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What Is Nonfiction: Definition and Examples

By Sarah Oakley

Table of Contents

What is nonfiction, is nonfiction a genre, what is a nonfiction book example, how prowritingaid can help you write nonfiction.

Nonfiction writing has become one of the most popular genres of books published today. Most nonfiction books are about modern day problems, science, or details of actual events and lives.

If you’re looking for informative writing made up of factual details rather than fiction, nonfiction is a great option. It serves to develop your knowledge about different topics, and it helps you learn about real events.

In this article, we’ll explain what nonfiction is, what to expect from the nonfiction genre, and some examples of nonfiction books.

If you’re considering writing a book, and you can’t decide between fiction or nonfiction , it helps to know exactly what nonfiction is first.

Similarly, if you want to indulge in some self-development, and you decide to read some books, you’ll need to know what to look for in a nonfiction book to ensure you’re reading factual content.

Nonfiction Definition

To define the word nonfiction, we can break it down into two parts. “Non” is a prefix that means the absence of something. “Fiction” means writing that features ideas and elements purely from the author’s imagination.

Therefore, when you put those two definitions together, it suggests nonfiction is the absence of writing that comes from someone’s imagination. To put it in a better way, nonfiction is about facts and evidence rather than imaginary events and characters who don’t exist. 

Nonfiction Meaning

As nonfiction writing sounds like the opposite of fiction writing, you might think nonfiction is all true and objective, but that’s not the case. While nonfiction writing contains factual elements, such as real people, concepts, and events, it’s not always objectively true accounts.

A lot of nonfiction writing is opinionated or biased discussions about the subject of the writing.

For example, you might be a football expert, and you want to write a book about the top goal scorers of 2022. Your piece could be objective and discuss exactly who scored the most goals in 2022, or you could add some opinions and discuss who scored the best goals or who performed the best on the pitch.

Opinions make nonfiction books more unique to the author, as it sounds more authentic and human because we all have our own thoughts and feelings about things.

Adding opinions can also make nonfiction books more interesting for readers, as you can be more controversial or use exaggeration to increase reader engagement. Many readers like to pick up books that challenge their thoughts about certain topics.

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Nonfiction is a genre, but it’s more of an umbrella term for several reference and factual genres. When you’re in the nonfiction section of a bookstore or library, you’ll find the books in categories based on the overall theme or topic of the book.

There are several categories of nonfiction:

Biographies, autobiographies, and memoirs

Travel writing and travel guides

Academic journals

Philosophical and modern social science

Journalism and news media

Self-help books

How-to guides

Humorous books

Reference books

Historical, academic, reference, philosophical, and social science books often focus on factual representations of information about specific subjects, events, and key ideas. The tone of these books is often more formal, though there are some informal examples available.

Biography , memoir, travel writing, humor, and self-help books are creative nonfiction. This means they’re based on true events and stories, but the writer uses a lot more creative freedom to tell stories and pass on information about what they have learned from life.

Readers often criticize journalism and news media for not being objectively truthful when telling people about events. However, almost all journalism is biased or opinionated in one way or another. Therefore, it’s good to read from multiple different sources for your news updates.

If you want to read nonfiction to get an idea of what it’s like, we’ve got several examples of great nonfiction books for you to check out.

Historical : The Making of the Atomic Bomb by Richard Rhodes

Biography : This Much is True by Miriam Margolyes

Travel Writing : Blue Highways: A Journey into America by William Least Heat-Moon

Philosophical : The Alignment Problem: How Can Machines Learn Human Values? By Brian Christian

Self-Help : Why Has Nobody Told Me This Before? By Dr. Julie Smith

Humor : What If?: Serious Scientific Answers to Absurd Hypothetical Questions by Randall Munroe

If you want to write nonfiction, you can use ProWritingAid to ensure you avoid publishing a manuscript full of grammatical errors. Whether you’re looking for a second pair of eyes catching quick fixes as you write, or a full analysis of your manuscript once it’s written, ProWritingAid has you covered.

You can use the Realtime checker to see suggested improvements to your writing as you’re working. If you use the in-tool learning features as well, you’ll see fewer suggestions as you write because it’ll essentially train you to become a better writer.

If you’re more of a full-blown analysis editor, try using the Readability report to see suggestions highlighting where you can improve your writing to ensure more readers can understand what you’re saying. Readability is important if you want to reach more readers who have different levels of reading comprehension.

Another great report you can use for nonfiction writing is the Transitions report. Transitions are the words that show cause and effect within your writing. If you want your reader to follow your points and arguments, you need to include plenty of transitions to improve the flow of your writing.

Now that you know what nonfiction means and how ProWritingAid can help you produce a great nonfiction book, try nonfiction writing , and see how fun it is to share your knowledge and opinions with the world. Just don’t forget to check your work is factual and relevant.

Sarah Oakley

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Fiction and Nonfiction: Understanding the Distinctions

Becoming a skilled writer requires knowing the different genres available. Let’s start with the basics: understanding the difference between fiction and nonfiction.

What’s the Difference Between “Fiction” and “Nonfiction”?

Fiction refers to “something created in the imagination .” Therefore, fictional writing is based on events that the author made up rather than real ones. Nonfiction is “writing that revolves around facts , real people, and events that actually occurred .”

Table of Contents

What does “fiction” mean (with examples).

What Does “Nonfiction” Mean? (With Examples)

How To Write Fiction and Nonfiction Masterpieces

An artist discerns subtle brushstrokes that look identical to the average person. They can also recognize hundreds of colors by their names. Similarly, as writers, we must be familiar with distinct types of prose, with the foundation of that knowledge being the ability to differentiate between fiction and nonfiction .

If you’ve ever been uncertain about these terms, you’re in the right place. We’ll help you get a solid grasp of what fiction and nonfiction mean by providing clear explanations and examples.

Let’s dive in!

Fiction is “written work that is invented or created in the mind.” Put differently, the narrative is imaginary and didn’t actually happen. Novels, short stories, epic poems, plays, and comic books are a few types of fiction writing.

Examples of famous fiction literature include:

Alice in Wonderland by Lewis Carroll 

Animal Farm by George Orwell  

Fahrenheit 451 by Ray Bradbury 

The Harry Potter Series by J.K. Rowling 

Don Quixote de la Mancha by Miguel de Cervantes 

Fiction can read like this:

On my way to the city of Bolognaland, I noticed that my water-fueled flying car was running low on energy. So, I stopped by the water station and filled up the tank. There, I saw the most beautiful sunset of green, turquoise, and black. As the sun set below the horizon, the two moons—Luminara and Crescelia—took their place in the night sky.

To the best of our knowledge, every single aspect of the story written above is imaginary, from Bolognaland to the two moons. However, it’s important to note that not every component of a fictional story has to be created out of thin air. For example, someone could come up with a tale about a man who grew up in Cleveland, Ohio, which is an actual place in the United States. A fictional story can incorporate many components that are nonfiction .

The word fiction isn’t always used to describe a type of literature; it can also refer to anything false.

Don’t believe anything he says—it’s all fiction !

The legend of the hidden treasure has been passed down in this family for generations, but most of us think it’s fiction .

A main part of my job as a historian is to separate fact from fiction in ancient manuscripts.

“Fictional” vs. “Fictitious”

Fictional and fictitious both relate to things or people that are made up and are often used interchangeably. However, fictional typically describes something that originates from literature , movies , or other forms of storytelling , and fictitious can refer to something that is false and intended to deceive . In other words, it carries more of a negative connotation.

What Does “Nonfiction” Mean?

Nonfiction refers to “literature that is based on facts, real events, and real people.” Nonfiction writers aim to compose everything as truthfully and accurately as possible. However, sometimes authors enhance certain parts to make them more interesting, or they are required to change specific facts, like names, for privacy reasons.

Memoirs, biographies, articles, essays, and even personal journal entries are a few types of nonfiction texts.

A few examples of famous published nonfiction works include:

Elon Musk by Walter Isaacson

When Breath Becomes Air by Paul Kalanithi

The Diary of a Young Girl by Anne Frank

Educated by Tara Westover

The Hidden Life of Trees by Peter Wohlleben 

Here’s a piece of nonfiction text:

Elon Musk was born in Pretoria, South Africa on June 28, 1971. His mother is Maye Musk, and his father is Errol Musk. Musk has two siblings, a younger brother named Kimbal and a younger sister named Tosca. 

This text is accurate and based on facts; therefore, it is considered nonfiction . But please note that it is not exemplary of nonfiction works—they’re not all boring, rigid, and monotonous. Skilled nonfiction writers weave rhetorical devices, interesting facts, and more to keep readers engaged.

Is it “Nonfiction” or “Non-Fiction”?

This word can be spelled as a hyphenated ( non-fiction ) or non-hyphenated ( nonfiction ) compound word . The spelling depends on which English dialect you’re writing in.

In American English, nonfiction is more commonly used. Both forms are found in British English, but non-fiction is slightly more prevalent.

How To Write Fictional and Nonfictional Masterpieces

We should reiterate that fiction and nonfiction writing can overlap. That means that some fiction includes components of nonfiction and vice versa .

