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Who are the Tomatometer-approved critics?

Tomatometer-approved critics come from all across the U.S., and the world. They publish on a variety of platforms – among them you’ll find podcasters, newspaper and magazine writers, bloggers, and YouTubers. Reviews from Tomatometer-approved critics form the trusted Tomatometer ® score for movies and TV shows. Their reviews embody several key values – insight and dedication among them – and meet a set of Eligibility Guidelines . To see our full list of Tomatometer-approved critics, click here .

If you'd like to find out how to join their ranks, check out our Critics Criteria here . Applications are accepted between March 1-31.

Critic Spotlight

is an independent film critic and culture writer based in India. Her writing is situated at the juncture of gender, pop culture and socio-temporal politics. Find Ishita @MadameSengupta

is a regular contributor to Looper and Paste. They have also written for Anime News Network, CBR, JewishBoston, and The Verge among other sites. Find Reuben @AndalusianDoge

is the founder and Editor-in-Chief of POC Culture, and a member of the Asian American Journalists Association. His work can also be found at The Ringer & Nerdist. Find Ron @RonSeoulOh

is a freelance film critic and interviewer. Her work can be found at The Jewish Chronicle, as well as Empire Magazine, NME, New Scientist, Yahoo, and HeyUGuys. Find Linda @lindamarric

IMDb vs. Rotten Tomatoes vs. Metacritic: Which Movie Ratings Site Is Best?

IMDb, Rotten Tomatoes, and Metacritic are the three most popular ratings sites for movies, but they aren't all equal.

Thanks to online ratings, it's easier than ever to know whether or not a movie is worth watching. A quick Google search brings up plenty of websites offering their opinions on the latest films.

The three most popular are IMDb, Rotten Tomatoes, and Metacritic. But how do these sites differ, and which should you trust for information on movies? Here's everything you need to know.

The Internet Movie Database (IMDb) is a gigantic compendium of movies, TV shows, and video games. Its primary use is to find detailed information about any actor, producer, or piece of media content.

When you pull up a movie, you'll see a synopsis, trailers, photos, a cast list, trivia, and much more. What makes IMDb so useful is its cross-referencing. Upon opening the page for an actor, you'll see their best-known roles. Thus, IMDb is great for those "what else have I seen her in?" moments.

The IMDb mobile app takes this a step further. If you create an account and give ratings to movies and other media, you'll see a You may know them from field on an actor's page if you've rated something they appeared in.

With a free IMDb account, you can also create a Watchlist of movies you want to see. Along with contributing to the 10-point rating scale with other users, IMDb has many other useful features to offer if you're interested.

Pros of IMDb

Unlike the other two sites, IMDb's reviews come solely from users. It only takes a minute to sign up for IMDb and leave a review, so there's little barrier to entry.

Thus, IMDb's biggest strength is that its scores gives you a good idea of what normal consumers think of it. Professional critics have no influence on IMDb scores.

IMDb has a weighted average system to prevent users from rigging the score, but the service doesn't make it clear exactly how this works. Click the review count next to the star icon on any movie's page to see a breakdown of how people rated it.

Below the overall star average, you can see how the ratings break down by a few demographics, including age and gender.

Cons of IMDb

IMDb's biggest problem is that like other platforms, most people only leave reviews if they love or hate a film. Thus, this skews the scores in favor of either fanboys or haters.

People who want to boost a movie's perception will likely rate the movie a 10, while those who didn't like it will give a rating of one. This means you should read a handful of reviews to get a full picture of the movie's quality.

Rotten Tomatoes

Rotten Tomatoes is a trusted source for movie reviews sourced from critics. Every movie uses the "Tomatometer" to score the quality of a film. If the critic liked the movie, a red tomato appears by their review. When they don't like it, you'll see a green splat instead.

As long as 60 percent or more of critics like the movie, it earns an overall Fresh score with a red tomato. If under 60 percent of critics rate the movie favorably, it earns a Rotten score with a green splat.

Meanwhile, a Certified Fresh badge appears next to titles that are of particularly high quality. They must hold at least a 75 percent favorable score after 80 reviews, including at least five from top critics.

Open any movie's page, and you'll see the overall score plus its number of reviews at the top. Click See Score Details for a deeper breakdown. The Critics Consensus , present for most movies, is a great summary of why the movie received its score.

Rotten Tomatoes also providers a user score, shown by the popcorn bucket. When at least 60 percent of users rated it 3.5 stars (out of 5) or higher, it shows a full bucket. A tipped-over bucket represents that under 60 percent of users gave it under 3.5 stars. Since you can use half-star ratings, this is close to the IMDb score.

In 2019, Rotten Tomatoes made some changes to reduce "review bombing" of movies. There's no longer a Want to See percentage, and you'll also see a check next to user reviews where the site has confirmed that the person actually bought a ticket to the movie.

At the bottom of a movie's page, you can read excerpts from the critic reviews, filter by fresh or rotten, or only show top critics. Search for your favorite actors, and you can check the scores of films they appeared in.

Related: Sites Like Rotten Tomatoes to Find Average Ratings and Reviews for Anything

Pros of Rotten Tomatoes

Rotten Tomatoes has the advantage of sourcing its reviews from trusted critics. The Rotten Tomatoes criteria page explains that the site only takes reviews from trusted newspapers, podcasts, and websites. In theory, this means that only the opinions of the most-trusted movie critics influence the Rotten Tomatoes review.

The Top Critic designation lets you filter by the absolute best critics if you prefer. You can't get a more professional opinion than from these folks.

Overall, Rotten Tomatoes does a good job of letting you know at a glance whether or not a movie is worth your time. The easily identifiable icons, overall score, and consensus summary only take a moment to scan.

Cons of Rotten Tomatoes

The biggest issue with Rotten Tomatoes is that it breaks down complex opinions into a Yes or No score. It scores a critic who thought the movie was decent but had some flaws (say, a 59 percent rating) the same as one who thought the movie was absolute garbage (a zero percent score).

You'll notice this with the Average Rating under the score. Take Jumanji: Welcome to the Jungle as an example. Of the 232 critic reviews, 177 of them are positive. This gives the movie a score of 76 percent. However, the critics rated the movie an average of 6.2/10---quite a bit under the 76 percent displayed on the page.

This doesn't mean the scores on Rotten Tomatoes are useless, of course. But it's important to remember that there's nuance in individual reviews, and the Fresh/Rotten system effectively turns every rating into a 100 or 0 score.

Metacritic aggregates reviews of movies and TV shows, plus video games and music albums. It's one of the best sites for gamers , but it can give you a good idea on the quality of movies too.

The site collects reviews from many sources and aggregates them into one "metascore" from 0 to 100. It displays a color and one-line indication of quality based on the overall score, with the following used for movies, TV, and albums:

• 81-100: Universal Acclaim (Green)
• 61-80: Generally Favorable Reviews (Green)
• 40-60: Mixed or Average Reviews (Yellow)
• 20-39: Generally Unfavorable Reviews (Red)
• 0-19: Overwhelming Dislike (Red)

Unlike Rotten Tomatoes, Metacritic uses a weighted average system. Nobody knows the exact details, but the service assigns more importance to some sources than others. Like the other two sites, Metacritic also includes a separate user score, which does not influence the critic score.

The Pros of Metacritic

Metacritic avoids the Rotten Tomatoes problem of scoring every review as simply "good" or "bad." A review of 50 percent gets mixed in with the rest to create the metascore. Thus, the score you see on Metacritic is closer to the average review, as opposed to the percentage of critics who simply liked the movie on Rotten Tomatoes.

Additionally, among these three sites, Metacritic is the only one to feature full user reviews right next to critic reviews. This makes it easy to compare what the general public thinks compared to the professionals.

The Cons of Metacritic

While it's easy to translate a score from a five-star or 10-point scale, Metacritic's way of translating letter grade is questionable. We can see how this works on the About Metascores page :

While scoring an A as 100 percent makes sense, note the scores for B- and F , for instance. A 67 percent score for a B- seems a bit harsh. In most schools, a score of 67 percent is closer to an F than it is a B- .

And scoring an F as 0 percent seems unfair. Something like 20 percent for an F might be more appropriate. Because every site has different scales for scoring (some might not even use pluses and minuses), this could skew a reviewer's original meaning.

Also, unlike Rotten Tomatoes, Metacritic seems to have few public standards. There's no detailed information on where it sources it critics from. Thus, the score potentially doesn't have as much weight behind it as Rotten Tomatoes does.

What Is the Best Movie Rating Website?

So we've now taken a look at IMDb, Rotten Tomatoes, and Metacritic, and listed their major pros and cons. As you might have guessed, there's no one website that's best for everything.

However, we can recommend each of these sites for different reasons:

• IMDb is great for seeing what general audiences think of a movie. If you don't care what the critics say and want to see what people like yourself thought of a film, then you should use IMDb. Just be aware that fans often skew the vote with 10-star ratings, which may inflate scores somewhat.
• Rotten Tomatoes offers the best overall picture of whether a movie is worth seeing at a glance. If you only trust the opinions of top critics and just want to know if a movie is at least decent, you should use Rotten Tomatoes. While the Fresh/Rotten binary can oversimplify the often complex opinions of critics, it should still help you weed out lousy films.
• Metacritic offers the most balanced aggregate score. If you don't mind which critics' opinions go into the final score and prefer seeing a general average, then you should use Metacritic. Its standards are mostly unknown, but Metacritic makes it easy to compare professional and user reviews side-by-side.

Of course, there's nothing wrong with checking all three of these sites every time you're thinking of seeing a movie. Over time, you should figure out which site's tastes most match yours; then you'll know which is best for you personally.

Personal Taste Still Matters Most

Remember that movie scores aren't everything. All three of these sites don't, for instance, paint an accurate picture of movies that are so bad they're good. Because those movies are objectively terrible, they carry low scores even though they have ironic value.

Plus, it's impossible to sum up complex opinions from dozens of people into a single number. And no matter what the critics or general public think, your preferences might be totally different anyway. There's nothing wrong with enjoying a movie that most people find stupid. So while these sites are helpful, don't take them too seriously.

