writing book reviews for kirkus reviews

Top 5 Book Review Sites Every Author Should Submit To

Written By Write With Light Publications, LLC

0 comment(s), october 13, 2021, don’t rush your book.

We can’t say it enough and yet we see it happen all the time.

When on the verge of publishing a book, we see one big mistake happen, especially if the author is rushing the publication process of their book.

Many times, we see them write, edit and then publish, giving no time or space to properly market or get the word out about their book.

So how is a reader supposed to find your book if it’s not even out there yet? How will they see it without proper awareness?

Authors who self-publish for the first time (usually) are missing a crucial piece to the publishing process: Submitting their book to book review sites.

Why Do I Need to Submit My Books for Review?

Submitting your book to review to a good review source can help you leverage your book before it’s even launched.

Having people review your book from these five book review sites we are talking about later, even if the reviews are positive or negative, can be powerful.

There are a few reasons all authors should be submitting their book for review.

• You can gain quality reviews
• Create awareness for your book
• Book reviewers could possibly share your work with others (word of mouth marketing)
• Can influence readers to pre-order your book
• It’s free marketing!

Although sharing your work with others to get their opinion on your book is daunting, it’s still a necessary step to take before you even publish. Don’t forget this crucial step in the publishing and promotion process if you don’t want to sabotage your book .

How Long Does the Review Process Take?

The review copy process can take some time, which is probably why a lot of people skip the process. But if you want a good quality review from a quality source, you need to take the time to fit a book review process into your book publishing timeline.

The review copy process can take anywhere from 3-4 months. So why is that?

A majority of book reviewers and credible book review sites require at least 3-4 months after submission and before launch to review your book.

Reviewers get a lot of inquiries and a lot of books, some of which they give to two different readers for review. If they choose your book for review you need to give them 3-4 months to review it.

The downside is, you just have to be patient.

When Should I Submit My Books For Review?

If you’re finished writing your book, we highly recommend getting it edited by a professional before handing it off to reviewers.

Before you even submit your books for review, edit your book. Period.

Even if you have an amazing cover with a captivating synopsis, it will mean nothing if you send a book in with a wealth of mistakes roaming freely.

Reviewers will not read through your book if there are mistakes. Only send your book out for review when it is 100% ready.

Who Should I Be Submitting Books to For Review?

If you do decide to work this book review timeframe into your schedule, there are five sites you can get started with, some of which are free and some of which are paid.

So the top 5 book review sites you absolutely should at least consider,

• Publisher’s Weekly
• Write With Light Publications

We’ll explain all of them and their benefits below!

It’s also important to keep in mind that there are multiple other avenues for getting book reviews including having bookstagrammers on Instagram review your work, or sending it out to other smaller publications that would fit your niche.

For now, we’ll just cover some of the essential sites that will give you actual reviews without you having to ask freelance book reviewers.

Kirkus (Paid)

Kirkus has been around since 1933 and was founded by Virginia Kirkus. Back then, she realized there was a need for book reviews not backed by the publisher themselves. Seeing this need, she started a business that would give writers the book reviews they need while also allowing American booksellers to buy products backed by unbiased opinions.

As far as book review sites go, Kirkus is one of the most prestigious and trusted book reviewers in the business and offers an unbiased assessment of your book—which could be negative or positive. But their outstanding reviews come at a price. That being said, the review is worth it to many.

Here are some of the prices for Kirkus Reviews:

• Traditional Reviews: Costs $425 for a 250-word review.
• Expanded Reviews: Costs $525 for a 500-word review.
• Picture Book Reviews: Cost $350 for a 200-word review.

All of the reviews are turned around in 7-9 weeks but can be expedited for an additional fee. After receiving your review, you can add some of the best quotes to your product listings on Amazon, Barnes & Noble, and other sites to help promote the book.

You also have the option to publish your review on Kirkus if you like what they have to say. If you do choose to publish it, Kirkus may consider your review for publication in their magazine which reaches 50,000 users.

If you’re ready to get your book reviewed, visit Kirkus to get started .

Booklife (Paid)

To receive another guaranteed book review for a price, you can also choose Booklife .

Booklife is an extension of the popular site, Publisher’s Weekly, and provides publishing advice and assistance to find authors.

Booklife is usually great for indie authors who need a great review from a reputable source. It is also slightly less in cost than Kirkus.

A Booklife review costs $399 for 300 words.

Authors will get their review back in an estimated 4-6 weeks. The one downside of submitting for review with Booklife is there is a word count limit. Only books 100,000 words are less can be considered for a review.

The upside is the review with be featured on Booklife’s website and Publisher Weekly’s website. To learn more about the submission guidelines and get reviewed, visit Booklife’s Review FAQs page .

Reedsy (Paid)

Probably one of our favorite places to get books reviewed is Reedsy .

We love this site because it is so affordable and you get an honest book review from a professional book reviewer. See a Reedsy book review for one of our authors!

