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This short book, written by recent Cambridge PhD students, is designed to introduce students to the process of writing an essay in philosophy. Containing many annotated examples , this guide demonstrates some of the Do's and Don'ts of essay writing, with particular attention paid to the early stages of the writing process (including the creation thesis statements and essay outlines). This book may also be useful to instructors looking for teaching-related resources.
Tackling the Philosophy Essay (select one of the following formats):
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Guide To Grammar
To view information relating to the presentation of extended essays, dissertations and general paper (all parts) see Undergraduate Exams .
Tackling the Philosophy Essay is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License . You are free to download, copy, reuse, distribute and adapt this work as long as it is for non-commercial purposes, is also under the same licence, and attributes the original work to the authors. If in doubt, or if you wish to collaborate or address any issues found, please feel free to email the authors at [email protected]
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Philosophy essay writing guide
Introduction.
This guide is intended to give new students of philosophy some preliminary advice about writing philosophy essays at university. For many of you, writing a philosophy essay will be something of a new experience, and no doubt many of you will be a little unsure of what to expect, or of what is expected of you. Most of you will have written essays in school for English, History, etc. A philosophy essay is something a little different again. However, it is not an unfathomable, mysterious affair, nor one where anything goes.
Just what a philosophy essay is will depend a lot, as you'd expect, on just what philosophy is. Defining philosophy is always a more or less controversial business, but one way to think of what is done in university philosophy departments is to think of the difference between having a philosophy and doing philosophy. Virtually everyone "has a philosophy" in the sense that we have many basic beliefs about the world and ourselves and use certain key concepts to articulate those beliefs. Many of us initially come to thus "have a philosophy" (or elements of several philosophies) often only unconsciously, or by following "what's obvious" or "what everybody knows", or by adopting a view because it sounds exciting or is intellectually fashionable.
"Doing philosophy", on the other hand, is a self-conscious unearthing and rigorous examination of these basic beliefs and key concepts. In doing so, we try to clarify the meanings of those beliefs and concepts and to evaluate critically their rational grounds or justification. Thus, rather than having their heads in the clouds, philosophers are really more under the surface of our thinking, examining the structures that support - or fail to support - those who trust that they have their feet on the ground. Such examination may even help to develop new and firmer ground.
Doing philosophy, then, begins with asking questions about the fundamental ideas and concepts that inform our ways of looking at the world and ourselves, and proceeds by developing responses to those questions which seek to gain insight into those ideas and concepts - and part of that development consists in asking further questions, giving further responses, and so on. Human beings across the world have been engaged in this sort of dialogue of question and response for many centuries - even millennia - and a number of great traditions of reflection and inquiry have evolved that have fundamentally influenced the development of religion, art, science and politics in many cultures. The influence of philosophical thinking on Western civilization, in particular, can be traced back more than 2,500 years to the Ancient Greeks.
In philosophy, a good essay is one that, among other things, displays a good sense of this dialectic of question and response by asking insightful, probing questions, and providing reasoned, well-argued responses. This means that you should not rest content with merely an unintegrated collection of assertions, but should instead work at establishing logical relations between your thoughts. You are assessed not on the basis of what you believe, but on how well you argue for the position you adopt in your essay, and on how interesting and insightful your discussion of the issues is. That is to say, you are assessed on how well you do philosophy, not on what philosophy you end up having. Nonetheless, you ought to make sure that your essay's discussion is relevant to the topic. (See Section 5.2 below on relevance.)
It is hoped that you enjoy the activity of essay writing. If you have chosen to study Arts, it is likely that you will have a particular interest in - even a passion for - ideas and the variety of forms and genres in which ideas are expressed and explored. The argumentative or discursive formal academic essay is one such form, and one which can be a pleasure to read and to write. Thus, the assessment that is set in philosophy courses is primarily an invitation to you to pursue what is already (or, hopefully, soon to be) your own interest in writing to explore ideas. However, your immediate goal in writing an academic philosophy essay ought not to be to write a personal testament, confession or polemic. Rather, you should primarily aim at articulating, clearly and relatively dispassionately, your philosophical thinking on the topic at hand. Nevertheless, the kind and degree of personal development one can gain from taking up the challenge to think and to write carefully, clearly and thoroughly is certainly something to be greatly valued.
This guide is intended to help you get started in the business of writing philosophy essays. As you practise your philosophical writing skills, you will develop your own technique, and learn what is appropriate in each particular case. So you may well come to "work around" many of these guidelines. Nonetheless, it is important that you pass through that which you seek to pass beyond.* In addition to your own writing, your reading of other philosophers will help you to develop your sense of what constitutes good philosophical writing. As you read, note the various styles and techniques that philosophical authors employ in their treatment of philosophical issues. Practice and studying good examples, then, are the most valuable ways to develop your essay writing skills.
This guide is, moreover, only one of many publications that introduce philosophy students to essay writing. Some others you may like to consult include:
- A. P. Martinich, Philosophical Writing, 2nd ed. (Oxford: Blackwell, 1997)
- J. Feinberg and R. Shafer-Landau, Doing Philosophy: A Guide to the Writing of Philosophy Papers, 2nd ed. (Belmont, Calif.: Wadsworth, 2001)
- Z. Seech, Writing Philosophy Papers, 4th ed. (Belmont, Calif.: Wadsworth, 2003)
- R. Solomon, "Writing Philosophy", Appendix to his The Big Questions: A Short Introduction to Philosophy, 6th ed. (Belmont, Calif.: Wadsworth, 2001)
- S. Gorovitz et al., Philosophical Analysis: An Introduction to its Language and Techniques, 3rd ed. (New York: Random House, 1979)
Also, the websites of many philosophy departments in universities around Australia and the world contain downloadable essay writing guides or links to them.
*This phrase is adapted from Jacques Bouveresse, "Why I am so very unFrench", in Alan Montefiore, ed., Philosophy in France Today (Cambridge: Cambridge University Press, 1983), p. 12.
What do I do in a Philosophy essay?
Philosophy essay topics are not designed to provide an intellectual obstacle course that trips you up so as to delight a malicious marker. They are designed to invite you to "grapple with" with some particular philosophical problem or issue. That is to say, they are designed to offer you an opportunity to demonstrate your understanding of a particular philosophical problem or issue, and to exhibit your own philosophical skills of analysis, argumentation, etc. These twin goals are usually best achieved by ensuring that your essay performs two basic functions (your understanding and your skills apply to both):
an exposition of the problem or issue in question (often as it is posed in some particular text); and a critical discussion of the problem or text
These two functions can, but need not always, correspond to physically or structurally distinct sections of your essay. See Section 5.1.
The expository ("setting forth") aspect of your essay is where you should make clear what the issue is and why it is an issue. Where you are dealing with an issue as it is presented in some particular text, your aim should be to make clear what it is that the author in question meant in their text, what they see as the issue and why they see it as an issue. This does not involve merely quoting or paraphrasing a text. Of course, occasional quotation and paraphrase may be appropriate - sometimes necessary - but these ought not to constitute the sole or major content of your exposition. Where you do quote or paraphrase, make sure you attribute your sources in footnotes or endnotes. (See Section 7.)
Exposition is, then, primarily a matter of developing in your own words what you think the issue is or what you think the text means. In all expository work you should always try to give a fair and accurate account of a text or problem, even when the exposition becomes more interpretive rather than simply descriptive. You ought to be patient and sympathetic in your exposition, even if you intend later to criticise heavily the philosopher in question. Indeed, the better the exposition in this regard, usually the more effective the critique.
An important part of exposition is your analysis of the text or issue. Here you should try to "break down" the text, issue or problem into its constitutive elements by distinguishing its different parts. (E.g. "There are two basic kinds of freedom in question when we speak of freedom of the will. First, … . Second, …", or "There are three elements in Plato's conception of the soul, namely... He establishes these three elements by means of the following two arguments... ") This also involves showing the relationships between those elements, relationships which make them "parts of the whole".
As well as laying out these elements within a text or issue, you can also (when appropriate or relevant) show how a text or issue "connects up with" other texts, issues, or philosophical and/or historical developments, which can help to shed further light on the matter by giving it a broader context. (eg "Freedom of the will is importantly connected to the justification of punishment", or "Plato's tripartite theory of the soul bears interesting resemblances to Freud's analysis of the psyche", or "Kant's transcendental idealism can be seen as reconciling the preceding rationalist and empiricist accounts of knowledge".)
An exposition of a text need not always simply follow the author's own view of what it means. You should, of course, demonstrate that you understand how the author themself understands their work, but an exposition can sometimes go beyond this, giving another reading of the text. (eg "Heidegger might deny it, but his Being and Time can be read as developing a pragmatist account of human understanding.") A given text or issue may well be susceptible to a number of plausible or reasonable interpretations. An exposition should aim to be sensitive to such variety. When appropriate, you should defend your interpretations against rivals and objections. Your interpretation ought, though, to be aimed at elucidating the meaning or meanings of the text or issue and not serve merely as a "coat-hanger" for presenting your own favoured views on the matter in question, which should be left to your ...
Critical discussion
This is where your thought gets more of the centre stage. Here you should attempt to develop a response to the issues which your exposition has made clear, and/or, in the case of a discussion of some particular text, attempt to give a critical appraisal of the author's treatment of the issue. In developing a response to a philosophical problem, argumentation is, again, of central importance. Avoid making unsupported assertions; back up your claims with reasons, and connect up your ideas so that they progress logically toward your conclusions. Consider some of the various objections to and questions about your views that others might or have put forward, and try to respond to them in defence of your own line of thinking. Your goal here should be to discuss what you have expounded so as to come to some conclusion or judgement about it. ("Critical" is derived from the Ancient Greek for "to decide, to judge".) Critical discussion is thus not necessarily "destructive" or "negative"; it can be quite constructive and positive.
In the case of a critical appraisal of a particular author's text, you can negatively criticise the author's arguments by pointing out questionable assumptions, invalid reasoning, etc. If, on the other hand, you think that the text is good, then your critical discussion can be positive. This can be done by revealing its "hidden virtues" (that is, by showing that there is more to the author's arguments and views than what lies on the surface) and/or by defending an author against possible and/or actual criticisms. (eg "Norman Malcolm argues that Descartes is mistaken in assuming that dreams and waking episodes have the same content.* However, Malcolm fails to appreciate the subtlety of Descartes' argument in the First Meditation, which allows Descartes to claim . . .") Just to expound an author's arguments and then say "I disagree" or "That seems right" is not really enough - you need to "have something to say" about it. Of course, by all means go on, after finding fault with some philosopher, to answer in your own way the questions tackled or raised by the author. (eg "Simone de Beauvoir's analysis of women's oppression in The Second Sex suffers from serious weaknesses, as I have shown in Section 2 above. A better way to approach the issue, I shall now argue, is to . . .".)
Where you are not primarily concerned with evaluating or responding to a particular text, your critical discussion can be more focused on your own constructive response to the issue. (eg "Having used Dworkin's account to clarify the meanings of the concepts of 'the sanctity of life' and 'voluntariness', I shall now argue that voluntary euthanasia is morally permissible because its voluntariness respects what is of value in the notion of the sanctity of life" - where you now leave Dworkin behind as a source and move on to give your own account.)
* See Norman Malcolm, "Dreaming and Skepticism", in Willis Doney, ed., Descartes: A Collection of Critical Essays (London: Macmillan, 1967), p. 56.
Guide to researching and writing Philosophy essays
5th edition by Steven Tudor , for the Philosophy program, University of Melbourne, 2003.
This fifth edition of How to Write a Philosophy Essay: A Guide for Students (previous editions titled A Guide to Researching and Writing Philosophy Essays ) was prepared in consultation with members of the Philosophy program, the University of Melbourne. For advice and assistance on this and earlier editions, thanks are due to Graham Priest, Barry Taylor, Christopher Cordner, Doug Adeney, Josie Winther, Linda Burns, Marion Tapper, Kimon Lycos, Brendan Long, Jeremy Moss, Tony Coady, Will Barrett, Brian Scarlett, and Megan Laverty. Some use was also made of materials prepared by the Philosophy Departments of La Trobe University, the University of Queensland, and The Australian National University.
Disclaimer: University, Faculty and program rules
Please note: this booklet does not provide authoritative statements of the official policies or rules of the University of Melbourne, the Faculty of Arts, or the Philosophy program with regard to student essays and examinations or any other matters. Students should, therefore, not rely on this booklet for such information, for which they should consult the various appropriate notice boards, handbooks, websites, and/or members of staff.
Essay topics
What do philosophy essay topics look like? There are, very roughly, two basic kinds of philosophy essay topics: "text-focused" topics and "problem-focused" topics. Text-focused topics ask you to consider some particular philosopher's writing on some issue. (eg "Discuss critically David Hume's account of causation in Part III of Book I of his A Treatise of Human Nature " or "Was Wittgenstein right to say that 'the meaning of a word is its use in the language', in his Philosophical Investigations, Sec. 43?"). Problem-focused topics are more directly about a particular philosophical problem or issue, without reference to any particular philosopher's text. (eg "Is voluntary euthanasia morally permissible?" or "What is scientific method?")
There is another sort of topic, one which presents a statement and asks you to discuss it, where that statement is a "made up" or, at least, unattributed quote. (eg. "'Without belief in God, people cannot be moral'. Discuss.") I shall regard these as variations of the problem-focused type of topic. Where you are asked to discuss some such statement "with reference to" some specified text or philosopher, then that topic becomes more text-focused. (eg "'Without belief in God, people cannot be moral'. Discuss with reference to J.L. Mackie's Ethics: Inventing Right and Wrong. ") Occasionally, a topic presents an unattributed statement, but the statement is, in fact, a quote from a particular philosopher you've been studying, or, at least, a good paraphrase of their thinking. (An example of the latter: "'All the ideas in our minds originate from either sense perception or our reflection upon sensory information.' Discuss.", in a course devoted to John Locke, whose views are summed up in the quoted statement, though those words are not actually his.) Should you take such topics as problem- or text-focused? Rather unhelpfully, I'll say only that it depends on the case. You might ask your lecturer or tutor about it. Whichever way you do take it, be clear in your essay which way you are taking it.
The difference between text-focused and problem-focused essay topics is, however, not very radical. This is because, on the one hand, any particular philosopher's text is about some philosophical problem or question, while, on the other hand, most philosophical problems (certainly virtually all those you will be given as essay topics at university) will have been written about by previous philosophers.
The basic way to approach text-focused topics, then, is to treat the nominated text as an attempt by one philosopher to deal with a particular philosophical problem or issue. The essay topic will, generally speaking, be inviting you to do philosophy with that philosopher, to engage with them in thinking about the issue, whether that engagement proves to be as an ally or an adversary. The chosen text will usually be one which has been (or deserves to be) influential or significant in the history of philosophy, but the task is not to pay homage to past masters. But, even if homage is your thing, the best way to do that here is to engage with the master philosophically.
With regard to problem-focused topics, you will often find your exploration of the problem aided by taking some text or texts which have dealt with it as reference points or prompts. This is not always strictly necessary, but many of you starting out in philosophy will find it helpful to do so - it can help you give focus to your response to the question. (Thus, you might, in an essay on the topic "Is voluntary euthanasia morally permissible?" take it upon yourself to use, for example, Ronald Dworkin's Life's Dominion and Peter Singer's Practical Ethics as reference points. Or, in an essay on the topic "What is scientific method?", you might set up your answer via a comparison of the two different accounts in Karl Popper's The Logic of Scientific Discovery and Paul Feyerabend's Against Method.*) How will you know which texts to adopt as reference points or prompts, if none is mentioned in the essay topic itself? One way is to consider what texts have already been mentioned with regard to the topic in your course reading guide and in lectures and tutorials. Another way is to do some of your own research. On this see Section 4 below.
* In this guide, in giving examples of how to go about answering an essay question, I am not necessarily giving any concrete or reliable advice for any particular topic. The examples are primarily to do with the form or style or strategy you might find helpful.
Researching your essay
To do research for your philosophy essay you need to do only two things: read and think. Actually, for problem-focused essays, thinking is the only truly necessary bit, but it's highly likely that you will find your thinking much assisted if you do some reading as well. Philosophical research at university is a little different to research in most other disciplines (especially the natural sciences), in that it is not really about "collecting data" to support or refute explanatory theories. Rather, the thinking that's involved in philosophical research (as part of one's preparation for philosophical writing) is more a matter of reflecting critically upon the problems in front of one. Researching the writings of other philosophers should, therefore, be primarily directed towards helping you with that reflection rather than aiming at gathering together and reporting on "the relevant findings" on a particular topic. In many other disciplines, a "literature review" is an important research skill, and sometimes philosophy academics do such reviews - but it is rare that philosophy students are asked to do one.
What, then, to read? It should be clear from your lectures and tutorials what some starting points for your reading might be. (All courses provide reading guides; many also have booklets of reading material.) Your tutor and lecturer are also available for consultation on what readings you might begin with for any particular topic in that subject. Independent research can also uncover useful sources, and evidence of this in your essay can be a pleasing sign of intellectual independence. Make sure, though, that what you come up with is relevant to the topic. (See Section 5.2 below on relevance.) Whichever way you proceed, your reading should be purposive and selective.
In the case of essay questions that refer to a particular text, you should familiarise yourself thoroughly with this text. Usually, such a text will be a primary text, i.e. one in which a philosopher writes directly about a philosophical issue. Texts on or about a primary text are called secondary texts. (Many philosophical works will combine these two tasks, and discuss other philosophical texts while also dealing directly with a philosophical issue.) Some secondary texts can be helpful to students. However, don't think you will only ever understand a primary text if you have a nice friendly secondary text to take you by the hand through the primary text. More often than not, you need to have a good grasp of the primary text in order to make sense of the secondary text.
How much to read? The amount of reading you do should be that which maximises the quality of your thinking - that is, you should not swamp yourself with vast slabs of text that you can't digest, but nor should you starve your mind of ideas to chew over. There is, of course, no simple rule for determining this optimal amount. Be wary, though, of falling into the vice of looking for excuses not to read some philosopher or text, as in "Oh, that's boring old religious stuff" or "She's one of those obscure literary feminist types", or "In X Department they laugh at you if you mention those authors in tutes". If someone wants a reason not to think, they'll soon come up with one.
Philosophical writings
Most philosophical writings come in either of two forms: books or articles. Articles appear either in books that are edited anthologies or in academic journals, such as Philosophical Quarterly or Australasian Journal of Philosophy. Some academic journals are also on the internet. Most articles in the journals are written by professional philosophers for professional philosophers; similarly with many books. But by no means let this put you off. Everyone begins philosophy at the deep end - it's really the only kind there is!
There are, however, many books written for student audiences. Some of these are general introductions to philosophy as a whole; others are introductions to particular areas or issues (eg biomedical ethics or philosophy of science). Among the general introductions are various philosophical dictionaries, encyclopedias and "companions". These reference works collect short articles on a wide range of topics and can be very useful starting points for newcomers to a topic. Among the most useful of the general reference works are:
- Edward Craig, ed., The Routledge Encyclopedia of Philosophy (10 vols.) (London: Routledge, 1998)
- Paul Edwards, ed., The Encyclopedia of Philosophy (8 vols.) (New York: Macmillan, 1967)
- Robert Audi, ed., The Cambridge Dictionary of Philosophy, 2nd ed. (Cambridge: Cambridge University Press, 1999)
- Ted Honderich, ed., The Oxford Companion to Philosophy (Oxford: Oxford University Press, 1995)
- Simon Blackburn, The Oxford Dictionary of Philosophy (Oxford: Oxford University Press, 1996)
- Thomas Mautner, ed., The Penguin Dictionary of Philosophy (London: Penguin, 1998)
- J.O. Urmson and Jonathan Ree, eds., The Concise Encyclopedia of Western Philosophy and Philosophers (London: Routledge, 1993)
- Edward N. Zalta, ed., The Stanford Encyclopedia of Philosophy (an internet-based reference work: plato.stanford.edu/ )
Note taking
Note taking, like your reading, should not be random, but ought to be guided by the topic in question and by your particular lines of response to the issues involved. Note taking for philosophy is very much an individual art, which you develop as you progress. By and large it is not of much use to copy out reams of text as part of your researches. Nor is it generally helpful to read a great number of pages without making any note of what they contain for future reference. But between these two extremes it is up to you to find the mean that best helps you in getting your thoughts together.
Libraries and electronic resources
The University's Baillieu Library (including the Institute of Education Resource Centre), which is open to all members of the University, contains more than 2,500 years' worth of philosophical writings. The best way to become acquainted with them is by using them, including using the catalogues (including the Baillieu's on-line catalogues and subject resources web-pages), following up a work's references (and references in the references), intelligent browsing of the shelves, etc.
In the main Baillieu Library, the philosophical books are located (mostly) between 100–199 in the Dewey decimal system, and philosophical journals are located in the basement. The Reference section on the ground floor also has some relevant works. The Education Resource Centre also has a good philosophy collection.
In addition to hard-copy philosophical writings, there is also a variety of electronic resources in philosophy, mostly internet-based. The Stanford Encyclopedia of Philosophy was already mentioned above. Links to other useful internet sites (such as the Australasian Association of Philosophy website) can be found through the Baillieu Library's web-page and the Philosophy Department's web-page.
A strong word of warning, however, for the would-be philosophical web-surfer: because anyone can put material on a website, all kinds of stuff, of varying levels of quality, is out there - and new-comers to philosophy are usually not well placed to sort their way through it. Unless you have a very good understanding of what you're looking for - and what you're not looking for - most of you will be much better off simply carefully reading and thinking about a central text for your course, eg Descartes' First Meditation, rather than wandering about the internet clicking on all the hits for "Descartes". Exercise your mind, not your index finger.
Writing your essay
Planning and structuring your essay.
It is very important that you plan your essay, so that you have an idea of what you are going to write before you start to write it. Of course, you will most likely alter things in later drafts, but you should still start off by having a plan. Planning your essay includes laying out a structure. It is very important that your essay has a clearly discernible structure, ie that it is composed of parts and that these parts are logically connected. This helps both you and your reader to be clear about how your discussion develops, stage by stage, as you work through the issues at hand.
Poor essay structure is one of the most common weaknesses in student philosophy essays. Taking the time to work on the structure of your essay is time well spent, especially since skill in structuring your thoughts for presentation to others should be among the more enduring things you learn at university. A common trap that students fall into is to start their essay by writing the first sentence, then writing another one that seems to follow that one, then another one that sort of fits after that one, then another that might or might not have some connection with the previous one, and so on until the requisite 1,500 words are used up. The result is usually a weak, rambling essay.
There are, of course, no hard and fast rules about how to structure a philosophy essay. Again, it is a skill you develop through practice, and much will depend on the particular topic at hand. Nonetheless, it might be helpful to begin by developing an essay structure around the basic distinction between your exposition and your critical discussion (as discussed above). In this it will be important that you make clear who is putting forward which point, that is, make it clear whether you are presenting your own thoughts or are expounding someone else's. (Again, confusion in this regard is a common problem in student essays.) It can often help your structuring if you provide headings for different sections (possibly numbered or lettered). Again, this helps both your reader to follow your discussion and you to develop your thoughts. At each stage, show clearly the logical relations between and the reasons for your points, so that your reader can see clearly why you say what you say and can see clearly the development in your discussion.
Another key to structuring your essay can be found in the old adage "Tell 'em what you're gonna tell 'em. Tell 'em. Then tell 'em what you've told 'em", which provides you with a ready-made structure: Introduction, Main Body, and Conclusion.
In your Introduction, first introduce the issues the essay is concerned with. In doing so, try to state briefly just what the problem is and (if there is space) why it is a problem. This also applies, of course, to issues covered in text-focused essay topics. Next, tell the reader what it is that you are going to do about those problems in the Main Body. This is usually done by giving a brief sketch or overview of the main points you will present, a "pre-capitulation", so to speak, of your essay's structure. This is one way of showing your reader that you have a grasp (indeed, it helps you get a grasp) of your essay as a structured and integrated whole, and gives them some idea of what to expect by giving them an idea of how you have decided to answer the question. Of course, for reasons of space, your Introduction might not be very long, but something along these lines is likely to be useful.
In your Main Body, do what you've said you'll do. Here is where you should present your exposition(s) and your critical discussion(s). Thus, it is here that the main philosophical substance of your essay is to be found. Of course, what that substance is and how you will present it will depend on the particular topic before you. But, whatever the topic, make clear at each stage just what it is you are doing. You can be quite explicit about this. (eg "I shall now present Descartes' ontological argument for the existence of God, as it is presented in his Fifth Meditation. There will be three stages to this presentation.") Don't think that such explicitness must be a sign of an unsophisticated thinker.
A distinct Conclusion is perhaps not always necessary, if your Main Body has clearly "played out" your argument. So you don't always have to present a grand summation or definitive judgement at the end. Still, often for your own sake, try to state to yourself what it is your essay has achieved and see if it would be appropriate to say so explicitly. Don't feel that you must come up with earth-shattering conclusions. Of course, utter banality or triviality are not good goals, either. Also, your essay doesn't always have to conclude with a "solution" to a problem. Sometimes, simply clarifying an issue or problem is a worthy achievement and can merit first-class honours. A good conclusion to a philosophy essay, then, will usually combine a realistic assessment of the ambit and cogency of its claims with a plausible proposal that those claims have some philosophical substance.
What you write in your essay should always be relevant to the question posed. This is another common problem in student essays, so continually ask yourself "Am I addressing the question here?" First-class answers to a question can vary greatly, but you must make sure that your essay responds to the question asked, even if you go on to argue that the question as posed is itself problematic. (eg "To ask ‘What is scientific method?' presupposes that science follows one basic method. However, I shall argue that there are, in fact, several different scientific methods and that these are neither unified nor consistent.") Be wary, however, of twisting a topic too far out of shape in order to fit your favoured theme. (You would be ill-advised, for example, to proceed thus: "What is scientific method? This is a question asked by many great minds. But what is a mind? In this essay, I shall discuss the views of Thomas Aquinas on the nature of mind.")
This requirement of relevance is not intended as an authoritarian constraint on your intellectual freedom. It is part of the skill of paying sustained and focused attention to something put before you - which is one of the most important skills you can develop at university. If you do have other philosophical interests that you want to pursue (such as Aquinas on mind), then please do pursue them, in addition to writing your essay on the set topic. At no stage does the requirement of relevance prevent you from pursuing your other interests.
Citing Philosophical "Authorities"
There might be occasions when you want to quote other philosophers and writers apart from when you are quoting them because they are the subject of your essay. There are two basic reasons why you might want to do this. First, you might quote someone because their words constitute a good or exemplary expression or articulation of an idea you are dealing with, whether as its proponent, critic, or simply its chronicler. (eg "As Nietzsche succinctly put the point, 'There are no moral phenomena at all, only a moral interpretation of phenomena'.*") You may or may not want to endorse the idea whose good expression you have quoted, but simply want to use the philosopher as a spokesperson for or example of that view. But be clear about what you think the quote means and be careful about what you are doing with the quote. It won't do all the work for you.
The second reason you might want to quote a philosopher is because you think their words constitute an "authoritative statement" of a view. Here you want to use the fact that, eg Bertrand Russell maintained that there are two kinds of knowledge of things (namely, knowledge by acquaintance and knowledge by description) in support of your claim that there are two such kinds of knowledge of things. However, be very careful in doing this, for the nature of philosophical authority is not so simple here. That is to say, what really matters is not that Bertrand Russell the man held that view; what matters are his reasons for holding that view. So, when quoting philosophers for this second reason, be careful that you appreciate in what exactly the authority lies - which means that you should show that you appreciate why Russell maintained that thesis. Of course, you can't provide long arguments for every claim you make or want to make use of; every essay will have its enabling but unargued assumptions. But at least be clear about these. (eg "For the purposes of this essay, I shall adopt Russell's thesis* that ...").
* Friedrich Nietzsche, Beyond Good and Evil, trans. R.J. Hollingdale (Harmondsworth: Penguin, 1973 [first German ed.1886]), Sec. 108.
* See Bertrand Russell, The Problems of Philosophy (Oxford: Oxford University Press, 1967 [first pub. 1912]), Ch. 5.
Philosophy is by its nature a relatively abstract and generalising business. (Note that abstractness and generality are not the same thing. Nor do vagueness and obscurity automatically attend them.) Sometimes a longish series of general ideas and abstract reasonings can become difficult for the reader (and often the writer) to follow. It can often help, therefore, to use some concrete or specific examples in your discussion. (Note that there can be different levels of concreteness and specificity in examples.)
Examples can be taken from history, current events, literature, and so on, or can be entirely your own invention. Exactly what examples you employ and just how and why you use them will, of course, depend on the case. Some uses might be: illustration of a position, problem or idea to help make it clearer; evidence for, perhaps even proof of, a proposition; a counter-example; a case-study to be returned to at various points during the essay; or a problem for a theory or viewpoint to be applied to. Again, be clear about what the example is and how and why you use it. Be careful not to get distracted by, or bogged down in, your examples. Brevity is usually best.
English expression
There's another old saying: "If you can't say what you mean, then you can't mean what you say" - and this very much applies to philosophical writing. Thus, in writing philosophically, you must write clearly and precisely. This means that good philosophical writing requires a good grasp of the language in which it is written, including its grammar and vocabulary. (See Section 9.3 for advice for people from non-English speaking backgrounds.) A high standard of writing skills is to be expected of Arts graduates. Indeed, this sort of skill will last longer than your memory of, for example, the three parts of the Platonic soul (though it is also hoped that some of the content of what you study will also stick). So use your time at university (in all your subjects) to develop these skills further.
Having a mastery of a good range of terms, being sensitive to the subtleties of their meaning, and being able to construct grammatically correct and properly punctuated sentences are essential to the clear articulation and development of your thoughts. Think of grammar, not as some old-fashioned set of rules of linguistic etiquette, but rather as the "internal logic" of a sentence, that is, as the relationships between the words within a sentence which enable them to combine to make sense.
Virtually all sentences in philosophical writing are declarative (ie. make statements), as opposed to interrogative, imperative or exclamatory types of sentences. There is some place, though, for interrogative sentences, ie. questions. (Note that, in contrast, this guide, which is not in the essay genre, contains many imperative sentences, ie. commands.) As you craft each (declarative) sentence in your essay, remember the basics of sentence construction. Make clear what the sentence is about (its subject) and what you are saying about it (the predicate). Make clear what the principal verb is in the predicate, since it is what usually does the main work in saying something about the subject. Where a sentence consists of more than one clause (as many do in philosophical writing), make clear what work each clause is doing. Attend closely, then, to each and every sentence you write so that its sense is clear and is the sense you intend it to have. Think carefully about what it is you want each particular sentence to do (in relation to both those sentences immediately surrounding it and the essay as a whole) and structure your sentence so that it does what you want it to do. To help you with your own sentence construction skills, when reading others' philosophical works (or indeed any writing) attend closely to the construction of each sentence so as to be alive to all the subtleties of the text.
Good punctuation is an essential part of sentence construction. Its role is to help to display the grammar of a sentence so that its meaning is clear. As an example of how punctuation can fundamentally change the grammar and, hence, meaning of a sentence, compare (i) "Philosophers, who argue for the identity of mind and brain, often fail to appreciate the radical consequences of that thesis." and (ii) "Philosophers who argue for the identity of mind and brain often fail to appreciate the radical consequences of that thesis." In the first sentence it is asserted (falsely, as it happens) that all philosophers argue for the identity of mind and brain; in the second, only some philosophers are said to argue for the identity of mind and brain. Only the punctuation differs in the two strings of identical words, and yet the meanings of the sentences are very different. Confusions over this sort of thing are common weaknesses in student essays, and leave readers asking themselves "What exactly is this student trying to say?"
It will be assumed that you can spell - which is not a matter of pressing the "spell-check" key on a word-processor. A good dictionary and a good thesaurus should always be within reach as you write your essay.
Also, try to shorten and simplify sentences where you can do so without sacrificing the subtlety and inherent complexity of the discussion. Where a sentence is becoming too long or complex, it is likely that too many ideas are being bundled up together too closely. Stop and separate your ideas out. If an idea is a good or important one, it will usually deserve its own sentence.
Your "intra-sentential logic" should work very closely with the "inter-sentential logic" of your essay, ie. with the logical relations between your sentences. (This "inter-sentential logic" is what "logic" is usually taken to refer to.) For example, to enable sentences P and Q to work together to yield sentence R as a conclusion, you need to make clear that there are elements within P and Q which connect up to yield R. Consider the following example: "Infanticide is the intentional killing of a human being. However, murder is regarded by all cultures as morally abhorrent. Therefore, people who commit infanticide should be punished." This doesn't work as an argument, because the writer has not constructed sentences which provide the connecting concepts in the various subjects and predicates, even though each sentence is grammatically correct (and possibly even true).
If you are concerned to write not only clearly and precisely, but also with some degree of grace and style (and I hope you are), it's still best to get the clarity and precision right first, in a plain, straightforward way, and then to polish things up afterwards to get the style and grace you want. But don't sacrifice clarity and precision for the sake of style and grace - be prepared to sacrifice that beautiful turn of phrase if its presence is going to send your discussion down an awkward path of reasoning. Aim to hit the nail on the head rather than make a loud bang. What you are likely to find, however, is that a philosophy essay which really is clear and precise will have a large measure of grace and style in its very clarity and precision.
Remember that obscurity is not a sign of profundity. (Some profound thought may well be difficult to follow, but that doesn't mean that one can achieve profundity merely through producing obscure, difficult-to-read writing.) Your marker is interested in what's actually in your essay, not what's possibly inside your head (or indeed what's possibly in some book you happen to have referred to in your essay). So avoid hinting at or alluding suggestively to ideas, especially where they are meant to do some important work in your essay. Instead, lay them out explicitly and directly. Of course, you won't have space to spell out every single idea, so work out which ideas do the most important work and make sure that you at least get those ideas clearly articulated. In expounding a text or problem that ultimately just is vague, muddled, or obscure, try to convey such vagueness, muddle or obscurity clearly, rather than simply reproducing it in your own writing. That is, be clear that and how a text or problem has such features, and then perhaps do your best to make matters clearer.
Despite these stern pronouncements, don't be afraid of sometimes saying things which happen to sound a little odd, if you have tried various formulations and think you have now expressed your ideas just as they should be expressed. Philosophy is often an exploratory business, and new ways of seeing and saying things can sometimes be a part of that exploration.
The need for clarity and precision in philosophical writing sometimes means that you need to stipulate your own meaning for a term. When you want to use a particular word in a particular way for the purposes of your essay - as a "technical term" - be clear about it. (eg "In this essay, I shall intend ‘egoism' to mean ...") Also, be consistent in your technical meanings, or else note when you are not. Be wary, though, of inventing too many neologisms or being too idiosyncratic in your stipulations.
With regard to what "authorial pronoun" to adopt in a philosophy essay, it's standard to write plainly in the first person singular ("I", "me", "my", etc.) rather than use the royal "we" (as in "we shall argue that ..."), or the convoluted quasi-legal indirect form ("It is submitted that ..."), or the scientific objectivity of a physics experimental report. Nonetheless, stick closer to "I argue", "I suggest", "my definition", etc., than to "I wish", "I hate", "my feeling", etc. A philosophy essay is still something more intellectual and formal than a personal reminiscence, polemic, or proclamation. In terms of audience, it's probably best to think of your reader as someone who is intelligent, open to discussion and knows a little about the topic you're writing on, but perhaps is not quite clear or decided about the issues, or needs convincing of the view you want to put forward, or is curious about what you think about the issues.
Try also to use non-discriminatory language, ie. language which does not express or imply inequality of worth between people on the basis of sex, gender, race, ethnicity, sexuality, and so on. As you write, you will be considering carefully your choice of words to express your thoughts. You will almost always find that it is possible to avoid discriminatory language by rephrasing your sentences.
