history research outline

How to Write a History Research Paper

• How do I pick a topic?
• But I can’t find any material…

Research Guide

Writing guide.

See also: How to Write a Good History Essay

1. How do I pick a topic?

Picking a topic is perhaps the most important step in writing a research paper. To do it well requires several steps of refinement. First you have to determine a general area in which you have an interest (if you aren’t interested, your readers won’t be either). You do not write a paper “about the Civil War,” however, for that is such a large and vague concept that the paper will be too shallow or you will be swamped with information. The next step is to narrow your topic. Are you interested in comparison? battles? social change? politics? causes? biography? Once you reach this stage try to formulate your research topic as a question. For example, suppose that you decide to write a paper on the use of the films of the 1930’s and what they can tell historians about the Great Depression. You might turn that into the following question: “What are the primary values expressed in films of the 1930’s?” Or you might ask a quite different question, “What is the standard of living portrayed in films of the 1930’s?” There are other questions, of course, which you could have asked, but these two clearly illustrate how different two papers on the same general subject might be. By asking yourself a question as a means of starting research on a topic you will help yourself find the answers. You also open the door to loading the evidence one way or another. It will help you decide what kinds of evidence might be pertinent to your question, and it can also twist perceptions of a topic. For example, if you ask a question about economics as motivation, you are not likely to learn much about ideals, and vice versa.

2. But I can’t find any material…

No one should pick a topic without trying to figure out how one could discover pertinent information, nor should anyone settle on a topic before getting some background information about the general area. These two checks should make sure your paper is in the realm of the possible. The trick of good research is detective work and imaginative thinking on how one can find information. First try to figure out what kinds of things you should know about a topic to answer your research question. Are there statistics? Do you need personal letters? What background information should be included? Then if you do not know how to find that particular kind of information, ASK . A reference librarian or professor is much more likely to be able to steer you to the right sources if you can ask a specific question such as “Where can I find statistics on the number of interracial marriages?” than if you say “What can you find on racial attitudes?”

Use the footnotes and bibliographies of general background books as well as reference aids to lead you to special studies. If Carleton does not have the books or sources you need, try ordering through the library minitex. Many sources are also available on-line.

As your research paper takes shape you will find that you need background on people, places, events, etc. Do not just rely on some general survey for all of your background. Check the several good dictionaries of biography for background on people, or see if there is a standard book-length biography. If you are dealing with a legal matter check into the background of the judges who make the court decision and the circumstances surrounding the original incident or law. Try looking for public opinions in newspapers of the time. In other words, each bit of information you find should open the possibility of other research paths.

Learn to use several research techniques. You cannot count on a good research paper coming from browsing on one shelf at the library. A really pertinent book may be hidden in another section of the library due to classification quirks. The Readers’ Guide (Ref. A13 .R4) is not the only source for magazine articles, nor the card catalog for books. There are whole books which are listings of other books on particular topics. There are specialized indexes of magazine articles. Modern History Journals are indexed in the Social Studies and Humanities Index (Ref. A13 .R282) before 1976 After 1976 use the Social Sciences Index (REF A13 .S62) and the Humanities Index (Ref. A13 .H85). See also Historical Abstracts (Ref. D1 .H5). Reference Librarians would love to help you learn to use these research tools. It pays to browse in the reference room at the library and poke into the guides which are on the shelves. It also pays to browse the Internet.

3. Help! How do I put this together?

A. preliminary research:.

If you do not already have a general background on your topic, get the most recent good general source on the topic and read it for general orientation. On the basis of that reading formulate as clearly focused question as you can. You should generally discuss with your professor at that point whether your question is a feasible one.

B. Building a Basic Bibliography:

Use the bibliography/notes in your first general source, MUSE, and especially Historical Abstracts on cd-rom in the Library Reading Room (the computer farthest to the left in the front row as you walk past the Reference Desk — or ask there). If there is a specialized bibliography on your topic, you will certainly want to consult that as well, but these are often a bit dated.

C. Building a Full Bibliography:

Read the recent articles or chapters that seem to focus on your topic best. This will allow you to focus your research question quite a bit. Use the sources cited and/or discussed in this reading to build a full bibliography. Use such tools as Historical Abstracts (or, depending on your topic, the abstracts from a different field) and a large, convenient computer-based national library catalog (e.g. the University of California system from the “Libs” command in your VAX account or the smaller University of Minnesota library through MUSE) to check out your sources fully. For specific article searches “Uncover” (press returns for the “open access”) or possibly (less likely for history) “First Search” through “Connect to Other Resources” in MUSE can also be useful.

D. Major Research:

Now do the bulk of your research. But do not overdo it. Do not fall into the trap of reading and reading to avoid getting started on the writing. After you have the bulk of information you might need, start writing. You can fill in the smaller gaps of your research more effectively later.

A. Outline:

Write a preliminary thesis statement, expressing what you believe your major argument(s) will be. Sketch out a broad outline that indicates the structure — main points and subpoints or your argument as it seems at this time. Do not get too detailed at this point.

B. The First Draft:

On the basis of this thesis statement and outline, start writing, even pieces, as soon as you have enough information to start. Do not wait until you have filled all the research gaps. Keep on writing. If you run into smaller research questions just mark the text with a searchable symbol. It is important that you try to get to the end point of this writing as soon as possible, even if you leave pieces still in outline form at first and then fill the gaps after you get to the end.

Critical advice for larger papers: It is often more effective not to start at the point where the beginning of your paper will be. Especially the introductory paragraph is often best left until later, when you feel ready and inspired.

C. The Second Draft:

The “second draft” is a fully re-thought and rewritten version of your paper. It is at the heart of the writing process.

First, lay your first draft aside for a day or so to gain distance from it. After that break, read it over with a critical eye as you would somebody else’s paper (well, almost!). You will probably find that your first draft is still quite descriptive, rather than argumentative. It is likely to wander; your perspective and usually even the thesis seemed to change/develop as you wrote. Don’t despair. That is perfectly normal even for experienced writers (even after 40 years and a good deal of published work!). You will be frustrated. But keep questioning your paper along the following lines: What precisely are my key questions? What parts of my evidence here are really pertinent to those questions (that is, does it help me answer them)? How or in what order can I structure my paper most effectively to answer those questions most clearly and efficiently for my reader?

At this point you must outline your paper freshly. Mark up your first draft, ask tough questions whether your argument is clear and whether the order in which you present your points is effective! You must write conceptually a new paper at this point, even if you can use paragraphs and especially quotes, factual data in the new draft.

It is critical that in your new draft your paragraphs start with topic sentences that identify the argument you will be making in the particular paragraph (sometimes this can be strings of two or three paragraphs). The individual steps in your argument must be clearly reflected in the topic sentences of your paragraphs (or a couple of them linked).

D. The Third or Final Draft:

You are now ready to check for basic rules of good writing. This is when you need to check the diction, that is, the accuracy and suitability of words. Eliminate unnecessary passive or awkward noun constructions (active-voice, verbal constructions are usually more effective); improve the flow of your transitions; avoid repetitions or split infinitives; correct apostrophes in possessives and such. Make the style clear and smooth. Check that the start of your paper is interesting for the reader. Last but not least, cut out unnecessary verbiage and wordiness. Spell-check and proof-read.

– Diethelm Prowe, 1998

Handbook for Historians Research Guide

• Choosing a Paper Topic

How to Create an Outline

Outline example.

• Thesis Statement
• Find Primary Sources
• Find Secondary Sources
• Formatting References
• Writing an Annotated Bibliography
• Sample Papers
• Resources for Writing

The outline is an organized blueprint of the material presented in your paper. 

Writing an Outline: 

• Begin by listing the main ideas you want to get across, or main points you wish to make.  These will become your Roman numeral headings.
• Divide each of these into sub-ideas or subsections, labeled with a capital letter. Make sure that you have at least two subsections under each main heading. 
• For each sub-idea, list various examples, bits of evidence, and information, numbering them with Arabic numerals.
• If necessary, sub-ideas can be divided further into details, preceded by lower case letters. Use either whole sentences or phrases, but be consistent throughout your outline.

Formal outlines usually employ Roman numerals, Roman letters, and Arabic numerals, like this example:

• Example of a sub-idea

and so on . . . till your conclusion.

Here is an example of an outline for a HST paper.

• << Previous: Title Page
• Next: Thesis Statement >>
• Last Updated: Sep 5, 2024 1:41 PM
• URL: https://resources.library.lemoyne.edu/guides/history/handbook

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

18 Preparing to Write: Organizing and Outlines

One of the most important—and perhaps the more difficult—parts of writing a good history research paper is deciding what to say and in what order to say it. A good outline can limit a student’s anxiety about writing a big paper as it may help break the writing process down into manageable chunk. A good outline also helps ensure that you’re approaching your argument in a logical way.

How you go about organizing your thoughts and creating an outline, however, depends a good deal on how your brain works best. Effective writers do not all use the same method. But here are few steps to follow to avoid the dreaded blank page (or monitor) and the essay that meanders and never really makes an argument (or repeats elements of the same argument unnecessarily).

Before you begin the outlining process, keep in mind that the basic form of analytical writing usually utilizes the “Rule of Three.”   Simply, there should be at least three key points/pieces of evidence in a piece of writing introduced by a strong clear thesis. As you deliberate about possible thesis statements and debate what points are major elements of your argument and which ones are minor, or supporting, pieces of evidence, keep in mind that your argument will convince your readers when it has at least three supporting points.

STRATEGIES FOR DEVELOPING AN OUTLINE:

Use the terms you found helpful for organizing notes to start your outline:.

The words or tags you used to organize your notes can help in a couple of ways. First, for the “brain dump” process described next, these terms can be the first entries. Second, these terms could form the basis of main elements of your outline. Keywords that appear most frequently in your note-taking process could translate into major elements of your outline.

“Dump” the contents of your brain:

• Before attempting a formal outline, compile a list of all the interesting facts, ideas, concepts, individuals, and events that you’ve uncovered in your research. Keep an open mind, and don’t limit this list to just what you assumed would be the focus of your paper when you wrote your proposal. For example, what were the arguments of the secondary sources you read? What ideas or phrases came up again and again? Who were the main historical actors and what surprises did you encounter in the primary sources they produced (or were produced about them)? Can you construct a rough timeline without looking at your notes? The unofficial term for this compilation is a “brain dump,” because you are recording all the ideas that have occurred to you without regard to whether they are Big and Important Ideas or smaller, secondary points. Write down as much as you can, without worrying where it fits in the paper or even knowing for sure that it does fit in the paper.

Making sense of the results of the “brain dump”

• Visual learners often benefit from hand-writing the terms around a physical sheet of paper, and then using a spider-web concept map. In such a concept map, once you have all the terms on the page, you draw lines between related items. The terms that have multiple lines coming to or from them are the nodal points that should serve as main elements in your outline. The items that have just one or two connections are minor explanatory points in your formal outline.
• Natural list-makers think hierarchically (from most to least important) as a matter of course. If you’re a hierarchical thinker, you might think you already know your outline without drawing lines. But before you jump straight to a formal outline, let yourself think creatively. Try creating multiple lists, with perhaps different items and different orders for the compiled “brain dump” terms and phrases. In this process, some items will appear in multiple lists. Once you have several, think through the pros and cons of each one. Choose the best one and convert it into a formal outline.

Here is a detailed description of how to create a concept map from the University of West Florida and here you can find three examples of different types of concept maps .

Mind Maps are another form of concept mapping that uses a visual hierachy with associated information branching out from that concept.

Just as there’s not one way to organize your thoughts, there’s not a single form of an outline. Some writers do best with heavily detailed outlines, while others need only “bare bones.” Likewise, the necessity of maintaining an accurate outline is also a matter of personal preference. Some writers continually revise their outline as their thinking about their topic evolves with their writing, while others use an outline only to launch their writing and to prevent the intimidation of a blank screen, then abandon it once they’ve begun writing. Still, it’s extraordinarily helpful to make a plan before you begin. Below what you’ll see are some templates that work for a few common types of arguments. You may find one that works for you, perhaps with a bit of adapting.

Option 1: Chronological

Many history essays have a natural chronological focus. Arguments that seek to explain what happened at a place and time, or demonstrate what led up to an event, as well as essays that focus on an individual’s importance, can be organized chronologically.

• Early phase or antecedents
• Middle years or main event
• Later years or impact

Option 2: Revision

If your main argument centers on suggesting a correction to a currently accepted explanation of the past—perhaps you want to establish a new periodization, or make a case for an additional influence or outcome to what historians have argued—then you might consider this sort of organization.

• Summaries of what several historians have written
• with three examples/supporting points

Option 3: Topical/thematic approach

When your argument does not fall into one of the above traditional formats, you’ll need to uncover the patterns within evidence, and align them into to (at least) 2-3 explanatory aspects. Research that is not following political or military events often is organizes topically. There are several variations on this format, but at its most basic, consider this format.

How History is Made: A Student’s Guide to Reading, Writing, and Thinking in the Discipline Copyright © 2022 by Stephanie Cole; Kimberly Breuer; Scott W. Palmer; and Brandon Blakeslee is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

Share This Book

Princeton Correspondents on Undergraduate Research

How to Write a History Research Paper

In my last post, I shared some tips on how to conduct research in history and emphasized that researchers should keep in mind a source’s category (transcript, court document, speech, etc.). This post is something of a sequel to that, as I will share some thoughts on what often follows primary-source research: a history research paper. 

1. Background Reading   The first step to a history research paper is of course, background reading and research. In the context of a class assignment, “background reading” might simply be course readings or lectures, but for independent work, this step will likely involve some quality time on your own in the library. During the background reading phase of your project, keep an eye out for intriguing angles to approach your topic from and any trends that you see across sources (both primary and secondary).

2. T hemes and Context Recounting the simple facts about your topic alone will not make for a successful research paper. One must grasp both the details of events as well as the larger, thematic context of the time period in which they occurred. What’s the scholarly consensus about these themes? Does that consensus seem right to you, after having done primary and secondary research of your own?

3. Develop an Argument  Grappling with answers to the above questions will get you thinking about your emerging argument. For shorter papers, you might identify a gap in the scholarship or come up with an argumentative response to a class prompt rather quickly. Remember: as an undergraduate, you don’t have to come up with (to borrow Philosophy Professor Gideon Rosen’s phrase) ‘a blindingly original theory of everything.’ In other words, finding a nuanced thesis does not mean you have to disprove some famous scholar’s work in its entirety. But, if you’re having trouble defining your thesis, I encourage you not to worry; talk to your professor, preceptor, or, if appropriate, a friend. These people can listen to your ideas, and the simple act of talking about your paper can often go a long way in helping you realize what you want to write about.

4. Outline Your Argument  With a history paper specifically, one is often writing about a sequence of events and trying to tell a story about what happened. Roughly speaking, your thesis is your interpretation of these events, or your take on some aspect of them (i.e. the role of women in New Deal programs). Before opening up Word, I suggest writing down the stages of your argument. Then, outline or organize your notes to know what evidence you’ll use in each of these various stages. If you think your evidence is solid, then you’re probably ready to start writing—and you now have a solid roadmap to work from! But, if this step is proving difficult, you might want to gather more evidence or go back to the thesis drawing board and look for a better angle. I often find myself somewhere between these two extremes (being 100% ready to write or staring at a sparse outline), but that’s also helpful, because it gives me a better idea of where my argument needs strengthening.

5. Prepare Yourself   Once you have some sort of direction for the paper (i.e. a working thesis), you’re getting close to the fun part—the writing itself. Gather your laptop, your research materials/notes, and some snacks, and get ready to settle in to write your paper, following your argument outline. As mentioned in the photo caption, I suggest utilizing large library tables to spread out your notes. This way, you don’t have to constantly flip through binders, notebooks, and printed drafts.