Like Booklife and Kirkus, you will get a quality book review but at a much lower price and it is guaranteed. Reedsy can also be synced with Goodreads, which allows your reviewer to publish their review before the book even launches.

Authors who choose to get their books reviewed with Reedsy will spend only $50 per book for a lengthy review from a frequent book reviewer.

The great thing is, your book is available to be reviewed by anyone who is interested. Additionally, you can contact the reviewers to ask them to review your book

On Reedsy, your book can only be reviewed once, although, we really wish they would allow more, especially if other reviewers want to take a peek.

Publisher’s Weekly (Free)

Like we mentioned earlier, Publisher’s Weekly is associated with Booklife, which is a paid review service.

Publisher’s Weekly, however, is a free review service , which will bring a smile to most indie authors who are on a tight budget with marketing.

The one downside of submitting a book review to Publisher’s Weekly is your review is not guaranteed. Publisher’s Weekly reviewers take a very slim amount of submissions for review, which means they take the elite when it comes to books.

If your book is chosen for review by Publisher’s Weekly, you’ve probably got yourself a great book. Although there is no guarantee for a book review, it’s worth submitting anyways.

To get your book reviewed with Publisher’s Weekly, check out their submission guidelines .

Write With Light Publications (Free)

We know we have a long ways to go to be as great and revered as websites like Publisher’s Weekly and Kirkus. But hey! We all have to start somewhere!

At Write With Light Publications, we have a deep desire to help indie authors get their books out there in the world. One of the best ways to do that is to read your book and give you a quality review.

Our reviews are completely free to you as long as you follow our strict guidelines.

To learn more about our book reviews, check out our submission guidelines !

New More Publishing Help?

Write With Light Publications offers a variety of publishing services that are intended to support indie authors with their self-publishing endeavors.

If you’re feeling lost with marketing, publishing, or even creating your book, consider getting some assistance from us!

You can see more about our services here .

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Blog – Posted on Friday, Mar 29

17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

How much of a book nerd are you, really?

Find out here, once and for all. Takes 30 seconds!

Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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Kirkus Reviews: A Comprehensive Review for Indie Authors

Kirkus Reviews is among the most recognized names in book reviewing, having been in the industry for over 85 years. For many, a review from Kirkus is a coveted stamp of approval. But how well does it cater to the unique needs and aspirations of indie authors? Let’s delve deep into the pros, cons, and ultimately, the worthiness of Kirkus Reviews for the indie author community.

1. Prestige and Credibility Kirkus is undeniably one of the most reputable names in the book review sector. A positive review can offer a significant boost to a book’s credibility. Many readers, booksellers, and librarians trust Kirkus ‘ evaluations, making it a potent marketing tool.

2. Inclusion in Kirkus Indie Program Understanding the burgeoning self-publishing market, Kirkus has a dedicated segment for indie authors called Kirkus Indie . This ensures that indie books are not overshadowed by traditionally published works and get the attention they deserve.

3. Comprehensive Review Kirkus provides detailed, objective, and honest reviews, typically around 250-300 words. These reviews can be a valuable feedback tool for authors, whether they’re novices or experienced.

4. Marketing Opportunities A positive Kirkus review can be leveraged for marketing. From featuring the review on your book cover to using it in press releases, the possibilities are varied.

1. Costly for Indie Authors While traditionally published authors usually don’t bear the direct cost of a Kirkus review (as their publishing house might take care of it), indie authors must. The fee can be a substantial investment, especially for new authors.

2. No Guarantee of a Positive Review Paying for a review does not ensure it will be positive. While this upholds Kirkus ‘ integrity, it also means authors risk receiving a negative review after making a significant financial investment.

3. Limited Impact on Sales While a Kirkus review can add credibility to a book, it doesn’t necessarily translate into sales. Many factors influence a book’s sales, and relying on a single review might not bring the desired ROI.

4. Turnaround Time For authors looking for quick reviews, the standard Kirkus Indie review’s turnaround time might feel lengthy, though they do offer expedited services at higher rates.

Is Kirkus Reviews Worth It for Indie Authors?

The answer largely depends on what an author seeks from the review.

• If you’re an indie author aiming to gain credibility and leverage a review for long-term branding, investing in a Kirkus review might be a smart move.
• If immediate sales or a limited budget are concerns, it might be worth exploring other avenues first.

Remember, while a Kirkus review can be a fantastic feather in your cap, the most successful indie authors often combine it with other marketing and promotional strategies for maximum impact.

In conclusion, Kirkus Reviews offers undeniable prestige. However, indie authors should weigh the cost against their particular goals and budget before diving in. As always, due diligence and a multifaceted approach to book promotion tend to yield the best results.

