspective of a lifelong obsessive, of someone who has listened, thought about, and loved longer than you have. That obsessiveness, as well as Pace’s instinct to attempt explanation, is what makes their work so strange and surprising. Pace digs deeper, into the literal shape of soundwaves, into their personal history, and into the recordings themselves, plotting concept next to idea next to emotion and seeing what we can draw from them." —Tiffany Babb,  The Rumpus INTERVIEW:  "Listen Repetitively: A Conversation with Zachary Pace"  (Jan. 22, 2024)

"Pace fuses memoir and criticism (my favorite combination) to explore the emotional and cultural impacts of women singers across time, from Cat Power and Rihanna to Kim Gordon and Whitney Houston. A queer coming-of-age story that centers the power of music and the legacies of women artists." —Sophia M. Stewart,  The Millions "Most Anticipated: Great Winter 2024 Preview"

"In these intimate and thoughtful essays, Pace offers a personal queer history, an inquiry into human expressivity, and a meditation on the formative influence of popular culture. Beginning with an exploration of the author’s own 'queer voice'—and the way social norms encode gender into certain vocal sounds—the collection considers nearly a dozen female performers and how they affected Pace’s worldview, self-conception, and artistic sensibility. Pace approaches his subjects with a mix of memoir, reportage, and critical theory, including Madonna’s engagement with Jewish Kabbalah, Rihanna’s personal and musical 'multiplicity,' and even the Pocahontas character from the eponymous Disney film, whose song 'Colors of the Wind' enthralled a ten-year-old Pace." —Jen DeGregorio,  Poets & Writers INTERVIEW: "Ten Questions for Zachary Pace"

I Sing to Use the Waiting  by Zachary Pace is featured in Bookshop.org's "100 most anticipated books of 2024": "New year, new books to get excited about. From literary fiction to compelling essays, heart-pounding romance to heart-breaking poetry, these are the 100 books we’re looking forward to this year." —Bookshop,  "100 most anticipated books of 2024"

"Pace chronicles their shifting musical tastes and how these artists, along with others, factored into significant moments in their life." —Tobias Carroll,  Inside Hook "10 books you should be reading this January"

"Pace’s essays are a beautiful ode to how musicians can shape us. The collection is a must-read for any musicophile. Their passion reverberates on every page while exploring their life and the musicians they admire." —Adam Vitcavage,  Debutiful "12 noteworthy debut books to read this January"

"The essays in Pace’s collection detail their journey coming out as queer, influenced by their favorite women singers, including Whitney Houston, Cat Power, Madonna, and Rihanna." —Michael Schaub,  Orange County Register "20 highly anticipated books coming in 2024"

"These essays span much more than women singers. They dive into sound, gender, queerness, the shaping of identity through voice and pop culture, and, yes, survival. The result is a collection with the vibe of a perfect mixtape. This compilation blends research, reportage, personal narrative, and cultural criticism, and each track offers something different and building off what came before... The collection resists easy classification—is it a memoir in essays or a collection of essays on pop culture? It’s neither, it’s both. The assemblage of this range of reportage, personal narrative, and cultural criticism, this hodgepodge of different forms, is itself queer. How beautiful for a book’s form to echo what’s at the heart of this collection: The intersection of pop culture, social issues, and personal experience make up Pace’s claiming of their voice. And in doing so, they’ve helped me claim mine." —Rachel León,  Split Lip Magazine REVIEW:  I Sing to Use the Waiting

"Pace’s beautiful prose and palpable passion make this soar..." — Publishers Weekly

" I Sing to Use the Waiting  is one of 'JANUARY’S MOST ANTICIPATED LGBTQIA+ LITERATURE'" —Ian Kirkland,  Lambda Literary

"With so many great books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books..." — Poets & Writers ' " Page One" features  I Sing to Use the Waiting: A Collection of Essays About the Women Singers Who’ve Made Me Who I Am From the January/February 2024 issue of  Poets & Writers Magazine

"With a title referencing the first line and title of an Emily Dickinson poem, this debut book is a memoiristic essay collection about the women and nonbinary musicians who have influenced Pace’s life... Pace relies on Freudian theories as a lens to view their own experiences as a queer person. They also employ an insightful, somewhat highbrow style of writing for subjects that are not always analyzed thoughtfully in the mainstream, such as Disney’s Pocahontas and Rihanna... Readers who enjoyed Jessica Hopper’s  The First Collection of Criticism by a Living Female Rock Critic  and Hanif Abdurraqib’s  They Can’t Kill Us Until They Kill Us  are the perfect audience for this book." —Heather Sheahan,  Library Journal