In addition to this step by step approach, I’ll leave you with a few last general tips for approaching a history research paper. Overall, set reasonable goals for your project, and remember that a seemingly daunting task can be broken down into the above constituent phases. And, if nothing else, know that you’ll end up with a nice Word document full of aesthetically pleasing footnotes!

— Shanon FitzGerald, Social Sciences Correspondent

Share this:

• Share on Tumblr

History 300: A Guide to Research: Outlining

• Getting Started
• Reference/Tertiary Sources
• Secondary Sources
• Primary Sources
• Phillips Academy Archives Collections This link opens in a new window
• Addison Gallery Resources
• Requesting Items Outside the OWHL
• Historical Eras / Time Periods
• Indian Removal Act of 1830 and its after-effects in the US
• Labor and Industrialism in the US
• Personalities from Early America through the Civil War
• Progressive Reformers
• U.S. Imperialism
• World War II
• Cold War in the US
• US History through a Different Lens This link opens in a new window
• Constitution Essay
• Topics & Research Questions
• Evaluating Sources
• Reading Scholarly Articles This link opens in a new window
• Analyzing Primary Sources
• Annotated Bibliography
• Writing Strategies (Harvard University) This link opens in a new window
• Historiography

Creating an Outline

The outline is an organized blueprint of the material presented in your paper. Writers who make use of outlines are unlikely to exaggerate one aspect of the subject at the expense of others, or to drift off into tantalizing but irrelevant subtopics. Readers appreciate a well developed outline because it provides a detailed table of contents and alerts them to the path the paper will follow. 

Formal outlines usually employ Roman numerals, Roman letters, and Arabic numerals, as we see below:

• Example of a sub-idea

and so on . . . till your conclusion.

Begin by listing the  main ideas  you want to get across, or main points you wish to make.  These will become your Roman numeral headings. Next, divide each of these into sub-ideas or subsections, labeled with a capital letter. Make sure that you have at least two subsections under each main heading; it is illogical to “divide” a section into one subdivision. Then, for each sub-idea, list various examples, bits of evidence, and information, numbering them with Arabic numerals. If necessary, these can be divided still further into details, preceded by lower case letters. Use either whole sentences or phrases, but be consistent throughout your outline: stick with one or the other. For a ten-page paper, a good comprehensive outline would normally be between one to two pages long, typewritten and double-spaced.

Example Outline

• Paper Outline Sample
• Quick and Dirty History Outline Formula (AP History)

Outlining (UNC Writing Center)

Reverse Outlining (UNC Writing Center)

• << Previous: Annotated Bibliography
• Next: Writing Strategies (Harvard University) >>
• Last Updated: Aug 3, 2024 8:15 AM
• URL: https://owhlguides.andover.edu/hss300

Have a language expert improve your writing

Run a free plagiarism check in 10 minutes, generate accurate citations for free.

• Knowledge Base
• Research paper

How to Create a Structured Research Paper Outline | Example

Published on August 7, 2022 by Courtney Gahan . Revised on August 15, 2023.

A research paper outline is a useful tool to aid in the writing process , providing a structure to follow with all information to be included in the paper clearly organized.

A quality outline can make writing your research paper more efficient by helping to:

• Organize your thoughts
• Understand the flow of information and how ideas are related
• Ensure nothing is forgotten

A research paper outline can also give your teacher an early idea of the final product.

Instantly correct all language mistakes in your text

Upload your document to correct all your mistakes in minutes

Table of contents

Research paper outline example, how to write a research paper outline, formatting your research paper outline, language in research paper outlines.

• Definition of measles
• Rise in cases in recent years in places the disease was previously eliminated or had very low rates of infection
• Figures: Number of cases per year on average, number in recent years. Relate to immunization
• Symptoms and timeframes of disease
• Risk of fatality, including statistics
• How measles is spread
• Immunization procedures in different regions
• Different regions, focusing on the arguments from those against immunization
• Immunization figures in affected regions
• High number of cases in non-immunizing regions
• Illnesses that can result from measles virus
• Fatal cases of other illnesses after patient contracted measles
• Summary of arguments of different groups
• Summary of figures and relationship with recent immunization debate
• Which side of the argument appears to be correct?

Don't submit your assignments before you do this

The academic proofreading tool has been trained on 1000s of academic texts. Making it the most accurate and reliable proofreading tool for students. Free citation check included.

Try for free

Follow these steps to start your research paper outline:

• Decide on the subject of the paper
• Write down all the ideas you want to include or discuss
• Organize related ideas into sub-groups
• Arrange your ideas into a hierarchy: What should the reader learn first? What is most important? Which idea will help end your paper most effectively?
• Create headings and subheadings that are effective
• Format the outline in either alphanumeric, full-sentence or decimal format

There are three different kinds of research paper outline: alphanumeric, full-sentence and decimal outlines. The differences relate to formatting and style of writing.

• Alphanumeric
• Full-sentence

An alphanumeric outline is most commonly used. It uses Roman numerals, capitalized letters, arabic numerals, lowercase letters to organize the flow of information. Text is written with short notes rather than full sentences.

• Sub-point of sub-point 1

Essentially the same as the alphanumeric outline, but with the text written in full sentences rather than short points.

• Additional sub-point to conclude discussion of point of evidence introduced in point A

A decimal outline is similar in format to the alphanumeric outline, but with a different numbering system: 1, 1.1, 1.2, etc. Text is written as short notes rather than full sentences.

• 1.1.1 Sub-point of first point
• 1.1.2 Sub-point of first point
• 1.2 Second point

To write an effective research paper outline, it is important to pay attention to language. This is especially important if it is one you will show to your teacher or be assessed on.

There are four main considerations: parallelism, coordination, subordination and division.

Parallelism: Be consistent with grammatical form

Parallel structure or parallelism is the repetition of a particular grammatical form within a sentence, or in this case, between points and sub-points. This simply means that if the first point is a verb , the sub-point should also be a verb.

Example of parallelism:

• Include different regions, focusing on the different arguments from those against immunization

Coordination: Be aware of each point’s weight

Your chosen subheadings should hold the same significance as each other, as should all first sub-points, secondary sub-points, and so on.

Example of coordination:

• Include immunization figures in affected regions
• Illnesses that can result from the measles virus

Subordination: Work from general to specific

Subordination refers to the separation of general points from specific. Your main headings should be quite general, and each level of sub-point should become more specific.

Example of subordination:

Division: break information into sub-points.

Your headings should be divided into two or more subsections. There is no limit to how many subsections you can include under each heading, but keep in mind that the information will be structured into a paragraph during the writing stage, so you should not go overboard with the number of sub-points.

Ready to start writing or looking for guidance on a different step in the process? Read our step-by-step guide on how to write a research paper .

Cite this Scribbr article

If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

Gahan, C. (2023, August 15). How to Create a Structured Research Paper Outline | Example. Scribbr. Retrieved September 9, 2024, from https://www.scribbr.com/research-paper/outline/

Is this article helpful?

Courtney Gahan

Other students also liked, research paper format | apa, mla, & chicago templates, writing a research paper introduction | step-by-step guide, writing a research paper conclusion | step-by-step guide, what is your plagiarism score.

Reference management. Clean and simple.

Getting started with your research paper outline

Levels of organization for a research paper outline

First level of organization, second level of organization, third level of organization, fourth level of organization, tips for writing a research paper outline, research paper outline template, my research paper outline is complete: what are the next steps, frequently asked questions about a research paper outline, related articles.

The outline is the skeleton of your research paper. Simply start by writing down your thesis and the main ideas you wish to present. This will likely change as your research progresses; therefore, do not worry about being too specific in the early stages of writing your outline.

A research paper outline typically contains between two and four layers of organization. The first two layers are the most generalized. Each layer thereafter will contain the research you complete and presents more and more detailed information.

The levels are typically represented by a combination of Roman numerals, Arabic numerals, uppercase letters, lowercase letters but may include other symbols. Refer to the guidelines provided by your institution, as formatting is not universal and differs between universities, fields, and subjects. If you are writing the outline for yourself, you may choose any combination you prefer.

This is the most generalized level of information. Begin by numbering the introduction, each idea you will present, and the conclusion. The main ideas contain the bulk of your research paper 's information. Depending on your research, it may be chapters of a book for a literature review , a series of dates for a historical research paper, or the methods and results of a scientific paper.

I. Introduction

II. Main idea

III. Main idea

IV. Main idea

V. Conclusion

The second level consists of topics which support the introduction, main ideas, and the conclusion. Each main idea should have at least two supporting topics listed in the outline.

If your main idea does not have enough support, you should consider presenting another main idea in its place. This is where you should stop outlining if this is your first draft. Continue your research before adding to the next levels of organization.

• A. Background information
• B. Hypothesis or thesis
• A. Supporting topic
• B. Supporting topic

The third level of organization contains supporting information for the topics previously listed. By now, you should have completed enough research to add support for your ideas.

The Introduction and Main Ideas may contain information you discovered about the author, timeframe, or contents of a book for a literature review; the historical events leading up to the research topic for a historical research paper, or an explanation of the problem a scientific research paper intends to address.

• 1. Relevant history
• 2. Relevant history
• 1. The hypothesis or thesis clearly stated
• 1. A brief description of supporting information
• 2. A brief description of supporting information

The fourth level of organization contains the most detailed information such as quotes, references, observations, or specific data needed to support the main idea. It is not typical to have further levels of organization because the information contained here is the most specific.

• a) Quotes or references to another piece of literature
• b) Quotes or references to another piece of literature

Tip: The key to creating a useful outline is to be consistent in your headings, organization, and levels of specificity.

• Be Consistent : ensure every heading has a similar tone. State the topic or write short sentences for each heading but avoid doing both.
• Organize Information : Higher levels of organization are more generally stated and each supporting level becomes more specific. The introduction and conclusion will never be lower than the first level of organization.
• Build Support : Each main idea should have two or more supporting topics. If your research does not have enough information to support the main idea you are presenting, you should, in general, complete additional research or revise the outline.

By now, you should know the basic requirements to create an outline for your paper. With a content framework in place, you can now start writing your paper . To help you start right away, you can use one of our templates and adjust it to suit your needs.

After completing your outline, you should:

• Title your research paper . This is an iterative process and may change when you delve deeper into the topic.
• Begin writing your research paper draft . Continue researching to further build your outline and provide more information to support your hypothesis or thesis.
• Format your draft appropriately . MLA 8 and APA 7 formats have differences between their bibliography page, in-text citations, line spacing, and title.
• Finalize your citations and bibliography . Use a reference manager like Paperpile to organize and cite your research.
• Write the abstract, if required . An abstract will briefly state the information contained within the paper, results of the research, and the conclusion.

An outline is used to organize written ideas about a topic into a logical order. Outlines help us organize major topics, subtopics, and supporting details. Researchers benefit greatly from outlines while writing by addressing which topic to cover in what order.

The most basic outline format consists of: an introduction, a minimum of three topic paragraphs, and a conclusion.

You should make an outline before starting to write your research paper. This will help you organize the main ideas and arguments you want to present in your topic.

• Consistency: ensure every heading has a similar tone. State the topic or write short sentences for each heading but avoid doing both.
• Organization : Higher levels of organization are more generally stated and each supporting level becomes more specific. The introduction and conclusion will never be lower than the first level of organization.
• Support : Each main idea should have two or more supporting topics. If your research does not have enough information to support the main idea you are presenting, you should, in general, complete additional research or revise the outline.

Writing a Good History Paper

• Top Ten Reasons for Negative Comments
• Making Sure your Paper has Substance

Common Marginal Remarks on Style, Clarity, Grammar, and Syntax

Word and phrase usage problems, analyzing a historical document, writing a book review, writing a term paper or senior thesis, top ten reasons for negative comments on history papers.

(Drawn from a survey of the History Department ) 10. You engage in cheap, anachronistic moralizing .  9. You are sloppy with the chronology .  8. You quote excessively or improperly .  7. You have written a careless “one-draft wonder.” (See revise and proofread)  6. You are vague or have empty, unsupported generalizations .  5. You write too much in the passive voice.  4. You use inappropriate sources .  3. You use evidence uncritically.  2. You are wordy .  1. You have no clear thesis and little analysis.

Making Sure your History Paper has Substance

Get off to a good start..

Avoid pretentious, vapid beginnings. If you are writing a paper on, say, British responses to the rebellion in India in 1857, don't open with a statement like this: “Throughout human history people in all cultures everywhere in the world have engaged in many and long-running conflicts about numerous aspects of government policy and diplomatic issues, which have much interested historians and generated historical theories in many areas.” This is pure garbage, bores the reader, and is a sure sign that you have nothing substantive to say. Get to the point. Here’s a better start: “The rebellion in 1857 compelled the British to rethink their colonial administration in India.” This sentence tells the reader what your paper is actually about and clears the way for you to state your thesis in the rest of the opening paragraph. For example, you might go on to argue that greater British sensitivity to Indian customs was hypocritical.

State a clear thesis.

Whether you are writing an exam essay or a senior thesis, you need to have a thesis. Don’t just repeat the assignment or start writing down everything that you know about the subject. Ask yourself, “What exactly am I trying to prove?” Your thesis is your take on the subject, your perspective, your explanation—that is, the case that you’re going to argue. “Famine struck Ireland in the 1840s” is a true statement, but it is not a thesis. “The English were responsible for famine in Ireland in the 1840s” is a thesis (whether defensible or not is another matter). A good thesis answers an important research question about how or why something happened. (“Who was responsible for the famine in Ireland in the 1840s?”) Once you have laid out your thesis, don’t forget about it. Develop your thesis logically from paragraph to paragraph. Your reader should always know where your argument has come from, where it is now, and where it is going.

Be sure to analyze.

Students are often puzzled when their professors mark them down for summarizing or merely narrating rather than analyzing. What does it mean to analyze? In the narrow sense, to analyze means to break down into parts and to study the interrelationships of those parts. If you analyze water, you break it down into hydrogen and oxygen. In a broader sense, historical analysis explains the origins and significance of events. Historical analysis digs beneath the surface to see relationships or distinctions that are not immediately obvious. Historical analysis is critical; it evaluates sources, assigns significance to causes, and weighs competing explanations. Don’t push the distinction too far, but you might think of summary and analysis this way: Who, what, when, and where are the stuff of summary; how, why, and to what effect are the stuff of analysis. Many students think that they have to give a long summary (to show the professor that they know the facts) before they get to their analysis. Try instead to begin your analysis as soon as possible, sometimes without any summary at all. The facts will “shine through” a good analysis. You can't do an analysis unless you know the facts, but you can summarize the facts without being able to do an analysis. Summary is easier and less sophisticated than analysis—that’s why summary alone never earns an “A.”

Use evidence critically.

Like good detectives, historians are critical of their sources and cross-check them for reliability. You wouldn't think much of a detective who relied solely on a suspect’s archenemy to check an alibi. Likewise, you wouldn't think much of a historian who relied solely on the French to explain the origins of World War I. Consider the following two statements on the origin of World War I: 1) “For the catastrophe of 1914 the Germans are responsible. Only a professional liar would deny this...” 2) “It is not true that Germany is guilty of having caused this war. Neither the people, the government, nor the Kaiser wanted war....”  They can’t both be right, so you have to do some detective work. As always, the best approach is to ask: Who wrote the source? Why? When? Under what circumstances? For whom? The first statement comes from a book by the French politician Georges Clemenceau, which he wrote in 1929 at the very end of his life. In 1871, Clemenceau had vowed revenge against Germany for its defeat of France in the Franco-Prussian War. As premier of France from 1917 to 1920, he represented France at the Paris Peace Conference in 1919. He was obviously not a disinterested observer. The second statement comes from a manifesto published by ninety-three prominent German intellectuals in the fall of 1914. They were defending Germany against charges of aggression and brutality. They too were obviously not disinterested observers. Now, rarely do you encounter such extreme bias and passionate disagreement, but the principle of criticizing and cross-checking sources always applies. In general, the more sources you can use, and the more varied they are, the more likely you are to make a sound historical judgment, especially when passions and self-interests are engaged. You don’t need to be cynical as a historian (self-interest does not explain everything), but you do need to be critical and skeptical. Competent historians may offer different interpretations of the same evidence or choose to stress different evidence. You will not find a single historical Truth with a capital “T” on any matter of significance. You can, however, learn to discriminate among conflicting interpretations, not all of which are created equal. (See also: Analyzing a Historical Document )

Be precise.

