ap lit poetry essay tips

The Ultimate Guide to Writing an AP Literature Poetry Essay + Examples [2025]

Aug 12, 2024 | 0 comments

Aug 12, 2024 | Blog | 0 comments

If you’re diving into AP English Literature and Composition, you probably feel excitement and trepidation. Don’t worry; I’ve been there too! The poetry essay portion of the AP Literature exam can be particularly challenging, but with the right approach, you’ll be crafting insightful analyses in no time. 

In this guide, I’ll walk you through the process on how to write an AP lit poetry essay, sharing tips and tricks I’ve learned from my experience as a student and a teacher. 

Let’s embark on this literary journey together!

Table of Contents

Decoding the Poem: Breaking Down the Elements

Before you can write an effective essay, you need to dissect the poem and identify its key components. This process begins with a careful reading of the poem. I recommend reading the poem at least three times: once for initial impressions, once for deeper understanding, and once for annotation.

As you read, pay close attention to the poet’s use of literary devices . Look for instances of imagery, metaphor, personification, and other figurative language. Don’t forget to examine the poem’s structure, including its rhyme scheme, stanza arrangement, and use of line breaks. These elements can often provide valuable insights into the poem’s meaning and the poet’s intentions.

Remember, annotation is your friend! Jot down your observations, questions, and initial interpretations in the margins. This will serve as a valuable resource when you start crafting your essay.

Now, let’s move on to the heart of your essay – the thesis statement .

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Formulating a Strong Thesis Statement

Now that you’ve analyzed the poem, it’s time to develop your thesis statement. This is the backbone of your essay, guiding your poetry analysis and providing a clear direction for your arguments. A strong thesis for an AP English literature poetry essay should do more than just state the obvious. It should present an arguable claim about the poem’s meaning, significance, or effectiveness.

For example, instead of writing, “This poem uses imagery to convey its message,” you might say, “ Through vivid natural imagery and somber diction, the poet creates a melancholic atmosphere that reflects the speaker’s sense of loss and longing.”

Remember, a good thesis statement should be specific to the poem you’re analyzing and should set up the main points you’ll discuss in your essay. It’s okay if your thesis evolves as you write – that’s part of the writing process!

With your thesis in place, it’s time to organize your thoughts coherently.

Structuring Your Essay for Maximum Impact

A well-organized essay makes your arguments clearer and demonstrates your ability to think critically about literature. In academic writing, structure is key. I recommend following the Five-Paragraph Structure (outline) for an AP Lit poetry essay.

While not mandatory, the five-paragraph structure provides a solid framework for effectively organizing your thoughts and arguments.

• Introduction (with thesis statement)
• Body paragraph 1: First main point
• Body paragraph 2: Second main point
• Body paragraph 3: Third main point (if time allows)

Each body paragraph should begin with a clear topic sentence related to your thesis. As you progress your essay, use transitional phrases to create smooth connections between ideas. This will help your writing flow naturally and keep your reader engaged.

Now that we have our roadmap, let’s start our journey with the introduction.

Writing the Introduction: Setting the Stage

Your introduction should grab the reader’s attention, provide context for the poem, and present your thesis statement . Begin with a hook – perhaps a thought-provoking question or an intriguing observation about the poem. Then, briefly introduce the poet and the poem, providing any relevant background information. Finally, end your introduction with your thesis statement. This paragraph sets the tone for your essay, so make it count!

With the stage set, it’s time to dive into the meat of your essay – the body paragraphs.

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Crafting Body Paragraphs: Supporting Your Argument

Each body paragraph should focus on a specific aspect of the poem that supports your thesis, using textual evidence and analysis. Start each paragraph with a clear topic sentence that relates to your thesis. Then, provide a specific example from the poem – a quote , a description of imagery , or a discussion of a literary device .

After presenting your evidence, explain how it supports your argument. This is where your critical thinking skills shine! Don’t just describe what the poet is doing; analyze why they’re doing it and how it contributes to the poem’s overall meaning.

As we near the end of our essay, it’s time to bring everything together in a powerful conclusion.

Constructing a Powerful Conclusion

Your conclusion should restate your thesis, summarize your main points, and give the reader a final thought on the significance of the poem. But don’t just repeat what you’ve already said! Instead, synthesize your arguments to show how they all work together to support your thesis. 

You might also consider the poem’s broader implications or how it relates to larger themes in literature . End with a thought-provoking statement that leaves your reader with something to ponder.

Although our essay has been drafted, we’re not quite done yet. The final step is crucial for polishing your work.

Revising and Polishing Your Essay

After completing your first draft, revise your essay for clarity, coherence, and persuasiveness. Read your essay aloud to catch awkward phrasing or unclear ideas. Check that each paragraph flows smoothly into the next, using  transition phrases to link your ideas.

Make sure your  evidence directly supports your thesis and that you’ve fully explained your reasoning. Pay attention to your writing style , aiming for a formal yet engaging tone. And, of course, don’t forget to proofread for grammar and spelling errors!

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Using Textual Evidence to Support Your Claims

Use specific examples from the poem to convince your reader of your interpretation. When you claim the poem’s meaning or the poet’s techniques, always back it up with a relevant quote or reference to the text.

For instance, if you’re discussing the poet’s use of imagery, you might write: “The poet’s vivid description of ‘sun-blanched bones scattered across the desert floor’ (line 12) creates a desolate atmosphere, emphasizing the theme of mortality.”

Remember to integrate quotes smoothly into your sentences and explain how the evidence supports your argument. This shows that you’re not just identifying literary devices but truly analyzing their effect on the poem.

As we craft these paragraphs, we’ll need to pay special attention to the poet’s use of literary devices.

Analyzing Poetic Devices and Their Effects

Identifying literary techniques is insufficient; you must explain how these devices contribute to the poem’s overall meaning or impact. This is where your critical thinking skills come into play.

For example, don’t just point out that the poet uses alliteration. Instead, consider how the repetition of sounds contributes to the poem’s mood or reinforces its themes. Does the soft repetition of ‘s’ sounds create a soothing effect, or does a harsh repetition of ‘k’ sounds contribute to a sense of conflict?

Look for examples of literal and figurative language, such as metaphors, similes, and personification. Consider how the poet uses rhyme, rhythm, and sound devices to create effects. Analyze the tone and mood of the poem and how they’re created through word choice and imagery.

Remember, the goal is to show how the poet’s choices in language, structure, and literary devices work together to create meaning. This level of analysis separates a good AP Lit essay from a great one.

Connecting the Poem to Broader Themes or Context

A stellar AP Lit essay goes beyond surface-level analysis to explore the poem’s relationship to larger literary or historical contexts. This doesn’t mean you need to be an expert in the poet’s entire body of work or the historical period, but if you can make relevant connections, it will enhance your analysis.

For instance, if you’re analyzing a poem about nature by Robert Frost, you might discuss how it fits into the broader tradition of American Romantic poetry. Or, if you’re examining a World War I poem, you could consider how its themes reflect the disillusionment of the post-war period.

These connections show the College Board that you’re not just analyzing in a vacuum but thinking critically about literature in a broader context.

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Perfecting Your Writing Style and Tone

Your essay should be informative and demonstrate your ability to write with clarity, sophistication, and engagement. While AP Lit essays are a form of academic writing, they don’t have to be dry or overly formal.

Aim for a balanced tone that’s neither too casual nor too stiff. Use varied sentence structures to keep your writing dynamic, and choose precise, vivid words to convey your ideas. Remember, AP readers are looking for essays that showcase your analytical skills and your command of written English.

Time Management: Balancing Analysis and Writing

With only 40 minutes to plan and write your essay, effective time management is crucial for success. I recommend spending about 10 minutes reading and annotating the poem, 5-7 minutes planning your essay, and the remaining time writing.

Don’t get bogged down trying to create a perfect first draft. Focus on getting your main ideas down on paper, and if you have time at the end, go back and refine your writing. Remember, a strong argument with a few grammatical errors is better than a weak argument with perfect grammar!

As we wrap up, let’s consider some common pitfalls to avoid in your AP Lit poetry essay.

Common Pitfalls to Avoid

Be aware of common mistakes that can weaken your AP Lit poetry analysis essay, such as:

• Summarizing instead of analyzing or neglecting to support your claims with evidence.
• Avoid vague generalizations – always be specific in your analysis.
• Don’t try to cover every aspect of the poem; focus on the elements that best support your thesis.
• While using literary terms is important, don’t overdo it. You aim to demonstrate your understanding, not show off your vocabulary.

AP Lit poetry Essay Examples

• An Analysis of Robert Frost’s “The Road Not Taken” | AP Lit Poetry Essay
• The Beat Generation’s Manifesto: An Analysis of Allen Ginsberg’s “Howl” | AP Lit Poetry Essay

Conclusion: Final Tips on How To Write An AP Lit Poetry Essay

As you prepare for the AP Lit exam, remember that writing about poetry is a skill that improves with practice and reflection. Don’t be discouraged if your first attempts don’t meet your expectations. Keep reading poetry, analyzing it, and writing about it.

Familiarize yourself with the AP Literature and Composition rubric to understand exactly what the readers want. And don’t forget to read widely – the more literature you’re exposed to, the better equipped you’ll be to handle whatever poem the exam throws your way.

Remember, the goal of the AP Lit poetry essay isn’t just to get a good score (although that’s nice, too!). It’s to develop your literary analysis and critical thinking skills – skills that will serve you well in college and beyond. So approach each poem with curiosity and enthusiasm, and let your love for literature shine through in your writing. Good luck!

I am dedicated to creating engaging blog posts that provide valuable insights and advice to help students excel in their studies. From study tips to time management strategies, my goal is to empower students to reach their full potential.

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Much Ado About Teaching

Ap lit poetry essay review.

Whenever I prepare my students for the AP Literature exam, I don’t really want it to feel like test prep. I want to take the stress out of it all. I want the experience to build confidence. I want the process, starting around February, to have no stakes or very low stakes; it should be practice, not fear mongering. And I want there to be plenty opportunities for improvement.

So what does that look like?

Well, with essay writing we start small — on the sentence-level — at the beginning of the year, working to achieve mastery over thesis statements, evidence, and commentary. Multiple-choice practice is always completed in class, on paper and while scores are recorded, they never go in the grade book. When my students write full-length essays, they have the opportunity to rewrite as long as they conference with me because I learned long ago that a 15 minute conference with a student is far better than anything I could write in the margins.

But this week I was scratching my head trying to figure out how I could make rubric review NOT feel like test prep. My AP Lit classes were reviewing the Q1 essay, which is the poetry prompt. In my experience, rubrics can suck all the life out of a lesson. Students feel like the speaker in the Walt Whitman’s “When I Heard the Learn’d Astronomer.”

When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me, When I was shown the charts and diagrams, to add, divide, and measure them, When I sitting heard the astronomer where he lectured with much applause in the lecture-room, How soon unaccountable I became tired and sick,

The lesson I devised ended up being one of the more memorable ones of the quarter.

Day 1: Rubric Rhymes — I hand out copies of the Q1 rubric and toss highlighters to each student. They have to highlight the key descriptors for each category and point value on the rubric. Once that is done, students have to use their highlights and develop a poem in rhyming couplets that identifies what must be accomplished in order to score a six on this essay.

The poem had to be at least 10 lines long.

I will say, they loved this assignment and it I think its effect will endure.

Here are some samples:

You wants to make a good poetry essay creation? 

That thesis best be full of top notch interpretation 

Don’t just restate or rephrase information 

But rather provide a good explanation 

How many literary elements should you choose?  

Multiple is what you should use

And sprinkle on some good seasoning 

The one that tastes like strong reasoning

The last criterion to make you do well on your examination 

I s make sure the essay demonstrates that advanced type of sophistication

I be writing a thesis 

Just like I be eating reese’s, in pieces 

If you don’t want evidence that’s horrific 

Then you gotta be spec ific 

I could ask Stabz for assistance  

Or I could remember one word: consistence -y  

Unlike my ex,  

You gotta be complex 

If you tryna get to the graduation  

Then you gotta understand sophistication

Student III

You aint got time to waste

But that doesn’t mean that your essay should be written in haste

40 minutes to read and write

And develop ideas with sophistication and insight

First, make sure your thesis isn’t a bore

To develop a sophisticated interpretation really is a chore .

Answer the prompt, be clear and concise ,

Throw in poetic elements and a d evice

That central idea must be developed

Once stated, evidenced and commentary need to envelop

By not just saying what is true, but how and why

With brilliance so bright it would make an AP Reader cry .

S ummarize and your grade will surely suffe r

Articulate the complexity is much tougher

But do it over and over again

Establishing a line of reason, the n

P olish your thoughts like gems

Make those sentences sweet like M&M s

And never forget to discuss what is complex

All these boxes you must chec k

And a six on this essay will be yours

And you will have the wisdom of a thousand Dumbledors .

Day T wo: Performances/The whole-class essay — Class started with an opportunity for students to read their rap/poem in front of the class for extra credit. Some of the performances were epic.

Then I passed out a previous AP prompt and students had seven minutes to complete my four-step pre-writing organizer . Once those seven minutes were up, the fastest typer in class (we had a contest earlier in the year) came to the class computer and we worked together to develop a whole-class essay. This allowed students to think aloud together, wordsmith key phrases, and discuss their insights in a collaborative and non-threatening environment.

Throughout the process, we kept going back to the rubric to check if we were meeting the requirements.

Here are the intros from each class:

Period 1 — In Paul Lawrence Dunbar’s poem “The Mystery”, the speaker discusses navigating through life by himself. Throughout the poem, the speaker exists in a figurative darkness in which he experiences loneliness and questions the benevolence of a higher power; in this frustrated search for meaning and understanding, he illustrates through personification and imagery that whether or not there is a higher power. His conclusion is that he cannot wallow in his dependency and that he must be self reliant.

Period 6 — In Paul Laurence Dunbar’s poem “The Mystery,” the speaker reflects on life. In a state of existential dread, he feels a sense of purposelessness and seeks navigation from a higher being. Paradoxically, in being given no direction, the speaker achieves solace in the inevitability of death and accepts the power of the present. 

Period 8 — In Paul Laurence Dunbar’s poem, “The Mystery”, the speaker is in a lonely place of uncertainty. While reflecting on the inevitability of death and appealing to a higher power, the speaker gains an awareness, not only of his own solitude, but also his powerlessness in the face of destiny. Through the use of personification, juxtaposition, and imagery, an epiphany is achieved in which he accepts the absurdity of life, thus gaining his autonomy.

Day 3: Essay test day — At this point students know the rubric, they did a practice essay the day before as a class, and now they are ready to do it all on their own.

In the comments section below, please share how you prepare students for the poetry essay on the AP exam.

Brian Sztabnik is just a man trying to do good in and out of the classroom. He was a 2018 finalist for NY Teacher of the Year, a former College Board advisor for AP Lit, and an award-winning basketball coach.

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Expert's Guide to the AP Literature Exam

Advanced Placement (AP)

If you're planning to take the AP English Literature and Composition exam, you'll need to get familiar with what to expect on the test. Whether the 2023 test date of Wednesday, May 3, is near or far, I'm here to help you get serious about preparing for the exam.

In this guide, I'll go over the test's format and question types, how it's graded, best practices for preparation, and test-day tips. You'll be on your way to AP English Lit success in no time!

AP English Literature: Exam Format and Question Types

The AP Literature Exam is a three-hour exam that contains two sections in this order:

• An hour-long, 55-question multiple-choice section
• A two-hour, three-question free-response section

The exam tests your ability to analyze works and excerpts of literature and cogently communicate that analysis in essay form.