"No higher praise have I for Zachary Pace and their yes once more delish collection of prose poems really about those songbirds that help give the queer soul their own voice. Covering national treasures including Cat Power, Whitney, Nina Simone, etc., it’s a compendium born of a true consciousness, one that is serious about and committed to articulating writing’s best and true subject: how we speak, and why." — Hilton Als , author of  White Girls  and 2017 Pulitzer Prize Winner in Criticism

"I’ve been waiting a long time to read a book as soulful and precise, in its treatment of listening, as Zachary Pace’s tender account of an identity put back together through the powerful elixir of singing women. Pace, a lover of the overlooked, attends to the brocaded minutiae of triumphs, comebacks, travails. To enunciation and excess, Pace brings a curatively lucid eye and ear, each vignette invested with lyric care, and with a fastidious affection for the contours of a singer’s career. This impeccable book sends me back, with a renewed heart, to the songs Pace masterfully covers, with a delivery as splendid, as emotionally impressive, as the lauded originals." — Wayne Koestenbaum , poet, critic, novelist, artist, and performer

"Zachary Pace’s  I Sing to Use the Waiting  is an exhilarating mix, part memoir, part examination of queer identity, part investigation into corporate heteronormativity and the internalized homophobia it produces in children and others who are still growing into who they are—and so much more, all of it approached via the lenses of the singers (and their lives) whom Pace encountered at pivotal moments in their own growing up. In considering a recording made by Nina Simone, for example, Pace comes to understand voice itself as a form of queerness, straddling registers, enacting a fluidity that refuses binary thinking; other singers—Fiona Apple, Mariah Carey, Joanna Newsom—become a source of actual vocabulary 'for interpreting the world'; and in a discussion of Kim Gordon and Sonic Youth, Pace considers lyrics and music as entryways to the sublime, as a way 'to remember the demise that is my only destiny, relieved I’ve eluded it for now.' At one point, Pace says of Rihanna’s career that it 'enacts a singularly liberating experience of identity expression.' I’d say the same for  I Sing to Use the Waiting , a beautifully provocative, smart, and tender book indeed." — Carl Phillips , 2023 Pulitzer Prize winning author of  Then the War: And Selected Poems  (2022)

"Zachary Pace takes listening & fanhood to a teeming level of worship which is exactly what it is. Beautiful precise quirky bodily cerebral listening to female vocalists and writing about it. I’m so in awe of what I get when I read this dedicated performance of that. I think Kim (Gordon) should hear, Chan (Marshall) should hear. The chapter on the Kabbalah (and Madonna) was so astonishing. God should hear too: this miraculous and fun and deeply cool book that’s really about sound and our relationship to it, gendered, historic, mortal and true." — Eileen Myles , poet, novelist and art journalist

“What makes up the soundtrack of our lives? In this smart, captivating collection of essays, Zachary Pace brings us theirs—an eclectic, fascinating, often groundbreaking group of frontwomen whose words and voices have defined not only the larger culture, but also who the author is and who they might yet be. The essays in  I Sing to Use the Waiting  deftly move from informative to deeply personal and back again, breaking down songs and words and voices that cannot be contained, that exist inside a world that is both mystifying and oppressive. If you’ve ever played a song or album so many times your neighbors complained; if you’ve ever obsessively analyzed playlists of shows near and far; if you’ve ever found a voice, a lyric, a harmony saving your life: this one’s for you.” — Lynn Melnick , author of  I’ve Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton

"What draws us to the sound of another person’s voice? What magnetizes others to our own?  I Sing to Use the Waiting  is not only a thrilling homage to a group of majestic women, but an exploration into the nature of voice itself—that queer and primal animal signature. Zachary Pace writes with electric intensity. A total joy.” — Paul Lisicky , author of  Later: My Life at the Edge of the World

"I love music and I love women in music even more, so this collection of personal essays by Zachary Pace rang nearly all my bells. I love the way Pace connects these women to their own personal development and understanding of who they are. In thinking back, I realize how much women in music shaped me as well (Madonna, Kim, Kathleen, Courtney, Mariah, Janet). This collection also helped deepen my understanding of why women singers are so important to the queer community. I learned a lot, I remembered a lot, I thought a lot." —Laurel Kane,  White Whale Bookstore  (Pittsburgh, PA)