Vague statements and empty generalizations suggest that you haven't put in the time to learn the material. Consider these two sentences: “During the French Revolution, the government was overthrown by the people. The Revolution is important because it shows that people need freedom.” What people? Landless peasants? Urban journeymen? Wealthy lawyers? Which government? When? How? Who exactly needed freedom, and what did they mean by freedom? Here is a more precise statement about the French Revolution: “Threatened by rising prices and food shortages in 1793, the Parisian sans-culottes pressured the Convention to institute price controls.” This statement is more limited than the grandiose generalizations about the Revolution, but unlike them, it can open the door to a real analysis of the Revolution. Be careful when you use grand abstractions like people, society, freedom, and government, especially when you further distance yourself from the concrete by using these words as the apparent antecedents for the pronouns they and it. Always pay attention to cause and effect. Abstractions do not cause or need anything; particular people or particular groups of people cause or need things. Avoid grandiose trans-historical generalizations that you can’t support. When in doubt about the appropriate level of precision or detail, err on the side of adding “too much” precision and detail.

Watch the chronology.

Anchor your thesis in a clear chronological framework and don't jump around confusingly. Take care to avoid both anachronisms and vagueness about dates. If you write, “Napoleon abandoned his Grand Army in Russia and caught the redeye back to Paris,” the problem is obvious. If you write, “Despite the Watergate scandal, Nixon easily won reelection in 1972,” the problem is more subtle, but still serious. (The scandal did not become public until after the election.) If you write, “The revolution in China finally succeeded in the twentieth century,” your professor may suspect that you haven’t studied. Which revolution? When in the twentieth century? Remember that chronology is the backbone of history. What would you think of a biographer who wrote that you graduated from Hamilton in the 1950s?

Cite sources carefully.

Your professor may allow parenthetical citations in a short paper with one or two sources, but you should use footnotes for any research paper in history. Parenthetical citations are unaesthetic; they scar the text and break the flow of reading. Worse still, they are simply inadequate to capture the richness of historical sources. Historians take justifiable pride in the immense variety of their sources. Parenthetical citations such as (Jones 1994) may be fine for most of the social sciences and humanities, where the source base is usually limited to recent books and articles in English. Historians, however, need the flexibility of the full footnote. Try to imagine this typical footnote (pulled at random from a classic work of German history) squeezed into parentheses in the body of the text: DZA Potsdam, RdI, Frieden 5, Erzgebiet von Longwy-Briey, Bd. I, Nr. 19305, gedruckte Denkschrift für OHL und Reichsleitung, Dezember 1917, und in RWA, Frieden Frankreich Nr. 1883. The abbreviations are already in this footnote; its information cannot be further reduced. For footnotes and bibliography, historians usually use Chicago style. (The Chicago Manual of Style. 15th edition. Chicago: University of Chicago Press, 2003.) On the Writing Center’s website you can find a useful summary of Chicago citation style prepared by a former history major, Elizabeth Rabe ’04 ( Footnotes ). RefWorks (on the library’s website) will convert your citations to Chicago style. Don’t hesitate to ask one of the reference librarians for help if you have trouble getting started on RefWorks.

Use primary sources.

Use as many primary sources as possible in your paper. A primary source is one produced by a participant in or witness of the events you are writing about. A primary source allows the historian to see the past through the eyes of direct participants. Some common primary sources are letters, diaries, memoirs, speeches, church records, newspaper articles, and government documents of all kinds. The capacious genre “government records” is probably the single richest trove for the historian and includes everything from criminal court records, to tax lists, to census data, to parliamentary debates, to international treaties—indeed, any records generated by governments. If you’re writing about culture, primary sources may include works of art or literature, as well as philosophical tracts or scientific treatises—anything that comes under the broad rubric of culture. Not all primary sources are written. Buildings, monuments, clothes, home furnishings, photographs, religious relics, musical recordings, or oral reminiscences can all be primary sources if you use them as historical clues. The interests of historians are so broad that virtually anything can be a primary source. (See also: Analyzing a Historical Document )

Use scholarly secondary sources.

A secondary source is one written by a later historian who had no part in what he or she is writing about. (In the rare cases when the historian was a participant in the events, then the work—or at least part of it—is a primary source.) Historians read secondary sources to learn about how scholars have interpreted the past. Just as you must be critical of primary sources, so too you must be critical of secondary sources. You must be especially careful to distinguish between scholarly and non-scholarly secondary sources. Unlike, say, nuclear physics, history attracts many amateurs. Books and articles about war, great individuals, and everyday material life dominate popular history. Some professional historians disparage popular history and may even discourage their colleagues from trying their hand at it. You need not share their snobbishness; some popular history is excellent. But—and this is a big but—as a rule, you should avoid popular works in your research, because they are usually not scholarly. Popular history seeks to inform and entertain a large general audience. In popular history, dramatic storytelling often prevails over analysis, style over substance, simplicity over complexity, and grand generalization over careful qualification. Popular history is usually based largely or exclusively on secondary sources. Strictly speaking, most popular histories might better be called tertiary, not secondary, sources. Scholarly history, in contrast, seeks to discover new knowledge or to reinterpret existing knowledge. Good scholars wish to write clearly and simply, and they may spin a compelling yarn, but they do not shun depth, analysis, complexity, or qualification. Scholarly history draws on as many primary sources as practical. Now, your goal as a student is to come as close as possible to the scholarly ideal, so you need to develop a nose for distinguishing the scholarly from the non-scholarly. Here are a few questions you might ask of your secondary sources (bear in mind that the popular/scholarly distinction is not absolute, and that some scholarly work may be poor scholarship). Who is the author? Most scholarly works are written by professional historians (usually professors) who have advanced training in the area they are writing about. If the author is a journalist or someone with no special historical training, be careful. Who publishes the work? Scholarly books come from university presses and from a handful of commercial presses (for example, Norton, Routledge, Palgrave, Penguin, Rowman & Littlefield, Knopf, and HarperCollins). If it’s an article, where does it appear? Is it in a journal subscribed to by our library, listed on JSTOR , or published by a university press? Is the editorial board staffed by professors? Oddly enough, the word journal in the title is usually a sign that the periodical is scholarly. What do the notes and bibliography look like? If they are thin or nonexistent, be careful. If they are all secondary sources, be careful. If the work is about a non-English-speaking area, and all the sources are in English, then it's almost by definition not scholarly. Can you find reviews of the book in the data base Academic Search Premier? If the book was published within the last few decades, and it’s not in there, that’s a bad sign. With a little practice, you can develop confidence in your judgment—and you’re on your way to being a historian. If you are unsure whether a work qualifies as scholarly, ask your professor. (See also: Writing a Book Review )

Avoid abusing your sources.

Many potentially valuable sources are easy to abuse. Be especially alert for these five abuses: Web abuse. The Web is a wonderful and improving resource for indexes and catalogs. But as a source for primary and secondary material for the historian, the Web is of limited value. Anyone with the right software can post something on the Web without having to get past trained editors, peer reviewers, or librarians. As a result, there is a great deal of garbage on the Web. If you use a primary source from the Web, make sure that a respected intellectual institution stands behind the site. Be especially wary of secondary articles on the Web, unless they appear in electronic versions of established print journals (e.g., The Journal of Asian Studies in JSTOR). Many articles on the Web are little more than third-rate encyclopedia entries. When in doubt, check with your professor. With a few rare exceptions, you will not find scholarly monographs in history (even recent ones) on the Web. You may have heard of Google’s plans to digitize the entire collections of some of the world’s major libraries and to make those collections available on the Web. Don’t hold your breath. Your days at Hamilton will be long over by the time the project is finished. Besides, your training as a historian should give you a healthy skepticism of the giddy claims of technophiles. Most of the time and effort of doing history goes into reading, note-taking, pondering, and writing. Finding a chapter of a book on the Web (as opposed to getting the physical book through interlibrary loan) might be a convenience, but it doesn’t change the basics for the historian. Moreover, there is a subtle, but serious, drawback with digitized old books: They break the historian’s sensual link to the past. And of course, virtually none of the literally trillions of pages of archival material is available on the Web. For the foreseeable future, the library and the archive will remain the natural habitats of the historian. Thesaurus abuse. How tempting it is to ask your computer’s thesaurus to suggest a more erudite-sounding word for the common one that popped into your mind! Resist the temptation. Consider this example (admittedly, a bit heavy-handed, but it drives the point home): You’re writing about the EPA’s programs to clean up impure water supplies. Impure seems too simple and boring a word, so you bring up your thesaurus, which offers you everything from incontinent to meretricious. “How about meretricious water?” you think to yourself. “That will impress the professor.” The problem is that you don’t know exactly what meretricious means, so you don’t realize that meretricious is absurdly inappropriate in this context and makes you look foolish and immature. Use only those words that come to you naturally. Don’t try to write beyond your vocabulary. Don’t try to impress with big words. Use a thesaurus only for those annoying tip-of-the-tongue problems (you know the word and will recognize it instantly when you see it, but at the moment you just can’t think of it).  Quotation book abuse. This is similar to thesaurus abuse. Let’s say you are writing a paper on Alexander Hamilton’s banking policies, and you want to get off to a snappy start that will make you seem effortlessly learned. How about a quotation on money? You click on the index of Bartlett’s Familiar Quotations , and before you know it, you’ve begun your paper with, “As Samuel Butler wrote in Hudibras ,  ‘For what is worth in anything/ But so much money as ’t will bring?’” Face it, you’re faking it. You don’t know who Samuel Butler is, and you’ve certainly never heard of Hudibras , let alone read it. Your professor is not fooled. You sound like an insecure after-dinner speaker. Forget Bartlett’s, unless you're confirming the wording of a quotation that came to you spontaneously and relates to your paper.  Encyclopedia abuse. General encyclopedias like Britannica are useful for checking facts (“Wait a sec, am I right about which countries sent troops to crush the Boxer Rebellion in China? Better check.”). But if you are footnoting encyclopedias in your papers, you are not doing college-level research.

Dictionary Abuse. The dictionary is your friend. Keep it by your side as you write, but do not abuse it by starting papers with a definition. You may be most tempted to start this way when you are writing on a complex, controversial, or elusive subject. (“According to Webster’s Collegiate Dictionary , liberalism is defined as...”). Actually, the dictionary does you little good in such cases and makes you sound like a conscientious but dull high-school student. Save in the rare case that competing dictionary definitions are the subject at hand, keep dictionary quotations out of your paper.

Quote sparingly

Avoid quoting a secondary source and then simply rewording or summarizing the quotation, either above or below the quotation. It is rarely necessary to quote secondary sources at length, unless your essay focuses on a critical analysis of the author’s argument. (See also: Writing a Book Review ) Your professor wants to see your ability to analyze and to understand the secondary sources. Do not quote unless the quotation clarifies or enriches your analysis. When in doubt, do not quote; instead, integrate the author’s argument into your own (though be sure to acknowledge ideas from your sources, even when you are paraphrasing). If you use a lot of quotations from secondary sources, you are probably writing a poor paper. An analysis of a primary source, such as a political tract or philosophical essay, might require lengthy quotations, often in block format. In such cases, you might need to briefly repeat key points or passages as a means to introduce the author’s ideas, but your analysis and interpretation of the text’s meaning should remain the most important aim. (See also: Using primary sources and Use scholarly secondary sources .)

Know your audience

Unless instructed otherwise, you should assume that your audience consists of educated, intelligent, nonspecialists. In fact, your professor will usually be your only reader, but if you write directly to your professor, you may become cryptic or sloppy (oh well, she’ll know what I’m talking about). Explaining your ideas to someone who doesn't know what you mean forces you to be clear and complete. Now, finding the right amount of detail can, admittedly, be tricky (how much do I put in about the Edict of Nantes, the Embargo Act, or President Wilson’s background?). When in doubt, err on the side of putting in extra details. You’ll get some leeway here if you avoid the extremes (my reader’s an ignoramus/my reader knows everything).

Avoid cheap, anachronistic moralizing

Many of the people and institutions of the past appear unenlightened, ignorant, misguided, or bigoted by today’s values. Resist the temptation to condemn or to get self-righteous. (“Martin Luther was blind to the sexism and class prejudice of sixteenth-century German society.”) Like you, people in the past were creatures of their time; like you, they deserve to be judged by the standards of their time. If you judge the past by today’s standards (an error historians call “presentism”), you will never understand why people thought or acted as they did. Yes, Hitler was a bad guy, but he was bad not only by today’s standards, but also by the commonly accepted standards of his own time. Someday you’re going to look pretty foolish and ignorant yourself. (“Early twenty-first century Hamilton students failed to see the shocking inderdosherism [that’s right, you don’t recognize the concept because it doesn’t yet exist] implicit in their career plans.”)

Have a strong conclusion

Obviously, you should not just stop abruptly as though you have run out of time or ideas. Your conclusion should conclude something. If you merely restate briefly what you have said in your paper, you give the impression that you are unsure of the significance of what you have written. A weak conclusion leaves the reader unsatisfied and bewildered, wondering why your paper was worth reading. A strong conclusion adds something to what you said in your introduction. A strong conclusion explains the importance and significance of what you have written. A strong conclusion leaves your reader caring about what you have said and pondering the larger implications of your thesis. Don’t leave your reader asking, “So what?”

Revise and proofread

Your professor can spot a “one-draft wonder,” so don't try to do your paper at the last moment. Leave plenty of time for revising and proofreading. Show your draft to a writing tutor or other good writer. Reading the draft aloud may also help. Of course, everyone makes mistakes, and a few may slip through no matter how meticulous you are. But beware of lots of mistakes. The failure to proofread carefully suggests that you devoted little time and effort to the assignment. Tip: Proofread your text both on the screen and on a printed copy. Your eyes see the two differently. Don’t rely on your spell checker to catch all of your misspellings. (If ewe ken reed this ewe kin sea that a computer wood nut all ways help ewe spill or rite reel good.)

Note: The Writing Center suggests standard abbreviations for noting some of these problems. You should familiarize yourself with those abbreviations, but your professor may not use them.  

Remarks on Style and Clarity

Wordy/verbose/repetitive..

Try your hand at fixing this sentence: “Due to the fact that these aspects of the issue of personal survival have been raised by recently transpired problematic conflicts, it is at the present time paramount that the ultimate psychological end of suicide be contemplated by this individual.” If you get it down to “To be or not to be, that is the question,” you’ve done well. You may not match Shakespeare, but you can learn to cut the fat out of your prose. The chances are that the five pages you’ve written for your history paper do not really contain five pages’ worth of ideas.

Misuse of the passive voice.