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Kirkus Reviews and the Plight of the “Problematic” Book Review

Kirkus Reviews is a magazine, though few readers of its work have ever seen a copy. Like the Michelin guides, it’s known for verdicts spread across the publishing world, bringing good books to first attention and helping to sweep aside huge piles of dross. A Kirkus review is short—fewer than four hundred words—and written to a form. There’s a one-line précis to start. There’s a paragraph of plot and character summary, culminating in formal assessment. And there’s a quotable verdict of one line or one word (“ Stunning ”). Kirkus’s main virtue is its comprehensiveness: it gets through hundreds of titles even in a slow month. To people who stock shelves, it can be orienting, and, for publishers, it is a geyser of back-cover praise. Kirkus gets its authority from its scale, yet readers generally encounter its reviews individually, book by book.

Kirkus has been getting reviews of its own recently, after deciding to remove a star—its marker for exceptional books—from a young-adult title and revising the accompanying review. At first, it praised “ American Heart ,” by Laura Moriarty. The novel, to be published this winter, is about a fifteen-year-old white girl from Missouri who supports Muslim-detainment camps until she meets a Muslim woman whom she helps escape to Canada. (The novel is said to echo “Huckleberry Finn.”) Kirkus took down the review, and its editor-in-chief, Claiborne Smith, responded to public concern that “American Heart” was a “white savior” narrative: a story about a person of color who relies on the compassion of a white protagonist for rescue.

The book’s female Muslim reviewer, he wrote , was “well-versed in the dangers of white savior narratives.” Even so, he seemed to override her first assessment. In interviews with Kat Rosenfield , of Vulture, and with NPR , Smith acknowledged that Kirkus removed the star after noticing the book’s white point of view. A new, charier review of “American Heart,” meanwhile, replaced the original, noting that the white heroine’s “ignorance is an effective worldbuilding device, but it is problematic that Sadaf”—the Muslim woman—“is seen only through the white protagonist’s filter.”

Kirkus says that the reviewer merely updated her assessment in a way that was “listening” to public complaint. Yet the controversy rattles on, especially because the emendation touches on a broader change, from late 2015, in how the magazine writes about children’s and young-adult fiction. Reviews now explicitly note major characters’ skin colors. Reviewers of books for young readers are given special training to help “identify problematic tropes and representations,” and the reviews themselves are assigned to what Kirkus calls “own voices” reviewers—that is, writers who share an affinity of “lived experience” with characters in the book.

To understand why Kirkus’s decision to revise its review of “American Heart” is insidious, it is helpful to look first at what the magazine has done right. There is nothing unacceptable about removing a book’s star, for the same reason that there is nothing unacceptable about adding one: editors who bestow a distinction of their own invention are entirely entitled to take it away. There is also nothing wrong with trying to balance point-of-view biases in writing and reviewing. In fact, there is a lot to like. The Kirkus editor responsible for instituting these policies, Vicky Smith, has written about her rationale, which appears sane and well-considered.

“Over and over, I’ve heard from parents, librarians, teachers, and kids themselves that it would be wonderful to read books about black kids, or Indian kids, or Native American kids who are just being kids instead of being oppressed in some way,” Smith explained . If you start noting ethnicity to make those books recognizable, she pointed out, you really ought to report whiteness, too. Smith conceded that all of this gratuitous description can read strangely, and anyone who makes a survey of Kirkus’s young-adult reviews will agree. “The torment that has followed the young white woman since freshman year disappears,” one review reads. Another : “Lyra, Gemma, and Pete are white, Caelum has dark skin, and a number of important minor characters are described as having dark, black, or brown skin.” O.K., well, thanks. Still, the laborious specificity seems a fair price for a chance to nudge American fiction toward a state that better reflects American society. Some awkwardness and growing pains are inevitable in a moment of change.

That is not what’s going on with the “American Heart” review. Circumstances conducive to contemporary enlightenment were in place from the start: an observant Muslim woman, presumably given Kirkus’s sensitivity training, was assigned a review about a book featuring a female Muslim character; the protagonists’ races and relationships were adequately described. The reviewer published her assessment. Then, moved to reconsider either by her editorial superiors or by public response (or both), she allowed Kirkus to publish an update to her judgment.

In doing so, Kirkus , one of the country’s most prolific book reviews, has somehow managed to misapprehend both the nature of reviewing and the nature of books. As I’ve written in this magazine , criticism exists in different flavors, but its defining feature is an individualism of response. That response can be wise or unwise, popular or unpopular. A reviewer can squander authority by seeming too often at odds with good judgment. But, without critical autonomy, the enterprise falls apart. The only reason to hire a critic, instead of giving a megaphone to the crowd, is that creative work—books most of all—isn’t processed as a collective. People make sense of art as individuals, and their experiences of the work differ individually, too. A reviewer speaks for somebody , even if he or she doesn’t speak for you.

To assume otherwise risks the worst kind of generalization. I went to high school in San Francisco at the height of the multiculturalism movement. My freshman curriculum did not include “The Catcher in the Rye,” “The Great Gatsby,” or “Moby-Dick.” We read, instead, “Their Eyes Were Watching God” and “Bless Me, Ultima,” and other books showing the range of American fiction. I’m glad. (One can read “The Grapes of Wrath” anytime.) I remember finding Hurston’s novel brilliant and Anaya’s novel boring. I did not conclude, from these feelings, that African-American literature was interesting and Chicano literature was not. Why would I? The joy of books is the joy of people: they’re individuals, with a balance of virtues and flaws. We are free to find—and learn our way into—the ones that we enjoy the most, wherever they come from.