Read on for a breakdown of the two different sections and their question types.

Section I: Multiple Choice

The multiple-choice section, or Section I of the AP Literature exam, is 60 minutes long and has 55 questions. It counts for 45% of your overall exam grade .

You can expect to see five excerpts of prose and poetry. You will always get at least two prose passages (fiction or drama) and two poetry passages. In general, you will not be given the author, date, or title for these works, though occasionally the title of a poem will be given. Unusual words are also sometimes defined for you.

The date ranges of these works could fall from the 16th to the 21st century. Most works will be originally written in English, but you might occasionally see a passage in translation.

There are, generally speaking, eight kinds of questions you can expect to see on the AP English Literature and Composition exam. I'll break each of them down here and give you tips on how to identify and approach them.

"Pretty flowers carried by ladies" is not one of the question types.

The 8 Multiple-Choice Question Types on the AP Literature Exam

Without further delay, here are the eight question types you can expect to see on the AP Lit exam. All questions are taken from the sample questions on the AP Course and Exam Description .

#1: Reading Comprehension

These questions test your ability to understand what the passage is saying on a pretty basic level . They don't require you to do a lot of interpretation—you just need to know what's going on.

You can identify this question type from words and phrases such as "according to," "mentioned," "asserting," and so on. You'll succeed on these questions as long as you carefully read the text . Note that you might have to go back and reread parts to make sure you understand what the passage is saying.

#2: Inference

These questions ask you to infer something—a character or narrator's opinion, an author's intention, etc.—based on what is said in the passage . It will be something that isn't stated directly or concretely but that you can assume based on what's clearly written in the passage. You can identify these questions from words such as "infer" and "imply."

The key to these questions is to not get tripped up by the fact that you are making an inference—there will be a best answer, and it will be the choice that is best supported by what is actually found in the passage .

In many ways, inference questions are like second-level reading comprehension questions: you need to know not just what a passage says, but also what it means.

#3: Identifying and Interpreting Figurative Language

These are questions for which you have to either identify what word or phrase is figurative language or provide the meaning of a figurative phrase . You can identify these as they will either explicitly mention figurative language (or a figurative device, such as a simile or metaphor ) or include a figurative phrase in the question itself.

The meaning of figurative phrases can normally be determined by that phrase's context in the passage—what is said around it? What is the phrase referring to?

Example 1: Identifying

Example 2: Interpreting

#4: Literary Technique

These questions involve identifying why an author does what they do , from using a particular phrase to repeating certain words. Basically, what techniques is the author using to construct the passage/poem, and to what effect?

You can identify these questions by words/phrases such as "serves chiefly to," "effect," "evoke," and "in order to." A good way to approach these questions is to ask yourself: so what? Why did the author use these particular words or this particular structure?

#5: Character Analysis

These questions ask you to describe something about a character . You can spot them because they will refer directly to characters' attitudes, opinions, beliefs, or relationships with other characters .

This is, in many ways, a special kind of inference question , since you are inferring the broader personality of the character based on the evidence in a passage. Also, these crop up much more commonly for prose passages than they do for poetry ones.

#6: Overall Passage Questions

Some questions ask you to identify or describe something about the passage or poem as a whole : its purpose, tone, genre, etc. You can identify these by phrases such as "in the passage" and "as a whole."

To answer these questions, you need to think about the excerpt with a bird's-eye view . What is the overall picture created by all the tiny details?

#7: Structure

Some AP Lit questions will ask you about specific structural elements of the passage: a shift in tone, a digression, the specific form of a poem, etc . Often these questions will specify a part of the passage/poem and ask you to identify what that part is accomplishing.

Being able to identify and understand the significance of any shifts —structural, tonal, in genre, and so on—will be of key importance for these questions.

#8: Grammar/Nuts & Bolts

Very occasionally you will be asked a specific grammar question , such as what word an adjective is modifying. I'd also include in this category super-specific questions such as those that ask about the meter of a poem (e.g., iambic pentameter).

These questions are less about literary artistry and more about the fairly dry technique involved in having a fluent command of the English language .

That covers the eight question types on the multiple-choice section. Now, let's take a look at the free-response section of the AP Literature exam.

Keep track of the nuts and bolts of grammar.

Section II: Free Response

The AP Literature Free Response section is two hours long and involves three free-response essay questions , so you'll have about 40 minutes per essay. That's not a lot of time considering this section of the test counts for 55% of your overall exam grade !

Note, though, that no one will prompt you to move from essay to essay, so you can theoretically divide up the time however you want. Just be sure to leave enough time for each essay! Skipping an essay, or running out of time so you have to rush through one, can really impact your final test score.

The first two essays are literary analysis essays of specific passages, with one poem and one prose excerpt. The final essay is an analysis of a given theme in a work selected by you , the student.

Essays 1 & 2: Literary Passage Analysis

For the first two essays, you'll be presented with an excerpt and directed to analyze the excerpt for a given theme, device, or development . One of the passages will be poetry, and one will be prose. You will be provided with the author of the work, the approximate date, and some orienting information (i.e., the plot context of an excerpt from a novel).

Below are some sample questions from the 2022 Free Response Questions .

Essay 3: Thematic Analysis

For the third and final essay, you'll be asked to discuss a particular theme in a work that you select . You will be provided with a list of notable works that address the given theme below the prompt, but you can also choose to discuss any "work of literary merit."

So while you do have the power to choose which work you wish to write an essay about , the key words here are "literary merit." That means no genre fiction! Stick to safe bets like authors in the list on pages 10-11 of the old 2014 AP Lit Course Description .

(I know, I know—lots of genre fiction works do have literary merit and Shakespeare actually began as low culture, and so on and so forth. Indeed, you might find academic designations of "literary merit" elitist and problematic, but the time to rage against the literary establishment is not your AP Lit test! Save it for a really, really good college admissions essay instead .)

Here's a sample question from 2022:

As you can see, the list of works provided spans many time periods and countries : there are ancient Greek plays ( Antigone ), modern literary works (such as Margaret Atwood's The Handmaid's Tale ), Shakespeare plays ( The Tempest ), 19th-century English plays ( The Importance of Being Earnest ), etc. So you have a lot to work with!

Also note that you can choose a work of "comparable literary merit." That means you can select a work not on this list as long as it's as difficult and meaningful as the example titles you've been given. So for example, Jane Eyre or East of Eden would be great choices, but Twilight or The Hunger Games would not.

Our advice? If you're not sure what a work of "comparable literary merit" is, stick to the titles on the provided list .

You might even see something by this guy.

How Is the AP Literature Test Graded?

The multiple-choice section of the exam comprises 45% of your total exam score; the three essays, or free-response section, comprise the other 55%. Each essay, then, is worth about 18% of your grade.

As on other AP exams, your raw score will be converted to a score from 1-5 . You don't have to get every point possible to get a 5 by any means. In 2022, 16.9% of students received 5s on the AP English Literature test, the 14th highest 5 score out of the 38 different AP exams.

So, how do you calculate your raw scores?

Multiple-Choice Scoring

For the multiple-choice section, you receive 1 point for each question you answer correctly . There's no guessing penalty, so you should answer every question—but guess only after you're able to eliminate any answer you know is wrong to up your chances of choosing the right one.

Free-Response Scoring

Scoring for multiple choice is pretty straightforward; however, essay scoring is a little more complicated.

Each of your essays will receive a score from 0 to 6 based on the College Board rubric , which also includes question-specific rubrics. All the rubrics are very similar, with only minor differences between them.

Each essay rubric has three elements you'll be graded on:

• Thesis (0-1 points)
• Evidence and Commentary (0-4 points)
• Sophistication (0-1 points)

We'll be looking at the current rubric for the AP Lit exam , which was released in September 2019, and what every score means for each of the three elements above:

To get a high-scoring essay in the 5-6 point range, you'll need to not only come up with an original and intriguing argument that you thoroughly support with textual evidence, but you’ll also need to stay focused, organized, and clear. And all in just 40 minutes per essay!

If getting a high score on this section sounds like a tall order, that's because it is.

Practice makes perfect!

Skill-Building for Success on the AP Literature Exam

There are several things you can do to hone your skills and best prepare for the AP Lit exam.

Read Some Books, Maybe More Than Once

One of the most important steps you can take to prepare for the AP Literature and Composition exam is to read a lot and read well . You'll be reading a wide variety of notable literary works in your AP English Literature course, but additional reading will help you further develop your analytical reading skills .

I suggest checking out this list of notable authors in the 2014 AP Lit Course Description (pages 10-11).

In addition to reading broadly, you'll want to become especially familiar with the details of four to five books with different themes so you'll be prepared to write a strong student-choice essay. You should know the plot, themes, characters, and structural details of these books inside and out.

See my AP English Literature Reading List for more guidance.

Read (and Interpret) Poetry

One thing students might not do very much on their own time but that will help a lot with AP Lit exam prep is to read poetry. Try to read poems from a lot of eras and authors to get familiar with the language.

We know that poetry can be intimidating. That's why we've put together a bunch of guides to help you crack the poetry code (so to speak). You can learn more about poetic devices —like imagery and i ambic pentameter —in our comprehensive guide. Then you can see those analytical skills in action in our expert analysis of " Do not go gentle into that good night " by Dylan Thomas.

When you think you have a grip on basic comprehension, you can then move on to close reading (see below).

Hone Your Close Reading and Analysis Skills

Your AP class will likely focus heavily on close reading and analysis of prose and poetry, but extra practice won't hurt you. Close reading is the ability to identify which techniques the author is using and why. You'll need to be able to do this both to gather evidence for original arguments on the free-response questions and to answer analytical multiple-choice questions.

Here are some helpful close reading resources for prose :

• University of Wisconsin-Madison Writing Center's guide to close reading
• Harvard College Writing Center's close reading guide
• Purdue OWL's article on steering clear of close reading "pitfalls"

And here are some for poetry :

• University of Wisconsin-Madison's poetry-reading guide
• This guide to reading poetry at Poets.org (complete with two poetry close readings)
• Our own expert analyses of famous poems, such as " Ozymandias ", and the 10 famous sonnets you should know

Learn Literary and Poetic Devices

You'll want to be familiar with literary terms so that any test questions that ask about them will make sense to you. Again, you'll probably learn most of these in class, but it doesn't hurt to brush up on them.

Here are some comprehensive lists of literary terms with definitions :

• The 31 Literary Devices You Must Know
• The 20 Poetic Devices You Must Know
• The 9 Literary Elements You'll Find In Every Story
• What Is Imagery?
• Understanding Assonance
• What Is Iambic Pentameter in Poetry?
• Simile vs Metaphor: The 1 Big Difference
• 10 Personification Examples in Poetry, Literature, and More

Practice Writing Essays

The majority of your grade on the AP English Lit exam comes from essays, so it's critical that you practice your timed essay-writing skills . You of course should use the College Board's released free-response questions to practice writing complete timed essays of each type, but you can also practice quickly outlining thorough essays that are well supported with textual evidence.

Take Practice Tests

Taking practice tests is a great way to prepare for the exam. It will help you get familiar with the exam format and overall experience . You can get sample questions from the Course and Exam Description , the College Board website , and our guide to AP English Lit practice test resources .

Be aware that the released exams don't have complete slates of free-response questions, so you might need to supplement these with released free-response questions .

Since there are three complete released exams, you can take one toward the beginning of your prep time to get familiar with the exam and set a benchmark, and one toward the end to make sure the experience is fresh in your mind and to check your progress.

Don't wander like a lonely cloud through your AP Lit prep.

AP Literature: 6 Critical Test-Day Tips

Before we wrap up, here are my six top tips for AP Lit test day:

• #1: On the multiple-choice section, it's to your advantage to answer every question. If you eliminate all the answers you know are wrong before guessing, you'll raise your chances of guessing the correct one.
• #2: Don't rely on your memory of the passage when answering multiple-choice questions (or when writing essays, for that matter). Look back at the passage!
• #3: Interact with the text : circle, mark, underline, make notes—whatever floats your boat. This will help you retain information and actively engage with the passage.
• #4: This was mentioned above, but it's critical that you know four to five books well for the student-choice essay . You'll want to know all the characters, the plot, the themes, and any major devices or motifs the author uses throughout.
• #5: Be sure to plan out your essays! Organization and focus are critical for high-scoring AP Literature essays. An outline will take you a few minutes, but it will help your writing process go much faster.
• #6: Manage your time on essays closely. One strategy is to start with the essay you think will be the easiest to write. This way you'll be able to get through it while thinking about the other two essays.

And don't forget to eat breakfast! Apron optional.

AP Literature Exam: Key Takeaways

The AP Literature exam is a three-hour test that includes an hour-long multiple-choice section based on five prose and poetry passages and with 55 questions, and a two-hour free-response section with three essays : one analyzing a poetry passage, one analyzing a prose passage, and one analyzing a work chosen by you, the student.

The multiple-choice section is worth 45% of your total score , and the free-response section is worth 55% . The three essays are each scored on a rubric of 0-6, and raw scores are converted to a final scaled score from 1 to 5.

Here are some things you can do to prepare for the exam:

• Read books and be particularly familiar with four to five works for the student-choice essays
• Read poetry
• Work on your close reading and analysis skills
• Learn common literary devices
• Practice writing essays
• Take practice tests!

On test day, be sure to really look closely at all the passages and really interact with them by marking the text in a way that makes sense to you. This will help on both multiple-choice questions and the free-response essays. You should also outline your essays before you write them.

With all this in mind, you're well on your way to AP Lit success!

What's Next?

If you're taking other AP exams this year, you might be interested in our other AP resources: from the Ultimate Guide to the US History Exam , to the Ultimate AP Chemistry Study Guide , to the Best AP Psychology Study Guide , we have tons of articles on AP courses and exams for you !

Looking for practice exams? Here are some tips on how to find the best AP practice tests . We've also got comprehensive lists of practice tests for AP Psychology , AP Biology , AP Chemistry , and AP US History .

Deciding which APs to take? Take a look through the complete list of AP courses and tests , read our analysis of which AP classes are the hardest and easiest , and learn how many AP classes you should take .

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—AP Poetry Analysis—

We choose our AP Poetry Analysis prompts not just to prepare students for the essay on the AP Literature exam, but also to introduce the major themes of the novel or play through a complementary text that addresses the subject matter through a different lens.  Similar to the thought-provoking quotation that we use as the basis of our Journal Discussions, we want to give students another perspective on the issues they will encounter in the novel or play they are about to read.

Oftentimes, the choice of poem is relatively obvious by allusions made in the title or text of the novel or play.  For instance, when reading Chinua Achebe's  Things Fall Apart , it makes sense to analyze William Butler Yeats' "The Second Coming," the poem from which the title of the novel is taken.  Similarly, when reading Kate Chopin's  The Awakening , it is helpful to analyze Charles Swinburne's "A Cameo" since Gouvernail murmurs the first two lines of the poem during Edna's farewell dinner on Esplanade Street. There is a reason that authors and playwrights allude to other literary works, and our job as readers is to determine the thematic connection between the two. 

When there is not an obvious allusion made in the title or text, we have the opportunity to select a poem that relates thematically to the novel or play and is consistent with the AP Literary Analysis prompt already chosen.  For instance, when we teach Sandra Cisneros'  The House on Mango Street , we want students to focus on how Esperanza's feelings towards her neighborhood change over the course of the novel.  To achieve this purpose we chose the 2010 AP Literary Argument prompt for our final essay:

"You can leave home all you want, but home will never leave you."