Other things to avoid:
- waffle and padding
- vagueness and ambiguity
- abbreviations (this guide I'm writing isn't an eg. of what's req'd. in a phil. essay)
- colloquialisms (which can really get up your reader's nose)
- writing whose syntax merely reflects the patterns of informal speech
- unnecessary abstractness or indirectness
- unexplained jargon
- flattery and invective
- overly-rhetorical questions (do you really need me to tell you what they are?) and other flourishes
There are many guides to good writing available. Anyone who writes (whether in the humanities or the sciences, whether beginners or experienced professionals) will do well to have some on hand. Most good bookshops and libraries will have some. Among the most consulted works are (check for the latest editions):
- J. M. Williams and G. C. Colomb, Style: Toward Clarity and Grace (Chicago: University of Chicago Press, 1995)
- W. Strunk and E. B. White, The Elements of Style, 4th ed. (New York: Longman, 2000)
- E. Gowers, The Complete Plain Words, 3rd ed. (Harmondsworth: Penguin, 1987)
- R. W. Burchfield, ed., The New Fowler's Modern English Usage (Oxford: Oxford University Press, 1996)
- Pam Peters, The Cambridge Australian English Style Guide (Melbourne: Cambridge University Press, 1995)
- Australian Government Publishing Service, Style Manual for Authors, Editors and Printers, 5th ed. (Canberra: AGPS, 1995)
Vocabulary of logical argument
Closely related to the above points about English expression is the importance of having a good grasp of what can rather generally be called "the vocabulary of logical argument". These sorts of terms are crucial in articulating clearly and cogently a logical line of argument. Such argumentation will, of course, be of central importance in whatever discipline you are studying, indeed in any sphere of life that requires effective thinking and communication. I have in mind terms such as these (grouped a little loosely):
all, any, every, most, some, none, a, an, the that, this, it, he, she, they if . . . , then. . . ; if and only if . . . , then . . . ; unless either . . . or . . .; neither . . . nor . . . not, is, are therefore, thus, hence, so, because, since, follows, entails, implies, infer, consequence, conditional upon moreover, furthermore which, that, whose and, but, however, despite, notwithstanding, nevertheless, even, though, still possibly, necessarily, can, must, may, might, ought, should true, false, probable, certain sound, unsound, valid, invalid, fallacious, supported, proved, contradicted, rebutted, refuted, negated logical, illogical, reasonable, unreasonable, rational, irrational assumption, premise, belief, claim, proposition argument, reason, reasoning, evidence, proof
Most of these are quite simple terms, but they are crucial in argumentative or discursive writing of all kinds. (Many are themselves the subject of study in logic, a branch of philosophy). The sloppy use of these sorts of terms is another common weakness in students' philosophy essays. Pay close and careful attention to how you employ them. Moreover, pay close and careful attention to how the authors you read use them. For further discussion of some of these terms and others, see:
- Basic Philosophical Vocabulary, prepared by the staff of the Philosophy Department and available from the programs Office
- Wesley C. Salmon, Logic, 2nd ed. (Englewood Cliffs, NJ: Prentice Hall, 1973)
- Antony Flew, Thinking About Thinking (London: Fontana, 1985)
- Graham Priest, Logic: A Very Short Introduction (Oxford: Oxford University Press, 2000)
- Joel Rudinow and Vincent E. Barry, Invitation to Critical Thinking, 4th ed. (Fort Worth, Texas: Harcourt Brace, 1999)
Revising your essay
It is virtually essential that you write a first draft of your essay and then work on that draft to work towards your finished essay. Indeed, several drafts may well be necessary in order to produce your best possible work. It is a rare philosopher indeed who can get things perfectly right on the first attempt, so be prepared to revise and re-develop what you write. Don't be too precious about what you have written, if it appears that it should be sacrificed in the revision process. There is usually a very marked difference between essays which are basically first draft rush-jobs done the night before they are due and those which have been revised and polished. Give yourself time to revise by starting writing early on. For most philosophy students, the greater part of the work in essay writing is in the writing, not in the preliminary researches and planning stages. So be wary of thinking "I've done all the research. I only need to write up my notes, which I can do the night before the essay's due". This is likely to lead to a weak, perhaps non-existent, essay (and very likely a sleepless night).
Stick to the word limit given for your essay. Why are word limits imposed? First, to give the markers a fair basis for comparing student essays. Second, to give you the opportunity to practise the discipline of working creatively under constraints. Skill in this discipline will stand you in very good stead in any sphere where circumstances impose limitations. Again, word limits are not constraints on your intellectual freedom. Outside your essay you are free to write without limit. But even there you'll probably find that your creativity is improved by working under a self-imposed discipline.
As a general rule, most student essays that fall well short of the word limit are weak or lazy attempts at the task, and most essays that go well over the limit are not much stronger or the result of much harder work - the extra length is often due to unstructured waffle or padding which the writer hasn't thought enough about so as to edit judiciously. If you structure your essay clearly, you'll find it easier to revise and edit, whether in order to contract or expand it. ("Hmm, let's see: section 2 is much longer than section 4, but is not as important, so I'll cut it down. And I should expand section 3, because that's a crucial step. And I can shift that third paragraph in the Introduction to the Conclusion.")
Plagiarism and originality
Plagiarism is essentially a form of academic dishonesty or cheating. At university level, such dishonesty is not tolerated and is dealt with severely, usually by awarding zero marks for a plagiarised essay or, in some cases, dismissing a student from the university.
When you submit your essay, you are implicitly stating that the essay is your own original and independent work, that you have not submitted the same work for assessment in another subject, and that where you have made use of other people's work, this is properly acknowledged. If you know that this is not in fact the case, you are being dishonest. (In a number of university departments, students are in fact required to sign declarations of academic honesty.)
Plagiarism is the knowing but unacknowledged use of work by someone else (including work by another student, and indeed oneself - see below) and which is being presented as one's own work. It can take a number of forms, including:
- copying : exactly reproducing another's words
- paraphrasing : expressing the meaning of another's words in different words
- summarising : reproducing the main points of another's argument
- cobbling : copying, paraphrasing or summarising the work of a number of different people and piecing them together to produce one body of text
- submitting one's own work when it has already been submitted for assessment in another subject
- collusion : presenting an essay as your own independent work when in fact it has been produced, in whole or part, in collusion with one or more other people
None of the practices of copying, paraphrasing, summarizing or cobbling is wrong in itself, but when one or more is done without proper acknowledgment it constitutes plagiarism. Therefore, all sources must be adequately and accurately acknowledged in footnotes or endnotes. (See Section 7.) Plagiarism from the internet in particular can be a temptation for a certain kind of student. However, be warned: there is a number of very good internet and software tools for identifying plagiarism.
With regard to collusion, it's undoubtedly often very helpful to discuss one's work with others, be it other students, family members, friends or teachers. Indeed, philosophy thrives on dialogue. However, don't kid yourself that you would simply be extending that process if you were to ask your interlocutor to join with you in the writing of your essay, whether by asking them to tell you what you should write or to write down some of their thoughts for you to reproduce in your essay. At the end of the day, you must be the one to decide what goes into your essay.
Originality
Students sometimes worry about whether they will be able to develop "original ideas", especially in light of the fact that nearly every philosophical idea one comes up with seems to have been thought of before by someone else. There is no denying that truly original work in philosophy is well rewarded, but your first aim should be to develop ideas that you think are good and not merely different. If, after arguing for what you believe is right, and arguing in way that you think is good, you then discover that someone else has had the same idea, don't throw your work away - you should feel vindicated to some extent that your thinking has been congruent with that of another (possibly great) philosopher. (If you have not yet handed your essay in when you make this discovery, make an appropriately placed note to that effect.) Don't be fooled, however, into thinking that plagiarism can be easily passed off as congruent thinking. Of course, if that other philosopher's ideas have helped you to develop your ideas, then this is not a matter of congruent ideas but rather of derivative ideas, and this must be adequately acknowledged. If, after developing your ideas, you discover that they are original, then that is an added bonus. But remember that it is more important to be a good philosopher than an original one.
Quotations, footnotes, endnotes and bibliography
Quotations in your essay should be kept to a minimum. The markers know the central texts pretty well already and so don't need to have pages thereof repeated in front of them. Of course, some quotation will usually be important and useful - sometimes essential - in both exposition and critical discussion.
When you quote the words of someone else directly, you must make the quotation clearly distinct from your own text, using quotation marks . (eg "Descartes said that 'it is prudent never to trust completely those who have deceived us even once.'* He makes this claim …" - where the words quoted from Descartes are in 'single quotation marks'. Note that it is relatively arbitrary whether one uses 'single' or "double" quotation marks for "first order" quotations, but whichever style you adopt, use it consistently in the one essay.) Alternatively, where the quoted passage is greater than three lines, put the quoted words in a separate indented paragraph , so that your essay would look like this:
In his First Meditation , Descartes argues as follows:
Whatever I have up till now accepted as most true I have acquired either from the senses or through the senses. But from time to time I have found that the senses deceive, and it is prudent never to trust completely those who have deceived us even once.* In this essay I shall argue that prudence does not in fact require us to distrust our senses and that Descartes's sceptical method is therefore seriously flawed.
In both cases, the quotations must be given proper referencingin a footnote or endnote.
When you are not quoting another person directly, but are still making use of their work - as in indirect quotations (eg "Descartes says that it is wise not to trust something that has deceived us before"*), paraphrases, summaries, and cobblings - you must still acknowledge your debts, using footnotes or endnotes.
* Rene Descartes, Meditations on First Philosophy , trans. John Cottingham (Cambridge: Cambridge University Press, 1986 [first French ed., 1641]), p. 12.
Footnotes and endnotes
Footnotes appear at the foot of the same page on which the cited material appears, clearly separated from the main body of the text, each one clearly numbered. Endnotes appear at the end of the essay, again clearly separated from the main body of text, numbered and headed "Endnotes" or "Notes". Either method is acceptable, but you should choose one and stick with it throughout the one essay.
Below are some examples of how to put the relevant referencing information in footnotes and endnotes. This is not intended as an exercise in pedantry, but as a guide to how to provide the information needed for adequate referencing. The reason we provide this information is to enable our readers to find the sources we use in order to verify them and to allow them to pursue the material further if it interests them. In your own researches you will come to value good referencing in the texts you read as a helpful source of further references on a topic. Again, it is this sort of research skill that an Arts graduate will be expected to have mastered.
There are various conventions for writing up footnotes and endnotes. The Philosophy Department does not require that any particular convention be followed, only that you be consistent in your use of the convention that you do choose. For other conventions see the style guides mentioned above, or simply go to some texts published by reputable publishers and see what formats they employ.
Imagine, then, that the following are endnotes at the end of your essay. I will explain them below.
- James Rachels, The Elements of Moral Philosophy , 2nd ed. (New York: McGraw-Hill, 1993), p. 25.
- Philippa Foot, "Moral Relativism", in Michael Krausz and Jack W. Meiland, eds., Relativism: Cognitive and Moral (Notre Dame, Indiana: University of Notre Dame Press, 1982), p. 155.
- Ibid., p. 160.
- Immanuel Kant, Groundwork of the Metaphysic of Morals, trans. H. J. Paton (New York: Harper and Row, 1964 [first German ed., 1785]), p. 63.
- Thomas Hobbes, Leviathan, (London: Dent, 1973 [first pub. 1651]),p. 65.
- Rachels, The Elements, p. 51.
- Peter Winch, "The Universalizability of Moral Judgements", The Monist 49 (1965), p. 212.
- Antony Duff, "Legal Punishment", The Stanford Encyclopedia of Philosophy (Spring 2001 Edition), Edward N. Zalta (ed.), plato.stanford.edu/archives/spr2001/entries/legal-punishment/ at 15 June 2003, sec. 6.
Notes explained
- This is your first reference to a book called The Elements of Moral Philosophy. The title is given in full and in italics. If you are unable to use italics, then you should underline the title. The book's author is James Rachels. It's the 2nd edition of that book, which was published in New York, by the publishers McGraw-Hill, in 1993. The page you have referred to in your main text is page 25
- This is your first reference to Philippa Foot's article, "Moral Relativism", the title of which is put in "quotation marks". This article appeared in a book (title in italics) which is an anthology of different articles, and which was edited by Krausz and Meiland (names in full). The rest is in the same style as note (1)
- "Ibid." is short for "ibidem", which means "in the same place" in Latin. Use it on its own when you want to refer to exactly the same work and page number as in the immediately preceding note. So here the reference is again to Foot's article at page 155
- Ditto, except this time you refer to a different page in Foot's article, namely page 160
- This is reference to a book by Kant. Same book details as per note (1), except that, because this is a translation, you include the translator's name, and the date of the first edition in the original language
- This is a book reference again, so it's the same as note (1), except that, because it's an old book, you include the date of the original edition. (How old does a book have to be before it merits this treatment? There is no settled view. Note, though, that this convention is not usually followed for ancient authors)
- Here you are referring to Rachels' book again, but, because you are not in the very next note after a reference to it, you can't use "ibid.". Simply give the author's surname and a short title of the book, plus page reference. There is also a common alternative to this, whereby you give the surname, and write "op. cit." (which is short for "opere citato", which is Latin for "in the work already cited") and page reference (eg "Rachels, op. cit., p. 51.") Your reader then has to scan back over the notes to see what that "op." was exactly. The first option (author plus short title) is usually easier on the reader
- This is a reference to an article by Peter Winch in a journal called The Monist. The article's title is in "quotes", the journal title is in italics. The volume of the journal is 49, the year of publication is 1965, the page referred to is p. 212
- This is a reference to an article in the internet-based Stanford Encyclopedia of Philosophy. The article is titled "Legal Punishment" and was written by Antony Duff. The Encyclopedia was edited by Edward N. Zalta. Note that I have basically followed the mode of citation that the Encyclopedia itself recommends. (This is one sign of the site being a reputable one. Where a site makes such a recommendation, it's best to follow it.) I have, however, also added the date on which the article was retrieved from the site, and put the author's given name first, to be consistent with the other footnotes. I have also added the reference to section 6, in an effort to be more precise as to where in the article the material I used came from. Since web pages aren't numbered in the manner of hard copy works, it will help if you are able to refer to some other feature, such as paragraphs or sections, so as to pin-point your reference. In the absence of a site recommending a mode of citation to its own material, the basic information needed for adequate citation of internet-based material is (where identifiable) the author, the document title, the year the document was created, the website name, the uniform resource locator (URL) in <arrow-brackets>, date of retrieval, and a pin-point reference*
* I am here following the mode of citation of internet materials recommended in Melbourne University Law Review Association Inc, Australian Guide to Legal Citation , 2nd ed. (Melbourne: Melbourne University Law Review Association Inc, 2002), pp. 70-73. I have, though, added the desirability of a pin-point reference.
Bibliography
At the end of your essay (after your endnotes, if used) you should list in a bibliography all of the works referred to in your notes, as well as any other works you consulted in researching and writing your essay. The list should be in alphabetical order, going by authors' surnames. The format should be the same as for your notes, except that you drop the page references and should put surnames first. So the bibliography of our mock-essay above would look like this:
- Duff, Antony, "Legal Punishment", The Stanford Encyclopedia of Philosophy (Spring 2001 Edition), Edward N. Zalta (ed.), plato.stanford.edu/archives/spr2001/entries/legal-punishment/ at 15 June 2003
- Foot, Philippa, "Moral Relativism", in Michael Krausz and Jack Meiland, eds., Relativism: Cognitive and Moral (Notre Dame, Indiana: University of Notre Dame Press, 1982)
- Hobbes, Thomas, Leviathan (London: Dent, 1973 [first pub.1651])
- Kant, Immanuel, Groundwork of the Metaphysic of Morals , trans. H.J. Paton (New York: Harper and Row, 1964 [first German ed. 1785])
- Rachels, James, The Elements of Moral Philosophy , 2nd ed., (New York: McGraw-Hill, 1993)
- Winch, Peter, "The Universalizability of Moral Judgements", The Monist 49 (1965)
Presentation of essays and seeking advice
Generally, you should present an essay that is legible (hand-writing is OK, but typed or word-processed essays are preferable), in English, on one side of pieces of paper that are somewhere in the vicinity of A4 size and are fixed together . You should attach a completed Cover Sheet provided by the Philosophy program. Plastic document covers, spiral binding and other forms of presentational paraphernalia are not necessary (nor are they usually even desirable, as they mostly just get in the marker's way).
Late essays
Late essays are penalised . (For details of penalties consult the Philosophy program's notice board.)
Essays not handed in
Essays not handed in at all get zero marks. An essay that is handed in but gets a mark below 50 (and so is technically a "failed" essay) still gets some marks. (At least, it will so long as it's not so extremely late that the deducted marks wipe out all the marks it would have received if handed in on time.) All marks received for your essay (whether pass or fail) go toward your final score in the subject. Therefore, even if you think your essay is bound to fail (but please let your marker be the judge of that), or the due date has already passed, or both, it is still in your interests to hand your essay in .
Tutors and lecturers
Philosophy staff are not there just to be listened to by you; they are also there to listen to you. So don't hesitate to contact your tutor or lecturer to discuss questions or problems you have concerning your work.
If you have a legitimate excuse, you may be granted an extension on the due date for your essay by the lecturer in charge. Similarly, special consideration may also be granted when illness or other circumstances adversely affect your work. Applications for special consideration are made online via the Special Consideration web page.
Student counselling
Some personal or non-philosophical academic difficulties you might have you might want to discuss with someone other than your tutor or lecturer. Student Counselling and Psychological Services are there for you to discuss all sorts of problems you might encounter. Please consult your student diary for details on the counselling service.
English language assistance
As noted above, good philosophical writing requires a good grasp of the language in which it is written. If you are from a non-English speaking background and are having difficulties with your English expression in an academic context, you might like to make use of the services provided by Student Services Academic Skills . Many native English speakers, too, can benefit from short "refresher" courses and workshops run by the Centre. Please consult your student diary for details about this service.
A bit on Philosophy exams
Essays of the sort discussed so far in this guide are not the only form of assessment in the Philosophy program - examinations are also set. What is to be said about them?
First, not much that is different from what's been said above about philosophy essays. This is because what you write in a philosophy exam is none other than a philosophy essay . Have a look at past philosophy exam papers, in the Gibson and Baillieu libraries, to get a feel for them. The only basic difference between essays and exams is the matter of what constraints you're working under. Essays have word limits; exams have time limits . Again, stick to them. (Actually, you'll be made to stick to them by the exam invigilators.)
It's best, then, to think about how long to spend writing on an exam essay topic, rather than about how many words to write on it. Simple arithmetic will tell you how much time to spend on each exam question. (eg if you have a 2-hour exam and have to answer 3 questions, each worth one-third of the exam mark, then spend 40 minutes on each question.) Avoid the trap of "borrowing time" from a later question in order to perfect your answer to an earlier question, and then working faster on the later questions to catch up on lost time - this is likely to get you in a tangle. There are no word limits in philosophy exam essays, but don't think that the more you scrawl across the page, the more marks you'll get. Nonetheless, use the time you've got so as to maximise your display of your philosophical understanding and skills in answering the question.
Planning and structuring remain very important in exam essays. With regard to the niceties of footnotes, endnotes and bibliographies, etc., these are not necessary, so don't waste time on these. However, if you quote or refer to a specific passage from a text, do indicate clearly that it is a quotation or reference. (The principle of being clear as to who is saying what remains central.) If you have the reference handy, just put it briefly in the text of your exam essay. (eg "As Descartes says in Meditation I (p. 12), . . ." or "'[I]t is prudent never to trust completely those who have deceived us even once' (Descartes, Meditation I, p. 12)".) Generally speaking, you will show your familiarity with any relevant texts by how you handle them in your discussion. This is also true for your non-exam essays.
Your preparation for the exam should have been done well before entering the exam hall. Note that various subjects have restrictions on what texts and other items can be brought into the exam hall. (Consult the Philosophy program's notice board for details.) Many subjects will have "closed book" exams. Even if an exam is "open book", if you are properly prepared, you should not need to spend much time at all consulting texts or notes during the exam itself.
You won't have time for redrafting and revising your exam essay (which makes planning and structuring your answers before you start writing all the more important). If you do want to delete something, just cross it out clearly. Don't waste time with liquid paper or erasers. Write legibly . Don't wr. "point form" sav. time. Diff. kn. mean. use incomp. sent.
Finally, read the instructions at the beginning of the exam paper. They are important. (eg it's not a good strategy to answer two questions from Part A, when the Instructions tell you to answer two questions, one from Part A and one from Part B.) Note the (somewhat quaint) University practice of starting Reading Time some time before the stated time for the exam. Philosophy exams usually have 15 minutes of reading time. (Check for each of your exams.) So, if your exam timetable says the exam is at 2.15 pm, with reading time of 15 minutes, then the reading time starts at 2.00 pm and the writing time starts at 2.15pm - so get to the exam hall well before 2.00 pm. Reading time is very important. Use it to decide which questions you'll answer and to start planning your answers.
Checklist of questions
- Do I understand the essay question ? Do I know when the essay is due ?
- Do I know which texts to consult? Do I know where to find them?
- Have I made useful notes from my reading of the relevant texts?
- Have I made a plan of how I'll approach the question in my essay?
- Have I given myself enough time to draft and redraft my essay?
- Have I written a clearly structured essay? Is it clear what each stageis doing? Do I do what I say I'll do in my Introduction?
- Have I clearly distinguished exposition and critical discussion ? Have I given a fair and accurate account of the author(s) in question?
- Is my response to the topic relevant ? Do I answer the question? Have I kept my essay within the general bounds of the topic?
- Have I displayed a good grasp of the vocabulary of logical argument ? Are my arguments logically valid and sound? Are my claims supported by reasons ? Am I consistent within my essay?
- Is my English expression clear and precise ? Are my grammar, punctuation and spelling correct? Have I said what I meant to say? Is my writing legible?
- Have I fully acknowledged all my sources in footnotes or endnotes? Are my quotations accurate? Have I included a bibliography ?
- Do I need to revise any part of my essay again?
- Have I made a copy or photocopy of my essay for myself?
- Have I kept the receipt for my handed-in essay?
How to Write a Philosophy Essay: Ultimate Guide
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What Is a Philosophy Essay: Definition
Philosophical writing isn't your typical assignment. Its aim isn't to provide an overview of professional philosophers' works and say whether you agree with them.
Philosophy demands becoming a philosopher for the time of writing, thinking analytically and critically of ideas, pondering the Big Questions, and asking 'Why?'. That's why it requires time and energy, as well as a lot of thinking on your part.
But what is philosophy essay, exactly? If you're tasked with writing one, you'll have to select a thesis in the philosophical domain and argue for or against it. Then, you can support your thesis with other professional philosophers' works. But it has to contain your own philosophical contribution, too. (This is only one definition of philosophy essay, of course.)
What's a Good Philosophy Paper Outline?
Before you start writing your first line, you should make a philosophy essay outline. Think of it as a plan for your philosophy paper that briefly describes each paragraph's point.
As for how to write a philosophy essay outline, here are a few tips for you:
- Start with your thesis. What will you be arguing for or against?
- Read what philosophical theory has to say and note sources for your possible arguments and counterarguments.
- Decide on the definitions of core concepts to include precise philosophical meanings in your essay.
- After careful and extended reflection, organize your ideas following the structure below.
How To Structure a Philosophy Paper?
Like any other essay, a philosophy paper consists of an introduction, a main body, and a conclusion. Sticking to this traditional philosophy essay structure will help you avoid unnecessary stress.
Here's your mini-guide on how to structure a philosophy essay:
- Introduction - Clarify the question you will be answering in your philosophy paper. State your thesis – i.e., the answer you'll be arguing for. Explain general philosophical terms if needed.
- Main body - Start with providing arguments for your stance and refute all the objections for each of them. Then, describe other possible answers and their reasoning – and counter the main arguments in their support.
- Conclusion - Sum up all possible answers to the questions and reiterate why yours is the most viable one.
What's an Appropriate Philosophy Essay Length?
In our experience, 2,000 to 2,500 words are enough to cover the topic in-depth without compromising the quality of the writing.
However, see whether you have an assigned word limit before getting started. If it's shorter or longer than we recommend, stick to that word limit in writing your essay on philosophy.
What Format Should You Use for a Philosophy Paper?
As a service we can attest that most students use the APA guidelines as their philosophy essay format. However, your school has the final say in what format you should stick to.
Sometimes, you can be asked to use a different college philosophy essay format, like MLA or Chicago. But if you're the one to choose the guidelines and don't know which one would be a good philosophy argumentative essay format, let's break down the most popular ones.
APA, MLA, and Chicago share some characteristics:
- Font: Time New Roman, 12 pt
- Line spacing: double
- Margins: 1" (left and right)
- Page number: in the header
But here's how they differ:
- A title page required
- Sources list: 'References' page
- No title page required
- Sources list: 'Works cited' page
- Sources list: 'Bibliography' page
- Footnotes and endnotes are required for citations
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Guideline on How to Write a Philosophy Essay
If you still don't feel that confident about writing a philosophy paper, don't worry. Philosophical questions, by definition, have more than one interpretation. That's what makes them so challenging to write about.
To help you out in your philosophical writing journey, we've prepared this list of seven tips on how to write a philosophy essay.
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- Read Your Sources Thoughtfully
Whether your recommended reading includes Dante's Divine Comedy or Jean-Paul Sartre's Existentialism Is a Humanism , approach your sources with curiosity and analytical thinking. Don't just mindlessly consume those texts. Instead, keep asking yourself questions while you're reading them, such as:
- What concepts and questions does the author address?
- What's the meaning behind key ideas and metaphors in the text?
- What does the author use as a convincing argument?
- Are there any strange or obscure distinctions?
As for which sources you should turn to, that all depends on your central question; philosophy topics for essay are diverse and sometimes opposed. So, you'll have to do your fair share of research.
- Brainstorm & Organize Your Ideas
As you're reading those texts, jot down what comes to your mind. It can be a great quote you've stumbled upon, an idea for an argument, or your thoughtful, critical responses to certain opinions.
Then, sort through and organize all of those notes into an outline for your essay in philosophy. Make sure that it holds up in terms of logic. And ensure that your arguments and counterarguments are compelling, sensible, and convincing!
Now, you might be wondering how to write a philosophy essay introduction. Don't worry: there's an explanation right below!
- Craft Your Introductory Paragraph
Think of your introduction as a road map preparing your reader for the journey your essay will take them on. This road map will describe the key 'stops' in your essay on philosophy: your topic, stance, and how you will argue for it – and refute other stances.
Don't hesitate to write it out as a step-by-step guide in the first or third person. For example: 'First, I will examine... Then, I will dispute... Finally, I will present….'
Need an example of an excellent introduction for a philosophy paper? You’ll be thrilled to know that we have one of our philosophy essay examples below!
- Present Your Key Arguments & Reflections
Philosophy papers require a fair share of expository writing. This is where you demonstrate your understanding of the topic. So, make your exposition extensive and in-depth, and don't omit anything crucial.
As for the rest of the main body, we've covered how to structure a philosophy essay above. In short, you'll need to present supporting arguments, anticipate objections, and address them.
Use your own words when writing a philosophy paper; avoid pretentious or verbose language. Yes, some technical philosophical terms may be necessary. But the point of a philosophical paper is to present your stance – and develop your own philosophy – on the topic.
- Don't Shy Away from Critical Ideas
Whenever you examine a philosophical theory or text, treat it with a fair share of criticism. This is what it means in practice – and how to structure a philosophy essay around your critical ideas:
- Pinpoint what the theory's or idea's strengths are and every valid argument in its support;
- See the scope of its application – perhaps, there are exceptions you can use as counterarguments;
- Research someone else's criticism of the theory or idea. Develop your own criticism, as well;
- Check if the philosopher already addressed those criticisms.
- Ponder Possible Answers to Philosophical Questions
Writing an essay in philosophy is, in fact, easier for some students as the topic can always have multiple answers, and you can choose any of them. However, this can represent an even tougher challenge for other students. After all, you must consider those possible answers and address them in the paper.
How do you pinpoint those possible answers? Some of them can come to your mind when you brainstorm, especially if you'll be writing about one of the Big Questions. Others will reveal themselves when you start reading other philosophers' works.
Remember to have arguments for and against each possible answer and address objections.
- Write a Powerful Conclusion
The conclusion is where you sum up your paper in just one paragraph. Reiterate your thesis and what arguments support it. But in philosophical writing, you can rarely have a clear, undebatable answer by the end of the paper. So, it's fine if your conclusion doesn't have a definitive verdict.
Here are a few tips on how to write a conclusion in a philosophy essay:
- Don't introduce new arguments or evidence in conclusion – they belong in the main body;
- Avoid overestimating or embellishing the level or value of your work;
- Best conclusions are obvious and logical for those reading the paper – i.e.; a conclusion shouldn't be surprising at all;
- Stay away from poorly explained claims in conclusion.
Philosophical Essay Example
Sometimes, it's better to see how it's done once than to read a thousand guides. We know that like no one else, so we have prepared this short philosophy essay example to show you what excellent philosophy papers look like:
Like this example? Wondering how to get a perfect philosophy essay as great as it is? You're in luck: you can leave " write my philosophy paper " request and buy online essay at EssayPro without breaking the bank! Keep in mind: this example is only a fraction of what our writers are capable of!
30 Philosophy Paper Topic Ideas
Philosophical writing concerns questions that don't have clear-cut yes or no answers. So, coming up with philosophy essay topics yourself can be tough.
Fret not: we've put together this list of 30 topics for philosophy papers on ethics and leadership for you. Feel free to use them as-is or tweak them!
15 Ethics Philosophy Essay Topics
Ethics deals with the question of right and wrong. So, if you're looking for philosophy essay topic ideas, ethics concerns some of the most interesting – and most mind-boggling – questions about human behavior.
Here are 15 compelling philosophy essay topics ethics has to offer you:
- Is starting a war always morally wrong?
- Would it be right to legalize euthanasia?
- What is more important: the right to privacy or national security?
- Is justice always fair?
- Should nuclear weapons be banned?
- Should teenagers be allowed to get plastic surgery?
- Can cheating be justifiable?
- Can AI algorithms behave ethically?
- Should you abide by an unfair law?
- Should voting become mandatory?
- When can the right to freedom of speech be limited?
- Is it the consumers' responsibility to fight climate by changing their buying decisions?
- Is getting an abortion immoral?
- Should we give animals their own rights?
- Would human gene editing be immoral?
15 Leadership Philosophy Essay Topics
You're lucky if you're tasked with writing a leadership philosophy essay! We've compiled this list of 15 fresh, unconventional topics for you:
- Is formal leadership necessary for ensuring the team's productivity?
- Can authoritative leadership be ethical?
- How do informal leaders take on this role?
- Should there be affirmative action for formal leadership roles?
- Is it possible to measure leadership?
- What's the most important trait of a leader?
- Is leadership an innate talent or an acquired skill?
- Should leadership mean holding power over others?
- Can a team function without a leader?
- Should you follow a leader no matter what?
- Is leader succession necessary? Why?
- Are leadership and power the same?
- Can we consider influencers contemporary leaders?
- Why do people follow leaders?
- What leadership style is the most ethical one?
7 Helpful Tips on Crafting a Philosophical Essay
Still, feeling stuck writing a philosophical essay? Here are seven more tips on crafting a good philosophy paper that can help you get unstuck:
- Write the way you would talk about the subject. This will help you avoid overly convoluted, poor writing by using more straightforward prose with familiar words.
- Don't focus on having a definitive answer by the end of your philosophical essay if your conclusion states that the question should be clarified further or that there are multiple answers.
- You don't have to answer every question you raise in the paper. Even professional philosophers sometimes don't have all the answers.
- Get straight to the point at the start of your paper. No need to warm up the reader – and inflate your word count.
- Avoid using quotes. Instead, explain the author's point in your own words. But if you feel it's better to use a direct quote, explicitly state how it ties to your argument after it.
- Write in the first person unless your assignment requires you to use the third person.
- Start working on your philosophical essay well in advance. However much time you think you'll need, double it!
7 Common Mistakes to Avoid in Philosophy Writing
Sometimes, knowing what you shouldn't do in a philosophical essay is also helpful. Here are seven common mistakes that often bring down students' grades – but are easily avoidable:
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- Appealing to authority – in philosophy, strive to develop your own stance instead;
- Using convoluted sentences to appear more intelligent – instead, use simpler ways to deliver the same meaning;
- Including interesting or important material without tying it to your point – every piece of evidence and every idea should explicitly support your arguments or counterarguments;
- Inflating your word count without delivering value – in the writing process, it's crucial to 'kill your darlings';
- Making poorly explained claims – explicitly present reasons for or against every claim you include;
- Leaving core concepts undefined – explain what you mean by the words like 'free will' or 'existentialism' in the introduction;
- Worrying about being wrong – no one can be proven wrong in philosophy!
Realize that your draft contains those mistakes, and it's too late to fix them? Then, let us help you out! Whether you ask us, 'Fix my paper' or ' Write my paper from scratch,' our philosophy writers will deliver an excellent paper worth the top grade. And no, it won't cost you a fortune!
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Daniel Parker
is a seasoned educational writer focusing on scholarship guidance, research papers, and various forms of academic essays including reflective and narrative essays. His expertise also extends to detailed case studies. A scholar with a background in English Literature and Education, Daniel’s work on EssayPro blog aims to support students in achieving academic excellence and securing scholarships. His hobbies include reading classic literature and participating in academic forums.
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What this handout is about
This handout discusses common types of philosophy assignments and strategies and resources that will help you write your philosophy papers.
What is philosophy, and why do we study it?
Philosophy is the practice of making and assessing arguments. An argument is a set of statements (called premises) that work together to support another statement (the conclusion).
Making and assessing arguments can help us get closer to understanding the truth. At the very least, the process helps make us aware of our reasons for believing what we believe, and it enables us to use reason when we discuss our beliefs with other people. Your philosophy teacher wants to help you learn to make strong arguments and to assess the arguments other people make.
Elements of philosophy papers
A philosophy paper may require several kinds of tasks, including:
- Argument reconstruction
Objections and replies
Application.
- Original argument
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Thought experiments
Let’s examine these elements one at a time.
Argument Reconstruction
To reconstruct an argument, you’ll need to present it in a way that someone unfamiliar with the material will understand. Often, this requires you to say a lot more than the philosopher whose work you are writing about did!
There are two main ways to reconstruct an argument: in regular prose or as a formal series of numbered steps. Unless your professor or TA has told you otherwise, you should probably use regular prose. In either case, keep these points in mind:
- Keep your ideas separate from the author’s. Your purpose is to make the author’s argument clear, not to tell what you think of it.
- Be charitable. Give the best version of the argument you can, even if you don’t agree with the conclusion.
- Define important terms.
- Organize your ideas so that the reader can proceed logically from premises to conclusion, step by step.
- Explain each premise.
Let’s walk through an argument reconstruction. Here is a passage by 18th-century British philosopher David Hume:
Take any action allowed to be vicious: Willful murder, for instance. Examine it in all lights, and see if you can find that matter of fact, or real existence, which you call vice. In whichever way you take it, you find only certain passions, motives, volitions and thoughts. There is no other matter of fact in the case. The vice entirely escapes you, as long as you consider the object. You never can find it, till you turn your reflection into your own breast, and find a sentiment of disapprobation, which arises in you, towards this action. Here is a matter of fact, but it is the object of feeling, not of reason. It lies in yourself, not in the object. So that when you pronounce any action or character to be vicious, you mean nothing, but that from the constitution of your nature you have a feeling or sentiment of blame from the contemplation of it. (David Hume, A Treatise of Human Nature).
Step 1: Reread the passage a few times, stopping to look up any unfamiliar words—”disapprobation,” maybe. Be sure you understand the important terms, like “vicious.” (By “vicious,” Hume seems to mean “wicked, depraved, or immoral,” which probably isn’t the way you use the word in everyday speech.)
Step 2: Identify the conclusion. Sometimes your teacher will identify it for you, but even if they didn’t, you can find it. (Caution: It won’t always be the first or the last sentence in the passage; it may not even be explicitly stated.) In this case, Hume’s conclusion is something like this: The viciousness of an action is a feeling of disapprobation in the person who considers it, not a property of the action itself.