• Behind the scene

IMDb (Internet Movie Database); best movie critic websites:‎

IMDb is a well-known platform that serves as a one-stop destination for movie information. While it ‎primarily focuses on providing a comprehensive database of films, it also includes user-generated reviews ‎and ratings. IMDb’s extensive user community makes it a valuable resource for gauging public opinion on ‎movies of all genres.‎

Metacritic; movie critic website:‎

Metacritic stands out by presenting a metascore, which is a weighted average of scores from various ‎critics. This unique approach provides a quick snapshot of critical reception. Metacritic also includes user ‎reviews, allowing readers to explore a broader range of opinions.‎

You may also be interested in this: Top Movie Review YouTube Channels

Letterboxd:‎

Letterboxd is a social networking site for film enthusiasts. It offers a platform for users to log, rate, and ‎review movies they have watched. Letterboxd fosters a vibrant community that encourages discussions ‎and recommendations, making it an excellent resource for cinephiles to discover new films.‎

Criticker; movie review aggregator websites:‎

Criticker adopts a personalized approach to movie recommendations. Users rate films they have watched, ‎and the website’s algorithm suggests other movies based on their ratings. This collaborative filtering ‎system helps users find movies that align with their tastes and preferences.‎

FilmAffinity:‎

FilmAffinity is a Spanish-based movie review website that boasts an extensive international user ‎community. It features user-generated reviews and ratings, along with personalized movie ‎recommendations. FilmAffinity’s multicultural perspective makes it a valuable resource for exploring films ‎beyond mainstream Hollywood.‎

You may also be interested in this: Best Cinema Critics

Reddit, a popular online platform, hosts various communities dedicated to movies and film criticism. ‎Subreddits such as r/movies and r/TrueFilm provide spaces for discussions, sharing recommendations, and ‎reading insightful reviews. The diverse user base ensures a broad range of opinions and perspectives.‎

The Guardian’s Film Section; professional movie critic websites:

‎ The Guardian’s film section is a reputable source of movie reviews and features articles written by ‎experienced critics. Known for its thoughtful analysis and in-depth coverage, The Guardian provides ‎readers with well-crafted reviews that delve into the artistic and thematic aspects of films.‎

Best Cinema Review

BestCinemareview.com is a newly established website designed and updated daily by a group of cinema enthusiasts. The site introduces you to the best movies and series, and provides analysis of both classic and modern cinema.

When you visit BestCinemareview.com, you will find various sections, including Reviews (In-depth reviews of recently released movies and TV series), Genres, The Bests, Biography, Behind The Scene and Anime

Are movie critics biased?‎

The question of whether movie critics are biased is a complex one. While it is true that critics, like any ‎other human beings, have their own subjective preferences, it does not necessarily mean they are ‎inherently biased. Here are a few factors to consider:‎

Subjectivity and Personal Taste:‎

Movie criticism is inherently subjective because art, including film, is open to interpretation. Critics bring ‎their personal backgrounds, experiences, and tastes to their reviews, which can influence their opinions. ‎What resonates with one critic may not resonate with another. However, reputable critics strive to ‎evaluate films based on their artistic merits, storytelling, technical aspects, and cultural significance, rather ‎than solely on personal preferences.‎

Professionalism and Expertise:‎

Many movie critics have dedicated their careers to studying and analyzing films. They possess extensive ‎knowledge about film history, theory, and the craft of filmmaking. Their expertise allows them to provide ‎informed perspectives and critical insights. While personal biases may still exist, professional critics usually ‎aim to provide objective analyses and consider the broader context of a film’s production and cultural ‎impact.‎

Different Approaches and Critical Schools:‎

Film criticism encompasses a wide range of approaches and methodologies. Some critics focus on formal ‎analysis, examining the technical aspects of a film, while others emphasize the socio-cultural or political ‎implications of a movie. Critics may align with different critical schools or philosophies, which can result in ‎varying interpretations and evaluations. These diverse perspectives contribute to a well-rounded ‎understanding of a film’s strengths and weaknesses.‎

Influence and External Factors:‎

Critics, like any public figures, can be influenced by external factors such as industry relationships, ‎marketing campaigns, or personal biases. Some critics may succumb to these pressures, consciously or ‎unconsciously, affecting the objectivity of their reviews. However, reputable critics strive to maintain their ‎integrity and independence, providing honest opinions regardless of external influences.‎

Reader-Reviewer Relationship:‎

It is essential to recognize that movie criticism is a dialogue between the critic and the audience. Readers ‎often seek out critics whose opinions align with their own tastes or whose writing style resonates with ‎them. Therefore, what may be perceived as bias by some could simply be a critic’s consistent perspective ‎or writing style that attracts a specific audience?‎

When it comes to finding reliable movie reviews, these movie critic websites offer a range of perspectives ‎and insights. Rotten Tomatoes , IMDb, Metacritic , Letterboxd, Criticker, FilmAffinity, Reddit, and The ‎Guardian’s film section are just a few examples of the excellent resources available online. By exploring ‎these platforms, movie enthusiasts can make informed decisions about which films to watch, ensuring ‎their movie-watching experiences are both enjoyable and enriching.‎ In addition to these websites, some film and series production platforms such as Netflix or Amazon Prime ‎sometimes review films and series.‎

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IMDb Charts

Imdb top 250 movies.

1. The Shawshank Redemption

2. The Godfather

3. The Dark Knight

4. The Godfather Part II

5. 12 Angry Men

6. Schindler's List

7. The Lord of the Rings: The Return of the King

8. Pulp Fiction

9. The Lord of the Rings: The Fellowship of the Ring

10. The Good, the Bad and the Ugly

11. Forrest Gump

12. The Lord of the Rings: The Two Towers

13. Fight Club

14. Inception

15. Star Wars: Episode V - The Empire Strikes Back

16. The Matrix

17. Goodfellas

18. One Flew Over the Cuckoo's Nest

20. Interstellar

21. It's a Wonderful Life

22. Seven Samurai

23. The Silence of the Lambs

24. Saving Private Ryan

25. City of God

The Top Rated Movie list only includes feature films.

• Shorts, TV movies, and documentaries are not included
• The list is ranked by a formula which includes the number of ratings each movie received from users, and value of ratings received from regular users
• To be included on the list, a movie must receive ratings from at least 25000 users

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The Best Movie Reviews We’ve Ever Written — IndieWire Critics Survey

David ehrlich.

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Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

While this survey typically asks smart critics to direct readers toward good movies, we hope that the reverse is also true, and that these posts help movies (good or bad) direct readers towards smart critics. 

In that spirit, we asked our panel of critics to reflect on their favorite piece of film criticism that they’ve ever written (and we encouraged them to put aside any sort of modesty when doing so).

Their responses provide rich and far-reaching insight into contemporary film criticism, and what those who practice it are hoping to achieve with their work.

Siddhant Adlakha (@SidizenKane), Freelance for The Village Voice and /Film

Let’s cut right to the chase. Christopher Nolan is probably my favourite working director, and going five thousand words deep on his career after “Dunkirk” was an itch I’d been waiting to scratch for nearly a decade. “The Dark Knight” was my dorm-room poster movie — I’m part of the generation that explored films through the IMDb Top 250 growing up — though as my cinematic horizons expanded and my understanding of storytelling grew, I didn’t leave Nolan’s work behind as I did the likes of “Scarface” and “The Boondock Saints.” What’s more, each new film by Nolan hits me like a tonne of bricks. I’m waiting, almost eagerly, for him to disappoint me. It hasn’t happened yet, and I needed to finally sit down and figure out why.

In “Convergence At ‘Dunkirk,’” by far the longest piece I’ve ever written, I’d like to think I unpacked a decade worth of my awe and admiration, for a filmmaker who uses the studio canvas to explore human beings through our relationship to time. Tarkovsky referred to cinema as “sculpting in time.” Time disorients. Time connects us. Time travels, at different speeds, depending on one’s relationship to it, whether in dreams or in war or in outer space, and time can be captured, explored and dissected on screen.

What’s more, Nolan’s films manipulate truth as much as time, as another force relative to human perception, determining our trajectories and interpersonal dynamics in fundamental ways. All this is something I think I knew, instinctively, as a teenage viewer, but putting words to these explorations, each from a different time yet connected intrinsically, is the written criticism that I most stand by. It felt like something that I was meant to write, as I interrogated my own evolving emotional responses to art as time went on.

Carlos Aguilar (@Carlos_Film), Freelance for Remezcla

At the 2017 Sundance premiere of Miguel Arteta’s “Beatriz at Dinner,” starring Salma Hayek, I found myself in shock at the reactions I heard from the mostly-white audience at the Eccles Theatre. I was watching a different movie, one that spoke to me as an immigrant, a Latino, and someone who’s felt out of place in spaces dominated by people who’ve never been asked, “Where are you really from?” That night I went back to the condo and wrote a mountain of thoughts and personal anecdotes that mirrored what I saw on screen.

This was a much different piece from what I had usually written up to that point: coverage on the Best Foreign Language Oscar race, pieces on animation, interviews with internationally acclaimed directors, and reviews out of festivals. Those are my intellectual passions, this; however, was an examination on the identity that I had to built as an outsider to navigate a society were people like me rarely get the jobs I want.

My editor at Remezcla, Vanessa Erazo, was aware of the piece from the onset and was immediately supportive, but it would take months for me to mull it over and rework it through multiple drafts until it was ready for publication in time for the film’s theatrical release. In the text, I compared my own encounters with casual racism and ignorance with those Hayek’s character faces throughout the fateful gathering at the center of the film. The reception surpassed all my expectations. The article was shared thousands of times, it was praised, it was criticized, and it truly confronted me with the power that my writing could have.

A few months later in September, when Trump rescinded DACA, I wrote a social media post on my experience as an undocumented person working in the film industry, and how difficult it is to share that struggle in a world were most people don’t understand what it means to live a life in the shadows. The post was picked up by The Wrap and republished in the form of an op-ed, which I hope put a new face on the issue for those who didn’t directly knew anyone affected by it before. Once again that piece on “Beatriz at Dinner” regained meaning as I found myself filled with uncertainty.

Ken Bakely (@kbake_99), Freelance for Film Pulse

Like many writers, I tend to subconsciously disown anything I’ve written more than a few months ago, so I read this question, in practice, as what’s my favorite thing I’ve written recently. On that front, I’d say that the review of “Phantom Thread” that I wrote over at my blog comes the closest to what I most desire to do as a critic. I try to think about a movie from every front: how the experience is the result of each aspect, in unique quantities and qualities, working together. It’s not just that the acting is compelling or the score is enveloping, it’s that each aspect is so tightly wound that it’s almost indistinguishable from within itself. A movie is not an algebra problem. You can’t just plug in a single value and have everything fall into place.

“Phantom Thread” is Paul Thomas Anderson’s dreamy cinematography. It is Jonny Greenwood’s impeccably seductive, baroque music. It is Vicky Krieps’s ability to perfectly shatter our preconceptions at every single turn as we realize that Alma is the movie’s actual main character. We often talk about how good films would be worse-off if some part of it were in any way different. In the case of “Phantom Thread,” you flat-out can’t imagine how it would even exist if these things were changed. When so many hot take thinkpieces try to explain away every ending or take a hammer to delicate illusions, it was a pleasure to try and understand how a movie like this one operates on all fronts to maintain an ongoing sense of mystique.

Christian Blauvelt (@Ctblauvelt), BBC Culture

I don’t know if it’s my best work, but a landmark in my life as a critic was surely a review of Chaplin’s “The Circus,” in time for the release of its restoration in 2010. I cherish this piece , written for Slant Magazine, for a number of reasons. For one, I felt deeply honored to shed more light on probably the least known and least respected of Chaplin’s major features, because it’s a film that demonstrates such technical virtuosity it dispels once and for all any notion that his work is uncinematic. (Yes, but what about the rest of his filmography you ask? My response is that any quibbles about the immobility of Chaplin’s camera suggest an ardent belief that the best directing equals the most directing.) For another, I was happy this review appeared in Slant Magazine, a publication that helped me cut my critical teeth and has done the same for a number of other critics who’ve gone on to write or edit elsewhere. That Slant is now struggling to endure in this financially ferocious landscape for criticism is a shame – the reviews I wrote for them around 2009-10 helped me refine my voice even that much more than my concurrent experience at Entertainment Weekly, where I had my day job. And finally, this particular review will always mean a lot to me because it’s the first one I wrote that I saw posted in its entirety on the bulletin board at Film Forum. For me, there was no surer sign that “I’d made it”.