- Sonsyrea Tate

Sonsyrea Tate's statement suggests that "home" may be conceived as a dwelling, a place, or a state of mind.  It may have positive or negative associations, but in either case, it may have a considerable influence on the individual.

Choose a novel or play in which a central character leaves home yet finds that home remains significant.  Write a well-developed essay in which you analyze the importance of "home" to this character and the reasons for its continuing influence.  Explain how the character's idea of home illuminates the larger meaning of the work.

While there are many poems that focus on the concept of "home," we selected Robert Hayden's "Those Winter Sundays" to compare and contrast with Cisneros' work.  When analyzing any piece of literature, we focus on the four pillars of style analysis:  diction, imagery, language, and syntax.  We go into depth on all four pillars in the Style Analysis Tutorial , so for this section we will focus on what is unique about analyzing poetry in comparison to prose.

When we present a poem to the class, we structure it like an AP Poetry Analysis prompt that students will find on the AP Literature exam so they get more comfortable with the format:

When we first introduce poetry to students, we note that paragraphs and sentences in prose have been replaced with stanzas and lines in poetry.  We emphasize, however, that most poetry is still written in complete thoughts and contains end punctuation.  Our advice to students is to read poetry as if it were prose, pausing and stopping when the punctuation dictates.  We always read poems out loud in class twice — the first time by the teacher to model how it should sound and then a second time by a student reader.  For poems with multiple long stanzas, we might have different students read different stanzas aloud.  

Since every word in poetry is important, we first define any words that students might not know —like "indifferently" or "austere" in Hayden's poem, for example .  We want students to consider the significance of the diction, imagery, and language in a poem —which, again, we discuss in detail in the Style Analysis Tutorial —but in this tutorial we are going to focus on how the specific syntax of poetry, which we call poetic devices, differs from prose and how poets use these poetic devices to establish tone and reveal theme. 

We break poetic devices into three categories based on the repetition of sounds.  The first category identifies the repetition of specific letter-sounds, which takes the form of alliteration, consonance, and assonance.  The second category concentrates on the repetition of syllables, which involves a poem's rhyme, rhythm, and meter.  The third category focuses on the repetition of words or phrases, which we call parallel structure:

I.  Alliteration/Consonance/Assonance

Alliteration is the repetition of consonant sounds at the beginning of words whereas consonance is the repetition of consonant sounds within words.  Assonance is the repetition of vowel sounds.   Poets use repeated sounds not just because they are pleasing to the ear , but also to emphasize certain words  and create connections between words.

Let's look at the opening stanza of Hayden's poem:

Sundays too my father got up early

and put his clothes on in the blueblack cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze.  No one ever thanked him.

When introducing poetic devices, we first ask students to find as many repetitions of consonant and vowel sounds as possible within an opening stanza.  For Hayden's poem, students usually notice the repetition of the hard "k" sound that comes at the beginning of words like " cl othes," " c old," and " cr acked"; in the middle of words like "cra ck ed," "a ch ed," "wee k day," "ba nk ed," and "tha nk ed"; and at the end of words like "bluebla ck ."

When we ask students to describe the tone, or feeling, associated with that particular sound, students often say it is harsh and abrupt.  The next question is why Hayden would want to repeat that particular sound in his opening stanza, and how that sound might reflect the feelings that the speaker has internalized when remembering his father and his childhood home.  

Despite the coldness of the relationship he had with his father, it is clear that the speaker's feelings have changed now that he is older.  The adult speaker seems to recognize and appreciate the fact that his father "got up early" during the week, most likely to go to a blue-collar job that produced "cracked hands that ached."  Not only does Hayden alliterate the " w eekday w eather" to emphasize the harsh conditions that his father endured during the week to provide for his family, but he also alliterates the " bl ue bl ack cold" when the speaker's father "made /  b anked fires bl aze" to show how the father also provided comfort for his family in the early morning darkness before any of them had gotten out of bed.

When Hayden stops the opening thought with a caesura in the middle of the fifth line, he uses the period to interrupt the flow of the line to set us up for the devastating final words of the stanza:  "No one ever thanked him."  When reading those words, we sense the guilt and regret the speaker has for failing to appreciate his father when he was a child.

Hayden's use of assonance is also interesting to analyze in the first stanza, specifically with the juxtaposition of long and short "a" sounds.  The long "a" sounds connect the hands that " a ched / from l a bor in the weekd a y weather m a de / banked fires bl a ze."  Those same hands that "ached" from long hours of manual labor outside the home were the same hands that "made" the fires inside the home —on "Sund a ys too"— to provide comfort and warmth for his family.

One could argue that the length of those drawn out "a" sounds  reflects the long thankless days that the father spent providing for his family with no apparent acknowledgment or appreciation of his sacrifice.  Is there bitterness inside the father?  Perhaps those harsh "k" sounds combined with the short "a" sounds in "bluebl a ck," "cr a cked," "b a nked," and "th a nked" reflect not just the speaker's fear of his father as a child, but also the resentment that the speaker imagines the father must have had towards his ungrateful family.

We emphasize with students that any literary interpretation—but especially with an analysis of the subtleties of syntax or poetic devices—is subject to debate.  The role of a literary critic is not necessarily to be "correct," but to make interesting observations based on evidence from the text to make the reader think differently or more deeply about the work.  Some interpretations are more convincing than others based on the evidence to support the claims, and others are more compelling based on the insight and depth of the analysis. 

Our advice to students is to think deeply about the literary work and make as interesting an argument as possible based on the evidence from the text.  An essay does not necessarily have to convince the reader that a certain interpretation is "right," but it should always aspire to be thought-provoking and make the reader think about the work in a new way.

II.  Rhyme/Rhythm/Meter

When we introduce the concept of rhyme, we differentiate between "end rhymes" and "internal rhymes."  When end rhymes create a consistent pattern, we call that a "rhyme scheme" and use letters, such as ABAB,  to represent the repeating pattern.  For Hayden's poem, however, there are no end rhymes, which means there is no rhyme scheme.  The first question that students should ask is why Hayden would choose to write his poem in free verse rather than with a set rhyme scheme.

Just because there are no end rhymes does not mean, however, that there are no internal rhymes.  In the first stanza, we see "blue black " and " cracked " on successive lines and " banked " and " thanked " in the same line.  These internal rhymes are not only aesthetically pleasing to the ear, but they also link those words thematically.  It is up to the reader to make a connection as to why the poet would want to pair those two words.

In the first pairing, the "blue black cold" represents the harsh conditions that the father has to face everyday — "Sundays too"—to provide and care for his family.  His perpetual sacrifice is represented by the " cracked hands that ached," but it seems that the "aching" of his hands does not just reflect a physical hardship; instead, it seems to also imply an internal suffering, one that the speaker is unable to recognize as a child but acknowledges and takes some responsibility for as an adult.  Similarly, the " banked fires" that the father made "blaze" every morning go unacknowledged by his family; despite the fact that he should have been " thanked " for the sacrifices he made, no one ever did.

In the second stanza, Hayden also uses internal rhymes effectively:

I'd wake and hear the cold splintering, breaking.

When the rooms were warm, he'd call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

The first line connects " wake " with the first syllable in " break ing," showing how the father regularly gets up in the early morning to make the house warm for his family by "breaking" the cold.  The tone of the stanza, however, is not one of familial love and warmth.  The present participles at the end of the first line connect with the present participle in the fourth line to create a series of internal rhymes by repeating the "-ing" syllable on "splinter ing ," break ing ," and "fear ing ."  Despite the speaker's understanding at an intellectual level that the father's efforts are "splintering" and "breaking" the cold, they are sublimated by his simultaneously "fearing the chronic angers of that house."  Instead of feeling gratitude for his father's efforts, the speaker only has dread and fear, fully aware that his father's temper is always in threat of "splintering" and "breaking" the peace and tranquility of the house.

When determining rhythm, we have to look at the punctuation and the pattern of stressed and unstressed syllables (i.e. meter) in a line or stanza.  In looking at the punctuation in the second stanza, the first thing we notice is the proliferation of commas.  The comma at the end of the first line creates an asyndeton that takes the place of an "and" that could have easily separated the two present participles in a smoother, more rhythmic way.  Instead, Hayden uses the comma to create a jarring transition between the two participles that abruptly concludes with the period at the end of the line.

One could argue that the punctuation aptly reflects the harsh, abrupt tone that we saw in the consonance of the repeated "k" sounds in the first stanza, which continues in the second stanza with " c old," "brea k ing," " c all," and " chr oni c ."  The commas at the end of each successive line in the second stanza slows the pace and makes us consider each line carefully.  The commas never complete the thought, however, so we carry the tension from one line to the next —and even into the next stanza—understanding implicitly that the "chronic angers of that house" remain unresolved and simmering beneath the surface, which breaks any sense of harmony in the house or rhythm in the poem.

The disruptive punctuation is complemented by the absence of a set meter.   To determine meter, we have to recognize which syllables are stressed and which are not.  The easiest way to do that is to look at the multi-syllable words first to determine where the natural accents lie.  For instance, the word "splintering" in the first line of the second stanza has three syllables, but only one contains the natural accent, which is the first; the final two syllables are unstressed.  Likewise, in "breaking" the first syllable is stressed and the second is not.   In fact, all of the multi-syllable words in the second stanza have the first syllable stressed:

After we find the natural accents, we then look at the single-syllable words, where there is ample room for interpretation.  In general, primary words — like nouns and verbs — are usually stressed whereas secondary words — like articles and prepositions — are not.   This is a guideline but not a rule, however.  When words are stressed, they are emphasized; sometimes it makes sense, based on the context of the line, to stress an adjective, for instance, rather than the noun.  Similarly, stressed and unstressed syllables usually alternate in poetry to create a natural rhythm, but poets will intentionally disrupt the rhythm to call attention to specific words. 

Here is a possible scan of the second stanza in Hayden's poem:

The first line starts off with a series of three rhythmic iambs (two-syllable combinations of unaccented syllables followed by accented syllables) before the pattern is broken with the words "splintering, breaking" at the end of the line.  By analyzing the meter, we can assume that soon after waking—even on Sundays with a fire warming the house—the speaker still feels a sense of tension and unease.  What is interesting is Hayden's decision to end the line with a weak, unaccented syllable, which one could argue conveys a sense of weary resignation, as if the speaker can never escape the constant "splintering, breaking" tension that permeates the house.  

The first syllable of the second line, "When," could certainly be accented, but leaving it unaccented allows that feeling of helplessness to carry over from the previous line and build into another series of rhythmic iambs that runs through the next two lines until it is disrupted once again by a present participle, this time "Fearing," which starts the fourth line and connects to the "splintering, breaking" of the first line.  This rhythmic pattern—and its disruption—repeats itself as if to imply that any sense of harmony within the house cannot remain for long. 

The preposition "of" in the final line of the stanza could also be unstressed, but choosing to accent the preposition creates another series of four straight iambs that is broken once again by a present participle, this time the "Speaking" at the beginning of the final stanza.  What is interesting is that the father is responsible for the "splintering, breaking" of the rhythm in the second stanza, but it is the speaker who is responsible for breaking the rhythm in the final stanza by "Speaking indifferently" to his father, which seems to imply that they both share responsibility for the psychic tension and "chronic angers of that house."  

III.  Parallel Structure

Parallel structure is the repetition of words or phrases within the lines of a poem.  We have already seen how Hayden uses parallel structure in repeating the use of present participles to break the rhythm of the lines in the second stanza and at the beginning of the third.  We also see a key repetition in the penultimate line that, one could argue, unlocks the thematic meaning of the entire poem:

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love's austere and lonely offices?

By repeating "'What did I know, what did I know" the speaker acknowledges his own ignorance as a child of the love and sacrifice that his father demonstrated through his daily actions.  The repetition also implies a sense of guilt and regret that he was unable to understand or appreciate his father when he was younger.  What is obvious is that the speaker has matured over the years —perhaps now having children of his own—and sees his father in a new, more compassionate light.  

To help students identify poetic devices and become more comfortable with the analytical process, we provide five study guide questions on the back of the AP prompt that students should try to answer on their own.  When students return to class, we answer any questions they may have and share our different interpretations of the poem as a whole class.

After we have explicated the poem and answered questions from the study guide, students prepare to write their AP Poetry Analysis essay.  Similar to the other AP essays, we encourage students to use  Hegel's Dialectic to organize their thoughts and outline their arguments:

The AP Poetry Analysis prompt for Hayden's poem asks students to consider how the speaker has "re-assessed" the "strained" relationship he had with his father in childhood.  One possible way to organize the argument would be to have the thesis, or initial claim (i.e. first body paragraph), focus on the "strained" relationship in the speaker's childhood.  The antithesis, or counter-claim (i.e. second body paragraph), could then focus on the speaker's re-assessment of that relationship once he becomes an adult.  The synthesis (i.e. third body paragraph) would focus on what the speaker has learned from the experience, which would also reflect Hayden's overall theme (i.e. "the meaning of the work as a whole").

If this were the first assignment of the year, we would provide a model for what a quality AP Poetry Analysis essay using Hegel's Dialectic might look like: 

When using Hegel's Dialectic for an AP Poetry Analysis essay, it is sometimes helpful to think of the thesis/antithesis/synthesis model in terms of tone and theme instead.  Students should look for competing, yet complementary, tones in the poem, which would then be the focus of their first two body paragraphs.  Students would then resolve the tension between those competing tones by revealing overall theme in the concluding third body paragraph.

Once students have completed the Journal Discussion and written the AP Poetry Analysis essay, they are now ready to begin the novel or play with a solid introduction to the major themes of the work.  Moreover, they will be able to compare and contrast how the author or playwright addresses the Essential Questions with the poet and and the author/speaker of the quotation.  Ultimately, students will have to answer those Essential Questions for themselves, but they now have three different guides to help them along the way.

<<  Style Analysis Tutorial

AP Passage Analysis Tutorial  >>

Expert's Guide to the AP Literature Exam

AP English Literature: Exam Format and Question Types

The AP English Literature and Composition exam is designed to test students' understanding and analysis of literary works. It consists of two main sections: multiple-choice and free-response. Understanding the exam format and question types is crucial for success. 

1. Multiple-Choice Section:

   - Format: 55 questions with four or five answer choices.

   - Time: 60 minutes.

   - Content: Passage-based questions that assess comprehension, interpretation, and analysis of literary texts.

   - Question Types: These include identifying literary devices, analyzing the author's tone, understanding the meaning of words in context, and interpreting the overall purpose and structure of a passage.

2. Free-Response Section:

   - Format: Three essay prompts.

   - Time: 120 minutes.

   - Question Types:

     a. Poetry Analysis Essay: Students analyze a poem and discuss its poetic techniques, theme, and meaning.

     b. Prose Analysis Essay: Students analyze a prose passage, focusing on its style, tone, and literary devices.

     c. Open-Ended Essay: Students choose a novel or play and respond to a prompt by developing a thesis and supporting it with evidence and analysis.

Key Tips for Success:

1. Read and annotate the texts carefully to understand the nuances and literary devices used.

2. Practice close reading to develop a deep understanding of the passages.

3. Review literary terms and techniques commonly used in literature.

4. Develop strong essay writing skills by structuring your responses with clear introductions, well-supported arguments, and insightful analysis.

5. Manage your time effectively during the exam to allocate enough time for each question.

6. Practice with past exams and sample questions to become familiar with the exam format and timing.

By understanding the exam format and question types, and employing effective strategies, students can confidently approach the AP English Literature exam and demonstrate their analytical skills and understanding of literary works.

How Is the AP Literature Test Graded?

