Integrated Music Theory an open, interactive, online textbook for college music theory
CC BY-NC-SA 2018.
Integrated Music Theory 2018-19
Weekly assignment - units 6 & 7.
- Pay careful attention to Step #5 in the instructions. I and V chords (and their inversions) are your only options.
- Be mindful of the key signatures.
- Make sure to play your examples back using a keyboard. Your ear will catch most mistakes.
- Same as above. Only I and V chords (and their inversions) will be accepted.
- Remember that the seventh scale degree must be raised in minor.
- You may ignore question (b). This question is poorly constructed, and would require a VI M6/5 as a correct answer that incorporates E-flat as a chord tone.
- You do not need to complete A or C.
- add progression only, NO part-writing yet
- Disregard instructions, although you should still ignore all circled pitches; the circled pitches are non-chord tones.
- See cadence abbreviations below.
- Disregard instructions.
- 12.1.I.A - C (ignore IAC “strong” vs. “contrapuntal”)
NOTE: Cadence abbreviations: PAC = Perfect Authentic Cadence, IAC = Imperfect Authentic Cadence, HC = Half Cadence, DC = Deceptive Cadence
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View 205A, HW 6.pdf from MUSIC 151 at San Diego State University. T NAMI ASSIGNMENT 12.2 [ Error detection in chord spacing write the root, quality, and inversion (3 ...
Follow the steps from the list below when searching for errors. The next page gives specific examples of how to use this methodology for numbers 5 through 8. Voice-crossing. Exception: alto and tenor may cross briefly if musically necessary; Spacing: In a four-part texture, are the top three voices within an octave of the adjacent voices? Range ...
NAME ASSIGNMENT 12.2 I. Error detection in chord spacing Write the root, quality, and inversion (3, 3, or $) for each chord in chorale style. Then choose (from the. following list) the type of error that applies to the chord, and write the lett... Show more.
Q I need help providing an analysis for chords. I have to select roman numerals (i through vii). The chord is in the key
The general rule of spacing is to keep the distance between soprano and alto as well as the distance between alto to tenor within an octave of each other. Allowing a distance greater than an octave between soprano and alto (or between alto and tenor) is considered spacing error.
11) Practical Part-writing Lesson 11a - Voice-leading for Root Position Triads and Seventh Chords; Discussion 11a - Voice-leading for Root Position Triads and Seventh Chords
Word spacing; 0 /50; ... 4.6 Common Rhythmic Notation Errors. 4.7 Practice Exercises. 5 Intervals. ... 18.2 Secondary Diminished Chords in Major and Minor.
NAME ASSIGNMENT 12.2 I. Error detection in chord spacing Write the root, quality, and inversion (3, 3, or $) for each chord in chorale style. Then choose (from the following list) the type of error
Study with Quizlet and memorize flashcards containing terms like chord, Theorem: Within a circle or in congruent circles, congruent central angles have..... Converse: Within a circle or in congruent circles, congruent arcs have......, Theorem: Within a circle or in congruent circles, congruent chords have.....
Identifying features of pitch, interval, scales and keys, chords, meter, rhythm, and other musical concepts in performed and notated music. Singing a notated melody on sight. Notating music that you hear. Completing music based on cues, following common-practice style.