Write in the active voice. The passive voice encourages vagueness and dullness; it enfeebles verbs; and it conceals agency, which is the very stuff of history. You know all of this almost instinctively. What would you think of a lover who sighed in your ear, “My darling, you are loved by me!”? At its worst, the passive voice—like its kin, bureaucratic language and jargon—is a medium for the dishonesty and evasion of responsibility that pervade contemporary American culture. (“Mistakes were made; I was given false information.” Now notice the difference: “I screwed up; Smith and Jones lied to me; I neglected to check the facts.”) On history papers the passive voice usually signals a less toxic version of the same unwillingness to take charge, to commit yourself, and to say forthrightly what is really going on, and who is doing what to whom. Suppose you write, “In 1935 Ethiopia was invaded.” This sentence is a disaster. Who invaded? Your professor will assume that you don't know. Adding “by Italy” to the end of the sentence helps a bit, but the sentence is still flat and misleading. Italy was an aggressive actor, and your passive construction conceals that salient fact by putting the actor in the syntactically weakest position—at the end of the sentence as the object of a preposition. Notice how you add vigor and clarity to the sentence when you recast it in the active voice: "In 1935 Italy invaded Ethiopia." I n a few cases , you may violate the no-passive-voice rule. The passive voice may be preferable if the agent is either obvious (“Kennedy was elected in 1960”), irrelevant (“Theodore Roosevelt became president when McKinley was assassinated”), or unknown (“King Harold was killed at the Battle of Hastings”). Note that in all three of these sample sentences the passive voice focuses the reader on the receiver of the action rather than on the doer (on Kennedy, not on American voters; on McKinley, not on his assassin; on King Harold, not on the unknown Norman archer). Historians usually wish to focus on the doer, so you should stay with the active voice—unless you can make a compelling case for an exception.

Abuse of the verb to be.

The verb to be is the most common and most important verb in English, but too many verbs to be suck the life out of your prose and lead to wordiness. Enliven your prose with as many action verbs as possible. ( “In Brown v. Board of Education it was the opinion of the Supreme Court that the doctrine of ‘separate but equal’ was in violation of the Fourteenth Amendment.”) Rewrite as “ In Brown v. Board of Education the Supreme Court ruled that the doctrine of ‘separate but equal’ violated the Fourteenth ”

Explain/what’s your point?/unclear/huh?

You may (or may not) know what you’re talking about, but if you see these marginal comments, you have confused your reader. You may have introduced a non sequitur ; gotten off the subject; drifted into abstraction; assumed something that you have not told the reader; failed to explain how the material relates to your argument; garbled your syntax; or simply failed to proofread carefully.  If possible, have a good writer read your paper and point out the muddled parts. Reading your paper aloud may help too.

Paragraph goes nowhere/has no point or unity.

Paragraphs are the building blocks of your paper. If your paragraphs are weak, your paper cannot be strong. Try underlining the topic sentence of every paragraph. If your topic sentences are vague, strength and precision—the hallmarks of good writing—are unlikely to follow. Consider this topic sentence (from a paper on Ivan the Terrible): “From 1538 to 1547, there are many different arguments about the nature of what happened.”  Disaster looms. The reader has no way of knowing when the arguing takes place, who’s arguing, or even what the arguing is about. And how does the “nature of what happened” differ from plain “what happened”? Perhaps the writer means the following: “The childhood of Ivan the Terrible has provoked controversy among scholars of Russian history.” That's hardly deathless prose, but it does orient the reader and make the writer accountable for what follows in the paragraph. Once you have a good topic sentence, make sure that everything in the paragraph supports that sentence, and that cumulatively the support is persuasive. Make sure that each sentence follows logically from the previous one, adding detail in a coherent order. Move, delete, or add material as appropriate. To avoid confusing the reader, limit each paragraph to one central idea. (If you have a series of supporting points starting with first, you must follow with a second, third , etc.) A paragraph that runs more than a printed page is probably too long. Err on the side of shorter paragraphs.

Inappropriate use of first person.

Most historians write in the third person, which focuses the reader on the subject. If you write in the first person singular, you shift the focus to yourself. You give the impression that you want to break in and say, “Enough about the Haitian revolution [or whatever], now let’s talk about me!” Also avoid the first person plural (“We believe...”). It suggests committees, editorial boards, or royalty. None of those should have had a hand in writing your paper. And don’t refer to yourself lamely as “this writer.” Who else could possibly be writing the paper?

Tense inconsistency.

Stay consistently in the past tense when you are writing about what took place in the past. (“Truman’s defeat of Dewey in 1948 caught the pollsters by surprise.”) Note that the context may require a shift into the past perfect. (“The pollsters had not realized [past perfect] that voter opinion had been [past perfect] changing rapidly in the days before the election.”) Unfortunately, the tense problem can get a bit more complicated. Most historians shift into the present tense when describing or commenting on a book, document, or evidence that still exists and is in front of them (or in their mind) as they write.  (“de Beauvoir published [past tense] The Second Sex in 1949. In the book she contends [present tense] that woman....”) If you’re confused, think of it this way: History is about the past, so historians write in the past tense, unless they are discussing effects of the past that still exist and thus are in the present. When in doubt, use the past tense and stay consistent.

Ill-fitted quotation.

This is a common problem, though not noted in stylebooks. When you quote someone, make sure that the quotation fits grammatically into your sentence.  Note carefully the mismatch between the start of the following sentence and the quotation that follows:  “In order to understand the Vikings, writes Marc Bloch, it is necessary, ‘To conceive of the Viking expeditions as religious warfare inspired by the ardour of an implacable pagan fanaticism—an explanation that has sometimes been at least suggested—conflicts too much with what we know of minds disposed to respect magic of every kind.’” At first, the transition into the quotation from Bloch seems fine. The infinitive (to conceive) fits. But then the reader comes to the verb (conflicts) in Bloch’s sentence, and things no longer make sense. The writer is saying, in effect, “it is necessary conflicts.” The wordy lead-in and the complex syntax of the quotation have tripped the writer and confused the reader. If you wish to use the whole sentence, rewrite as “Marc Bloch writes in Feudal Society , ‘To conceive of...’” Better yet, use your own words or only part of the quotation in your sentence. Remember that good writers quote infrequently, but when they do need to quote, they use carefully phrased lead-ins that fit the grammatical construction of the quotation.

Free-floating quotation.

Do not suddenly drop quotations into your prose. (“The spirit of the Progressive era is best understood if one remembers that the United States is ‘the only country in the world that began with perfection and aspired to progress.’”) You have probably chosen the quotation because it is finely wrought and says exactly what you want to say. Fine, but first you inconvenience the reader, who must go to the footnote to learn that the quotation comes from The Age of Reform by historian Richard Hofstadter. And then you puzzle the reader. Did Hofstadter write the line about perfection and progress, or is he quoting someone from the Progressive era? If, as you claim, you are going to help the reader to judge the “spirit of the Progressive era,” you need to clarify. Rewrite as “As historian Richard Hofstadter writes in the Age of Reform , the United States is ‘the only country in the world...’” Now the reader knows immediately that the line is Hofstadter’s.

Who’s speaking here?/your view?

Always be clear about whether you’re giving your opinion or that of the author or historical actor you are discussing. Let’s say that your essay is about Martin Luther’s social views. You write, “The German peasants who revolted in 1525 were brutes and deserved to be crushed mercilessly.” That’s what Luther thought, but do you agree?  You may know, but your reader is not a mind reader. When in doubt, err on the side of being overly clear.

Jargon/pretentious theory.

Historians value plain English. Academic jargon and pretentious theory will make your prose turgid, ridiculous, and downright irritating. Your professor will suspect that you are trying to conceal that you have little to say. Of course, historians can’t get along without some theory; even those who profess to have no theory actually do—it’s called naïve realism. And sometimes you need a technical term, be it ontological argument or ecological fallacy. When you use theory or technical terms, make sure that they are intelligible and do real intellectual lifting.  Please, no sentences like this: “By means of a neo-Althusserian, post-feminist hermeneutics, this essay will de/construct the logo/phallo/centrism imbricated in the marginalizing post-colonial gendered gaze, thereby proliferating the subjectivities that will re/present the de/stabilization of the essentializing habitus of post-Fordist capitalism.”

Informal language/slang.

You don’t need to be stuffy, but stay with formal English prose of the kind that will still be comprehensible to future generations. Columbus did not “push the envelope in the Atlantic.” Henry VIII was not “looking for his inner child when he broke with the Church.” Prime Minister Cavour of Piedmont was not “trying to play in the major leagues diplomatic wise.” Wilson did not “almost veg out” at the end of his second term. President Hindenburg did not appoint Hitler in a “senior moment.” Prime Minister Chamberlain did not tell the Czechs to “chill out” after the Munich Conference, and Gandhi was not an “awesome dude.”

Try to keep your prose fresh. Avoid cliches. When you proofread, watch out for sentences like these: “Voltaire always gave 110 percent and thought outside the box. His bottom line was that as people went forward into the future, they would, at the end of the day, step up to the plate and realize that the Jesuits were conniving perverts.” Ugh. Rewrite as “Voltaire tried to persuade people that the Jesuits were cony, step up to the plate and realize that the Jesuits were conniving perverts.” Ugh. Rewrite as “Voltaire tried to persuade people that the Jesuits were conniving perverts.”

Intensifier abuse/exaggeration.

Avoid inflating your prose with unsustainable claims of size, importance, uniqueness, certainty, or intensity. Such claims mark you as an inexperienced writer trying to impress the reader. Your statement is probably not certain ; your subject probably not unique , the biggest, the best, or the most important. Also, the adverb very will rarely strengthen your sentence. Strike it. (“President Truman was very determined to stop the spread of communism in Greece.”) Rewrite as “President Truman resolved to stop the spread of communism in Greece.”

Mixed image.

Once you have chosen an image, you must stay with language compatible with that image. In the following example, note that the chain, the boiling, and the igniting are all incompatible with the image of the cold, rolling, enlarging snowball: “A snowballing chain of events boiled over, igniting the powder keg of war in 1914.” Well chosen images can enliven your prose, but if you catch yourself mixing images a lot, you're probably trying to write beyond your ability. Pull back. Be more literal.

Clumsy transition.

If your reader feels a jolt or gets disoriented at the beginning of a new paragraph, your paper probably lacks unity. In a good paper, each paragraph is woven seamlessly into the next. If you find yourself beginning your paragraphs with phrases such as “Another aspect of this problem...,” then you are probably “stacking note cards” rather than developing a thesis.

Unnecessary relative clause.

If you don’t need to restrict the meaning of your sentence’s subject, then don’t. (“Napoleon was a man who tried to conquer Europe.”) Here the relative clause adds nothing. Rewrite as “Napoleon tried to conquer Europe.” Unnecessary relative clauses are a classic form of wordiness.

Distancing or demeaning quotation marks.

If you believe that a frequently used word or phrase distorts historical reality, don’t put it in dismissive, sneering quotation marks to make your point (“the communist ‘threat’ to the ‘free’ world during the Cold War”). Many readers find this practice arrogant, obnoxious, and precious, and they may dismiss your arguments out of hand. If you believe that the communist threat was bogus or exaggerated, or that the free world was not really free, then simply explain what you mean.

Remarks on Grammar and Syntax

Ideally, your professor will help you to improve your writing by specifying exactly what is wrong with a particular passage, but  sometimes you may find a simple awk in the margin. This all-purpose negative comment usually suggests that the sentence is clumsy because you have misused words or compounded several errors. Consider this sentence from a book review:

“However, many falsehoods lie in Goldhagen’s claims and these will be explored.”

What is your long-suffering professor to do with this sentence? The however contributes nothing; the phrase falsehoods lie is an unintended pun that distracts the reader; the comma is missing between the independent clauses; the these has no clear antecedent ( falsehoods? claims? ); the second clause is in the passive voice and contributes nothing anyway; the whole sentence is wordy and screams hasty, last-minute composition. In weary frustration, your professor scrawls awk in the margin and moves on. Buried under the twelve-word sentence lies a three-word idea: “Goldhagen often errs.” When you see awk, check for the common errors in this list. If you don’t understand what’s wrong, ask.

Unclear antecedent.

All pronouns must refer clearly to antecedents and must agree with them in number. The reader usually assumes that the antecedent is the immediately preceding noun. Do not confuse the reader by having several possible antecedents. Consider these two sentences:

“Pope Gregory VII forced Emperor Henry IV to wait three days in the snow at Canossa before granting him an audience. It was a symbolic act.”

To what does the it refer? Forcing the Emperor to wait? The waiting itself? The granting of the audience? The audience itself? The whole previous sentence? You are most likely to get into antecedent trouble when you begin a paragraph with this or it , referring vaguely back to the general import of the previous paragraph. When in doubt, take this test: Circle the pronoun and the antecedent and connect the two with a line. Then ask yourself if your reader could instantly make the same diagram without your help. If the line is long, or if the circle around the antecedent is large, encompassing huge gobs of text, then your reader probably will be confused.  Rewrite. Repetition is better than ambiguity and confusion.

Faulty parallelism.

You confuse your reader if you change the grammatical construction from one element to the next in a series. Consider this sentence:

“King Frederick the Great sought to expand Prussia, to rationalize agriculture, and that the state support education.”

The reader expects another infinitive, but instead trips over the that . Rewrite the last clause as “and to promote state-supported education.” Sentences using neither/nor frequently present parallelism problems. Note the two parts of this sentence:

“After 1870 the cavalry charge was neither an effective tactic, nor did armies use it frequently.”

The sentence jars because the neither is followed by a noun, the nor by a verb. Keep the parts parallel.

Rewrite as “After 1870 the cavalry charge was neither effective nor frequently used.”

Sentences with not only/but also are another pitfall for many students. (“Mussolini attacked not only liberalism, but he also advocated militarism.”) Here the reader is set up to expect a noun in the second clause, but stumbles over a verb. Make the parts parallel by putting the verb attacked after the not only .

Misplaced modifier/dangling element.

Do not confuse the reader with a phrase or clause that refers illogically or absurdly to other words in the sentence. (“Summarized on the back cover of the American paperback edition, the publishers claim that...”) The publishers are not summarized on the back cover. (“Upon finishing the book, many questions remain.”) Who finished the book? Questions can’t read. Avoid following an introductory participial clause with the expletives it or there . Expletives are by definition filler words; they can’t be agents. (“Having examined the origins of the Meiji Restoration in Japan, it is apparent that...”) Apparent to whom?  The expletive it didn’t do the examining. (“After going on the Long March, there was greater support for the Communists in China.”) Who went on the Long March? There didn’t go on the Long March. Always pay attention to who’s doing what in your sentences.

Run-on sentence.

Run-on sentences string together improperly joined independent clauses. Consider these three sentences:

“Galileo recanted his teaching that the earth moved privately he maintained his convictions.” “Galileo recanted his teaching that the earth moved, privately he maintained his convictions.” “Galileo recanted his teaching that the earth moved, however, privately he maintained his convictions.”

The first fuses two independent clauses with neither a comma nor a coordinating conjunction; the second uses a comma but omits the coordinating conjunction; and the third also omits the coordinating conjunction (however is not a coordinating conjunction). To solve the problem, separate the two clauses with a comma and the coordinating conjunction but. You could also divide the clauses with a semicolon or make separate sentences. Remember that there are only seven coordinating conjunctions ( and, but, or, nor, for, so, yet ).

Sentence fragment.

Write in sentences. A sentence has to have a subject and a predicate. If you string together a lot of words, you may lose control of the syntax and end up with a sentence fragment. Note that the following is not a sentence:

“While in Western Europe railroad building proceeded rapidly in the nineteenth century, and in Russia there was less progress.”

Here you have a long compound introductory clause followed by no subject and no verb, and thus you have a fragment. You may have noticed exceptions to the no-fragments rule. Skilful writers do sometimes intentionally use a fragment to achieve a certain effect. Leave the rule-breaking to the experts.

Confusion of restrictive and nonrestrictive clauses.

Consider these two versions of the same sentence:

1. “World War I, which raged from 1914-1918, killed millions of Europeans.” 2. “World War I that raged from 1914-1918 killed millions of Europeans.”

The first sentence has a nonrestrictive relative clause; the dates are included almost as parenthetical information. But something seems amiss with the second sentence. It has a restrictive relative clause that limits the subject (World War I) to the World War I fought between 1914 and 1918, thus implying that there were other wars called World War I, and that we need to distinguish among them. Both sentences are grammatically correct, but the writer of the second sentence appears foolish.  Note carefully the distinction between that (for use in restrictive clauses, with no comma) and which (for use in nonrestrictive clauses, with a comma).

Confusion about who’s doing what.