That specificity of response is what Vicky Smith seems to encourage by opening the full canon of new work to new readers. It’s also, though, the diversity that Kirkus has smothered by issuing a “correction”—the editor’s word—on the political emphasis of a published response. Although it’s easy these days to forget, a politics is a practice of problem-solving, case by case, not a unilateral set of color-coded rules. If certain inputs guarantee certain outputs, what’s in play isn’t politics but doctrine. Kirkus , admirably, is trying to be on the progressive side of a moment of transition in our reading. But its recent choices aren’t about progress, or about helping young people find their way through many voices. They’re about reducing books to concepts—and subjecting individuals who read them to the judgments of a crowd.

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Ten Honest Review Sites for New Authors

Books flood into review sites, and the sheer numbers overwhelm book review editors. They must make choices: the big New York publishers or the little guys?

Publicists are Tweeting the editors and importuning them with e-mails. “Well, are you going to review my guy or gal or not?”

Probably not. There’s just not time. And the number of newspapers with book review sections keeps shrinking.

If this is publishing’s new reality, how are unknown authors supposed to get pithy, cover quotes? Hire a publicist? Sure, but not everyone can afford that.

If you want to throw a “Hail Mary,” you can join the National Book Critics Circle and gain access to the members of that organization. Alternately, you can monitor the group’s Twitter feed and collect Twitter addresses. Be forewarned, however.

Without a publicist, small presses, independent publishers, and self-published authors have very little chance of making it into the book review sections of national newspapers.

But, don’t give up yet. There are paid and unpaid review sites that will give you what you want–a “money quote.”

The Money Quote

Long before a book goes to press, the author or publisher needs to solicit reviews. Why? Because it’s good to have a “money quote.” That’s a single sentence you can put on the cover to promote it.

Here’s the money quote for my novel, Montpelier Tomorrow . “An affecting, deeply honest novel; at the same time, a lacerating indictment of our modern health care system.”– Kirkus Review

And, here’s a money quote for Bonds of Love & Blood . “MacDonald applies insight, power, and delicacy to create characters between whom the psychic space virtually sizzles.”– Foreword Reviews

You need quotes like these in your marketing campaign. That campaign can involve Tweets, blog tours, press releases, podcasts, and speaking engagements. But, all that effort begins with you deciding which review sites you’re going to target.

In this post I’m going to cover free review site and sites that charge money. Sometimes the same review organization will do both. ( Foreword Reviews, Kirkus Review , and Publishers Weekly/BookLife are examples of two-tiered review sites.)

The Skinny on Review Sites

I’ve seen disparaging comments on the web about sites that charge authors money in exchange for reviews. Honestly, it’s a very competitive world out there, and most sites that want you to pay for a review do not guarantee a positive outcome.

The reviewer can pan your book or give it a lukewarm endorsement. In that case (since you’ve forked over money), you can ask the site not to publish; but that’s the only break you’re going to get. Money doesn’t buy happiness, and it doesn’t buy a five-star review.

I’ve solicited both paid and unpaid reviews. Some of the paid reviews have been the best, not because I bought the reviewers’ good opinion, but because the readers took time to read thoroughly and respond in a “feelingful” way.

Apart from reviews, what authors want most is that vital connection with readers. Our chances improve if the review sites allow reviewers to self-select from among the many books available for review. One site, for instance, says they receive 1,000 books per month. There’s no way the editor who manages that rising tide can possibly know which readers who will be receptive. As I said, review sites are literally being inundated.

Review Sites | Free or Cheap

The Midwest Book Review — This is a site that favors small presses. If the book has not yet been published, the author or publisher can pay a $50 “reader fee” (which is an administrative fee) and MBR will assign a reviewer. At that point the author or publisher will send the reviewer a pre-publication manuscript, galley, uncorrected proof, ARC, or pdf file . Turnaround isn’t instantaneous, so it’s important to allow enough time, especially if you want a money quote for your book cover.

If your book is too far along to qualify for a pre-publication review, you can still try to get one from MBR, one of the oldest and most respected review sites in the country. The editor, James Fox, asks that you send two copies of the book, a press release, and a physical address to which they can mail the review.

If the book isn’t picked up by one of their volunteer reviewers during the 12 to 14-week time window, you can submit a review from any other reviewer (with their permission), and they’ll run the review in their newsletter.

While you’re on their site make sure you take note of their info about Book Review Magazines Used by Librarians and Other Book Reviewers . The latter is a helpful list because it includes review sites for academic books.

Foreword Reviews is one of my favorite sites for small and independent presses and for indie authors .