Richard Brody (@tnyfrontrow), The New Yorker

No way would I dare to recommend any pieces of my own, but I don’t mind mentioning a part of my work that I do with special enthusiasm. Criticism, I think, is more than the three A’s (advocacy, analysis, assessment); it’s prophetic, seeing the future of the art from the movies that are on hand. Yet many of the most forward-looking, possibility-expanding new films are in danger of passing unnoticed (or even being largely dismissed) due to their departure from familiar modes or norms, and it’s one of my gravest (though also most joyful) responsibilities to pay attention to movies that may be generally overlooked despite (or because of) their exceptional qualities. (For that matter, I live in fear of missing a movie that needs such attention.)

But another aspect of that same enthusiasm is the discovery of the unrealized future of the past—of great movies made and seen (or hardly seen) in recent decades that weren’t properly discussed and justly acclaimed in their time.”. Since one of the critical weapons used against the best of the new is an ossified and nostalgic classicism, the reëvaluation of what’s canonical, the acknowledgment of unheralded masterworks—and of filmmakers whose careers have been cavalierly truncated by industry indifference—is indispensable to and inseparable from the thrilling recognition of the authentically new.

Deany Hendrick Cheng (@DeandrickLamar), Freelance for Barber’s Chair Digital

It’s a piece on two of my favorite films of 2017, “Lady Bird” and “Call Me By Your Name”, and about how their very different modes of storytelling speak to the different sorts of stories we tell ourselves. Objectively, I don’t know if this is my best work in terms of pure style and craft, but I do think it’s the most emblematic in terms of what I value in cinema. I think every film is, in some way, a treatise on how certain memories are remembered, and I think cinema matters partly because the best examples of it are prisms through which the human experience is refracted.

Above everything else, every movie has to begin with a good story, and the greatest stories are the ones that mirror not just life, but the ways in which life is distorted and restructured through the process of remembering. Every aspect of a film, from its screenplay on down, must add something to the film’s portrayal of remembering, and “Lady Bird” and “Call Me By Your Name” accomplish this organic unity of theme with such charm yet in such distinct ways, that they were the perfect counterpoints to each other, as well as the perfect stand-ins for cinema as a whole, for me.

Liam Conlon (@Flowtaro), Ms En Scene

My favorite piece of my own work is definitely  “The Shape of Water’s” Strickland as the “Ur-American.”  I’m proud of it because it required me to really take stock of all the things that Americans are taught from birth to take as given. That meant looking at our history of colonialism, imperialism, racism, anticommunism and really diving into how all Americans, whether they’re liberal or conservative, can internalize these things unless they take the time to self-examine. Just as “Pan’s Labyrinth’s” despotic Captain Vidal was a masterful representation of Francisco Franco’s fascism, Richard Strickland represents a distinctly American kind of fascism. Writers Guillermo del Toro and Vanessa Taylor took great care in Strickland’s creation, and my piece was my own way of self-examining to make sure I never become or abide by a person like Strickland ever again.

Robert Daniels (@812filmreviews), Freelance

This is tricky, but “Annihilation” is definitely my favorite piece of film criticism that I’ve written. My writing style is a combination of criticism and gifs, and sometimes the words are better than the gifs, and the gifs are better than the words. With “Annihilation,” I thought the balance was perfect . My favorite portion: “Lena is just an idea, part of an equation that’s been erased from a chalkboard and rewritten with a different solution. The shimmer is part of her, even down to the DNA” is up there as one of my best. It was also a struggle to write because that film had more wild theories than the Aliens in Roswell. Also, the amount of research I had to do, combining Plato’s Ideal Forms, Darwin, the Bible, and Nietzsche, was absurd. However, it did make it easier to find matching gifs. The result made for my most studious, yet lighthearted read.

Alonso Duralde (@ADuralde), The Wrap

I’m the worst judge of my own material; there’s almost nothing I’ve ever written that I don’t want to pick at and re-edit, no matter how much time has passed. But since, for me, the hardest part of film criticism is adequately praising a movie you truly love, then by default my best review would probably be of one of my favorite films of all time, Charlie Kaufman’s “Synecdoche, New York.”

David Ehrlich (@davidehrlich), IndieWire

I can’t summon the strength to re-read it, but I remember thinking that my piece on grief and “Personal Shopper” was emblematic of how I hope to thread individual perspective into arts criticism.

Shelley Farmer (@ShelleyBFarmer), Freelance for RogerEbert.com and Publicist at Film Forum

My favorite piece is a very recent one: For this year’s Women Writers Week on Roger Ebert, I wrote about “Phantom Thread”, “Jane Eyre,” and twisted power dynamics in hetero romance . I loved that it allowed me to dig deep into my personal fixations (19th century literature, gender, romance as power struggle), but – more importantly – it was exciting to be part of a series that highlighted the breadth of criticism by women writers.

Chris Feil (@chrisvfeil), Freelance for The Film Experience, This Had Oscar Buzz Podcast

My answer to this would be kind of a cheat, as my favorite work that I do is my weekly column about movie music called Soundtracking that I write over at The Film Experience. Soundtracks and needle drops have been a personal fascination, so the opportunity to explore the deeper meaning and context of a film’s song choices have been a real labor of love. Because of the demands and time constraints of what we do, it can be easy to spend our all of our energy on assignments and chasing freelance opportunities rather than devoting time to a pet project – but I’ve found indulging my own uncommon fascination to be invaluable in developing my point of view. And serve as a constant check-in with my passion. Pushed for a single entry that I would choose as the best, I would choose the piece I wrote on “Young Adult”‘s use of “The Concept” by Teenage Fanclub for how it posits a single song as the key to unlocking both character and narrative.

Candice Frederick (@ReelTalker), Freelance for Shondaland, Harper’s Bazaar

“ Mother ” written for Vice. It’s one of my favorites because it conveys how visceral my experience was watching the movie. It’s truly stifling, uncomfortable, and frantic–and that’s what my review explains in detail. I wanted to have a conversation with the reader about specific aspects of the film that support the thesis, so I did.

Luiz Gustavo (@luizgvt), Cronico de Cinema

Well, I recently wrote a piece for Gazeta do Povo, a major outlet at Paraná state in Brazil, about Guillermo del Toro’s “The Shape of Water” (it is not on their site, but they were kind enough to let me replicate on my own website ). I don’t know the extent of the powers of Google Translator from Portugese to english, so you have to rely on my own account: is a text in which I was able to articulate de cinematographic references in the work of Mr. Del Toro, as well his thematic obsessions, the genre bending and social critique. All of this topics were analyzed in a fluid prose. On top of that, it was really fun to write!

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17+ Best Movie Review and Ratings Sites (List)

In this article, we’re going to provide a list of the top, most reliable  movie review sites  on the internet.

Whether you’re a fan of a certain genre like horror or more into TV reviews than movies, we’re going to bring you a full list of the very best movie review and ratings sites out there in 2024.

First let’s cover some common questions about these movie review sites, film critique, how to make your own reviews, and more.

Let’s dive in!

Everyone’s a critic on everything these days… what’s the best movie review and ratings site out there?

Our list below is meant to be ranked based on credibility, overall popularity, and thoroughness.

Do they have a good ranking system in place to accurately rate movies?

Are they have thorough movie reviews?

Do they cover a wide range of titles?

What do people say about them?

All these questions factor into a site’s credibility.

If the reviews aren’t thorough, then what’s the point in going to that review site? You might as well just go see a movie you’re interested in and get other people’s opinions from your friends, family, and social media instead.

Also, apparently, there are some film critics out there who believe it is their job to tell everyone “how to think” about movies they’ve seen. That’s not always what people want or need from movie reviews sometimes. Each of us has our own individual tastes. We’d like to know which titles we should check out for ourselves! Assuming of course, if we haven’t already seen them.

And while this list isn’t a ranking of which site is the best, it should be pretty clear that our all-around favorite movie review and ratings site would have to be IMDb.

IMDb has it all! They have more titles than anyone else on this list, their rankings are accurate, they have more professional film critics with great credentials who write very thorough movie reviews…

Everybody knows IMDb. Critic or not, if you’re looking for a ton of movie data, IMDb’s got your back!

Who is the best film critic of all time?

Roger Ebert (1942-2013) is probably the most famous film critic of all time.

Most people reading this article have probably heard of his name. On top of that, how many other film critics have you heard of? Probably not a ton.

IMDb has a huge list of professional movie critics who write for them on their site. So, while there are many more great film critics out there… it’s safe to say that Roger Ebert is probably the best ever to do it.

His reviews went beyond just what he thought of a movie but tied it to the bigger picture of where we are in society and other broader perspective matters.

Is there such a thing as a movie reviews app?

There sure is!

Some of the sites below (mainly the big popular ones) have iPhone and Android apps that you can install on your phone and tablet devices for even better movie review access.

Is there anything other than just movie reviews that I can find on these sites?

Many movie review sites contain more than just movies. They cover television , video games , and other related entertainment topics as well.

They also contain movie data like ratings, movie trailers, news articles…

What makes a good movie review?

A good film critique should include all the following:

• start with an opening line that draws the reader in and then introduce your thesis statement (or what you’re trying to express)
• provide background information relevant to the topic at hand
• give examples using quotations from the primary source material (a movie or TV show)
• give a conclusion summarizing everything you’ve covered so far

If your goal is to write great movie reviews for any of these sites below, those are some of the elements you’ll want to keep in mind!

I saw a great movie the other day… can I review it?

Lots of movie review sites allow users to chime in and provide their own reviews.

Movies are a subjective thing, so keep your reviews as accurate and unbiased as possible.

Don’t just give it five stars because you loved it! Think about why you would recommend that people see this movie, what the best parts were, and then write up your review based on those points.

Write an honest review to help others decide whether they should see this film or not.

What do an IMDb score and IMDb ranking mean?

IMDb has two different scores for the movies it reviews.

There is the user score, which is the average of every user review.

The official IMDb score is a composite of all professional reviews of a given movie.

Rankings are then generated from the highest to lowest scores of a movie (often within a specific genre), based on the major professional reviews that have been made.

Best Movie Review and Ratings Sites in 2024

Let’s take a look at the best movie review and ratings sites in 2024.

IMDb is the world’s most popular movie review site and one of the best film sites on the web. It was founded on October 17, 1990 and has been going strong ever since.

IMDb is widely considered the foremost expert in the movie review industry online. With more than 1,200 movie critic reviews per day and about 600 million monthly unique visitors, it’s hard to beat IMDb.

What makes them the best movie review site?

Pros : They have a huge selection of films rated by critics with excellent credentials. With a massive database of more than 250 million titles, this website attracts a wide range of viewers looking to learn about movies they haven’t seen before or rediscover old favorites at home. IMDb also provides links to trailers for most movies, which is great if you want to know what all the hype is about!

Cons : IMDb is larger than any other movie review site on this list and can be difficult to navigate sometimes if you don’t know what you’re looking for.