What’s vital to remember is that fiction writing is mostly made up of fabricated stories, whereas nonfiction writing is mostly composed of the truth.

Written masterpieces can be found in all genres, including fiction and nonfiction . When it’s time for you to work on yours, make sure you entrust LanguageTool as your writing assistant. As a multilingual, AI-driven, spell, grammar, and punctuation checker, LanguageTool rids your texts of various types of errors while ensuring you stay productive to reach your goals.

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Fiction vs. Nonfiction – What’s the Difference?

Home » Fiction vs. Nonfiction – What’s the Difference?

We see these words in libraries and bookstores, in magazines and online, but what do fiction and nonfiction really mean? What kinds of writing belong in each of these categories, and why?

You are not the first writer to ask these questions, and you will not be the last. Works of fiction and nonfiction can each be enthralling and valuable pieces of literature, but they are different in several important ways.

Continue reading to learn the differences between fiction and nonfiction , and how you can use these words in your own writing.

What is the Difference Between Fiction and Nonfiction?

In this post, I will compare fiction vs. nonfiction . I will use each of these words in at least one example sentence, so you can see them in context.

I will also show you a unique memory tool that will help you decide whether a piece of literature is fiction or nonfiction .

When to Use Fiction

In popular language, fiction is also used to describe anything that is not true.

Here are a few examples of the word fiction in a sentence,

• “I am penning a new work of fiction!” said the old-timey writer from a coffee shop in Paris.
• “The President’s allegations are pure fiction!” screamed the reporters.
• Many people did not know that The War of the Worlds was a work of fiction the first time they heard it.
• Some of the new technologies seem straight out of science fiction. – The Wall Street Journal

Novels are a classic example of fictional prose. If you enjoy reading novels, you are a fan of reading fiction.

When to Use Nonfiction

Here are a few more examples,

• “You will find the biography of Rutherford B. Hayes in the nonfiction section,” said the librarian.
• I would write a memoir, but the details of my life are so fantastical that people would not believe it is a work of nonfiction.
• The new self-help book climbed its way to the top of the nonfiction best sellers list.
• A biography of a book, rather than a person, is a relatively new wrinkle in nonfiction. – The Washington Post

If you enjoy reading biographies, memoirs, historical works, or books on current events, you are a fan of nonfiction works.

Nonfiction sometimes appears as a hyphenated word: non-fiction. Either spelling is accepted, but, as you can see from the below graph, you can see that nonfiction is much more common.

Trick to Remember the Difference

A work that is nonfiction is a recounting of real events. A work of fiction is based on made-up people or events.

Since fiction and false begin with the same letter, we can easily remember that fiction is false , even if it is an excellent and well-crafted story.

You can extend this mnemonic to nonfiction as well. A nonfiction story is not fake .

Is it fiction or nonfiction? Fiction and nonfiction are two categories of writing.

• Fiction deals with made-up people or events.
• Nonfiction deals with real life.

Fiction is also a word that is commonly used to describe anything that is not true , like wild accusations or patently false testimony. This article, though, is a work of nonfiction.

Since fiction and false each begin with the letter F , remembering that a work of fiction is not a true story should not be difficult to remember.

It might be difficult to remember the difference between these words, but remember, you can always reread this article for a quick refresher.

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nonfictional prose

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nonfictional prose , any literary work that is based mainly on fact, even though it may contain fictional elements. Examples are the essay and biography.

Defining nonfictional prose literature is an immensely challenging task. This type of literature differs from bald statements of fact, such as those recorded in an old chronicle or inserted in a business letter or in an impersonal message of mere information. As used in a broad sense, the term nonfictional prose literature here designates writing intended to instruct (but does not include highly scientific and erudite writings in which no aesthetic concern is evinced), to persuade, to convert, or to convey experience or reality through “factual” or spiritual revelation. Separate articles cover biography and literary criticism .

Nonfictional prose genres cover an almost infinite variety of themes, and they assume many shapes. In quantitative terms, if such could ever be valid in such nonmeasurable matters, they probably include more than half of all that has been written in countries having a literature of their own. Nonfictional prose genres have flourished in nearly all countries with advanced literatures. The genres include political and polemical writings, biographical and autobiographical literature, religious writings, and philosophical, and moral or religious writings.

After the Renaissance, from the 16th century onward in Europe, a personal manner of writing grew in importance. The author strove for more or less disguised self-revelation and introspective analysis, often in the form of letters, private diaries, and confessions. Also of increasing importance were aphorisms after the style of the ancient Roman philosophers Seneca and Epictetus, imaginary dialogues , and historical narratives, and later, journalistic articles and extremely diverse essays. From the 19th century, writers in Romance and Slavic languages especially, and to a far lesser extent British and American writers, developed the attitude that a literature is most truly modern when it acquires a marked degree of self-awareness and obstinately reflects on its purpose and technique. Such writers were not content with imaginative creation alone: they also explained their work and defined their method in prefaces, reflections, essays, self-portraits, and critical articles. The 19th-century French poet Charles Baudelaire asserted that no great poet could ever quite resist the temptation to become also a critic : a critic of others and of himself. Indeed, most modern writers, in lands other than the United States , whether they be poets, novelists, or dramatists, have composed more nonfictional prose than poetry, fiction , or drama. In the instances of such monumental figures of 20th-century literature as the poets Ezra Pound , T.S. Eliot , and William Butler Yeats , or the novelists Thomas Mann and André Gide , that part of their output may well be considered by posterity to be equal in importance to their more imaginative writing.

It is virtually impossible to attempt a unitary characterization of nonfictional prose. The concern that any definition is a limitation, and perhaps an exclusion of the essential, is nowhere more apposite than to this inordinately vast and variegated literature. Ever since the ancient Greek and Roman philosophers devised literary genres , some critics have found it convenient to arrange literary production into kinds or to refer it to modes.

Obviously, a realm as boundless and diverse as nonfictional prose literature cannot be characterized as having any unity of intent, of technique, or of style. It can be defined, very loosely, only by what it is not. Many exceptions, in such a mass of writings, can always be brought up to contradict any rule or generalization. No prescriptive treatment is acceptable for the writing of essays, of aphorisms, of literary journalism , of polemical controversy, of travel literature, of memoirs and intimate diaries. No norms are recognized to determine whether a dialogue , a confession, a piece of religious or of scientific writing, is excellent, mediocre , or outright bad, and each author has to be relished, and appraised, chiefly in his own right. “The only technique,” the English critic F.R. Leavis wrote in 1957, “is that which compels words to express an intensively personal way of feeling.” Intensity is probably useful as a standard; yet it is a variable, and often elusive , quality, possessed by polemicists and by ardent essayists to a greater extent than by others who are equally great. “Loving, and taking the liberties of a lover” was Virginia Woolf ’s characterization of the 19th-century critic William Hazlitt ’s style: it instilled passion into his critical essays. But other equally significant English essayists of the same century, such as Charles Lamb or Walter Pater , or the French critic Hippolyte Taine , under an impassive mask, loved too, but differently. Still other nonfictional writers have been detached, seemingly aloof, or, like the 17th-century French epigrammatist La Rochefoucauld, sarcastic. Their intensity is of another sort.

Prose that is nonfictional is generally supposed to cling to reality more closely than that which invents stories, or frames imaginary plots. Calling it “realistic,” however, would be a gross distortion. Since nonfictional prose does not stress inventiveness of themes and of characters independent of the author’s self, it appears in the eyes of some moderns to be inferior to works of imagination. In the middle of the 20th century an immensely high evaluation was placed on the imagination, and the adjective “imaginative” became a grossly abused cliché. Many modern novels and plays, however, were woefully deficient in imaginative force, and the word may have been bandied about so much out of a desire for what was least possessed. Many readers are engrossed by travel books, by descriptions of exotic animal life, by essays on the psychology of other nations, by Rilke’s notebooks or by Samuel Pepys’s diary far more than by poetry or by novels that fail to impose any suspension of disbelief. There is much truth in Oscar Wilde ’s remark that “the highest criticism is more creative than creation and the primary aim of the critic is to see the object as in itself it really is not.” A good deal of imagination has gone not only into criticism but also into the writing of history , of essays, of travel books, and even of the biographies or the confessions that purport to be true to life as it really happened, as it was really experienced.

The imagination at work in nonfictional prose, however, would hardly deserve the august name of “primary imagination” reserved by the 19th-century English poet Samuel Taylor Coleridge to creators who come close to possessing semidivine powers. Rather, imagination is displayed in nonfictional prose in the fanciful invention of decorative details, in digressions practiced as an art and assuming a character of pleasant nonchalance, in establishing a familiar contact with the reader through wit and humour. The variety of themes that may be touched upon in that prose is almost infinite. The treatment of issues may be ponderously didactic and still belong within the literary domain. For centuries, in many nations, in Asiatic languages, in medieval Latin, in the writings of the humanists of the Renaissance, and in those of the Enlightenment, a considerable part of literature has been didactic . The concept of art for art’s sake is a late and rather artificial development in the history of culture , and it did not reign supreme even in the few countries in which it was expounded in the 19th century. The ease with which digressions may be inserted in that type of prose affords nonfictional literature a freedom denied to writing falling within other genres. The drawback of such a nondescript literature lies in judging it against any standard of perfection, since perfection implies some conformity with implicit rules and the presence, however vague, of standards such as have been formulated for comedy, tragedy, the ode, the short story and even (in this case, more honoured in the breach than the observance) the novel . The compensating grace is that in much nonfictional literature that repudiates or ignores structure the reader is often delighted with an air of ease and of nonchalance and with that rarest of all virtues in the art of writing: naturalness.