Remember—history is about what people do, so you need to be vigilant about agency. Proofread your sentences carefully, asking yourself, “Have I said exactly who is doing or thinking what, or have I inadvertently attributed an action or belief to the wrong person or group?” Unfortunately, there are many ways to go wrong here, but faulty punctuation is among the most common. Here’s a sentence about Frantz Fanon, the great critic of European imperialism. Focus on the punctuation and its effect on agency: “Instead of a hierarchy based on class, Fanon suggests the imperialists establish a hierarchy based on race.” As punctuated, the sentence says something absurd: that Fanon is advising the imperialists about the proper kind of hierarchy to establish in the colonies. Surely, the writer meant to say that, in his analysis of imperialism, Fanon distinguishes between two kinds of hierarchy. A comma after suggests fixes the immediate problem. Now look at the revised sentence. It still needs work. Better diction and syntax would sharpen it.  Fanon does not suggest (with connotations of both hinting and advocating); he states outright. What’s more, the comparison of the two kinds of hierarchy gets blurred by too many intervening words. The key point of the sentence is, in effect, “instead of A, we have B.” Clarity demands that B follow A as closely as possible, and that the two elements be grammatically parallel. But between the elements A and B, the writer inserts Fanon (a proper noun), suggests (a verb), imperialists (a noun), and establish (a verb). Try the sentence this way: “Fanon says that the imperialists establish a hierarchy based on race rather than class.” Now the agency is clear: We know what Fanon does, and we know what the imperialists do. Notice that errors and infelicities have a way of clustering. If you find one problem in a sentence, look for others.

Confusion about the objects of prepositions.

Here’s another one of those common problems that does not receive the attention it merits. Discipline your prepositional phrases; make sure you know where they end. Notice the mess in this sentence: “Hitler accused Jewish people of engaging in incest and stating that Vienna was the ‘personification of incest.’” The reader thinks that both engaging and stating are objects of the preposition of. Yet the writer intends only the first to be the object of the preposition. Hitler is accusing the Jews of engaging , but not of stating ; he is the one doing the stating . Rewrite as “Hitler accused the Jews of incest; he stated that Vienna was the ‘personification of incest.’” Note that the wordiness of the original encouraged the syntactical mess. Simplify. It can’t be said too many times: Always pay attention to who’s doing what in your sentences.

Misuse of the comparative.

There are two common problems here. The first might be called the “floating comparative.” You use the comparative, but you don’t say what you are comparing. (“Lincoln was more upset by the dissolution of the union.”) More upset than by what? More upset than who? The other problem, which is more common and takes many forms, is the unintended (and sometimes comical) comparison of unlike elements. Consider these attempts to compare President Clinton to President George H. W. Bush. Often the trouble starts with a possessive:

“President Clinton’s sexual appetite was more voracious than President Bush.”

You mean to compare appetites, but you've forgotten about your possessive, so you absurdly compare an appetite to a man. Rewrite as “more voracious than President Bush’s.” A variation of this problem is the unintended comparison resulting from the omission of a verb:

“President Clinton liked women more than President Bush.”

Re-write as “more than did President Bush.”

A misplaced modifier may also cause comparison trouble: “Unlike the Bush administration, sexual scandal nearly destroyed the Clinton administration.” Rewrite as  “Unlike the Bush administration, the Clinton administration was nearly destroyed by sexual scandal.” Here the passive voice is better than the misplaced modifier, but you could rewrite as “The Bush administration had been free of sexual scandal, which nearly destroyed the Clinton administration.”

Misuse of apostrophe.

Get control of your apostrophes. Use the apostrophe to form singular or plural possessives (Washington’s soldiers; the colonies’ soldiers) or to form contractions (don’t; it’s). Do not use the apostrophe to form plurals. (“The communists [not communists’] defeated the nationalists [not nationalists’] in China.”)

Comma after although.

This is a new error, probably a carryover from the common conversational habit of pausing dramatically after although . ( “Although , coffee consumption rose in eighteenth-century Europe, tea remained far more popular.”) Delete the comma after although . Remember that although is not a synonym for the word however , so you cannot solve the problem in the sentence by putting a period after Europe . A clause beginning with although cannot stand alone as a sentence.

Comma between subject and verb.

This is a strange new error. (“Hitler and Stalin, agreed to a pact in August 1939.”) Delete the comma after Stalin. Finally, two hints: If your word-processing program underlines something and suggests changes, be careful. When it comes to grammar and syntax, your computer is a moron. Not only does it fail to recognize some gross errors, it also falsely identifies some correct passages as errors. Do not cede control of your writing decisions to your computer. Make the suggested changes only if you are positive that they are correct. If you are having trouble with your writing, try simplifying. Write short sentences and read them aloud to test for clarity. Start with the subject and follow it quickly with an active verb. Limit the number of relative clauses, participial phrases, adjectives, adverbs, and prepositional phrases. You will win no prizes for eloquence, but at least you will be clear. Add complexity only when you have learned to handle it.

An historical/an historian.

The consonant “H” is not silent in historical and historian , so the proper form of the indefinite article is “A.”

Avoid the common solecism of using feel as a synonym for think, believe, say, state, assert, contend, argue, conclude, or write. (“Marx felt that the bourgeoisie exploited the proletariat.” “Emmeline Pankhurst felt that British women should be able to vote.”) The use of feel in these sentences demeans the agents by suggesting undisciplined sentiment rather than carefully formulated conviction. Concentrate on what your historical actors said and did; leave their feelings to speculative chapters of their biographies. As for your own feelings, keep them out of your papers. (“I feel that Lincoln should have freed the slaves earlier.”) Your professor will be delighted that the material engages both your head and your heart, but your feelings cannot be graded. If you believe that Lincoln should have acted earlier, then explain, giving cogent historical reasons.

The fact that.

This is a clumsy, unnecessary construction. ( “The fact that Nixon resigned in disgrace damaged the Republican Party.”) Re-word as “Nixon resigned in disgrace, damaging the Republican Party.” Never use the hideous phrase due to the fact that.

In terms of.

This phrase is filler. Get rid of it. (“Bismarck was a success in terms of uniting Germany.) Rewrite as “Bismarck successfully united Germany.”

Attend carefully to the placement of this limiting word. Note, for example, these three sentences:

“The government only interred Japanese Americans during World War II.” “The government interred only Japanese Americans during World War II.” “The government interred Japanese Americans only during World War II.”

The first limits the action to interring (as opposed to, say, killing); the second limits the group interred (i.e., not Italian Americans); the third limits the time of interring (i.e., not during other wars).

Thus and therefore.

More than likely, you have not earned these words and are implying that you have said more than you actually have. Use them sparingly, only when you are concluding a substantial argument with a significant conclusion.

Misuse of instead.

Instead is an adverb, not a conjunction. Consider this sentence: “Charles Beard argued that the framers of the constitution were not idealists, instead they promoted their economic interests.” Revise as “The framers of the constitution, Charles Beard argued, did not uphold ideals; instead , they promoted their economic interests.” Now the instead appears properly as an adverb. (Note also that the two clauses are now parallel—both contain transitive verbs.)

Essentially and basically.

These are usually either filler words (the written equivalent of “uh” or “um”) or weasel words that merely call attention to your vagueness, lack of conviction, or lazy unwillingness to qualify precisely. (“ Essentially , Churchill believed that Nazi Germany presented a grave danger to Britain.”) Delete essentially and basically unless you are writing about essences or bases.

Both share or both agree.

These are redundant. If two people share or agree , they are both involved by definition. (“Stalin and Mao both agreed that capitalism belonged in the dustbin of history.”) Delete both .

This word means one of a kind. It is an absolute. Something cannot be very unique, more unique, or somewhat unique.

Incredible.

In casual conversation incredible often means extraordinary, astonishing, or impressive (“Yesterday’s storm was incredible.”). To avoid confusion in historical prose, you should stick with the original meaning of incredible : not believable. If you write that “William Jennings Bryan gave incredible speeches,” you’re saying that you don’t believe his speeches, or that his audiences didn’t believe them at the time—in other words, that he appeared to be lying or mistaken. You probably mean that he gave great speeches. If you write that “It’s incredible that Japan attacked Pearl Harbor,” you’re calling into question the very existence of a historical event. You probably mean that the Japanese attack was unwise or reckless. English is rich with adjectives. Finding the best one forces you to think about what you really mean.

As a synonym for subject matter, bone of contention, reservation, or almost anything else vaguely associated with what you are discussing, the word issue has lost its meaning through overuse. (“There were many issues involved with Truman’s decision to use the atomic bomb, and some historians have issues with his decision.”) Stop talking about issues and get to the point.

Beware of the word literally . It’s commonly misused, and you almost never need it in historical prose. Literally means actually, factually, exactly, directly, without metaphor. The careful writer would never say, “Roosevelt literally swamped Landon in the election of 1936.” One imagines Roosevelt (in his wheelchair no less!) dumping the hapless Landon off a pier in the Everglades on election night. The swamping was figurative, strictly a figure of speech. The adverb literally may also cause you trouble by falsely generalizing the coverage of your verb. “London was literally destroyed by the blitz.” This suggests that the whole city was destroyed, when, in fact, only parts were destroyed. Rewrite as “The blitz destroyed parts of London.” Now you’ve qualified properly (and gotten rid of the passive).

When you’re tempted to use this word, resist. Like issue , involve tells the reader too little. (“Erasmus was involved in the Renaissance.”) This statement could mean virtually anything. Delete it and discuss specifically what Erasmus said or did.

This is a fine old word with many precise meanings, but as an overused synonym for feature, side, or part, it is usually a sign of insipid prose (“Another aspect of the issues in this area is the fact that...”). Just get directly to the point.

Most good writers frown on the use of this word as a verb.(“Eisenhower’s military background impacted his foreign policy.”) Affected, influenced, or shaped would be better here. Impacted suggests painfully blocked wisdom teeth or feces. Had an impact is better than impacted , but is still awkward because impact implies a collision.

Here is another beloved but vapid word. (“Many factors led to the Reformation.”) Such a sentence usually opens a vague, boring, weaseling paragraph. If you believe (quite reasonably) that the Reformation had many causes, then start evaluating them.

Meaningful.

Overuse has drained the meaning from meaningful . (“Peter the Great took meaningful steps to westernize Russia.”) Just get to the point.

Interesting.

The adjective interesting is vague, overused, and does not earn its keep. (“Burckhardt had an interesting perspective on the Renaissance.”) This sentence is filler. Delete it and explain and analyze his perspective.

The events that transpired.

Your professor will gag on this one. Events take place or happen by definition, so the relative clause is redundant. Furthermore, most good writers do not accept transpire as a synonym for happen. Again, follow the old rule of thumb: Get right to the point, say what happened, and explain its significance. You don’t need any filler about events and transpiring .

The reason is because.

This phrase is awkward and redundant. Replace it with the reason is, or better still, simply delete it and get right to your reason.

For all intensive purposes.

The phrase is for all intents and purposes , and few good writers use it in formal prose anyway.

Take for granite.

This is an illiteracy. The phrase is “ take for granted .”

Should of/could of.

You mean should have or could have .

Center around.

Good writers frown on this phrase because it’s illogical and jarring. Use center on or center in. Attention to a small detail like this indicates that you’re thinking carefully about what you’re saying, so when the big problems confront you, you’ll be disciplined and ready.

Begs the question.

Recently, many people have started to use this phrase to mean raises, invites, or brings up the question. (“Stalin’s purges beg the question of whether he was paranoid.”) Actually, begging the question is the common logical fallacy of assuming your conclusion as part of your argument. (“In the late nineteenth century, many Americans moved to the cities because of urbanization.”) Note that the use of abstractions (e.g., urbanization) encourages begging the question . Understanding this fallacy is central to your education. The formal Latin term, petitio principii, is too fancy to catch on, so you need to preserve the simple English phrase. If something raises a question, just say so.

Historic/historical confusion.

Everything in the past or relating to the past is historical. Resist the media-driven hype that elevates the ordinary to the historic . (“A three-alarm fire last night destroyed the historic site of the first Portuguese-owned dry cleaners in Cleveland.”) Reserve the word historic for the genuinely important events, persons, or objects of the past. The Norman invasion of England in 1066 was indeed historic . Historically , historians have gathered annually for a historical convention; so far, none of the conventions has been historic .

Affect/effect confusion.

The chances are that the verb you want is affect , which means to have an influence on (“The Iranian hostage crisis affected [not effected] the presidential election of 1980”). Effect as a verb means to bring about or cause to exist ( effect change). Effect as a noun means result or consequence (“The effect of the Iranian hostage crisis on the election...”).

While/whereas confusion.

If you’re stressing contrast, the word you want is whereas . While stresses simultaneity. “Hobbes had a dismal view of human nature, whereas [not while] Rousseau believed that man had a natural sense of pity.”

It’s/its confusion.

This is the classic bonehead error. Note that the spell checker won’t help you. And remember— its’ is not a word at all.

Reign/rein confusion.

A queen reigns during her reign. You rein in a horse with reins.

Their/there/they’re confusion.

You do know the difference. Pay attention.

Everyday/every day confusion.

As an adjective, everyday (one word) means routine. If you wish to say that something happened on every successive day, then you need two words, the adjective every and the noun day . Note the difference in these two sentences: “Kant was famous for going on the same constitutional at the same time every day . For Kant, exercise and thinking were everyday activities.”

Refer/allude confusion.

To allude means to refer to indirectly or to hint at. The word you probably want in historical prose is refer , which means to mention or call direct attention to. “In the first sentence of the ‘Gettysburg Address’ Lincoln refers [not alludes ] to the fathers of the nation [he mentions them directly]; he alludes to the ‘Declaration of Independence’ [the document of four score and seven years earlier that comes to the reader’s mind, but that Lincoln doesn’t directly mention].”

Novel/book confusion.

Novel is not a synonym for book. A novel is a long work of fiction in prose. A historical monograph is not a novel —unless the historian is making everything up.

Than/then confusion.

This is an appalling new error. If you are making a comparison, you use the conjunction than . (“President Kennedy’s health was worse than [not then ] the public realized.”)

Lead/led confusion.

The past tense of the verb to lead is led (not lead ). “Sherman led [not lead ] a march to the sea.”

Lose/loose confusion.

The opposite of win is lose , not loose . “Supporters of the Equal Rights Amendment suspected that they would lose [not loose ] the battle to amend the constitution.”

However/but confusion.

However may not substitute for the coordinating conjunction but. (“Mussolini began his career as a socialist, but [not however ] he later abandoned socialism for fascism.”) The word however has many proper uses; however , [note the semicolon and comma] graceful writers use it sparingly.

Cite/site/sight confusion.

You cited a source for your paper; ancient Britons sited Stonehenge on a plain; Columbus’s lookout sighted land.

Conscience/conscious confusion.

When you wake up in the morning you are conscious , though your conscience may bother you if you’ve neglected to write your history paper.

Tenet/tenant confusion.

Your religion, ideology, or worldview all have tenets —propositions you hold or believe in. Tenants rent from landlords.

All are not/not all are confusion.

If you write, “ All the colonists did not want to break with Britain in 1776,” the chances are you really mean, “ Not all the colonists wanted to break with Britain in 1776.” The first sentence is a clumsy way of saying that no colonists wanted to break with Britain (and is clearly false). The second sentence says that some colonists did not want to break with Britain (and is clearly true, though you should go on to be more precise).

Nineteenth-century/nineteenth century confusion.

Historians talk a lot about centuries, so you need to know when to hyphenate them. Follow the standard rule: If you combine two words to form a compound adjective, use a hyphen, unless the first word ends in ly. (“ Nineteenth-century [hyphenated] steamships cut the travel time across the Atlantic.”) Leave out the hyphen if you’re just using the ordinal number to modify the noun century. (“In the nineteenth century [no hyphen] steamships cut the travel time across the Atlantic.”) By the way, while you have centuries in mind, don’t forget that the nineteenth century is the 1800s, not the 1900s. The same rule for hyphenating applies to middle-class and middle class —a group that historians like to talk about.