#2 Rotten Tomatoes

Rotten Tomatoes is one of the most well-known movie review and ratings sites on the web and provides thousands of user reviews posted by everyday viewers just like you.

Rotten Tomatoes is possibly second only to IMDb in terms of how many people visit their site each month (around 60-80 million).

The company contains professional film reviews from hundreds of big publications like Rolling Stone, Variety, and The New Yorker.

They also show what’s hot not only in the film world, but when it comes to TV as well.

What makes them one of the best movie review sites?

Pros : They offer both professional and user reviews – a rare find on large movie review sites.

Rotten Tomatoes is incredibly easy to navigate with dozens of filter options to help visitors pinpoint their favorite genres/artists/theatres, etc. You can also check out your local theaters’ upcoming showtimes directly from the site.

Cons : Some of their scores are slightly inflated compared to IMDB because there is no score ceiling (they go up to 100%). Also, it’s not always easy to tell which critics wrote which reviews.

#3 Fandango

Fandano is one of the leading movie ticket retailers. They also have an official movie review website too, which is updated with fresh reviews daily.

Pros : Fandango offers both their own user reviews as well as professional reviews from recognized critics across America.

Cons : Popular, but not as active as IMDb and Rotten Tomatoes.

#4 The Movie Database

The Movie Database is another notable movie review site for movies released in theaters, despite being based in the UK.

Pros : The TMDb site is filled with user reviews and information on films alike, making it easy to find any film you want by just searching for its title.

Cons : Many users opt for larger sites since any site in the movie and TV review niche is going up against IMDb and Rotten Tomatoes.

#5 Letterboxd

Letterboxd is a lesser-known movie review site, but one that gets rave reviews from its users.

Letterboxd is one of the best movie review sites because they’re all about social media   – which means that visitors have more opportunities to interact with others here than on most other movie review hubs.

Their slogan is “filmstagram” because the site is centered around generating an Instagram -like filter for your movie watching experience—but this means that only people with accounts on the site can leave reviews.

Pros : The interface is sleek and easy to use. The site also lets you keep track of what movies you’ve watched, in case you wanted to go back through your viewing history later on.

Cons : To write a review on Letterboxd, you have to sign up with an email address or Facebook account first. No anonymous reviews are allowed so some users feel limited by this feature.

#6 Metacritic

Metacritic is a website that aggregates reviews for media products (like video games, but also movies and TV shows).

Pros : If you’re interested in finding out what critics across America think about a movie (or game) before you buy it, Metacritic is your best chance at doing so.

Cons : Some users complain that this site puts too much stock into professional reviews compared to user reviews. Also, some movies do not contain enough reviews to generate a quality average score.

#7 IndieWire

IndieWire is more than just a movie review site – it’s also an industry news site.

Pros : The information on IndieWire is continually updated, making it one of the most reliable sources for current movie news. You can access their content free of charge too.

Cons : Most people visit IndieWire looking for the latest industry updates (not reviews), which means that you’re not going to find many (if any) user-generated reviews here like on some other websites. Also, their content is targeted towards professionals or those interested in breaking into showbiz or related fields rather than casual viewers and fans of film/TV alike.

#8 Yahoo! Movies

Yahoo! Movies is one of the most recognizable movie review sites in America.

They provide both their own user reviews as well as professional reviews from credible critics in the industry.

Pros : Yahoo! Movies is easy to navigate and lets you filter search results by type of release (DVD, Blu-ray, etc.). The site also has plenty of trailers for popular upcoming movies that are perfect if you’re trying to get an idea for what’s worth checking out on the big screen soon.

Cons : Like Yahoo in many verticals, it’s not as popular as it once was and is no longer the go-to when it comes to movie reviews.

#9 RogerEbert

RogerEbert is named after possibly the most famous film critic of all time, who wrote for the Chicago Sun-Times from 1967 until his death in April 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism.

Ebert’s brand continues through a dedicated movie reviews and ratings site.

Pros : The site’s design appears very clean, modern, and easy to navigate. Especially for casual users who just want quick notes on new films before heading off to the theatre.

Cons : This site only provides a few user reviews a day, some days none at all. RogerEbert also received criticism from its own readers when it stopped updating their database with films that had less than three stars (for some people, this meant many films Ebert himself reviewed were no longer considered worth seeing).

#10 SlashFilm

SlashFilm is a movie review site that includes photos, trailers, interviews, and other news about upcoming films.

Pros : SlashFilm has thousands of high-quality images to provide an interactive experience for users when searching for movies they might like. They also write several excellent articles each month detailing compelling topics in film/TV (for example, “The Most Underrated Meryl Streep Roles”).

Cons : There aren’t many user reviews available on this website, which could be disappointing for some visitors looking for that feature. SlashFilm is also not updated nearly as often as it should be. Also, their content isn’t focused on up-to-date info like industry news or blog posts, which makes it a less popular choice for film enthusiasts and critics alike.

#11 Moviefone

Moviefone is owned by AOL and is one of the most recognized movie review sites on the web. Like Yahoo!, the site provides both reviews from critics as well as amateur users.

Pros : The design is simple to use and easy on the eyes, which means you can spend more time reading reviews than trying to figure out how a layout works. Moviefone also has a stellar library of high-quality photos for popular movies that will leave you in the mood to watch some good TV.

Cons : The user reviews are too short sometimes – some only have three sentences before being cut off mid-sentence, leaving readers wondering what they missed out on! Additionally, Moviefone only provides the bare minimum of professional reviews from industry professionals. And, like many other movie review sites, their content is sometimes outdated and they don’t offer enough current-event news about what’s happening in Hollywood right now (e.g., “Why Ben Affleck is a Genius”).

#12 Blue-ray

Blue-ray is one of the most accurate movie review sites on the web thanks to its large database of hundreds of industry professionals and critics from around the world.

Pros : Blue-ray has a very sleek layout that’s easy to navigate, which will make casual users feel at home right away. Visitors can also search for reviews by their favorite stars or directors, which is great if you’re looking for insight from a certain critic who watches all Steven Spielberg films.

Cons : This site does not allow users to write reviews, which means it doesn’t have much content in general compared to Hollywood entertainment news websites like IMDb or Rotten Tomatoes. Blue-ray is simply an aggregator that pulls reviews from other movie review sites without actually providing any new content.

#13 What’s on Netflix

What’s on Netflix is a movie review site that offers both professional and amateur reviews of various films.

Pros : This website is great for finding movies you might like to watch online, whether it’s streaming on Netflix or another platform. It also breaks down categories based on film genre (e.g., comedy, drama) to make browsing more efficient.

Cons : What’s on Netflix has a somewhat unappealing layout, making it difficult to navigate when trying to find specific types of movies to watch. Additionally, their content is quite dated compared to other websites with industry news and new blog posts about what’s happening in Hollywood right now.

#14 MyDramaList

MyDramaList is a movie review site that offers both professional and amateur reviews of various films.

Pros : Visitors can write their own reviews on this website, which is great for users who want to share their own personal experiences with certain movies. It’s also very helpful for finding recommendations for family-friendly films or even animated features that are worth checking out.

Cons : This site has an outdated layout, so it might be difficult for some visitors to find what they’re looking for (e.g., specific genres or categories). Moreover, there aren’t many industry news updates here – most content seems to consist of blog posts about upcoming television series instead. If you want detailed industry news like what’s happening in Hollywood, try a website like Rotten Tomatoes or IMDb instead.

#15 Syfy Wire

Syfy Wire, from the SyFy channel, is a movie review site that offers both professional and amateur reviews of various films.

Pros : The layout on this website is very clean and easy to navigate, which will be comforting for site visitors who are looking for family-friendly films they can enjoy with friends and/or their kids.

Cons : This website is mainly comprised of short blurbs about new television shows or actors instead of detailed industry news like what’s happening in Hollywood right now (e.g., box office sales, film festivals). If you’re looking for more than just promotional content, try a different movie review site with more content. Additionally, most user reviews skew towards positive ratings, which isn’t very helpful if you’re looking for impartial insight.

#16 MovieWeb

MovieWeb is another large movie review site, ranked among the top 5,000 most popular websites in America (around 6 million monthly visitors). They provide movie news, TV show updates, and reviews for all genres and types of films.

Pros : MovieWeb is structured cleanly like a blog and dozens of new articles are pumped out each day.

Cons : There aren’t many movie news updates here, which means you might have to search elsewhere if you’re looking for unbiased film industry insight. For example, there are no articles about what’s happening in Hollywood right now (e.g., box office sales) or even new blog posts about upcoming films in 2024.

#17 Taste of Cinema

Taste of Cinema is a movie review site from Russia that contains both user ratings and critic reviews.

Pros : The film list and actor list pages have a lot going on to help you find films and people quickly and easily.

Cons : Its reviews aren’t updated very frequently.

#18 Crave Online

Crave Online is an entertainment news site that has a movie review section.

Pros : This site is updated regularly with fresh content. The reviews here are also written by professional critics, unlike other user-based online platforms.

Cons : Crave Online looks a little outdated and hasn’t been updated in a while.

#19 MoviGuide

MoviGuide is another large movie review platform with its own official app for Android and iOS devices to make finding local theaters easier.

They also have a community forum where people can discuss movies released in theaters recently—and even vote up/down on different titles to influence future reviews.

Pros : It’s easy to find local theaters here. The app also has a cool flashlight-like locator feature where you can turn your phone’s flash on to light up theaters near your location if they’re not visible in the dark.

Cons : Most movie reviews are based off users’ opinions only here, with no official critics’ ratings included. There aren’t any new user reviews either, so it can be hard finding recent films that people have seen.

Pajiba is another large entertainment news hub with a movie section—but their articles mainly focus on newer films that have been released recently in theaters (or even to rent and buy online).

Pros : Pajiba has a lot of user reviews on their site, which is refreshing. Their film news is also updated daily with fresh content to make sure you don’t miss anything important.

Cons : Bad movies get more attention here than good ones do – so it’s hard to find positive opinions about titles that should be considered great. Additionally, their movie section isn’t very detailed compared to other sites like IMDb or Letterboxd. Not all critics’ scores are included either; only users’ ratings are displayed so you’d have to read through many different reviews before finding one from a professional critic.

#21 Top Documentary Films

Top Documentary Films is a movie review hub that contains user and expert reviews for all kinds of documentaries—not just those released in theaters or on TV.

Pros : Their site is fairly simple to navigate with good options for sorting through content (by year, most popular, etc).

Cons : The design isn’t very original and can be slightly hard on the eyes sometimes. The documentary page itself also looks like it hasn’t been updated in a while (with some titles missing and outdated information).

#22 Rateranker

Raterranker is another lesser-known movie review site whose slogan is “your opinion can make a difference.”

Pros : This site gives you access to both professional and user reviews for all movies.

Cons : User ratings are not displayed on this website, which makes it hard for some users to know what they’re getting into before clicking on a movie. It’s also not always easy to tell which critics wrote the reviews listed here.

#23 The Indie Handbook

The Indie Handbook is a movie review site that offers both professional and amateur reviews of various films.

Pros : The site’s design is very minimalist, making it quick and easy to find most movie categories without scrolling too much. Visitors can write their own reviews on this website, which helps if you’re looking for comments from other regular users who have watched certain movies before. It provides great movie recommendations based on user-generated ratings and reviews, making it helpful when browsing the site for film suggestions to watch.