25 Great Nonfiction Essays You Can Read Online for Free

A list of twenty-five of the greatest free nonfiction essays from contemporary and classic authors that you can read online.

Alison Doherty

Alison Doherty is a writing teacher and part time assistant professor living in Brooklyn, New York. She has an MFA from The New School in writing for children and teenagers. She loves writing about books on the Internet, listening to audiobooks on the subway, and reading anything with a twisty plot or a happily ever after.

View All posts by Alison Doherty

I love reading books of nonfiction essays and memoirs , but sometimes have a hard time committing to a whole book. This is especially true if I don’t know the author. But reading nonfiction essays online is a quick way to learn which authors you like. Also, reading nonfiction essays can help you learn more about different topics and experiences.

Besides essays on Book Riot,  I love looking for essays on The New Yorker , The Atlantic , The Rumpus , and Electric Literature . But there are great nonfiction essays available for free all over the Internet. From contemporary to classic writers and personal essays to researched ones—here are 25 of my favorite nonfiction essays you can read today.

“Beware of Feminist Lite” by  Chimamanda Ngozi Adichie

The author of We Should All Be Feminists  writes a short essay explaining the danger of believing men and woman are equal only under certain conditions.

“It’s Silly to Be Frightened of Being Dead” by Diana Athill

A 96-year-old woman discusses her shifting attitude towards death from her childhood in the 1920s when death was a taboo subject, to World War 2 until the present day.

“Letter from a Region in my Mind” by James Baldwin

There are many moving and important essays by James Baldwin . This one uses the lens of religion to explore the Black American experience and sexuality. Baldwin describes his move from being a teenage preacher to not believing in god. Then he recounts his meeting with the prominent Nation of Islam member Elijah Muhammad.

“Relations” by Eula Biss

Biss uses the story of a white woman giving birth to a Black baby that was mistakenly implanted during a fertility treatment to explore racial identities and segregation in society as a whole and in her own interracial family.

“Friday Night Lights” by Buzz Bissinger

A comprehensive deep dive into the world of high school football in a small West Texas town.

“The Case for Reparations” by Ta-Nehisi Coates

Coates examines the lingering and continuing affects of slavery on  American society and makes a compelling case for the descendants of slaves being offered reparations from the government.

“Why I Write” by Joan Didion

This is one of the most iconic nonfiction essays about writing. Didion describes the reasons she became a writer, her process, and her journey to doing what she loves professionally.

“Go Gentle Into That Good Night” by Roger Ebert

With knowledge of his own death, the famous film critic ponders questions of mortality while also giving readers a pep talk for how to embrace life fully.

“My Mother’s Tongue” by Zavi Kang Engles

In this personal essay, Engles celebrates the close relationship she had with her mother and laments losing her Korean fluency.

“My Life as an Heiress” by Nora Ephron

As she’s writing an important script, Ephron imagines her life as a newly wealthy woman when she finds out an uncle left her an inheritance. But she doesn’t know exactly what that inheritance is.

“My FatheR Spent 30 Years in Prison. Now He’s Out.” by Ashley C. Ford

Ford describes the experience of getting to know her father after he’s been in prison for almost all of her life. Bridging the distance in their knowledge of technology becomes a significant—and at times humorous—step in rebuilding their relationship.

“Bad Feminist” by Roxane Gay

There’s a reason Gay named her bestselling essay collection after this story. It’s a witty, sharp, and relatable look at what it means to call yourself a feminist.

“The Empathy Exams” by Leslie Jamison

Jamison discusses her job as a medical actor helping to train medical students to improve their empathy and uses this frame to tell the story of one winter in college when she had an abortion and heart surgery.

“What I Learned from a Fitting Room Disaster About Clothes and Life” by Scaachi Koul

One woman describes her history with difficult fitting room experiences culminating in one catastrophe that will change the way she hopes to identify herself through clothes.

“Breasts: the Odd Couple” by Una LaMarche

LaMarche examines her changing feelings about her own differently sized breasts.

“How I Broke, and Botched, the Brandon Teena Story” by Donna Minkowitz

A journalist looks back at her own biased reporting on a news story about the sexual assault and murder of a trans man in 1993. Minkowitz examines how ideas of gender and sexuality have changed since she reported the story, along with how her own lesbian identity influenced her opinions about the crime.

“Politics and the English Language” by George Orwell

In this famous essay, Orwell bemoans how politics have corrupted the English language by making it more vague, confusing, and boring.

“Letting Go” by David Sedaris

The famously funny personal essay author , writes about a distinctly unfunny topic of tobacco addiction and his own journey as a smoker. It is (predictably) hilarious.

“Joy” by Zadie Smith

Smith explores the difference between pleasure and joy by closely examining moments of both, including eating a delicious egg sandwich, taking drugs at a concert, and falling in love.

“Mother Tongue” by Amy Tan

Tan tells the story of how her mother’s way of speaking English as an immigrant from China changed the way people viewed her intelligence.

“Consider the Lobster” by David Foster Wallace

The prolific nonfiction essay and fiction writer  travels to the Maine Lobster Festival to write a piece for Gourmet Magazine. With his signature footnotes, Wallace turns this experience into a deep exploration on what constitutes consciousness.

“I Am Not Pocahontas” by Elissa Washuta

Washuta looks at her own contemporary Native American identity through the lens of stereotypical depictions from 1990s films.

“Once More to the Lake” by E.B. White

E.B. White didn’t just write books like Charlotte’s Web and The Elements of Style . He also was a brilliant essayist. This nature essay explores the theme of fatherhood against the backdrop of a lake within the forests of Maine.

“Pell-Mell” by Tom Wolfe

The inventor of “new journalism” writes about the creation of an American idea by telling the story of Thomas Jefferson snubbing a European Ambassador.

“The Death of the Moth” by Virginia Woolf

In this nonfiction essay, Wolf describes a moth dying on her window pane. She uses the story as a way to ruminate on the lager theme of the meaning of life and death.

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Works of prose are typically divided into one of two categories: fiction vs. nonfiction. A work of fiction might resemble the real world, but it certainly did not happen in real life. Nonfiction, on the other hand, should not contain any fiction, as the writer’s credibility comes from the truthfulness of the story.

Any writer of fiction vs. nonfiction will use different skills and strategies to write in each genre. Yet, fiction and nonfiction are more alike than you might realize. Additionally, there are many works of prose that fall somewhere in between the fiction vs. nonfiction binary.

This article examines, in detail, the writing strategies available to prose writers of fiction and nonfiction. It also examines the fiction vs. nonfiction binary, and offers insight into the role that “truth” plays in both genres of literature.

But first, let’s uncover what writers mean when they categorize a work of prose as fiction vs. nonfiction. What is the difference between fiction and nonfiction?

Fiction vs. Nonfiction: Definitions

Let’s begin by defining each of these categories of literature. The main difference between fiction and nonfiction has to do with “what actually transpired in the real world.”

“Fiction” refers to stories that have not occurred in real life. Fiction may resemble real life, and it may even pull from real life events or people. But the story itself, the “what happens in this text,” is ultimately invented by the author.

“Nonfiction,” on the other hand, refers to stories that have occurred in real life. The story may have happened in the author’s life, in the life of someone the author has interviewed, or in the life of a historical figure. It also describes works of journalism, science writing, and other forms of “reality-based” writing.

To further complicate things, writers might categorize something as being either “ creative nonfiction ” or, simply, “nonfiction.” This article discusses strategies for writing both, but with an emphasis on creative nonfiction, such as memoir and personal essays, as those skills apply to most forms of prose.

Fiction vs. Nonfiction: A way of categorizing literature based on whether it happened in the real world (nonfiction) or didn’t (fiction).

Now, while these two categories exist, it’s worth noting that certain genres of writing sit somewhere in the middle. Some genres that straddle the fiction vs. nonfiction border are:

• Autobiographical fiction (also known as autofic). An example is The Idiot by Elif Batuman.
• Speculative nonfiction , or writing in which invented truths are not at odds with what transpired in real life.
• Historical fiction, which typically involves the accurate retelling of real life historical events, with fictional characters and plots woven through that history.

But wait, how can a work of literature be both true and not true? We’ll explore that paradox later in this article. First, let’s explore the possibilities of fiction and nonfiction.

Fiction vs. Nonfiction: Examples of Each Category

The following genres can be classified as types of fiction:

• Short stories.
• Plays and screenplays (though these can also be nonfiction).
• Literary fiction.
• Categories of genre fiction – including mystery, thriller, romance, horror, and other types of speculative fiction , like magical realism or urban fantasy .
• Fables, fairy tales, and folklore.
• Narrative poetry .