Bourgeois/bourgeoisie confusion.

Bourgeois is usually an adjective, meaning characteristic of the middle class and its values or habits. Occasionally, bourgeois is a noun, meaning a single member of the middle class. Bourgeoisie is a noun, meaning the middle class collectively. (“Marx believed that the bourgeoisie oppressed the proletariat; he argued that bourgeois values like freedom and individualism were hypocritical.”)

Your professor may ask you to analyze a primary document. Here are some questions you might ask of your document. You will note a common theme—read critically with sensitivity to the context. This list is not a suggested outline for a paper; the wording of the assignment and the nature of the document itself should determine your organization and which of the questions are most relevant. Of course, you can ask these same questions of any document you encounter in your research.

• What exactly is the document (e.g., diary, king’s decree, opera score, bureaucratic memorandum, parliamentary minutes, newspaper article, peace treaty)?
• Are you dealing with the original or with a copy? If it is a copy, how remote is it from the original (e.g., photocopy of the original, reformatted version in a book, translation)? How might deviations from the original affect your interpretation?
• What is the date of the document?
• Is there any reason to believe that the document is not genuine or not exactly what it appears to be?
• Who is the author, and what stake does the author have in the matters discussed? If the document is unsigned, what can you infer about the author or authors?
• What sort of biases or blind spots might the author have? For example, is an educated bureaucrat writing with third-hand knowledge of rural hunger riots?
• Where, why, and under what circumstances did the author write the document?
• How might the circumstances (e.g., fear of censorship, the desire to curry favor or evade blame) have influenced the content, style, or tone of the document?
• Has the document been published? If so, did the author intend it to be published?
• If the document was not published, how has it been preserved? In a public archive? In a private collection? Can you learn anything from the way it has been preserved? For example, has it been treated as important or as a minor scrap of paper?
• Does the document have a boilerplate format or style, suggesting that it is a routine sample of a standardized genre, or does it appear out of the ordinary, even unique?
• Who is the intended audience for the document?
• What exactly does the document say? Does it imply something different?
• If the document represents more than one viewpoint, have you carefully distinguished between the author’s viewpoint and those viewpoints the author presents only to criticize or refute?
• In what ways are you, the historian, reading the document differently than its intended audience would have read it (assuming that future historians were not the intended audience)?
• What does the document leave out that you might have expected it to discuss?
• What does the document assume that the reader already knows about the subject (e.g., personal conflicts among the Bolsheviks in 1910, the details of tax farming in eighteenth-century Normandy, secret negotiations to end the Vietnam war)?
• What additional information might help you better interpret the document?
• Do you know (or are you able to infer) the effects or influences, if any, of the document?
• What does the document tell you about the period you are studying?
• If your document is part of an edited collection, why do you suppose the editor chose it? How might the editing have changed the way you perceive the document? For example, have parts been omitted? Has it been translated? (If so, when, by whom, and in what style?) Has the editor placed the document in a suggestive context among other documents, or in some other way led you to a particular interpretation?

Your professor may ask you to write a book review, probably of a scholarly historical monograph. Here are some questions you might ask of the book. Remember that a good review is critical, but critical does not necessarily mean negative. This list is not meant to be exhaustive, nor is it a suggested outline. Of course, you can ask these same questions of any secondary historical work, even if you’re not writing a review.

• Who is the author, and what are his or her qualifications? Has the author written other books on the subject?
• When was the book written, and how does it fit into the scholarly debate on the subject? For example, is Smith writing to refute that idiot Jones; to qualify the work of the competent but unimaginative Johnson; or to add humbly to the evidence presented by the redoubtable Brown’s classic study? Be sure not to confuse the author’s argument with those arguments he or she presents only to criticize later.
• What is the book’s basic argument? (Getting this right is the foundation of your review.)
• What is the author’s method? For example, does the author rely strictly on narrative and anecdotes, or is the book analytical in some way?
• What kinds of evidence does the author use? For example, what is the balance of primary and secondary sources? Has the author done archival work? Is the source base substantial, or does it look thin? Is the author up-to-date in the scholarly literature?
• How skillfully and imaginatively has the author used the evidence?
• Does the author actually use all of the material in the bibliography, or is some of it there for display?
• What sorts of explicit or implicit ideological or methodological assumptions does the author bring to the study? For example, does he or she profess bland objectivity? A Whig view of history? Marxism?
• How persuasive is the author’s argument?
• Is the argument new, or is it old wine in new bottles?
• Is the argument important, with wide-ranging implications, or is it narrow and trivial?
• Is the book well organized and skillfully written?
• What is your overall critical assessment of the book?
• What is the general significance, if any, of the book? (Make sure that you are judging the book that the author actually wrote, not complaining that the author should have written a different book.)

Here are some tips for those long, intimidating term papers or senior theses:

• Start early. If you don’t, none of these tips will matter. Big trouble is looming if you don’t have a specific topic by the end of the first week. You should be delving into the sources during the second week.
• Keep in mind all of the dos and don’ts in this booklet.
• Work closely with your professor to assure that your topic is neither too broad nor too narrow.
• Set up a schedule with your professor and check his or her policy about reading rough drafts or parts of rough drafts. Then keep your professor informed about what you’re doing. You don’t want any unpleasant surprises. You certainly don’t want to hear, “I haven’t seen you for weeks, and it sounds like you’re way off base. How can you possibly get this done with only two weeks left in the semester?”
• Make an appointment with Kristin Strohmeyer, the history reference librarian in Burke Library. She will help you to find and use the appropriate catalogs and indexes.
• Use your imagination in compiling a bibliography. Think of all of the possible key words and subjects that may lead you to material. If you find something really good, check the subjects under which it is cataloged. Comb the notes and bibliographies of books and articles you’ve already found.
• Much of what you need will not be in our library, so get to know the friendly folks in the Interlibrary Loan department.
• Start early. This can’t be said too often.
• Use as many primary sources as you can.
• Jot down your ideas as they come to you. You may not remember them later.
• Take careful notes on your reading. Label your notes completely and precisely. Distinguish meticulously and systematically between what you are directly quoting and what you are summarizing in your own words. Unintended plagiarism is still plagiarism. Stay clean as a hound’s tooth. Write down not just the page of the quotation or idea, but also the whole run of pages where the matter is discussed. Reread all of your notes periodically to make sure that you still understand them and are compiling what you will need to write your paper. Err on the side of writing down more than you think you will need. Copious, precise notes won’t come back to haunt you; skimpy, vague notes will. Just accept that there is something anal about good note-taking.
• If you take notes directly into your computer, they will be easy to index and pull up, but there are a couple of downsides. You will not be able to see all of them simultaneously, as you can note cards laid out on a big table. What you gain in ease of access may come at the price of losing the big picture. Also, if your notes are in your computer, you may be tempted to save time and thought by pasting many of them directly into your paper. Note cards encourage you to rethink and to rework your ideas into a unified whole.
• Don’t start to write until you have a good outline.
• Make sure that your paper has a thesis. (See the entry State a clear thesis. )
• Check and recheck your facts.
• Footnote properly. (See the entry Cite sources carefully .)
• Save plenty of time to proofread.
• Start early.

Top Ten Signs that you may be Writing a Weak History Paper

10. You’re overjoyed to find that you can fill the required pages by widening all margins.

9. You haven’t mentioned any facts or cited any sources for several paragraphs.

8. You find yourself using the phrase “throughout history mankind has...”

7. You just pasted in another 100 words of quotations.

6. You haven’t a clue about the content of your next paragraph.

5. You’re constantly clicking on The Britannica, Webster’s, and Bartlett’s.

4. Your writing tutor sneaks another look at her watch as she reminds you for the third time to clarify your thesis.

3. Your main historical actors are this, it, they, the people, and society, and they are all involved with factors, aspects, impacts, and issues.

2. You just realize that you don’t understand the assignment, but it’s 3:00 A.M, the paper is due at 9:00, and you don’t dare call your professor.

1. You’re relieved that the paper counts for only 20 percent of the course grade.

Final Advice

You guessed it — start early.

Studying History at Hamilton

Students will learn to use interdisciplinary methods from the humanities and social sciences to probe the sources of the past for answers to present questions. They will learn to draw comparisons and connections among diverse societies across a range of historical eras. They will further learn to convey their findings through writing that is clearly structured, precise, and persuasive.

Tutor Appointments

Peer tutor and consultant appointments are managed through TracCloud (login required). Find resources and more information about the ALEX centers using the following links.

Office / Department Name

Nesbitt-Johnston Writing Center

Contact Name

Jennifer Ambrose

Writing Center Director

Help us provide an accessible education, offer innovative resources and programs, and foster intellectual exploration.

Site Search

• Harvard Library

Research Guides

• Faculty of Arts & Sciences Libraries

Library Research Guide for History

Outline of primary sources for history.

• Newsletter September 2024
• Exploring Your Topic
• HOLLIS (and other) Catalogs
• Document Collections/Microfilm
• Finding Online Sources: Detailed Instructions
• Religious Periodicals
• Personal Writings/Speeches
• Oral History and Interviews
• News Sources
• Archives and Manuscripts
• Government Archives (U.S.)
• U.S. Government Documents
• Foreign Government & International Organization Documents
• French Legislative Debates/Documents
• State and City Documents
• Historical Statistics/Data
• GIS Mapping
• Public Opinion
• City Directories
• Policy Literature, Working Papers, Think Tank Reports (Grey Literature)
• Technical Reports (Grey Literature)
• Country Information
• Corporate Annual Reports
• US Elections
• Travel Writing/Guidebooks
• Missionary Records
• Reference Sources
• Harvard Museums
• Boston-Area Repositories
• Citing Sources & Organizing Research
• Newsletter January 2011
• Newsletter June 2012
• Newsletter August 2012
• Newsletter December 2012
• Newsletter June 2013
• Newsletter August 2013
• Newsletter January 2014
• Newsletter June 2014
• Newsletter August 2014
• Newsletter January 2015
• Newsletter June 2015
• Newsletter August 2015
• Newsletter January 2016
• Newsletter June 2016
• Newsletter August 2016
• Newsletter January 2017
• Newsletter June 2017
• Newsletter August 2017
• Newsletter January 2018
• Newsletter June 2018
• Newsletter August 2018
• Newsletter August 2019
• Newsletter December 2019
• Newsletter March 2021
• Newsletter October 2021
• Newsletter June 2019
• Newsletter May 2022
• Newsletter February2023
• Newsletter October 2023
• February2024
• Exploring Special Collections at Harvard

This page serves as an index to the Library Research Guide for History and other research guides.  It lists major general tool types and kinds of  primary sources, giving links to major resources, links to further information in the guide and to sample HOLLIS searches.

Four tactics for finding primary sources .  They are best used together.

• Find them cited in reference works and  secondary sources . Valuable especially in that it gives you context.  But you are limited to what your author has found, and a slight difference in perspective from your own may lead to very different sources.  An essential starting point. See:  Library Research Guide for History: Exploring Your Topic .
• Direct search in catalogs and databases, for example in HOLLIS, HathiTrust, Early English Books Online.
• Find them in bibliographies (and their equivalents for archives and manuscripts ) which are lists of printed (or manuscript sources) sometimes annotated.  A less used but often very fruitful method.  They are often produced contemporary with the era of interest.  Example.  Using them is a two-step process: find your source in a bibliography, then look it up in HOLLIS ; or ASK US .
• Research guides. Guides prepared by Harvard librarians and by librarians from other institutions

General  --  Kinds of Primary Sources

General Catalogs

For finding primary sources at Harvard and for finding copies of primary sources in other repositories. A database of catalog records. Not (generally) full text searchable). HOLLIS  Library Catalog searches not only books but also archives/manuscripts (including a full text search of digitized finding aids (not all are digitized), films, images, and other material ( Example ).  Any pertinent item produced during your era may be a primary source, but certain kinds of primary sources, including originally unpublished sources such as letters and diaries published later, have particular terms attached to their Subject terms in a HOLLIS record.   Change  Any field  to  Subject  for cleanest results.    

• --Caricatures and cartoons (just search Caricatures)
• --Correspondence
• --Description and travel
• --Interviews
• --Manuscripts
• --Notebooks, sketchbooks, etc.
• --Oral history
• --Personal narratives (refers to accounts of wars and diseases only)
• --Pictorial works (Books consisting mostly of pictures)
• --Sources (usually refers to collections of published primary sources)

Example : Algeria AND Archives OR Correspondence OR Diaries OR Manuscripts OR Sources OR Narratives OR Interviews OR "Oral history" (as Subject)

More on HOLLIS in the HOLLIS page of this guide and in the HOLLIS User Guide .

For finding original and digitized primary sources outside of Harvard.  A database of catalog records with links to finding aids or full text where available. WorldCat  (the OCLC Union Catalog) includes catalog records from over 70,000 libraries worldwide but largely U.S.  Includes books, periodicals, archives and manuscripts, maps, images, videotapes, computer readable files, etc. More on searching WorldCat .  Techniques for using WorldCat to find various types of sources are included under Kinds of Primary Sources , below.

Digital Libraries/Collections. Often full text searchable

General full text searchable databases:

HathiTrust Digital Library  is a huge collection of digitized books and periodicals. Each full text item is linked to a standard library catalog record, thus providing good metadata and subject terms. Most items pre-1925 will be full text viewable.  After 1925, a much smaller number will be full text viewable.  You can search within non-full text viewable works and obtain the pages numbers where your search terms occur.   Most US, and some state, government documents will be full text viewable. More information on searching HathiTrust .

Internet Archive  offers full text for a variety of digitized print materials and archived web pages (Wayback Machine), as well as manuscripts (a few), digitized microfilm, films, audio files, TV News, and more.  Many recent books are full text viewable if you set up a free account. You can use a Google password. More information on using Internet Archive .

Google Books , which contains all sorts of books and periodicals.

There are many other less general digital libraries specialized by language and/or era ( Early English Books Online ) or geographically ( Gallica , Digital Commonwealth ).

More specialized digital collections:

There are numerous subject-specialized digital collections (example: Travelers in the Middle East ). There is no one method for finding them. Try WorldCat, Research Guides, and Advanced Google Searches.

Harvard's Databases

Europeana: Cultural collections of Europe   ( More information ) and  The Digital Public Library of America    ( More information )

WorldCat  includes records for many digital collections, but due to the lack of standardized tagging, they can be hard to isolate from the very numerous ebooks.

Methods for searching WorldCat for digital collections

Advanced Google Searches

Library Research Guide for History: Finding Primary Sources Online: Finding Primary Sources on the Open Web

Research guides: Next

Digital libraries and lists of digital collections are listed in  Library Research Guide for History: Finding Primary Sources Online: Digital Libraries/Collections by Region or Language

• Harvard general research guide page
• Online Primary Source Collections for History  lists digital collections at Harvard and beyond by topic
• Online Primary Source Collections for the History of Science  lists digital collections at Harvard and beyond by topic

Selected Harvard guides

Format:  Library Research Guide for History: Outline of Primary Sources for History Geographical:  Library Research Guide for History: Other Subject Guides Subject:  Library Research Guide for History: Other Subject Guides 

Finding research guides at other institutions: Google Advanced Search

Document collections (Print and Microfilm)

Primary source documents are often gathered up and published as printed books or in microfilm (reels of 35 mm film viewed through a machine).  They may consist of books, archival material, oral histories, in fact most of the kinds listed below.  Vast resources exist in microfilm. 

• Find them in HOLLIS and WorldCat by using special Subject terms . Example .
• Tools for finding them listed in this guide .
• More on microfilm
• When you find a microfilm collection, ask us to be sure it isn't digitized. More information .