“To be considered for a review in the pages of Foreword Reviews magazine, a review copy (printed or digital) of the title in question must be received in the Foreword offices at least two months prior to the book’s firm publication date. Once we have our hands on your book, our managing editor will carefully critique whether it meets our editorial standards. We receive hundreds of worthy titles every month. Due to space limitations, we’re only able to review 150 books per issue of the quarterly magazine. If your book did not make the cut, we also offer objective, 450-word reviews (including a star rating) by Clarion Reviews , Foreword ‘s fee-for-review service.”

These folks produce a beautiful magazine, and their reviewers are great. Unlike Kirkus Review (more on that in a minute) Foreword Reviews does not charge for its reviews. I’m very proud that my short story collection, BONDS OF LOVE & BLOOD , is a finalist for their IndieFab awards and that they featured the book in their January issue. The magazine spotlights many books published by university and small presses.

New Pages is a great site for small and independent presses, but not so great for self-published authors and presses that use a POD printer. New Pages doesn’t charge for their reviews, and they are also inundated with new books.

“If you want your book to be considered for a review, please send two copies. We need to keep one in the office to check against any review that might be submitted. Advanced Reading Copies are acceptable.”

Their address is New Pages, PO Box 1580, Bay City, MI 48706. If your book is self-published or published by a POD publisher (such as CreateSpace), they will not review your book , but they will list it on their “Books Received” page. If, in their initial screening, they think your book looks promising, they will offer it to their reviewers, but it is up to the reviewers to choose.

Even if you can’t get a review from these folks, the site is still worth visiting. Don’t overlook their  New Pages Guide to Review Sources .

BookLife is a new venture for Publishers Weekly , the big gorilla in the publishing zoo. (If your book’s publisher produces works by multiple authors, then the publisher must submit the book through the Publishers Weekly’s GalleyTracker portal.)

Prior to launching BookLife, an author could only get a book review on PW if the author’s publisher submitted the book and if PW accepted the book for review. With BookLife you’ll have a chance at getting your book reviewed, but only if the book meets their standards .

Amazingly, the review is free. You’ll also find that they’re offering a host of other services, including helpful info about ISBN numbers, social media, and publicity. That is undoubtedly where they intend to make money.

Kirkus Indie Reviews is one of the sites acquisition librarians consult, and Kirkus reviews carry weight with readers. Kirkus Indie needs a lot of lead time–7 to 9 weeks ($425) for a standard submission and 4 to 6 weeks ($575) for a rush job.

If you’re publishing with a small or independent press, and they did not submit your book prior to publication, you can still get it reviewed under Kirkus’s Indie program.

“In the interest of introducing consumers and industry influencers to self-published books they might otherwise never discover, Kirkus Indie does not put any restrictions on publication dates for submissions. You may order a review for a book that’s been on the market for 10 years or for a book that doesn’t even have a publication date yet.”

Kirkus Indie reviews are eligible for Kirkus stars.

I’ve had two books reviewed by Kirkus Reviews . Click the link at left, and see if you can tell the difference between the one I paid for and the one I didn’t. (Hint: The publisher of BONDS OF LOVE & BLOOD submitted an ARC to Kirkus prior to publication.)

Kirkus Review clearly states that they do not review POD (print-on-demand) books except in their Indie program, but both my books were produced using POD technology, and they reviewed them.

Review Sites That Want You To Show Them The Money

Some of my favorite reviews have come from review sites that require a modest payment. Often these sites employ volunteer reviewers, but sometimes, they pay their reviewers for taking the time to write a coherent review.

The US Review of Books is a site that has given both my books great reviews. They state that they “ do not sell editing or manuscript review services on the side . This practice creates a clear conflict of interest with the integrity of a fair and honest review.” ( Kirkus Review does sell editing services.) A basic review with US Review of Books costs $75, but if you’re close to your pub date, you can get an express review for $129. If you’re on Twitter and you include the hashtag #USReview in your Tweet, they will retweet to their list.

An added feature of the US Review of Books site is that it supports the Eric Hoffer Award . This is an award for new books, and it also honors books that have been around for awhile. I’m thrilled that the cover of BONDS OF LOVE & BLOOD is a finalist for the da Vinci Eye award.

The Readers’ Favorite Book Review and Award Contest is one of the review sites that every indie author needs to know about. I know there are a lot of sites out there that have a gajillion categories and steep entry fees. They bilk new authors with the promise of recognition. However, Readers’ Favorite Book Review is different. The people who run the site have high integrity.

The site will do one free review of your book, and the reviews are done by real readers. You can rank your reader, just as your reader ranks you. But, there’s more! For $129 you get three reviews, and for $199 you can order five. In addition to putting the reviews on their site, they will post the reviews to Goodreads and Barnes & Noble (but not to Amazon because Amazon doesn’t accept paid reviews. Oddly, Amazon doesn’t accept reviews from Midwest Book Review , even though that site has been around a long time and has a solid reputation for objectivity.)