Meanwhile, these are different types of nonfiction:

• Personal essays.
• Biographies and autobiographies.
• Books about history.
• Periodicals.
• Lyric essays .
• Journalism, articles, food writing , travel writing, and other forms of feature writing.
• Scholarly articles.

Learn more about different types of nonfiction here:

https://writers.com/types-of-nonfiction

Characteristics of Fiction vs. Nonfiction

As you can see above, fiction and nonfiction are both expansive categories of literature. So, it’s impossible to describe all of fiction or nonfiction as being any particular thing. If I were to say “all fiction is about stories that haven’t actually happened,” that isn’t true, because genres like autofic and historical fiction exist.

Nonetheless, there are a few differences and similarities that can generally be stated about fiction vs. nonfiction. The differences include:

• Whether the story is made up or real.
• How the writer creates a plot for the story.
• The role research plays in telling the story.
• How themes are explored within the story.

Fiction vs. Nonfiction: Did It Actually Happen?

As we’ve already mentioned, the main difference between fiction and nonfiction is whether or not the story occurred in real life. In nonfiction, the story did occur in the real world; in fiction, it did not.

Fictional stories can be rooted in real-life events, but the scenes, plotline, and characters are invented by the author, even if they’re based on real people.

You might think of a couple of exceptions here. Historical fiction, for example, is often based on real historical events, such as Civil War stories. While the setting for the story happened in real life, and might even involve real historical figures, there are also fictional characters in the story, and the majority of scenes and plot points were fictionalized as well. If historical fiction interests you, check out our interview with Jack Smith on his novel If Winter Comes .

Another exception, in all seriousness, is fanfiction. Yes, Harry Styles fanfiction does involve a living, real life person. But the author is making assumptions, assigning character traits, and inventing plot points for Harry Styles that did not actually occur in the real world.

The point: fiction writers can (and always do!) borrow from real life. They might even tell their own stories as though they were fiction. Even in those instances, there are always details that are added, embellished, or altered to tell a more engaging story, so the stories themselves are still fictional.

Fiction vs. Nonfiction: What’s the Plot?

Fiction writers use plot as scaffolding for a story. By plot, we mean the way that the events of a story are organized from start to finish. Our article on plot structures offers different ways that fiction writers have used plot to tell their stories.

This is true even of literary fiction, which is typically defined as realistic fiction in which the characters’ decisions drive the story forward, and the characters themselves form the story. (This is a somewhat problematic distinction between genre fiction, but we discuss that in our article on literary fiction vs. genre fiction .) In those stories, plot is centered around the conflict in the story itself.

In nonfiction, the author’s goal is to organize what actually transpired in the real world into a cogent plot. For many writers, that means telling the story in a linear fashion, with careful attention to the most salient details and how they’re presented to the reader.

Of course, many creative nonfiction writers do tell stories non-linearly, particularly in genres like the braided essay, lyric essay, and hermit crab essay.

Fiction vs. Nonfiction: The Role of Research

Most prose writers will have to do some amount of research to craft effective works of fiction and nonfiction. Memoirists may be able to tell their story entirely without research, but anything to verify the accuracy of information counts as research, such as looking up old emails, the streets and locations of certain events, etc. Rarely can one’s memory suffice to tell an entire story.

Fiction writers integrate their research into the story. Let’s say your story is set in New York, a city you’ve visited, but never lived in. You have a character that lives in Bushwick, which is served by the L, M, J, and Z trains. You may need to research that, and when that research is integrated into the story, you’ll write that your character “took the L train.” (In other words, you will not write “I discovered that Bushwick is served by the L train, which my character took into Manhattan.”)

In nonfiction, research informs the story, and is directly cited in the text. Let’s say your story involves New York rent and the aforementioned L train. You might be writing about the time that the city almost shut down the L train—they needed to do repairs to the tunnel beneath the East River connecting Manhattan and Brooklyn. When it was announced that this service was going to be suspended, rents drastically dropped in Williamsburg, Brooklyn, a recently gentrified neighborhood, and many people locked in historically low rents. People were very upset about this sudden closure, and the L service was later not suspended, meaning, ironically, a bunch of people got cheap rents without losing train service.

This is the kind of story that a journalist might write about. Or, you might be someone who locked in that cheap rent, and it’s part of the story of your time living in Williamsburg. In any case, if it’s nonfiction, you’ll want to cite it directly in the text. A journalist might cite people that they interviewed, or a city historian might cite this article and this article . Someone writing creative nonfiction might not need to add a citation, but they would still want to research and communicate the details here so that the reader has context for their story.

To summarize: fiction writers integrate research into their stories, while nonfiction writers cite research to bolster and verify their stories.

Fiction vs. Nonfiction: How Themes are Explored

Theme refers to the overarching ideas presented and explored throughout the story.

Fiction writers explore themes implicitly; for them, the theme of a story is rarely stated. If, for example, the theme of a story is “justice,” then the fiction writer might explore who receives justice, who doesn’t, and how that justice (or lack thereof) is doled out. However, the fiction writer will not say “this character did not receive justice” explicitly—that’s for the reader to understand and form their own opinion about.

Nonfiction writers typically state their themes more openly. In a memoir or essay, the writer might explore why justice was or was not given to them, what factors went into that decision, and what it means to live a life after being (or not being) dispensed justice.

Some nonfiction writers might explore themes without stating them, or even without realizing they’re exploring them. But, because the nonfiction writer wants to convey what it was like to be the subject of the story, they will inevitably explore, and therefore openly state, the deeper parts of the story itself. This includes the author’s emotions, background, external circumstances, and the themes and conclusions that they drew from their experiences.

Similarities Between Fiction and Nonfiction

Despite the above differences, fiction and nonfiction have many similarities, too. In brief, these similarities include:

• The interplay of plot, characters, and settings to explore themes and ideas. While the people of nonfiction stories might not be considered “characters,” they are people presented in a certain way, and with a certain intent, on the page.
• Utilizing prose to tell a story. Fiction and nonfiction writers can both experiment with this: novelists have included poetry in their stories, and essayists, particularly lyric essayists and hermit crab essayists, often play with the prose form.
• The desire to entertain, inform, enlighten, challenge, and/or move the reader.

Fiction vs. Nonfiction Venn Diagram

What is the difference between fiction and nonfiction? The below Venn Diagram summarizes what’s similar and different about the two genres. Virtually all things in the world of literature have exceptions, so while the below is not true 100% of the time, it’s a good place to start teasing out the difference between fiction and nonfiction.

The Role of “Truth” in Fiction and Nonfiction

The primary difference between fiction and nonfiction is whether or not the story happened in the real world. Yet, we’ve already mentioned three example genres in which fact and fiction can coexist peacefully. So, how much does “truth” matter in fiction vs. nonfiction?

Certainly, most works of nonfiction must be entirely factual. Memoirs, biographies, autobiographies, scholarly works, books about history, and journalism must all adhere to what actually transpired in the real world. When works of nonfiction fabricate details, someone is bound to figure that out eventually, and the ensuing scandal probably isn’t worth it.

At the same time, there’s something to be said about “truth” as a multifaceted concept. One person’s truth can be different than another’s; two people can both have honest, differing interpretations about the exact same event. What matters more than truth, if anything, is honesty.

When memoirists publish their work as memoirs, they assert to the reader that what transpired in the text actually occurred in real life. (So, publishing a memoir about wandering Nazi-torn Europe and being adopted by wolves would not be true or honest, even if it’s a potent metaphor for how the author felt.)

Yet, a memoirist might include information in the novel that’s controversial, in dispute, or otherwise not verifiably true. Does that mean the author lied to their reader?

It really depends on the writer and what they wrote. Consider a few things:

• Emotional truth is sometimes at odds with factual truth. That’s not to say you should invent a metaphor and claim it actually happened. But, the brain works in weird ways, makes odd associations, and reacts to the truth strangely. As a result, your brain might distort memories to make an intense emotion make sense. What the writer conveys to the reader is still an accurate portrayal of how they experienced something, even though their memory of the event itself has been skewed..
•  Relatedly, memory is fallible. Unless you have an eidetic memory, you will inevitably forget, distort, or invent details in the memories you set on the page. Research on flashbulb memories proves that none of us remember exactly how we experience our own lives. But, often, the details we do invent have a profound psychological importance, and can still provide moving imagery and description to the story.
• All writing, particularly literature, requires some form of invention . What we mean by this is, real life is far, far messier than literature. In literature, we use plot as a way of organizing a story, and within that story, the details of settings and characters are carefully chosen to explore broader themes and ideas. This is true for both fiction and nonfiction. By asserting these craft elements into retellings of reality, we inevitably neglect certain details, or insert our biases and prejudices into the ways we frame a story. This isn’t to say we shouldn’t strive for the truth—we should—but it is to say that the entire truth may never be properly conveyed. Again, honesty matters more.

Why bring this up? Because all creative nonfiction is an exploration of the truth. And, as all writers know, the truth is far, far messier than fiction. Few truths are absolute. As such, an author’s integrity and dedication to honesty matters much more.