Bibliographies

Find lists of publications (primary and/or secondary) on your topic in HOLLIS .  Bibliography must be searched as a Subject. Bibliographies may be contemporary or retrospective.

If you find an older article or book in a bibliography, you can use the  Cited Reference Search  in  Web of Science  find more recent articles by seeing who has cited it.  If you have a bibliography of primary sources, then the Web of Science can be used both to find secondary sources that cite a specified primary source and the response in the 20th century periodical literature. See  Searching the Citation Indexes (Web of Science) .

Kinds of Primary Sources

• Contemporary Language
• Country, State, and Local information
• Government Documents
• Gray Literature

Literary Works

• Periodicals
• Personal Accounts

Sound Recordings

Archives and Manuscripts   comprise originally unpublished writings or records produced by an individual (personal papers) or an organization in their activities.  Organizations producing archives may be governments (national, state, local), NGOs, corporations, universities.  They may reside with their producing bodies or may have been added to an archival repository.  You typically have to go to the repository to use them.

• We give instructions for finding them at Harvard, the Boston area, nation and world-wide in the  Library Research Guide for Finding Manuscripts and Archival Collections .
• Sometimes full or partial copies are published as  printed books ,  microfilm , or  online  (see Digital Libraries and Document Collections, above)
• Many US Government archival collections, including much State Department material, has been digitized or microfilmed.  Tools for finding them listed in this guide

Books .  Find books (and other resources) in HOLLIS and WorldCat

• Remember to use the proper Subject terms (Library of Congress and Medical) as well as your keywords
• You can limit by date range.  The Subject term Early Works to 1800 retrieves old books republished post-1800 (new editions): Sample HOLLIS Library Catalog search .
• You can limit to anything published in a country or a US state in HOLLIS and WorldCat
• Instructions for using HOLLIS and WorldCat

Broadcast s . Much news is distributed via radio and TV.  Tools for finding  broadcast news ,  radio  and  TV  listed in this guide and in the  Kennedy School's News & Media guide .

Contemporary language

• Dictionaries indicate contemporary understanding of a word. Sample HOLLIS search .
• Subject dictionaries and encyclopedias can show how terms were understood at a certain time.  Sample HOLLIS search .
• Major American English dictionaries listed in the Library Research Guide for American Studies .

Country, State, and Local Information .   Information about a particular country, state or city/town at a particular time is available via a variety of sources including:

• Annual country reference publication series
• State and Local Government documents , 
• Travelers’ writings, and guidebooks .
• City directories  which, besides the alphabetical listing of residents, usually have a terminal section with a government directory and listing of local businesses and agencies by activity.

Data   The  Digital Scholarship Support Group  offers faculty, students, and staff interested in incorporating digital methods into their teaching and research a single point of entry to the many resources available at Harvard. Beginner's Guide to Locating and Using Numeric Data .

Film/Video .  As well as entertainment films, there are documentary films and newsreels.  Tools for finding films listed in this guide .  For newsreels . The Library has a  guide for streaming video .

Internet Archive   Put your search term in Any field. Adjust Mediatype is : to Audio

Digital Public Library of America (DPLA)    Search for your topic. Select Type: Sound on the left.

WorldCat Open Access  Advanced Search. Adjust Databases from WorldCat to OpenAccessContent . Open Options (upper right). Change Record list size from 10 to 100.

Search: Keyword: [your search term(s) AND Genre/Form: video OR audiovisual

WorldCat OAIster (Union catalog of digital resources)  Advanced Search. Adjust Databases : from WorldCat to OAIster .  Open Options (upper right). Change Record list size from 10 to 100.

Search: Keyword: [your search term(s) AND Keyword: ge=video

Government Documents   (National, State, Local) are publications produced for public distribution (unlike archival sources).  We give instructions on finding them in this guide  United States ,  US foreign relations ,  US state and local , and  foreign government documents . 

• Many US government publications are available full text in  HathiTrust . In Advanced Catalog search put Author: "United States" and a department/agency name if desired.
• Bibliographies of government documents for your time period are often useful guides.   HOLLIS Library Catalog  (Note Subject term:  Government publications .

Gray Literature   refers to reports produced and published by governmental or non-governmental agencies (think tanks, research institutes) but not published via the usual commercial or academic channels.  Think tank publications often offer the views of particular ideological groups. They may be  studies of policy  (often called working papers) or  technical studies  (called technical reports)

Images .  Harvard has numerous collections of images which are best searched via  HOLLIS Images .  Countless images have been digitized.   Tools for finding them listed in this guide .

Law:   Legal sources include:

• Laws: Foreign, US national and state, city ordinances  --   HOLLIS Library Catalog search  (Note OR)
• Case law: Appeals court opinions  --   HOLLIS Library Catalog search
• Trial transcripts or accounts  --   HOLLIS Library Catalog search

The Law School librarians are the experts ( Law School Library guides ), be we have a  legal history guide to get started .  It covers the legal periodical literature (Law reviews), court cases, and legislation for the United States and, to a lesser extent Britain.

In HOLLIS the following terms are found on literary works and works of literary scholarship.

• American literature -- Korean American autho rs.
• Authors, Korean
• Korean American literature -- United States .
• Korean Americans – Fiction  (or Drama, or Poetry) refers to literary works
• Korean Americans -- In literature  refers to literary scholarship
• Korean Americans -- Literary Collections

Sources for literary scholarship are listed in the research guide:  Literary Research in Harvard Libraries .

Maps .  The Harvard Map Collection  contains one of the world’s finest collections of maps. Although their atlases are in HOLLIS, many of their individual maps are not, so a visit is useful. As well as political and topographic maps, they have numerous thematic maps of demographic, social, and economic other features.  More information in this guide .

Material .  Much historical evidence resides in material objects.  Find what Harvard has with a form/genre search in HOLLIS ( HOLLIS Library Catalog Example  - note that we exclude Visual in the search).  We have a draft (unfinished) guide to American material culture which includes landscaps, gardens, cities, consumer goods, etc. Links to Harvard museums .

News Sources .   Important for giving a sense of events and opinion at a particular time and place. Abundantly digitized pre-1923 and post 1980s. 

• Tools for finding newspapers and newspaper articles listed in the Guide for Newspapers and Newspaper Indexes . 
• Tools for finding broadcast news and newsreels in this guide

Pamphlets are useful primary sources in that they are often responses to a particular event or situation.

Collections and series of pamphlets often have the word Pamphlets in the title. Narrow with additional keywords, e.g., “ Middle East ”

Individual pamphlets often, by no means always, have the term Pamphlets in the Form/genre or Subject fields in Hollis and WorldCat - both searched together in the Advanced Search Subject search .

Sometimes series-level groups in archival collections are composed of pamphlets.  In  Hollis for Archival Discovery searching Pamphlets  isolates these series. This search can be focused with topic keywords or by repository.

Find bibliographies of pamphlets in HOLLIS Library Catalog Advanced Search: Subject contains: pamphlets bibliography

A catalogue of pamphlets on economic subjects published between 1750 and 1900 and now housed in Irish libraries , by R. D. Collison Black. Belfast, Queen's University Belfast, 1969, 632 p. HOLLIS Record

An incomplete list of major pamphlet collections is available here .

Periodicals come in the following types:

• Magazines: Aimed at a popular audience ( Tools for finding them listed in this guide )
• Academic -Disciplinary: Aimed at a academic/scientific audience ( Tools for finding them listed in this guide )
• Professional/Trade: Aimed at particular trades or professions ( Tools for finding them listed in this guide ; Try Internet Archive )  ( HOLLIS Library Catalog Example, note Resource type: Journals )
• Newspapers: See News Sources .

Tools are available for finding the circulation figures, audiences and political orientations of many newspapers and other periodicals , and the histories and characteristics of magazines .

Personal accounts . These are first person narratives recalling or describing a person’s life and opinions. These include diaries, memoirs, autobiographies, and when delivered orally and recorded: Oral histories and Interviews.

• Tools for finding them listed in this guide: Personal Accounts -- Oral History .
• The  lists of digital libraries by US state  have many collections with oral histories.
• HOLLIS Library Catalog search example

Public Opinion. Surveys are available that gauge public opinion on numerous topics.  Instructions for finding them in this guide . Sample HOLLIS Library Catalog search . For the opinion of a particular group of people use the Subject term: Attitudes -  Sample HOLLIS Library Catalog search .

Search: Keyword: [your search term(s) AND Genre/Form: recording OR sound OR audio

Search: Keyword: [your search term(s) AND Subject: recording OR sound OR audio

Categories of sound recordings.

• Music.   Music Research Guide
• Broadcast News
• Interviews  Tools listed in this guide .
• Literary readings
• Oral histories  Tools listed in this guide .
• Speeches.  Tools listed in this guide .
• Radio  Tools listed in this guide .
• Television  Tools listed in this guide .
• Sound effects, animal sounds.

Sample search in HOLLIS

Sound recordings are often available, physically or online, only via local repositories. To find these, search in WorldCat Advanced Search. For Limit type to : choose Sound Recordings. If there are too many musical recordings, enter mt:nsr (code for non musical recordings) in a Keyword field, add NOT audiobooks. Thus,

Keyword: Poliomyelitis AND Keyword: mt:nsr NOT Keyword: Audiobooks

Document type Sound Recordings can be further refined by placing, for example, Speeches in a Subject field.   For a list of these genre/form terms .

Statistics .  Most countries publish series of demographic, economic and other statistics.  Statistics are also gathered by non-governmental agencies, including international organizations.   Tools for finding them .    Sample HOLLIS Library Catalog search

Textbooks    Tools for finding them .

• << Previous: Document Collections/Microfilm
• Next: Finding Primary Sources Online >>
• Last Updated: Sep 4, 2024 3:51 PM
• URL: https://guides.library.harvard.edu/history

Harvard University Digital Accessibility Policy

Best History Research Paper Topics

Dive into the world of historical scholarship with our comprehensive guide to the best history research paper topics . Primarily designed for students tasked with writing history research papers, this guide presents a curated list of 100 exceptional topics, divided into 10 distinct categories, each with a unique historical focus. The guide offers clear and practical advice on how to choose the most compelling history research paper topics, and provides 10 handy tips on crafting an outstanding research paper. In addition to academic guidance, the guide introduces the superior writing services of iResearchNet, a reliable option for students needing customized history research papers.

Comprehensive List of Best History Research Paper Topics

The following comprehensive list of the best history research paper topics is crafted to stimulate your curiosity and ignite your passion for historical study. These topics cover a range of historical periods and geographical locations to cater to the diverse interests of history students.

Academic Writing, Editing, Proofreading, And Problem Solving Services

Get 10% off with 24start discount code.

Ancient History Topics

• The Causes and Effects of the Fall of the Roman Empire
• Daily Life in Ancient Egypt
• The Influence of Alexander the Great’s Conquests on the Hellenistic World
• The Role of Women in Spartan Society
• The Construction and Significance of the Great Wall of China
• The Impact of Confucianism on Ancient Chinese Society
• Trade Routes and their Role in the Expansion of Ancient Civilizations
• The Cultural and Political Influence of the Phoenician Civilization
• Comparing Democracy in Ancient Greece to Modern Democracy
• The Religious Practices and Beliefs of the Mayans

Medieval History Topics

• The Role of the Catholic Church in Medieval Europe
• The Impact of the Black Death on Medieval Society
• The Cultural Significance of the Knights Templar
• Gender Roles and Family Structure in Medieval Japan
• The Causes and Consequences of the Hundred Years War
• The Political Structure of the Byzantine Empire
• The Influence of the Carolingian Renaissance on Europe
• The Role of Vikings in European Trade and Exploration
• The Crusades: Causes, Events, and Consequences
• The Architecture and Symbolism of Gothic Cathedrals

Early Modern History Topics

• The Causes and Effects of the Protestant Reformation
• The Role of the Enlightenment in the French Revolution
• The Impact of the Scientific Revolution on European Society
• The Socioeconomic Consequences of the Industrial Revolution
• The Influence of the Ottoman Empire on Southeast Europe
• The Role of Slavery in the Colonial Economies
• The Politics and Culture of the Renaissance in Italy
• European Imperialism in Africa and Asia
• The Cultural and Political Impacts of the Mughal Empire
• The American Revolution: Causes, Events, and Legacy

Modern History Topics

• The Causes and Global Consequences of World War I
• The Great Depression: Causes and Effects
• The Role of Propaganda in World War II
• The Impact of the Cold War on International Relations
• The Civil Rights Movement in the United States
• The Fall of the Berlin Wall and the End of the Cold War
• The Effects of Decolonization in the 20th Century
• The Role of Women in the World Wars
• The Formation and Impact of the European Union
• The Causes and Consequences of the Arab Spring

Asian History Topics

• The Cultural Impact of the Silk Road in Asia
• The Effects of Colonial Rule in India
• The Legacy of the Mongol Empire in Asia
• The Cultural and Political Changes in China’s Cultural Revolution
• The Korean War: Causes, Events, and Consequences
• The Role of Samurai in Feudal Japan
• The Impact of the Opium Wars on China
• The Influence of Buddhism on Asian Cultures
• The Cambodian Genocide under the Khmer Rouge
• The Role of Gandhi in India’s Independence

American History Topics

• The Impact of the New Deal on the American Economy
• The Vietnam War: Causes, Events, and Legacy
• The Influence of the Beat Generation on American Culture
• The Role of Manifest Destiny in Westward Expansion
• The Cuban Missile Crisis and Its Effects on the Cold War
• The Women’s Suffrage Movement in the United States
• The Native American Civil Rights Movement
• The Role of the Transcontinental Railroad in American Expansion
• The Civil War: Causes, Events, and Aftermath
• The Immigration Wave at Ellis Island: Causes and Effects

European History Topics

• The Impacts of the Russian Revolution
• The Influence of Martin Luther’s Theses on Europe
• The British Empire: Rise, Dominance, and Fall
• The Role of Art in the French Revolution
• The Impact of the Spanish Inquisition on Spain and its Colonies
• The Rise and Influence of Fascism in Europe
• The Role of the Catholic Church in the Middle Ages
• The Consequences of the Treaty of Versailles
• The Formation and Impact of NATO
• The Role of the Media in the Fall of the Berlin Wall

African History Topics

• The Effects of Apartheid in South Africa
• The Influence of the Trans-Saharan Trade on West African Societies
• The Role of Nelson Mandela in Ending Apartheid
• The Scramble for Africa and its Effects on the Continent
• The Impact of the Atlantic Slave Trade on West Africa
• The Rwandan Genocide: Causes and Consequences
• The Role of the African Union in Continental Politics
• The Impact of Islam on North Africa
• The Decolonization of Africa in the 20th Century
• The Role of Women in Pre-Colonial African Societies

Military History Topics

• The Influence of Technological Innovations on Warfare
• The Role of the French Foreign Legion in Global Conflicts
• The Impact of the Manhattan Project on World War II and Beyond
• The Role of the Spartans in Ancient Greek Warfare
• The Impact of Drones on Modern Warfare
• The Influence of the English Longbow on Medieval Warfare
• The Role of the Maginot Line in World War II
• The Impact of Naval Power on the British Empire
• The Influence of Nuclear Weapons on International Politics
• The Role of Propaganda in World War I

This expansive list of best history research paper topics offers a comprehensive exploration of the past, crossing different eras, regions, and themes. They form a rich tapestry of human experience and a foundation for understanding our present and future. Choose a topic that piques your interest, ignites your curiosity, and promises a journey of intellectual discovery. Remember that the exploration of history is a journey into the roots of our shared humanity and an exploration of the forces that shape our world.

History and What Range of Best Research Paper Topics it Offers

As a subject of study, history is more than a chronological list of events, dates, and prominent figures. History is the exploration of human experiences, societal changes, political upheavals, cultural transformations, economic shifts, and technological advancements across different periods and regions. This exploration allows us to understand how the past has shaped our present and how it can potentially shape our future. It teaches us to appreciate the complexities and nuances of human nature and society, making history a rich field for research paper topics.