If you enter the Readers’ Favorite Award Contest and are one of their finalists, you become eligible to join their Forum. Contest winners share strategies they’ve used to market their books, and I can’t think of another site that’s as genial and helpful as this one.

Last year I won a Gold Medal for Drama for MONTPELIER TOMORROW , and I was invited to attend their award ceremony in Miami, held in conjunction with the Miami Book Fair. It was a first-class event. These folks truly are dedicated to indie authors, and the writers you meet, either in person or online, soon become your friends.

Pacific Book Review is a site that provides reviews and extra features, such as author interviews. The PBR Basic Review Package costs $300, and they post the review to Oasis (a library site), Barnes & Noble, Google Books, the Apple iStore, Authorsden.com, Bookblog.com, and Writers Digest Book Blog. They use professional reviewers who know how to think about–and write about–books.

If you’re in need of another review, they have a second review site called Hollywood Book Reviews . For another $200 you can order a professionally written review/press release and see it posted on all major sites.

Reader Views is another good site for indie authors, as well as small and university presses. Their basic package for one review costs $119, but they have a disclaimer saying that the cost isn’t actually paying for a review, merely for their processing. If you need reader reviews for Amazon, Barnes & Noble, and Goodreads, on top of a book review, ask about their book giveaways . What’s good is that you get the reviewers’ email addresses so that you can send them a “thank you” note.

That’s a start! What sites have you found? I’d love to hear about your successes.

Marylee MacDonald is the author of MONTPELIER TOMORROW, BONDS OF LOVE & BLOOD, BODY LANGUAGE, and THE BIG BOOK OF SMALL PRESSES AND INDEPENDENT PUBLISHERS. Her books and stories have won the Barry Hannah Prize, the Jeanne M. Leiby Memorial Chapbook Award, a Readers' Favorites Gold Medal for Drama, the American Literary Review Fiction Prize, a Wishing Shelf Book Award, and many others. She holds an M.A. in Creative Writing from San Francisco State, and when not reading or writing books, she loves to walk on the beach and explore National Parks.

2 Responses to “Ten Honest Review Sites for New Authors”

I review for the following three virtual book tour companies: 1. Great Escapes Virtual Book Tours . Lori offers free review tours for cozy mysteries. She charges for other genres as a way to support the free cozies.

2. Historical Fiction Virtual Blog Tours . They set up and run tours for authors of historical fiction. They have done and do scores of tours. I do not know their pricing structure.

3. TLC Book Tours . Again, scads of tours under their belts and in the pipeline (I have some reviews scheduled out through August.) I do not know their pricing structure here, either.

There are a few other sites for which I review, but they are smaller and/or I haven’t worked with them as much.

Thanks so much for these great links. I knew about TLC, but not the other two.

All Content © 2024 Marylee MacDonald

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Excellent service with great…

Excellent service with great communication and outstanding return on investment. And I'm not exaggerating. I felt that the review I received for my hybrid (indie) published book, ARE BISEXUALS JUST GREEDY? was very fair and accurate. I loved how the reviewer had paid great attention to detail in my book, and included complimenting my talented illustrator. It also had a note of questioning if one chapter could've been a deeper dive, which added to the authenticity in the review. Furthermore, since the review was published whenever I've had questions or need help, my points of contact Paola and Leah have been quick to respond with warm replies. Thank you.

Date of experience : February 07, 2023

Various books, uniform professionalism

I have placed several books - in varying genres - in the hands of Kirkus reviewers, and have always felt I got a fair shake, a literate review, and unfailing courtesy and professionalism at every step of the way. It's a five star shop in my estimation.

Date of experience : August 30, 2023

Kirkus Reviews: a valuable resource

Kirkus Reviews are among the benchmarks for authors to receive valuable, accurate feedback on their books. As soon as I posted the Kirkus Review of my latest book on social media, the responses flooded in from readers, publishers, and writers who recognize the value of a Kirkus Review. The staff, including the Editorial Assistant, have been impressively communicative, replying to my emails and questions promptly and effectively. I definitely will keep Kirkus Reviews in mind for my next book release.

Date of experience : November 16, 2023

Communications were clear and direct

Communications were clear and direct. The review came in on time and the reviewer clearly read the book with care and made insightful comments.

Date of experience : February 19, 2024

Working with Kirkus Reviews: smooth, efficient, no red tape. All the people I communicated with online were sharp and courteous. I sensed genuine great enthusiasm for good literature.

Date of experience : November 07, 2023

Kirkus was responsive and clear about…

Kirkus was responsive and clear about my campaign. They helped me place impactful ads and reach a significant audience through multiple platforms.

Date of experience : June 01, 2023

Kirkus is what it claims to be

Kirkus is what it claims to be. That is why true authors submit to them. We want that honest review and judgment. So I know it is a gamble of an investment to put it out there. Yet, if you are honest with yourself and believe that you have given your novel your heart and soul plus have looked back with a fresh set of eyes, you should submit. This may very well be the rocket fuel you need to go for your dreams. As for my experience, everything was done in a very timely manner. Amy, Ky, and Leah are wonderful to work with. Amy helped me get the ball rolling and always answered all of my questions. Ky did exceptional work for my book's cover art. Leah made sure all the details about my novel were accurate and was very polite. I highly recommend them.