As for fiction, the events of the story are usually fabricated—though writers always pull details from their own lived experiences. Dostoevsky named characters after his children; Steinbeck set the majority of his stories in Central California, where he grew up; Murakami’s novels frequently feature jazz, classical music, baseball, cats, and other things of intimate importance to his life. Ruth Ozeki’s novel A Tale for the Time Being involves characters Ruth and Oliver, named after the author and her husband. The fictional characters have similar traits to the real life Ruth and Oliver.

Sometimes, a work of fiction is rooted in nonfiction, with only some elements added or fabricated. For example, our instructor Barbara Henning ’s novel Thirty Miles to Rosebud is semi-autobiographical.

And, of course, many works of fiction involve completely fictitious elements, especially in genres like fantasy, science fiction, and horror. Even for those genres, however, fiction should still try to arrive at some fundamental truth. Good fiction will inevitably (though not intentionally) teach the reader something about themselves, about others, and/or about the world around them.

Writing Fiction vs. Nonfiction

Many prose writers dabble in both fiction and nonfiction. Which should you write? Are there differences in writing one versus the other? What’s the main difference between fiction and nonfiction writing?

As we’ve discussed, the primary difference between fiction and nonfiction is whether the story occurred in real life. So, the primary difference in writing fiction vs. nonfiction comes down to the concept of “story” itself.

Our instructor Jeff Lyons argues that a story is a metaphor for the human experience . When we follow the plots of characters who must become different people to overcome certain obstacles, we see ourselves and our shared humanities reflected in those stories. To achieve this metaphor, the author must follow certain plot structures. Even in literary fiction, which often breaks the rules of plot structure, the plot must organize and enhance the story that’s being told, since plot is always what develops from the decisions that characters make.

Nonfiction, particularly creative nonfiction, also follows stories of adversity. In fact, most memoir publishers prefer to sell books about people overcoming adversity—feelgood stories sell better than ones that end on a low note. Yet, these stories aren’t metaphors, they actually happened. And, the author isn’t trying to follow a plot structure, the author is trying to organize the story details into a plot that people can follow.

And, other types of nonfiction are less concerned about plot, and more concerned about sharing information. Book length projects might have a plot, but many scholarly works and periodicals don’t need a plot, and many works of journalism follow the Inverted Pyramid . (There are, always, exceptions to these generalities.)

To summarize: Writing fiction involves crafting a story to create metaphors for the human experience. Writing nonfiction involves organizing factual information into a story that readers will best understand.

Outside of these differences, fiction and nonfiction typically utilize the same elements, at least in varying degrees. They both have characters, storylines, and themes, they both benefit from the tactics of stylish writing , and they both seek to inform, move, and captivate their readers.

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Defining Nonfiction Writing

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• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

Etymology : From the Latin, "not" + "shaping, feigning"

Pronunciation : non-FIX-shun

Nonfiction is a blanket term for  prose accounts of real people, places, objects, or events. This can serve as an umbrella encompassing everything from Creative Nonfiction and Literary Nonfiction to  Advanced Composition ,  Expository Writing , and Journalism .

Types of nonfiction include articles , autobiographies , biographies , essays , memoirs , nature writing , profiles , reports , sports writing , and travel writing .

Observations

• "I see no reason why the word [ artist ] should always be confined to writers of fiction and poetry while the rest of us are lumped together under that despicable term 'Nonfiction'— as if we were some sort of remainder. I do not feel like a Non-something; I feel quite specific. I wish I could think of a name in place of 'Nonfiction.' In the hope of finding an antonym , I looked up 'Fiction' in Webster and found it defined as opposed to 'Fact, Truth, and Reality.' I thought for a while of adopting FTR, standing for Fact, Truth, and Reality, as my new term." (Barbara Tuchman, "The Historian as Artist," 1966)
• "It's always seemed odd to me that nonfiction is defined, not by what it is , but by what it is not . It is not fiction. But then again, it is also not poetry, or technical writing or libretto. It's like defining classical music as nonjazz ." (Philip Gerard, Creative Nonfiction . Story Press, 1996)
• "Many writers and editors add 'creative' to 'nonfiction' to mollify this sense of being strange and other, and to remind readers that creative nonfiction writers are more than recorders or appliers of reason and objectivity. Certainly, many readers and writers of creative nonfiction recognize that the genre can share many elements of fiction." (Jocelyn Bartkevicius, "The Landscape of Creative Nonfiction," 1999)
• "If nonfiction is where you do your best writing or your best teaching of writing, don't be buffaloed into the idea that it's an inferior species. The only important distinction is between good writing and bad writing." (William Zinsser, On Writing Well , 2006)
• The Common Core State Standards (US) and Nonfiction "One central concern is that the Core reduces how much literature English teachers can teach. Because of its emphasis on analysis of information and reasoning, the Core requires that 50 percent of all reading assignments in elementary schools consist of nonfiction texts . That requirement has sparked outrage that masterpieces by Shakespeare or Steinbeck are being dropped for informational texts like 'Recommended Levels of Insulation' by the Environmental Protection Agency." ("The Common Core Backlash." The Week , June 6, 2014)
• Premises and Conclusions: Definitions and Examples in Arguments
• An Introduction to Literary Nonfiction
• Creative Nonfiction
• Foreshadowing in Narratives
• A Look at the Roles Characters Play in Literature
• Point of View in Grammar and Composition
• Interior Monologues
• The Difference Between an Article and an Essay
• Stream of Consciousness Writing
• What is Nature Writing?
• Tips on Great Writing: Setting the Scene
• What Is Literary Journalism?
• A Guide to All Types of Narration, With Examples
• What Is Prose?
• Examples of Images in Poetry, Fiction, and Nonfiction

Fiction vs. nonfiction?

Nonfiction writing recounts real experiences, people, and periods. Fiction writing involves imaginary people, places, or periods, but it may incorporate story elements that mimic reality.

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What is the difference between fiction and nonfiction ?

The terms fiction and nonfiction represent two types of literary genres, and they’re useful for distinguishing factual stories from imaginary ones. Fiction and nonfiction writing stand apart from other literary genres ( i.e., drama and poetry ) because they possess opposite conventions: reality vs. imagination.

What is fiction ?

Fiction is any type of writing that introduces an intricate plot, characters, and narratives that an author invents with their imagination. The word fiction is synonymous with terms like “ fable ,” “ figment ,” or “ fabrication ,” and each of these words has a collective meaning: falsehoods, inventions, and lies. 

Not all fiction is entirely made-up, though. Historical fiction, for example, features periods with real events or people, but with an invented storyline. Additionally, science fiction novels function around real scientific theories, but the overall story is untrue. 

What is nonfiction ?

Nonfiction is any writing that represents factual accounts on past or current events. Authors of nonfiction may write subjectively or objectively, but the overall content of their story is not invented (Murfin 340). 

Works of nonfiction are not limited to traditional books, either. Additional examples of nonfiction include: 

• Instruction manuals 
• Safety pamphlets
• Journalism 
• Recipes 
• Medical charts 

Comparing fiction and nonfiction texts

Outside of reality vs. imagination, nonfiction and fiction writing possess several typical features. 

Fictional text features:

• Imaginary characters, settings, or periods
• A subjective narrative
• Novels, novellas, and short stories
• Literary fiction vs. genre fiction ( e.g., sci-fi, romance, mystery ) 

Nonfiction text features:

• Real people, events, and periods
• An authoritative narrative 
• Autobiographies, letters, journals, essays, etc .
• Venn diagrams, anchor charts, mini-lessons, extension activities
• Index, citations, and bibliographies 
• Academic/peer-reviewed publishers

What does fiction and nonfiction have in common?

Oftentimes, an elaborate work of fiction has more in common with nonfiction than a simple fairy tale or children’s book. Examples of shared traits include: 

• Major literary publishers ( e.g., Hachette Books and HarperCollins )
• Photographic and illustrated book covers
• Stylistic elements such as an index, glossary, or citations
• Themes involving history, mythology, and science
• Creative prose narratives 

Prose narratives of fiction vs. nonfiction

According to The Bedford Glossary of Critical and Literary Terms , we can narrowly distinguish fiction from nonfiction through the use of “prose narratives,” a term that refers to an author’s storytelling form.

For works of fiction , authors typically use prose narratives such as the novel , novella , or short story . But for nonfiction books, prose narratives take the form of biographies , expository , letters , essays, and more. 

Prose narratives of fiction

A novel is a long, fictional story that involves several characters with an established motivation, different locations, and an intricate plot. Examples of novels include: 

• The Great Gatsby by F. Scott Fitzgerald
• Beloved by Tony Morrison 

A novel is not the same as a novella , which is a shorter fictional account that ranges between 50-100 pages long. You’ve likely heard of novellas such as: 

• Heart of Darkness by Joseph Conrad
• Animal Farm by George Orwell 

Lastly, the short story normally contains 1,000-10,000 words and focuses on one event or length of time, such as: 

• The Cask of Amontillado by Edgar Allen Poe
• The Story of an Hour by Kate Chopin 

Prose narratives of nonfiction

Since nonfiction represents real people, experiences, or events, the most common prose narratives of nonfiction include: 

• Biographies
• Autobiographies
• Journals 
• Essays 
• Informational texts 

Biographies and autobiographies

A biography is written about another person, while an autobiography’s author tells the story of their own life. Popular biographies include: 

• Into the Wild by Jon Krakauer
• Steve Jobs by Walter Isaacson 

The difference between the two modes of nonfiction is further illustrated with autobiographies such as: 

• Narrative of the Life of Frederick Douglass by Frederick Douglass 
• I Am Malala: The Girl Who Stood up for Education and Was Shot by Malala Yousafzai 

Journals and letters

Journals , diaries , and letters provide a glimpse into someone’s life at a particular moment. Diaries and letters are great resources for historical contexts, and especially for periods involving war or political scandals. 