Cons : Movie ratings are not displayed on this website so you’d have to read through actual reviews before figuring out if a certain film is worth watching or not. This can be hard for some users who want to base their decisions off user ratings instead of just personal opinions.

#24 Box Office Mojo

Box Office Mojo is a movie review site that offers both professional and amateur reviews of various films.

Pros : This website can help you find new titles for streaming on Netflix or Amazon Prime if you’re looking for something to watch. It’s also great for learning more about specific actors, directors, producers, etc., which can be helpful if you want to learn more about certain celebrities who have made their mark in the industry.

This is one of the most comprehensive sites for finding information about movies in general, which is great for making decisions when browsing online or visiting a local theater. It’s also helpful for learning more about specific actors, directors, producers, etc., which can be helpful if you want to learn more about certain celebrities who have made their mark in the industry.

What’s also interesting about this site is they disclose how much a movie has made at the box office worldwide so you can be better informed about what films to check out.

Cons : Visitors can write their own reviews on this website, but not many people take advantage of this feature so you might find yourself digging through old content online. Moreover, Box Office Mojo doesn’t provide many industry news updates. If you want detailed industry news like what’s happening in Hollywood, Rotten Tomatoes or IMDb might be a better fit.

#25 Flickchart

Flickchart is a movie review site that offers both professional and amateur reviews of various films.

Pros : This website has an excellent layout with easy-to-read text, so it’s great for casual users who just want to browse content quickly. Flickchart also takes pride in its user-friendly features, such as the ability to save movies and track their progress while creating lists throughout the year. The challenges page allows visitors to view what other people are watching and create their own film lists based on similar titles or genres.

Cons : There aren’t many reviews on this website, which makes it harder for some users to know whether or not a certain movie is worth watching.

#26 Film Junk Fan Reviews

Film Junk Fan Reviews is a movie review site that offers both professional and amateur reviews of various films. What makes them one of the best movie review sites?

Pros : Visitors can post their own reviews on this website, which helps if you want feedback from other regular users who have watched certain movies before. The layout is designed with casual use in mind, making it easy for anyone to find whatever they’re looking for within minutes.

What’s also great about this website is its detailed rankings and film charts so you can easily see what’s trending worldwide and among specific groups like critics and the public.

Cons : This website doesn’t offer very many reviews or overall content compared to other movie review sites on this list, which can make it hard for some users to browse through the material.

#27 Collider Movie Talk

Collider is a movie review and news website that can be found online at collider.com.  It provides in-depth movie coverage from industry experts and critics, with articles about what’s happening in Hollywood right now (e.g., box office sales).

Pros : This website offers detailed analysis of the latest films to hit theaters, which will be helpful for site visitors who want to get up-to-date industry insight before deciding if a film is worth watching or not.

Cons : The layout on this website isn’t very clean, so it might be difficult for some users to find what they’re looking for (e.g., specific genres or categories). Additionally, there aren’t many movie news updates here – most articles consist of blog posts about new TV shows instead. If you want more than just promotional content and industry news updates, try a different movie review site with more content.

#28 Inside The Magic

Inside the Magic is a Disney-focused movie review website that provides detailed analysis from experts and fans alike.  This means they provide unbiased insight for superhero movies, family-friendly films, animated features, sci-fi/fantasy flicks, etc.

Pros : This site has detailed information about upcoming Disney film releases, which will be very helpful for site visitors who are planning to see the newest releases to hit theaters. Inside the Magic also has exclusive interviews with members of the cast and crew, so it’s a great resource for people who have an affinity for Disney stars.

Cons : The layout on this website isn’t very clean or easy-to-browse, so casual users might find themselves searching through content without being able to find what they’re looking for. Viewers should look at other movie review websites instead if they want something that looks more modern and accessible.

#29 Field Guide To Evil

Field Guide to Evil is a horror film review site that provides movie news updates as well as industry insight from critics and fans alike. What makes them one of the best movie review sites?

Pros : This website has a unique layout and design so it’s easy for casual users to find what they’re looking for within minutes. There are also lots of content options for visitors, including archives of recent articles and blog posts.

Cons : Since this site is part of a larger horror film blog, you’ll have to go through several pages if you want more than just movie reviews. Viewers should look at other movie review websites instead if they’re only searching for analysis on new films.

#30 Movies In Movies

Movies in Movies is a movie review website that offers both industry insight from critics and fans as well as information about upcoming releases.  This means visitors can find news updates about Disney films, superhero movies, crime flicks, family-friendly movies, etc.

Pros : This website has a clean and modern layout so it’s easy for casual users to browse through content and find what they’re looking for. There are also lots of content options that aren’t limited to movie reviews (e.g., TV show recaps/news), which will be helpful if viewers want more than just information on new films.

Cons : Since this site only focuses on Disney releases, it might not have as much industry insight as other websites on this list. Viewers should look at other movie review websites instead if they want something with more variety in its content offerings.

Conclusion: Best Movie Review and Ratings Sites

There are tons of movie review websites out there, but only a handful of them can actually provide unbiased insight to casual users.

The best movie review sites in 2024 will be those with clean and easy-to-use layouts so that site visitors aren’t overwhelmed by advertisements.

Viewers who want more than just information on upcoming releases should also consider other website options because not all movie review websites offer the same industry insights (and vice versa).

If you’re looking for one of the best movie review sites, check out any one of these top 5 choices: Rotten Tomatoes, IMDb, Fandango, The Movie Database, and Letterboxd.

In our opinion, IMDB and Rotten Tomatoes represent the top two in the movie review industry.

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Best Sites For Rating Movies: 6 Top Movie Review Websites

Our society has grown to worship movies. This can be seen in the sheer number of movies made each year, some good and some bad. Because there are so many to choose from, finding a good one can be a challenge.

Movies now make up a huge part of the entertainment industry. But with so many choices comes the problem of finding the best ones to watch.

It would take hours upon hours to watch every movie made in a year, and even then you’d likely miss some great ones. So how can we solve this problem?

The answer reviews. Reviews allow us to get an idea of whether or not others liked the movie before we decide if it’s worth watching ourselves.

BEST SITES FOR RATING MOVIES

What are movie review sites.

Movie review sites like IMDb, Rotten Tomatoes, Metacritic, and Letterboxd are great places to find out what a movie is all about.

They can also be useful for finding out if your favorite actor has been in other movies you may have missed.

Movie review websites are one of the best ways to learn what critics think of a movie and how they feel about it.

The more information you can gather on a film, the better informed you’ll be when you decide whether to watch it or not.

Movie review sites don’t really have any effect on box office sales, but they can make a huge difference in determining what kind of an impact a movie will have on consumers.

A review helps us determine if others were entertained by a movie before we spend our time and money on it.

Picking a movie to watch can be hard. You have your mood to consider, the weather, and the amount of time you have available.

And who to see it with? But even after all that, one question remains — is it any good?

With sites like Letterboxd, the answer is now as easy as logging into your social media account.

The internet can be an overwhelming place when trying to find a good, reliable movie review site.

With so many sites out there, it’s hard to know which ones are actually worth your time.

With that in mind, we’ve put together a list of the best movie review sites out there. Not everyone will be for everyone, but each reviewer has something unique to offer that makes it worth checking out.

Best Sites For Rating Movies

If you love the cinema, and you’re constantly looking for the best ways to keep up to date with what’s new and what’s upcoming, then one of these sites is going to be perfect for you.

Below, we’ve gone through some of the most popular movie websites on the internet today and reviewed them, so that you can find out which site is best for your film needs.

Let’s start off with my personal favorite!

Letterboxd is a social network for sharing your taste in film. Keep a watchlist of films you’d like to see, and create lists/collections on any topic. Rate, review, and tag films as you add them. Find and follow friends to see what they’re enjoying.

Keep a diary of your film viewing, check in to films at theaters, and share your thoughts with the world. Search a database of over 2 million films, with filters that can refine your results by anything from decade and genre to personal ratings and reviews.

From Letterboxd themselves: “We’re proud of our place in a burgeoning ecosystem of film-related apps and websites that complement Letterboxd’s focus on social sharing, curation, and discovery.

In that spirit, we offer a range of developer tools to help integrate Letterboxd data into other applications and websites — you can explore these on our developer site.”

My Letterboxd profile can be found here, btw: FilmLifestyle’s Letterboxd profile . Give me a follow!

Try Letterboxd

iCheckMovies

iCheckMovies helps you keep a personal list of movies you have seen and liked. It’s a checklist more than anything else.

The main part of the site is the List, which is essentially a ‘Best Movies Ever’ list, as voted by users. Each movie in the list has been checked by at least 2 users.

The goal of the site is to provide an easy way to create and share your own customized list of favorite movies.

You can compare your lists with friends and explore other people’s lists. iCheckMovies helps you keep a personal list of your favorite movies and shows

• Create your own list of favorites to keep track of what you have seen and liked.
• Discover new movies by browsing lists created by our users.
• Compare your taste with other users and see how many movies you have in common.
• Explore the top-rated, most popular, and most discussed movies by our users.
• Get suggestions for movies and shows to watch based on your taste.

Originally a fan-operated website, the database is owned and operated by IMDb.com, Inc., a subsidiary of Amazon.

IMDb has approximately 4.7 million titles (including episodes) and 8.3 million personalities in its database,  as well as 83 million registered users.

IMDb stands out for its vast collection of film and television information. It’s not just a place for ratings; it’s a comprehensive resource for release dates, cast and crew details, trivia, and forums for discussion.

With user-contributed content and professional critic reviews, IMDb offers a balanced view of a film’s reception. Its integration with Amazon also allows for easy viewing options.

Matt Crawford

Related posts, 4 best cristian mungiu films: the intense voice of romanian new wave, best training montage: 15 top training scenes from rocky to batman, what is the golden lion: cinema’s top prize at venice film festival, 25 best daniel brühl movies: the remarkable depth of a talented performer, 10 best susan sarandon movies: the timeless appeal of a hollywood powerhouse, 10 best freddie young films: the epic canvas of cinematic landscapes, 30 comments.

Great guide to the top sites for rating movies.

Thanks, Jaani.

I would like to receive the latest movies before selling them. Thanks

Can’t help you there, Jurugo.

There are many websites that offer movie reviews and ratings, but here are six of the top sites:

Rotten Tomatoes: Rotten Tomatoes is one of the most popular movie review websites. It aggregates reviews from both professional critics and regular movie-goers to provide an overall score for each film.

IMDb: IMDb is a comprehensive database of movies information that also includes user reviews and ratings. Its Top Rated Movies list is based on user ratings, and it’s a great place to find information about upcoming movies.

Metacritic: Like Rotten Tomatoes, Metacritic aggregates reviews from critics, but it also assigns a weighted score to each review based on the critic’s track record. The site’s Metascore is often used as a shorthand for a movie’s critical reception.

Letterboxd: Letterboxd is a social media platform for movie lovers that allows users to rate and review films, create watchlists, and follow other users with similar tastes. Its recommendation algorithm is known for being particularly effective.