The AP Literature and Composition exam is graded on a scale of 1 to 5, with 5 being the highest score. The scoring process involves multiple steps to ensure fairness and consistency in evaluating students' performance. Here's an overview of how the AP Literature test is graded:

   - Raw Score: The number of correct answers is counted, and there is no penalty for incorrect responses.

   - Conversion to Scaled Score: The raw score is converted to a scaled score ranging from 1 to 45. This score is then weighted and combined with the free-response section score to determine the overall exam score.

   - Essay Scores: Each essay is scored on a 0 to 6 scale by trained AP readers. These readers are experienced English teachers and college professors who follow a detailed rubric provided by the College Board.

   - Scoring Rubric: The rubric assesses students' ability to understand the prompt, analyze the text, develop a thesis, provide supporting evidence, and demonstrate strong writing skills.

   - Holistic Approach: AP readers consider the overall quality of the essay, including its coherence, organization, use of evidence, and insightfulness.

   - Final Scores: The scores from the three essays are added together to give a total essay score ranging from 0 to 18.

3. Composite Score:

   - Weighting: The multiple-choice section and the essay section are weighted to calculate the final composite score.

   - Composite Score Calculation: The multiple-choice score is converted to a scaled score on a 1 to 45 scale. This score is combined with the essay score on a 0 to 18 scale, with the essay score weighted more heavily.

   - Conversion to AP Grade: The composite score is converted to the final AP grade on a scale of 1 to 5.

The exact cutoffs for each AP grade may vary from year to year, depending on the performance of students across the country. Generally, a score of 3 is considered a passing grade, while scores of 4 and 5 indicate higher levels of mastery and may result in college credit or advanced placement.

It's important to note that the grading process for the AP Literature exam is rigorous and aims to maintain consistency and fairness. The College Board takes several measures to ensure accurate and reliable scoring, including extensive training for AP readers and a robust quality assurance process.

Understanding how the AP Literature test is graded can help students prepare effectively and focus on developing the necessary skills to excel in both the multiple-choice and free-response sections.

Skill-Building for Success on the AP Literature Exam

To achieve success on the AP Literature exam, it is crucial to develop and refine certain skills that will enhance your ability to analyze and interpret literary texts effectively. Here are some key skill-building strategies to help you prepare for the AP Literature exam:

1. Close Reading: Practice close reading of literary texts to develop a deep understanding of the author's purpose, themes, and literary techniques. Pay attention to details, symbolism, imagery, and figurative language. Take notes and annotate the text to capture your observations and interpretations.

2. Literary Analysis: Enhance your ability to analyze and interpret literary works. Focus on identifying and discussing literary elements such as plot, character development, setting, point of view, symbolism, and themes. Practice analyzing how these elements contribute to the overall meaning and impact of the text.

3. Essay Writing: Master the art of writing strong, well-structured essays. Familiarize yourself with the three essay prompts in the free-response section: the poetry analysis essay, the prose analysis essay, and the open-ended essay. Practice developing clear and concise thesis statements, providing textual evidence to support your arguments, and organizing your essay effectively.

4. Time Management: Develop effective time management skills to ensure you can complete all sections of the exam within the allocated time. Practice timed essay writing to improve your ability to plan, write, and revise your essays under time constraints. Use practice exams to simulate the actual testing conditions and become comfortable with the time limits.

5. Vocabulary Expansion: Build a strong vocabulary to enhance your comprehension and analysis of complex texts. Read widely, including classic literature and contemporary works, to expose yourself to various writing styles, themes, and vocabulary. Learn new words, their meanings, and how to use them appropriately in your writing.

6. Exam Strategies: Familiarize yourself with the exam format, question types, and scoring rubrics. Review sample questions and essay prompts from past exams to understand the expectations and requirements. Practice answering multiple-choice questions strategically by eliminating incorrect options and making educated guesses when necessary.

7. Practice and Review: Regularly practice with sample questions, timed exams, and essay prompts. Seek feedback from teachers or peers on your essays to identify areas for improvement. Review your mistakes and focus on strengthening your weak areas. Use study guides, review books, and online resources to reinforce your understanding of key literary concepts.

8. Reading Widely: Read a diverse range of literature, including novels, plays, poetry, and non-fiction. Engage with different genres, time periods, and cultural perspectives. This will expand your literary knowledge, expose you to various writing styles, and help you make connections across texts.

Remember, consistent practice and focused skill-building are essential for success on the AP Literature exam. Develop a study plan that incorporates these strategies, and dedicate regular time to practice, review, and refine your skills. With preparation and a solid foundation in literary analysis, you can approach the exam with confidence and achieve a strong performance.

AP Literature: 6 Critical Test-Day Tips

Preparing for the AP Literature exam is essential, but it's equally important to have effective strategies for test day. Here are six critical tips to help you perform your best on the AP Literature exam:

1. Read the Instructions Carefully: Before diving into the exam, take a moment to read and understand the instructions for each section. Pay attention to any specific guidelines or requirements, such as the number of questions to answer or the time allotted for each section. Familiarize yourself with the scoring rubrics to know how your responses will be evaluated.

2. Pace Yourself: Time management is crucial during the exam. Allocate your time wisely to ensure you have enough time to answer all the questions. Plan your approach for each section and stick to your allocated time. For example, in the multiple-choice section, aim to answer each question within one minute to allow time for review.

3. Analyze Prompts and Questions: Take the time to carefully analyze the prompts and questions before answering. Understand what each question is asking for and how it relates to the given texts. Highlight keywords and key phrases to ensure you stay focused on addressing the specific requirements of each question. Pay attention to directive words like "analyze," "compare," or "evaluate" to guide your response.

4. Organize Your Essay: In the essay sections, it's crucial to have a clear and well-organized structure. Start with a concise and strong thesis statement that directly addresses the prompt. Use topic sentences to introduce each paragraph and ensure a logical flow of ideas. Support your arguments with evidence from the texts, and provide insightful analysis to demonstrate your understanding.

5. Engage with Texts: Show a deep engagement with the literary texts in your responses. Use specific examples and quotations from the texts to support your analysis. Referencing key scenes, dialogues, or literary devices demonstrates a thorough understanding of the texts and enhances the strength of your arguments. Avoid vague or general statements and focus on precise textual evidence.

6. Review and Revise: Before submitting your responses, take a few minutes to review and revise your work. Check for any grammatical or spelling errors and ensure your writing is clear and concise. Verify that you have addressed all parts of the question and that your arguments are well-supported. If time allows, read your essays aloud to catch any awkward phrasing or unclear ideas.

Remember, practice is key to success on the AP Literature exam. Familiarize yourself with the exam format, practice with sample questions and essays, and seek feedback on your writing. Develop a study schedule that allows you to build your skills and knowledge over time. By following these critical test-day tips and remaining calm and focused, you can approach the AP Literature exam with confidence and maximize your chances of achieving a high score.

In conclusion, the AP Literature exam requires a combination of critical reading skills, strong analytical thinking, and effective writing abilities. By understanding the exam format and question types, knowing how the test is graded, and building essential skills, you can set yourself up for success. Additionally, following critical test-day tips, such as managing your time, carefully analyzing prompts, organizing your essays, engaging with the texts, and reviewing your work, will help you perform your best on the exam. With diligent preparation and practice, you can approach the AP Literature exam with confidence and increase your likelihood of achieving a favorable score.

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Articles & Advice > Test Prep > Articles

Poetry Study Guide for AP English Language & Literature

Check out our quick poetry review that can help you score high on AP English Tests, both Literature and Language.

by Faith Harron CollegeXpress Student Writer

Last Updated: Jun 7, 2024

Originally Posted: May 8, 2017

Trying to study for Advanced Placement (AP) Tests can be tedious…but if you’ve prepared and need a small refresher, or if you’re in search of a quick poetry history mixed with some review for the English Tests—both Literature and Language—here you go. Let’s begin. 

All about AP Literature

The AP Literature Test includes multiple choice and three types of essays to write. The multiple-choice section can focus on poetry or prose selections, and of the essay types, one will certainly include a poem. The grading scale for the essays ranges from 0–9.

Insider tips

According to long-time teacher of AP English Karri Landeis, the best way to score highly on the essays, particularly the prompt that asks you to analyze poetry, is to maintain focus. “Always read with a pen in hand,” Landeis says, adding that mere underlining often isn’t enough to constitute the beginnings of an essay. If the poem happens to be lengthy or difficult in content, chances are you won’t have enough time to read it multiple times for meaning or go back to a stanza and wonder what the author’s intent may have been.

Instead of simply underlining, Landeis recommends adding small notes, such as where you noticed a poetry device or how the device contributes to the meaning or perspective the prompt asks about. “It’s best to explicitly state the device,” says Landeis. While she acknowledges top essays can be written without doing so, AP readers prefer not to have to dig for your intended meaning when you write. As far as structure goes for the essay itself, a common form includes organizing the paragraphs by each poetic device. However, Landeis recommends that essays rich in complexity are born from chronological order—that is, analyzing the devices in the order they appear and building on previous paragraphs with more insight as the poem continues. 

In the essay’s conclusion, after a restatement of the thesis, Landeis maintains that the greater implications of the theme/perspective from the prompt should be addressed. “Find the one sentence that says it all, and end with that,” Landeis says, adding that doing so ties all the ends up nicely. ¨Write your last sentence like it’s the score you want to receive, because it’s the last thing [AP] readers will see.”

High school poet Zuyi Zhao has already taken both AP English courses. She’s prepared in the past for her exams by both reading and writing in quantity —a practice that has paid off in her eyes. "Analysis comes a lot more easily if you have experience on both sides of the process,” she says, although she adds that it’s important to keep an open mind about poetry as well. "You can’t analyze poetry without enjoying it,” she says.

Related:  Inside Info on AP Courses: Which Ones Should You Take?  

Both of the AP Tests often include vocabulary in the multiple-choice section, and it’s always important to know a variety of literary devices so you can explain them within any of the three essays, Landeis says. Some common terms she uses to prepare her students include:

• Types of stanzas : A stanza is a segment of the poem, often where a line break occurs, and includes a variety of line measurements. Some common line names are given below:  Lines   Name 2          Couplet 3          Tercet 4          Quatrain 5          Quintet 6          Sestet (not sextet) 8          Octave (not octet)   
• Shakespearean/Petrarchan sonnet : These two terms are used interchangeably to describe the same poem. They refer to sonnets that are (as always) 14 lines, but include three stanzas of four lines each (a quatrain) along with a usually rhymed last 2-line stanza (couplet). Landeis uses “abab cdcd efef gg” as a song to remind her students of the common form.
• Italian sonnet : The AP Test will commonly ask students to distinguish between the two. An Italian sonnet consists of a clear octave (8 lines) plus a sestet (6 lines) for the desired 14-line form. Poem identification is another topic the test on Literature often includes, Landeis says.
• Narrative poem: Tells all or part of a story. Many song lyrics (particularly those of circle songs and country music) are narrative poems.
• Lyric poem : Focuses on the individual and thoughts/feelings.
• Metaphysical poetry : Often includes and can be identifiable by its bizarre metaphors (called conceits) and complicated diction.
• Elegy : Lament for something; a poet’s ruminations on something, usually very solemn and dignified.
• Ode : Celebratory poem. Can celebrate/commemorate even the most mundane of objects.

Related: Fun SAT Vocab Prep With the Dictionary of Difficult Words

Poetic devices

Common poetic devices are relevant to both of the AP English Tests, and Landeis reminds students that each device must be identified, stated, and linked to the perspective the prompt asks you to consider. Devices include:

• Alliteration : Repeated identical consonant sounds at the beginnings of words.
• Allusion : A special type of reference to another work of literature, a symbol, an event, or a person. Allusions are commonly from well-known sources.
• Apostrophe : This occurs when a character or speaker calls out to a person (either absent or dead) or inanimate object as if it could respond.
• Caesura : Found exclusively in poetry, a pause in the middle of a line of poetry; often signified with a comma or period.
• Diction : Word choice. The diction should nearly always be preceded by a descriptive adjective signifying its purpose to the work.
• Enjambment: When a thought in poetry does not stop at the end of a line break; it merely continues on in the following line.
• Hyperbole : Deliberate and ridiculous exaggeration. Can be meant seriously or in mockery.
• Metonymy : Associating an object with another word very similar to it (e.g., referring to someone as a “Scrooge” due to their attitude).
• Parallelism : Similar grammar structure between lines or sentences in poetry or prose. Whether a phrase is repeated, or the construction of the phrase is repeated, either works.
• Rhyme and rhythm : Rhyme refers to the similarity or identical nature of sounds at the ends of lines. Rhythm is the pattern of stressed/unstressed syllables. Poetry can have either, while prose mainly concerns itself with rhythm.
• Understatement : The antonym for hyperbole, an understatement is often meant as dry humor when a character or speaker says something is insignificant when it is truly not.  

Knowing these terms should help with the AP English Tests, and remembering to include them in your essay will help you  earn a higher score . They can also assist you when writing your own poetry—after all, if you understand the devices and why an author uses them, you’re one step closer to doing so yourself.

Related:  English Grammar Cheat Sheet for Students  

Writing poetry

To Zhao, who has been writing extensively for about three years—primarily poetry—she enjoys unrhymed free verse but sometimes likes to experiment with different structures. “I don’t write nearly as often as I would like to, but I can write at least for an hour or so a week,” she says, and she would recommend that others do at least some reading and writing as well, especially to help with the AP Tests. To go about writing a poem is a rather obscure process, even to the poet, Zhao says. “Sometimes the [ideas] just come to me,” she says. “Other times, though, the ideas sort of stem from brief phrases or lines that I think of first, kind of like working backward from a poem’s title to the poem’s content.” She recommends drawing from character archetypes for inspiration if you’re interested in writing but stuck . Common history also provides ideas: poems that incorporate famous historical figures like Helen of Troy, Cleopatra, or other historical events have inspired many poets in the past and present.

Once your poem has been written, it’s time for what Zhao calls her favorite part: revision. “Even though as I’m revising, I think I hate the experience, I enjoy the process of finding a clearer and more eloquent way of conveying a sentiment within a poem,” she says. It’s an important sentiment to remember for taking either AP English exam as well: keeping an open mind and ensuring the organization in your essay remains clear and precise makes for a high-achieving score.

Related: 9 Study Tips to Help You Conquer AP Tests

There you have it—with these insider tips, you'll be ready to score high on your AP English Language and Literature Tests. Be sure to practice with this example of a full exam  from the College Board. Good luck!

Find more general AP and other test-taking tips in our Test Prep section to make sure you're never underprepared for an exam again.

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How to Write the AP Lit Prose Essay + Example

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What’s Covered

What is the ap lit prose essay, how will ap scores affect my college chances.

AP Literature and Composition (AP Lit), not to be confused with AP English Language and Composition (AP Lang), teaches students how to develop the ability to critically read and analyze literary texts. These texts include poetry, prose, and drama. Analysis is an essential component of this course and critical for the educational development of all students when it comes to college preparation. In this course, you can expect to see an added difficulty of texts and concepts, similar to the material one would see in a college literature course.

While not as popular as AP Lang, over 380,136 students took the class in 2019. However, the course is significantly more challenging, with only 49.7% of students receiving a score of three or higher on the exam. A staggeringly low 6.2% of students received a five on the exam. 

The AP Lit exam is similar to the AP Lang exam in format, but covers different subject areas. The first section is multiple-choice questions based on five short passages. There are 55 questions to be answered in 1 hour. The passages will include at least two prose fiction passages and two poetry passages and will account for 45% of your total score. All possible answer choices can be found within the text, so you don’t need to come into the exam with prior knowledge of the passages to understand the work. 