Step 3: Identify the premises. Consider the conclusion and ask yourself what the author needs to do to prove it. Hume’s conclusion here seems to have two parts: When we call an action vicious, we mean that our “nature” causes us to feel blame when we contemplate that action. There is nothing else that we could mean when we call an action “vicious.”
Step 4: Identify the evidence. Hume considers an example, murder, and points out that when we consider why we say that murder is vicious, two things happen:
- We realize that when we contemplate murder, we feel “a sentiment of disapprobation” in ourselves.
- No matter how hard we look, we don’t see any other “matter of fact” that could be called “vice”—all we see “in the object” (the murder) are “certain passions, motives, volitions, and thoughts.”
Step 5: Identify unspoken assumptions. Hume assumes that murder is a representative case of “viciousness.” He also assumes that if there were “viciousness” in the “object” (the murder), we would be able to “see” it—it isn’t somehow hidden from us. Depending on how important you think these assumptions are, you may want to make them explicit in your reconstruction.
Step 6: Sketch out a formal reconstruction of the argument as a series of steps.
- If we examine a vicious action like murder, we see passions, motives, volitions, and thoughts.
- We don’t see anything else.
- So we don’t see any property or “matter of fact” called “viciousness.”
- Assumption: What we don’t see is not there.
- When we examine our feelings about murder, we see a “sentiment of disapprobation.”
- Unstated premise: This feeling of disapprobation is the only thing all the acts we think are vicious have in common, and we feel it whenever we confront a vicious act—that is, all and only vicious acts produce the feeling of disapprobation.
- Conclusion: So the viciousness of a bad action is a feeling of disapprobation in the person who considers it, not a factual property of the action itself.
Step 7: Summarize the argument, explaining the premises and how they work together. Here’s how such a prose reconstruction might go: To understand what we mean when we call an action “vicious,” by which he means “wrong,” Hume examines the case of murder. He finds that whenever we consider a murder itself, all we see are the “passions, motives, volitions, and thoughts” of the people involved. For example, we might see that the murderer feels the passion of anger and is motivated by a desire to make his victim suffer, and that the victim feels the passion of fear and is thinking about how to escape. But no matter how hard we look, we don’t see “viciousness” or wrongness—we see an action taking place, and people with motives and feelings are involved in that action, but none of these things seem to be what we mean by “viciousness” or wrongness. Hume next turns his inquiry inward, and considers what is happening inside a person who calls a murder “vicious.” The person who thinks or says that murder is wrong always seems to be feeling a certain “sentiment of disapprobation.” That is, the person disapproves of the action and blames the murderer. When we say “murder is wrong,” we usually think that we are saying something about murder itself, that we are describing a property (wrongness) that the action of murder has. But Hume thinks what we are in fact describing is a feeling in us, not a property of murder—the “viciousness” of a vicious action is just an emotion in the person who is thinking about or observing that action, rather than a property of the action itself.
Often, after you reconstruct an argument, you’ll be asked to tell whether it is a good or a bad argument and whether you agree or disagree with it.
Thinking of objections and examining their consequences is a way that philosophers check to see if an argument is a good one. When you consider an objection, you test the argument to see if it can overcome the objection. To object to an argument, you must give reasons why it is flawed:
- The premises don’t support the conclusion.
- One or more of the premises is false.
- The argument articulates a principle that makes sense in this case but would have undesirable consequences in other cases.
- The argument slides from one meaning of a term to another.
- The argument makes a comparison that doesn’t really hold.
Here are some questions you can ask to make sure your objections are strong:
- Have I made clear what part of the argument I object to?
- Have I explained why I object to that part of the argument?
- Have I assessed the severity of my objection? (Do I simply point out where the philosopher needs to do more work, or is it something more devastating, something that the philosopher cannot answer?)
- Have I thought about and discussed how the philosopher might respond to my objection?
- Have I focused on the argument itself, rather than just talking about the general issues the conclusion raises?
- Have I discussed at least one objection thoroughly rather than many objections superficially?
Let’s look at our example again. What objections might you make to Hume’s argument about murder? Here are some possible arguments:
- You might object to premises 2 and 3, and argue that wrong actions do have a property that makes us call them wrong. For example, maybe we call actions wrong because of their motives—because the actions are motivated by cruelty, for example. So perhaps Hume is right that we don’t see a property called “viciousness,” but wrong that “viciousness” is thus only a feeling in us. Maybe the viciousness is one of the motives or passions.
- You might also object to premise 5, and say that we sometimes judge actions to be wrong even though we don’t feel any “sentiment” of disapproval for them. For example, if vigilantes killed a serial murderer, we might say that what they did was wrong, even if we shared their anger at the murderer and were pleased that they had killed them.
Often you’ll be asked to consider how a philosopher might reply to objections. After all, not every objection is a good objection; the author might be able to come up with a very convincing reply! Use what you know about the author’s general position to construct a reply that is consistent with other things the author has said, as well as with the author’s original argument.
So how might Hume, or someone defending Hume, reply to the objections above? Here are some possible objections:
- To the first, Hume might reply that there is no one motive that all “vicious” actions have in common. Are all wrong actions motivated by cruelty? No—theft, for example, might be motivated by hunger. So the only thing all “vicious” actions have in common is that we disapprove of them.
- To the second, Hume might reply that when we call the actions of vigilantes wrong, even though we are pleased by them, we must still be feeling at least some disapproval.
Sometimes you will be asked to summarize an author’s argument and apply that position to a new case. Considering how the author would think about a different case helps you understand the author’s reasoning and see how the argument is relevant. Imagine that your instructor has given you this prompt:
“Apply Hume’s views on the nature of vice to the following case: Mr. Smith has an advanced form of cancer. He asks Dr. Jones what she thinks his prognosis is. Dr. Jones is certain Mr. Smith will die within the month, but she tells him he may survive for a year or longer, that his cancer may not be fatal. Dr. Jones wants to give Mr. Smith hope and spare him the painful truth. How should we think about whether what Dr. Jones did is wrong?”
Consider what you know about Hume’s views. Hume has not given a list of actions that are right or wrong, nor has he said how we should judge whether an action is right or wrong. All he has told us is that if an action is wrong, the wrongness is a sentiment in the people considering the action rather than a property of the action itself. So Hume would probably say that what matters is how we feel about Dr. Jones’s action—do we feel disapproval? If we feel disapproval, then we are likely to call the action “wrong.”
This test case probably raises all kinds of questions for you about Hume’s views. You might be thinking, “Who cares whether we call the action wrong—I want to know whether it actually is wrong!” Or you might say to yourself, “Some people will feel disapproval of the doctor’s action, but others will approve, so how should we decide whether the action is wrong or not?” These are exactly the kinds of questions your instructor wants to get you thinking about.
When you go back to read and discuss Hume, you will begin to see how he might answer such questions, and you will have a deeper understanding of his position. In your paper, though, you should probably focus on one or two main points and reserve the rest of your speculation for your conclusion.
Original argument/taking a position
Sometimes an assignment will ask you to stake out a position (i.e., to take sides in a philosophical debate) or to make an original argument. These assignments are basically persuasive essays, a kind of writing you are probably familiar with. If you need help, see our handouts on argument and thesis statements, among others.
Remember: Think about your audience, and use arguments that are likely to convince people who aren’t like you. For example, you might think the death penalty is wrong because your parents taught you so. But other people have no special reason to care what your parents think. Try to give reasons that will be interesting and compelling to most people.
If scientists want to test a theory or principle, they design an experiment.
In philosophy, we often test our ideas by conducting thought experiments. We construct imaginary cases that allow us to focus on the issue or principle we are most interested in. Often the cases aren’t especially realistic, just as the conditions in a scientific laboratory are different from those in the outside world.
When you are asked to write about a thought experiment, don’t worry about whether it is something that is ever likely to happen; instead, focus on the principle being tested. Suppose that your bioethics teacher has given you this thought experiment to consider:
An elderly, unconscious patient needs a heart transplant. It is very unlikely that a donor heart will become available before the patient dies. The doctor’s other option is to try a new and risky procedure that involves transplanting the heart of a genetically engineered chimpanzee into the patient. This will require killing the chimp. What should the doctor recommend?
This scenario may be unrealistic, but your instructor has created it to get you to think about what considerations matter morally (not just medically) when making a life-or-death decision. Who should make such decisions—doctors, families, or patients? Is it acceptable to kill another intelligent primate in order to provide a heart for a human? Does it matter that the patient is elderly? Unconscious? So instead of focusing on whether or not the scenario is likely to happen, you should make an argument about these issues. Again, see our handouts on argument and thesis statements for help in crafting your position.
Other things to keep in mind
- Be consistent. For example, if I begin my paper by arguing that Marquis is right about abortion, I shouldn’t say later that Thomson’s argument (which contradicts Marquis’s) is also correct.
- Avoid overstatement. Watch out for words like “all,” “every,” “always,” “no,” “none,” and “never”; supporting a claim that uses these words could be difficult. For example, it would be much harder to prove that lying is always wrong than to prove that lying is usually or sometimes wrong.
- Avoid the pitfalls of “seeing both sides.” Suppose you think Kant’s argument is pretty strong, but you still disagree with his conclusion. You might be tempted to say “Kant’s argument is a good one. I disagree with it.” This appears contradictory. If an argument really is good and you can’t find any weaknesses in it, it seems rational to think that you should agree with the argument. If you disagree with it, there must be something wrong with it, and your job is to figure out what that is and point it out.
- Avoid personal attacks and excessive praise. Neither “Mill was obviously a bad person who didn’t care about morality at all” nor “Kant is the greatest philosopher of all time” adds to our understanding of Mill’s or Kant’s arguments.
- Avoid grandiose introductions and conclusions. Your instructor is not likely to appreciate introductions that start with sentences like “Since the dawn of time, human beings have wondered about morality.” Your introduction can place your issue in context, explain why it’s philosophically important, and perhaps preview the structure of your paper or argument. Ask your instructor for further guidance about introductions and conclusions.
- Stay focused. You may be asked to concentrate closely on a small piece of text or a very particular question; if so, stick to it, rather than writing a general report on a “topic.”
- Be careful about appealing to faith, authority, or tradition. While you may believe something because it is a part of your religion, because someone you trust told you about it, or because it is the way things have always been done, be careful about basing your arguments or objections on these sorts of foundations. Remember that your reader may not share your assumptions and beliefs, and try to construct your argument so that it will be persuasive even to someone who is quite different from you.
- Be careful about definitions. Rather than breaking out Webster’s Dictionary, concentrate on the definitions the philosophers you are reading have carefully constructed for the terms they are using. Defining terms is an important part of all philosophical work, and part of your job in writing a philosophy paper will often be thinking about how different people have defined a term.
- Consider reading the Writing Center’s handout on fallacies. Fallacies are common errors in arguments; knowing about them may help you critique philosophers’ arguments and make stronger arguments yourself.
Works consulted
We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.
Feinberg, Joel. 2008. Doing Philosophy: A Guide to the Writing of Philosophy Papers , 4th ed. Belmont, CA: Thomson/Wadsworth.
Holowchak, Mark. 2011. Critical Reasoning and Philosophy: A Concise Guide to Reading, Evaluating, and Writing Philosophical Works , 2nd ed. Lanham, Maryland: Rowman & Littlefield Publishers.
You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill
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Writing in Philosophy
Writing is especially important in philosophy because it allows you to clarify your ideas and arguments. Often times writing your ideas down reveals problems or areas that need improvement. Furthermore, writing is the primary medium for the exchange of philosophical ideas. Thus, to do philosophy well, one must write well. This page contains notes on form and standards for writing in the English language. I recommend reading this guide and then looking at a sample philosophy essay written by a college student, such as:
- Frege’s philosophy of language – by Angela Mendelovici
- If you need help figuring out how to write an essay in general, see my “ How to Construct an Essay .”
- Much of this page was adapted from “How to Analyze a Philosophical Essay,” which was initially written by Dr. G. R. Mayes (of CSU Sacramento). I have used much of it here with his permission. I have made some changes to the original, however.
Table of Contents:
- The Paper Topic
- Writing Style
- Grading Rubric
- Relevant Links
1. The Paper Topic
To write a philosophy paper, first, read the paper assignment prompt (a.k.a. topic prompt ) several times. Make sure you understand exactly what you’re being asked to do. (It’s also a good idea to reread your assignment prompt throughout the writing process, including when you are writing your final draft, to make sure you stay on topic.)
Sometimes the assignment prompt gives you very narrow and specific directions for what to write on (for example, explain and evaluate Anselm’s ontological argument). This is good. In general, your paper should have a more narrow than broad topic. And now the topic is already found for you.
However, often times you will be asked to find a topic on your own (for example, you are merely asked to critically analyze an article or text such as Plato’s Republic or Frege’s “On Sense and Reference”). If this is the case, then you will need to select an aspect of the text that you find particularly interesting, troubling, exciting, confusing, or problematic. By an aspect of the article, I do not mean a particular section of words or bits of language; I mean a claim or set of claims to which the author is committed, either by explicitly arguing for them, or presupposing them.
Note: before you can select a topic, you should make sure to read the text(s) of interest several times until you think you understand it fairly well.
2. Writing Style
Your paper should be concise and thorough. Absolutely do not engage in:
- Unnecessary editorializing
- Pointless repetition
- Personal attacks on the author or questioning of the author’s psychological motives
- Complaining about the author’s writing style or choice of words
In short, always strive to express yourself in the simplest, clearest, and most precise terms possible. The paper should demonstrate a strong grasp and command of the material from the course. Remember that accuracy is still important regarding fine details—even minor differences in words can drastically change the meaning of a sentence.
Furthermore, a good essay goes beyond a typed up version of your class notes by demonstrating that you know how all the material connects together conceptually. (For example, providing your own examples to illustrate a point, whether in someone’s argument or your own, can often help to demonstrate that you understand the material.)
Don’t write as if your reader is the instructor, teaching assistant, or whomever is going to grade your paper. Instead, write as if your reader is someone who is intelligent, about your level of education, but has not studied the material in your topic before. So, make sure to define all technical terms. (A good rule of thumb: if you first learned the word or phrase in the class, then you should probably explain what it means to your reader.)
There are two main types of philosophy paper assignments:
- Expository (Explanatory) – this type of paper assignment asks you only to explain something (for example, somone’s argument) and not to evaluate or critique it.
- Evaluative (Critical / Argumentative) – this type of paper assignment asks you to explain and evaluate something (for example, somone’s argument). This involves exposition like the previous assignment type but evaluation as well.
Expository papers should have the following sections:
- Introduction
- Summary (optional)
in that order.
Evaluative papers should have the following sections:
Construct each section of your paper along the following guidelines.
1. Introduction
This section must accomplish the following tasks in the following order. A good option is to devote a single short paragraph to each task.
- Identify the article, and describe in one or two sentences what problem(s) it addresses and what view(s) it defends. Orient the reader to the topic and provide a conceptual map of the rest of the paper.
- State precisely which aspect(s) of the article your analysis will address and precisely what you intend to accomplish. This is something like a thesis statement . This must not be a vague statement like “I will evaluate the author’s views…” or “I will show where I agree and where I disagree….”. Rather, it must be a very specific and concise statement of the case you intend to make, and the basic considerations you intend to employ in making it. (You will probably find it impossible to write this section before your analysis has gone through the rough draft phase.)
Avoid lengthy or dramatic introductions, especially if they insult the discipline. For example, it’s not a good idea to write: “From the dawn of time, philosophers have debated the free will problem, and it will never ever be resolved, even though philosophers will continue blathering on about it forever.”
2. Exposition
The basic rules for constructing an exposition are as follows:
- For the most part, you should explain only those aspects of the article that are relevant to your evaluation. If you explain more than that, it should only be because anything less will not provide the reader an adequate understanding of the author’s basic concerns. Do not produce an unnecessarily lengthy or detailed explanation. As a general rule of thumb, the exposition and evaluation will usually be roughly equal in length.
- The exposition should present the author’s views in the best possible light. It must be a thorough, fair, and completely accurate representation of the author’s views. Misrepresentation of the author’s views, especially selective misrepresentation (i.e., misrepresentation for the purpose of easy refutation) is wrong and will be heavily penalized (recall the straw man fallacy).
- The exposition should contain absolutely no critical/evaluative comments. (This restriction does not prevent you from expressing some uncertainty about what the author is saying, however. )
- The exposition should be organized logically, not chronologically. Each paragraph in the exposition will ordinarily present argument(s) the author makes in support of a particular position. This means that, depending on the organization of the article itself, a single paragraph from the exposition may contain statements that are made in very different places in the article. The exposition itself should be organized in a way that makes the author’s views make sense. Under no conditions are you to simply relate what the author says the way she says them. An exposition that goes something like: “The author begins by discussing… Then she goes on to say… then, etc.” is very bad.
3. Evaluation
Your evaluation (a.k.a. critique ) should be organized in a way that reflects the structure of your exposition. This is easy to do since you have selected for exposition only those aspects of the article about which you have something to say. Be sure your evaluation obeys the rules laid out in the Writing Style section above.
The evaluation should engage carefully with some of the primary texts in the literature. Don’t just summarize views; extract the detailed arguments from the texts themselves and scrutinize them. You don’t have to defend a groundbreaking theory or idea, but you should push the discussion forward , beyond what’s already in the literature you’re engaging with. (Note: If you find yourself struggling to come up with your own ideas, go back and re-read the papers you aim to engage with, or read related articles in the literature. That should help get your thoughts going.)
There are two main approaches to doing an evaluation:
Negative Evaluation
For a negative evaluation , define your project in terms of arguments and views with which you disagree . In your evaluation, show how the author’s conclusion is problematic either because:
- the author’s reasons (or premises) are false (or implausible), or
- the author’s reasoning is faulty or fallacious (the reasons don’t make the conclusion true or probable), or
- the author has failed to make other important considerations that tend to undermine the conclusion.
Positive Evaluation
For a positive evaluation , define your project in terms of arguments and views with which you basically agree . In your critique, consider ways in which the author’s views might reasonably be criticized. Then attempt to strengthen the author’s position by showing how these criticisms can actually be met. If you use this technique, be sure you don’t consider criticisms that the author actually does respond to in the context of the article (unless, of course, you think that the author has failed to answer the objections effectively).
Note: The evaluative part of your analysis should demonstrate an awareness of other relevant readings. You should be careful to note when you are reproducing criticisms that are made by other authors, especially those read in the class. You should be careful to include or consider important criticisms made by other authors when they are clearly relevant to your own concerns.
4. Summary (Optional)
A summary is optional (note: a summary is often misleadingly called a “conclusion”). However, if your analysis is sufficiently complicated, it may help the reader to briefly recapitulate the steps you have taken in reaching your conclusions. The summary should be very short and it should contain no new information or claims. This restriction prevents you from making closing comments which are not sufficiently articulated in the body of the paper. For example, avoid pronouncements like: “Thus, the problem of free will remains unresolved as it always will, for it is one of the many mysteries in this great universe that our feeble human minds cannot fully comprehend.”
5. Grading Rubric
Here are the criteria I use to grade philosophy essays in my classes.
- The essay completes the entire task set forth by the instructor in the assignment instructions.
- Makes an argument by doing some critical evaluation that ultimately pushes the discussion forward, beyond the arguments and ideas covered in the class.
- The body of the paper supports the paper’s thesis with the student’s own thoughts but also grounded in the class readings, lectures, and (if appropriate) outside sources.
- The essay demonstrates an accurate and precise understanding of the ideas, evidence, and arguments discussed. (Accuracy is still important regarding fine details.)
- Demonstrates philosophical acuity in critically evaluating arguments and in anticipating and responding to objections.
- The essay moves beyond simple description and summary to reflect a clear understanding of the topic and material. (Tip: Imagine the reader is someone who hasn’t taken this class. Think: “If my friend read this, would they be able to understand exactly what’s going on?” This will help you demonstrate your understanding of the material.)
- Detailed when explaining key ideas. Focuses on quality or depth of analysis over quantity. But stays on topic; avoids going on tangents or adding details that aren’t crucial for understanding the issue at hand.
- Uses examples to illustrate points (especially ones that connect the ideas to relatable experiences or events).
- The essay avoids a lengthy or dramatic introduction. The introduction(1-2 paragraphs) briefly orients the reader to the topic in plain language and briefly describes the plan for the rest of the paper.
- There is a clear thesis statement (usually best stated toward the end of the introduction) that addresses the paper topic and expresses an interesting claim to be defended. The thesis statement is clear, specific, and on-topic. (Students can absolutely use the first person in an argumentative essay, especially for their thesis statement—g. “I will argue….”)
- The body paragraphs are organized in a logical manner, appropriate in length, and ideally framed by topic sentences that make clear what the paragraph’s main point is. Ideally, there is some “signposting” that makes the structure of the discussion easy to follow, such as transitions and section headings. (The paper may have a short conclusion/summary, but it’s not required.)
- Quotations aren’t overused. Quotes used only when necessary to ground discussion of someone’s view. Quotes, when used, are introduced, not just insertedwithout any explanation of who said it and what the relevance is.
- The paper demonstrates a command of the writing process and the author’s care in crafting it.
- Uses good citation practices. Provides full bibliographic details (no particular citation style is required; any standard style, like APA, OK).
- Avoids many errors of spelling, punctuation, grammar, sentence structure, etc. (But the writing doesn’t need to be fancy; clarity and organization of thoughts is most important.)
6. Relevant Links
- Sample Philosophy Paper – by Angela Mendelovici (Western Ontario).
- The Source of Bad Writing – short essay by Steven Pinker, one of the best academic writers around (see also his book ).
- Video on the Sense of Style – a video on writing in the 21st century by Steven Pinker.
- The Elements of Style – a popular, albeit increasingly dated, style guide by Strunk and White.
- Harvard’s Brief Guide to Writing the Philosophy Paper – short and useful.
- Pryor’s Philosophy Writing Guidelines – guidelines on writing a philosophy paper – by Jim Pryor.
- Heumer’s Guide to Writing – geared toward philosophical writing, but good for essays in general.
- How to Construct an Essay – my guide to writing essays in general.
- Top 10 Grammatical Errors – by Robert Pasnau at Boulder.
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Critical Theory (Frankfurt School)
[ Editor’s Note: The following new entry by Robin Celikates and Jeffrey Flynn replaces the former entry on this topic by the previous author. ]
“Critical theory” refers to a family of theories that aim at a critique and transformation of society by integrating normative perspectives with empirically informed analysis of society’s conflicts, contradictions, and tendencies. In a narrow sense, “Critical Theory” (often denoted with capital letters) refers to the work of several generations of philosophers and social theorists in the Western European Marxist tradition known as the Frankfurt School. Beginning in the 1930s at the Institute for Social Research in Frankfurt, it is best known for interdisciplinary research that combines philosophy and social science with the practical aim of furthering emancipation. There are separate entries on influential figures of the first generation of the Frankfurt School – Max Horkheimer (1895–1973), Theodor W. Adorno (1903–1969), Herbert Marcuse (1898–1979), and Walter Benjamin (1892–1940) – and the leading figure of the second generation, Jürgen Habermas (b. 1929).
In a broader sense, there are many different strands of critical theory that have emerged as forms of reflective engagement with the emancipatory goals of various social and political movements, such as feminist theory, critical race theory, queer theory, and postcolonial/decolonial theory. In another, third sense, “critical theory” or sometimes just “Theory” is used to refer to work by theorists associated with psychoanalysis and post-structuralism, such as Michel Foucault and Jacques Derrida (see these separate entries as well as the entry on postmodernism ).
This entry is primarily focused on the critical theory of the Frankfurt School, but broadens outward at various points to discuss engagements by that tradition with a range of critical theories and social developments. The need for a broad approach to critical theory is prompted today by a range of contemporary social, political, economic, and ecological crises and struggles as well as the critique of Eurocentric forms of knowledge production.
1.1 Origins and Generations
1.2 influences, 1.3 critical theory versus traditional theory, 1.4 studies on authoritarianism and mass culture, 1.5 the dialectic of enlightenment, 1.6 the communicative turn, 1.7 a continuing and contested tradition, 2.1 immanent critique, 2.2 normative foundations for critique, 2.3 reconstructive critique, 2.4 disclosive critique, genealogy, and the critique of normativity, 2.5 current challenges, 3.1 alienation, 3.2 reification, 3.3 ideology, 3.4 emancipation, 4.1.1 gender, 4.1.3 colonialism and post-colonialism, 4.2.1 economic crises, 4.2.2 ecological crises, 4.2.3 political crises, 4.3 critical practices, other internet resources, related entries, 1. the frankfurt school: origins, influences, and development.
The “Frankfurt School” of critical theory is not really a school at all. It is a loosely held together tradition constituted by ongoing debates among adherents about how best to define and develop that tradition. This includes disagreements about methods, about how to interpret earlier figures and texts in the tradition, about whether past shifts in focus were advances or dead ends, and about how to respond to new challenges arising from other schools of thought and current social developments. This section tells a largely chronological story, focusing on the origins, influences, and key texts of the Frankfurt School, and concludes with reference to ongoing debates on how to inherit and continue the tradition.
In their attempt to combine philosophy and social science in a critical theory with emancipatory intent, the wide-ranging work of the first generation of the Frankfurt School was methodologically innovative. They revised and updated Marxism by integrating it with the work of Sigmund Freud, Max Weber, and Friedrich Nietzsche while developing a model of radical critique that is immanently anchored in social reality. They used this model to analyze a wide range of phenomena – from authoritarianism as a political formation and as it manifests in both the nuclear family and deep-seated psychological dispositions, to the effects of capitalism on psychological, social, cultural, and political formations as well as on the production of knowledge itself (for excellent guides, see Thompson 2017 and Gordon et al. 2019).
Max Horkheimer outlined the original research agenda for the Frankfurt School in his 1931 inaugural lecture upon becoming director of the Institute for Social Research in Frankfurt (founded in 1923). He proposed an interdisciplinary research program combining philosophy and social theory with psychology, political economy, and cultural analysis (Horkheimer 1931). In that way, “social philosophy” aims at providing an encompassing interpretation of social reality as a whole – as “social totality,” to use a concept central to the Marxist tradition (Jay 1984).
Other key figures of the first generation include Theodor W. Adorno, Herbert Marcuse, and Walter Benjamin, along with Erich Fromm, Friedrich Pollock, Leo Löwenthal, Franz Neumann, Otto Kirchheimer, and figures like Siegfried Kracauer, who belonged to the broader circle for a few years (for rich historical accounts, see Jay 1973, Buck-Morss 1977, Dubiel 1978, Wiggershaus 1986, Wheatland 2009). The work of the largely Jewish members of the first generation was deeply marked by the rise of National Socialism, the experience of exile, and, for some of its inner circle, their return to Germany after 1945. After the Nazis closed the Institute, Horkheimer, who had already moved it to Geneva, re-established it at Columbia University in 1934, where he was soon joined by Pollock, Marcuse, and Löwenthal, while Adorno did not emigrate to the US until 1938. Horkheimer, Adorno, and Pollock moved the Institute from New York to Los Angeles in 1941. Those three reestablished the Institute in Germany after the War, with Horkeimer as director from 1951 to 1958 and Adorno from 1958 to 1969. Key figures who worked with first generation figures during this period emerged as the second generation: Jürgen Habermas, Alfred Schmidt, Albrecht Wellmer, Oskar Negt, and Claus Offe.
Habermas was the leading figure of this second generation, taking up Horkheimer’s chair in Frankfurt in 1964 before moving to a research post in Starnberg in 1971. Habermas returned to Frankfurt in 1981, retiring from this position in 1994. Axel Honneth worked closely with Habermas in the 1980s and took over the chair in social philosophy in Frankfurt in 1996; Honneth was also director of, and largely responsible for the revival of, the Institute for Social Research in Frankfurt from 2001 to 2018. He is considered a leading figure in the third generation, along with Seyla Benhabib, Nancy Fraser, and Christoph Menke (Anderson 2000, Allen 2010). Going beyond the second and third generations of the Frankfurt School, there are far too many figures to list; and the focal points for critical theory in this tradition have expanded, both geographically – with prominent figures in the United States and an active reception in Latin America – and thematically – for example, with a turn to feminism (see §4.1.1 ).
The first generation of the Frankfurt School took inspiration from an earlier generation of critical theorists: “Left Hegelians” in Germany who, after Georg Wilhelm Friedrich Hegel’s death in 1831, applied his philosophy critically to social and political phenomena like religion and the state, maintaining that the progressive realization of freedom in history that was central to Hegel’s thought was not yet complete and required a fundamental transformation of the status quo. Karl Marx became the most influential of this group. In a materialist transformation of Hegel’s thought, Marx analyzed the concrete conditions for realizing autonomy for all and viewed philosophy itself as conditioned by socioeconomic developments. By developing a critique of political economy in order to analyze the nature of capitalism and the possibilities for revolutionary social transformation, Marx set the standard for future generations of critical theory by combining radical philosophy with a critique of the best available social science of the day in the pursuit of emancipation.
Marx’s early writings, in the 1840s, were written when capitalist modernization was only just beginning in Germany, but he already saw contradictory social relations as the objective condition of capitalist society and exploited workers as a nascent revolutionary force. By the time the Frankfurt School began working out a critical theory of society in the 1930s much had changed as Germany had emerged as a leading economic power in an industrialized, capitalist Europe. Frankfurt School theorists were committed to social transformation, but the vehicle for change Marx identified – workers in advanced capitalist states like Germany – not only lacked revolutionary consciousness, but would soon embrace fascist politics when faced with economic crisis and mass unemployment. Radical social theorists would need revised analytical tools.
To study the psychology of individuals and groups along with social and cultural influences on that psychology, they could not rely on the then-dominant dogmatic versions of scientific Marxism (Pensky 2019). To understand how social conflicts get denied or repressed, and why individuals and groups turn to authoritarian politics that seem not to align with their class interests, they turned to Freudian psychoanalysis. In contrast to orthodox Marxism, they analyzed individual and group psychology, changes in the modern family, and the cultural “superstructure” of society, not just the material “base,” in order to understand how the rise of “mass culture” and the decline of authority figures in the family led to the decline of critical capacities both in the individual psyche and in society generally. This effort to combine Marx and Freud is one of the distinctive features of the Frankfurt School; exactly how to integrate psychoanalytic theory into critical theory has been a long-standing debate (Marcuse 1955, Whitebook 1995, Honneth 2010, Part IV; Allen and O’Connor 2019, Allen 2021).
In addition to incorporating insights from Freud’s psychoanalytic theory, early critical theorists drew on Max Weber’s social theory to analyze contemporary society. Crucial here was Weber’s theory of rationalization, which stressed the growing dominance of instrumental rationality, or means-end reasoning, through the expanding bureaucratization of society. Weber posited a loss of freedom, due to the “iron cage” of modern bureaucracy, and a loss of meaning generated by the “disenchantment of the world” associated with secularization. Weber’s work was crucial for Horkheimer and Adorno’s critique of instrumental reason (1947) as well as for Habermas’s later theory of communicative action (1981).
In synthesizing Marx and Weber, the first generation of critical theory was heavily influenced by Georg Lukács’s attempt to do the same in his ground-breaking 1923 essay “Reification and the Consciousness of the Proletariat” (see Brunkhorst 1983). Radically extending Marx’s analysis of commodities by analyzing how they transform the character of society as a whole, and drawing on Weber to describe a process of rationalization that extends to all aspects of life, Lukács used the term “reification” (see 3.2 below) to describe how the commodity form transforms the consciousness of those living in capitalist societies, who then see all social relations, even their relation to themselves, as taking on a “thing-like” character.
The classic philosophical influences on the Frankfurt School range widely, from Immanuel Kant and German Idealism to Nietzsche. In some form, Kant’s appeal to Mündigkeit (autonomy, maturity, responsibility) in his famous essay “What is Enlightenment?” – with its call for freely and publicly making use of reason – animates the ideal of emancipation throughout the work of the Frankfurt School, along with the Kantian conception of the critique of reason: the use of reason to reflect on the limits of reason. But its adherents follow Hegel and Marx in focusing on the social, cultural, and material conditions for achieving autonomy and insisting that reason is always socially and historically embedded. For first generation critical theorists, this entailed a critique of Kant’s own individualist and repressive understanding of autonomy as it arises within capitalist social conditions (Horkheimer 1933) and formalizes the domination of our own inner nature (Horkheimer and Adorno 1947, Excursus II, Adorno 1963a, Chs. 10–11). Some later critical theorists have engaged more positively with Kant, as in Habermas’s attempt to “detranscendentalize” core aspects of Kant’s transcendental philosophy (Habermas 2005, Ch. 2) and Rainer Forst’s Kantian constructivism in moral and political theory (Forst 2007, 2021a).
Hegel’s work has been a continual reference point for Frankfurt School philosophers, with key figures in the tradition – from Marcuse (1941) and Adorno (1963b) to Benhabib (1986, Part I) and Honneth (1992, 2001, 2011) – contributing both substantive studies and relying on Hegel’s methodology either for its holistic approach or as a paradigm of immanent critique while eschewing his metaphysical, teleological, and reconciliatory tendencies. Honneth first built on Hegel’s account of the struggle for recognition and the intersubjective conditions for living an autonomous life (Honneth 1992) before developing his own account of the practices and institutions of modern ethical life that realize freedom in a way that goes beyond its liberal and Kantian interpretations (Honneth 2011). Rahel Jaeggi builds on Hegel’s method of immanent critique in her account of progressive social change as learning processes in response to problems, contradictions, and crises that arise from within ethically thick forms of life (Jaeggi 2014).
In aiming to explain irrationality, the first generation extended the critique of reason, going beyond rationalist philosophers like Kant and Hegel to figures like Freud and Nietzsche. They turned to Nietzsche in particular as a critic of modern bourgeois culture and the violent formation of individual subjectivity. Engagement with Nietzsche’s thought extends from early essays by Horkheimer (1933, 1936a) through Horkheimer and Adorno’s shift toward doing critical theory in a more Nietzschean spirit with the genealogy of reason in Dialectic of Enlightenment (1947), and Habermas’s more critical take on Nietzsche’s supposed irrationalism (1985, Ch. 3–4), to contemporary authors such as Menke, who returns to Nietzsche as a positive reference point in the critique of the repressive dimensions of the modern ideal of equality (2000) and for a genealogical analysis of the modern subject who demands rights (2015).
One way of categorizing work by later generations of the Frankfurt School is to note how, even when drawing on a range of theoretical resources, they give pride of place to the legacy of a particular figure like Kant, Hegel, Marx, or Nietzsche (often via Foucault), or how they combine approaches. For instance, Honneth and Jaeggi are more Hegelian while Forst is more Kantian, and Benhabib is, like Habermas, a Hegelianized Kantian, and Fraser draws heavily on Marx in recent work while Amy Allen and Martin Saar are influenced by Foucauldian genealogy. The latter is part of a broader engagement between the Frankfurt School and post-structuralism, ranging from the more critical (Habermas 1985) through the more sympathetic (Honneth 1985, Menke 1988, 2000) to attempts to combine deconstructive and reconstructive approaches to critical theory (McCarthy 1991; see also Fraser 1989).
It is not easy to capture key features of an intellectual tradition shaped by such a variety of influences, including multiple figures whose own thinking changed over time, and a body of work addressing a vast range of topics spanning from the 1930s to the present. The rest of this section outlines some of the main arguments and focal points of key texts by key figures. It is not meant to be exhaustive, but to identify influential methodological approaches, arguments, and themes that are indicative of the work of the Frankfurt School and still provide important reference points for contemporary debates.
One largely undisputed reference for defining Frankfurt School critical theory is Horkheimer’s 1937 essay “Traditional and Critical Theory,” in which he defines critical theory by contrasting it with traditional theories that take the existing social order as given. Social sciences do this, for example, when they model themselves after the natural sciences in attempting to descriptively mirror a given set of facts or establish law-like generalizations. The point is not that empirical social research is invalid, but that traditional theories fail to analyze the broader social context in which they are embedded. This form of “positivism” views science as a purely theoretical undertaking divorced from practical interests even while it actually serves a particular social function in relying on established concepts and categories in a way that reinforces dominant ideologies and power structures. In that way, the forms of knowledge production that we rely on for insight into the social order become obstacles to social change.