Journal and letters examples: 

• The Diary of a Young Girl by Anne Frank
• Ever Yours: The Essential Letters by Vincent van Gogh

Essay writing

By definition, an essay is a short piece of writing that explores a specific subject, such as philosophy, science, or current events. We read essays within magazines, websites, scholarly journals, or through a published collection of essays.

Essay examples: 

• Consider the Lobster by David Foster Wallace
• The Source of Self-Regard by Toni Morrison 

Informational texts

Informational texts present clear, objective facts about a particular subject, and often take the form of periodicals, news articles, textbooks, printables, or instruction manuals. The difference between informational texts and biographical writing is that biographies possess a range of subjectivity toward a topic, while informational writing is purely educational.

Publishers of informational texts also tailor their writing toward an audience’s reading comprehension. For instance, instructions for first-grade reading levels use different vocabularies than a textbook for college students. The key similarity is that informational writing is clear and educational.

Genres of fiction vs. nonfiction

The French term genre means “kind” or “type,” and genres organize different styles, forms, or subjects of literature. Some sources believe fiction is categorized by genre fiction and literary fiction , while others believe that literary fiction is a subgenre of fiction itself. The same arguments exist within nonfiction genres, except nonfiction is organized by subject matter or writing style. 

Whichever way you look at it, all nonfiction and fiction have distinct genres and subgenres that overlap, and there’s no single way to categorize literature without spurring controversy. If you’re ever doubtful about a particular book, try checking the publisher’s website. 

What is literary fiction ?

If we stick to the dry characteristics of literary fiction , we can define it as any writing that produces an underlying commentary on the human condition. More specifically, literary fiction often involves a metaphorical , poetic narrative or critique around topics such as war, gender, race, sex, economy, or political ideologies.

Literary fiction examples: 

• Quicksand by Nella Larsen 
• The Unbearable Lightness of Being by Milan Kundera 
• The Sellout by Paul Beatty

What is genre fiction ?

Broadly speaking, genre fiction (or popular fiction ) is any writing with a specific theme and the author’s marketability toward a particular audience (aka, the novel is likely a part of a book series). The most common genres of “ genre fiction ” include: 

• Science Fiction
• Suspense/Thriller

Crime fiction and mystery

Crime fiction and mystery novels focus on the motivation of police, detectives, or criminals during an investigation. Four major subgenres of crime fiction and mystery include detective novels, cozy mysteries, caper stories, and police procedurals. 

Crime fiction and mystery examples: 

• The Godfather by Mario Puzo 
• The Girl with the Dragon Tattoo by Steig Larsson 

The fantasy genre traditionally occurs in medieval-esque settings and often includes mythical creatures such as wizards, elves, and dragons. 

Fantasy examples: 

• The Hobbit by J.R.R. Tolkein
• A Game of Thrones by George R.R. Martin

The romance genre features stories about romantic relationships with a focus on intimate details. Romance themes often involve betrayal or heroism and elements of sensuality, idealism, morality, and desire. 

Romance examples: 

• Dead Until Dark by Charlaine Harris 
• Fifty Shades of Grey by E.L. James 

Science fiction

Science fiction is one of the largest growing genres because it encompasses several subgenres, such as dystopian, apocalyptic, superhero, or space travel themes. All sci-fi novels incorporate real or imagined scientific concepts within the past, future, or a different dimension of time. 

Science fiction examples: 

• Parable of the Sower by Octavia E. Butler 
• The Left Hand of Darkness by Ursula K. Le Guin

Suspense and horror

Sometimes described as two separate genres, suspense and horror writing focuses on the pursuit and escape of a main character or villain. Suspense writing uses cliffhangers to “grip” readers, but we can distinguish the horror genre through supernatural, demonic, or occult themes. 

Suspense and horror examples: 

• The Silence of the Lambs by Thomas Harris 
• The Shining by Stephen King

Genres of nonfiction

Finally, we meet again in the nonfiction section. When it comes to nonfiction literature, the most common genres include:

• Autobiography/Biography (see “prose narratives” )

Narrative nonfiction

A memoir recounts the memories and experiences for a specific timeline in an author’s life. But unlike an autobiography, a memoir is less chronological and depends on memories and emotions rather than fact-checked research. 

Memoir examples:

• Wild by Cheryl Strayed 
• When Breath Becomes Air by Paul Kalanithi 

Self-help writing focuses on delivering a lesson plan for self-improvement. Authors of self-help books describe experiences like a memoir, but the overall purpose is to teach readers a skill that the author possesses. 

Self-help examples: 

• How to Win Friends and Influence People by Dale Carnegie
• The Power of Now by Eckhart Tolle

The expository genre introduces or “ exposes ,” a complex subject to readers in an understandable manner. Expository books often take the form of children’s books to provide a clear, educational summary on topics such as history and science. 

Examples of adult vs. children’s expository books include: 

• Death by Black Hole by Neil deGrasse Tyson
• A Black Hole is Not a Hole by Carolyn Cinami Decristofano 

Narrative nonfiction (or “ creative nonfiction ”) tells a true story in the form of literary fiction. In this case, the author presents an autobiography or biography with an emphasis on storytelling over chronology. 

The line between creative nonfiction and literary fiction is thin when the narrative’s presentation is too subjective, and when specific facts are omitted or exaggerated. Literary scholars refer to such works as “ faction ,” a portmanteau word for writing that blurs the line between fiction and nonfiction (Murfin 177). 

Narrative nonfiction examples: 

• In Cold Blood by Truman Capote 
• The Devil in the White City by Erik Larson

Additional resources for nonfiction vs. fiction ?

Understanding the elements of fiction vs. nonfiction writing is a common core standard for language arts (ELA) programs. If you’re looking to learn specific forms of fiction and nonfiction writing, The Word Counter provides additional articles, such as:

• Transition Words: How, When, and Why to Use Them
• What Are the Most Cringe-Worthy English Grammar Mistakes?
• Italics and Underlining: Titles of Books

Test Yourself!

Before you visit your next writing workshop, class discussion, or literacy center, test how well you understand the difference between fiction and nonfiction with the following multiple-choice questions (no peeking into Google!) 

• True or false: An author’s imagination does not invent nonfiction writing. a. True b. False
• Which term is synonymous with fiction? a. Fact b. Fable c. Reality d. None of the above
• Which is a type of nonfiction writing?  a. Novels b. Memoirs c. Novellas d. Short stories 
• Which is not a trait of literary fiction?  a. Underlying commentary on the human condition b. Poetic narrative c. Social and political commentary d. None of the above
• Which genre of nonfiction is the closest to literary fiction? a. Memoirs b. Expository  c. Narrative nonfiction d. Self-help

Photo credits:

[1] Photo by Suad Kamardeen on Unsplash [2] Photo by Jonathan J. Castellon on Unsplash

• “ Essay .” Lexico , Oxford University Press, 2020.
• “ Fiction .” The Merriam-Webster.com Dictionary, Merriam-Webster Inc., 2020.
• MasterClass. “ What Is the Mystery Genre? Learn About Mystery and Crime Fiction, Plus 6 Tips for Writing a Mystery Novel .” MasterClass , 15 Aug 2019. 
• Mazzeo, T.J. “ Writing Creative Nonfiction .” The Great Courses , 2012, pp.4. 
• Murfin, R., Supryia M. Ray. “ The Bedford Glossary of Critical and Literary Terms .” Third Ed, Bedford/St. Martins , 2009, pp. 177-340. 
• “ Nonfiction .” Lexico , Oxford University Press, 2020.World Heritage Encyclopedia. “ List of Literary Genres .” World Library Foundation , 2020.

Alanna Madden

Alanna Madden is a freelance writer and editor from Portland, Oregon. Alanna specializes in data and news reporting and enjoys writing about art, culture, and STEM-related topics. I can be found on Linkedin .

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Creative Nonfiction: An Overview

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The Creative Nonfiction (CNF) genre can be rather elusive. It is focused on story, meaning it has a narrative plot with an inciting moment, rising action, climax and denoument, just like fiction. However, nonfiction only works if the story is based in truth, an accurate retelling of the author’s life experiences. The pieces can vary greatly in length, just as fiction can; anything from a book-length autobiography to a 500-word food blog post can fall within the genre.

Additionally, the genre borrows some aspects, in terms of voice, from poetry; poets generally look for truth and write about the realities they see. While there are many exceptions to this, such as the persona poem, the nonfiction genre depends on the writer’s ability to render their voice in a realistic fashion, just as poetry so often does. Writer Richard Terrill, in comparing the two forms, writes that the voice in creative nonfiction aims “to engage the empathy” of the reader; that, much like a poet, the writer uses “personal candor” to draw the reader in.