Date of experience : April 20, 2023

Spreading the Word!

Thank you for SPREADING THE WORD for my book, Lizzy Has Fantastic Feet! Your emails, newsletters, and podcasts were distributed to thousands of recipients and friends.

Date of experience : June 23, 2023

Hats off to Kirkus Reviews!

The editorial assistants were exceptionally helpful... The reviewer captured the essence of my writing, truly understood my work, and grasped what I am trying to do. First-rate and top-notch service at all levels of this company! I couldn't be more impressed by their professionalism and high-quality standards...

Date of experience : January 19, 2023

Professional, courteous, efficient service

I had two middle-grade novels reviewed in the past year or so. Here are my experiences: First, the process: this was a very smooth. Add the manuscript, add the cover, and one receives an approximate date that the review will be ready. Luckily, I believe both came before the stated due date. Second, the reviews: both were fine, but in the second, the reviewer really understood almost all the nuances of the book. In my heart, I knew I had crafted the plot, subplots, and action better than the first book, and the review showed that. Moreover, the second review was less a summary and more an analysis of why it was a very decent book. Thank you. Third, the staff support: the first time I applied, I didn’t know what to expect. I’m used to waiting for people to “get back to you” from any online inquiry. However, I clearly remember an editorial assistant (initials P.B.) who not only answered expeditiously but was able to promptly help with one quirky issue I had last year. Assistance for this second book was no different. The same editorial assistant and the other colleagues are professional, courteous, and conscientious about their work. I think without them, the program wouldn’t be as efficient!

Date of experience : January 10, 2023

Tremendous Customer Service

This is my second turn at using Kirkus and I couldn't be more pleased if I tried. Both times there was a minor technical issue. As soon as I called them out they were fixed the same day. The fact that I got two solid reviews makes me happy too.

Date of experience : August 22, 2023

Review well written and completed in the time frame promised.

Review well written and completed in the time frame promised. Follow-up communication was excellent, and I was pleased to have the review subsequently featured as an "Editor's Pick" in Kirkus Reviews magazine.

Date of experience : August 21, 2023

I wish I had read more comments online…

I wish I had read more comments online before spending $674 on a Kirkus review. I naively assumed that for that amount of money I would receive a discerning analysis that at worst would yield a quotation or two that could be used to market the book. That's not what happened. Like others, I received a vacuous summary that read more like a book report written by a lazy high school student--who sprinkled in a few quotations to demonstrate they had "read" the book--than a professional review. While the "review" was not negative, there was no critical engagement and not one sentence worth quoting or one positive comment about a book that has been praised elsewhere. The only hint at criticism was a peevish complaint that the book is too long and there are too many deaths--six over a period of fifty years. In my experience it is evident that Kirkus does not offer a service commensurate with the cost of a review and that it takes advantage of the good faith of people who have put a lot of time and effort into their work. A brief examination of comments online supports the perception that the reviewers are unqualified, even apathetic, readers looking to pick up a little extra income who are not governed by uniform standards or professional oversight. You may have written a very good book, but don't believe the reviewers at Kirkus will make the effort to read your work carefully or write a few words to acknowledge that.

Date of experience : March 28, 2023

Don't waste your money

Don't waste your money, especially if you are an author of color.

Date of experience : November 30, 2022

Customer is God

I recently went to Google and typed in the search bar, "Book Reviewer Jobs" I found reedsy.com on the top of the search result. The tittle of the site, "17 Legitimate Sites That Pay Reviewers" was very catchy and I jumped into it. You may get surprised that kirkusreviews.com was on the first rank in the article. My curiosity led me to the trustpilot.com to find the reviews of both sites. I came a cross many positive reviews of reedsy then I jumped towards the kirkus.com and got shocked to see only two reviews and those two reviews were not good too. Then I personally went to kirkusreviews.com and found nothing bad there. That shocking experience inspire me to give a positive review on suggestion based. On the base of my little experience I'll like to give some healthy and productive suggestions to the site owner. I often use to visit trust pilot every time I come a cross a new website to know how much the particular site is value able in the eyes of it's users, clients etc. By frequently visiting the trust pilot I observed one thing very closely that the active site owners also come here. They not only bear the negative reviews but also try their best to satisfy their reviewers. This is what I want to say that what may one think but customer is God. 2. You must never disappoint your clients because a client is your first and foremost advertisement of your site. So always be humble towards them and try to solve their problems as much as possible. 3. Positive negotiation leads to the possible solution. 4. It takes much time to reach at the top. I will say it is easy to be at the first rank. But the thing that is the hardest one to maintain that position till the last breadth. 5. Self reviewing is the best review one can ever imagine. Always see the things happening around. Ask several questions from yourself. Try to find the new and different ways and reach at the possible solutions of the occurring problems.