RogerEbert.com: Roger Ebert was one of the most respected film critics of his time, and his website continues to offer thoughtful and insightful reviews from a team of writers. The site also includes essays, interviews, and other film-related content.

Empire: Empire is a UK-based magazine that covers movies, TV shows, and video games. Its website includes reviews, news, and features, and its annual Empire Awards are highly respected within the industry.

Thanks for the contribution, Rizwan.

Amazing content, thanks for sharing

Thanks, Kelvin.

I think that Toy Story is worth watching than Star wares Where it doesn t have have the force

Fair enough, Joel.

Great content, thanks for sharing

Cheers, Jenny.

great content, thanks for sharing

In India idmb is the best website for movie review after all your content is very informative and best knowledge provides.

Thanks, Hemant.

I have updated my knowledge after reading the information given on your site, thank you so much for such an awesome article.

Thank you for sharing such an informative and well-structured post on movie rating sites. The content was organized in a way that made it easy to navigate and find specific information.

Thanks, Soumen.

Toy Story, in my opinion, is more entertaining to watch than Star Wars because it lacks the force.

I see what you did there!

Great article on movie rating sites!

Thanks, rizwan

Brilliant article

These movie review websites are a lifesaver when it comes to choosing what to watch. Thanks for curating this list!

I’ve been looking for reliable movie review sources, and this article just made my search a whole lot easier. Kudos!

Thanks, Kuliah.

I’ve been looking for reliable movie review sources, and this article just made my search a whole lot easier. Kudos!

Thanks a lot, yousif.

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One of my great great great grandfathers fought for the Union and survived the Battle of Antietam. After his infantry unit was wiped out, he hid under a heap of corpses. As a child, I often found myself thinking about a person doing what he did and then going on to live a normal life, or whatever was classified as normal in the late 1800s. I thought about him again watching Viggo Mortensen's film "The Dead Don't Hurt," a movie that injects the sorts of monumental moments of suffering and violence that you're used to seeing in more traditional, action-oriented Westerns into a tale that is mainly interested in the relationship between a man, a woman, and a child, and the intrigue among various characters who live in the nearest small town. 

Written, directed and scored by Mortensen (in his second venture behind the camera, following the contemporary family drama “ Falling "), and set before and during the US Civil War, “The Dead Don’t Hurt” has standard genre elements, but treats them as a way into something different than the usual. There's a sadistic psychopath who dresses in black, some rich men who lord their power over a Southwestern town, a goodhearted and soft-spoken sheriff, his steely wife, their beautiful, innocent son, and other variations on types that you tend to encounter in movies set during this period of US history. But there are no stagecoach or train robberies, quick-draws at high noon, extended gunfights, dynamite explosions, etc. There is violence of various kinds, and it's presented realistically and unsparingly, but not at such length that the movie seems to be getting off on pain. The pacing is what you would call "slow" if you don't like the movie, "deliberate" if you do.

Mortensen stars as Holger Olsen, a Danish immigrant who ends up as the sheriff of a small town in the American West. He lives in a tiny cabin in a canyon. I won't tell you exactly where the movie begins or ends because it's nonlinear, and accounting for things in the manner of a linear timeline would give a false impression of the movie and spoil important moments. Suffice to say that Holger goes to San Francisco and meets Vivienne Le Coudy ( Vicky Krieps ), a French Canadian flower seller, and takes her back to his cabin, where she overcomes her disappointment at his bare bones lifestyle and tries to build a life for them and the son they will eventually raise together. 

At the same time, the movie keeps returning to the aforementioned town, which is controlled by an arrogant businessman named Alfred Jeffries ( Garret Dillahunt ), his violent, entitled son, Weston ( Solly McLeod ), and the town mayor Rudolph Schiller ( Danny Huston ), who controls most of the local real estate, plus the bank. There’s tension surrounding the ownership of a saloon that's tended by an eloquent barkeep-manager named Alan Kendall (W Earl Brown). A shootout depicted early in the movie passes the saloon into the hands of the Jeffries family. Vivienne ends up working there. Weston takes a fancy to her, and doesn't respond well to being told he can't have her.

I mentioned earlier that this is a nonlinear movie and I’m mentioning it again here just in case you think there’s any standard cause-and-effect dynamic at work. It takes a while to get used to how the story is  told. Mortensen’s script deliberately confounds the way our moviegoing brains are typically asked to function. He starts near the end of his story and moves from the present tense into different parts of the past as needed. Time-shifts are not tied to plot or even theme. They seem as intuitive as brushstrokes in a painting. 

There are also flashbacks to Vivienne’s childhood, wherein she lost her father to war against the English—a trauma that sparks a dream or fantasy about a knight in armor riding through a forest. This image connects to the midsection of the movie, which is where Holger impulsively decides to enlist in the Union army to go off and fight against slavery and earn a promised enlistment payment, leaving Vivienne alone in that tiny house in the canyon. This might strike contemporary viewers as a casually callous thing to do, but it’s the kind of thing that happened plenty back then, and tends to be described in family histories with a sentence like, “Then he went off to fight in the war and came home a year later.” 

The writing and acting of all the characters is intelligent and measured. You get a sense of a complete person who lived a full life offscreen even when you're observing a character who only has a few judiciously chosen moments, such as Brown’s character, who is a bit too pleased with his own eloquence but sometimes seems ashamed after he verbally runs roughshod over others; or a judge played by Ray McKinnon who presides over the trial of a citizen wrongly accused of a horrible crime, and carries on as if God guides his gavel (a pistol butt); or a reverend played by veteran character actor John Getz (of “ Blood Simple ” and “The Fly”) whose community role requires him to oversee an execution whether it's justified or not. (Brown, Dillahunt and McKinnon were all on the HBO Western “Deadwood,” a go-to casting resource for this type of project; it's a treat to see them fully inhabit very different characters from ones they've played in the past.) 

None of the characters unveil themselves as you might expect. Holger initially comes across as a Clint Eastwood-style, strong-silent he-man archetype, but he's less decisive, more sensitive and learned. We often see him reading books or writing in a journal or on parchment. He dotes on Little Vincent ( Atlas Green ), his son with Vivienne, with a sensitivity and physical warmth that’s unusual in male-dominated films like this. His relationship to the Western hero code that’s often summed up as “doing what a man’s gotta do” is complicated as well. Olsen makes a lot of decisions that would result in negative comments on audience preview cards at a focus group screening (hard to imagine Mortensen doing one) because they are, to say the least, not things that a typical Western action hero would do. They’re more like what a real person with a complicated psychology would do—things he might regret in hindsight. 

Krieps, who broke out with “ Phantom Thread ,” is the true star of this movie, even though it’s bracketed by Mortensen’s character riding out on a long journey. She's the only character who gets flashbacks and dreams. She threads the needle of making her character seem self-assured, tough, and self-respecting yet never anachronistically “feminist,” in the contrived, phony way that a lot of period pieces feel obligated to write female characters of earlier times. Though unassuming in how she applies technique, Krieps is a deep and substantive film star, in the tradition of actresses from earlier eras like Liv Ullmann and Ingrid Bergman . She makes a connection with the viewer. You can feel the hope drain from Vivienne when she keeps a stiff upper lip during awful experiences that she has no control over. But you also feel the resolve when she makes the best of a bad situation, and the excitement that blossoms in her when she's treated as a person of value.

Not too many filmmakers have ever made movies like this, and when you do come across one (such as Sam Peckinpah's " The Ballad of Cable Hogue " or the Charlton Heston movie " Will Penny ”, or “Deadwood”, or the 1970s movie " The Emigrants ") it stands out, in part because it avoids the predicable, ritualized high points that the genre is built upon, and instead concentrates on significant moments of interaction between characters who do not have a 20th or 21st century mindset superimposed on them. The lack of pandering to contemporary sensibilities means that all the characters remain slightly at a remove from us throughout the story. It also means that they come across as more real. Yes, certain aspects of the human experience are universal and have never changed. But there is a huge difference across time periods in how individuals understand themselves and each other, and this is a rare movie that respects that.

The movie also has a genuinely cinematic instinct for when to linger on a moment and when to cut around it, or allude to it as something that occurred offscreen. A lot of the longer sequences are just extended interactions between the film’s two romantic leads, who have a pleasing banter but derive a lot of their chemistry from looking at each other with resentment, yearning, gratitude, or disappointment. You almost never get to see material of this sort play out at length in a film set in the American West. Or any kind of film.

Mortensen is 65 now, three years older than Eastwood when he made “ Unforgiven ,” and the entertainment industry is even less hospitable to Westerns now than it was three-plus decades ago, so it’s tough to imagine him making more movies like this one. But he might turn out to be one of the great Western directors if he did. 

Matt Zoller Seitz

Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.

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The Dead Don't Hurt (2024)

130 minutes

Vicky Krieps as Vivienne Le Coudy

Viggo Mortensen as Holger Olsen

Solly McLeod as Weston Jeffries

Garret Dillahunt as Alfred Jeffries

Danny Huston as Rudolph Schiller

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What are the 10 best-reviewed movies new on netflix in june 2024.

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Godzilla in "Godzilla Minus One."

Netflix is streaming a new batch of movies in June and several of them are hits with critics.

Looking at the rundown of all the new movies streaming on Netflix this month, there are movies, of course, that have earned the dishonor of being on the list of 10 worst-reviewed movies new on the streamer in June, including a pair of them from comedy stalwart Will Ferrell.

Of course, a critic’s opinion of a movie is one thing, but audiences’ opinions are more important in that they’re a reflection of the audiences who the films were intended for.

As such, Rotten Tomatoes is a place to gauge the reactions to films from the viewpoint of critics as their reviews are aggregated to give any given film a “fresh” or “rotten” rating. Verified users are also welcome to vote on the site where a combined Audience Score will guide you to a “fresh” or “rotten” rating as well.

With that, here are the 10 best-reviewed movies new on Netflix in June, per the ratings on Rotten Tomatoes .

1 Dead And 26 Hurt In Overnight Shooting In Akron Ohio

Trump falsely claims he didn’t back ‘lock her up’ chants targeting clinton while warning of ‘breaking point’ if he’s jailed, suicide squad kill the justice league ends its weekly updates, 10. ‘1917’ (2019).

Shot entirely from a third-person point of view throughout the entire film, 1917 follows the harrowing trek of a pair of British soldiers (George MacKay and Dean-Charles Chapman) who must traverse through enemy territory to warn 1,600 troops that they will be ambushed in an upcoming offensive.

RT reviewers gave 1917—which was nominated for 10 Oscars in 2020 and won three—an 88% “fresh” rating based on 472 reviewers, while more than 25,000 verified users gave director Sam Mendes’ creatively filmed war drama an 88% “fresh” audience score.

1917 debuted on Netflix on June 1.

9. ‘The Breakfast Club’ (1985)

Late writer-director John Hughes created an instant movie classic with the release of angsty teen comedy-drama The Breakfast Club , which shows how the lives of five teens (Molly Ringwald, Judd Nelson, Anthony Michael Hall, Emilio Estevez and Ally Sheedy) are transformed while serving high school detention on a Saturday.

The Breakfast Club has earned an 89% “fresh” rating based on 64 reviews, and more than 250,000 users awarded the film a 92% “fresh” Audience Score.