The second section contains three free-response essays to be finished in under two hours. This section accounts for 55% of the final score and includes three essay questions: the poetry analysis essay, the prose analysis essay, and the thematic analysis essay. Typically, a five-paragraph format will suffice for this type of writing. These essays are scored holistically from one to six points.

Today we will take a look at the AP Lit prose essay and discuss tips and tricks to master this section of the exam. We will also provide an example of a well-written essay for review.  

The AP Lit prose essay is the second of the three essays included in the free-response section of the AP Lit exam, lasting around 40 minutes in total. A prose passage of approximately 500 to 700 words and a prompt will be given to guide your analytical essay. Worth about 18% of your total grade, the essay will be graded out of six points depending on the quality of your thesis (0-1 points), evidence and commentary (0-4 points), and sophistication (0-1 points). 

While this exam seems extremely overwhelming, considering there are a total of three free-response essays to complete, with proper time management and practiced skills, this essay is manageable and straightforward. In order to enhance the time management aspect of the test to the best of your ability, it is essential to understand the following six key concepts.

1. Have a Clear Understanding of the Prompt and the Passage

Since the prose essay is testing your ability to analyze literature and construct an evidence-based argument, the most important thing you can do is make sure you understand the passage. That being said, you only have about 40 minutes for the whole essay so you can’t spend too much time reading the passage. Allot yourself 5-7 minutes to read the prompt and the passage and then another 3-5 minutes to plan your response.

As you read through the prompt and text, highlight, circle, and markup anything that stands out to you. Specifically, try to find lines in the passage that could bolster your argument since you will need to include in-text citations from the passage in your essay. Even if you don’t know exactly what your argument might be, it’s still helpful to have a variety of quotes to use depending on what direction you take your essay, so take note of whatever strikes you as important. Taking the time to annotate as you read will save you a lot of time later on because you won’t need to reread the passage to find examples when you are in the middle of writing. 

Once you have a good grasp on the passage and a solid array of quotes to choose from, you should develop a rough outline of your essay. The prompt will provide 4-5 bullets that remind you of what to include in your essay, so you can use these to structure your outline. Start with a thesis, come up with 2-3 concrete claims to support your thesis, back up each claim with 1-2 pieces of evidence from the text, and write a brief explanation of how the evidence supports the claim.

2. Start with a Brief Introduction that Includes a Clear Thesis Statement

Having a strong thesis can help you stay focused and avoid tangents while writing. By deciding the relevant information you want to hit upon in your essay up front, you can prevent wasting precious time later on. Clear theses are also important for the reader because they direct their focus to your essential arguments. 

In other words, it’s important to make the introduction brief and compact so your thesis statement shines through. The introduction should include details from the passage, like the author and title, but don’t waste too much time with extraneous details. Get to the heart of your essay as quick as possible. 

3. Use Clear Examples to Support Your Argument 

One of the requirements AP Lit readers are looking for is your use of evidence. In order to satisfy this aspect of the rubric, you should make sure each body paragraph has at least 1-2 pieces of evidence, directly from the text, that relate to the claim that paragraph is making. Since the prose essay tests your ability to recognize and analyze literary elements and techniques, it’s often better to include smaller quotes. For example, when writing about the author’s use of imagery or diction you might pick out specific words and quote each word separately rather than quoting a large block of text. Smaller quotes clarify exactly what stood out to you so your reader can better understand what are you saying.

Including smaller quotes also allows you to include more evidence in your essay. Be careful though—having more quotes is not necessarily better! You will showcase your strength as a writer not by the number of quotes you manage to jam into a paragraph, but by the relevance of the quotes to your argument and explanation you provide.  If the details don’t connect, they are merely just strings of details.

4. Discussion is Crucial to Connect Your Evidence to Your Argument 

As the previous tip explained, citing phrases and words from the passage won’t get you anywhere if you don’t provide an explanation as to how your examples support the claim you are making. After each new piece of evidence is introduced, you should have a sentence or two that explains the significance of this quote to the piece as a whole.

This part of the paragraph is the “So what?” You’ve already stated the point you are trying to get across in the topic sentence and shared the examples from the text, so now show the reader why or how this quote demonstrates an effective use of a literary technique by the author. Sometimes students can get bogged down by the discussion and lose sight of the point they are trying to make. If this happens to you while writing, take a step back and ask yourself “Why did I include this quote? What does it contribute to the piece as a whole?” Write down your answer and you will be good to go. 

5. Write a Brief Conclusion

While the critical part of the essay is to provide a substantive, organized, and clear argument throughout the body paragraphs, a conclusion provides a satisfying ending to the essay and the last opportunity to drive home your argument. If you run out of time for a conclusion because of extra time spent in the preceding paragraphs, do not worry, as that is not fatal to your score. 

Without repeating your thesis statement word for word, find a way to return to the thesis statement by summing up your main points. This recap reinforces the arguments stated in the previous paragraphs, while all of the preceding paragraphs successfully proved the thesis statement.

6. Don’t Forget About Your Grammar

Though you will undoubtedly be pressed for time, it’s still important your essay is well-written with correct punctuating and spelling. Many students are able to write a strong thesis and include good evidence and commentary, but the final point on the rubric is for sophistication. This criteria is more holistic than the former ones which means you should have elevated thoughts and writing—no grammatical errors. While a lack of grammatical mistakes alone won’t earn you the sophistication point, it will leave the reader with a more favorable impression of you. 

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Here are Nine Must-have Tips and Tricks to Get a Good Score on the Prose Essay:

• Carefully read, review, and underline key instruction s in the prompt.
• Briefly outlin e what you want to cover in your essay.
• Be sure to have a clear thesis that includes the terms mentioned in the instructions, literary devices, tone, and meaning.
• Include the author’s name and title  in your introduction. Refer to characters by name.
• Quality over quantity when it comes to picking quotes! Better to have a smaller number of more detailed quotes than a large amount of vague ones.
• Fully explain how each piece of evidence supports your thesis .  
• Focus on the literary techniques in the passage and avoid summarizing the plot. 
• Use transitions to connect sentences and paragraphs.
• Keep your introduction and conclusion short, and don’t repeat your thesis verbatim in your conclusion.

Here is an example essay from 2020 that received a perfect 6:

[1] In this passage from a 1912 novel, the narrator wistfully details his childhood crush on a girl violinist. Through a motif of the allure of musical instruments, and abundant sensory details that summon a vivid image of the event of their meeting, the reader can infer that the narrator was utterly enraptured by his obsession in the moment, and upon later reflection cannot help but feel a combination of amusement and a resummoning of the moment’s passion. 

[2] The overwhelming abundance of hyper-specific sensory details reveals to the reader that meeting his crush must have been an intensely powerful experience to create such a vivid memory. The narrator can picture the “half-dim church”, can hear the “clear wail” of the girl’s violin, can see “her eyes almost closing”, can smell a “faint but distinct fragrance.” Clearly, this moment of discovery was very impactful on the boy, because even later he can remember the experience in minute detail. However, these details may also not be entirely faithful to the original experience; they all possess a somewhat mysterious quality that shows how the narrator may be employing hyperbole to accentuate the girl’s allure. The church is “half-dim”, the eyes “almost closing” – all the details are held within an ethereal state of halfway, which also serves to emphasize that this is all told through memory. The first paragraph also introduces the central conciet of music. The narrator was drawn to the “tones she called forth” from her violin and wanted desperately to play her “accompaniment.” This serves the double role of sensory imagery (with the added effect of music being a powerful aural image) and metaphor, as the accompaniment stands in for the narrator’s true desire to be coupled with his newfound crush. The musical juxtaposition between the “heaving tremor of the organ” and the “clear wail” of her violin serves to further accentuate how the narrator percieved the girl as above all other things, as high as an angel. Clearly, the memory of his meeting his crush is a powerful one that left an indelible impact on the narrator. 

[3] Upon reflecting on this memory and the period of obsession that followed, the narrator cannot help but feel amused at the lengths to which his younger self would go; this is communicated to the reader with some playful irony and bemused yet earnest tone. The narrator claims to have made his “first and last attempts at poetry” in devotion to his crush, and jokes that he did not know to be “ashamed” at the quality of his poetry. This playful tone pokes fun at his childhood self for being an inexperienced poet, yet also acknowledges the very real passion that the poetry stemmed from. The narrator goes on to mention his “successful” endeavor to conceal his crush from his friends and the girl; this holds an ironic tone because the narrator immediately admits that his attempts to hide it were ill-fated and all parties were very aware of his feelings. The narrator also recalls his younger self jumping to hyperbolic extremes when imagining what he would do if betrayed by his love, calling her a “heartless jade” to ironically play along with the memory. Despite all this irony, the narrator does also truly comprehend the depths of his past self’s infatuation and finds it moving. The narrator begins the second paragraph with a sentence that moves urgently, emphasizing the myriad ways the boy was obsessed. He also remarks, somewhat wistfully, that the experience of having this crush “moved [him] to a degree which now [he] can hardly think of as possible.” Clearly, upon reflection the narrator feels a combination of amusement at the silliness of his former self and wistful respect for the emotion that the crush stirred within him. 

[4] In this passage, the narrator has a multifaceted emotional response while remembering an experience that was very impactful on him. The meaning of the work is that when we look back on our memories (especially those of intense passion), added perspective can modify or augment how those experiences make us feel

More essay examples, score sheets, and commentaries can be found at College Board .

While AP Scores help to boost your weighted GPA, or give you the option to get college credit, AP Scores don’t have a strong effect on your admissions chances . However, colleges can still see your self-reported scores, so you might not want to automatically send scores to colleges if they are lower than a 3. That being said, admissions officers care far more about your grade in an AP class than your score on the exam.

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AP® English Literature

The best ap® english literature review guide for 2024.

• The Albert Team
• Last Updated On: January 29, 2024

Scoring a 5 on the AP® English Literature and Composition exam is no easy task. In 2019, for example, only 6.2% of students earned a 5 on the test. While this statistic may be discouraging at first glance, it does indicate that a perfect score is possible for those willing to do extra preparation and practice. In 2022, nearly 17% of test-takers earned a 5 – a big improvement!

It may take some hard work, but it’s possible to ace this exam! We’re here to help.

In this comprehensive review, we’ll unpack the exam’s basic format, analyze the common structures and shapes of AP® Literature questions, provide useful tips and strategies for scoring a 5, and offer a variety of helpful additional resources and study tools.

Let’s get to it!

What We Review

How is the AP® English Literature and Composition Exam formatted? 

The AP® English Literature and Composition exam is divided into two sections: multiple-choice and free-response. 

The multiple-choice section is broken into five chunks equipped with 8-13 questions each, totaling 55 questions. You will be asked to analyze excerpts from diverse literary texts, including prose fiction, drama, or poetry. Moreover, there will always be at least 2 prose fiction passages and 2 poems in this section of the exam. The fifth text can be either. 

The multiple-choice section has a time limit of 1 hour, and it counts as 45% of your overall exam score. 

Section 2 of the exam, often informally called the “essay section,” contains 3 free-response prompts which demand literary analysis of a given poem, a passage of prose fiction, or an excerpt from a play. 

The first two prompts will provide a passage or a poem requiring analysis, while the third and final prompt will ask you to engage with a concept, issue, or element in a literary work that you are expected to have encountered during the school year. A list of appropriate works is provided for the third prompt. 

You have 2 hours to complete Section 2, which comprises 55% of your final exam score.

Return to the Table of Contents

How Long is the AP® English Literature and Composition Exam?

The AP® English Literature and Composition exam is 3 hours long. Students will have 1 hour to complete the multiple-choice section (55 questions) and 2 hours to complete the free-response section (3 questions). 

Since you must answer 55 questions in 60 minutes on the multiple-choice portion of the exam, you should pace yourself at about 1 minute per question and about 12 minutes per passage. 

Likewise, since the free response section is timed at 120 minutes, you should aim to complete each essay in 40 minutes or under.

Time yourself when you practice, and don’t get caught up trying to answer a question that you totally do not know the answer to. Don’t rush through the test, but don’t take too much time.

How Many Questions Does the AP® English Literature and Composition Exam Have? 

Section i: multiple-choice.

• 5 passages, 55 questions total: 8-13 questions per passage
• Passages include 2 Prose, 2 Poems, and 1 of either

Section II: Free-Response

• 1 literary analysis of a given poem
• 1 literary analysis of a given passage of prose fiction
• 1 literary argument

What Topics are Covered on the AP® English Literature and Composition Exam? 

Perhaps the best way to begin thinking about the topics covered on the exam is through a holistic approach. Overall, the test assesses the six big ideas covered within the AP® English Literature and Composition course itself: 

• Figurative Language
• Literary Argumentation

These components comprise the whole exam, and you will be tested specifically on material from these broad concepts. 

Now, let’s return to its formatting. Remember, the exam is divided into multiple choice and free response, each carrying its own set of demands and topics.

Section I: Multiple Choice

Since the AP® English Literature and Composition exam is a skills-based test, there’s no way to know what specific passages or topics might appear on the official exam. Rather, CollegeBoard uses a variety of excerpts from literary texts, including prose, poetry, and drama. 

The passages often range from the 16th to the 21st century, and the authors and literary works change yearly. So it is imperative that you sharpen your critical reading skills and hone your ability to engage with the forms, styles, and content of a diverse range of literature. 

However, we have some good news. We do know how the multiple choice section is organized and weighted. It is divided into three broad units: short fiction, poetry, and longer fiction or drama, with each unit carrying its own weighted percentage. The chart below outlines this weighting:

Moreover, the multiple choice portion of the exam can be further broken down into 7 assessed skills:

Remember, the multiple-choice section will include five sets of 8 to 13 questions per set, so be prepared to encounter many if not all of these skill sets per passage. But it is safe to say that you should review certain skill categories more thoroughly than others on account of how frequently they appear on the exam. 

Below we’ve compiled a descending list of priorities for you to consider. 

• Skill Category 4 : Explain the function of the narrator or speaker
• Skill Category 1 : Explain the function of character
• Skill Category 3 : Explain the function of plot and structure
• Skill Category 5 : Explain the function of word choice, imagery, and symbols
• Skill Category 7 : Develop textually substantiated arguments about interpretations of part or all of a text
• Skill Category 6 : Explain the function of comparison
• Skill Category 2 . Explain the function of setting

Section 4, “Explain the function of the narrator or speaker,” should be studied the most since it holds a substantial amount of weight in determining your score. Skill category 2, as you see above, accounts for a small percentage of the exam so we recommend you don’t spend hours upon hours brushing up on the function of the setting. Don’t blow it off, though!

Section II: Free Response

Like the multiple choice section, the free response portion is also skills-based. We cannot predict what specific passages or poems will make it onto the test, but we do know the type(s) of essays you will be required to write:

• 1 Poetry Analysis: After reading a poem of 100 to 300 words, you will respond to a prompt based on the poem with a well-developed essay. Your essay, of course, must offer a defensible interpretation, make adequate use of textual evidence, engage critically with cited evidence, and use appropriate grammar and punctuation when communicating its argument. These requirements are present throughout all three free-response essays. 
• 1 Prose Fiction Analysis: This part of the free response section will provide a passage of prose fiction (500 to 700 words) and, like the poetry analysis, ask you to respond to a prompt through writing a well-developed essay. Your argument must adhere to the rigor and clarity outlined above in the poetry analysis description.
• 1 Literary Argument Essay: Here, you will be given an open-ended topic and be asked to write an evidence-based argumentative essay in response to the topic. There will be a quote or small passage to read, a corresponding prompt, and an extensive list of literary works you may use when developing your argument. While you do not have to use a work from this list, you must select a work of literary merit. Avoid choosing fantasy novels or works designed more for pure entertainment. It needs to be a work of “deep” literature.