Critical theory, by contrast, reflects on the context of its own origins and aims to be a transformative force within that context. It explicitly embraces an interdisciplinary methodology that aims to bridge the gap between empirical research and the kind of philosophical thinking needed to grasp the overall historical situation and mediate between specialized empirical disciplines. Critical theory aims not merely to describe social reality, but to generate insights into the forces of domination operating within society in a way that can inform practical action and stimulate change. It aims to unite theory and practice, so that the theorist forms “a dynamic unity with the oppressed class” (1937a [1972, 215]) that is guided by an emancipatory interest – defined negatively as an interest in the “abolition of social injustice” (ibid., 242) and positively as an interest in establishing “reasonable conditions of life” (ibid., 199). “The theory never aims simply at an increase of knowledge as such,” but at “emancipation from slavery” (1937b [1972, 246]) in the broadest sense of eliminating all forms of domination. The critique of traditional social science was further developed by Adorno and Habermas in the so-called positivism dispute in German sociology (Adorno et al. 1969, Wellmer 1969) and Horkheimer’s model of critical theory continues to inform discussions about how social critique might be carried out today in a variety of contexts (Outlaw 2005, Collins 2019, 57–65).
Nothing epitomizes the Frankfurt School’s interdisciplinary approach to analyzing irrational elements of modern society better than their studies of authoritarianism, beginning with studies of German society in the 1930s and continuing with studies of the U.S. in the 1940s. This work combined philosophy, social theory, and psychoanalytic theory with empirical research.
The first substantial foray was Studies in Authority and the Family (Horkheimer 1936b), the product of five years of research carried out by members of the Institute as part of the research agenda outlined by Horkheimer when he became director in 1930. In an essay articulating the study’s theoretical framework, Erich Fromm argued that the “drives underlying the authoritarian character” are “the pleasure of obedience, submission, and the surrender of one’s personality” along with “aggression against the defenseless and sympathy with the powerful” (Fromm 1936 [2020, 39, 41]). A main concern of the Studies was that the nuclear family had lost the power it once had to counter other socializing forces, which could now more directly influence the individual, and that individuals who view the world as governed by irrational forces submit to powerful leaders who ease their feelings of powerlessness.
The focus on authoritarianism continued into exile, with Neumann and Kirchheimer focusing more on distinctly political phenomena such as law, the state structure, and competing political groups under the Nazi regime (see Neumann 1944, Scheuerman 1996). Neumann and Kirchheimer were the main legal and political analysts of the first generation, but were outside the inner circle and less influential on the trajectory the Frankfurt School took in the 1940s (see Scheuerman 1994 and Buchstein 2020 for attempts to revive interest in their legal and political analysis).
The work on authoritarianism that the Institute is most well-known for came with the publication of The Authoritarian Personality (1950), the result of research conducted by Adorno in collaboration with a team of psychologists at the University of California, Berkeley. The aim was to identify personality types that might be susceptible to authoritarianism, based not on explicit commitments to fascist political movements but on psychological characteristics and social attitudes (measured on an “F-scale”). The researchers posited that individuals with an authoritarian personality tend to exhibit traits such as rigid conformity to conventional norms, a tendency toward stereotypical thinking, a preference for strong authority figures and disdain for perceived weakness, a preoccupation with power and status, and a propensity for prejudice and hostility towards minority groups. The book explored the link between authoritarianism and antisemitism, highlighting the role of scapegoating and the projection of repressed aggression onto targeted minority groups.
The text was published in a series edited by Horkheimer, titled Studies in Prejudice , along with other innovative studies such as Prophets of Deceit: A Study of the Techniques of the American Agitator (1949), a psychoanalytic analysis of the rhetoric and tropes of American demagogues authored by Frankfurt School member Leo Löwenthal and Norbert Guterman. If The Authoritarian Personality studied the kinds of people potentially receptive to the messages of authoritarian leaders, Prophets of Deceit studied the content of the messaging itself. Adorno would later follow up on all these themes – both the form and content of fascist agitation and the social and psychological conditions under which it can succeed (1951b, 1967a).
The Authoritarian Personality had a major impact on the field of political sociology, inspiring a wave of similar studies and commentary. The recent resurgence of authoritarian populism has inspired renewed interest in Frankfurt School analysis of authoritarianism (see Section 4.2 below) in conjunction with publication of new editions of some of the classic texts along with previously untranslated work by Kracauer on totalitarian propaganda dating from the late 1930s (Kracauer 2013 [2022]) and a 1967 lecture by Adorno on “Aspects of the New Right-Wing Extremism” (Adorno 1967a [2020]).
One point of continuity between the studies of authoritarianism and Frankfurt School cultural analysis more broadly was the idea that “mass culture” was one of the powerful forces playing an increasing role in the direct socialization of individuals, a role that led to the “disappearance of the inner life” of the individual (Horkheimer 1941) and an increasing loss of the ability to imagine a world any different than the existing one. In its various forms, this general thesis was common to Horkheimer, Adorno, and Marcuse in their critiques of mass culture from the 1930s to the 1960s.
More generally, the Frankfurt School is known for its analysis of popular culture. By contrast to orthodox Marxist dismissal of cultural analysis for focusing on the less consequential “superstructure” of society, Frankfurt School theorists attentively analyzed the form and content of cultural objects along with the genres and modes of producing works of art and popular culture. In an early essay titled “Mass Ornament” (1927), Kracauer argued that analyzing the “inconspicuous surface-level expressions” of an epoch, by virtue of their “unconscious nature,” can disclose its “fundamental substance” and “unheeded impulses” (1927 [1975, 75]). Adorno would later maintain that “cultural criticism must become social physiognomy” (1951a [1967, 30]), a method he pursued in his interpretations of works of literature and music by interpreting the surface features and forms of various cultural artifacts in relation to underlying social conditions as a mode of disclosive critique.
The more pessimistic analysis of mass culture of Horkheimer, Adorno, and Marcuse can be distinguished from the more optimistic views developed by Kracauer and Walter Benjamin. Benjamin posited, in his famous essay, “The Work of Art in the Age of Technological Reproducibility” (1936), that the rise of technologies for mechanical reproduction, such as photography and film, led to the decline of the “aura” surrounding traditional works of art – the “authenticity” associated with the unique presence of the original in space and time – in part because it makes no sense to talk about the “original” version of a photograph. The resulting changes in perception and modes of collective experience and participation in cultural production could, Benjamin hoped, also bring about political forms of art and a more general democratization of culture. He contrasted this emancipatory potential of mass culture, through a politicization of aesthetics, with the aestheticization of politics under fascism (Buck-Morss 1992). Adorno expressed his disagreement in an earlier letter to Benjamin and in published work (Adorno 1936, 1938). As Wellmer puts it, “in technologized mass culture, Benjamin sees elements of an antidote to the psychic destruction of society, whereas Adorno regards it above all as a medium of conformism and psychic manipulation” (1985/86 [1991, 32–33]). While Benjamin placed hope in mass culture, Adorno saw it lying in the kind of autonomous art that resists reconciling subjects to their social world, instead offering a kind of “promise of happiness” in a transfigured future that lies beyond that social world (Adorno 1970, Finlayson 2015, Gordon 2023).
The critique of mass culture took its most dramatic form in the chapter on the “culture industry” in Horkheimer and Adorno’s Dialectic of Enlightenment (first circulated in 1944 and published in 1947). They introduced the term “culture industry” to underline the fact that “mass culture” is not something “the masses” spontaneously generate (Adorno 1967b [1991, 98]), but is manufactured using the same standardized and profit-oriented methods as any industrial production method. In this sense, culture is no longer a relatively autonomous realm of meaning (that might aim, at its best, at beauty, freedom, and truth) or source of critical awareness, but is thoroughly commodified by the “distraction factories” of the culture industry. “Cultural entities typical of the culture industry are no longer also commodities, they are commodities through and through” (ibid., 129). Entertainment replaces experience, numbing the audience’s capacity for critical thought and reconciling them to the status quo in a form of domination far more subtle than direct tyranny.
In this way, Dialectic of Enlightenment , which is perhaps the most influential text by Frankfurt School philosophers, analyzes two forms of mass society, fascist Germany and the United States, focusing primarily on the latter. Co-authored by Horkheimer and Adorno between 1939 and 1944 at the height of Nazi rule and World War II, the text opens with these lines:
Enlightenment, understood in the widest sense as the advance of thought, has always aimed at liberating human beings from fear and installing them as masters. Yet the wholly enlightened earth is radiant with triumphant calamity (1947 [2002, 1]).
The book is a genealogy of reason that traces its self-destruction from the dawn of human history to the present. Reason was supposed to liberate human beings. Instead, in the dominant form it takes as instrumental rationality, it has become the primary instrument of their domination. With reason taking this form, humans lose their capacity for critical reflection as their thinking is increasingly oriented solely toward self-preservation within a system in which they are powerless. “Thought is reified as an autonomous, automatic process, aping the machine it has itself produced, so that it can finally be replaced by the machine” (ibid., 19).
The root of the catastrophic dynamic lies not just with modernity or capitalism, but goes back to humanity’s earliest attempts to dominate nature. A core thesis of the book is that myth and enlightenment are entwined. The process of enlightenment began with the earliest attempts to overcome “mythic fear” as a way of explaining the unknown and mitigating threats from nature. This anthropological claim about enlightenment is combined with a historical claim about the Enlightenment and the rise of modern science and technology. This is when instrumental rationality truly comes to dominate, as means-end calculation is the kind of reasoning required for capitalist production and efficient bureaucracy. “Enlightenment is totalitarian” (ibid., 50), Adorno and Horkheimer argue; it subsumes everything under its dissolvent rationality. In this way, enlightenment reverts back to myth.
The book represents a shift away from the critique of political economy, indebted to Marx, to the critique of instrumental reason, indebted to Weber (Benhabib 1986, 149–163). Although this shift is sometimes attributed to the growing pessimism of its authors during National Socialism, it was also motivated by Pollock’s analysis of the shift from nineteenth-century liberal capitalism to “state capitalism”: increased intervention by the state into the economy meant that the primacy of the economy posited by Marx had been replaced by the primacy of politics (1941). This claim supported the focus in Dialectic of Enlightenment on the administered control of society by the state apparatus. The book paints a bleak picture of a society in which people live “totally administered lives” under the sway of efficient and calculating institutions. For the sake of self-preservation, they adapt themselves entirely to this apparatus. All the while the culture industry, as an “organ of mass deception,” keeps them entertained at the price of numbing their critical capacities, producing conformity, and undermining any sense of individuality or capacity for autonomy. The book also represents a shift away from the earlier idea of critical theory as interdisciplinary social theory, which could marshal the findings of empirical social science toward the practical aim of emancipation, and more toward speculative history. In the story they tell, the effects of domination are so ubiquitous that every form of scientific knowledge is corrupted.
If Horkheimer and Adorno’s Dialectic of Enlightenment was supposed to provide the grounds for a positive concept of enlightenment – as they maintained in its preface (1947 [2002, xviii]) – many critics have wondered what that is supposed to be (Wellmer 1983). Habermas would later argue that the authors needed to leave “at least one rational criterion intact for their explanation of the corruption of all rational criteria” in order to “set the normative foundations of critical social theory;” but they failed to do so (1985 [1987, 127–9]; see also Benhabib 1986).
Reappraisals of the text in recent decades range from defending its approach as a form of world-disclosive critique (Kompridis 2006) that reveals our familiar social world as pathological by using techniques like “rhetorical condensation” (Honneth 1998), to reading it as developing a dialectical conception of progress – not simply a history of decline – aimed at making us more aware of the inevitable entanglement of reason with power (Allen 2014, 2016), and attempts to build on the chapter on antisemitism, which analyzes its social function in providing a “release valve” that allows rage to be “vented on those who are both conspicuous and unprotected” (1947 [2002, 140]), thereby stabilizing domination by channeling potential resistance to social suffering into hatred of a group (Rabinbach 2000, Rensmann 2017).
Herbert Marcuse’s influential book One-Dimensional Man (1964) – best summarized by its subtitle, Studies in the Ideology of Advanced Industrial Society – can be read as an attempt to update Dialectic of Enlightenment in the form of a diagnosis of U.S. society and its perfected mechanisms of pacification and social control, ranging from art, sexuality, and politics to philosophy and the very act of thinking. Marcuse argues that all forms of critical thought and practice, having been wholly integrated into the wasteful, dehumanizing, profit-seeking, imperialist logic of advanced capitalism, are subsumed by one-dimensional ideology, a “flattening out of the antagonism between culture and social reality” (61).
Marcuse developed his influential concept of “repressive desublimation” to explain how the manipulated need for instant gratification has sanitized any transgressive forces within the domains of sexuality and art. Prior to the rise of the “affluent society,” art contained a transcendent capacity in the sense that it thought of, engaged with, and appropriated the idea of breaking out of the world in which one lived and embodied the hope for a better one to replace it. Within late capitalism, art has lost this critical aspect and dissolved into consumer culture and technological rationality, masking the “surplus repression” that shapes human instincts and needs in line with the functional requirements of social domination and the reproduction of the status quo.
Marcuse’s work has been criticized for its totalizing diagnosis of domination, his reliance on an objectivist account of human nature and needs, and the paternalistic or even authoritarian implications that possibly result from combining these two elements (Jaeggi 2014 [2018, 104–108]). Nonetheless, it has remained an important reference point for the critique of technology (Feenberg 2023a, 2023b, Fong 2016, Ch. 5) and of false needs, and of new right-wing forms of “repressive desublimation” that affirm the status quo in a transgressive mode (Brown 2019, 165–169). Regardless of how one today assesses Marcuse’s concrete analyses, his work exemplifies a tension that all critical theories have to address between the dominating forces of one-dimensionality and the possibility of breaking free of them.
First-generation critical theorists posited various responses to their own bleak diagnoses of society from the 1940s to the 1960s. Marcuse supported rebellious social movements in the 1960s and 1970s, in contrast to other leading representatives of critical theory who kept a conspicuous distance. In One-Dimensional Man , he placed hope for overcoming the repressive, one-dimensional society in a “Great Refusal” to abide by its norms, as carried out by the “substratum of the outcasts and outsiders, the exploited and persecuted of other races and other colors, the unemployed and the unemployable” (1964, 256). He later expressed solidarity with, and saw as examples of this refusal in, both the global student movement (1968, 119) and the feminist movement with its aim of overcoming dominant forms of aggressive masculinity (1974). He likewise praised counter-cultural movements for expressing sexual, moral, and political rebellion in a non-aggressive form of life that might generate a total change in values (1967). For Marcuse, emancipation involves a new morality that fulfills the vital needs for joy and happiness and encompasses an aesthetic-erotic dimension that is foreshadowed in alternative artistic tastes and new social and cultural practices. While Horkheimer and Adorno were less supportive of rebellious social movements, they did become important institutional figures and public intellectuals after their return to Germany (Müller-Doohm 2003, part IV; Demirović 2016). Adorno’s radio addresses in particular can be viewed as an attempt to educate the public for autonomy and so as a kind of response to their own bleak diagnoses of society.
But the core of Adorno’s response, from the early essay on the culture industry to his posthumously published Aesthetic Theory (1970), was to posit that “autonomous” or “authentic” art, by contrast to the products of the culture industry, maintains a utopian impulse insofar as it points beyond, and provides a moment of resistance to, the status quo. For example, atonal music by composers like Arnold Schoenberg generates dissonance in the listener by challenging the unity of the whole found in more harmonious music. Adorno maintained that such art, in challenging aesthetic norms and conventions, can provide aesthetic experiences that are resistant to the homogenizing forces of the culture industry. Critics of this turn to the aesthetic have wondered how this is supposed to provide a sound basis for a critical theory of society (Benhabib 1986, 222).
But one can argue that Adorno’s later work was an attempt to push against that kind of grounding for critical theory. The title of Adorno’s 1966 magnum opus, Negative Dialectics (1966a), refers to a methodology that takes from traditional Hegelian dialectics the emphasis on difference and mediation but abandons the attempt to overcome difference through a unifying synthesis. Instead, taking up an argument already developed in Dialectic of Enlightenment , Adorno argues that “identity thinking” and the “identity principle” have been at the basis of humanity’s destructive project of cognitive as well as practical domination of external as well as internal nature, thereby linking the philosophical to the social oppression of particularity. Adorno rejects “identity thinking” in favor of affirming the negative, namely “non-identity,” that is, the irreducible particularity of objects, experiences, and persons that cannot be subsumed under concepts.
This approach undermines the totalizing aspirations of theoretical systems in philosophy as traditionally understood. The struggle to recognize that which is nonidentical is not only an epistemological but also an ethical and political project that seeks to do justice to both the object and the subject of cognition in their irreducible individuality (Bernstein 2001). Linking epistemology and the philosophy of language to critical theory of society, this leads Adorno to reject not only Hegel’s affirmative synthesis but also Heideggerian ontology and Kantian dualism. Methodologically, Adorno explores alternative ways of thinking about how to use and develop philosophical concepts, taking up the Benjaminian notion of constellation and developing “critical models” in order to articulate the complexity of experience, and suffering, without reducing or constraining it. In Adorno’s view, negative dialectics is a form of immanent critique engaged in a dynamic and transformative process, as it “must transform the concepts which it brings, as it were, from outside into those which the object has of itself, into what the object, left to itself, seeks to be, and confront it with what it is” (Adorno 1957 [1976, 69]). In his cultural criticism and interventions in public debates, Adorno follows this paradigm by exploring how concrete experiences exemplify a form of social domination that is obscured by mass culture but also open up the possibility of transcending reified consciousness by articulating the internal contradictions within social reality.
Jürgen Habermas, who worked closely with Horkheimer and Adorno in the 1950s until he fell out of favor with Horkheimer for seeming too radical, inherited one of the central claims of the Dialectic of Enlightenment , namely that Enlightenment is inseparable from the self-critique of Enlightenment, while also insisting on the context-transcending force of reason embedded in everyday practice.
Two works from the 1960s established his status as a leading figure in the second generation: The Structural Transformation of the Public Sphere (1962) and Knowledge and Human Interests (1968b). In the former, Habermas provides a historical and conceptual reconstruction of the idea of the public sphere in which subjects recognize each other as equals, submit to the “force of the better argument,” and subject legislation to the public use of reason. Against the backdrop of its emergence in eighteenth-century European societies, Habermas identifies the internal contradictions of the public sphere under the conditions of capitalism and traces its decline under the combined pressure of mass culture and mass media that has gradually transformed a reasoning public into passive consumers – a claim consistent with the “culture industry” thesis.
Critics argued that Habermas’s historical narrative of decline presupposes highly idealized versions of public debate and a “reasoning” public – a public that has always in truth been fragmented by class, gender, and race-based domination – and neglects the political significance of a multiplicity of subaltern and non-official public spheres and counter-publics (Negt and Kluge 1972, Fraser 1990, Warner 2002, Allen 2012). Nevertheless, his critical analysis of a contemporary public of consumers as the objects of processes of de-politicization, commercialization, political manipulation, and refeudalization seems to have lost nothing of its relevance (Seeliger and Sevignani 2022). The claim that a robust and independent public sphere is crucial to a healthy democracy is central to Habermas’s later, systematic contribution to democratic theory in Between Facts and Norms (1992), and he continues to analyze recent transformations in the structures and modes of communication within the public sphere (Habermas 2006, 2021).
Habermas’s Knowledge and Human Interests (1968b) was an ambitious attempt to ground critical social theory as a form of inquiry aimed at fostering a distinct type of knowledge tied to a deep-seated human interest in emancipation. This was a return to Horkheimer’s methodological aims in “Traditional and Critical Theory” (1937), but with a novel set of arguments, such as Habermas’s claim that the method of critical theory can be illuminated by way of an analogy with psychoanalysis – “the only tangible example of a science incorporating methodological self-reflection” (1968b [1971, 124]). Like Horkheimer, Habermas was critical of the positivist understanding of science for failing to see the connection between specific kinds of inquiry and fundamental human interests. Habermas posited that both the natural sciences and the “human sciences” (interpretive social sciences and humanities) are grounded in distinct practical interests. The natural sciences are a reflective extension of “labor” (instrumental action), which is tied to the practical interest in material reproduction. The human sciences are a reflective extension of “interaction” (linguistic communication), which is tied to the practical interest in symbolic reproduction. Habermas distinguished “critique” or “reflection” as a third practice organized around the interest in emancipation, understood in terms of overcoming various forms of heteronomy, domination, and dependency.
In the early 1970s, Habermas largely abandoned this framework, based in an anthropology of knowledge, though he did continue to pursue some of its themes, and epistemological questions have remained central to his work in at least two domains: first, in his “postmetaphysical” (non-foundationalist and fallibilistic) understanding of philosophy as a form of critical reflection at the intersection between science and society (Habermas 1983a, Ch. 1) and, second, in his critique of naturalism, especially neuroscience as a form of positivism or scientism that absolutizes the observer’s perspective, thereby negating the irreducibility of the participants’ perspective and occluding the normative structure of interpersonal communication (Habermas 2005, Ch. 6).
Habermas increasingly came to the view that critical theory needed more robust social-theoretical and normative foundations, since, in his eyes, the totalizing critique of the first generation had proven to be self-undermining (1985, Ch. 5) and his own approach in Knowledge and Human Interests had conflated the reconstruction of invariant structures of communication (formal pragmatics) with the critique of the false consciousness of particular persons and societies (1973a). Habermas’s alternative path, after abandoning that methodological framework, was to focus on communicative reason in a two-volume magnum opus titled The Theory of Communicative Action (1981). By contrast with an instrumentalist understanding of reason and action, Habermas’s “communicative turn” starts from a reconstruction of the rational and normative potential of everyday interactions.
This turn involves a multidimensional paradigm shift, illustrating the theoretical ambition of Habermas’ enterprise. He develops a theory of communicative action and rationality that is anchored in everyday practices of communication, in which we raise validity claims whose normative dynamic is context-transcendent and which allow for consensus-based coordination of action. He provides a historical reconstruction of modern rationalization processes, in which social integration via authority or shared tradition has been increasingly replaced by an expanded use of communicative reason in response to the pressure to cooperate. Finally, he constructs a two-level model of society based on the distinction between “system” and “lifeworld,” claiming that the regulation of coexistence in modern societies depends on both communication oriented towards mutual understanding (“lifeworld”) and on the anonymous systems of state bureaucracy and the capitalist market (“system”).
For the methodological renewal of critical theory, Habermas’s central claim is that within complex societies, social order always has a double form: It must simultaneously be viewed as lifeworld and as system. The lifeworld can only be understood from the hermeneutic perspective of its participants while the mechanisms of systemic integration only come into view from a system-theoretical or external perspective. Critical theory needs both perspectives in order to identify distorting effects of the system on the lifeworld. Habermas famously and controversially diagnoses a “colonization of the lifeworld” by the systemic media of money and power, which impose economic and administrative rationality – the main forms of “functionalist reason” – on areas of the lifeworld whose reproduction relies on communicative processes of cultural reproduction, social integration, and socialization that cannot be subsumed under the media of money and power without generating resistance. This provides a new foundation for critical theory by updating the critique of reification in the form of a critique of systematic distortions of communication. The “critique of functionalist reason” becomes a central task for critical theory, along with the aim of diagnosing the “selective pattern” of capitalist modernization that only partially realizes the actually available potential for rationality and learning within society.
In the ensuing discussion, Habermas was accused of reifying the “system” by conceptualizing the capitalist market and the bureaucratic state as functionally necessary and supposedly norm-free systems that lie beyond the theoretical reach of critical social theory and the political reach of emancipatory politics (Honneth and Joas 1991), of idealizing the lifeworld in ways that largely ignore the domination and exploitation of women and minorities (Fraser 1985), of subscribing to a progressivist theory of modernization and history that is Eurocentric and insensitive to the continuing effects of colonial domination (Allen 2016, Ch. 2), and of underestimating how deeply power penetrates into and distorts the very heart of communicative reason (Allen 2008, Chs. 5–6).
Habermas and his followers insist that while these phenomena are real, it is only the power of communicative reason – and the public discourses and deliberations in which it manifests itself and gets institutionalized – that allows us to detect, criticize, and ultimately overcome (if only partially and temporarily) those forms of domination. Whether one agrees or not that the communicative turn enables critical theory to analyze and bring to agents’ attention the distortions that block them from addressing and overcoming obstacles to emancipation, one important legacy of Habermas’s theory can be seen in opening up space for a methodologically pluralist critical theory in response to the fundamental need to capture the perspective of both participants and observers (Bohman 2003). Some Frankfurt School theorists have also built on Habermas’s system-lifeworld distinction in maintaining that social change must be viewed from the perspective of both “evolution” and “revolution” (Brunkhorst 2002, 2014).
One dominant story told about the Frankfurt School begins with Horkheimer’s original research program in the 1930s and views Horkheimer and Adorno’s radical departure from that vision in Dialectic of Enlightenment (1947) as an intellectual dead end from which Habermas rescued the tradition and returned it to its original methodology. From this perspective, the second generation, dominated by Habermas, superseded the first (see Kompridis 2006, 255–258, for a critique of this story). An alternative story would point out that Dialectic of Enlightenment was in many ways consistent with themes first articulated by Adorno in work from the 1930s – particularly his 1931 inaugural lecture, heavily inspired by Benjamin – that ultimately came to fruition in Negative Dialectics (1966a). To complicate matters in another way, while collaborating on Dialectic of Enlightenment in the 1940s Adorno also contributed to the interdisciplinary collaboration that culminated in The Authoritarian Personality (1950), a product of Horkheimer’s original vision for critical theory that combined social theory with empirical research.
Rather than viewing the second generation solely in terms of Habermas overcoming deficits in the first, this alternative story recognizes that there have always been multiple models and styles of critical theory operating simultaneously within the tradition and that Adorno was heavily influenced by Benjamin prior to collaborating with Horkheimer (Buck-Morss 1977, Wolin 1994, 166, 265–274). Moreover, Adorno’s influence is evident in work by figures in the second generation such as Albrecht Wellmer (1933–2018), who used Adorno’s work as a basis for challenging Habermas’s approach (Wellmer 1985/86, 1993) and was far more sympathetic with post-structuralism than Habermas – also true of Wellmer’s students in the third generation, Christoph Menke (1988, 2000) and Martin Seel. Adorno scholars have defended his work directly against Habermas’s criticisms (Cook 2004, O’Connor 2004: 165–170), and critical theorists continue to defend Adorno’s approach to critical theory (Allen 2016, 2021, 175–183, Marasco 2015, Ch. 3).
To complicate the story further, Benjamin’s work has had an enormous influence on work by a variety of critical theorists, though his wider influence had to wait until Adorno collected Benjamin’s essays for a German audience in 1955 and Hannah Arendt edited them for English readers in 1968. There have been significant studies of Benjamin’s work by scholars working within the Frankfurt School tradition (see Buck-Morss 1989 and Pensky 1993), while many critical theorists beyond the Frankfurt School have engaged Benjamin’s critique of linear notions of progress, and the ways in which they fail to break with the catastrophic continuity of the present (Benjamin 1940, see Löwy 2001), as well as his analysis of the constitutive relation between law and violence (Benjamin 1920/21; see the recently published critical edition, 2021), to mention only Jacques Derrida’s “Force of Law” (1990), Giorgio Agamben’s Homo Sacer (1995), and Judith Butler’s Parting Ways (2012) (see also Loick 2012).
Methodological debates within the Frankfurt School focus not only on the legacy of first-generation theorists but also on Habermas’s earlier work, with some arguing that Knowledge and Human Interests is worth revisiting because it was more attuned than his subsequent work to the dynamics of power and domination, making it more apt for addressing oppression based on gender (Allen 2008) or race (McCarthy 2004), or for developing a more comprehensive critical theory of domination (Klein 2020). Honneth (2017) has recently taken Habermas’s text as a jumping off point for refocusing critical theory on the task of elaborating the relation between emancipatory interests and emancipatory knowledge. Honneth nonetheless maintains that Habermas’s use of the methodology of psychoanalysis as a model for emancipatory critique is not apt, while others argue that it is still in many ways productive (Celikates 2009 [2018, 137–157]; see Allen 2021, Ch. 5 for a critique of Habermas, Honneth, and Celikates).
The latter debate is part of the resurging interest in psychoanalysis by some theorists working in the Frankfurt School tradition. Habermas’s own engagement with Freud and psychoanalysis in Knowledge and Human Interests was largely methodological in contrast to the substantive use of Freudian ideas by the first generation (in their analysis of the entanglement of reason and repression and the concrete forces of fascism and antisemitism), and Habermas (1983a) subsequently abandoned psychoanalytic theory entirely in favor of engagement with developmental psychologists like Jean Piaget and Lawrence Kohlberg. In developing his theory of recognition, Honneth (1992, Ch. 5) returned to psychoanalysis in the form of object relations theory, primarily in the work of Donald Winnicott, arguing that the experience of fusion and symbiosis that characterizes the early infant-mother relationship is foundational in two ways: It serves as the template for the type of recognition Honneth calls “love” and explains why individuals and groups continue to experience existing relations of recognition – that necessarily fall short of fusion and symbiosis – as unsatisfactory and continue to struggle for recognition. While Honneth’s use of Winnicott is controversial (McAfee 2019, Ch. 2; Whitebook 2021, Deranty 2021), recent debates have more generally focused on how to take up object relations within critical theory (Allen and O’Connor 2019). As a result, the divide now seems to be primarily between those who focus on the pro-social implications of psychoanalytic theory (Honneth 2010, Part IV) and those who also stress asocial or antisocial forces of Freud’s drive theory in general and the death drive in particular in order to avoid what they see as the risk of over-idealization and romanticization built into Honneth’s way of integrating psychoanalysis into his theory of recognition (Allen 2021, Ch. 5). Those critics advocate returning to the more negativistic approaches familiar from first-generation critical theorists (Fong 2016, McAfee 2019, Allen 2021).
Honneth’s return to the question of struggles oriented by emancipatory interests (2017) hearkens back to a shift that began in the 1980s, when a significant strand of Frankfurt School critical theory, including Honneth’s early work (1985), aimed at recovering the connection between theory and practice by linking the development of theory itself to social conflicts and movements. Oskar Negt and Alexander Kluge’s Public Sphere and Experience (1972) is an early example of a critique of the bourgeois (i.e. hegemonic) public sphere that invokes proletarian or plebeian non-state forms of the public and the divergent critical experiences they articulate as alternative sources of normativity, while also identifying blockages they face in the form of the “consciousness industry” and the pacification of social conflicts through “pseudo-publics.”
In a more explicit vein, Nancy Fraser contributed to the feminist turn in Frankfurt School critical theory – for which the work of Seyla Benhabib, Jean Cohen, and Amy Allen has also been decisive – in echoing Marx by arguing that critical theory should frame its “research program and its conceptual framework with an eye to the aims and activities of those oppositional social movements with which it has a partisan, though not uncritical, identification” (Fraser 1985, 97), and that the Frankfurt School in general and Habermas in particular had failed to theorize one of the most significant struggles against domination: the feminist movement (see §4.1.1 ).
Honneth has also sought to systematically reconstruct the link between theory development and struggles by taking experiences of misrecognition that lead to social struggles for recognition as a pre-theoretical reference point (1992). Drawing on a wide range of philosophical work, psychological and psychoanalytic accounts of identity-formation, and sociological and historical accounts of social movements struggling for recognition, Honneth has developed a theory of recognition that is the most prominent alternative paradigm, within Habermasian critical theory broadly construed, to Habermas’s theory of communicative action (Honneth 2000, Zurn 2015). Honneth maintains Habermas’s focus on intersubjectivity, but instead of linguistic practice and the ideal of “undistorted communication,” he focuses on relations of mutual recognition and the ideal of “undistorted recognition,” which then serve as the basis for the critique of “social pathologies” that he considers central to the project of critical theory (Honneth 2004).
In short, the Frankfurt School of critical theory is today constituted by lively debates, discussed more below, about how to deploy various critical methods ( Section 2 ) and concepts ( Section 3 ) while remaining attuned to social struggles and crises ( Section 4 ) and positioning itself in relation to critical theories developed out of other traditions.
2. Critical Methods
Frankfurt School critical theory is best characterized by a set of methodological aspirations that set it apart from many other forms of social and political theorizing (both in philosophy and the social sciences): It aspires to be (1) self-reflexive , accounting for its own embeddedness in specific social and historical conditions, (2) interdisciplinary , integrating philosophical analysis with social theory and empirical social research, (3) materialist , grounding critical theorizing in social reality, and (4) emancipatory , orienting itself toward the goal of social emancipation. These commitments situate the Frankfurt School firmly in the Marxist tradition, and that tradition’s aim of overcoming the division between theory and practice without uncritically subsuming one under the other.
This has given rise to three interrelated methodological challenges: how to conceptualize (1) the relation of theory to social reality, (2) the role and standpoint of critical theorists, and (3) the normative foundations, content, or force of their critical theorizing. In light of historical developments in the first half of the twentieth century – the rise of fascism and Stalinism and the integration of the working class into the liberal welfare state – Frankfurt School theorists lost confidence in an identifiable direction of history or an identifiable collective subject like the proletariat to lead the way. It became increasingly unclear how to uphold a link between their theories and a pre-theoretical anchor within social reality – such as oppositional experiences, forms of consciousness, practices of resistance, or social struggles and movements – or even to see how the conditions for any of those things to emerge were present at all.
Against this backdrop, this section first sketches the common ground most Frankfurt School theorists find in the approach of immanent critique ( §2.1 ) before tracing the various ways in which they have sought normative foundations ( §2.2 ) in a more or less constructive or reconstructive ( §2.3 ) register, then turns to methods such as disclosive and genealogical critique that are critical of those normative approaches ( §2.4 ), and concludes by outlining a set of methodological challenges that shape contemporary debates ( §2.5 ).
In responding to the three-pronged methodological challenge of relating theory to social reality, reflecting on the standpoint of critique, and spelling out its normativity, Frankfurt School critical theory moves beyond the usual juxtaposition between internal and external critique. Frankfurt School theorists rely on a third model of critique, which builds on Hegel and Marx and is often understood as immanent or reconstructive. Critique proceeds immanently or reconstructively when it seeks to secure its normative resources and epistemic standpoint from the (often implicit) normative structures and epistemic possibilities of the practices and self‐understandings that are constitutive of the (type of) society in question. Immanent critique avoids the dichotomy between an internal critique that refers to standards and standpoints that are already recognized by those criticized and an external critique that refers to standards and standpoints that are not (or not yet) recognized and therefore have to be derived independently from the agents’ perspective and their social context (see Jaeggi 2005, 2014, Celikates 2009, Stahl 2013a). Critical theory understood in this way is both grounded in social reality as it exists and emancipatory in seeking to radically transform this reality.
The critique of ideology can both serve as a paradigmatic example of immanent critique in this sense and illustrate some of the challenges this model faces (Ng 2015). Ideology critique is immanent insofar as it starts from the contradictions of a social and ideological constellation and the experience of those affected, which is shaped by these contradictions. It does not criticize an ideological form of consciousness because it is immoral or unethical, but because of its epistemic, functional, and genetic features, i.e. for being false or distorted, for contributing to the reproduction of relations of domination, and for arising from within such relations in ways that are relatively immune to self-reflection. Consequently, the critique of ideology does not focus primarily on the injustice or domination found in society, but on the forms of consciousness, culture, practice, habit, and affect that make this injustice or domination seem natural or unavoidable (Jaeggi 2008). On this view, any critical theory that aims at emancipation must first aim at diagnosing and overcoming those obstacles that keep agents from fully experiencing, critically reflecting on, and collectively acting against the unjust and dominating conditions under which they live. The question is how critical theorists can do so without falling back into epistemologically and politically problematic distinctions between false and true consciousness, between ideology and scientific insight, and between true (“objective”) and false (“purely subjective”) interests and needs (Celikates 2006; see Section 3.3 below).