"Madonna, Gloria Estefan, Cher, Rhianna. What do these female musical acts have in common? Their aura of superstardom that catapulted them into the stratosphere of queer divaness! Author Zachary Pace's essay collection pays tribute to the numerical female singers that shaped LGBTQ culture, influenced fans and music enthusiasts detailing the talent of their vocal resonance and unique sound to becoming unlikely icons for the rebels and outliers of society!" —Gerard Villegas,  Auntie's Books  (Spokane, WA)

Zachary Pace  is a writer and editor who lives in New York City, whose first book is  I Sing to Use the Waiting: A Collection of Essays About the Women Singers Who've Made Me Who I Am , and whose writing has been published in the  Baffler ,  BOMB ,  Bookforum ,  Boston Review ,  Frieze  magazine,  Interview  magazine,  Literary Hub , the  Los Angeles Review of Books , the PEN Poetry Series, the  Yale Review , and elsewhere. More work can be found at  zacharypace.com .

Visit the Zachary Pace author page.

About the Author

Product details.

• Publisher ‏ : ‎ Two Dollar Radio (January 23, 2024)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 190 pages
• ISBN-10 ‏ : ‎ 195338742X
• ISBN-13 ‏ : ‎ 978-1953387424
• Item Weight ‏ : ‎ 7.2 ounces
• Dimensions ‏ : ‎ 5.5 x 0.12 x 7.5 inches
• #149 in Musical Philosophy & Social Aspects
• #1,622 in LGBTQ+ Biographies (Books)
• #2,579 in Music History & Criticism (Books)

About the author

Zachary pace.

Discover more of the author’s books, see similar authors, read author blogs and more

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Essay on Dance

500 words essay on dance.

Dancer refers to a series of set of movement to music which we can either do alone or with a partner. Dancing helps us express our feelings and get active as well. If we look back at history, dance has been a part of our human history since the earliest records. Thus, an essay on dance will take us through it in detail.

My Hobby My Passion

Dance is my favourite hobby and I enjoy dancing a lot. I started dancing when I was five years old and when I got older; my parents enrolled me in dance classes to pursue this passion.

I cannot go a day without dance, that’s how much I love dancing. I tried many dance forms but discovered that I am most comfortable in Indian classical dance. Thus, I am learning Kathak from my dance teacher.

I aspire to become a renowned Kathak dancer so that I can represent this classical dance internationally. Dancing makes me feel happy and relaxed, thus I love to dance. I always participate in dance competitions at my school and have even won a few.

Dance became my passion from an early age. Listening to the beats of a dance number, I started to tap my feet and my parents recognized my talent for dance. Even when I am sad, I put on music to dance to vent out my feelings.

Thus, dance has been very therapeutic for me as well. In other words, it is not only an escape from the world but also a therapy for me.

Get the huge list of more than 500 Essay Topics and Ideas

Hidden Language of the Soul

Dance is also called the hidden language of the soul as we use it to express ourselves when words fall short. The joy which comes with dancing helps us get over our sorrow and adversity sometimes.

Moreover, it is simply a translator for our hearts. What is most important to remember is that dance is not supposed to be perfect. There is no right way of dancing, as long as your heart is happy, you can dance.

When we talk about dance, usually a professional dancer comes to our mind. But, this is where we go wrong. Dance is for anybody and everybody from a ballet dancer to the uncle dancing at a wedding .

It is what unites us and helps us come together to celebrate joy and express our feelings. Therefore, we must all dance without worrying if we are doing it right or not. It is essential to understand that when you let go of yourself in dance, you truly enjoy it only then.

Conclusion of the Essay on Dance

All in all, dance is something which anyone can do. There is no right way or wrong way to dance, there is just a dance. The only hard part is taking the first step, after that, everything becomes easier. So, we must always dance our heart out and let our body move to the rhythm of music freely.

FAQ of Essay on Dance

Question 1: Why is Dance important?

Answer 1: Dance teaches us the significance of movement and fitness in a variety of ways through a selection of disciplines. It helps us learn to coordinate muscles to move through proper positions. Moreover, it is a great activity to pursue at almost any age.

Question 2: What is dancing for you?

Answer 2: Dancing can enhance our muscle tone, strength, endurance and fitness. In addition, it is also a great way to meet new friends. Most importantly, it brings happiness to us and helps us relax and take a break from the monotony of life.

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