What Do the AP® English Literature and Composition Exam Questions Look Like?

Multiple choice examples:.

The Course and Exam Description (CED) for AP® Lit provides 10 practice questions that address prose fiction and 9 practice questions that address poetry.

Below, we’ll look at examples of each question type and cover the skills and essential knowledge they address. First, we will examine the multiple-choice questions involving prose fiction:

Skill: 5.B Explain the function of specific words and phrases in a text.

Essential Knowledge: FIG-1.M Descriptive words, such as adjectives and adverbs, qualify or modify the things they describe and affect readers’ interaction with the text.

Skill: 4.C Identify and describe details, diction, or syntax in a text that reveal a narrator’s or speaker’s perspective.

Essential Knowledge: NAR-1.R Information included and/or not included in a text conveys the perspective of characters, narrators, and/or speakers.

Skill: 3.C Explain the function of structure in a text.

Essential Knowledge: STR-1.F A text’s structure affects readers’ reactions and expectations by presenting the relationships among the ideas of the text via their relative positions and their placement within the text as a whole

Now that we’ve taken a look at samples of multiple-choice questions involving prose fiction, let’s turn our attention toward questions that address poetry. 

Skill 7.B: Develop a thesis statement that conveys a defensible claim about an interpretation of literature and that may establish a line of reasoning. 

Essential Knowledge: LAN-1.D A thesis statement expresses an interpretation of a literary text, and requires a defense, through use of textual evidence and a line of reasoning, both of which are explained in an essay through commentary.

Skill 4.C: Identify and describe details, diction, or syntax in a text that reveal a narrator’s or speaker’s perspective.

Essential Knowledge: NAR-1.X Multiple, and even contrasting, perspectives can occur within a single text and contribute to the complexity of the text.

Skill: 5.D Identify and explain the function of an image or imagery.

Essential Knowledge: FIG-1.O Descriptive words, such as adjectives and adverbs, contribute to sensory imagery.

As you see, these questions force you to engage with literature more critically and technically. CollegeBoard’s main objective is to shape you into a budding literary critic capable of producing college-level work, so they consistently ask questions that look like those above. 

To develop your skills to a level that would be acceptable by a university, then, the test-makers over at CollegeBoard often craft questions involving analysis of literary devices, character perspective, figurative language, and more. The individual skills assessed by these questions are designed to take your thinking to a much higher level.

Free Response Examples: 

The Course and Exam Description (CED) for AP® Lit also provides samples of free response questions. Let’s begin by taking a look at a sample of a poetry-based free response prompt.

Poetry Analysis

Skills: 4.C, 7.A, 7.B, 7.C, 7.D, 7.E

Note how the prompt is somewhat vague and open-ended. While it does ask you to hone in on a specific topic within the poem—aging—through discussion of the writer’s use of poetic elements and techniques, it also does not specify which of those elements and techniques should be discussed:

• Then, in a well-written essay, analyze how Emerson uses poetic elements and techniques to convey the speaker’s complex perspective on aging.

So, it is imperative that you come to this exam with a deep and clear understanding of literary devices and motifs such as parallelism, imagery, irony, etc.

If you struggle with literary and rhetorical terms, check out our guide on essential AP® Literature Rhetorical Terms !

In a bit, we’ll provide some additional resources to help you build your knowledge of these literary tools.

Prose Fiction Analysis

Skills: 1.A, 7.A, 7.B, 7.C, 7.D, 7.E

The prompt requires you to read the excerpt and construct a well-developed literary analysis in response. Like the poetry prompt, note how this prompt is somewhat vague and open-ended. Again, it points you in a direction but leaves it up to you on how you’re going to get there:

• Then, in a well-written essay, analyze how Kincaid uses literary elements and techniques  to portray the complexity of the narrator’s new situation.

Therefore, it is imperative that you come to the test prepared with knowledge of literary elements and techniques.

Literary Argument 

Skills: 1.E, 2.C, 7.A, 7.B, 7.C, 7.D, 7.E

Unlike the other two essays, this prompt contains neither a prose excerpt nor a poem. Rather, it provides a brief quote and then asks you to expand on its central concept and, in our case, the notion of home. 

It then provides a list of works that would suit your analysis. You are to select one work from the list or choose another work of literary merit and analyze it in the context of the prompt. Again, note how much of the analysis is up to you. The prompt points you in a direction and then leaves you on your own to select how you’re going to get there. 

Therefore, it is imperative that you have not only a solid understanding of literary terms and concepts but also a diverse and deep history of reading. We will direct you toward some additional resources that will strengthen your knowledge below but start by consulting our Ultimate AP® English Literature Reading List to get started!

And if you’re not an avid reader, do not fret! You can guarantee the AP® English Literature and Composition course itself will cover at least one of the books on the list. You will likely be familiar with at least 2-3 of the texts just from taking the course. And if all else fails, you may select your own work of literary merit to discuss!

Free Response Rubric Breakdowns

In previous years, the AP® Lit essays were scored using holistic rubrics on a scale of 0-9. However, after the 2019 exam, the evaluation changed to a new analytic rubric which runs on a scale of 0-6. 

Switching to an analytic rubric from a holistic one can be difficult, especially if you’ve already taken another AP® English class or prepared using the holistic version. But, unlike the holistic rubric, the analytic model tells you exactly what to include in your essay to earn maximum points. 

Consider the new analytic rubric a How-To Guide, designed to earn you a 6 on each essay. And, unlike the AP® Lang exam, all three AP® Lit essays are graded essentially through the same rubric.

Below, we’ll spend some time breaking down the elements of the new rubric. First, let’s take a look at the Thesis row.

Row A: Thesis (0-1 Points)

A well-developed thesis statement is crucial to making your overall argument effective and convincing. Unsurprisingly, the Thesis row on the rubric is essentially all or nothing; you either earn the point or you don’t.

Let’s break down the wording on the rubric to further understand the significance of the thesis point.

It’s important to note what the rubric warns against: 

• No thesis at all
• The thesis only restates the prompt
• The thesis merely summarizes 
• The thesis does not respond to the prompt 

Doing any of these will miss the mark, and a weak thesis often leads to a weak essay. Rather, the rubric emphasizes that you: 

• Respond to the prompt with a thesis that presents a defensible interpretation of the poem, prose passage, or selected work.

Easier said than done, we know. But notice the key phrase, “defensible interpretation.” The basis of your argument, the rubric insists, is entirely up to you as long as you adequately defend and your point. This means you must be ready to dig into the text, cite textual evidence, and analyze your findings sophisticatedly and persuasively. Your thesis, then, must contain a claim. 

If thesis statements are particularly troubling to you, we recommend tuning into CollegeBoard’s official online workshop . It’s helpful, really. 

Below are two examples of thesis statements from the 2019 exam:

• This thesis statement thoroughly considers both the positive and negative consequences of idealism and explains how this portrayal illuminates the meaning of the work as a whole.
• This thesis statement fails to identify a character and confusingly identifies the government’s repressive efforts as presenting a “fabricated view of an Ideal world.” It ultimately makes no claim and overly generalizes.

Row B: Evidence and Commentary (0-4 Points)

Think of evidence and commentary as the meat of your essay. This is where you will really dig into your argument, cite the text, and make specific claims and arguments.

As mentioned, this portion of the rubric works on a scale of 0-4:

As you see, earning all four points requires direct and specific textual citation and thorough, deep analysis throughout your entire essay. Cite evidence that fits your main argument, do not simply cite for the sake of citation. Always avoid paraphrasing (except on the third free-response question where paraphrasing is acceptable). Do not simply cite text and then give a basic summary. Dig deep and analyze. 

If you struggle with analyzing evidence and developing commentary, check out one of our many practice models ! 

Row C Sophistication (0-1 Points)

Similar to the Thesis row, the Sophistication evaluation is also all or nothing — you either earn the point or you don’t. 

However, earning the sophistication point is not as cut and dry as earning the thesis point. You can’t really pinpoint or locate sophistication in the way you can a thesis statement. If it’s there, it’s everywhere; if not, it’s nowhere. 

So to unpack this complex idea, let’s return to the rubric. 

The rubric states that essays that earn the point “demonstrate sophistication of thought and/or develop a complex literary argument.” 

To be more precise, this means that your essay does these four things: 

• Identifies and explores complexities or tensions within the poem, prose passage, or selected work. 
• Situates your overall interpretation within a broader, more universal context. 
• Accounts for alternative interpretations of the poem, prose passage, or selected work. 
• Employs a style that is consistently vivid and persuasive.

Conversely, then, you will not earn the point if your essay:

• Contains sweeping generalizations
• Only hints at other positions or interpretations
• Uses overly complex sentences or language that doesn’t add anything to the argument

Above all, sophistication cannot be reduced to a checkbox. You can’t really add it here or there. It must pervade the entire essay for you to earn the point. It’s a difficult task, but it can be done with a little practice and perseverance. 

For additional tips on writing well-developed analyses, check out our guide on how to tackle prose passages !

What Can You Bring to the AP® English Literature and Composition Exam?

If you’re taking the  digital  exam, you must use a laptop computer (Mac, Windows, or school-managed Chromebook). Because the full-length digital AP® Exams require typewritten free responses, the exams can’t be taken on smartphones. For more details,  here is the full digital AP® exam specifications  from College Board.

If you’re traveling to a testing location to take an in-person exam, make sure to arrive early. If you’re testing digitally from home, be sure all of your digital login details are confirmed beforehand.

Given the sheer importance and seriousness surrounding AP® exams, the College Board has imposed very strict rules and regulations regarding what you can and cannot bring into your testing room (if you’re testing in-person at a school). Not adhering to these rules can lead to score invalidation and even room-wide exam cancellation, so it’s important to know what you can and cannot bring with you on testing day!

What You Should Bring to Your AP® English Literature Exam

If you’re taking the paper AP® English Literature exam in-person at school, you should bring:

• At least 2 sharpened No. 2 pencils for completing the multiple choice section
• At least 2 pens with black or blue ink only. These are used to complete certain areas of your exam booklet covers and to write your free-response questions. CollegeBoard is very clear that pens should be black or blue ink only, so do not show up with your favorite neon gel pen!
• You are allowed to wear a watch as long as it does not have internet access, does not beep or make any other noise, and does not have an alarm. It should be a standard analog or digital watch, nothing fancy!
• If you do not attend the school where you are taking an exam, you must bring a government issued or school issued photo ID.
• If you receive any testing accommodations , be sure that you bring your College Board SSD Accommodations Letter.

What You Should NOT Bring to Your AP® English Literature Exam

If you’re taking the paper AP® English Literature exam in-person at school, you should NOT bring:

• Electronic devices. Phones, smartwatches, tablets, and/or any other electronic devices are expressly prohibited both in the exam room and break areas. Seriously, do not bring these into the testing room. You could invalidate the entire room’s scores.
• Books, dictionaries, highlighters, or notes 
• Mechanical pencils, colored pencils, or pens that do not have black/blue ink. Sometimes the lead used in mechanical pencils cannot be read when run through the scantron reader, so it is best to just avoid them altogether. 
• Your own scratch paper
• Reference guides
• Watches that beep or have alarms
• Food or drink

This list is not exhaustive. Be sure to double-check with your teacher or testing site to make sure that you are not bringing any additional prohibited items.

How to Study for AP® English Literature and Composition: 7 Steps

Start with a diagnostic test to see where you stand. Ask your teacher if they can assign you one of our full-length practice tests as a starting point. Your multiple choice will be graded for you, and you can self-score your free response essays using the College Board’s scoring guidelines. If you would prefer to take a pencil and paper test, Princeton Review or Barron’s are two reputable places to start. Be sure to record your score.

Once you’ve completed and scored your diagnostic test, it’s time to analyze the results and create a study plan. 

• If you used Albert, you’ll notice that each question is labeled with the skill that it assesses. If any skills stand out as something you’re consistently getting wrong, those concepts should be a big part of your study plan. 
• If you used Princeton Review, Barron’s, or another paper test, do your best to sort your incorrect answers into the skill buckets from Albert’s AP® English Literature and Composition Standards Practice .

The tables below sort each set of skills into groups based on their Enduring Understandings and Big Ideas.

Big Idea: Character 

ENDURING UNDERSTANDING: Characters in literature allow readers to study and explore a range of values, beliefs, assumptions, biases, and cultural norms represented by those characters.

Big Idea: Setting

ENDURING UNDERSTANDING: Setting and the details associated with it not only depict a time and place, but also convey values associated with that setting.

Big Idea: Structure

ENDURING UNDERSTANDING: The arrangement of the parts and sections of a text, the relationship of the parts to each other, and the sequence in which the text reveals information are all structural choices made by a writer that contribute to the reader’s interpretation of a text.

Big Idea: Narration

ENDURING UNDERSTANDING: A narrator’s or speaker’s perspective controls the details and emphases that affect how readers experience and interpret a text.

Big Idea: Figurative Language

ENDURING UNDERSTANDING: Comparisons, representations, and associations shift meaning from the literal to the figurative and invite readers to interpret a text.

Big Idea: Literary Argumentation 

ENDURING UNDERSTANDING: Readers establish and communicate their interpretations of literature through arguments supported by textual evidence.

Once your list of practice questions is complete, check out our Ultimate List AP® English Literature Tips for some pointers.

Now that you’ve developed a study plan for the multiple choice section, it’s time to tackle the FRQs. You should have self-scored your essays using CollegeBoard’s scoring guidelines . If you notice that there is one particular prompt you struggled with, use Albert’s AP® Lit FRQ Approach Guide to help hone your skills!

Check out Albert’s AP® Lit FRQ prompts for more practice!

If you didn’t struggle with a particular prompt as much as you did a particular part of the rubric, try to figure out what went wrong. Does your thesis restate the prompt instead of proposing your own position? Did you generalize too much? Did you remember to provide evidence but forget to augment it with commentary and analysis? Maybe your word choice wasn’t varied enough to earn the sophistication point.

Whatever element you struggled with, have a look at our comprehensive page dedicated to AP® Lit for some expert advice!

Once you’ve developed an effective study plan using the links and practice above, and you’ve identified the skills which need more practice, it’s time to set your plan in motion. Check and mark your calendar. How many days, weeks, or months do you have until your exam? Pace your studying according to this time-frame. Pro-tip: If you only have a few weeks or days to go, prioritize the skills that you scored the lowest on. 

About halfway through your study schedule, plan to take a second practice test to check your progress. You can either have your teacher assign another full-length Albert practice test or use one of the additional practice tests included in whatever AP® English Literature and Composition review book you purchased. Use these results to inform the rest of your study schedule. Are there skills that you improved on or scored lower on this time? Adjust accordingly, and use our tips in the next section to guide you.

AP® English Literature and Composition Review: 15 Must Know Study Tips

5 AP® English Literature and Composition Study Tips for Home

1.  read as much as possible..

And read widely. Read everything from epic poetry and Victorian novels to New Yorker articles and album reviews to Buzzfeed-style listicles. Read a combination of high and lowbrow texts to make your knowledge more worldly and syncretic.

Make a schedule for personal reading time and stick to it. Reading widely, of course, has incalculable benefits that will not only help you score a 5 on the test but also strengthen your academic performance across the board. 

Reading will help you develop a more impressive vocabulary and a better understanding of varied sentence structure and syntax. The more you read, the better equipped you will be to score a 5 on this exam.