History is an interdisciplinary field, interweaving elements from various areas of study, including politics, sociology, economics, anthropology, geography, and literature. This interdisciplinary nature provides a wide array of best history research paper topics. Moreover, the global scope of history further broadens the pool of topics, as it encompasses every region of the world and every period from the dawn of human civilization to the present day.

Exploring Different Periods

Historical research often focuses on specific periods, each offering unique topics for exploration. For instance, Ancient History provides topics related to ancient civilizations like Rome, Greece, Egypt, China, and India, and key events such as Alexander the Great’s conquests or the fall of the Roman Empire.

The Medieval Period offers topics related to the socio-political structure of societies, the influence of religion, the impact of plagues, and the role of significant historical figures. Researching the Renaissance can focus on cultural, artistic, and scientific revolutions that have shaped the modern world.

The Modern History category contains topics related to significant events and transformations, such as world wars, the Great Depression, the Cold War, decolonization, and various national and international movements.

Geographical Perspectives

Geographical focus is another common approach in historical research. Asian history encompasses topics ranging from the influence of Confucianism in China to the impact of colonial rule in India. European history explores events such as the Enlightenment, the French and Russian revolutions, and the formation of the European Union. American history topics can cover everything from Manifest Destiny to the Civil Rights Movement. African history can delve into the effects of the Atlantic Slave Trade, the apartheid era, and decolonization.

Thematic Approaches

In addition to period- and region-based topics, history offers an extensive range of thematic topics. These themes often intersect with other disciplines, leading to exciting interdisciplinary research opportunities.

Social and cultural history, for instance, covers diverse topics such as the influence of the Harlem Renaissance on African American culture, the counterculture movement of the 1960s, the role of film and television in shaping societies, or the impacts of the Internet on global culture.

Military history provides a wide range of topics related to warfare, strategy, technological developments, and the influence of military conflicts on societies and politics. From the use of the English longbow in medieval warfare to the impact of drones on modern warfare, this field offers a variety of fascinating topics.

Making the Right Choice

The choice of a research paper topic in history should ideally be guided by your interest, the available resources, and the requirements of your assignment. With such a wide range of topics, it can be challenging to make a choice. But remember, a good history research paper topic is not just about the past; it should also engage with the present and potentially shed light on the future. The best research paper topics are those that not only delve deep into the annals of history but also resonate with current issues and debates.

The study of history is a gateway into the vast narrative of human civilization. With an extensive range of periods, regions, and themes to choose from, history offers a rich reservoir of research paper topics. As we delve into the past, we discover the forces that have shaped our world, gain insights into the human experience, and glean lessons for our future. This journey of exploration makes history an incredibly exciting field for research papers.

How to Choose Best History Research Paper Topics

Choosing the best history research paper topic can be the first step towards a rewarding intellectual journey. It’s not just about meeting academic requirements; it’s about uncovering facets of the past that intrigue you and may potentially contribute to the broader understanding of history. Here are twenty in-depth tips that will guide you through the process and help you select the best topic for your history research paper.

• Understand the Assignment: Understanding your assignment’s requirements is the primary and most critical step in selecting a topic. Take time to carefully read the guidelines given by your instructor. Are there any specific historical periods, geographical regions, or themes you are required to focus on? Do the instructions indicate the scope or complexity level of the topic? Comprehending the parameters set by your instructor will significantly narrow down your options.
• Choose a Time Period: One way to approach the topic selection is by focusing on a particular time period that sparks your interest. It could be anything from the Bronze Age, to the Renaissance, to World War II. The more interested you are in the chosen time period, the more engaged you will be in the research process.
• Pick a Region: Similar to choosing a time period, selecting a particular region or country can also help narrow down potential topics. Are you fascinated by the history of East Asia, intrigued by ancient Egypt, or drawn to the socio-political history of Europe? Starting with a geographic focus can provide a strong foundation for your research.
• Identify a Theme: In addition to or instead of a time period or region, you might want to choose a theme that you wish to explore. Themes can range from political history, cultural history, history of science and technology, to gender history, among others. A thematic approach can offer a unique perspective and can even allow you to cross over different time periods or regions.
• Conduct Preliminary Research: Even before you have a firm topic in hand, engage in some preliminary research. This could involve reviewing textbooks, scholarly articles, or reputable online resources related to your chosen period, region, or theme. Preliminary research can give you a general sense of the historical context and inspire potential topics.
• Seek Inspiration from Existing Works: As part of your preliminary research, look at other research papers, theses, or dissertations in your area of interest. This can give you a good idea of what has been done, what gaps exist in the research, and where your research could potentially fit in.
• Scope Your Topic: The scope of your topic should be proportionate to the length and depth of your paper. If your paper is relatively short, a narrow, focused topic would be more suitable. For a longer and more complex paper, a broader topic that explores multiple facets or perspectives would be more appropriate.
• Consider the Relevance: Another aspect to consider when selecting a topic is its relevance. Does the topic have any relation to the course you are undertaking? Does it reflect on current historical or social debates? A topic that connects your historical research to broader academic or social issues can make your paper more impactful and engaging.
• Look for Unique Angles: While not every research paper can revolutionize the field, striving for some degree of originality in your work is always a good practice. Look for unique angles, underexplored areas, or new perspectives on a well-trodden topic. Presenting a fresh approach can make your paper more interesting for both you and your readers.
• Assess the Availability of Sources: Your research paper is only as good as your sources. Before finalizing your topic, make sure there are enough primary and secondary sources available to you. This could be in the form of books, academic articles, documentary films, archives, databases, or digital resources.
• Evaluate the Feasibility: Beyond the availability of sources, consider other practical aspects of your chosen topic. Is it feasible to conduct the research within the given time frame? Is the topic too complex or too simplistic for your current academic level? A realistic evaluation of these factors at an early stage can save you a lot of time and effort down the line.
• Reflect on Your Interests: Above all, select a topic that genuinely piques your curiosity. A research paper is a significant undertaking, and your interest in the topic will sustain you through potential challenges. If you are passionate about the topic, it will reflect in your writing and make your paper more compelling.
• Solicit Feedback: Seek advice from your instructor, classmates, or any other knowledgeable individuals. They may be able to provide valuable feedback, point out potential pitfalls, or suggest different perspectives that can enrich your research.
• Be Flexible: Be prepared to tweak, adjust, or even overhaul your topic as you delve deeper into the research process. New information or insights may emerge that shift your focus or challenge your initial assumptions.
• Bridge the Past and Present: Try to find topics that allow you to connect historical events or phenomena with contemporary issues. This can provide additional depth to your paper and may also appeal to a broader audience.
• Consult Specialized Encyclopedias and Guides: These can provide overviews of various topics and can often suggest areas for research. They also offer bibliographies which can serve as a starting point for your research.
• Draft a Preliminary Thesis Statement: Once you have a potential topic, try drafting a preliminary thesis statement. This can help you focus your ideas and give you a clear direction for your research.
• Ensure Your Topic Meets the Assignment Goals: Check back with your assignment guidelines to make sure your chosen topic meets all the requirements. It’s a good idea to do this before you start your in-depth research.
• Be Ready to Invest Time and Effort: Choose a topic that you are ready to spend time on. Remember, you will be working on this topic for an extended period, so choose something that you find interesting and engaging.
• Enjoy the Process: Finally, remember that the process of researching and writing a history paper can be a source of enjoyment and intellectual satisfaction. Choose a topic that not only meets academic requirements but also gives you a sense of accomplishment and discovery.

Choosing the best history research paper topic is not merely about fulfilling an academic requirement. It’s about setting the stage for a journey into the past, an exploration of humanity’s collective memory. The right topic will not only make this journey enjoyable but also deeply enlightening. By considering these tips, you can select a topic that resonates with you and holds the potential for a meaningful scholarly contribution.

How to Write a Best History Research Paper

Writing a history research paper can be a rewarding experience, providing an opportunity to delve into the past and explore the events, ideas, and personalities that have shaped our world. However, crafting a high-quality paper requires more than just an interest in the subject matter. It involves thorough research, analytical thinking, and clear, persuasive writing. Here are twenty comprehensive tips on how to write a best history research paper.

• Understand the Assignment: Begin by thoroughly understanding the assignment. Ensure you grasp the requirements, the scope of the paper, the format, and the deadline. Clear any doubts with your professor or peers before you start.
• Select a Suitable Topic: As discussed earlier, choosing an appropriate topic is crucial. It should be engaging, manageable, and meet the assignment’s requirements. Consider your interests, the available resources, and the paper’s scope when choosing the topic.
• Conduct In-Depth Research: Once the topic is decided, embark on thorough research. Use a variety of sources, such as books, academic journals, credible online sources, primary sources, and documentaries. Remember to take notes and record the sources for citation purposes.
• Formulate a Thesis Statement: The thesis statement is the central argument or point of your paper. It should be clear, concise, and debatable, providing a roadmap for your entire paper. The thesis statement should guide your research and each main point you make in your paper should support this central idea.
• Create an Outline: An outline helps organize your thoughts and arguments. Typically, it should include an introduction (with the thesis statement), body paragraphs (with topic sentences), and a conclusion. Each point in your outline should be a reflection of your thesis statement.
• Start with a Strong Introduction: The introduction should be engaging, provide some background on the topic, and include the thesis statement. It sets the tone for the rest of your paper, so make it compelling and informative.
• Develop Body Paragraphs: Each body paragraph should focus on one main idea that supports your thesis. Begin with a topic sentence, provide evidence or arguments, and then conclude the paragraph by linking it back to your thesis. Be clear and concise in your arguments.
• Use Evidence Effectively: Support your arguments with evidence from your research. This could include quotations, statistics, or primary source materials. Remember to interpret the evidence and explain its relevance to your argument.
• Maintain a Logical Flow: The ideas in your paper should flow logically from one point to the next. Use transitional words and phrases to maintain continuity and help guide your reader through your paper.
• Write a Compelling Conclusion: Your conclusion should sum up your main points, restate the thesis in light of the evidence provided, and possibly offer areas for further research or a concluding insight. It should leave the reader with something to think about.
• Cite Your Sources: Always cite your sources properly. This not only gives credit where it’s due but also strengthens your argument by indicating the breadth of your research. Ensure you follow the required citation style (APA, MLA, Chicago, etc.).
• Revise for Clarity and Coherence: After finishing your initial draft, revise your work. Check for clarity, coherence, and consistency of argument. Ensure each paragraph has a clear focus, and that the paragraphs flow smoothly from one idea to the next.
• Proofread: Proofread your paper for grammar, punctuation, and spelling errors. Such errors can distract from the content and undermine your credibility as a writer. Reading your paper aloud or having someone else read it can help catch errors you might have missed.
• Seek Feedback: Before finalizing your paper, consider seeking feedback from your professor, peers, or a writing center tutor. They can provide valuable perspectives and suggestions for improvement that you might not have considered.
• Write in a Formal Academic Style: Your paper should be written in a formal academic style. Avoid slang, colloquialisms, and overly complex language. Be clear, concise, and precise in your expression.
• Avoid Plagiarism: Plagiarism is a serious academic offense. Ensure that all ideas and words that are not your own are properly cited. When in doubt, it’s better to over-cite than to under-cite.
• Stay Objective: A good history paper is objective and does not include personal opinions or biases. It relies on facts and evidence, and presents balanced arguments. Stick to the evidence and avoid emotional language.
• Be Original: Strive for originality in your argument and interpretation. While your topic might not be entirely new, your perspective on it can be. Don’t be afraid to challenge established interpretations if you have evidence to support your argument.
• Use Primary Sources Wisely: Primary sources are invaluable in historical research. However, remember that they should be used to support your argument, not to construct it. Your analysis and interpretation of the sources are what matters.
• Enjoy the Process: Finally, remember to enjoy the process. Writing a research paper is not just an academic exercise, but a journey into the past. It’s a chance to learn, explore, and contribute to our understanding of history.

In conclusion, writing a best history research paper requires careful planning, thorough research, clear writing, and detailed revision. However, the process can be highly rewarding, leading to new insights and a deeper understanding of history. These tips provide a comprehensive guide to help you craft a top-notch history research paper. Remember, history is a continually evolving dialogue, and your paper is your chance to join the conversation.

Custom Writing Services

When it comes to academic writing, particularly in the realm of history, the challenges are manifold. Selecting a suitable topic, conducting thorough research, forming persuasive arguments, and structuring your thoughts in a coherent and scholarly manner can often be a daunting task. This is where iResearchNet comes to your aid. As a premier academic writing service, iResearchNet provides students with the opportunity to order a custom history research paper on any topic. The goal is to alleviate your academic stress while ensuring that you meet your educational goals.

Key features of iResearchNet’s services include:

• Expert Degree-Holding Writers: Our team consists of professionals who are not just well-versed in various historical topics, but also have extensive experience in academic writing.
• Custom Written Works: Every paper we deliver is created from scratch, tailored to your specific requirements and instructions, ensuring originality and uniqueness.
• In-Depth Research: Our writers are committed to conducting meticulous and comprehensive research to gather relevant information and provide insightful perspectives for your paper.
• Custom Formatting: Whether your paper requires APA, MLA, Chicago/Turabian, or Harvard style, our team is proficient in all these citation formats.
• Top Quality: Quality is not negotiable for us. We strive to provide superior writing services that align with the highest academic standards.
• Customized Solutions: Every student is unique, and so are our solutions. We customize our approach based on your individual needs and the demands of your project.
• Flexible Pricing: We understand the financial constraints students may face, and therefore, we offer a variety of pricing plans to suit different budgets.
• Short Deadlines: We accept orders with deadlines as short as 3 hours, always delivering on time without compromising the quality of work.
• Timely Delivery: We understand the importance of meeting deadlines in academia and ensure timely delivery of all assignments.
• 24/7 Support: Our customer service team is available round the clock to assist you with any queries or issues you may have.
• Absolute Privacy: We maintain strict confidentiality and privacy policies to protect your personal information.
• Easy Order Tracking: With our seamless order tracking system, you can easily monitor the progress of your paper.
• Money Back Guarantee: We offer a money-back guarantee if our work does not meet the agreed-upon standards, giving you peace of mind when using our services.

In conclusion, iResearchNet offers a comprehensive suite of academic writing services designed to support students in their academic journey. From expert writers and custom written works to in-depth research and timely delivery, iResearchNet is equipped to handle any history research paper with excellence and dedication. We believe in delivering high-quality, original, and impactful research papers that can elevate your academic experience and success. So why wait? Avail of iResearchNet’s services today and experience the relief and satisfaction of handing in a top-quality history research paper.

You’re One Step Away From Your Perfect History Research Paper!

Students often find themselves at a crossroads when it comes to writing a history research paper. With so many topics to explore and limited time to do so, this can seem like an insurmountable challenge. But it doesn’t have to be. iResearchNet is here to transform this challenge into a remarkable academic journey.

Imagine handing in a meticulously researched and perfectly structured history research paper, crafted by an expert writer with a deep understanding of your topic. Picture the relief as you submit a top-quality assignment, knowing that you’ve fulfilled all the requirements to the highest standard. And visualize the sense of achievement when you receive the grade you’ve been striving for.

This is more than a possibility – it’s a reality with iResearchNet. Our expert writing services provide a path to academic success that’s both straightforward and stress-free. You can say goodbye to the anxiety of looming deadlines and the stress of achieving the perfect balance in your paper.

Why waste precious time and energy struggling with complex historical data, grappling with the perfect argument, or wrestling with formatting guidelines? Instead, invest in your future with iResearchNet, where we turn your academic challenges into milestones of success.

So, are you ready to excel in your history research paper and make a lasting impression on your professors? Click on the order button, provide your paper details, and let our expert writers do the rest. Success in your history class is just a click away with iResearchNet!

ORDER HIGH QUALITY CUSTOM PAPER