Creative Nonfiction encompasses many different forms of prose. As an emerging form, CNF is closely entwined with fiction. Many fiction writers make the cross-over to nonfiction occasionally, if only to write essays on the craft of fiction. This can be done fairly easily, since the ability to write good prose—beautiful description, realistic characters, musical sentences—is required in both genres.

So what, then, makes the literary nonfiction genre unique?

The first key element of nonfiction—perhaps the most crucial thing— is that the genre relies on the author’s ability to retell events that actually happened. The talented CNF writer will certainly use imagination and craft to relay what has happened and tell a story, but the story must be true. You may have heard the idiom that “truth is stranger than fiction;” this is an essential part of the genre. Events—coincidences, love stories, stories of loss—that may be expected or feel clichéd in fiction can be respected when they occur in real life .

A writer of Creative Nonfiction should always be on the lookout for material that can yield an essay; the world at-large is their subject matter. Additionally, because Creative Nonfiction is focused on reality, it relies on research to render events as accurately as possible. While it’s certainly true that fiction writers also research their subjects (especially in the case of historical fiction), CNF writers must be scrupulous in their attention to detail. Their work is somewhat akin to that of a journalist, and in fact, some journalism can fall under the umbrella of CNF as well. Writer Christopher Cokinos claims, “done correctly, lived well, delivered elegantly, such research uncovers not only facts of the world, but reveals and shapes the world of the writer” (93). In addition to traditional research methods, such as interviewing subjects or conducting database searches, he relays Kate Bernheimer’s claim that “A lifetime of reading is research:” any lived experience, even one that is read, can become material for the writer.

The other key element, the thing present in all successful nonfiction, is reflection. A person could have lived the most interesting life and had experiences completely unique to them, but without context—without reflection on how this life of experiences affected the writer—the reader is left with the feeling that the writer hasn’t learned anything, that the writer hasn’t grown. We need to see how the writer has grown because a large part of nonfiction’s appeal is the lessons it offers us, the models for ways of living: that the writer can survive a difficult or strange experience and learn from it. Sean Ironman writes that while “[r]eflection, or the second ‘I,’ is taught in every nonfiction course” (43), writers often find it incredibly hard to actually include reflection in their work. He expresses his frustration that “Students are stuck on the idea—an idea that’s not entirely wrong—that readers need to think” (43), that reflecting in their work would over-explain the ideas to the reader. Not so. Instead, reflection offers “the crucial scene of the writer writing the memoir” (44), of the present-day writer who is looking back on and retelling the past. In a moment of reflection, the author steps out of the story to show a different kind of scene, in which they are sitting at their computer or with their notebook in some quiet place, looking at where they are now, versus where they were then; thinking critically about what they’ve learned. This should ideally happen in small moments, maybe single sentences, interspersed throughout the piece. Without reflection, you have a collection of scenes open for interpretation—though they might add up to nothing.

What Is Nonfiction? Definition & Famous Examples

What is nonfiction, and why does it matter to know its definition?

Consider this: you want to write a book about your life, but you’re unsure if it will be listed as fiction or nonfiction . 

Why would a book about your life be fiction, you ask?

Well, while some authors prefer to base their stories strictly on reality, other writers choose to draw from true events while infusing the story with creative liberties. When people see a book listed as nonfiction, they assume that everything in it actually happened and is completely accurate – to the best of the author’s knowledge.

Conversely, when a book, movie, or series says “based on true events,” there is a lot of room for interpretations, exaggerations, and even completely made-up characters and parts of the story.

Need A Nonfiction Book Outline?

To get clear about this genre, I first ask (and answer) the question, what is nonfiction? Then, I explain how you can confirm a book is nonfiction, list popular subgenres and types of nonfiction books, share three classic characteristics of nonfiction books, and highlight a few famous nonfiction authors. So, are you ready?

First, what is nonfiction? 

A nonfiction book is one based on true events and as factually correct as possible. It presents true information, real events, or documented accounts of people, places, animals, concepts, or phenomena. There is no place for fictional characters or exaggerations in this genre.

But that doesn’t mean it won’t read like fiction. There are plenty of people who have such a fascinating or unbelievable story to tell that it doesn’t feel real. The Prince Harry memoir comes to mind. It has everything that you might find in a fantasy novel – except it really happened. A real-life prince? Yes. War, drama, and family conflict? Yes. A movie star wife? Also yes.

Others about trauma, death, and struggle have less magic to them, but could be equally difficult to believe due to the difficulties encountered by the author. An example here is the Jennette McCurdy memoir , I’m Glad My Mom Died .

There are plenty of other memoir examples , but memoirs are just one answer to, “What is nonfiction?” In reality, it includes a whole host of other subgenres.

How can I tell if a book is nonfiction?

For starters, any nonfiction book should be listed as nonfiction – whether online or in a physical book store. But if you want to be sure the book you have in your hands falls in this category, here’s what you can do:

• Examine the cover. Fiction books often have more artwork on the cover and may include a character or symbolism. Meanwhile, nonfiction book covers are often (though not always), more minimalist. Some may not have any artwork or may include a picture of the author.
• Find clues in the title and subtitle. Nonfiction book titles are often much more literal and descriptive about the subject matter. Exceptions to this are memoir titles, as they might be more interpretive.
• Read the author bio. A nonfiction author bio often leads with the author’s qualifications (a degree or lived experience) and reasons for writing the book, while a fiction author bio might be more personal or speak to other books the author has written.
• Look for a preface and/or table of contents. Most nonfiction books are penned to educate or help the reader. Many of them will have a preface introducing the concept or the author’s background on the subject matter. Similarly, they’ll likely include an easy-to-navigate table of contents, similar to a textbook or educational text.
• Scan the pages for citations or a reference list. Nonfiction books are factual. Therefore, the presented information should be backed up by studies, academic papers, or other reputable sources.
• Read reviews. This is much easier if the book is listed online. But nonfiction book reviews usually use words like “transformation,” “helpful information,” and “life-changing.”
• Consider the style and tone. While any author is free to use any tone in writing , most nonfiction authors default to an educational (even if casual) tone. Memoir authors may be the exception to this one, as most personal accounts are written in the distinct tone and voice of the author.

What types of nonfiction books are there?

When posed with the question, “What is nonfiction?” it’s also worth noting the different subgenres, types of writing, and themes in books that appear in the nonfiction category.

Popular nonfiction book genres include:

• Memoir and autobiography
• Spirituality or faith
• Health and fitness
• Art and photography
• Motivational and inspirational

Each of these sub-genres includes the three characteristics of nonfiction that we’ll discuss in a bit. But before we get there, consider the different types of writing that could also appear in nonfiction:

• Narrative nonfiction
• Creative nonfiction
• Scientific works
• Historical accounts

3 purposes and characteristics of nonfiction 

Now you have a strong foundation and can confidently answer the question, “What is nonfiction?” Let’s go deeper. Why do people read nonfiction? What is the purpose of a nonfiction book?

Equally as important as being able to define nonfiction is to be able to describe the characteristics that make a book an effective nonfiction piece.

1. What is nonfiction? Inspiration.

One of the primary characteristics of nonfiction is its inspirational themes. While there are many types of nonfiction, most of them find a way to weave in enough inspiration to help readers want to better themselves and lead a better life.

Whether your book focuses on a personal victory – instilling in readers the idea that “I overcame this and so can you” – or uses data to inspire readers to join the 5 a.m. Club, nonfiction is inspiration, no matter how overt.

2. What is nonfiction? Education.

Educational nonfiction exists as its own sub-genre. However, even outside of strictly educational books, nonfiction includes lessons for readers who desire to self-educate.

Need an example? James Clear’s bestseller, Atomic Habits , stands as a key example of the power nonfiction has in educating readers – while inspiring change.

3. What is nonfiction? Self-discovery.

Some of the bestselling nonfiction today acts as a guide for readers intent on self-reflection. It often uses repetition in writing to portray a theme.

In fact, at a deeper level, answering the question, “What is nonfiction?” often comes down to identifying how a particular book helps readers see parts of themselves they would not otherwise see. 

Top nonfiction authors

Let’s finish this long-winded answer to “What is nonfiction?” with some concrete – and a bit famous – examples. What better way to define what a nonfiction book is than to read some of the top books in the genre? Who knows, maybe you’ll learn something along the way!

Elizabeth Gilbert

Readers know Elizabeth Gilbert for her New York Times bestsellers Eat, Pray, Love and Big Magic . She put travel memoirs – and nonfiction books – on the map in a whole new way with the former and continues to write great books to this day. Big Magic is a nonfiction book that focuses on creativity – and does so from a vulnerable perspective.

Fiction writers often create vulnerable characters. However, with nonfiction memoirs, it’s arguably more difficult. Why is this? You, the author, are often the protagonist. Whatever you reveal is likely personal.

What you can learn from her: How to write with appropriate vulnerability to connect with your readers on a more personal level. 

Related: How to Write a Memoir

James Clear

Another bestselling author, James Clear, focuses on self-development through small, atomic-sized habits in his aptly-named nonfiction book, Atomic Habits. His mindset shift guides readers into self-discovery, and his writing inspires change that lasts. Within the pages of his book, you’ll find top atomic habits quotes to inspire your personal goals and habits.