These challenges are among the many challenges critical theorists face in developing an immanent critique that is linked to social reality and practice, a link that comes out in two ways. First, theory is anchored in social reality in terms of its genesis, as it is shaped by the social context from which it emerges. Second, theory aims at a practice that transforms social reality. This dual commitment to linking theory and practice is spelled out in two rather different ways, both in the history of the Frankfurt School and in contemporary discussions. One way of anchoring theory in social reality – call it the crisis approach – starts with social contradictions, antagonisms, and crises, along with the practical challenges and conflicts that result, and maintains that identifying those conflicts requires socio-theoretical analysis and sociological research (Jaeggi 2017a, Fraser and Jaeggi 2018). A second way of anchoring theory in social reality – call it the struggles approach – takes social struggles and movements and the practices of critique and resistance of oppressed groups as its starting point. This approach incorporates alternative standpoints and counter-hegemonic epistemologies into its theorizing with the aim of countering the potentially disempowering and anti-emancipatory effects that arise when critical theorists view crises mainly in terms of structural contradictions while ignoring or underestimating the ways that social and political movements themselves can produce and intensify crises (Collins 2019, Celikates 2022).
While this distinction between crisis and struggle is useful for heuristic purposes, it should not be overstated. Most critical theorists share a commitment to the emancipatory role of theory as well as an immanent anchoring of theory in social reality, whether qua crises or struggles. The distinction is a matter of degree and starting points, and it is usually agreed that crises and struggles stand in need of mutual articulation (see Benhabib 1986, 123–133, and Section 4.1 and Section 4.2 below).
Horkheimer maintained that a critical theory should not have an external relation to, but must enter into a “dynamic unity” with, practice, so that it is “not merely an expression of the concrete historical situation but also a force within it to stimulate change” (1937a [1972: 215], see also Marcuse 1937, Horkheimer 1937b). But under social conditions that neutralize social struggles or turn them into regressive backlash movements, the “dynamic unity” envisaged by Horkheimer can appear foreclosed. Even for Adorno, whose diagnosis of the “totally administered world” is the most radical example of this foreclosure, however, it would be a mistake to conceptualize existing society as a perfectly closed, monolithic, and functionally integrated self-reproducing totality. Rather, even when society is viewed as a totality, it has to be understood not in terms of homogeneity or frozen stability but in terms of structural antagonisms (Adorno 1957 [1976, 77]), conflict, and process (Adorno 1966b), i.e. as riddled with contradictions that, at least in principle, allow for forms of oppositional experience, consciousness, or practice that a critical theory can build on. In one of his last texts written shortly before his death, Adorno concludes that “critical theory is not aiming at totality, but criticizes it. This also means, however, that it is, in its substance, anti-totalitarian, with the utmost political determination” (Adorno 1969a; our translation). Even – or especially – in the face of the closure of political space, the political significance of a critical theory can consist in safeguarding the link between theory and the possibility of a radically different practice. At the same time, this defense of the relation to practice needs to be complemented by a defense of theory in the face of what Adorno identified as an “actionist” and anti-theoretical ideology of “pseudo-activity” in arguing that “praxis without theory, lagging behind the most advanced state of cognition, cannot but fail, and praxis, in keeping with its own concept, would like to succeed” (Adorno 1969b [1998, 265]).
Despite this more nuanced reading of Adorno on the relation between theory and practice, the broader diagnosis – put forth in different guises by Adorno, Horkheimer, and Marcuse – that social integration, the pacification of class conflict, and the internalization of conformist attitudes had robbed critical theory of any pre-theoretical anchor, provides an important background for Habermas’s break with the first generation. That break concerns not only their “pessimism,” but the basic methodological and substantial premises of their theories. In Habermas’s view, the first generation had navigated themselves into a dead end with their totalizing diagnosis of an all-encompassing state of delusion dominated by instrumental rationality. In response, and in order to provide firm normative foundations for critical theory, Habermas advocates a “communicative turn,” reformulating social critique in terms of a critique of the conditions of communication and grounding it in the normative content presupposed within the practice of linguistically mediated social interaction and argumentation.
This element of normative validity – as opposed to merely factual social validity that is forced, imposed, or presupposed – is elaborated in Habermas’s discourse theory, originally referred to as “discourse ethics” (Habermas 1983a, Ch. 4) but later evolving into a differentiated approach that distinguishes between ethical and moral norms (Habermas 1991) and a discourse theory of law and democracy (Habermas 1992). At the heart of discourse theory is a principle of discursive justification that Habermas refers to as the “discourse principle” or “D,” which states: “just those norms of action are valid if all persons affected could agree as participants in rational discourse” (Habermas 1992 [1996, 107]). He further specifies discourse theory with a universalization principle (“U”) that is operative when arguing about moral norms, and a democratic principle that is operative when attempting to justify legal norms within a democratic society. Habermas does not naively suggest that actually existing discourses correspond to these ideals, but maintains that in those discourses participants necessarily make idealizing presuppositions that can then be used to identify and criticize the shortcomings of actual discourse as distorted by interests, power relations, and ideologies.
As a response to the challenges of immanent critique outlined above, Habermas’s work can be understood in terms of a “dialectics of immanence and transcendence” (Cooke 2006, Ch. 3). Habermas maintains the need to situate reason historically and within social reality – the largely Hegelian, pragmatist, or reconstructive element of his thought. But the idealizations that are immanent in our linguistic practices point toward context-transcending validity claims that must be defended in a discursive procedure – the Kantian or constructivist element in his thought. Habermas now refers to his attempt to “de-transcendentalize Kant” as a form of “Kantian pragmatism” (Habermas 1999; see also Bernstein 2010, Ch. 8; Baynes 2016, Ch. 4; Flynn 2014b).
Some interpretations of Habermas stress that his theory of communicative action is still a form of immanent critique (Finlayson 2007, Stahl 2013b) while others object to his increasingly Kantian focus on moral norms (Heath 2014). To provide empirical confirmation of his rational reconstruction of the “moral point of view,” further situating it within social reality, Habermas drew on Kohlberg’s developmental moral psychology, itself decidedly Kantian in its defining the highest stage of moral development in terms of the ability to make universalizable moral judgements (Habermas 1983a, Ch. 4; for a critique, see Benhabib 1992, Chs. 5–6, which, drawing on Carol Gilligan’s critique of Kohlberg, distinguishes a “generalized other” from a “concrete other” whose experience cannot be accounted for by abstract conceptions of the moral standpoint).
Habermas’s shift toward a Kantian position is particularly evident in the Rawls-Habermas debate (Habermas 1995a, Rawls 1995, Habermas 1996), widely viewed as a “family quarrel” among two Kantian political philosophers. In his early work on discourse ethics, Habermas compared his own principle (U) to Rawls’s “original position,” arguing that his approach was the better way to “operationalize” the moral point of view as a form of moral constructivism that tests moral norms in a discursive procedure posited as a dialogical alternative to Kant’s categorical imperative (Habermas 1991). The debate shifted in the 1990s with their contributions to legal-political constructivism: Rawls’s Political Liberalism (1993) and Habermas’s Between Facts and Norms (1992), in which he provides a rational reconstruction of the institutions of constitutional democracy. In that context, Habermas argues that Rawls’s approach is not transcendent enough, since in Habermas’s view Rawls reduces normative validity to the notion of reasonableness immanent within liberal democratic societies (for the implications of their debate for multiple issues in moral and political philosophy, see Hedrick 2010, Baynes 2016, Chs. 6–7, and Finlayson 2019).
Habermas’s Kantian turn also came to the fore when extending his work in a cosmopolitan or “post-national” direction (beginning with Habermas 1995b), even if he has continued to combine a Kantian approach to justifying universal norms with a wide-ranging analysis of the empirical phenomena of globalization (1998). This combination of normative and empirical theorizing, a hallmark of the Frankfurt School, is present in a range of work by other critical theorists addressing global issues (Ingram 2019, Ibsen 2023), from the challenge of disaggregating citizenship from the nation-state (Benhabib 2004) to transnationalizing the public sphere (Fraser et al. 2014), and theorizing new forms of transnational democracy (Bohman 2007). Rather than simply defending abstract cosmopolitan norms, such approaches typically aim at some form of critical cosmopolitanism (Milstein 2015), with some stressing the crucial role of political contestation of allegedly universal norms “from below” (J. Ingram 2013) or of concrete struggles for rights as part of a broadly construed intercultural dialogue on human rights (Flynn 2014a).
In light of Habermas’s turn to Kant, a significant focus of debate among Habermasians and interpreters of Habermas has been the status of idealizing presuppositions and the ultimate status of the principles of justification within discourse theory. Defenders of discourse theory can be divided up into those who focus more on immanence – pointing in a Hegelian, pragmatist, contextualist, or reconstructive direction – and those who focus more on transcendence – pointing in a Kantian or constructivist direction. Among the former, some argue, echoing Hegel’s critique of Kant, that Habermas should situate reason more thoroughly within its social and historical context in order to avoid an overly rationalistic, abstract, or gendered approach (Benhabib 1986, 1992), while others have argued for Habermas to embrace a more pragmatist (McCarthy 1991, Bernstein 2010) or contextualist approach (Rorty 1985, Allen 2008, Ch. 6). Habermas’s most recent work (2019) attempts a kind of middle path, going in a decidedly historical direction by tracing the provincial, European origins of his “post-metaphysical” mode of theorizing as a preparatory stage to a fully inclusive, global intercultural dialogue as the way to establish its universal validity in a world characterized by “multiple modernities” (see Forst 2021b, Chambers 2022, and Flynn 2022 for critical assessments).
Those who have taken discourse theory in a more Kantian or transcendental direction include Habermas’s long-time interlocutor Karl Otto-Apel, who argued that the dynamic of universal validity claims in practices of argumentation transcendentally presupposes an ideal communication community from which universal normative foundations for the assessment of discourses can be derived (Apel 1985). Apel maintained that grounding reason, and thereby critique, requires a more transcendental justification (or “ultimate grounding”) than Habermas has provided (Apel 1989; see Habermas’s most recent reply to Apel in 2005, Ch. 3).
More recently, Rainer Forst has embraced Kantian constructivism in positing that every human being has a “right to justification,” a right to demand reciprocal and general reasons for the practices, institutions, and structures that affect them (Forst 2007). Forst views moral and political constructivism as distinct, but integrated stages. While the task of moral constructivism is to construct a list of basic moral rights that cannot be reasonably rejected, those abstract rights must be given concrete content by citizens in a process of political constructivism. He maintains that his approach is immanent insofar as the right to justification is “recursively grounded” by reconstructing the validity claims implicit in all morally justified claims, while maintaining a moment of transcendence since the right to justification can be justifiably claimed in any context. Forst views this as the normative core of a critical theory that understands society as an ensemble of practices of justification. In that sense, the concept of justification is both descriptive (referring to actual arguments given within a particular social order) and normative (referring to reasons that could or should be accepted), and Forst maintains both perspectives are needed for a critique of existing justification narratives and relations of justification (see the Introductions to Forst 2011 and 2021a).
Various critics of Habermas have argued that his normative turn and shift to Kant risks transforming critical theory into something that looks increasingly like a liberal theory of justice. They posit alternative approaches such as reconstructive, disclosive, and genealogical critique that also return to questions and arguments developed by the first generation.
Those who subscribe to the model of reconstructive critique emphasize the downsides of uncoupling normative argument from social analysis and social theory. In Axel Honneth’s work, this shift takes two forms. In his earlier work (1992), he argues that the relatively narrow rationalist focus on communicative reason occludes more fundamental and often prelinguistic experiences and intersubjective relations that give rise to struggles for recognition and that his Hegel-inspired theory is better able to articulate, thus reestablishing the link between theory and social reality in more substantial ways. Relatedly, Honneth insists that critical theory can be distinguished from other normative enterprises by its reference to “the pretheoretical resource in which its own critical viewpoint is anchored extra-theoretically as an empirical interest or moral experience” (Honneth 1994 [2007, 63–64]).
Expanding on this earlier commitment, in his later work Honneth argues against the division of theoretical labor in which (constructivist) philosophy engages in normative theorizing while empirical sociology investigates our social reality (2011). By contrast, he undertakes a “normative reconstruction” of how modern society – its legal, moral, political as well as social and economic practices and institutions – came to be centered around individual freedom as the highest value of this cultural formation. Honneth wants to show that we can only gain an adequate theoretical understanding of, and critical perspective on, modern society if we analyze its different social spheres as attempts to institutionalize the value of freedom. In contrast to both revolutionary and conservative approaches, he wants to show that the structure of this institutionalization allows for a progressive realization of the value of freedom as social actors appeal to the constitutive idea of freedom to challenge the concrete forms of unfreedom that remain characteristic of our social reality.
Similar to Honneth methodologically, Rahel Jaeggi argues, in her reconstructive approach to the critique of forms of life, that bracketing the question of how to rationally evaluate and criticize forms of life as a whole, as Rawlsians do in the name of liberal neutrality and Habermasians in the name of “ethical abstinence,” ends up hindering precisely the kind of experimental learning processes that are crucial for forms of life to remain dynamic and avoid stagnation and failure (2014 [2018, 9–24, 318–319]). But Jaeggi places a greater emphasis on contradictions, crises, and conflicts than the later Honneth (see also Schaub 2015).
The approaches of both Honneth and Jaeggi exemplify a conception of immanent critique that closely links analysis and critique, issuing in a critique that is neither a mere description of what exists nor a normative demand imposed on what exists from the outside. Accordingly, it does not proceed in a free-standing, normative way, but relies on a specific combination of philosophical reflection and social-theoretical as well as empirical research that is grounded in social developments and crises and actual social experiences and self-understandings. This methodological reorientation has also led to a more substantial engagement with questions of the economy and the sphere of work, both from a more Durkheim-inspired (Honneth 2022, 2023, Celikates, Honneth, and Jaeggi 2023) and a more Marx-inspired (Fraser 2022) position that has also resulted in a fundamental (non-reformist) critique of capitalism (Fraser and Jaeggi 2018).
While these approaches seek to develop a socially grounded form of normativity, critics argue that they are still too idealizing in their understanding of social reality and its historical genesis, as well as too normative in their methods from the point of view of yet another model of critique, which has been called disclosive or genealogical.
Disclosive critique typically takes its cue from Adorno (and sometimes other theoretical sources from Heidegger to contemporary aesthetics), moving beyond the dichotomy between literary world-disclosure and philosophical reason-giving or the quest for normative foundations. On this view, critique has the task of revealing the world in a new and different light, disclosing unrecognized suffering and intricate forms of domination that are not only occluded by dominant ideologies but also shape the norms that emanate from that order in ways that escape more strongly normative versions of immanent critique that build on them. Dialectic of Enlightenment can be read as an exercise in disclosive critique that seeks to defamiliarize the social world for its readers and thereby break open their unquestioned acceptance of how things appear to them (Honneth 1998).
This negative orientation of disclosive critique can be complemented by a more positive one, in which what is disclosed also involves potentialities and horizons that have no space or way to articulate themselves within the existing social and normative order. Walter Benjamin’s writings on the radical potential of mass culture or Judith Butler’s Gender Trouble (1990) can be seen as examples of disclosive critique that involve both the disruption of established and the experimental opening up of new experiences and schemas (Vogelmann 2016).
Some critical theorists attempt to integrate a more positive idea of disclosure into critical theory while maintaining that this is not at odds with expanded conceptions or normativity. Some draw on Heidegger to develop an account of world-disclosive critique that rethinks reason and agency, stressing receptivity and “self-decentering” as an alternative model to Habermas’s focus on procedural reason (Kompridis 2006). Others stress that while disclosure can and must be subject to intersubjective validation through argumentation, critical theory must have recourse to the disclosive power of imagination, which is revealed in the force of exemplarity (Ferrara 2008), in focusing attention on the aesthetic dimension of narratives that social movements use to imagine alternative possibilities (Lara 1998, 2021), or in the way that powerful representations of the good society function to disclose a transcendent object that cannot be fully known or represented but can nonetheless provide ethical orientation (Cooke 2006). In a variety of different ways, these approaches attempt to maintain the utopian dimension of critique (Marcuse 1937).
Genealogical critique, by contrast, can be seen as a form of disclosive critique that is more focused on problematizing, unmasking, and disrupting (Saar 2002, Koopman 2013). Given its association with Nietzsche and Foucault, it also has a distinct trajectory, set of methodological commitments, and theoretical implications. Taking aim at social practices, self-understandings, identities and normative commitments that are seen as natural or accepted as given, genealogical critique traces their historical emergence, highlighting their contingency and denaturalizing them with the aim of opening up the possibility of thinking and acting differently. From this perspective, the search for normative foundations is misguided as it both underestimates how normativity is shaped by unacknowledged histories and power relations and overestimates the transformative power of a normative critique that appeals to reason alone. Genealogical critique, by contrast, seeks to destabilize and decenter the subject and its fundamental commitments (Owen 2002, Hoy and McCarthy 1994; for a version of this claim that builds on psychoanalytic theory, see Allen 2021, Ch. 5).
While earlier engagements with genealogical critique, especially Foucault’s, were marked by criticisms of his supposed rejection of all normative and rational standards, lack of social theorizing, and relativism (Habermas 1985, Chs. IX–X, Fraser 1981, Dews 1987), more recently critical theorists have sought to emphasize the potential convergence and mutual illumination of genealogy and Frankfurt School critical theory in providing an analysis of the workings of contemporary forms of power and domination (Allen 2008, Koopman 2013, Ch. 7, Saar 2018). At the same time, a recent debate between Forst and Wendy Brown exemplifies how the earlier split between Habermas and Foucault is rearticulated today, with Forst taking a broadly Habermasian position in arguing that his “respect conception of tolerance” manages to safeguard the autonomy of individuals by grounding toleration in the right to justification, and Brown insisting, with Foucault, on the normalizing, disciplining, and depoliticizing effects of liberal discourses of toleration that ultimately obfuscate the complex operations of social power (Brown and Forst 2014, see also Vogelmann 2021).
A genealogical orientation also characterizes postcolonial critiques of Frankfurt School critical theory that point out the lack of explicit and sustained engagement with European colonialism and imperialism and its legacies, including contemporary forms of racism, and the ways in which these have enabled and shaped the processes of “modernization” and thus the formation of “modern”’ societies, subjects, and forms of knowledge and rationality, all of which critical theorists purport to investigate critically (see §4.1.3 below).
Exponents of genealogical critique and struggle-centered approaches problematize forms of immanent or reconstructive critique that take institutional achievements as their starting point, challenging them by excavating the histories of domination and repression, as well as struggles, that have constituted these institutions and continue to shape their functioning. This gives rise to numerous challenges that continue to animate methodological debates in critical theory: (1) how (or even whether) to defend the putative normative achievements of liberal democracies, and if those are to be defended as achievements, then (2) how to theorize about the relation between struggles, crises, and institutional achievements, in contexts that may involve either (3) an absence of struggles, or (4), the opposite problem, a proliferation and fragmentation of struggles:
From the perspective of genealogical and post-colonial critique, the commitment to the institutions of the modern liberal nation-state (Habermas 1992, Honneth 2011) relies on an idealizing view of the history and present of this political formation that ignores, or treats as historically contingent and philosophically inconsequential, the forms of domination and exclusion that have accompanied it. At a time when the putative institutional achievements of liberal democracies – such as the separation of powers, the independence of the judiciary, the integrity of elections, or the protection of fundamental rights, especially for minorities – have come under attack from right-wing and neo-authoritarian movements and governments, the question is how critical theorists can defend the normative achievements of the existing order despite its systemic shortcomings. Offering a more radical challenge, some critical race theorists and post-colonial critics argue that those shortcomings reveal that what were thought to be normative achievements were historically premised on, and continue to functionally presuppose, domination and exclusion both at a societal and global level (see §4.1.2 and §4.1.3 below). On a methodological level, this involves the challenge of revising or going beyond the normative and sociological categories of critical theory that seem, at least in part, to be tied to a specifically Western experience.
Many critical theorists who accept the claim that these are normative achievements insist that a more complex view of the relation between institutions, struggles, and crises is necessary. As mentioned above, an alternative strand within critical theory that reaches from Negt and Kluge’s recovery of proletarian counterpublics through Fraser’s theorization of feminist movements to current attempts to reconnect critical theory with the struggles of our age, has insisted that abstracting from collective movements and struggles and relocating the emancipatory potential in the normative achievements of the existing institutional order risks underestimating how institutional dynamics, the inherent crisis tendencies of (more or less) liberal democracies, and social struggles are inextricably intertwined. Beyond a merely historical and social-theoretical point, how this question is answered will also affect how to conceptualize the role of emancipatory as opposed to regressive struggles in the face of the new authoritarianism (see §4.2.3 below).
More abstractly, critical theorists must account for situations in which there seem to be no struggles or forms of critical consciousness to latch onto, or only highly constrained forms of them. How can a critical theory respond to a situation in which domination is more or less total and has managed to suppress any critical consciousness and practice? Some of Marcuse’s descriptions of contemporary society come closest to this scenario. One might respond that “a society of happy slaves, genuinely content with their chains,” a society in which domination is experienced not as domination but as freedom, might be the critical theorists’ nightmare, but it “is a nightmare, not a realistic view of a state of society which is at present possible” (Geuss 1981, 83–84). Nevertheless, the challenge points to a dilemma critical theorists need to navigate. On the one hand, a critical theory requires a starting point in the forms of consciousness, experience, and practice of its addressees, but, on the other hand, critical theory should respond to and address distortions and blockages of precisely these forms of consciousness, experience, and practice. While these distortions and blockages will in most cases turn out to be partial rather than total and thus allow for some form of problematization to emerge (Celikates 2009, Part III), it seems equally important to not simply tie a critical theory to already existing social movements and thus to “goals that have already been publicly articulated” since this “neglects the everyday, still unthematized, but no less pressing embryonic form of social misery and moral injustice” (Honneth 2003, 114; see also Renault 2004, 2008).
The opposite problem can arise when critical theorists diagnose a proliferation of social struggles and lines of conflict beyond the classic antagonism of labor and capital. After the demise of the kind of philosophy of history that identified the proletariat as the revolutionary subject and the workers’ movement as the emancipatory force to which critical theory could and should attach itself, it has become unclear how critical theorists can determine with which of the different emancipatory movements of their day to enter into the kind of alliance envisaged by Marx and Horkheimer and which “forms of existing social critique” or “experiences of injustice” to pick up on. This difficulty is not only due to the plurality – or intersectionality – of movements, practices of critique, and experiences of injustice, but also due to the fact that struggles are often far from perfectly aligned and can operate at cross-purposes, with regard to both their aims and their methods. In answering this challenge, critical theorists can neither simply deduce the “correct” struggle from some overarching laws of historical development (the pole of determinism), nor claim that theorists simply have to decide which struggle or movement to link their theory to (the pole of voluntarism).
Insofar as critical theory is committed to immanent critique, focusing on the internal contradictions and crises of a specific social order and the struggles and movements that arise from within it, these challenges cannot be easily resolved. Rather than seeking to resolve them at an abstract level, they could instead be viewed as opening up a field of tensions that critical theorists need to navigate within the specific constellation they find themselves in. While critical theory needs to be anchored in actually existing forms of theoretical as well as practical critique, in the social struggles that people actually engage in, it also has the task of articulating the experiences of those who are blocked from engaging in struggles of their own and of contributing to the further theoretical articulation of existing struggles. At times, critical theory may need “to push beyond the ‘subjective’ elements of struggle and languages of claims-making to the more ‘objective’ dimensions of contradictions and crises, which turn more on the dynamics of systemic elements operating independently of whether or not people actually thematize them via struggle” (Fraser and Jaeggi 2018, 11), without losing sight of the epistemic and political risks this involves.
In addressing these risks, one way forward has been to embrace methodological pluralism and to understand critical theory less as a comprehensive social theory and more as a critical practice, as something critics do (Bohman 2003, Kompridis 2006, Celikates 2019a). This approach can more systematically incorporate alternative standpoints and epistemologies and the practices of epistemic resistance they are tied to, and more easily build on other traditions and paradigms of critical theory, such as feminist, anti-colonial, and anti-racist struggles and theorizing (Mills 1988, Collins 1990, 2019, Medina 2013, Loick 2021, Celikates 2022; see Section 4.1 below). Anchoring the perspective of critical theory within the social struggles and epistemic standpoints of the oppressed can serve as a counterweight – in the sense of “reflexive accountability” (Collins 2019) – to the tendency of actually existing critical theories to set in motion a disempowering spiral of epistemic asymmetries that denies the existence of theoretically sophisticated practices of critique and resistance on the ground and thereby reproduces existing obstacles to equal participation in knowledge production and to radical social transformation. On this view, critical theorizing is itself a social practice that recognizes its addressees as equal partners in a dialogical struggle for appropriate interpretations and realization of transformative potentials that is informed by social theory and sociological research. As such, it can make use of a variety of critical methods – reconstructive, constructive, disclosive, or genealogical (Freyenhagen 2018) – that are not easily subsumed under one unified metatheoretical framework, even if they can be seen as various attempts to spell out the idea of a critical theory as self-reflexive, interdisciplinary, materialist, and emancipatory.
3. Critical Concepts
The basic concepts of Frankfurt School critical theory – such as alienation, reification, ideology, but also emancipation – are expressive of the specific methodology, or set of methodologies, that critical theorists in this tradition employ. As explained in the previous section, critical theory in this tradition proceeds in an immanent way, and this implies that its concepts are both developed from within a certain social constellation and seek to go beyond the self-understanding characteristic of this constellation, they are both descriptive and evaluative, and they exemplify the unity of analysis and critique inherited from Marx. While some concepts are primarily “anticipatory-utopian” (like emancipation) and others primarily “explanatory-diagnostic” (like alienation, reification, and ideology, as obstacles to emancipation) (Benhabib 1986), they are all “thick concepts” whose descriptive content is irreducibly social-theoretically as well as evaluatively loaded.
In addition, some of the critical concepts developed by Frankfurt School authors – again alienation, reification and ideology are the clearest examples – point to second-order phenomena. In contrast to substantial first-order injustices, these concepts seek to critically diagnose what happens when unjust (or exploitative or oppressive) social relations are not experienced as unjust (or exploitative or oppressive) but are accepted as legitimate or natural, or if they are intuitively experienced but not explicitly recognized as such, or recognized but not adequately interpreted and articulated. These concepts pick out social phenomena that are often ignored by more mainstream approaches in moral and political philosophy that focus on the moral status of the individual and their actions, or the legitimacy of institutional arrangements, to the neglect of the domain of the social, with its distinct structure, dynamics, and challenges (see, e.g., Honneth 2000, Ch. 1, Zurn 2011, Neuhouser 2022, Ch. 1). The following subsections introduce four key concepts that exemplify both the critical methodologies discussed in the previous section and the substantial social-theoretical and diagnostic contributions to our understanding of contemporary society that Frankfurt School critical theory aspires to. There are of course other concepts used by critical theorists – from normativity, justice, and autonomy to power, domination, and oppression – but the focus here is on concepts less widely discussed in other traditions or to which Frankfurt School theorists have made distinctive contributions.
The concept of alienation has a long history within critical theory. The basic concept refers to the idea of humans being separated, estranged, or distanced from something crucial to their freedom or capacity to flourish. One is alienated when one has a distorted or deficient relation to oneself or to the natural or social world. Critical theorists face a number of challenges in developing a critique of alienation. Classic critiques of alienation, Rousseau and the early Marx for example, relied on substantive conceptions of human nature or self-realization to ground their diagnoses and provide standards for critique. Thick accounts of human nature are less compelling today, which means contemporary critics of alienation have pursued alternative approaches. Since a critique of alienation attempts to diagnose a social pathology, not a problem with particular individuals, critical theorists must also provide a social theory that can convincingly diagnose the social causes of, and possible paths for overcoming, alienation.
Rousseau can be credited with inaugurating “social philosophy” as a domain of inquiry while developing a critique of alienation (Honneth 2000, Ch. 1). Although he does not refer to alienation in his “Second Discourse” (1755), the term captures his argument that living in society leaves human beings disconnected from their true desires and passions, which he explored by speculating about what humans would have been like in a state of nature. Within Hegelian and Marxist social criticism, the concept of alienation has been used to capture the idea that something produced by humans is wrongly taken by them as something given or outside their conscious control (Jaeggi 2005 [2014, 13–14]). In his Phenomenology of Spirit (1807), Hegel first develops a concept of alienation to describe the relation of the human mind to reality when the products of human reason are not recognized as our own creation but are instead experienced as alien forces. In his Economic and Philosophical Manuscripts (1844), Marx analyzed how wage labor within capitalist societies causes alienation. Workers produce a world of objects, but the products of their labor as well as their own productive activity are commodities over which they have no control; the world they create becomes an alien power with increasing control over them. They are alienated from the kind of spontaneous and creative productive activity that Marx, in his early work, posits as the essence of human nature.
The concept of alienation was influential among first-generation Frankfurt School theorists, particularly in the work of Marcuse and the later work of Erich Fromm (1961). In Dialectic of Enlightenment , Horkheimer and Adorno echo Rousseau in telling a story of alienation going back to the dawn of civilization. They maintain that human beings, in their quest to dominate the natural world (external nature) and to acquire mastery over themselves (inner nature), become estranged from both aspects of nature, failing to see what Enlightenment denies: that we are fundamentally natural beings (Vogel 1996, 69).
Contemporary critical theorists have attempted to rejuvenate the concept of alienation without relying on overly substantive accounts of human nature and without the totalizing diagnosis of Dialectic of Enlightenment . Rahel Jaeggi formalizes key elements of the Hegelian-Marxist approach in developing a philosophical account of alienation focused on how failure to adequately appropriate oneself or the world results in a “relation of relationlessnes” (2005). In this way, the non-alienated self is not defined by a substantive conception of human nature but by the quality of one’s relation to the world: whether this relation is sustained by successful processes of appropriation. Hartmut Rosa also defines alienation as a distorted relation to the world but with a more substantive approach to the quality of non-alienated relations to the world. For this, he has developed a multifaceted concept of “resonance” to capture a kind of vibrant or responsive relation to the world by contrast with the alienated experience of the world as ossified, mute, or hostile (2016). In contrast to these approaches, which are largely framed in terms of necessary conditions for living a good life, Rainer Forst has argued that deontological aspects of the critique of alienation have been neglected, and that there is a kind of “noumenal alienation” that results from not being recognized, or failing to recognize oneself, as an agent of justification (2017).
Reification is a concept with close ties to alienation. If alienation is viewed as diagnosing a distorted relation to the world, reification can be understood as one way of articulating the form that distortion can take. In the broadest sense, reification is a term used to critique cases in which some entity that should not be viewed as an object – oneself, other people, or some segment of the social or natural world – is treated as a thing-like object. It is instrumentalized, objectified, or quantified in a way that is inappropriate according to some critical standard. One challenge for critical theorists is articulating the standard or perspective – a non-reified relation or perspective – according to which the reified stance is not appropriate.
Georg Lukács’s classic 1923 essay on reification heavily influenced the Frankfurt School. Lukács combined Marx’s analysis of the “fetishism of commodities” – which causes social relations between human beings to appear as quantifiable and thing-like – with Weber’s analysis of bureaucracy – which extends this instrumentalizing attitude to all social domains. Reification becomes “the necessary, immediate reality of every person living in capitalist society” (1923 [1971, 197]), which can refer to an instrumentalizing attitude taken toward objects (whose qualitative feature are reduced to quantitative terms), other people, and features of one’s own personality when viewed solely from the perspective of their marketability.
Different critical theorists have appealed to the concept of reification to capture similar but not identical phenomena, with differing definitions corresponding to differences in the larger theoretical framework in which they deploy the concept. For Horkheimer and Adorno, the concept captures the dominance of instrumental reason and the totally administered world that results (1947). Habermas reinterpreted the concept to describe the ways in which systems such as the economy and the bureaucratic state, which function properly as spheres in which instrumental rationality dominates, extend too far into spheres of everyday life that he refers to as the lifeword (1981). This “colonization” of the lifeworld by the system results in the communicative structures of the lifeworld becoming reified. Honneth, by contrast, takes up the concept of reification in relation to his theory of recognition, arguing that reification involves a kind of forgetting of a primary relation of mutual recognition that he calls “empathetic engagement” (2005). Within Rosa’s theory of resonance, in which he attempts to capture one side of the history of modernity as a “catastrophe of resonance,” reification can be viewed as a “forgetfulness of resonance” (2016 [2019, 325]). The revival of this concept has been extended in other ways by using reification as a guiding concept for analyzing the relation between economics and subject formation within a “political economy of the senses” (Chari 2015) or pairing reification with a suitably modified notion of reconciliation to assess experiences of exclusion and integration within modern social orders (Hedrick 2019).
Ideology is similar to alienation and reification in being both a concept critical theory inherits from the Marxist tradition and one that is used to identify a distorted relationship to the world and one’s own place in it (Eagleton 1991). In the Marxist tradition, it has played a prominent role in answering questions such as why people accept social and political conditions that seem to be contrary to their own interests, or how it is possible that subjects feel free although they are dominated. When people experience and describe relations of exploitation and domination as natural and without alternative or even as just, this seems to be an effect of ideology. Ideology, on this critical understanding, usually denotes a more or less coherent system of action-guiding beliefs, such as liberal individualism, that is said to obscure social reality – especially power relations, crisis tendencies, and social conflicts. As Marx (1844, 1846, 1867) and subsequent critical theorists argue, by obscuring these, ideology contributes to the reproduction of the prevailing order (Rosen 1996). Accordingly, any radically transformative and emancipatory practice presupposes that this ideological obfuscation must be recognized as such, criticized, and overcome. The challenge to such critical reflection is particularly acute when the possibility of even asking questions about how we might want to live, if we could transform society, is occluded by a technocratic ideology that reframes such practical questions as technical problems with narrow solutions (Habermas 1963, 1968a).
Ideology differs from mere deception, propaganda, or conspiracy theories. Because it is structurally anchored in social reality and plays a functional role for its reproduction, it cannot be explained with reference to the individual psyche or manipulation by others alone. Even if false consciousness is an element of ideology, critical theorists from Adorno to Jaeggi emphasize the practical nature of ideology as it shapes identities, is embedded in social practice, and functions via affects and habitus.
According to one influential interpretation, the critical notion of ideology developed in the Frankfurt School is characterized by three dimensions (Geuss 1981, Jaeggi 2008). In the first, epistemic dimension, ideologies always encompass epistemically deficient beliefs and attitudes that can range from substantially false beliefs to the confusion of particular and universal interests and inadequate concepts (such as “illegal alien” to refer to undocumented immigrants). In the second, functional dimension, ideologies are seen as playing a necessary, or at least supporting, role for the stabilization and legitimation of social relations of domination, i.e. for their more or less smooth reproduction. In the third, genetic dimension, ideologies are shaped, in ways that are not transparent to the agents themselves, by the social conditions under which they emerge, so that it is not an accident that people end up with the specific sets of beliefs they end up with in a specific type of society.
Radicalizing the Marxist notion of ideology as “necessarily false consciousness,” i.e. consciousness that is false (and not simply morally problematic) for structural reasons (and not just accidentally), Adorno and Marcuse often seem to argue that ideology reaches into the innermost core of subjects, who are shaped all the way down to their psychological and physical impulses, leading them to affirm the existing order and thereby preempting any resistance to domination. While this might help explain the resilience of ideology and its continued effectiveness, it also poses the challenge for critical theorists to find an anchor for their critique in the forms of consciousness, experience, and practice of its addressees (Celikates 2006, and Section 2.5 above).
Due to its emancipatory orientation, the critique of ideology must connect up with the self-understanding of those affected by trying to initiate learning processes, which in turn are supposed to lead to a transformation of those social conditions that are hidden behind ideologies. At the same time, without recourse to critical theories agents themselves will often continue to face obstacles to identifying, diagnosing, and explaining the effects of ideology on their critical capacities and practices. Arguably, showing that a contradiction is inscribed in the existing social order and can only be “dissolved” if this order itself is fundamentally transformed is also a task for a critical theory.