The Breakfast Club debuted on Netflix on June 1.

8. ‘Crazy Rich Asians’ (2018)

A big hit in theaters upon its theatrical release, director Jon M. Chu’s romantic comedy follows Rachel (Constance), who learns her boyfriend Nick’s (Henry Golding) family is extremely wealthy when she travels with him to Singapore for his best friend’s wedding.

RT critics gave Crazy Rich Asians a 91% “fresh” rating while the sites’ users were a little less enthusiastic, giving the film a 76% “fresh” Audience Score based on 10,000-plus user ratings.

Crazy Rich Asians will begin streaming on Netflix on June 6.

7. ‘La La Land’ (2016)

Ryan Gosling and Emma Stone star in the love story/movie musical set in the City of Angels that begins with bliss but then stumbles down a rocky road.

La La Land earned six Oscars including Best Actress for Emma Stone and Best Director for Damien Chazelle—but also carries the embarrassing distinction of having its Best Picture trophy yanked away when the true winner was revealed to be Moonlight .

La La Land earned a 91% “fresh” RT rating based on 471 reviews and an 81% “fresh” Audience Score after 50,000-plus user ratings.

La La Land debuted on Netflix on June 1.

6. ‘Simón’ (2023)

Initially distributed in Spain, Simón follows the trek of the title character (Christian McGaffney), a Venezuelan freedom fighter who flees the country and seeks asylum in Miami. However, Simón, who is wracked with guilt, must confront the decision of staying in Florida or returning home to keep fighting against a brutal regime.

Simón earned a 91% “fresh” rating based on 11 reviews and a 94% “fresh” Audience Score based on 50-plus user ratings.

Simón debuted on Netflix on June 1.

5. ‘Carol’ (2015)

Cate Blanchett and Rooney Mara star in writer-director Todd Haynes’ intense 1950s-era drama about a love affair between a young photographer (Mara) and an older woman (Blanchett) on the cusp of a divorce. Carol was nominated for six Oscars—including Best Actress for Blanchett and Best Supporting Actress for Mara—but left the 2016 ceremony empty-handed.

Carol earned a 94% “fresh” rating from RT critics based on 323 reviews, while more than 25,000 users gave the film a 75% “fresh” Audience Score.

Carol will begin streaming on Netflix on June 17.

4. ‘Tangerine’ (2015)

An arthouse hit from The Florida Project director Sean Baker and executive producers Jay and Mark Duplass, Tangerine —a comedy-drama—stars Kitana Kiki Rodriguez as a transgender sex worker trying to process the revelation that her pimp/boyfriend (James Ransone) is a cheater.

Tangerine earned a 96% “fresh” rating from RT critics based on 168 reviews, while 10,000-plus users gave the film a 76% “fresh” Audience Score based on 10,000-plus ratings.

Tangerine debuted on Netflix on June 1.

3. ‘The LEGO Movie’ (2014)

A computer-animated live-action hybrid, The LEGO Movie actually feels like a stop-motion animated movie given the expert way directors Phil Lord and Christopher Miller bring the iconic building blocks to life in an appropriately static manner.

The film’s voice cast includes Morgan Freeman, Elizabeth Banks and Chris Pratt—who plays the lead block character Emmet—while Will Ferrell appears in block and human form as Emmet’s nemesis Lord Business.

The LEGO Movie earned a 96% “fresh” rating from RT critics, while its Audience Score was 87% “fresh” based on 100,000-plus user ratings.

The LEGO Movie debuted on Netflix on June 1.

2. ‘Hitman’ (2024)

A Netflix original movie, Hit Man stars Top Gun: Maverick cast member and The Blue Angels producer Glen Powell as Gary Johnson, an unassuming New Orleans college professor who poses as a “hit man” for hire as a part-time job for the city’s police department.

Gary’s life gets turned upside down, though, when he talks a prospective client, Maddy (Adria Arjona) out of killing her husband. Powell co-wrote Hit Man with director Richard Linklater.

The release of Hit Man on Netflix is unusual in that it debuted at the Venice Film Festival in September 2023 before playing at the Toronto Film Festival a week later. Hit Man also played in a limited theatrical engagement in late May.

As such, reviews have already been published on Hit Man and RT critics have given it a 97% “fresh” rating based on 141 reviews. The RT Audience Score is currently at 94% based on less than 50 user ratings, so the number is sure to change once it debuts on the screening service.

Hit Man will begin streaming on Netflix on June 7.

1. ‘Godzilla Minus One’ (2023)

A surprise addition to Netflix on June 1, Godzilla Minus One is the latest in the legendary Japanese film series about its nuclear-infused monolithic monster. The film was one of the most acclaimed releases of 2023 and won the Best Visual Effects Oscar at the 2024 Academy Awards in March.

Godzilla Minus One earned a 98% “fresh” rating from RT critics based on 181 reviews, which was complimented by a 98% “fresh” Audience Score based on 2,500-plus verified user ratings.

Like Hit Man , the Godzilla Minus One Audience Score will likely be affected now that the film is streaming on Netflix, but given its critical and viewer reactions so far, that number could trek one percentage point upward.

Godzilla Minus One debuted on Netflix on June 1.

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• Entertainment

The Best Movies of 2024 So Far

Summer is here ! In the old days, that would mean heading to the multiplex to load up on big summer blockbusters . In the shakier movie climate we now find ourselves in, it could simply mean more of the same: more staying at home, in the air-conditioning, watching whatever’s streaming . But midyear is also a good time to reflect on the releases of the previous few months, and to catch up on some you may have missed. Following are seven of the best, harbingers of hope for the remaining months of this moviegoing year.

The Fall Guy

This action-comedy directed by longtime stunt performer David Leitch may have “underperformend,” in the parlance of box-office pundits, but that’s no reason to dismiss it. The Fall Guy is an ode to the stuntpeople who drive cars at death-defying speeds, fall from dizzying heights, and get set on fire, all in the service of the fantasy of movies. But its biggest selling point is its duo of leads, Ryan Gosling as a once-swaggering stuntman struggling to make a comeback, and Emily Blunt as the fledgling director he’s trying to romance. Together, these two are the opposite of a car wreck, a romantic-comedy pairing whose fizziness keeps even this sometimes-plodding movie afloat. Charm is in short supply at the movies these days, but Gosling and Blunt give us every reason to believe in it.

Read more: Watch the Classic Stunts That Inspired the Action in The Fall Guy

Robot Dreams

In this gorgeous animated parable of love and friendship set in 1980s New York, a lonely dog orders up a mail-order robot friend, and his life is changed. The two stroll through the city, and though Dog has seen it all, Robot takes in every sight with fresh eyes. This fantasy New York is populated by anthropomorphized animals—yaks in business suits, gazelles in dresses and lipstick—and for Dog and Robot, everything, from an octopus subway drummer to a morning of roller-dancing in Central Park, is a source of delight. But a day at the beach spells bad news for a being made mostly of metal, and Dog and Robot are tragically separated; as they try to find their way back to one another, their story shifts into a complex reflection on the nature of goodbyes and new beginnings. In adapting Sara Varon’s graphic novel of the same name, Spanish director Pablo Berger has made a movie that feels, in the best way, like the last day of summer: radiant, bittersweet, redolent of memories in the making.

In a career spanning some 40 years, French filmmaker Luc Besson has specialized in fantastic flights of fantasy and shockeroo violence. But his DogMan is an exceedingly tender film, and a surprising one. Caleb Landry Jones’ Douglas is a wounded human being, a survivor of childhood abuse, who is mostly in a wheelchair and finds solace in living with his community of dogs. But his life isn’t joyless: he takes pleasure in the companionship of his four-legged friends, and in his one-night-a-week job as a performer in a drag bar. When he runs afoul of thugs, his dogs protect him: rest assured that nothing bad happens to the canine characters in this film, but evil humans aren’t so fortunate. This is the perfect movie for those days you’re convinced that dogs are better than people—even if that’s every day.

In Alice Rohrwacher’s La Chimera, set in the Tuscan countryside circa 1980, Josh O’Connor plays Arthur, an Englishman caught in an Italian reverie. He’s a grave robber in love with relics of the past, but he’s also mourning a lost love, a woman named Beniamina, who has disappeared from his life under circumstances that are never explained. Beniamina’s aged and slightly addled mother, Flora (played, wonderfully, by Isabella Rossellini), insists she’ll be coming back, but Arthur knows better; he’s tormented by visions of his inamorata, longing to join her, wherever she is. Rohrwacher is an assured filmmaker, and she steers this dream of a movie as steadily as a kite in a stiff breeze. It’s the kind of movie you wake up from, as opposed to one you merely watch.

Read the full review

Seven-year-old Sol (Naíma Sentíes) is looking forward to an elaborate birthday party for her father, Tona (Mateo Garcia), to be held in her grandfather’s home. She and her mother, Lucia (Iazua Larios), have prepared a little performance, a surprise for her father, involving a rainbow clown wig and a feat of operatic lip-synching. But when she arrives at the house, the extended family, bustling about in preparation, has little time for her, and she’s told she can’t see her father. The reality is that Tona is dying of cancer, and though Sol knows he’s very ill, this is the first time she truly has to reckon with his inevitable death. That may make Tótem sound like a downer, but in the hands of director Lila Avilés, it’s not: what do grief and loss mean to children? As adults, we can’t really know, but Tótem offers a promise of light beyond the sorrow of loss, for young and old alike.

Kidnapped: The Abduction of Edgardo Mortara

Italian director Marco Bellocchio (Fists in the Pocket, The Traitor) is 84 years old, but his movies are more vital and muscular than those of many filmmakers half his age. With Kidnapped, he tells the true story of Edgardo Mortara, a six-year-old Jewish boy who, at the behest of Pope Pius IX, was taken away from his family in 1858 Bologna and whisked off to be indoctrinated into Catholicism. His parents (played by Fausto Russo Alesi and Barbara Ronchi) try desperately to get Edgardo back, but to no avail: he has become a pawn of a zealous, anti-Semitic pope who’s clinging to his waning power. Bellocchio’s chief target is the hypocrisy of the Catholic Church, but the movie works as straightforward melodrama, too: Edgardo, played as a youngster by Enea Sala and as a young man by Leonardo Maltese, is a figure locked so tightly in a nightmare that he eventually succumbs to it. His story, in the hands of a master, is both compelling and chilling.

Glen Powell plays mild-mannered college professor Gary Johnson, a guy who earns extra money by posing as a hit man for the New Orleans Police Department: He meets with ne’er-do-wells hoping to enlist his services; when they come clean with their intent, the cops move in with the handcuffs. Gary loves this side hustle, happily donning any disguise or persona necessary to get the job done. Then he falls for Maddy (Adria Arjona), an unhappily married woman who approaches him about offing her husband. He dissuades her, and they fall in love—but that’s only the beginning of their problems. Richard Linklater directs this foxy caper with buoyant good humor. And Powell, sexy and mischievous, makes a great, casual matinee idol, whether you discover his charms on the big screen or the small one.