2. Become familiar with the Western Canon.

The Western canon, often referred to simply as “The Canon,” is the body of high-culture literature, music, philosophy, and works of art that is highly valued in the West, i.e., the poems, prose passages, and drama selections that you will mostly see on the AP® Lit exam. 

The canon contains the “classics,” so to speak, and it includes everything from Homer to Junot Diaz. Cultivating a basic understanding of these texts and their authors will not only familiarize you with the history and development of the English tradition but also strengthen your understanding of the so-called “conversation of literature,” the innumerable and complex ways that authors and their works speak to each other and interact. We recommend reading at least the first chapter of Harold Bloom’s book on the subject to get a basic understanding. 

We also insist that you familiarize yourself with the various problems that the perseverance of such a canon produces. During the 80s and 90s, a canon war of sorts took place among English departments, with progressives aiming to dismantle the canon on the grounds that it neglects many African-American, female, queer, and impoverished writers in favor of spotlighting “dead white males.” 

This friction between advocates and opponents of the canon is extremely important to the history and status quo of literary criticism, and understanding this battle will deeply enrich your understanding of literature and increase your chances of scoring a 5 on the exam.

3. Read Thomas Foster’s How To Read Literature Like a Professor .

This book is a lively and entertaining introduction to the tools frequently used in literary criticism, including symbolism, theme, context, irony, and more. It is an excellent way to begin thinking deeply about literature, and it offers clear examples of close-reading.

It also discusses a wide variety of works that will help familiarize you with the canon. It’s very accessible too. Buy it, read it, mark it up, and keep it by your side throughout class. It’s a great tool. 

4. Make flashcards.

You will need to have a strong understanding of different literary devices, authors, works, and rhetorical techniques, and you don’t want to waste time scrambling for definitions on the day of the exam. 

Make yourself some flashcards with the most common literary devices, authors, works, and rhetorical techniques, and carve out at least 30 minutes per day to review. If you’d prefer to use an online resource, make some flashcards over at Quizlet ! 

5. Form study groups!

The beauty of reading literature is that it often produces different and conflicting responses in people, so discussing literature with your friends is a good way to explore new and diverse perspectives. 

What you bring to a text, for instance, may be completely different from what your friend or peer brings. Discussion is a great way to comprehend and investigate difficult works. And it’s also pretty fun!

5 AP® English Literature and Composition Multiple Choice Study Tips

1. practice, practice..

Practice answering multiple choice questions as often as you can. AP® English Literature and Composition multiple choice questions will address either fiction, poetry, or drama, and they will ask you to identify and analyze various literary devices, techniques, and motifs. So study these very devices. If you find yourself totally stuck, consult our guide on how to tackle the multiple choice section . 

2. Sharpen your close-reading skills.

The true key to acing the multiple choice section of this exam is staying engaged with the passages provided to you and actively reading. That means staying alert through the passages, marking them up, and engaging with them directly, not passively skimming them.

Find a method of active reading that works best for you. Some like to mark up the passage extensively, while others prefer to just read the passage twice and take notes here and there. Select which method works for you and go with it. However, do not just choose the easy or lazy way out. You’ll regret it later when you receive your scores. 

3. Look over the questions before reading the passage.

This is often a semi-controversial piece of advice because it doesn’t work for all readers. But it can be helpful if you’re someone who gets easily distracted when reading old prose passages or difficult poetry! 

If you find your mind wandering when reading AP® Lit passages, glancing at the questions beforehand can give your brain a purpose to focus on and a point of entry into the passage. It’s always easiest to begin searching when you know what you’re looking for.

4. Use process of elimination.

Often, an AP® Lit multiple choice question will have one or two answer choices that can be crossed off pretty quickly. So try and narrow your choices down to two possible answers, and then choose the best one. 

If this strategy isn’t working on a particularly difficult question or it seems to hold you up longer than you’d like, it’s perfectly okay to circle it, skip it, and come back to it at the end. Do not get hung up on eliminating choices. Rather, use this strategy to make your reading more efficient and quicker. 

5. It doesn’t hurt to guess.

Obviously, while guessing on every single question isn’t a good strategy and will lead to a 1 on the exam, an educated guess on particularly difficult questions that you truly don’t know how to answer can help. You are scored only on the number of correct answers you give, not the number of questions you answer, so it makes sense to guess on questions that you seriously have no idea how to answer.  

5 AP® English Literature and Composition FRQ Study Tips

1. practice your writing skills by answering questions from collegeboard’s archive of past exam questions or explore our free response practice modules ..

Typically, the same skills are assessed from year to year, so practicing with released exams is a great way to brush up on your analysis skills, and our review practice allows you to pinpoint skills you may need help with.

2. Explore and use the rubric!

The best part about the updated AP® English Literature and Composition revised rubrics and scoring guidelines is that it’s very clear to discern which elements are needed to earn full credit for your essay. Granted, it can be tough to include each element—especially that tricky sophistication section—but the rubric’s outline offers a clear and concise portrait of the perfect essay .

Be sure to construct your thesis statement into a clear and definable interpretation. Provide specific evidence and compelling commentary that supports your thesis. If you check these boxes, then you will have a much greater chance of developing a clear and defensible interpretation. 

3. Pay attention to the task verbs employed in your free response prompts .

Task verbs are verbs that essentially indicate what it is you should do in your free response. The three common task verbs include: 

• Analyze: Examine methodically and in detail the structure of the topic of the question for purposes of interpretation and explanation.
• Choose: Select a literary work from among provided choices.
• Read: Look at or view printed directions and provided passages.

4. Have a solid understanding of literary devices.

Most of the FRQ’s require you to not only specifically identify a passage’s array of literary and rhetorical devices but also analyze and unpack how those devices construct mood, meaning, tone, and more. Study up, read the aforementioned Foster book , and take a look at our list of 15 Essential Rhetorical Terms to Know For AP® English Literature . 

5. Fine-tune your thesis statement.

Your thesis statement is arguably the most important sentence in your essay. It informs the reader of your central argument and summarizes your interpretation, and it sets the tone for the rest of your essay. It is imperative that you master the tricky art of the thesis statement before taking your exam. 

Many university writing centers offer online education on thesis statements that can prove extremely beneficial. Consult UNC Chapel Hill’s thesis statement handout for extra help!

The AP® English Literature and Composition Exam: 5 Test Day Tips to Remember

Be sure you put at least something in your stomach before taking the exam, even if it might be in knots from nerves. You don’t need to eat a deluxe breakfast of pancakes, eggs, bacon, biscuits, etc. (unless that’s your routine), but you do need to eat at least something . Your brain and your body need the energy. If you’re hungry during the exam, it might be harder for you to focus, leading to a lower score or an incomplete exam.

2. Make sure you know the location of your testing site before taking the test.

You do not want to be scrambling and running around the school trying to find your testing room on the day of the exam. Know your room number and know how to get there. There’s truly nothing worse than running around your school trying to find a room when a hugely-important test is underway. 

If you’re getting a ride from a parent or friend, be sure they know the address beforehand. If you’re taking public transit, check the schedule. If you are taking your exam at your own school, don’t get too comfortable. Be sure you know the room number! This is something small but impactful that you can do to reduce your stress the morning of your exam.

3. Prepare everything you need the night before.

Waking up and scrambling to choose an outfit, find pencils, or make breakfast will just stress you out and put you in a negative headspace. Plan your outfit the night before to reduce stress and have an easy breakfast ready to go.

Being prepared saves time and cuts back unnecessary stress. 

And wear something comfortable. You don’t want to be adjusting your outfit throughout the test. It’ll just be distracting. 

4. Bring mints or gum with you.

The rules say that you can’t have food or drink in the testing room, but mints and/or gum are usually allowed unless it’s against your testing site’s own rules. If you find yourself getting distracted, pop a mint or a stick of gum in your mouth! This can help to keep you more awake and focused.

5. Remember to breathe and just relax.

Seriously, just breathe. If you’ve followed the rest of the tips in this post, listened to your teacher, read up on your literary devices, and done your homework, then you’re well-prepared for this exam. Trust yourself. Know that you have done all you can do to prepare and don’t cram the morning of the exam. Last-minute studying helps no one, and it often just leads to stress!

AP® English Literature and Composition Review Notes and Practice Test Resources

Ap® collegeboard’s official youtube channel.

This YouTube channel provides tons of tips, advice, and strategies for tackling the AP® English Literature and Composition exam. It offers online seminars and classes on a diverse range of Lit-related topics such as plot structure, unpacking symbolism, and crafting strong commentary. The best thing about it is that real-life teachers lead the classes, so they feel very personalized.

If you’re a more visual learner who thrives on video content, then this channel is perfect for you!

How-to Guide for Literary Analysis Essays

While we 100% do not condone using Sparknotes textual summaries to get your way through AP® English Literature, we do recommend taking a look at some of their guides and workshops and using them as supplementary resources. This how-to guide offers a 7-step method of approaching literary analysis that might help you get the ball rolling if you’re totally stuck.

This guide is perfect for anyone needing to brush up on their writing skills or anyone needing to find a solid step-by-step approach to writing the free response questions.

AP® English Literature Jeopardy Game

This online Jeopardy game is not only tons of fun but also super helpful in developing your memory and strengthening your understanding of basic literary elements and devices. It contains categories involving poetry terms, general Lit, syntax, style, and figurative language. It’s a great way to review basic terms for the exam, and you can play with up to ten people through its make-your-team feature.  

This is a perfect review for anyone looking to quickly review literary terms in a fun way.

Ms. Effie’s Lifesavers

If you’re a seasoned AP® English teacher, Ms. Effie (Sandra Effinger) probably needs no introduction! Ms. Effie’s Lifesavers website has helped many AP® Lang and AP® Lit teachers plan effective and thoroughly aligned lessons and assignments. Sandra was an AP® Reader for many years, so she knows her stuff. She has tons of free content on her page, as well as a Dropbox full of AP® English goodies for anyone who makes a donation via her PayPal. You’ll find resources for both AP® Language and AP® Literature here. 

Ms. Effie’s webpage is perfect for all students. Really, it has material that would benefit those looking for quick reviews, deeper analysis of free response questions, or help with multiple choice questions.

Summary: The Best AP® English Literature and Composition Review Guide

Remember, the structure of the AP® Lang exam is as follows:

Because AP® English Literature and Composition is a skills-based course, there’s no way to know what specific passages, poems, authors, or concepts might make it onto the official exam. But, we do know exactly which skills will be assessed with which passages, so it’s best to center your studying around brushing up on those skills!

Use the provided charts to help you understand which skills you should focus on, and use Albert’s AP® English Literature and Composition Course Guide to brush up on your understanding of each skill and its corresponding essential knowledge.

Start with a diagnostic test, either on Albert or with a pencil and paper test via Princeton Review or Barron’s . Once you’ve completed and scored your diagnostic, follow our 7 steps on how to create an AP® English Literature and Composition study plan. 

And remember: start reading now! The more you read, the more equipped you will be to ace this exam. Review the Western Canon, study your literary terms, and begin critically engaging with writers!

Practice answering multiple choice questions on Albert and free-response questions from The College Board’s archive of past exam questions. 

If you’ve followed the rest of the tips in this post, listened to your teacher, and done your homework, you’re well-prepared for this exam. Trust that you have done all you can do to prepare and don’t cram the morning of. Last-minute studying helps no one!

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Score Higher on AP Literature 2024: Tips for FRQ 1 (Poetry Analysis)

1 min read • june 18, 2024

FRQ 1 – Poetry Analysis

This guide organizes advice from past students who got 4s and 5s on their exams. We hope it gives you some new ideas and tools for your study sessions. But remember, everyone's different—what works for one student might not work for you. If you've got a study method that's doing the trick, stick with it. Think of this as extra help, not a must-do overhaul.

• Students are asked to write an essay that explains how literary devices are used to interpret a work of poetry
• 18.3% of overall exam score
• 10-15 minutes should be spent on planning your essay
• Presents thesis (1)
• Provides evidence and commentary (4)
• Demonstrates sophistication (1)

💭 General Advice

Tips on mindset, strategy, structure, time management, and any other high level things to know

• It is super important to practice time management and outlining rough drafts for essays leading up to the exam!
• The poetry analysis is first for a reason—College Board is trying to stump you! The national scores indicate that students score the lowest on this essay question. Keep an open mind and be prepared to think outside the box. Be prepared for this question by practicing higher level writing techniques that you can pull from the text and use as evidence.
• If you are going to take your time reading anything, take it on this FRQ. The short story for the next essay will likely be a lot more straightforward. So take an extra read to really understand what the text is saying and to outline your argument, it can make a world of a difference!

🕐 Before You Write

What should a student do in the first few minutes, before they start writing?

• Before you write, take a deep breathe and try your best to relax. Being stressed out can make it harder to recall information and think clearly.
• Although you do have a time limit, make sure you understand the poem before writing. Annotating it will make writing easier!
• Outline your essay! Make a clear timeline of your argument that you can refer to, and annotate the text to pull out evidence.

🖋️ Types of Poetic Devices to Know

• Focus on poetic devices that are universal in poems and easy to recall. Devices such as rhyme, metaphors, imagery, diction, etc. A good essay will earn points for its interpretation, not how obscure the rhetorical device is.
• Common allusions are also a good poetic device to know. Additionally, symbolism and pathos are good devices to remember and use.

💯 Tips for Earning Each Point

Thesis and claim.

• Stick to a specific format that you’re comfortable with and can easily reproduce!
• Make sure the thesis is arguable and accurately addresses all parts of the prompt.
• Be specific and select defensible arguments.
• Make sure your thesis can stand on its own. If a reader were to only read those one or two sentences, they should be able to understand your argument.

Evidence and Commentary

• Remember that evidence alone does not earn points. Make sure you sufficiently analyze it and connect it to your claim!
• Don’t needlessly add in long quotes/evidence—this will only take up time, without adding depth to your argument.
• Try to emphasize the commentary portion more than the evidence. Constantly tie each piece of evidence back to your thesis. Sometimes less evidence is more, as long as each is clearly developed and has adequate commentary.
• Coherence is important, especially when discussing complex ideas in poetry. Build clear and concrete levels of your thought process.

Complexity and Sophistication

• This is a chance to reflect your own views and opinions, don’t be shy!
• It is important to make sure you have a good thesis and evidence/commentary before trying to go for the sophistication point. It's easy to lose sight of the evidence when trying to do too much to get the sophistication.
• Earning the point shouldn’t be your goal going into this essay, but if you can connect your thesis to a bigger picture or theme, you may mange to bag this point!

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AP English Literature and Composition Exam Questions

Free-response questions and scoring information.

Download free-response questions from this year's exam and past exams along with scoring guidelines, sample responses from exam takers, and scoring distributions.

If you are using assistive technology and need help accessing these PDFs in another format, contact Services for Students with Disabilities at 212-713-8333 or by email at [email protected] .

2024: Free-Response Questions

2023: Free-Response Questions

2022: Free-Response Questions

2021 Free-Response Questions

2020 Free-Response Questions

Note:  The table below features a selection of free-response questions and related scoring information from the 2020 exam. You can find all of the 2020 FRQs and corresponding scoring information in  AP Classroom question bank .