Although for most critical theorists ideology is not merely false consciousness but embedded in social practices and identities, ideology critique has been criticized for being overly cognitivist and underestimating the role of habitualized attitudes and cultural practices, for relying on an overly strong distinction between true and distorted consciousness, and for presupposing an idealized notion of the subject. Critics such as Foucault and Bourdieu speak instead of power-knowledge (Foucault 1973, 15) or of symbolic power and its embodiment (Bourdieu 1980, Ch. 8). The epistemological and political challenges the notion of ideology gives rise to continue to animate discussions (Celikates, Haslanger, and Stanley (eds.) forthcoming), including, more recently, on the relation between ideology and epistemic injustice (Fricker 2007, Mills 2017), cultural technē (Haslanger 2017a), and propaganda (Stanley 2015).
Frankfurt School critical theory inherits its emancipatory orientation from Marx, in the sense that it aims not only to understand, but also to contribute to a radical transformation of the social world that is already under way, and the commitment to real emancipation as requiring a radical, irreducibly social and political transformation that overcomes the fundamental contradictions of modern society instead of partial or local reforms aimed at surface-level symptoms. Emancipation is thus understood as liberation, including self-liberation, from domination by social, political, and economic powers, both personal and structural. Against this background, however, critical theorists have given different accounts of what emancipation is, what it requires, and how much can be said about it as a process and as an aim or state. While some (Horkheimer 1937a, Habermas 1968b) have thought of emancipation as a process of enlightenment and self-reflection that would allow for the realization of a rational organization of society, others thought of emancipation as sensual liberation (Marcuse 1969), or as emancipation from the (internalized) destructive imperatives of capitalism towards a state “of lying on water and looking peacefully at the sky” (Adorno 1951c [2005, 157]).
At the same time, and insofar as the working class has been integrated, fragmented, or at least reconstituted, it has become increasingly less clear who is to be emancipated (or self-emancipated) from which forms of domination and how. The challenges to the possibility of emancipation include reflections on the potentially overblown ideals of autonomy, sovereignty, and transparency that seem to underlie it (Laclau 1992), the limits of active self-transformation under conditions in which subjects have been shaped by power-ridden forms of subjectivation (Allen 2015), and the prospects of overcoming capitalism given the apparent lack of any clear and viable alternative. Today, critical theorists also face the challenge of reorienting the emancipatory project in the face of a catastrophic climate crisis that seems to privilege adaptation, mitigation, and sheer survival over utopian visions of emancipation that have also served historically as a pretext for an extractive and dominating relation to nature (Brown 2022).
In light of these challenges, a critical theory that wishes to hold on to its emancipatory orientation will need to articulate emancipation as an immanent possibility that is enabled and in some ways required by unprecedented historical developments. Whether in doing so it can build on the presumption of an emancipatory interest of the oppressed that theorists from Marx and Horkheimer to Habermas and Honneth (2017) have sought to identify remains contested. But thinking of emancipation as a second-order process that aims at enabling collective practices of self-determination over and against the obstacles picked out by concepts such as alienation, reification, and ideology, rather than as a substantial ideal or positive utopian vision of emancipation to be attained, might provide a starting point. Insofar as critical theory continues to see the existing social order as one of structurally entrenched domination, exploitation, and alienation, it will also continue to rely on some notion of an emancipatory process that points beyond those structures, even if this process is invariably plural, non-teleological, open-ended, and negative in orientation.
4. Critical Theories Today
Marx defined critical theory as the “self-clarification of the struggles and wishes of the age” (Marx 1843). The vitality of this approach to critical theory depends on continually taking up this task in new social contexts, as the first generation of the Frankfurt School did. Contemporary critical theorists continue this legacy by engaging with and theorizing in relation to contemporary struggles, crises, and practices. This has meant engaging a much wider range of emancipatory social movements than earlier generations of the Frankfurt School, who focused more on class struggle and capitalism (and the ways these were entangled with antisemitism and fascism) while largely neglecting issues like colonialism, racism, and the subordination of women. Contemporary critical theorists have expanded and enriched the Frankfurt School tradition by engaging with, and in some cases making contributions to, feminist theory, critical race theory, and postcolonial and decolonial theory (4.1), enlarging their analyses of crises beyond capitalism and its contradictions (4.2), and exploring a variety of critical practices ranging from civil disobedience to prefigurative, abolitionist, and revolutionary practices (4.3).
4.1 Theorizing Struggles and Movements
As emphasized above, Frankfurt School critical theory is methodologically interdisciplinary and defined by its aim of contributing to the emancipatory transformation of society by critically reflecting on the ways in which thinking itself can be distorted by structures of domination. This is also true of the various forms of critical theorizing that have emerged from and in relation to struggles against gendered oppression, racism, and colonialism and its legacies. Indeed, those critical theories bring to light structures of domination and modes of thinking (patriarchy, white supremacy, neocolonialism and Eurocentrism) that have until recently been neglected by the Frankfurt School and must be taken into account by any theory that aims to be critical and emancipatory.
More than one feminist theorist has argued that engaging feminism has been, and still is, crucial to renewing Frankfurt School critical theory both methodologically and in order to live up to its emancipatory aims (Fraser 1985, Ferrarese 2018). But analyzing the intersection between feminist theory and the Frankfurt School is complicated by the diverse array of theorists on both sides of that intersection. Some of the debates among feminist critical theorists mirror debates already discussed, for instance between those who draw on first generation versus Habermas or those who embrace Habermasian versus poststructuralist critical theory.
In most accounts, the first generation of the Frankfurt School is portrayed as not including any women and, with the exception of Marcuse in the 1970s (Marcuse 1974), its main protagonists largely failed to theorize about gender-based oppression or engage with feminist movements or the feminist theory of their time (there is, however, a new research project at the Institute for Social Research in Frankfurt that aims to challenge the dominant historiography by highlighting contributions of female researchers such as Käthe Weil and Else Frenkel-Brunswik and feminist work within the Frankfurt School). While fully acknowledging why feminists might find little of value in the first generation, some feminist theorists have highlighted important methodological affinities between, and potential for productive engagement with, that body of work (Brown 2006, Heberle 2006, Marasco 2006). In spite of the first generation’s nostalgia for the authority of the patriarchal family, their studies of authoritarianism were groundbreaking in analyzing the family as a political institution and breeding ground for fascism (Marasco 2018). Recent interest in Adorno’s work in particular builds on his theory of the nonidentical as support for the feminist critique of essentialist identities as well as affinities between feminist aims and his deconstruction of dualisms like nature and history or reason and desire, and his appeal to lived experience as crucial to philosophy and critique (Heberle 2006, 5–6). Attempts at synthesis include using his theory of the nonidentical, in dialogue with Lacan and Marx, to theorize a new approach to feminist political subjectivity (Leeb 2017), and combining Adorno’s insights into “bourgeois coldness” with the feminist ethics of care to rethink the fragility of our concern for others within a capitalist form of life that fosters “generalized indifference” while also producing a gendered form of attention to others (Ferrarese 2018).
Turning to the second generation, the critique of Habermas’s failure to adequately theorize gender in his Theory of Communicative Action (1981) was a turning point. In a now-classic essay, Nancy Fraser (1985) took a cue from the Marx quote about critical theory reflecting on the struggles of the age to criticize the Frankfurt School, and Habermas in particular, for failing to theorize one of the most significant struggles against domination. Seyla Benhabib raised similar concerns about whether the theory of communicative action could adequately theorize the feminist movement (1986, 252), and in Situating the Self (1992) aimed to make Habermasian discourse theory more cognizant of the self as gendered (see also the essays collected in Meehan 1995). In his later discourse theory of democracy, Habermas does engage the feminist theory and politics of equality to illuminate his core thesis about how private and public autonomy mutually presuppose each other (1992 [1996, 418–427]). But feminist critical theorists maintain that his rationalist approach fails to adequately capture the way power operates (Allen 2008, Ch. 5; McNay 2022, Ch. 1) or to incorporate forms of communication like narrative that have been crucial to feminism (Lara 1998, 2021; Young 2000).
The third generation of the Frankfurt School represents a crucial shift, with prominent feminist theorists like Fraser and Benhabib attempting to make critical theory more amenable to feminism from within the tradition, while also engaging in debates with leading figures in the poststructuralist strand of feminist critical theory like Judith Butler (Benhabib et. al. 1995). A core issue in these debates has been between Habermasian feminists who stress autonomy and poststructuralists who stress the idea of subjection – the ways in which power is central to the formation of subjects and their desires (Butler 1997). Amy Allen critically engages and synthesizes insights from both sides of this debate in viewing subjects as both constituted through relations of power and able to exercise autonomy in the form of critical reflection (Allen 2008). Axel Honneth, another key figure in the third generation, has engaged with feminist theory (Honneth 2000) and the feminist movement (2011 [2014, 154–176]), and in debates with feminist critical theorists including Fraser (Fraser and Honneth 2003) and Butler (Ikäheimo et al. 2021), but his work has also been the subject of sustained feminist critique of his conception of love, the family, and caring labor (Young 2007, Rössler 2007, Wimbauer 2023).
Fraser has, over several decades, developed a systematic defense of socialist feminism while charting various shifts in the feminist movement (see the essays collected in Fraser 2013), recently making the case that the contemporary crisis in care work must be understood as part of a larger general crisis in capitalist society (Fraser 2016, 2022, Ch. 3). Other feminist critical theorists also argue for a return to the critique of capitalism as crucial to feminist theorizing (Leeb 2017). From a different perspective, Lois McNay argues that recent Frankfurt School theorists, not only Honneth and Forst but also Fraser and Jaeggi, have failed to adequately incorporate the experience of gendered oppression into critical theory (McNay 2022). Another set of challenges arises from the need to develop an intersectional analysis of power and domination while engaging with a broader range of work in feminist and gender theory including queer and trans* theory as well as transnational and postcolonial feminism (Allen 2019, 537–538).
Apart from the influential studies on antisemitism and fascism by the first generation, Frankfurt School theorists have until recently shown little interest in issues of race and racism despite the prominence of anti-racist struggles and theorizing throughout the twentieth century and the present. The silence is of course not total. Early analyses point to prejudice toward Jews and other minority groups as an important part of the authoritarian personality and a key mechanism of providing “pseudo-orientation in an estranged world” (Adorno et al. 1950, 622), diagnose a culturalist transformation of the earlier biological racism at the center of fascism in post-war Europe that serves to maintain white supremacy (Adorno 1955, 148–9), and identify the phantasmatic dimension of racism and its fictions of homogeneity, purity, and essential difference (Adorno 1967a). Arguably, there are also broader methodological lessons from the relational and materialist theory of antisemitism developed by Adorno and Horkheimer that also hold for the study of racism (even if their relation remains contested, see Catlin 2023), namely the rejection of psychologizing and individualizing approaches, the insistence that the pathology always lies in the antisemitic or racist subjects and not in their victims, and the emphasis on structural factors that include the functional role of racism in the context of the crisis of capitalism and democracy (see Postone 1980 for an early attempt to explain modern antisemitism in relation to the nature of capitalism and the anti-capitalism of National Socialism).
Despite these openings, there has not been any sustained engagement with the phenomena of race and racism or with anti-racist struggles and theorizing, an eminently emancipatory form of knowledge production that, from W.E.B. Du Bois and Frantz Fanon to Black feminism (Collins 1990, 2019, Mills 2017), has been engaged in crossing the theory-practice divide and articulating dominated standpoints in ways that should have been of significant interest to Frankfurt School theorists (Outlaw 2005; for a relatively early exception see McCarthy 2009).
This missed opportunity is all the more astonishing as the intersection of class and race, of racism and capitalism has been at the center of theorists that share a Marxist orientation, and even some closeness to the Frankfurt School, most notably Angela Davis – who had studied with Marcuse in the US and with Adorno in Frankfurt, and, following Marcuse, insists on the need to bridge the gap between theory and practice and to combine the critique of racism as well as gender-based domination with a critique of capitalism (Davis 1983, 2004) – and Stuart Hall, who, building on Marxist and post-Marxist approaches, theorizes racism as a historically variable response to crisis and as a mechanism that allows capital to divide the working class (Hall 2021).
In contrast to the first generation’s focus on the “dark side” of modernity, later theorists, from Habermas to Honneth, developed a stronger commitment not only to Enlightenment values, but to the belief that these have been, more or less successfully, institutionalized in Western societies. As a result, their views clash with a core aim of Critical Race Theory (Crenshaw et al. 1995) – itself influenced by Marxist theories of the state and the law – namely, the aim of debunking the idea that the law and the state are neutral institutions that secure the common good and the rights of all as an ideology masking their character as instruments of racial (and class) oppression, as evidenced by massive and persistent inequalities that systematically disadvantage Blacks in the US in particular and racialized populations on a global scale, in various areas of life, from access to education, health, jobs, and housing to the risk of becoming a victim of police violence. According to this view, the forms of freedom and solidarity realized in liberal-democratic societies are not just contingently accompanied by exclusions of racialized groups, as if these values had only been insufficiently realized up to now and only need to be extended to those hitherto excluded. Rather, the thesis is that these exclusions have played a constitutive role in the history of these societies and their value systems and continue to shape them to this day, and that radical emancipation would therefore require developing entirely different visions of living together in freedom and solidarity (Kelley 2002).
More recently, Nancy Fraser (2022, Ch. 2) has picked up on Black Marxist discussions of racial capitalism (prominently Du Bois 1935) by arguing that capitalism provides a structural basis for racial oppression and thus exhibits an inherent (even if historically variable) tendency to racialize populations in order to more effectively expropriate and exploit them. Others have elaborated a relational and materialist understanding of racism that builds on how antisemitism was theorized in the early Frankfurt School, and how racism was rearticulated in a culturalist register in reaction to anticolonial and antiracist struggles (Balibar and Wallerstein 1991, Bojadžijev 2020). What these approaches share, and what might be a distinctive contribution of a critical theory of race and racism, is a commitment to understanding racism as a comprehensive social relation that needs to be understood in relation to broader (capitalist) social formations, “race” as an ideological effect rather than an unquestioned category for social analysis, and anti-racist struggles as a starting point for critical theorizing about race – commitments that are at least partially shared with important contributions in the critical philosophy of race (Mills 2003, Shelby 2003, Haslanger 2017b).
For all its focus on modes of domination in modern society, Frankfurt School critical theory has largely failed to address European colonialism and imperialism (Said 1993, 278) and their continuing effects in a world structured by massive inequalities and asymmetries between the Global North and the Global South. With a few recent exceptions to be discussed here, critical theorists in this tradition have not engaged much with the large body of postcolonial and decolonial theory, even if in recent years debates about the universal validity of human rights and cosmopolitanism, globalization and multiple modernities, religious pluralism and postsecularism, have provided ample occasion to go beyond still operative Eurocentric limitations and become more globally relevant (Mendieta 2007, Butler et al. 2011, Baum 2015, Ingram 2019, Kerner 2018; on some early Frankfurt School engagement with Chinese thought, specifically in Benjamin’s work, see Ng 2023).
The main target of postcolonial critique is the idea of a universal history in which the central engine of progress is located in modern Europe while non-Europeans are viewed as always lagging behind. The story has taken many forms, from narratives of progress in Enlightenment thinkers and their critics, such as Hegel (Buck-Morss 2009), to nineteenth-century theories of racial hierarchy and twentieth-century theories of development that have been shaped by, and in turn, rationalized, racism, slavery, and imperialism (McCarthy 2009, Bhambra and Holmwood 2021). Both anticolonial struggles and theorizing (in the work of Mahatma Gandhi, Aimé Césaire, Fanon and others) have insisted that the history and present of capitalism and of modern European and North American societies are constitutively entangled with colonialism, imperialism, and their afterlives, and that taking their trajectory as paradigmatically modern ends up representing a specific and heterogeneous trajectory and experience as universal and self-contained (Grüner 2010). While some aspects of postcolonial critique can be seen as overlapping with the critique of conceptions of the subject, reason, and universal history in the early Frankfurt School, the former also goes beyond the latter by understanding these as the effects of specifically colonial forms of domination and by tracing a different genealogy of fascism through its roots in the colonialism of the nineteenth century (Bardawil 2018).
Recent decades have seen attempts to bring postcolonial theory into dialogue with the Frankfurt School. From the side of decolonial theory, Enrique Dussel has been one of the most prominent decolonial philosophers to engage with Frankfurt School philosophers, developing a global ethics of liberation in critical dialogue with the discourse ethics of Apel and Habermas (Dussel 1998; see also Dusell 2011 and Allen and Mendieta 2021).
From the side of Frankfurt School critical theory, postcolonial critique has been taken up in a variety of ways (see also Vázquez-Arroyo 2018). In the same spirit of Horkheimer and Adorno’s attempt to critique enlightenment in the name of an alternative conception of enlightenment, both Susan Buck-Morss (2009) and Thomas McCarthy (2009) attempt to salvage something of the core idea that is the target of their critique: “universal history” for Buck-Morss, and “development” for McCarthy.
Amy Allen (2016), on the other hand, is more decidedly critical of the role of the discourse of “progress” and the role of such concepts in grounding normativity and shaping assumptions about historical development, modernization, and reason in the work of Habermas, Honneth, and Forst. She regards the latter approaches as deeply Eurocentric and contrasts them with a contextualist form of critique, inspired by Foucault and Adorno, that takes the form of a critical history of the present that uncovers the deep entanglement between reason and domination. Calling for an even more thorough revision of historical narratives, conceptual frameworks, and normative criteria, Gurminder Bhambra (2021) argues that the prevalent understanding of modernity as an endogenous European achievement obscures the fact that colonization and slavery were integral to and constitutive of the Enlightenment project of modernity in both its epistemic and institutional dimensions, a task for which historical and theoretical resources beyond Adorno and Foucault would be required. Fundamental questions about modernity, the human subject, and freedom also emerge from an encounter between critical theory in the Frankfurt School tradition and Caribbean thought (Sealey and Davis forthcoming). In a similar vein, contemporary critics of the persistence of colonial structures point to how a denial of the colonial past reaffirms a violent global color line (Mbembe 2016) that affects how societies treat Indigenous peoples (Coulthard 2014) and racialized and migrant populations (Celikates 2022).
4.2 Diagnosing Crises
Diagnosing crises, and the social contradictions that give rise to them, is a hallmark of Hegelian-Marxist critical theory. Marx famously diagnosed capitalism as a crisis-ridden social system, and the early work of the first generation of the Frankfurt School was a response to the economic, social, and political crises of their time. Dialectic of Enlightenment (Horkheimer and Adorno 1947) can be understood as addressing the crisis of reason that was experienced with the rise of National Socialism, but the critique of instrumental reason was disconnected from more concrete crises and struggles. Habermas aimed to restore the link between critique and crisis beginning with his 1973 book Legitimation Crisis (Benhabib 1986, 252–3, Cordero 2017, Ch. 3). Writing in the context of state-managed capitalism, Habermas diagnosed the distinctively political contradictions and potential for political crises within a social system that aims to steer the economy and manage economic crises (a point influentially elaborated by Offe 1984).
In subsequent decades, crisis critique, along with the critique of capitalism, was largely abandoned by Frankfurt School theorists (for a notable exception see Postone 1993). Renewed theoretical interest has coincided with rising public concern about social, political, and economic systems currently in, or always seemingly on the brink of, crisis, all against the backdrop of the unfolding effects of the ongoing climate catastrophe.
Nancy Fraser was one of the first critical theorists to revive crisis critique and to do so as part of a comprehensive critique of capitalism that renews the link between analytical diagnosis and critique (Fraser 2011, 2014; see Wellmer 2014 for a critique of the Frankfurt School’s earlier neglect). What distinguishes Fraser’s approach is that it posits capitalism as the unifying causal link among seemingly distinct crises – in relation to care work, the environment, and political institutions – by viewing capitalism as an institutionalized social order in which the economic system “cannibalizes” the very conditions that make it possible within the spheres of social reproduction, the natural environment, and the political system (Fraser 2022). Fraser combines analysis of “objective” social conditions – contradictions and crises – with an orientation toward social movements by analyzing the “boundary struggles” that arise at the seams between the economic system and other domains, making the case for these struggles to unite around an anti-capitalist agenda.
In a similar way, Rahel Jaeggi has developed a crisis-oriented theory of immanent critique (2014, Ch. 6) that is not limited to diagnosing systemic dysfunction but includes the normative expectations and self-understandings of social agents (Jaeggi 2017a; see Fraser and Jaeggi 2018), but at a more abstract theoretical level than Fraser’s immanent analysis of capitalism as a social order. Like Fraser and Jaeggi, Albena Azmanova argues for renewed attention to the critique of capitalism but is skeptical about how helpful “crisis” talk is (2014) and maintains that radical social change is possible without crisis, revolution, or utopia through a united struggle against forms of precarity that are endemic to contemporary capitalism (2020). More generally, the turn to economic crisis dynamics has also led to a renewed interest in work – its general significance, pathologies, and emancipatory potential (Jaeggi 2017b, Dejours et al. 2018, Honneth 2023).
Turning specifically to the ecological crisis, Frankfurt School theorists have only recently begun taking seriously the task of rethinking their approach to critical theory in the current context of an ongoing ecological disaster on a global scale (for an early exception, see Vogel 1996). Some critical theorists argue that this situation calls for a new paradigm of “Critical Naturalism” (Gregoratto et al., 2022); others argue for a fundamental rethinking of Western conceptions of human freedom and a radical shift in conceptions of the ethically good life as a precondition for the kind of radical social change required by the current crisis (Cooke 2020, 2023). Fraser focuses on the role of capitalism in the climate catastrophe and the need for eco-politics to be anti-capitalist so that we can reassert control over, and begin to reinvent from the ground up, our relation to nature (Fraser 2021, 2022; see Bernstein 2022 for a recent approach to such rethinking).
In rethinking our conception of nature, given the lack of serious attention to theorizing about nature in the second and, until quite recently, third generation of the Frankfurt School, it is not surprising that many critical theorists have looked more to the first generation (see the collected essays in Biro 2011), with Adorno’s work viewed as a promising starting point for rethinking humans’ relation to nature (Cook 2011, Cassegård 2021, Ch. 3). Cook argues that the “project of showing that human history is always also natural history and that non-human nature is entwined with history… informs all Adorno’s work” and that there are important affinities between his work and proponents of radical ecology (Cook 2011, 1, 5–6). On the other hand, the view of nature as having a kind of otherness that is beyond and not fully graspable by humans – a view expressed at times by Adorno and Horkeimer as well as Marcuse – has been criticized in favor of a more Hegelian-Marxist approach that sees “nature” as a product of human activity (Vogel 1996, 2011). Others argue for reviving critical engagement with Marcuse’s work as a resource for addressing the ecological crisis, with its combination of a critique of science and technology (most radically, as a call for a “new science”) with the idea that social transformation must include a changed, aesthetic relation to nature (Feenberg 2023a, 2023b). At this point, it is clear that there must be more engagement between Frankfurt School theorists and the many “critical ecologies” being developed today, e.g., deep ecology, eco-feminism, eco-socialism, ecological Marxism, environmental justice, indigenous and decolonial ecologies, and new materialism (on the recent dialogue between Frankfurt School theorists and new materialism, see Rosa et al., 2021).
Finally, Frankfurt School theorists have turned their attention to political crises and the rise of right-wing populist, authoritarian, and neo-fascist movements, parties, and governments (Brown, Gordon, and Pensky 2018, Gordon 2017, Abromeit 2016). This crisis is particularly important because adequately addressing the economic and ecological crises of our time requires political solutions, which will be hindered by political systems that are themselves in crisis, thereby contributing to a regressive dynamic (Jaeggi 2022, Forst 2023).
From the perspective of critical theorists, there seem to be two aspects of the political crisis that are often missing from mainstream liberal accounts. The first pertains to the genesis and the causes of the crisis (Brown 2019, Gambetti 2020). Against accounts that see authoritarianism only in terms of a rupture with and as entirely foreign to liberal democracy, they argue that we need to examine the continuities and enabling conditions that allow authoritarian tendencies to arise from within liberal-democratic capitalist societies. Without analyzing the neoliberal restructuring of social relations and the ways in which populist and authoritarian movements exploit electoral strategies, fragmented public spheres, and liberal ideological frameworks such as “freedom of speech,” the critique of and resistance to them will necessarily remain truncated.
The second aspect pertains to the dynamic of authoritarianism and the political crisis it engenders. Beyond focusing on its political dimension (e.g. political aims and values), critical theorists have sought to analyze the socio-cultural, affective, and psycho-social dynamics of authoritarianism and its attractiveness to populations that seem to have little to gain from the election of populist leaders (Marasco 2018, Brown 2019, McAfee 2019, Redecker 2020, Zaretsky 2022). These approaches can draw on and are supported by Adorno’s analysis (1967a) of core features of authoritarian right-wing populism. First, it is not so much actual abandonment but a feared, anticipated, or imagined abandonment, along with a perceived loss of privileges that had come to seem natural, that are the driving force of the rise of a reactionary authoritarianism that then gets misdescribed as a revolt of the oppressed and exploited. Second, the proponents of authoritarianism, following an antisemitic and/or racist logic, personalize the blame for their fears and feelings of abandonment by projecting it onto groups they classify as alien, rather than attributing it to structural features of society.
In responding to all the crises discussed here – economic, ecological, and political – critical theorists must grapple with a number of challenges. Purely at the level of theory, there is the question of whether positing unity or convergence among crises is diagnostically accurate. At a practical level, it remains to be seen whether a unity thesis will be politically motivating and whether a convergence of social struggles is indeed on the horizon. The issue of practice also bears on the question of whether and to what extent the objective conditions of crisis and contradiction diagnosed by critical theorists actually affect people’s everyday lived experience and become motivating factors for political movements (see Section 2.5 ). Such questions about the relation between theory and practice have long been a focus of critical theorists and have recently gained attention in theorizing about a range of critical and political practices.
While overcoming the gap between theory and practice has been a central methodological and political concern for critical theorists, critics have pointed out the prominent turn away from practice to theory in the first generation – accused by Lukács of taking up residence in the “Grand Hotel Abyss” (Lukács 1963, 22) – and the continued marginalization of critical praxis in later generations (Harcourt 2020). There are multiple grounds for challenging this assessment. Frankfurt School theorists had arguments all along about how to assess and relate to radical movements, such as the student movement of 1968 (Adorno and Marcuse 1969, Freyenhagen 2014, Pickford 2023), and there has always been a strand that continuously engaged with struggles and movements, from Marcuse to Negt and Kluge and Fraser. Some critical theorists have focused on deliberative democracy, the public sphere, and civil society (Habermas 1962, 1992, 2021, Cohen and Arato 1992, Benhabib 2004, Lafont 2019) as core fora for critical practice, while others have argued for critical theory itself to be democratized and understood as a critical practice (Bohman 2003, Celikates 2009).
Still, many of these approaches have been criticized for prioritizing institutional achievements over struggles and critical practices, and reform over revolution. Given the challenges outlined above (4.2), it is not surprising that some recent work tries to reverse this tendency by exploring more radical responses to such crises. These attempts notably push beyond the dichotomy between reform and revolution – for example, by promoting non-reformist reforms that could “alter the terrain on which future struggles will be waged, thus expanding the set of feasible options for future reforms” (Fraser, in Fraser and Honneth 2003, 79) – and mine the rich history and present of radical struggles outside traditional forms of political organizing such as the party or reimagine the party in radical ways (Dean 2016).
The range of critical practices engaged with by critical theorists past and present is extensive (for an inventory, see Harcourt 2020, Ch. 15). Frankfurt School theorists of earlier generations covered various forms of resistance, from the “Great Refusal” of the 1960s (Marcuse) and the potential for resistance in independent thinking and critical analysis in the face of universal reification (Adorno) to civil disobedience as a sign of a dynamic public sphere and civil society (Habermas 1983b, Cohen and Arato 1992, Ch. 11). More recently, critical theorists within various traditions have analyzed forms of disobedience (direct, digital, migrant etc.) as political practices of contestation and struggles for democratization “from below” (Young 2001, Smith 2013, Scheuerman 2018, Celikates 2019b). Other practices of resistance that do not directly engage with state institutions or appeal to the broader public include forms of sabotage (Malm 2020), fleeing, withdrawal, or defection. These turn away from what are seen as state-oriented struggles for visibility, recognition, or representation (Virno 2004, Roberts 2015) and towards subaltern forms of sociality (Moten and Harney 2013) and counter-communities that prefigure fundamental alternatives for living together (Loick 2021). Emphasizing the revolutionary dimension of critical practices, theorists have drawn on the abolitionist tradition of struggles against slavery and colonialism, and its revitalization in movements like Black Lives Matter, to call for a fundamental critique of racial capitalism and its entanglement with the punitive state, and a correspondingly radical transformation of all social relations and institutions (Davis 2005, Gilmore 2022). Critical theorists have also explored political practices of assembling (Butler 2015), occupying, striking, and reorganizing processes of social reproduction (Gago 2019), linking these to the need to rethink revolution beyond the model of a single break or event and more as an interstitial process (Redecker 2018, Saar 2020).
Whether the new revolutionary subjects and struggles that emerge in these critical practices will indeed converge to fundamentally challenge the existing order, open up new pathways to emancipation, and develop emancipated – more just, democratic, and sustainable – modes of living together remains to be seen. Horkheimer’s quip still holds: “if the proof of the pudding is in the eating, the eating here is still in the future” (1937a [1972, 220–1]). Against this background, theoretical explorations of critical practices – in the multiplicity of their forms, terrains, and actors – can be seen as part of the ongoing attempt to bring theory and practice together with an emancipatory orientation in light of the crises and struggles of the age. This approach has characterized the Frankfurt School from its very beginnings and has been a driving force in its continual (self-)transformation, making it into one of the most influential paradigms in social philosophy today.
- Abromeit, John, 2016, “Critical Theory and the Persistence of Right-Wing Populism”, Logos: A Journal of Modern Society and Culture , 15(2) [ Abromeit 2016 available online ].
- Adorno, Theodor W., 1931 [year this lecture was given], “Die Aktualität der Philosophie”, in Theodor W. Adorno, Gesammelte Schriften I: Philosophische Frühschriften , Rolf Tiedemann (ed.), Frankfurt am Main: Suhrkamp, 1973, pp. 325–344; translated as “The Actuality of Philosophy”, Benjamin Snow (trans.), Telos , 31 (1977): 120–133.
- –––, 1936 “Wiesengrund-Adorno an Benjamin, 18. März 1936”, in Theodor W. Adorno and Walter Benjamin, Briefwechsel 1928–1940 , Henri Lonitz (ed.), Frankfurt am Main, 1994, pp. 168–177; translated as March 18, 1936, “Wiesengrund-Adorno to Benjamin, March 18, 1936”, Theodor W. Adorno and Walter Benjamin , The Complete Correspondence 1928–1940 ,, Nicholas Walker (trans.), Henri Lonitz (ed.), Cambridge: Polity Press, 1999, pp. 127–133.
- –––, 1938, “Über den Fetischcharakter in der Musik und die Regression des Hörens”, Zeitschrift für Sozialforschung , 7(3), 321–356; translated as “On the Fetish Character in Music and the Regression of Listening”, Susan L. Gillespie (trans.), in Theodor W. Adorno, Essays on Music , Richard Leppert (ed.), Berkeley: University of California Press, 2002, pp. 288–317.
- –––, 1951a, “Kulturkritik und Gesellschaft”, in Karl Gustav Specht (ed.), Soziologische Forschung unserer Zeit , Köln and Opladen: Westdeutscher Verlag, 1951, pp. 228–240, republished in Theodor W. Adorno, Prismen: Kulturkritik und Gesellschaft , Frankfurt am Main: Suhrkamp, 1955, pp. 7–31; translated as “Cultural Criticism and Society”, in Theodor W. Adorno, Prisms , Samuel Weber and Shierry Weber (trans.), Cambridge, MA: MIT Press, 1981, pp. 17–34.
- –––, 1951b, “Freudian Theory and the Pattern of Fascist Propaganda”, in Géza Roheim (ed.), Psychoanalysis and the Social Sciences Vol. 3 , New York: International Universities Press, 279–300. Reprinted in The Culture Industry: Selected Essays on Mass Culture , Jay Bernstein (ed.), New York: Routledge, 1991, pp. 132–157.
- –––, 1951c, Minima Moralia: Reflexionen aus dem beschädigten Leben , Frankfurt am Main: Suhrkamp; translated as Minima Moralia: Reflections from Damaged Life , Edmund Jephcott (trans.), London: Verso, 2005.
- –––, 1955, “Schuld und Abwehr”, in Friedrich Pollock (ed.), Gruppenexperiment: Ein Studienbericht , Frankfurt am Main: Europäische Verlagsanstalt, 278–428; translated as Guilt and Defense: On the Legacies of National Socialism in Postwar Germany , Jeffrey K. Olick and Andrew J. Perrin (eds./trans.), Cambridge, MA: Harvard University Press, 2010.
- –––, 1957, “Soziologie und empirische Forschung”, in K . Ziegler (ed.), Wesen und Wirklichkeit des Menschen: Festschrift für Helmuth Plessner , Göttingen: Vandenhoeck & Ruprecht, pp. 245–260; translated as “Sociology and Empirical Research”, Glyn Adey and David Frisby (trans.), in Theodor W. Adorno et al. (eds.), The Positivist Dispute in German Sociology , London: Heinemann, 1976, pp. 68–86.
- –––, 1963a [year this transcribed lecture course was given], Probleme der Moralphilosophie , Frankfurt am Main: Suhrkamp, 1996; translated as Problems of Moral Philosophy , Rodney Livingstone (trans.), Stanford, CA: Stanford University Press, 2000.
- –––, 1963b, Drei Studien zu Hegel , Frankfurt am Main: Suhrkamp; translated as Hegel: Three Studies , Shierry Weber Nicholsen (trans.), Cambridge, MA: MIT Press, 1993.
- –––, 1966a, Negative Dialektik , Frankfurt am Main: Suhrkamp; translated as Negative Dialectics , E. B. Ashton (trans.), New York: Seabury Press, 1973.
- –––, 1966b, “Gesellschaft”, in Hermann Kunst and Siegfried Grundmann (eds.), Evangelisches Staatslexikon , Stuttgart: Kreuz Verlag, pp. 636–643; translated as “Society”, Fredric R. Jameson (trans.), Salmagundi , 10–11 (1969): 144–153.
- –––, 1969a, “Zur Spezifikation der kritischen Theorie”, in Theodor W. Adorno Archiv (ed.), Adorno. Eine Bildmonographie , Frankfurt am Main: Suhrkamp, p. 292.
- –––, 1969b, “Marginalien zu Theorie und Praxis”, Die Zeit , No. 33 (1969); translated as “Marginalia to Theory and Praxis”, Henry W. Pickford (trans.), in Critical Models: Interventions and Catchwords , New York: Columbia University Press, 2005, pp. 259–278.
- –––, 1967a [year this transcribed lecture was given], Aspekte des neuen Rechtsradikalismus , Berlin: Suhrkamp, 1999; translated as Aspects of the New Right-Wing Extremism , Wieland Hoban (trans.), Cambridge: Polity, 2020.
- –––, 1967b, “Résumé über Kulturindustrie”, in Theodor W. Adorno, Ohne Leitbild: Parva Aesthetica , Frankfurt am Main: Suhrkamp, pp. 60–70; translated as “The Culture Industry Reconsidered”, Anson G. Rabinbach (trans.), in Jay Bernstein, (ed.), The Culture Industry: Selected Essays on Mass Culture , New York: Routledge, 1991, pp. 98–106.
- –––, 1970, Ästhetische Theorie , Frankfurt am Main: Suhrkamp; translated as Aesthetic Theory , Robert Hullot-Kentor (trans.), Minneapolis: University of Minnesota Press, 1977.
- Adorno, Theodor W., Else Frenkel-Brunswik, Daniel Levinson, and Nevitt Sanford, 1950, The Authoritarian Personality , with a new Introduction by Peter E. Gordon, New York: Verso, 2019.
- Adorno, Theodor W., Hans Albert, Ralf Dahrendorf, Jürgen Habermas, Harald Pilot, and Karl R. Popper, 1969, Der Positivismusstreit in der deutschen Soziologie , Neuwied/Berlin: Luchterhand; translated as The Positivist Dispute in German Sociology , Glyn Adey and David Frisby (trans.), London: Heinemann, 1976.