Date of experience : February 20, 2021

Professional

The review of my novel was thoughtful, professional and well written. Customer reps handled the details well.

Date of experience : October 13, 2023

Can I give ZERO stars?

Is it possible to give ZERO stars instead of one? I'm an established, multi-award-winning author, and for my most recent book, like others here, I paid $500 for a supposedly professional review, given Kirkus carries weight in literary circles and the bookselling world. What I received instead was a poorly written summary by a very biased reviewer who obviously did not read past the first chapter, but cherry-picked a few sentences to form their dismissive opinion. Not only is the book described as a "caregiver's memoir" (it's actually about being outsiders in a foreign country), but the so-called-review contains numerous factual errors—including one of the protagonists' nationality, which is central to the narrative on being an outsider. All of which underscore that the reviewer did not actually READ the book. As someone has already pointed out, Kirkus states it will use its "best efforts to provide a review that is impartial and unbiased." Yet their chosen reviewer clearly has a strong distaste for anything with a spiritual, "alternative" or New Age vibe; so much so, they actually used the word "annoying" to describe my "affirmation-speak" (their description). Really, Kirkus? My writing has won multiple awards, and this latest book was selected as an Editor's Pick by Publishers Weekly—who gave it a beautiful and glowing review, with an "A" score in all categories! Similarly with the other professional reviews we obtained, ALL of which have been overwhelmingly positive. Kirkus missed the boat entirely. The fact that they keep their reviewers anonymous not only allows the comments to be biased, but for them to skate off with writing a crappy summary for a book their reviewer merely skimmed. Despite all this, I decided the lukewarm final line of the so-called-review—"the money quote," as people call it—was worth using simply because of Kirkus's clout. I wrote to them, pointing out my disappointment that their reviewer clearly did not READ the book (as proven by the numerous factual errors which I outlined), stipulating I would be willing to publish the review IF the errors were corrected. To date, three months later, I have never received a reply from their so-called Customer Service, and the corrections have still not been made. In all, a complete waste of money and a TERRIBLE, unprofessional show on the part of a company who sits jauntily as an established trade review periodical. Author, beware!

Date of experience : January 19, 2024

Great service by the Kirkus team…

Great service by the Kirkus team especially by Dan Nolan!

Date of experience : January 18, 2024

Buyer beware

Buyer beware reviewers have clear bias for children's books and the service keeps them anonymous.

Date of experience : June 29, 2023

Speaking my truth review

Writing speaking my truth has been my biggest blessing that I have accomplished it took me about a year and a half to put it all together I was really scared to tell the world my story but as soon as it came out I was able to breathe a sigh of relief and I hope people from all walks of life can relate to my story and always speak their truth.

Date of experience : January 24, 2023

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Do You Guys Pay Attention to Kirkus Book Reviews?

Recently I've gone ahead and purchased a Kirkus Book Review through their Indie Author service. I know there is countless ways to get some free reviews and I'm working on that too. But I'm curious if their prestige actually means anything to you guys on here?

To me the only reviews that matter are the word of mouth ones and the ones I read on paperbacks in the airport. A lot of the other books I read are gifts from friends. What goes into your decision for the books you purchase?

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• Seen & Heard

Publication of Book With JD Vance Foreword Delayed

BY Michael Schaub • Aug. 8, 2024

The author of a book with a foreword by Republican vice presidential candidate JD Vance has delayed its publication until after the presidential election, RealClearPolitics reports .

Kevin Roberts, the president of the right-wing think tank the Heritage Foundation and an architect of its controversial Project 2025 initiative, will no longer publish his Dawn’s Early Light: Taking Back Washington To Save America in September, as originally planned. The book, which conservative publisher Broadside Books says “outlines a peaceful ‘Second American Revolution,’” is now listed with a publication date of Nov. 12, one week after Election Day.

Roberts’ Project 2025 has become a political lightning rod in this year’s presidential election. The policy initiative is essentially a proposed plan for the federal government if former President Donald Trump wins back the White House; it suggests expanding presidential powers, restricting access to contraception and abortion, and cutting the budgets of Medicare and Medicaid. Trump has attempted to distance himself from the initiative.

Dawn’s Early Light , Broadside says, targets “corrupt” institutions including “Ivy League colleges, the FBI, the New York Times , the National Institute of Allergy and Infectious Diseases, the Department of Education, BlackRock, the Bill and Melinda Gates Foundation, [and] the National Endowment for Democracy.”

Last month, the New Republic printed Vance’s foreword to the book, in which he writes, “We are now all realizing that it’s time to circle the wagons and load the muskets. In the fights that lay ahead, these ideas are an essential weapon.”

Roberts told RealClearPolitics , “There’s a time for writing, reading, and book tours—and a time to put down the books and go fight like hell to take back our country. That’s why I’ve chosen to move my book’s publication and promotion to after the election.”

Michael Schaub is a contributing writer.

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