2019 Free-Response Questions

2018 Free-Response Questions

2017 Free-Response Questions

2016 Free-Response Questions

2015 Free-Response Questions

2014 Free-Response Questions

2013 Free-Response Questions

2012 Free-Response Questions

2011 Free-Response Questions

2011 Form B

2010: Free-Response Questions

2010: Form B

2009: Free-Response Questions

2009: Form B

2008 Free-Response Questions

2008: Form B

2007: Free-Response Questions

2007: Form B

2006: Free-Response Questions

2006: Form B

2005: Free-Response Questions

2005: Form B

2004: Free-Response Questions

2004: Form B

2003: Free-Response Questions

2003: Form B

2002: Free-Response Questions

2002: Form B

2001: Free-Response Questions

2000: Free-Response Questions

1999: Free-Response Questions

AP Lit Essays PowerPoint Tips and Strategies for Poetry, Prose & Open Prompts

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Description

This PowerPoint lesson covers tons of advice for writing ALL three essays , Q1, Q2, and Q3! Help your students earn higher scores on the AP Lit exam and be the rockstar teacher with all the answers, whether it's early in the year or a last-minute cram session!

With 10 years of experience teaching AP Lit, I've done the research to find tips, tricks, strategies, and what AP Readers want . Save time using what I've learned!

PACKED with practical and easy-to-apply advice for students, this 31-slide presentation will answer your students' most common questions, ensure they know HOW to tackle the prompts, and help them feel confident and well-prepared so they can earn their best scores!

Guide your students through these slides in approximately 60 minutes. They'll be glad you did!

What's inside?

• General advice
• Time management
• How to work the prompt
• Annotation & planning
• What makes a good introduction
• How to craft a STELLAR thesis
• How many body paragraphs?
• Avoiding summary
• Writing good claims
• Using evidence/quotes
• Working in analysis/commentary
• What about conclusions?
• Style tips, formality, & common errors
• Things to discuss for poetry essays & prose essays (2 lists)
• Three slides concerning choosing a novel for the open essay: easily replace the titles with the novels & plays you covered via Google Slides.

Note: It's easy to switch from PowerPoint to Google Slides by simply uploading to your Google Drive!

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⌛️Snap up my equally helpful "AP Literature MC Advice" Slides !

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⌛️Need an AP LIT course guide ?

⌛️Print this AP Literature Vocabulary Terms and Tools Packet!

⌛️Teach this Q1 Poetry Essay Packet!

⌛️Teach this Q2 Prose Essay Packet !

⌛️Teach this Q3 Open-Ended / Free Response Essay Packet !

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How to Write the AP Lit Prose Essay with Examples

March 30, 2024

AP Lit Prose Essay Examples – The College Board’s Advanced Placement Literature and Composition Course is one of the most enriching experiences that high school students can have. It exposes you to literature that most people don’t encounter until college , and it helps you develop analytical and critical thinking skills that will enhance the quality of your life, both inside and outside of school. The AP Lit Exam reflects the rigor of the course. The exam uses consistent question types, weighting, and scoring parameters each year . This means that, as you prepare for the exam, you can look at previous questions, responses, score criteria, and scorer commentary to help you practice until your essays are perfect.

What is the AP Lit Free Response testing? 

In AP Literature, you read books, short stories, and poetry, and you learn how to commit the complex act of literary analysis . But what does that mean? Well, “to analyze” literally means breaking a larger idea into smaller and smaller pieces until the pieces are small enough that they can help us to understand the larger idea. When we’re performing literary analysis, we’re breaking down a piece of literature into smaller and smaller pieces until we can use those pieces to better understand the piece of literature itself.

So, for example, let’s say you’re presented with a passage from a short story to analyze. The AP Lit Exam will ask you to write an essay with an essay with a clear, defensible thesis statement that makes an argument about the story, based on some literary elements in the short story. After reading the passage, you might talk about how foreshadowing, allusion, and dialogue work together to demonstrate something essential in the text. Then, you’ll use examples of each of those three literary elements (that you pull directly from the passage) to build your argument. You’ll finish the essay with a conclusion that uses clear reasoning to tell your reader why your argument makes sense.

AP Lit Prose Essay Examples (Continued)

But what’s the point of all of this? Why do they ask you to write these essays?

Well, the essay is, once again, testing your ability to conduct literary analysis. However, the thing that you’re also doing behind that literary analysis is a complex process of both inductive and deductive reasoning. Inductive reasoning takes a series of points of evidence and draws a larger conclusion. Deductive reasoning departs from the point of a broader premise and draws a singular conclusion. In an analytical essay like this one, you’re using small pieces of evidence to draw a larger conclusion (your thesis statement) and then you’re taking your thesis statement as a larger premise from which you derive your ultimate conclusion.

So, the exam scorers are looking at your ability to craft a strong thesis statement (a singular sentence that makes an argument), use evidence and reasoning to support that argument, and then to write the essay well. This is something they call “sophistication,” but they’re looking for well-organized thoughts carried through clear, complete sentences.

This entire process is something you can and will use throughout your life. Law, engineering, medicine—whatever pursuit, you name it—utilizes these forms of reasoning to run experiments, build cases, and persuade audiences. The process of this kind of clear, analytical thinking can be honed, developed, and made easier through repetition.

Practice Makes Perfect

Because the AP Literature Exam maintains continuity across the years, you can pull old exam copies, read the passages, and write responses. A good AP Lit teacher is going to have you do this time and time again in class until you have the formula down. But, it’s also something you can do on your own, if you’re interested in further developing your skills.

AP Lit Prose Essay Examples 

Let’s take a look at some examples of questions, answers and scorer responses that will help you to get a better idea of how to craft your own AP Literature exam essays.

In the exam in 2023, students were asked to read a poem by Alice Cary titled “Autumn,” which was published in 1874. In it, the speaker contemplates the start of autumn. Then, students are asked to craft a well-written essay which uses literary techniques to convey the speaker’s complex response to the changing seasons.

The following is an essay that received a perfect 6 on the exam. There are grammar and usage errors throughout the essay, which is important to note: even though the writer makes some mistakes, the structure and form of their argument was strong enough to merit a 6. This is what your scorers will be looking for when they read your essay.

Example Essay 

Romantic and hyperbolic imagery is used to illustrate the speaker’s unenthusiastic opinion of the coming of autumn, which conveys Cary’s idea that change is difficult to accept but necessary for growth.

Romantic imagery is utilized to demonstrate the speaker’s warm regard for the season of summer and emphasize her regretfulness for autumn’s coming, conveying the uncomfortable change away from idyllic familiarity. Summer, is portrayed in the image of a woman who “from her golden collar slips/and strays through stubble fields/and moans aloud.” Associated with sensuality and wealth, the speaker implies the interconnection between a season and bounty, comfort, and pleasure. Yet, this romantic view is dismantled by autumn, causing Summer to “slip” and “stray through stubble fields.” Thus, the coming of real change dethrones a constructed, romantic personification of summer,  conveying the speaker’s reluctance for her ideal season to be dethroned by something much less decorated and adored.

Summer, “she lies on pillows of the yellow leaves,/ And tries the old tunes for over an hour”, is contrasted with bright imagery of fallen leaves/ The juxtaposition between Summer’s character and the setting provides insight into the positivity of change—the yellow leaves—by its contrast with the failures of attempting to sustain old habits or practices, “old tunes”. “She lies on pillows” creates a sympathetic, passive image of summer in reaction to the coming of Autumn, contrasting her failures to sustain “old tunes.” According to this, it is understood that the speaker recognizes the foolishness of attempting to prevent what is to come, but her wishfulness to counter the natural progression of time.

Hyperbolic imagery displays the discrepancies between unrealistic, exaggerated perceptions of change and the reality of progress, continuing the perpetuation of Cary’s idea that change must be embraced rather than rejected. “Shorter and shorter now the twilight clips/The days, as though the sunset gates they crowd”, syntax and diction are used to literally separate different aspects of the progression of time. In an ironic parallel to the literal language, the action of twilight’s “clip” and the subject, “the days,” are cut off from each other into two different lines, emphasizing a sense of jarring and discomfort. Sunset, and Twilight are named, made into distinct entities from the day, dramatizing the shortening of night-time into fall. The dramatic, sudden implications for the change bring to mind the switch between summer and winter, rather than a transitional season like fall—emphasizing the Speaker’s perspective rather than a factual narration of the experience.

She says “the proud meadow-pink hangs down her head/Against the earth’s chilly bosom, witched with frost”. Implying pride and defeat, and the word “witched,” the speaker brings a sense of conflict, morality, and even good versus evil into the transition between seasons. Rather than a smooth, welcome change, the speaker is practically against the coming of fall. The hyperbole present in the poem serves to illustrate the Speaker’s perspective and ideas on the coming of fall, which are characterized by reluctance and hostility to change from comfort.

The topic of this poem, Fall–a season characterized by change and the deconstruction of the spring and summer landscape—is juxtaposed with the final line which evokes the season of Spring. From this, it is clear that the speaker appreciates beautiful and blossoming change. However, they resent that which destroys familiar paradigms and norms. Fall, seen as the death of summer, is characterized as a regression, though the turning of seasons is a product of the literal passage of time. Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.

Scoring Criteria: Why did this essay do so well? 

When it comes to scoring well, there are some rather formulaic things that the judges are searching for. You might think that it’s important to “stand out” or “be creative” in your writing. However, aside from concerns about “sophistication,” which essentially means you know how to organize thoughts into sentences and you can use language that isn’t entirely elementary, you should really focus on sticking to a form. This will show the scorers that you know how to follow that inductive/deductive reasoning process that we mentioned earlier, and it will help to present your ideas in the most clear, coherent way possible to someone who is reading and scoring hundreds of essays.

So, how did this essay succeed? And how can you do the same thing?

First: The Thesis 

On the exam, you can either get one point or zero points for your thesis statement. The scorers said, “The essay responds to the prompt with a defensible thesis located in the introductory paragraph,” which you can read as the first sentence in the essay. This is important to note: you don’t need a flowery hook to seduce your reader; you can just start this brief essay with some strong, simple, declarative sentences—or go right into your thesis.

What makes a good thesis? A good thesis statement does the following things:

• Makes a claim that will be supported by evidence
• Is specific and precise in its use of language
• Argues for an original thought that goes beyond a simple restating of the facts

If you’re sitting here scratching your head wondering how you come up with a thesis statement off the top of your head, let me give you one piece of advice: don’t.

The AP Lit scoring criteria gives you only one point for the thesis for a reason: they’re just looking for the presence of a defensible claim that can be proven by evidence in the rest of the essay.

Second: Write your essay from the inside out 

While the thesis is given one point, the form and content of the essay can receive anywhere from zero to four points. This is where you should place the bulk of your focus.

My best advice goes like this:

• Choose your evidence first
• Develop your commentary about the evidence
• Then draft your thesis statement based on the evidence that you find and the commentary you can create.

It will seem a little counterintuitive: like you’re writing your essay from the inside out. But this is a fundamental skill that will help you in college and beyond. Don’t come up with an argument out of thin air and then try to find evidence to support your claim. Look for the evidence that exists and then ask yourself what it all means. This will also keep you from feeling stuck or blocked at the beginning of the essay. If you prepare for the exam by reviewing the literary devices that you learned in the course and practice locating them in a text, you can quickly and efficiently read a literary passage and choose two or three literary devices that you can analyze.

Third: Use scratch paper to quickly outline your evidence and commentary 

Once you’ve located two or three literary devices at work in the given passage, use scratch paper to draw up a quick outline. Give each literary device a major bullet point. Then, briefly point to the quotes/evidence you’ll use in the essay. Finally, start to think about what the literary device and evidence are doing together. Try to answer the question: what meaning does this bring to the passage?

A sample outline for one paragraph of the above essay might look like this:

Romantic imagery

Portrayal of summer

• Woman who “from her golden collar… moans aloud”
• Summer as bounty

Contrast with Autumn

• Autumn dismantles Summer
• “Stray through stubble fields”
• Autumn is change; it has the power to dethrone the romance of Summer/make summer a bit meaningless

Recognition of change in a positive light

• Summer “lies on pillows / yellow leaves / tries old tunes”
• Bright imagery/fallen leaves
• Attempt to maintain old practices fails: “old tunes”
• But! There is sympathy: “lies on pillows”

Speaker recognizes: she can’t prevent what is to come; wishes to embrace natural passage of time

By the time the writer gets to the end of the outline for their paragraph, they can easily start to draw conclusions about the paragraph based on the evidence they have pulled out. You can see how that thinking might develop over the course of the outline.

Then, the speaker would take the conclusions they’ve drawn and write a “mini claim” that will start each paragraph. The final bullet point of this outline isn’t the same as the mini claim that comes at the top of the second paragraph of the essay, however, it is the conclusion of the paragraph. You would do well to use the concluding thoughts from your outline as the mini claim to start your body paragraph. This will make your paragraphs clear, concise, and help you to construct a coherent argument.

Repeat this process for the other one or two literary devices that you’ve chosen to analyze, and then: take a step back.

Fourth: Draft your thesis 

Once you quickly sketch out your outline, take a moment to “stand back” and see what you’ve drafted. You’ll be able to see that, among your two or three literary devices, you can draw some commonality. You might be able to say, as the writer did here, that romantic and hyperbolic imagery “illustrate the speaker’s unenthusiastic opinion of the coming of autumn,” ultimately illuminating the poet’s idea “that change is difficult to accept but necessary for growth.”

This is an original argument built on the evidence accumulated by the student. It directly answers the prompt by discussing literary techniques that “convey the speaker’s complex response to the changing seasons.” Remember to go back to the prompt and see what direction they want you to head with your thesis, and craft an argument that directly speaks to that prompt.

Then, move ahead to finish your body paragraphs and conclusion.

Fifth: Give each literary device its own body paragraph 

In this essay, the writer examines the use of two literary devices that are supported by multiple pieces of evidence. The first is “romantic imagery” and the second is “hyperbolic imagery.” The writer dedicates one paragraph to each idea. You should do this, too.

This is why it’s important to choose just two or three literary devices. You really don’t have time to dig into more. Plus, more ideas will simply cloud the essay and confuse your reader.

Using your outline, start each body paragraph with a “mini claim” that makes an argument about what it is you’ll be saying in your paragraph. Lay out your pieces of evidence, then provide commentary for why your evidence proves your point about that literary device.

Move onto the next literary device, rinse, and repeat.

Sixth: Commentary and Conclusion 

Finally, you’ll want to end this brief essay with a concluding paragraph that restates your thesis, briefly touches on your most important points from each body paragraph, and includes a development of the argument that you laid out in the essay.

In this particular example essay, the writer concludes by saying, “Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.” This is a direct restatement of the thesis. At this point, you’ll have reached the end of your essay. Great work!

Seventh: Sophistication 

A final note on scoring criteria: there is one point awarded to what the scoring criteria calls “sophistication.” This is evidenced by the sophistication of thought and providing a nuanced literary analysis, which we’ve already covered in the steps above.

There are some things to avoid, however:

• Sweeping generalizations, such as, “From the beginning of human history, people have always searched for love,” or “Everyone goes through periods of darkness in their lives, much like the writer of this poem.”
• Only hinting at possible interpretations instead of developing your argument
• Oversimplifying your interpretation
• Or, by contrast, using overly flowery or complex language that does not meet your level of preparation or the context of the essay.

Remember to develop your argument with nuance and complexity and to write in a style that is academic but appropriate for the task at hand.

If you want more practice or to check out other exams from the past, go to the College Board’s website .

Brittany Borghi

After earning a BA in Journalism and an MFA in Nonfiction Writing from the University of Iowa, Brittany spent five years as a full-time lecturer in the Rhetoric Department at the University of Iowa. Additionally, she’s held previous roles as a researcher, full-time daily journalist, and book editor. Brittany’s work has been featured in The Iowa Review, The Hopkins Review, and the Pittsburgh City Paper, among others, and she was also a 2021 Pushcart Prize nominee.

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