- Adorno, Theodor W. and Herbert Marcuse, 1969, “Correspondence on the German Student Movement”, New Left Review , 233 (1999), 123–136.
- Agamben, Giorgio, 1995, Homo Sacer: Il potere sovrano e la nuda vita , Turin: Einaudi; translated as Homo Sacer: Sovereign Power and Bare Life , Daniel Heller-Roazen (trans.), Stanford: Stanford University Press, 1998.
- Allen, Amy, 2008, The Politics of Our Selves: Power, Autonomy, and Gender in Contemporary Critical Theory , New York: Columbia University Press.
- –––, 2010, “Third Generation Critical Theory: Benhabib, Fraser, and Honneth”, in Rosi Braidotti (ed.), After Poststructuralism: Transitions and Transformations , Durham: Acumen, pp. 129–48.
- –––, 2012, “The Public Sphere: Ideology and/or Ideal?”, Political Theory , 40(6): 822–829. doi:10.1177/0090591712457664
- –––, 2014, “Reason, Power and History: Re-reading the Dialectic of Enlightenment ”, Thesis Eleven , 120(1): 10–25. doi:10.1177/0725513613519588
- –––, 2015, “Emancipation without Utopia: Subjection, Modernity, and the Normative Claims of Feminist Critical Theory”, Hypatia , 30(3): 513–29. doi:10.1111/hypa.12160
- –––, 2016, The End of Progress: Decolonizing the Normative Foundations of Critical Theory , New York: Columbia University Press.
- –––, 2019, “Critical Theory and Feminism”, in Gordon, Peter, Espen Hammer, and Axel Honneth (eds.), The Routledge Companion to the Frankfurt School , London: Routledge, pp. 528–541.
- –––, 2021, Critique on the Couch: Why Critical Theory Needs Psychoanalysis , New York: Columbia University Press.
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- Apel, Karl-Otto, 1985, “Ist die Ethik der idealen Kommunikationsgemeinschaft eine Utopie? Zum Verhältnis von Ethik, Utopie und Utopiekritik”, in Wilhelm Vosskamp (ed.), Utopieforschung , Frankfurt: Suhrkamp; translated as “Is the Ideal Communication Community a Utopia? On the Relationship between Ethics, Utopia, and the Critique of Utopia”, David Frisby (trans.), in Seyla Benhabib and Fred Dallmayr (eds.), The Communicative Ethics Controversy , Cambridge, MA: MIT Press, 1990, pp. 23–59.
- –––, 1989, “Normative Begründung der ‘Kritischen Theorie’” durch Rekurs auf lebensweltliche Sittlichkeit? Ein transzendentalpragmatisch orientierter Versuch, mit Habermas gegen Habermas zu denken”, in Axel Honneth, Thomas McCarthy, Claus Offe, and Albrecht Wellmer (eds.), Zwischenbetrachtungen im Prozess der Aufklärung: Jürgen Habermas zum 60. Geburtstag , Frankfurt am Main: Suhrkamp, 15–65; translated as “Normatively Grounding ‘Critical Theory’ through Recourse to Lifeworld? A Transcendental-Pragmatic Attempt to Think With Habermas Against Habermas”, William Rehg (trans.), in Axel Honneth, Thomas McCarthy, Claus Offe, and Albrecht Wellmer (eds.), Philosophical Interventions Into the Unfinished Project of Enlightenment , Cambridge, MA: MIT Press, 1992, pp. 125–70.
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- –––, 2020, Capitalism on Edge: How Fighting Precarity Can Achieve Radical Change Without Crisis or Utopia , New York: Columbia University Press.
- Balibar, Etienne, and Immanuel Wallerstein, 1988, Race, nation, classe: les identités ambiguës , Paris: La Découverte; translated as Race, Nation, Class. Ambiguous Identities , Chris Turner (trans.), New York: Verso, 1991.
- Bardawil, Fadi, 2018, “Césaire with Adorno: Critical Theory and the Colonial Problem”, South Atlantic Quarterly , 117(4): 773–789. doi:10.1215/00382876-7165857
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- Baynes, Kenneth, 2016, Habermas , New York: Routledge.
- Benhabib, Seyla, 1986, Critique, Norm, and Utopia: A Study of the Foundations of Critical Theory , New York: Columbia University Press.
- –––, 1992, Situating the Self: Gender, Community and Postmodernism in Contemporary Ethics , New York: Routledge.
- –––, 2004, The Rights of Others: Aliens, Residents, and Citizens , Cambridge: Cambridge University Press.
- Benhabib, Seyla, Judith Butler, Drucilla Cornell, and Nancy Fraser, 1995, Feminist Contentions: A Philosophical Exchange , New York: Routledge.
- Benjamin, Walter, 1920/21, “Zur Kritik der Gewalt”, in Archiv für Sozialwissenschaft und Sozialpolitik , 47(3): 809–832; translated as “Toward the Critique of Violence”, Julia Ng (trans.), in Peter Fenves and Julia Ng (eds.), Toward the Critique of Violence: A Critical Edition , Stanford University Press, 2021, pp. 39–60.
- –––, 1936, “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit”, originally published as “L’œuvre d’art à l’époque de sa réproduction mécanisée”, Pierre Klossowski (trans.), Zeitschrift für Sozialforschung , 5(1), 40–68, all textual variants can be found in Walter Benjamin, Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (Walter Benjamin Werke und Nachlaß: Kritische Gesamtausgabe vol. 16), Burkhardt Lindner (ed.), Berlin: Suhrkamp, 2012, the essay was translated as “The Work of Art in the Age of its Technological Reproducibility”, Michael W. Jennings (trans.), Grey Room , 39 (2010): 11–37. doi:10.1162/grey.2010.1.39.11
- –––, 1940, “Über den Begriff der Geschichte”, in Walter Benjamin, Gesammelte Schriften I , Rolf Tiedemann and Hermann Schweppenhäuser (eds.), Frankfurt am Main, 1974, pp. 691–706; translated as “On the Concept of History”, Harry Zohn (trans.) in Howard Eiland and Michael W. Jennings (eds.) Walter Benjamin: Selected Writings (Volume 4), Cambridge, MA: Harvard University Press, 2006, pp. 389–400.
- –––, 1955, Schriften , 2 vols., Theodor W. Adorno and Gretel Adorno (eds.), Frankfurt am Main: Suhrkamp; translated in parts as Illuminations , Harry Zohn (trans.), Hannah Arendt (ed.), New York: Harcourt, Brace & World, 1968.
- Bernstein, Jay, 2001, Adorno: Disenchantment and Ethics , Cambridge: Cambridge University Press.
- Bernstein, Richard, 2010, The Pragmatic Turn , Malden, MA: Polity.
- –––, 2022, The Vicissitudes of Nature: From Spinoza to Freud , Malden, MA: Polity.
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- Bhambra, Gurminder K., and John Holmwood, 2021, Colonialism and Modern Social Theory , Malden, MA: Polity.
- Biro, Andrew, 2011, Critical Ecologies: The Frankfurt School and Contemporary Environmental Crises , Toronto: University of Toronto Press.
- Bohman, James, 2003, “Critical Theory as Practical Knowledge: Participants, Observers, and Critics”, in S. P. Turner and P. A. Roth (eds.), The Blackwell Guide to the Philosophy of the Social Sciences , Oxford: Blackwell, pp. 91–109.
- –––, 2007, Democracy Across Borders: From Dêmos to Dêmoi, Cambridge, MA: MIT Press.
- Bojadžijev, Manuela, 2020, “Anti-Racism as Method”, in John Solomos (ed.), The Routledge International Handbook of Contemporary Racisms , London: Routledge 2020, pp. 193–204.
- Bourdieu, Pierre, 1980, Le sens pratique , Paris: Minuit; translated as The Logic of Practic e, Richard Nice (trans.), Stanford: Stanford University Press, 1992.
- Brown, Wendy (ed.), 2006, “Feminist Theory and the Frankfurt School”: a Special Issue of differences: A Journal of Feminist Cultural Studies , 17(1).
- –––, 2019, In the Ruins of Neoliberalism: The Rise of Antidemocratic Politics in the West , New York: Columbia University Press.
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- Brown, Wendy, and Rainer Forst, 2014, The Power of Tolerance: A Debate , New York: Columbia University Press.
- Brown, Wendy, Peter Gordon, and Max Pensky, 2018, Authoritarianism. Three Inquiries in Critical Theory , Chicago: The University of Chicago Press.
- Brunkhorst, Hauke, 1983, “Paradigmenkern und Theoriedynamik der Kritischen Theorie der Gesellschaft”, Soziale Welt , 34: 22–36; translated as “Paradigm-core and theory-dynamics in critical social theory: people and programs”, Peter Krockenberger (trans.), Philosophy & Social Criticism , 24(6) (1998): 67–110.
- –––, 2002, Solidarität: Von der Bürgerfreundschaft zur globalen Rechtsgenossenschaft , Frankfurt am Main: Suhrkamp; translated as Solidarity: From Civic Friendship to a Global Legal Community , Jeffrey Flynn (trans.), Cambridge, MA: MIT Press, 2005.
- –––, 2014, Critical Theory of Legal Revolutions: Evolutionary Perspectives , New York: Bloomsbury.
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- –––, 1989, The Dialectics of Seeing: Walter Benjamin and the Arcades Project , Cambridge, MA: MIT Press.
- –––, 1992, “Aesthetics and Anaesthetics: Walter Benjamin’s Artwork Essay Reconsidered”, October , 62: 3–41. doi:10.2307/778700
- –––, 2009, Hegel, Haiti, and Universal History , Pittsburgh: University of Pittsburgh Press.
- Butler, Judith, 1990, Gender Trouble , London: Routledge.
- –––, 1997, The Psychic Life of Power: Theories in Subjection , Stanford, CA: Stanford University Press.
- –––, 2012, Parting Ways: Jewishness and the Critique of Zionism , New York: Columbia University Press.
- –––, 2015, Notes Toward a Performative Theory of Assembly , Cambridge, MA: Harvard University Press.
- Butler, Judith, Jürgen Habermas, Charles Taylor, and Cornel West, 2011, The Power of Religion in the Public Sphere , New York: Columbia University Press.
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- Catlin, Jonathon, 2023, “Antisemitism and Racism ‘After Auschwitz’: Adorno on the ‘Hellish Unity’ of ‘Permanent Catastrophe’ ”, in Marcel Stoetzler (ed.), Critical Theory and the Critique of Antisemitism , New York: Bloomsbury, pp. 203–230.
- Celikates, Robin, 2006, “From Critical Social Theory to a Social Theory of Critique: On the Critique of Ideology after the Pragmatic Turn”, Constellations , 13(1): 21–40. doi:10.1111/j.1351-0487.2006.00438.x
- –––, 2009, Kritik als soziale Praxis: Gesellschaftliche Selbstverständigung und kritische Theorie , Frankfurt am Main: Campus; translated as Critique as Social Practice: Critical Theory and Social Self-Understanding , Naomi van Steenbergen (trans.), London: Rowman & Littlefield, 2018.
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- –––, 2022, “Remaking the Demos ‘from Below’? Critical Theory, Migrant Struggles, and Epistemic Resistance”, in Didier Fassin and Axel Honneth (eds.), Crisis Under Critique: How People Assess, Transform, and Respond to Critical Situations , New York: Columbia University Press, pp. 97–120.
- Celikates, Robin, Sally Haslanger, and Jason Stanley (eds.), forthcoming, Analyzing Ideology , Oxford: Oxford University Press.
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- Collins, Patricia Hill, 1990, Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment , London: Routledge. Second edition published in 2000.
- –––, 2019, Intersectionality as Critical Social Theory , Durham and London: Duke University Press. doi:10.1515/9781478007098
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- –––, 2023, “Reenvisioning Freedom: Human Agency in Times of Ecological Disaster”, Constellations , 30: 119–127. doi:10.1111/1467-8675.12681
- Cordero, Rodrigo, 2017, Crisis and Critique: On the Fragile Foundations of Social Life , New York: Routledge.
- Coulthard, Glen Sean, 2014, Red Skin, White Masks: Rejecting the Colonial Politics of Recognition , Minneapolis: University of Minnesota Press.
- Crenshaw, Kimberlé, Neil Gotanda, Gary Peller, and Kendall Thomas, 1995, “Introduction”, Critical Race Theory: The Key Writings that Formed the Movement , New York: The New Press, pp. viii–xxxii.
- Davis, Angela Y., 1983, Women, Race and Class , New York: Vintage.
- –––, 2004, “Marcuse’s Legacies”, in John Abromeit and W. Mark Cobb (eds.), Herbert Marcuse: A Critical Reader . New York, Routledge, pp. 43–50.
- –––, 2005, Abolition Democracy , New York: Seven Stories Press.
- Dean, Jodi, 2016, Crowds and Party , London: Verso.
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- Demirović, Alex, 2016, “The Frankfurt School, Critical Theory, and Sociology at the Institute for Social Research (1950 to 1960)”, in Gabriel R. Ricci (ed.), The Persistence of Critical Theory , London: Routledge, pp. 25–40.
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- Derrida, Jacques, 1990 [year the lecture was given], Force de loi , Paris: Galilée, 1994; translated as “The Force of Law”, Mary Quaintance (trans.), in Drucilla Cornell, Michel Rosenfeld, and David G. Carlson (eds.), Deconstruction and the Possibility of Justice , New York: Routledge, 1992, pp. 3–67.
- Dews, Peter, 1987, Logics of Disintegration: Poststructuralist Thought and the Claims of Critical Theory , London: Verso.
- Dubiel, Helmut, 1978, Wissenschaftsorganisation und politische Erfahrung: Studien zur frühen Kritischen Theorie , Frankfurt am Main: Suhrkamp; translated as Theory and Politics: Studies in the Development of Critical Theory , Benjamin Gregg (trans.), Cambridge, MA: MIT Press, 1985.
- Du Bois, W. E. B., 1935, Black Reconstruction in America, 1860–1880 , New York: The Free Press, 1998.
- Dussel, Enrique, 1998, Ética de la Liberación en la edad de globalización y de la exclusión ; translated as Ethics of Liberation in the Age of Globalization and Exclusion , Eduardo Mendieta, Camilo Pérez Bustillo, Yolanda Angulo, and Nelson Maldonado-Torres (trans.), Durham, NC: Duke University Press, 2013.
- –––, 2011, “From Critical Theory to the Philosophy of Liberation: Some Themes for Dialogue”, Transmodernity , 1(2): 16–43. doi.org:10.5070/T412011806
- Eagleton, Terry, 1991, Ideology: An Introduction , London, Verso.
- Feenberg, Andrew, 2023a, “Marcuse’s Critique of Technology Today”, Philosophy & Social Criticism 49(6): 672–685. doi:10.1177/01914537231164657
- –––, 2023b, The Ruthless Critique of Everything Existing: Nature and Revolution in Marcuse’s Philosophy of Praxis , London: Verso.
- Ferrara, Alessandro, 2008, The Force of the Example: Explorations in the Paradigm of Judgment , New York: Columbia University Press.
- Ferrarese, Estelle, 2018, La fragilité du souci des autres: Adorno et le care , Lyon: ENS Éditions; translated as The Fragility of Concern for Others: Adorno and the Ethics of Care , Steven Corcoran (trans.), Edinburgh: Edinburgh University Press, 2020.
- Finlayson, James Gordon, 2007, “Political, Moral and Critical Theory: On the Practical Philosophy of the Frankfurt School”, in Michael Rosen and B. Leiter (eds.), The Oxford Handbook of Continental Philosophy , Oxford: Oxford University Press, pp. 626–670.
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- –––, 2019, The Habermas-Rawls Debate , New York: Columbia University Press.
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- –––, 2022, “Decentering Eurocentrism through Dialogue”, in Tom Bailey (ed.), Deprovincializing Habermas: Global Perspectives , Second Edition , New York: Routledge, pp. 249–270.
- Fong, Benjamin Y., 2016, Death and Mastery: Psychoanalytic Drive Theory and the Subject of Late Capitalism , New York: Columbia University Press.
- Forst, Rainer, 2007, Das Recht auf Rechtfertigung: Elemente einer konstruktivistischen Theorie der Gerechtigkeit , Berlin: Suhrkamp; translated as The Right to Justification: Elements of a Constructivist Theory of Justice , Jeffrey Flynn (trans.), New York: Columbia University Press, 2011.
- –––, 2011, Kritik der Rechtfertigungsverhältnisse , Berlin: Suhrkamp; translated as Justification and Critique: Towards a Critical Theory of Politics , Ciaran Cronin (trans.), Cambridge: Polity, 2014.
- –––, 2017, “Noumenal Alienation: Rousseau, Kant and Marx on the Dialectics of Self-Determination”, Kantian Review , 22(4): 523–551. doi:10.1017/S1369415417000267
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- –––, 2023, “The rule of unreason: Analyzing (Anti-)Democratic Regression”, Constellations , 30(3): 217–224. doi:10.1111/1467-8675.12671
- Foucault, Michel, 1973 [year this lecture was given], “La vérités et les formes juridiques”, Chimères , 10 (1990): 8–28; translated as “Truth and Juridical Forms”, in Michel Foucault, Power , ed. James D. Faubion, New York: New Press, 2000, pp. 31–45.
- Fraser, Nancy, 1981, “Foucault on Modern Power: Empirical Insights and Normative Confusions”, PRAXIS International , 3: 272–287.
- –––, 1985, “What’s Critical about Critical Theory? The Case of Habermas and Gender”, New German Critique , 35: 97–131. doi:10.2307/488202
- –––, 1989, Unruly Practices: Power, Discourse, and Gender in Contemporary Social Theory , Minneapolis: University of Minnesota Press.
- –––, 1990, “Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy.” Social Text , 25/26: 56–80.
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- –––, 2013, Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis , London: Verso.
- –––, 2014, “Behind Marx’s Hidden Abode”, New Left Review , 86: 55–72.
- –––, 2016, “Contradictions of Capital and Care”, New Left Review , 100: 99–117.
- –––, 2021, “Climates of Capital”, New Left Review , 127: 94–127.
- –––, 2022, Cannibal Capitalism: How Our System is Devouring Democracy, Care, and the Planet – And What We Can Do about It , New York: Verso.
- Fraser, Nancy, et al., 2014, Transnationalizing the Public Sphere , Kate Nash (ed.), Cambridge: Polity.
- Fraser, Nancy, and Axel Honneth, 2003, Redistribution or Recognition? A Philosophical-Political Exchange , New York: Verso.
- Fraser, Nancy and Rahel Jaeggi, 2018, Capitalism: A Conversation in Critical Theory , Brian Milstein (ed.), Cambridge: Polity.
- Freyenhagen, Fabian, 2014, “Adorno’s Politics: Theory and Praxis in Germany’s 1960s”, Philosophy & Social Criticism , 40: 867–893. doi:10.1177/0191453714545198
- –––, 2018, “Critical Theory: Self-Reflexive Theorizing and Struggles for Emancipation”, in: Oxford Research Encyclopedia of Politics [ Freyenhagen 2018 available online ].
- Fricker, Miranda, 2007, Epistemic Injustice , Oxford: Oxford University Press.
- Fromm, Erich, 1936, “Studien über Autorität und Familie. Sozialpsychologischer Teil”, in Max Horkheimer (ed.), Schriften des Instituts für Sozialforschung, Vol. V: Studien über Autorität und Familie , Paris: Librairie Félix Alcan; translated as “Studies on Authority and the Family. Socio-psychological Dimensions”, Fromm Forum , 24 (2020): 8–58.
- –––, 1961, Marx’s Concept of Man , New York: Continuum.
- Gago, Verónica, 2019, La potencia feminista: O el deseo de cambiarlo todo , Buenos Aires: Tinta Limón; translated as Feminist International: How to Change Everything , Liz Mason-Deese (trans.), London: Verso, 2020.
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- Geuss, Raymond, 1981, The Idea of a Critical Theory , Cambridge: Cambridge University Press.
- Gilmore, Ruth Wilson, 2022, Abolition Geography: Essays Towards Liberation , London: Verso.
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- –––, 2023, A Precarious Happiness: Adorno and the Sources of Normativity , Chicago: University of Chicago Press. doi:10.4324/9780429443374
- Gordon, Peter, Espen Hammer, and Axel Honneth (eds.), 2019, The Routledge Companion to the Frankfurt School , London: Routledge. doi:10.4324/9780429443374
- Gregoratto, Federica, Heikki Ikäheimo, Emmanuel Renault, Arvi Särkelä, and Italo Testa, 2022, “Critical Naturalism: A Manifesto”, Krisis: Journal for Contemporary Philosophy , 42(1): 108–24. doi:10.21827/krisis.42.1.38637
- Grüner, Eduardo, 2010, La oscuridad y las luces , Buenos Aires: Edhasa; translated as The Haitian Revolution: Capitalism, Slavery and Counter-Modernity , Ramsey McGlazer (trans.), Cambridge: Polity, 2019.
- Habermas, Jürgen, 1962, Strukturwandel der Öffentlichkeit: Untersuchungen zu einer Kategorie der bürgerlichen Gesellschaft , Neuwied, Berlin: Luchterhand; translated as The Structural Transformation of the Public Sphere: An Inquiry Into a Category of Bourgeois Society , Thomas Burger and Frederick Lawrence (trans.), Cambridge, MA: MIT Press, 1989.
- –––, 1963, Theorie und Praxis: Sozialphilosophische Studien , Neuwied am Rhein and Berlin: Luchterhand. New and extended edition Frankfurt am Main: Suhrkamp, 1971; translated as Theory and Practice , John Viertel (trans.), Boston: Beacon Press, 1973.
- –––, 1968a, Technik und Wissenschaft als ‘Ideologie’ , Frankfurt am Main: Suhrkamp; translated as Chapters 4–6 of Toward a Rational Society: Student Protest, Science, and Politics , Jeremy J. Shapiro (trans.), Boston: Beacon Press, 1970.
- –––, 1968b, Erkenntnis und Interesse , Frankfurt am Main: Suhrkamp; translated as Knowledge and Human Interests , Jeremy J. Shapiro (trans.), Boston: Beacon Press, 1971.
- –––, 1973a, “Nachwort”, in Jürgen Habermas, Erkenntnis und Interesse, Mit einem neuen Nachwort , Frankfurt am Main: Suhrkamp, pp. 367–417; translated as “A Postscript to Knowledge and Human Interests ”, Christian Lenhardt (trans.), Philosophy of the Social Sciences , 3: 157–189.
- –––, 1973b, Legitimationsprobleme im Spätkapitalismus , Frankfurt am Main: Suhrkamp; translated as Legitimation Crisis , Thomas McCarthy (trans.), Boston: Beacon Press, 1975.
- –––, 1981, Theorie des kommunikativen Handelns , 2 vols., Frankfurt am Main: Suhrkamp; translated as The Theory of Communicative Action , 2 vols., Thomas A. McCarthy (trans.), Boston: Beacon Press, 1984.
- –––, 1983a, Moralbewusstsein und kommunikatives Handeln , Frankfurt am Main: Suhrkamp, translated as Moral Consciousness and Communicative Action , Christian Lenhardt and Shierry Weber Nicholsen (trans.), Cambridge, MA: MIT Press, 1990.
- –––, 1983b, “Ziviler Ungehorsam: Testfall für den demokratischen Rechtsstaat”, in Peter Glotz (ed.), Ziviler Ungehorsam im Rechtsstaat , Frankfurt am Main: Suhrkamp, pp. 29–53; translated as “Civil Disobedience: Litmus Test for the Democratic Constitutional State”, Berkeley Journal of Sociology , 30: 95–116.
- –––, 1985, Der philosophische Diskurs der Moderne: Zwölf Vorlesungen , Frankfurt am Main: Suhrkamp; translated as The Philosophical Discourse of Modernity: Twelve Lectures , Frederick Lawrence (trans.), Cambridge, MA: MIT Press, 1987.
- –––, 1991, Erläuterungen zur Diskursethik , Frankfurt am Main: Suhrkamp; translated as Justification and Application: Remarks on Discourse Ethics , Ciaran Cronin (trans.), Cambridge, MA: MIT Press, 1993.
- –––, 1992, Faktizität und Geltung: Beiträge zur Diskurstheorie des Rechts und des demokratischen Rechtsstaats , Frankfurt am Main: Suhrkamp; translated as Between Facts and Norms: Contributions to a Discourse Theory of Law and Democracy , William Rehg (trans.), Cambridge, MA: MIT Press, 1996.
- –––, 1995a, “Reconciliation Through the Public Use of Reason: Remarks on John Rawls’s Political Liberalism”, The Journal of Philosophy , 92(3): 109–131. doi:10.5840/jphil199592335
- –––, 1995b, “Kants Idee des ewigen Friedens aus dem historischen Abstand von 200 Jahren”, Kritische Jusitiz , 3: 293–319; translated as “Kant’s Idea of Perpetual Peace, with the Benefit of Two Hundred Years’ Hindsight”, in James Bohman and Matthias Lutz-Bachmann (eds.), Perpetual Peace: Essays on Kant’s Cosmopolitan Ideal , Cambridge, MA: MIT Press, 1997, pp. 113–153.
- –––, 1996, “Vernünftig versus Wahr oder die Moral der Weltbilder”, in Die Einbeziehung des Anderen: Studien zur politischen Theorie , Frankfurt am Main: Suhrkamp; translated as “‘Reasonable’ versus ‘True,’ or the Morality of Worldviews”, Ciaran Cronin (trans.), in The Inclusion of the Other: Studies in Political Theory , Ciaran Cronin and Pablo De Greiff (eds.), Cambridge, MA: MIT Press, 1998, pp. 75-105.
- –––, 1998, Die postnationale Konstellation: politische Essays , Frankfurt am Main: Suhrkamp; translated as The Postnational Constellation: Political Essays , Max Pensky (ed./trans.), Cambridge, MA: MIT Press, 2001.
- –––, 1999, Wahrheit und Rechtfertigung: philosophische Aufsätze , Frankfurt am Main: Suhrkamp; translated as Truth and Justification , Barbara Fultner (trans.), Cambridge, MA: MIT Press, 2003.
- –––, 2005, Zwischen Naturalismus und Religion. Philosophische Aufsätze , Frankfurt am Main: Suhrkamp; translated as Between Naturalism and Religion , Ciaran Cronin (trans.), Malden, MA: Polity, 2008.
- –––, 2006, “Political Communication in Media Society: Does Democracy Still Enjoy an Epistemic Dimension? The Impact of Normative Theory on Empirical Research”, Communication Theory , 16(4): 411–426. doi:10.1111/j.1468-2885.2006.00280.x
- –––, 2019, Auch eine Geschichte der Philosophie , 2 vols., Berlin: Suhrkamp; part of volume 1 translated as Also a History of Philosophy, Volume 1: The Project of a Genealogy of Postmetaphysical Thinking , Ciaran Cronin (trans.), Cambridge: Polity, 2023.
- –––, 2021, “Überlegungen und Hypothesen zu einem erneuten Strukturwandel der politischen Öffentlichkeit”, in: Martin Seeliger and Sebastian Sevignani (eds.), Ein neuer Strukturwandel der Öffentlichkeit? , Baden-Baden: Nomos Verlag, 470–500; translated as “Reflections and Hypotheses on a Further Structural Transformation of the Political Public Sphere”, Ciaran Cronin (trans.), Theory, Culture & Society , 39(4) (2022): 145–171. doi:10.1177/02632764221112341
- Hall, Stuart, 2021, Selected Writings on Race and Difference , Durham, NC: Duke University Press.
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- –––, 2019, Reconciliation and Reification: Freedom’s Semblance and Actuality from Hegel to Contemporary Critical Theory , Oxford: Oxford University Press.
- Heberle, Renée (ed.), 2006, Feminist Interpretations of Theodor Adorno , University Park, PA: The Pennsylvania University Press.
- Honneth, Axel, 1985, Kritik der Macht: Reflexionsstufen einer kritischen Gesellschaftstheorie , Frankfurt am Main: Suhrkamp; translated as Critique of Power: Reflective Stages in a Critical Social Theory , Kenneth Baynes (trans.), Cambridge, MA: MIT Press, 1991.
- –––, 1992, Kampf um Anerkennung: Zur moralischen Grammatik sozialer Konflikte , Frankfurt am Main: Suhrkamp; translated as The Struggle for Recognition: The Moral Grammar of Social Conflicts , Joel Anderson (trans.), Cambridge: Polity, 1995.
- –––, 1994, “Die soziale Dynamik von Mißachtung: Zur Ortsbestimmung einer kritischen Gesellschaftstheorie”, Leviathan , 22(1): 78–93; translated as “The Social Dynamics of Disrespect: On the Location of Critical Theory Today”, John Farrell (trans.), Constellations , 1(2): 255–69, reprinted in in Axel Honneth, Disrespect: The Normative Foundations of Critical Theory , Cambridge: Polity Press, 2007, pp. 63–79.
- –––, 1998, “Über die Möglichkeit einer erschließenden Kritik. Die Dialektik der Aufklärung im Horizont gegenwärtiger Debatten über Sozialkritik”, Paradigmi. Rivista di critica filosofica , 16(48): 501–514; translated as “The Possibility of a Disclosing Critique of Society: The Dialectic of Enlightenment in Light of Current Debates in Social Criticism”, Constellations , 7(1) (2000): 116–127. doi:10.1111/1467-8675.00173
- –––, 2000, Das Andere der Gerechtigkeit ; translated as Disrespect: The Normative Foundations of Critical Theory , Joseph Ganahl (trans.), Cambridge: Polity, 2007.
- –––, 2001, Leiden an Unbestimmtheit: Eine Reaktualisierung der Hegelschen Rechtsphilosophie , Stuttgart: Reclam; translated as The Pathologies of Individual Freedom: Hegel’s Social Theory , Ladislaus Löb (trans.), Princeton: Princeton University Press, 2010.
- –––, 2003, “Redistribution as Recognition”, in N. Fraser and A. Honneth (eds.), Redistribution or Recognition? A Political-Philosophical Exchange , London: Verso, pp. 110–197.
- –––, 2004, “Eine soziale Pathologie der Vernunft. Zur intellektuellen Erbschaft der Kritischen Theorie”, in Christoph Halbig and Michael Quante (eds.), Axel Honneth: Sozialphilosophie zwischen Kritik und Anerkennung , Münster: LIT-Verlag, pp. 9-32; translated as “A Social Pathology of Reason: On the Intellectual Legacy of Critical Theory”, in A. Honneth , Pathologies of Reason: On the Legacy of Critical Theory , New York: Columbia University Press, 2009, pp. 19-42.
- –––, 2005, Verdinglichung: Eine anerkennungstheoretische Studie , Frankfurt am Main: Suhrkamp; translated as Reification , Martin Jay (ed.), New York: Oxford University Press, 2008.
- –––, 2010, Das Ich im Wir: Studien zur Anerkennungstheorie , Berlin: Suhrkamp; translated as The I in We: Studies in the Theory of Recognition , Joseph Ganahl (trans.), Cambridge: Polity, 2012.
- –––, 2011, Das Recht der Freiheit: Grundriß einer demokratischen Sittlichkeit , Berlin: Suhrkamp; translated as Freedom’s Right: The Social Foundations of Democratic Life , Joseph Ganahl (trans.), New York: Columbia University Press, 2014.
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- –––, 2023, Der arbeitende Souverän , Berlin: Suhrkamp; translation, The Working Sovereign , Cambridge: Polity, forthcoming.
- Honneth, Axel, and Hans Joas (eds.), 1986, Kommunikatives Handeln: Beiträge zu Jürgen Habermas ‘Theorie des Kommunikativen Handelns , Frankfurt am Main: Suhrkamp; translated as Communicative Action: Essays on Jürgen Habermas’s The Theory of Communicative Action, Jeremy Gaines and Doris L. Jones (trans.), Cambridge, MA: MIT Press, 1991.
- Horkheimer, Max, 1931, “Die gegenwärtige Lage der Sozialphilosophie und die Aufgaben eines Instituts für Sozialforschung”, Frankfurter Universitätsreden , XXXVII: 3–16; translated as “The Present Situation of Social Philosophy and the Tasks of an Institute for Social Research”, John Torpey (trans.), in Max Horkheimer, Between Philosophy and Social Science: Selected Early Writings , Cambridge, MA: MIT Press, 1993, pp. 1–14. Retranslated as “The State of Contemporary Social Philosophy and the Tasks of an Institute for Social Research”, Journal for Cultural Research , Peter Wagner (trans.), 22(2) (2018): 113–121. doi:10.1080/14797585.2018.1461354
- –––, 1933, “Materialismus und Moral”, Zeitschrift für Sozialforschung , 2(2): 162–197; translated as “Materialism and Morality”, G. Frederick Hunter (trans.), in Max Horkheimer, Between Philosophy and Social Science: Selected Early Writings , Cambridge: MIT Press, 1993, pp. 15–47.
- –––, 1936a, “Egoismus und Freiheitsbewegung: Zur Anthropologie des bürgerlichen Zeitalters”, Zeitschrift für Sozialforschung , 5(2): 161–234; translated as “Egoism and Freedom Movements: On the Anthropology of the Bourgeois Era”, G. Frederick Hunter (trans.), in Max Horkheimer, Between Philosophy and Social Science: Selected Early Writings , Cambridge: MIT Press, 1993, pp. 49–110.
- ––– (ed.), 1936b, Studien über Autorität und Familie: Forschungsberichte aus dem Institut für Sozialforschung , Paris: Librairie Félix Alcan.
- –––, 1937a, “Traditionelle und kritische Theorie”, Zeitschrift für Sozialforschung , 6(2): 245–294; translated as “Traditional and Critical Theory”, Matthew J. O’Connell (trans.), in Max Horkheimer, Critical Theory: Selected Essays , New York: Continuum, 1972, pp. 188–243.
- –––, 1937b, “Nachtrag”, Zeitschrift für Sozialforschung , 6(3): 625–631; translated as “Postscript”, Matthew J. O’Connell (trans.), in Max Horkheimer, Critical Theory: Selected Essays , New York: Continuum, 1972, pp. 244–252.
- –––, 1941, “Art and Mass Culture”, Zeitschrift für Sozialforschung , 9(2), 290–304, republished in Max Horkheimer, Critical Theory: Selected Essays , New York: Continuum, 1972, pp. 273–290.
- Horkheimer, Max, and Theodor W. Adorno, 1947, Dialektik der Aufklärung: Philosophische Fragmente , Amsterdam: Querido; translated as Dialectic of Enlightenment , Edmund Jephcott (trans.), Stanford, CA: Stanford University Press, 2002.
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- Jaeggi, Rahel, 2005, Entfremdung: Zur Aktualität eines sozialphilosophischen Problems , Campus; translated as Alienation , Frederick Neuhouser and Alan E. Smith (trans.), New York: Columbia University Press, 2014.
- –––, 2008, “Re-Thinking Ideology”, in Christopher Zurn, Boujdewijn de Bruijn (eds.), New Waves in Political Philosophy , Basingstoke: Palgrave Macmillan, 2008.
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- –––, 1984, Marxism and Totality , Cambridge: Polity.
- Kelley, Robin D. G., 2002, Freedom Dreams: The Black Radical Imagination , Boston: Beacon Press. Revised and expanded edition published in 2022.
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- Koopman, Colin, 2013, Genealogy as Critique , Bloomington: Indiana University Press.
- Kracauer, Siegfried, 1927, “Das Ornament der Masse”, Frankfurter Zeitung , July 9–10, 1927; translated as “Mass Ornament”, Barbara Correll and Jack Zipes (trans.) New German Critique , 5 (1975): 67–76.
- –––, 2013, Totalitäre Propaganda , Bernd Stiegler (ed.), Berlin: Suhrkamp. Selections are translated as part of “Studies of Totalitarianism, Propaganda, and the Masses (1936–1940)” in Siegfried Kracauer, Selected Writings on Media, Propaganda, and Political Communication , Jaeho Kang, Graeme Gilloch, and John Abromeit (eds.), New York: Columbia University Press, 2022.