Read more: The Real Story of the Fake Contract Killer Behind Richard Linklater’s Hit Man

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30 Most Popular Movies Right Now: What to Watch In Theaters and Streaming

Discover the top, most popular movies available now! Across theaters, streaming, and on-demand, these are the movies Rotten Tomatoes users are checking out at this very moment, including Kingdom of the Planet of the Apes (see how to watch the Apes movies in order ), IF , and The Strangers – Chapter 1 .

Check back for latest updates to the charts, and also take a look at the most popular TV shows out right now !)

Furiosa: A Mad Max Saga (2024) 90%

Atlas (2024) 19%

The Fall Guy (2024) 81%

The Garfield Movie (2024) 36%

IF (2024) 49%

Hit Man (2023) 97%

Challengers (2024) 89%

Kingdom of the Planet of the Apes (2024) 80%

Civil War (2024) 81%

The Last Stop in Yuma County (2023) 97%

Madame Web (2024) 11%

Late Night with the Devil (2023) 97%

Mad Max: Fury Road (2015) 97%

The Strangers: Chapter 1 (2024) 22%

The Ministry of Ungentlemanly Warfare (2024) 70%

Sight (2023) 70%

The Idea of You (2024) 81%

I Saw the TV Glow (2024) 84%

Back to Black (2024) 34%

Dune: Part Two (2024) 92%

War for the Planet of the Apes (2017) 94%

Godzilla x Kong: The New Empire (2024) 54%

A Simple Favor (2018) 84%

Unfrosted (2024) 43%

Abigail (2024) 83%

Babes (2024) 91%

Tarot (2024) 20%

The Iron Claw (2023) 89%

Castle in the Sky (1986) 96%

Monkey Man (2024) 88%

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‘black dog’ review: man bites dog, becomes his best friend in gorgeously offbeat canine caper from china.

Director Guan Hu ('The Eight Hundred,' 'Mr. Six') won the top prize in Cannes’ Un Certain Regard sidebar for his darkly comic thriller starring Canadian-Taiwanese actor Eddie Peng.

By Jordan Mintzer

Jordan Mintzer

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Chinese director Guan Hu’s visually stunning new feature, Black Dog , starts off with a familiar premise: After spending a decade behind bars, an ex-con named Lang (Eddie Peng) returns to his tiny native city in Northwest China on the outskirts of the Gobi Desert. He tries to integrate into regular life, but certain demons from his past come back to haunt him.

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Black Dog isn’t really a man’s-best-friend movie either, even if the relationship between Lang and his rabid mutt forms the crux of the plot. Set against a backdrop of urban blight and canine chaos, Guan’s highly original, deadpan thriller begins with a jarring sequence of dogs causing a bus to flip over on a desert road, only to get weirder and wilder from there. But at its heart, the film is really a classic story of redemption, taking lots of unexpected turns as it follows a down-and-out hero toward recovery.

The director’s previous efforts, including big-budget action flicks like Mr. Six and The Eight Hundred , are a far cry from the oddball tone and arthouse stylistics of Black Dog , which sits somewhere between the Coens’ No Country For Old Men and recent Chinese noirs like Diao Yinan’s The Wild Goose Lake . There’s some violence, but never of a particularly graphic kind, and there’s definitely some cruelty to animals. But the film is mostly about a very strange time and place, where men and dogs seem to be forever chasing each other around a desolate city on the verge of state-sponsored demolition.

The only true companion Lang makes upon his return is a mangy greyhound he runs into by one of the city’s many abandoned buildings, which is set to be destroyed in a massive urbanization plan that’s left much of the area populated by packs of stray pups. Guan makes sure to include a canine or two in nearly every shot of his movie, whether they’re silently watching the action from afar, strolling in the background, rushing through empty streets, or, in one standout stunt scene, crashing through a window.

Cinematographer Gao Weizhe’s superb widescreen images, bathed in dust and washed-out colors, constantly place Lang and his canine pal (who is never given a real name) within the vast uninhabited cityscapes and surrounding desert. With sand constantly blowing in from all sides, dogs running amok and other animals (serpents, tigers, monkeys) wandering about, it’s as if nature is taking its revenge on the forgotten town while the rest of China prepares to triumph when the Summer Olympics kick off in August.

Hollywood seems to put out a new mainstream dog flick every few months — the latest example being the Mark Wahlberg starrer, Arthur the King — but there’s also a subgenre of international films that treat canines with more depth and artistry. Guan’s strange and seductive new work belongs to the latter pack, joining other movies that have premiered in Cannes over the past decade, such as last year’s Palme d’Or and Oscar winner Anatomy of a Fall , where dogs become a pivotal feature of the plot.

While Black Dog didn’t walk away with Cannes’ cheeky Palme Dog prize for films of that category (it went to French actress-director Laetitia Dosch’s Dog on Trial ), it did scoop up a well-deserved Prix Un Certain Regard — no small feat in a sidebar that many believed outshined this year’s main competition. This should give Guan’s latest some traction beyond China, where he has already proved his bona fides as a major commercial filmmaker ( The Eight Hundred grossed a whopping $460 million), and now proves he’s capable of making something both out-of-the-box and oddly captivating.

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The Best Films of 2024, So Far

Our critics pick nine films that they think are worth your time on this long holiday weekend.

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By The New York Times

Looking for a good movie to pass the time this Memorial Day weekend? The New York Times’s chief film critic, Manohla Dargis, and movie critic, Alissa Wilkinson, have you covered. Here are their top picks for the year so far. All are in theaters or available on demand.

In theaters; June 7 on Netflix .

The story: Glen Powell is a philosophy professor who moonlights for the police in New Orleans when he finds himself undercover posing as a hit man in this Richard Linklater movie. An encounter with Madison (Adria Arjona), a housewife looking to hire him, raises the stakes, comedically and romantically.

Alissa Wilkinson’s take: “If I see a movie more delightful than “Hit Man” this year, I’ll be surprised. It’s the kind of romp people are talking about when they say that “they don’t make them like they used to”: It’s romantic, sexy, hilarious, satisfying and a genuine star-clinching turn for Glen Powell, who’s been having a moment for about two years now.” Read the review.

‘Civil War’

In theaters.

The story: Set in the near future, “Civil War” depicts a United States that has devolved into conflict between the Western Forces of California and Texas (yeah, yeah, we know) and the federal government. As photojournalists played by Kirsten Dunst, Wagner Moura and Cailee Spaeny make their way to Washington, D.C., they encounter dangerous and unsettling scenes, painting a disturbing portrait of America in this Alex Garland drama.

Manohla Dargis’s take: “Hollywood’s longstanding, deeply American imperative for happy endings maintains an iron grip on movies, even in ostensibly independent productions. There’s no such possibility for that in ‘Civil War.’ The very premise of Garland’s movie means that … a happy ending is impossible, which makes this very tough going. Rarely have I seen a movie that made me so acutely uncomfortable or watched an actor’s face that, like Dunst’s, expressed a nation’s soul-sickness so vividly that it felt like an X-ray.” Read the review.

‘Kingdom of the Planet of the Apes’

The story: Picking up generations after the last trilogy ended, Wes Ball’s action-adventure follows Noa (Owen Teague) after his clan has been attacked. On his own now, he meets up with Raka, a disciple of Caesar, the leader in the earlier movies, as well as a mute human (Freya Allen).

Alissa Wilkinson’s take: “‘Kingdom of the Planet of the Apes’ is set in the future, but like a lot of science fiction … there’s a knowing sense that all this has happened before, and all this will happen again. That’s what makes ‘Kingdom of the Planet of the Apes’ powerful, in the end. It probes how the act of co-opting idealisms and converting them to dogmas has occurred many times over.” Read the review.

‘Do Not Expect Too Much From the End of the World’

Stream it on Mubi ; rent or buy it on most major platforms .

The story: In Radu Jude’s scathing comedy, a foulmouthed production assistant named Angela (Ilinca Manolache) drives around Bucharest, Romania, looking for injured workers to interview for a workplace safety video.

Manohla Dargis’s take: “As she changes gears, and the movie switches between black-and-white film and color video, Angela flips off other drivers, acidly critiques all that she encounters, creates TikTok videos and effectively maps the geopolitical landscape of contemporary Romania.” Read the review.

‘Late Night With the Devil’

Stream it on Shudder ; also rent or buy it on most major platforms .

The story: In this horror show from the brothers Cameron and Colin Cairnes, David Dastmalchian is a Johnny Carson-like late-night host desperate for ratings and awards. The film purports to be the footage of the episode that “shocked a nation.”

Alissa Wilkinson’s take: People watch late-night TV “to laugh, to be entertained and to feel some kind of companionship when the rest of the world goes to bed. ‘Late Night With the Devil’ twists that camaraderie around on itself, layering in familiar 1970s horror tropes about demonic possession, Satanism and the occult. The result is a nasty and delicious, unapologetic pastiche with a flair for menace. I had a blast.” Read the review.

‘Evil Does Not Exist’

The story: In a rural hamlet outside Tokyo, a developer tries to sell skeptical locals on the benefits of a glamping resort. As the residents push back against the prospect of tourism upending their quiet rhythms, the developer’s representatives come to see their point of view in Ryusuke Hamaguchi’s deceptive drama.

Manohla Dargis’s take: “I have watched ‘Evil Does Not Exist’ twice, and each time the stealthy power of Hamaguchi’s filmmaking has startled me anew. Some of my reaction has to do with how he uses fragments from everyday life to build a world that is so intimate and recognizable — filled with faces, homes and lives as familiar as your own — that the movie’s artistry almost comes as a shock.” Read the review.

‘Ryuichi Sakamoto: Opus’

The story: In this documentary from Neo Sora, the influential Japanese musician Ryuichi Sakamoto plays his entire final concert. It was filmed in a studio with only the crew watching.

Alissa Wilkinson’s take: “Even for the viewer without much knowledge of Sakamoto’s work, ‘Opus’ holds its own as the rare cinematic space for contemplation. There’s no context given, no attempt to create a narrative. Instead, the visual space is carefully filmed and the lighting manipulated to subtly shift the mood.” Read the review.

‘Io Capitano’

Rent or buy it on most major platforms .

The story: Matteo Garrone’s drama tracks Seydou and Moussa, two Senegalese cousins (Seydou Sarr and Moustapha Fall), as they try to reach the West on a journey that takes them through the Sahara to a brutal stay in Libya, and then eventually to the edge of the Mediterranean.

Manohla Dargis’s take: “Garrone doesn’t spare you much, but if the movie never turns into an exercise in art-house sadism, it’s because his focus remains unwaveringly fixed on his characters who, from the start, are fully rounded people, not props, symbols or object lessons. … His great strength here is the tenderness of his touch.” Read the review.

‘La Chimera’

Rent on most major platforms .

The story: In Alice Rohrwacher’s 1980s-set tale, Josh O’Connor is Arthur, a tomb raider in rural Italy who pines for his missing lover. Through her mother, Flora (Isabella Rossellini), he meets a music student, Italia (Carol Duarte).

Manohla Dargis’s take: “‘La Chimera’ sneaks up on you. Rohrwacher is a discreet virtuoso with a visual style that is appealing and demonstrably unshowy. She likes to crowd the frame, yet does so coherently, and while she uses different film formats throughout to indicate distinct moments and spaces, she doesn’t make a fuss about it. She reveals beauty rather than pummels you with it.” Read the review.

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