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- Löwy, Michael, 2001, Walter Benjamin: Avertissement d’incendie , Paris: Presses Universitaires de France; translated as Fire Alarm: Reading Walter Benjamin’s ‘On the Concept of History’ , Chris Turner (trans.), London: Verso, 2016.
- Loick, Daniel, 2012, Kritik der Souveränität , Frankfurt: Campus; translated as A Critique of Sovereignty , Amanda DeMarco (trans.) London: Rowman & Littlefield, 2018.
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- Lukács, Georg, 1923, “Verdinglichung und das Bewußtsein des Proletariats”, in Geschichte und Klassenbewußtsein , Berlin: Malik; translated as “Reification and the Consciousness of the Proletariat”, in History and Class Consciousness , Rodney Livingstone (trans.), Cambridge, MA: MIT Press, 1971, pp. 83–222.
- –––, 1963, “Vorwort” to Die Theorie des Romans , Berlin: Luchterhand; translated as The Theory of the Novel , Anna Bostock (trans.), Cambridge, MA: MIT Press, 1974.
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- Marcuse, Herbert, 1937, “Philosophie und kritische Theorie”, Zeitschrift für Sozialforschung , 6(3): 625–647; translated as “Philosophy and Critical Theory”, in H. Marcuse (ed.), Negations , Jeremy J. Shapiro (trans), London: MayFlyBooks, 1968, pp. 99–117.
- –––, 1941, Reason and Revolution: Hegel and the Rise of Social Theory , Oxford: Oxford University Press.
- –––, 1955, Eros and Civilization , Boston: Beacon Press.
- –––, 1964, One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society , Boston: Beacon Press.
- –––, 1967, “Liberation from the Affluent Society” in Douglas Kellner (ed.), The New Left and the 1960s: Collected Papers of Herbert Marcuse, Volume 3 , New York: Routledge, 2004.
- –––, 1968, “Beyond One-Dimensional Man”, in Douglas Kellner (ed.), Towards a Critical Theory of Society , Collected Papers of Herbert Marcuse, Volume 2 , New York: Routledge, 2001.
- –––, 1969, An Essay on Liberation , Boston: Beacon Press.
- –––, 1974, “Marxism and Feminism”, Women’s Studies , 2: 279–288.
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- –––, 1844, “Zur Kritik der Hegelschen Rechtsphilosophie: Einleitung”, in Karl Marx: Werke, Artikel, Entwürfe: März 1843 – August 1944 (Karl Marx/Friedrich Engels Gesamtausgabe, vol. I.2), Berlin: Dietz, 1975, pp. 170–184; translated as “Contribution to the Critique of Hegel’s Philosophy of Law”, Martin Milligan and Barbara Ruhemann (trans.), in Karl Marx March 1843 – August 1944 (Karl Marx/Friedrich Engels Collected Works, vol. 3), London: Lawrence and Wishart, 1975, pp. 3–127.
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- –––, 1867, Das Kapital: Kritik der politischen Ökonomie. Erster Band (Hamburg 1867) (Karl Marx/Friedrich Engels Gesamtausgabe, vol. II.5), Berlin: Dietz, 1983; translated as Capital, Volume I (Karl Marx/Friedrich Engels Collected Works, vol. 35), London: Lawrence and Wishart, 1996.
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- –––, 2000, Spiegelungen der Gleichheit , Berlin: Akademie; translated as Reflections of Equality , Howard Rouse and Andrei Denejkine (trans.), Stanford, CA: Stanford University Press, 2006.
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- Wiggershaus, Rolf, 1986, Die Frankfurter Schule: Geschichte, theoretische Entwicklung, politische Bedeutung , München: Hanser; translated as The Frankfurt School: Its History, Theories, and Political Significance , Michael Robertson (trans.), Cambridge, MA: MIT Press, 1994.
- Wimbauer, Christine, 2023, “Taking Care Seriously: Gendering Honneth’s The Working Sovereign – A Normative Theory of Work ”, Journal of Classical Sociology , 23(3): 389–400. doi:10.1177/1468795X231170827
- Wolin, Richard, 1994, Walter Benjamin: An Aesthetic of Redemption , Berkeley: University of California Press.
- Young, Iris Marion, 2000, Inclusion and Democracy , Oxford: Oxford University Press.
- –––, 2001, “Activist Challenges to Deliberative Democracy”, Political Theory , 29(5): 670–90. doi:10.1177/0090591701029005004
- –––, 2007, “Recognition of Love’s Labor: Considering Axel Honneth’s Feminism”, in Bert van den Brink and David Owen (eds.), Recognition and Power: Axel Honneth and the Tradition of Critical Social Theory . Cambridge: Cambridge University Press, pp. 189–212.
- Zaretsky, Eli, 2022, “Donald Trump and the Paranoid Position”, Critical Historical Studies , 9(1): 133–157. doi:10.1086/719127
- Zurn, Christopher, 2011, “Social pathologies as second-order disorders”, in Danielle Petherbridge (ed.), Axel Honneth: Critical Essays , Leiden: Brill, pp. 345–70.
- –––, 2015, Axel Honneth: A Critical Theory of the Social , Cambridge: Polity.
How to cite this entry . Preview the PDF version of this entry at the Friends of the SEP Society . Look up topics and thinkers related to this entry at the Internet Philosophy Ontology Project (InPhO). Enhanced bibliography for this entry at PhilPapers , with links to its database.
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- Bohman, James, “Critical Theory”, Stanford Encyclopedia of Philosophy (Fall 2023 Edition), Edward N. Zalta & Uri Nodelman (eds.), URL = < https://plato.stanford.edu/archives/fall2023/entries/critical-theory/ >. [This was the previous entry on this topic in the Stanford Encyclopedia of Philosophy – see the version history .]
Adorno, Theodor W. | alienation | Benjamin, Walter | colonialism | critical philosophy of race | disability: critical disability theory | feminist philosophy, interventions: epistemology and philosophy of science | feminist philosophy, topics: perspectives on power | Foucault, Michel | Habermas, Jürgen | Horkheimer, Max | Lukács, Georg [György] | Marcuse, Herbert | postmodernism | recognition
Acknowledgments
The authors would like to thank Amy Allen, Axel Honneth, Noëlle McAfee, and Martin Saar for their very helpful comments on earlier drafts and Christian Meyer for judicious editorial assistance.
Copyright © 2023 by Robin Celikates < robin . celikates @ fu-berlin . de > Jeffrey Flynn < jeflynn @ fordham . edu >
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Information on Writing Philosophy Papers
Please familiarize yourself with the university’s academic honest policies if you have not already done so. They are available here: http://www.rochester.edu/college/honesty/docs/Academic_Honesty.pdf . Note in particular that it is a violation of these policies to use material from any source (other than yourself) in your papers without attribution and, where relevant, use of quotation marks. This applies especially to copying and pasting material from websites, which should always be avoided. You may, of course, make limited use of academically respectable web resources where relevant, as long as they are properly cited (I'm not picky about the exact format of your citations, as long as they contain the relevant information) and any quoted material is clearly placed in quotation marks (though this should still be a very limited portion of your paper). However, you should never make any use at all of student 'essay mills'--websites that offer students canned student essays for 'research' purposes: these essays are not research and do not meet the standards for scholarly sources; they have no place in the writing of your papers.
General Guidelines for Writing Philosophy Papers
- Clarity and straightforwardness of thought and language are crucial: avoid flowery styles and long, superfluous introductions and conclusions. (No paper should ever start with a sentence like: "Since the dawn of time, mankind has pondered the question of...") The bulk of your paper should consist of philosophical exposition and analysis, in plain but precise language.
- If you are writing an essay in response to an assigned essay topic, the most important thing is simply to make sure you answer the question that was asked , carefully and thoroughly. Avoid getting off on tangents that are not crucial to your topic, and avoid sweeping generalizations you can't support in the paper . In addition to the quality of exposition, one of the central things we look for in a philosophy paper is how well the thesis in question is supported. Even if the reader thinks some of your claims are false, your paper can be excellent if you do a solid job of defending your claims.
- If you are asked to explain something, do not merely summarize what an author or lecturer has said. Explain and illuminate the relevant ideas or arguments in your own words, as if you were trying to help a fellow student gain a deeper understanding of them.
- Avoid excessive quotation! Stringing together quotes is not explaining a position or an argument, and does not display your understanding of the material. Even paraphrasing in your own words is not enough. Again, explanation involves clarifying the claims, bringing out hidden assumptions behind arguments, noticing ambiguities as they arise and nailing them down, and so on.
- In addition to careful explanation of positions or arguments, some paper topics ask for critical evaluation of those positions and arguments. An example of critical evaluation of an argument would be my lecture criticizing Thomson's argument for the conclusion that abortions wouldn't violate a fetus' right to life even if it were granted to have a full right to life. (I developed and used a distinction between positive and negative rights, and argued that the central parallel she appeals to in her argument fails to go through, since it involves a conflation of positive and negative rights.) Some paper topics ask you to do the same sort of thing, and if you're writing on such a topic, be sure that this component of your paper is strong and well developed.
- Proofreading of papers is a necessity. So is decent grammar: incoherent grammar makes the effective communication of ideas impossible.
- As for which topic you choose: You should choose something you're most interested in and have the most to say about. Beware of any topic that seems too easy: If it seems simple--like something you can dash off in a few paragraphs--then that's a good sign that you're not thinking deeply enough about it, and you should probably write on another topic. So choose your topic carefully.
- This is important : If you use someone else's words, you have to use quotation marks and cite the source in a footnote. If you don't, it's plagiarism, which constitutes cheating and is a violation of the honor code. See note at top.
Sample Short Paper and Commentary
For Illustrative purposes only
Sample Essay Question : Is Socrates' position in the Crito , concerning the moral authority of the state, consistent with his view that one should never do anything that is wrong? Is it consistent with what he says, in the Apology , about what he would do if commanded by the state to cease practicing philosophy, or about what he did when commanded by the Thirty to capture Leon of Salamis for execution? Explain.
(Note: page references are to a different edition than the one you have ; paragraphs should be indented, but are not here due to limitations of html formatting; I have not here included footnotes for the same reason; and your papers should be double-spaced, rather than single-spaced.)
Socrates on the Moral Authority of the State
In the Crito , Socrates makes some surprisingly strong claims about the moral authority of the state, which might even seem to be inconsistent both with another fundamental claim he makes in the Crito and with certain claims he makes in the Apology . I shall argue that although these claims seem to be in some tension with each other, the crucial claims about the authority of the state in the Crito can plausibly be interpreted in such a way as to remove any real inconsistency with the other claims.
The first, rather striking claim about the moral authority of the state occurs at 51b of the Crito . Socrates argues that, because of the state's role as a provider of security, education, and various important social institutions (such as marriage), the citizens of the state are its "offspring and servants"; and from this he concludes that citizens are subordinate to the state and its laws to such an extent that if a citizen ever disagrees with the state's laws or orders, he "must either persuade it or obey its orders," even if the latter amounts to suffering death. The implication for his own case is clear: Socrates had tried to persuade the court of his innocence and of the injustice of his execution (as detailed in the Apology ), but he had failed; therefore, he argues, he must now obey the court and accept his death sentence--even though he still thinks that he is in the right on this matter.
The second, closely related claim, comes only a few paragraphs later, in 51e and 52. Socrates there argues that by virtue of remaining in the state, a citizen enters into an implied contract with it to obey its commands. More precisely, the claim is again that a citizen who has a disagreement with the state must either persuade it that it is wrong, or else obey it. In the voice of the personified laws: "either persuade us or do what we say" (52a). The implication, again, is that if one fails to persuade the state to change its mind, for whatever reason, then one must obey its orders. A citizen has no moral right to continue to resist the state, even if he is convinced that he is in the right and the state is in the wrong.
Now as mentioned above, these claims seem directly opposed to certain other claims Socrates makes. Most importantly, earlier in the Crito itself, Socrates had stressed that "one must never do wrong" (49b). Indeed, this serves as the driving principle behind the rest of his argument in the Crito . But is this really consistent with maintaining that one must always obey the state, if one fails to persuade it that something it orders is wrong? The obvious objection is that the state might well order one to do something wrong--e.g. because one of its laws is an unjust one, as Jim Crow laws were. In that case, Socrates' claim that one should never do anything wrong would entail refusing to do what the state orders-- even if one is unsuccessful in persuading the state that it is wrong. Thus, Socrates' claim that one should never do wrong seems inconsistent with his claim that one must always obey the final orders of the state.
Secondly, it might be objected that Socrates' view of the moral authority of the state is inconsistent both with what he did when ordered by the Thirty to capture Leon of Salamis for execution, and with what he says he'd do if ordered by the state to cease practicing philosophy (both from the Apology ). When the Thirty ordered him to capture Leon, he refused, on the grounds that this would have been wrong (unjust and impious). ( Apology , 32c-d) This seems to be a recognition that one is morally obligated or at least permitted to disobey the state when what it commands is wrong--even if one fails to persuade it of its wrongness. And similarly, Socrates makes clear that he would disobey the state and continue philosophizing if it were to order him to stop--again, on the grounds that it would be wrong for him to stop philosophizing (recall that he saw philosophy as his life's mission, given him by the god). ( Apology , 29c-d) Again, this seems to contradict what he says in the Crito about the supreme moral authority of the state and its laws and orders.
I believe, however, that it is possible to read the crucial passages about the authority of the state in the Crito in such a way as to render them consistent with Socrates' exhortation never to do wrong, and with his remarks about disobedience in the Apology . To see this, it is necessary to distinguish first of all between two issues: (a) what the law might require you to do , and (b) what the law might require you to endure . With this distinction in mind, consider the following possible interpretations of Socrates' claim about the moral authority of the state in the Crito :
( i ) Citizens must obey any law or order of the state, whatever it asks them to do or to endure ;
(ii) Citizens must endure whatever any law or order of the state says they must--including the law that verdicts arrived at through proper procedures shall be carried out--but citizens need not and morally should not do what is prescribed by an unjust law.
Now which of these positions is it most plausible to attribute to Socrates in the Crito ?
There are passages that might seem to suggest i (e.g. 51e, 52a), but again, the obvious problem is that it seems inconsistent with his fundamental principle that one should never do wrong (49a)--at least on the assumption, which Socrates clearly accepts in the Apology , that the state is not infallible as regards judgments of right and wrong. Thus, a more charitable reading would interpret the passages about the moral authority of the state as referring implicitly to cases where the state does not require one to do anything unjust, but merely to endure something (or perhaps to do something that is not itself unjust, such as rendering some political service).
If the passages are read in this way, we can interpret Socrates' claim as ii above. When he says that one must obey the state's final laws and orders, what he means is that one must do anything it tells one to do within the bounds of justice , and that one must endure anything it tells one to endure. Thus, Socrates was not obligated to capture Leon of Salamis, and would not be obligated to cease philosophizing if ordered to, since that would be doing something wrong (i.e. something that is not within the bounds of justice); but he is obligated to accept and endure his punishment, as long as it was arrived at through proper judicial procedures. The latter is true, according to Socrates, even though the punishment is wrong; for by suffering it, he is not himself doing anything wrong, but only enduring something wrong. This is perfectly consistent with Socrates' exhortation never to do anything wrong.
Thus, what at first appears to be a blatant contradiction among Socrates' various claims is fairly easily remedied if we interpret the relevant passages in the Crito as making the claim in ii rather than the claim in i above. This interpretation is supported not only by the fact that it helps to reconcile Socrates' seemingly contradictory claims, but also by the fact that Socrates' examples of obedience to the state over one's own objections all involve having to endure something, rather than having to do something. He speaks in Crito 51b, for example, of having to "endure in silence whatever it instructs you to endure, whether blows or bonds, and if it leads you into war to be wounded or killed, you must obey." Though he does not explicitly formulate his claim as in ii above, his focus is clearly on the issue of having to endure something prescribed by the state, over one's own objections. Therefore, it is consistent with the text to interpret him as making only the claim in ii, which is fully compatible with his claim that one must never do wrong, and with his claim that under certain conditions one should refuse to do something the state orders (such as refusing to capture someone for an unjust execution, or refusing to cease carrying out your divine mission as long as you live).
As for the plausibility of Socrates' view, I believe that it is still overly demanding, even when qualified as in ii above. It's unclear why any of the factors Socrates mentioned should give the state such overriding moral authority that one should be morally obliged to endure execution without resistance even in cases where the state is genuinely in the wrong. It seems more plausible to hold that if one stands to be unjustly executed, one can rightly resist this punishment ( even if it would equally be permissible not to resist). One could do this, I think, without showing any contempt for the laws, or challenging their authority, since one still grants the state's authority to do its best to carry out the punishment, and simply asserts a moral right to do one's best in turn to avoid such wrongful punishment. But that's a topic for another paper.
COMMENTARY :
Note, first of all, the concise, crisp introduction. The problem is plainly stated, and then I explain clearly what I'm going to do in the paper--all in just a few sentences. There's no rambling introduction with sentences starting with "Since the beginning of time, mankind has pondered the mysteries of etc."
The style is straightforward, striving for clarity rather than literary flair. Jargon is avoided as far as possible.
After the introduction, the problem is stated in more depth and detail, with textual references. Notice the spare use of quotes. I quote only a few words here and there, where necessary to illustrate the points. This might be extended to a few sentences, if necessary, but beware of over-quoting and letting someone else's words do your work for you. (The worst mistake is just stringing together quotes, which accomplishes nothing.) Notice also that textual references are given for the quotes, as well as for paraphrased passages. (Normally, I'd use footnotes and have complete citations, but I'm limited by html format here.)
Notice how, in describing the problem, I try to elucidate it, rather than just summarizing it. Summary is not explanation . Instead, I try to make clear where exactly the tensions among the various claims seem to arise and why, and how they apply to Socrates' own case. I've tried to go well beyond the superficial statement of the problem in the essay question, to illuminate and develop it.
Now having done that, one might just stop and claim to have answered the question: "No, the various positions are not consistent, and Socrates is just contradicting himself." But that would be a very superficial paper. Instead, I tried to dig beneath the surface a little bit, and to notice that the central claim can be interpreted in more than one way. So I first of all made a distinction between two possible interpretations, which in turn depended on a distinction between what you might be commanded to do and what you might be commanded to endure . That distinction enabled me to argue for an interpretation of what Socrates is claiming about the moral authority of the state that renders this claim consistent with his other claims. (Noticing and exploiting distinctions is a large part of what doing philosophy is all about.)
Whether or not you agree with that particular argument, you can see the difference between bringing the discussion to that level of detail and merely staying on the surface. So even if you would have taken a different position, the point is that a good paper would still be engaging with the issues at that level of depth, rather than remaining on the surface. If you think Socrates really is contradicting himself, for example, you might then also discuss the distinctions I pointed out, but then argue for an interpretation along the lines of the first interpretation instead, despite the inconsistencies with other things he says. (Of course, you'd have to be able to give an argument for why the text should be understood in that way, despite the fact that Socrates winds up with rather glaringly conflicting claims on that reading.)
Again, notice that I am striving for clarity , precision and thoroughness , along with a straightforward organization for the paper.
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Finding Meaning: Essays on Philosophy, Nihilism, and the Death of God
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James Lorenz, Finding Meaning: Essays on Philosophy, Nihilism, and the Death of God, The Philosophical Quarterly , 2024;, pqae103, https://doi.org/10.1093/pq/pqae103
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In this rich collection, Steven DeLay and his fellow essayists grapple with the perennial questions of being human and the task of philosophy to make sense of our existence. The volume as a whole, and each of the contributing essays, expand from a central historical premise: that today, in an age where nihilism is the ubiquitous spectre of our time, this philosophical task has become more uncertain than ever before. Indeed, even the assumption that philosophy has anything meaningful to say at all on the matter no longer rests on secure foundations. As the tide of modernity ebbed towards the end of the 19th century, the Enlightenment belief in the absolute power of reason receded with it, and so the authority of philosophy to articulate the metanarratives that once answered these questions of being and meaning disintegrated. In its wake, the Death of God was proclaimed and nihilism—in both its Nietzschean and then Parisian-existentialist paradigms—began its inexorable march towards mainstream philosophical status. The postmodern condition that so often defines continental philosophy today had emerged. This is the condition of philosophy to which the volume's contributors respond, analysing the recent history of philosophy in the West and pursuing the task of ‘finding meaning’ through their various—and very diverse—philosophical approaches.
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Heidegger and modern philosophy : critical essays
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The Philosophy and Practice of Foreign Language Education
The contribution of l. v. ščerba, publisher description.
This volume brings the writings of Russian linguist Lev Vladimirovič Ščerba (1880–1944) to English-language readers for the first time. The collection includes key essays in which Ščerba addresses the issues of educational methodology for foreign languages, contextualised with a critical introduction and commentary, as well as an extensive bibliography of further reading. In the historical context of linguistic scholarship, Ščerba’s work is closely interlinked with major developments in the field of modern language studies in Western Europe at the turn of the twentieth century as well as with the Russian educational tradition. By studying Ščerba’s writing, it is possible to trace the foundational linguistic impetus for the development of this field of scholarship, as well as educational concerns that have since been integrated in the programme of modern language studies. The ideas advanced in Ščerba’s texts remain directly relevant today to policy-makers, teacher trainers, methodologists, and foreign language practitioners. They should be of particular interest to readers in Anglophone countries where foreign languages remain on the periphery of all levels of education. This book will enable English language readers to engage in their own critical reflection on Ščerba’s texts. Olga Campbell-Thomson trained as a language teacher before obtaining her Master’s degrees in Linguistics and Speech Communication in Russia and the USA, and her doctorate from the University of Manchester, UK. Over the past thirty years, her career has encompassed research and teaching in the multilingual and multicultural environments of the USA, Cyprus, Qatar, and the UK. She has an enduring interest in language education and her current research is focused on the history of modern foreign language teaching. She has published several translations of essays of Russian linguist Lev Vladimirovič Ščerba (1880-1944) and has promoted his work on educational methodology for modern foreign languages. Her critical review of Ščerba's writing published in The Curriculum Journal in 2017 received the editors' choice award for innovation, academic rigor, clarity of writing and contribution to knowledge.
The False Narrative of Settler Colonialism
The rise of an academic theory and its obsession with Israel
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O n October 7 , Hamas killed four times as many Israelis in a single day as had been killed in the previous 15 years of conflict. In the months since, protesters have rallied against Israel’s retaliatory invasion of Gaza, which has killed tens of thousands of Palestinians. But a new tone of excitement and enthusiasm could be heard among pro-Palestinian activists from the moment that news of the attacks arrived, well before the Israeli response began. Celebrations of Hamas’s exploits are familiar sights in Gaza and the West Bank, Cairo and Damascus; this time, they spread to elite college campuses, where Gaza-solidarity encampments became ubiquitous this past spring. Why?
The answer is that, long before October 7, the Palestinian struggle against Israel had become widely understood by academic and progressive activists as the vanguard of a global battle against settler colonialism, a struggle also waged in the United States, Canada, Australia, and other countries created by European settlement. In these circles, Palestine was transformed into a standard reference point for every kind of social wrong, even those that seem to have no connection to the Middle East.
One of the most striking things about the ideology of settler colonialism is the central role played by Israel, which is often paired with the U.S. as the most important example of settler colonialism’s evils. Many Palestinian writers and activists have adopted this terminology. In his 2020 book, The Hundred Years’ War on Palestine , the historian Rashid Khalidi writes that the goal of Zionism was to create a “white European settler colony.” For the Palestinian intellectual Joseph Massad, Israel is a product of “European Jewish Settler-Colonialism,” and the “liberation” referred to in the name of the Palestine Liberation Organization is “liberation from Settler-Colonialism.”
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Western activists and academics have leaned heavily on the idea. Opposition to building an oil pipeline under a Sioux reservation was like the Palestinian cause in that it “makes visible the continuum of systems of subjugation and expropriation across liberal democracies and settler-colonial regimes.” When the city of Toronto evicted a homeless encampment from a park, it was like Palestine because both are examples of “ethnic cleansing” and “colonial ‘domicide,’ making Indigenous people homeless on their homelands.” Health problems among Native Americans can be understood in terms of Palestine, because the “hyper-visible Palestine case … provides a unique temporal lens for understanding settler colonial health determinants more broadly.” Pollution, too, can be understood through a Palestinian lens, according to the British organization Friends of the Earth, because Palestine demonstrates that “the world is an unequal place” where “marginalised and vulnerable people bear the brunt of injustice.”
Although Israel fails in obvious ways to fit the model of settler colonialism, it has become the standard reference point because it offers theorists and activists something that the United States does not: a plausible target. It is hard to imagine America or Canada being truly decolonized, with the descendants of the original settlers returning to the countries from which they came and Native peoples reclaiming the land. But armed struggle against Israel has been ongoing since it was founded, and Hamas and its allies still hope to abolish the Jewish state “between the river and the sea.” In the contemporary world, only in Israel can the fight against settler colonialism move from theory to practice.
T he concept of settler colonialism was developed in the 1990s by theorists in Australia, Canada, and the U.S., as a way of linking social evils in these countries today—such as climate change, patriarchy, and economic inequality—to their origin in colonial settlement. In the past decade, settler colonialism has become one of the most important concepts in the academic humanities, the subject of hundreds of books and thousands of papers, as well as college courses on topics such as U.S. history, public health, and gender studies.
Read: The curious rise of settler colonialism and Turtle Island
For the academic field of settler-colonial studies, the settlement process is characterized by European settlers discovering a land that they consider “terra nullius,” the legal property of no one; their insatiable hunger for expansion that fills an entire continent; and the destruction of Indigenous peoples and cultures. This model, drawn from the history of Anglophone colonies such as the U.S. and Australia, is regularly applied to the history of Israel even though it does not include any of these hallmarks.
When modern Zionist settlement in what is now Israel began in the 1880s, Palestine was a province of the Ottoman empire, and after World War I, it was ruled by the British under a mandate from the League of Nations. Far from being “no one’s land,” Jews could settle there only with the permission of an imperial government, and when that permission was withdrawn—as it fatefully was in 1939, when the British sharply limited Jewish immigration on the eve of the Holocaust—they had no recourse. Far from expanding to fill a continent, as in North America and Australia, the state of Israel today is about the size of New Jersey. The language, culture, and religion of the Arab peoples remain overwhelmingly dominant: 76 years after Israel was founded, it is still the only Jewish country in the region, among 22 Arab countries, from Morocco to Iraq.
Most important, the Jewish state did not erase or replace the people already living in Palestine, though it did displace many of them. Here the comparison between European settlement in North America and Jewish settlement in Israel is especially inapt. In the decades after Europeans arrived in Massachusetts, the Native American population of New England declined from about 140,000 to 10,000, by one estimate . In the decades after 1948, the Arab population of historic Palestine more than quintupled, from about 1.4 million to about 7.4 million. The persistence of the conflict in Israel-Palestine is due precisely to the coexistence of two peoples in the same land—as opposed to the classic sites of settler colonialism, where European settlers decimated Native peoples.
In the 21st century, the clearest examples of ongoing settler colonialism can probably be found in China. In 2023, the United Nations Human Rights office reported that the Chinese government had compelled nearly 1 million Tibetan children to attend residential schools “aimed at assimilating Tibetan people culturally, religiously and linguistically.” Forcing the next generation of Tibetans to speak Mandarin is part of a long-term effort to Sinicize the region, which also includes encouraging Han Chinese to settle there and prohibiting public displays of traditional Buddhist faith.
China has mounted a similar campaign against the Uyghur people in the northwestern province of Xinjiang. Since 2017, more than 1 million Uyghur Muslims have been detained in what the Chinese government calls vocational training centers, which other countries describe as detention or reeducation camps. The government is also seeking to bring down Uyghur birth rates through mass sterilization and involuntary birth control.
These campaigns include every element of settler colonialism as defined by academic theorists. They aim to replace an existing people and culture with a new one imported from the imperial metropole, using techniques frequently described as genocidal in the context of North American history. Tibet’s residential schools are a tool of forced assimilation, like the ones established for Native American children in Canada and the United States in the 19th century. And some scholars of settler colonialism have drawn these parallels, acknowledging, in the words of the anthropologist Carole McGranahan, “that an imperial formation is as likely to be Chinese, communist, and of the twentieth or twenty-first centuries as it is to be English, capitalist, and of the eighteenth or nineteenth centuries.”
Yet Tibet and Xinjiang—like India’s rule in Kashmir, and the Indonesian occupation of East Timor from 1975 to 1999—occupy a tiny fraction of the space devoted to Israel-Palestine on the mental map of settler-colonial studies. Some of the reasons for this are practical. The academic discipline mainly flourishes in English-speaking countries, and its practitioners usually seem to be monolingual, making it necessary to focus on countries where sources are either written in English or easily available in translation. This rules out any place where a language barrier is heightened by strict government censorship, like China. Just as important, settler-colonial theorists tend to come from the fields of anthropology and sociology rather than history, area studies, and international relations, where they would be exposed to a wider range of examples of past and present conflict.
But the focus on Israel-Palestine isn’t only a product of the discipline’s limitations. It is doctrinal. Academics and activists find adding the Israeli-Palestinian conflict to other causes powerfully energizing, a way to give a local address to a struggle that can otherwise feel all too abstract. The price of collapsing together such different causes, however, is that it inhibits understanding of each individual cause. Any conflict that fails to fit the settler-colonial model must be made to fit.
I srael also fails to fit the model of settler colonialism in another key way: It defies the usual division between foreign colonizers and Indigenous people. In the discourse of settler colonialism, Indigenous peoples aren’t simply those who happen to occupy a territory before Europeans discovered it. Rather, indigeneity is a moral and spiritual status, associated with qualities such as authenticity, selflessness, and wisdom. These values stand as a reproof to settler ways of being, which are insatiably destructive. And the moral contrast between settler and indigene comes to overlap with other binaries—white and nonwhite, exploiter and exploited, victor and victim.
Until recently, Palestinian leaders preferred to avoid the language of indigeneity, seeing the implicit comparison between themselves and Native Americans as defeatist. In an interview near the end of his life, in 2004, PLO Chair Yasser Arafat declared, “We are not Red Indians.” But today’s activists are more eager to embrace the Indigenous label and the moral valences that go with it, and some theorists have begun to recast Palestinian identity in ecological, spiritual, and aesthetic terms long associated with Native American identity. The American academic Steven Salaita has written that “Palestinian claims to life” are based in having “a culture indivisible from their surroundings, a language of freedom concordant to the beauty of the land.” Jamal Nabulsi of the University of Queensland writes that “Palestinian Indigenous sovereignty is in and of the land. It is grounded in an embodied connection to Palestine and articulated in Palestinian ways of being, knowing, and resisting on and for this land.”
This kind of language points to an aspect of the concept of indigeneity that is often tacitly overlooked in the Native American context: its irrationalism. The idea that different peoples have incommensurable ways of being and knowing, rooted in their relationship to a particular landscape, comes out of German Romantic nationalism. Originating in the early 19th century in the work of philosophers such as Johann Gottlieb Fichte and Johann Gottfried Herder, it eventually degenerated into the blood-and-soil nationalism of Nazi ideologues such as Richard Walther Darré, who in 1930 hymned what might be called an embodied connection to Germany: “The German soul, with all its warmness, is rooted in its native landscape and has, in a sense, always grown out of it … Whoever takes the natural landscape away from the German soul, kills it.”
For Darré, this rootedness in the land meant that Germans could never thrive in cities, among the “rootless ways of thinking of the urbanite.” The rootless urbanite par excellence, for Nazi ideology, was of course the Jew. For Salaita, the exaltation of Palestinian indigeneity leads to the very same conclusion about “Zionists,” who usurp the land but can never be vitally rooted in it: “In their ruthless schema, land is neither pleasure nor sustenance. It is a commodity … Having been anointed Jewish, the land ceases to be dynamic. It is an ideological fabrication with fixed characteristics.”
In this way, anti-Zionism converges with older patterns of anti-Semitic and anti-Jewish thinking. It is true, of course, that criticism of Israel is not inherently anti-Semitic. Virtually anything that an Israeli government does is likely to be harshly criticized by many Israeli Jews themselves. But it is also true that anti-Semitism is not simply a matter of personal prejudice against Jews, existing on an entirely different plane from politics. The term anti-Semitism was coined in Germany in the late 19th century because the old term, Jew hatred , sounded too instinctive and brutal to describe what was, in fact, a political ideology—an account of the way the world works and how it should be changed.
Wilhelm Marr, the German writer who popularized the word, complained in his 1879 book, The Victory of Judaism Over Germanism , that “the Jewish spirit and Jewish consciousness have overpowered the world.” That spirit, for Marr, was materialism and selfishness, “profiteering and usury.” Anti-Semitic political parties in Europe attacked “Semitism” in the same way that socialists attacked capitalism. The saying “Anti-Semitism is the socialism of fools,” used by the German left at this time, recognized the structural similarity between these rival worldviews.
The identification of Jews with soulless materialism made sense to 19th-century Europeans because it translated one of the oldest doctrines of Christianity into the language of modern politics. The apostle Paul, a Jew who became a follower of Jesus, explained the difference between his old faith and his new one by identifying Judaism with material things (the circumcision of the flesh, the letter of the law) and Christianity with spiritual things—the circumcision of the heart, a new law “written not with ink but with the Spirit of the living God, not on tablets of stone but on tablets of human hearts.”
Simon Sebag Montefiore: The decolonization narrative is dangerous and false
Today this characterization of Jews as stubborn, heartless, and materialistic is seldom publicly expressed in the language of Christianity, as in the Middle Ages, or in the language of race, as in the late 19th century. But it is quite respectable to say exactly the same thing in the language of settler colonialism. As the historian David Nirenberg has written, “We live in an age in which millions of people are exposed daily to some variant of the argument that the challenges of the world they live in are best explained in terms of ‘Israel,’” except that today, Israel refers not to the Jewish people but to the Jewish state.
When those embracing the ideology of settler colonialism think about political evil, Israel is the example that comes instinctively to hand, just as Jews were for anti-Semitism and Judaism was for Christianity. Perhaps the most troubling reactions to the October 7 attacks were those of college students convinced that the liberation of Palestine is the key to banishing injustice from the world. In November 2023, for instance, Northwestern University’s student newspaper published a letter signed by 65 student organizations—including the Rainbow Alliance, Ballet Folklórico Northwestern, and All Paws In, which sends volunteers to animal shelters—defending the use of the slogan “From the river to the sea, Palestine will be free.” This phrase looks forward to the disappearance of any form of Jewish state between the Mediterranean and the Jordan, but the student groups denied that this entails “murder and genocide.” Rather, they wrote, “When we say from the river to the sea, Palestine will be free, we imagine a world free of Islamophobia, antisemitism, anti-Blackness, militarism, occupation and apartheid.”
As a political program, this is nonsensical. How could dismantling Israel bring about the end of militarism in China, Russia, or Iran? How could it lead to the end of anti-Black racism in America, or anti-Muslim prejudice in India? But for the ideology of settler colonialism, actual political conflicts become symbolic battles between light and darkness, and anyone found on the wrong side is a fair target. Young Americans today who celebrate the massacre of Israelis and harass their Jewish peers on college campuses are not ashamed of themselves for the same reason that earlier generations were not ashamed to persecute and kill Jews—because they have been taught that it is an expression of virtue.
This essay is adapted from Adam Kirsch’s new book, On Settler Colonialism: Ideology, Violence, and Justice .
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If the Republican convention’s message for America last month had to fit on a bumper sticker, it would read, “Trump is God.” Delegates deified him relentlessly as the risen Trump after the assassination attempt. They told me over and over that he was spared to save the country with his re-election. Only on the final night did Donald Trump come crashing down to earth with his nomination speech. Divine it was not.
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Philosophy assignments generally ask you to consider some thesis or argument, often a thesis or argument that has been presented by another philosopher (a thesis is a claim that may be true or false). Given this thesis or argument, you may be asked to do one or more of the following: explain it, offer an argument in support of it, offer an objection to it, defend against an objection to it ...
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