Now known as one of the leaders in the self-development world, Clear didn’t start at his current success level. His personal journey further proves the results of his message. 

What you can learn from him: How to provide small, actionable next steps that lead to large, impactful results.

Related: 14 Books Like Atomic Habits To Read Next

Jennette McCurdy

To say Jennette McCurdy is famous would be a massive understatement. With nine million Instagram followers and a bestselling memoir, her writing style is one to take note of. 

I’m Glad My Mom Died is an evocative title that sets readers on a hilarious yet heartbreaking look at Jennette’s life, including deep-seated, personal struggles. 

What you can learn from her: Balance humor and heartbreak to communicate your story with the highs and lows associated with great plots.

David Goggins

At times a polarizing figure, David Goggins’ work ethic is no joke. Known for his extreme self-discipline, stringent workout routine, and early mornings, his book, Can’t Hurt Me , has sold four million copies.

What you can learn from him: Don’t shy away from fully communicating your passion, your past as it relates to your writing, and your progress. Combining all three can help your readers in profound ways. 

These iconic authors paved, and are paving, a definitive answer to the question, “what is nonfiction?” with their work:

• Svetlana Alexievich
• Frederick Douglass
• Rebecca Skloot
• Mark Twain 
• Caroline Fraser 

Fraser focuses on America’s beloved Laura Ingalls Wilder. Svetlana Alexievich’s Nobel Prize winner is known as a landmark work of oral history. Frederick Douglass’s personal narrative tells horrific stories of overcoming with beautiful prose. Rebecca Skloot shares scientific knowledge in a way that resonates with her readers. 

Mark Twain’s adventures are iconic in American history. C.S. Lewis is known for his compelling nonfiction works (as well as his original fiction plots). 

These names, and many more, can provide a foundation on which to draw from as you move into ideating your draft. But you might still be asking if nonfiction is the right path for you – and your book.

Should you write a nonfiction book?

Don’t just want to know what nonfiction is but why – and how to write a nonfiction book as well? Well, can you answer any of these questions with a resounding “yes!?”

• Do you live a unique life?
• Have you overcome something life-changing or mindset-altering?
• Do you have a desire to teach a valuable lesson?
• Is there something you know due to your profession, education, or background that could help others?
• Do you want to shift from teaching one-on-one as a service provider to changing multiple people’s lives with the same amount of effort?
• Do you have a business that you want to grow?
• Are you passionate about a specific event or time in history – and want more people to learn about it?

The next time someone asks you, “What is nonfiction?” you can explain that nonfiction encompasses writing based on factual events or data – and then hand them a copy of your own book as an example!

Define nonfiction with your own book

So what is nonfiction? As you can see, it’s a lot of things. Great nonfiction is storytelling grounded on facts, written with purpose, and crafted in a creative way that readers connect with. Excited to craft your own nonfiction narrative but feeling unsure where to start? Fret not! Here are some helpful guides to get you started:

• How to Write a Biography
• How to Write a Book About Christianity
• How to Write a Psychology Book
• How to Write a Self-Help Book

Now it’s your turn to become the protagonist in your own story. Whether you choose to write a memoir or autobiography or want to share lessons learned from a less-personal perspective, it’s your turn to answer the question, “What is nonfiction?” 

While many nonfiction books (especially self-help) include data and stats, the stories mentioned above are not simply a collection of data but a framework that ties the following together:

• Inspiration 
• Education 
• Self-discovery 

It’s important to define what is nonfiction as it relates to your specific writing goals . Think about the themes, topics, and characteristics you want to include in your manuscript. Consider how you want your readers to feel during and after reading your book.

Your nonfiction can mix horror and heartbreak, tragedy and triumph, failures and persistence. You can use your expertise to inspire others to health, wellness, and new levels of self-development. 

Every writer has a unique perspective to share. Your viewpoint matters, and what you have to say can play a vital role in the trajectory of the nonfiction genre!

Need book writing help ? Reference the free resource below for further guidance!

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Nonfiction Essay

Nonfiction essay generator.

While escaping in an imaginary world sounds very tempting, it is also necessary for an individual to discover more about the events in the real world and real-life stories of various people. The articles you read in newspapers and magazines are some examples of nonfiction texts. Learn more about fact-driven information and hone your essay writing skills while composing a nonfiction essay.

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What Is a Nonfiction Essay?

Nonfiction essay refers to compositions based on real-life situations and events. In addition, it also includes essays based on one’s opinion and perception. There are different purposes for writing this type of essay. Various purposes use different approaches and even sometimes follow varying formats. Educational and informative essays are some examples of a nonfiction composition. 

How to Compose a Compelling Nonfiction Essay

When you talk about creative writing, it is not all about creating fictional stories. It also involves providing a thought-provoking narrative and description of a particular subject. The quality of writing always depends on how the writers present their topic. That said, keep your readers engaged by writing an impressive nonfiction paper.

1. Know Your Purpose

Before you start your essay, you should first determine the message you want to deliver to your readers. In addition, you should also consider what emotions you want to bring out from them. List your objectives beforehand. Goal-setting will provide you an idea of the direction you should take, as well as the style you should employ in writing about your topic on your essay paper.

2. Devise an Outline

Now that you have a target to aim for, it is time to decide on the ideas you want to discuss in each paragraph. To do this, you can utilize a blank outline template. Also, prepare an essay plan detailing the structure and the flow of the message of your essay. Ensure to keep your ideas relevant and timely.

3. Generate Your Thesis Statement

One of the most crucial parts of your introduction is your thesis statement . This sentence will give the readers an overview of what to expect from the whole document. Aside from that, this statement will also present the main idea of the essay content. Remember to keep it brief and concise.

4. Use the Appropriate Language

Depending on the results of your assessment in the first step, you should tailor your language accordingly. If you want to describe something, use descriptive language. If you aim to persuade your readers, you should ascertain to use persuasive words. This step is essential to remember for the writers because it has a considerable impact on achieving your goals.

What are the various types of nonfiction articles?

In creatively writing nonfiction essays, you can choose from various types. Depending on your topic, you can write a persuasive essay , narrative essay, biographies, and even memoirs. In addition, you can also find nonfiction essay writing in academic texts, instruction manuals, and even academic reports . Even if most novels are fiction stories, there are also several nonfictions in this genre.

Why is writing nonfiction essays necessary?

Schools and universities use nonfiction essays as an instrument to train and enhance their students’ skills in writing. The reason for this is it will help them learn how to structure paragraphs and also learn various skills. In addition, this academic essay can also be a tool for the teachers to analyze how the minds of their students digest situations.

How can I write about a nonfiction topic?

A helpful tip before crafting a nonfiction essay is to explore several kinds of this type of writing. Choose the approach and the topic where you are knowledgeable. Now that you have your lesson topic, the next step is to perform intensive research. The important part is to choose a style on how to craft your story.

Each of us also has a story to tell. People incorporate nonfiction writing into their everyday lives. Your daily journal or the letters you send your friends all belong under this category of composition. Writing nonfiction essays are a crucial outlet for people to express their emotions and personal beliefs. We all have opinions on different events. Practice writing nonfiction articles and persuade, entertain, and influence other people. 

Text prompt

• Instructive
• Professional

Write about the influence of technology on society in your Nonfiction Essay.

Discuss the importance of environmental conservation in your Nonfiction Essay.

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[ non- fik -sh uh n ]

• the branch of literature comprising works of narrative prose dealing with or offering opinions or conjectures upon facts and reality, including biography, history, and the essay ( fiction and poetry and drama ).

She had read all of his novels but none of his nonfiction.

• (especially in cataloging books, as in a library or bookstore) all writing or books not fiction , poetry, or drama, including nonfictive narrative prose and reference works; the broadest category of written works.

/ ˌnɒnˈfɪkʃən /

• writing dealing with facts and events rather than imaginative narration
• modifier relating to or denoting nonfiction

Derived Forms

• nonˈfictionally , adverb
• nonˈfictional , adjective

Other Words From

• non·fiction·al adjective
• non·fiction·al·ly adverb

Word History and Origins

Origin of nonfiction 1

Example Sentences

Her nonfiction has been published in “Tin House,” “Essay Daily” and other publications.

From serious social commentary to truffle-hunting dogs, nonfiction movies are as vibrant and vital as ever.

This nonfiction doorstop from the ’80s might be languishing in the back of your local used bookstore.

This is actually not a self-help or nonfiction book, but the book that resonates for me is The Alchemist by Paulo Coelho.

Her previous book, Cure, hit the New York Times best-seller hardcover nonfiction and science lists.

I was writing Lorrie Moore knock-off short stories before I switched to nonfiction.

Excerpted from The Getaway Car: A Donald Westlake Nonfiction Miscellany.

Ten more nonfiction books, including the stunning memoir Leaving Birmingham (1993), followed it.

Countless essays, works of journalism, and touchstones of narrative nonfiction have shown us otherwise.

But what I find most compelling about Cole is not the ways he escapes the novel, but the ways he escapes nonfiction.

He read nonfiction almost entirely and mainly historical works.

In addition, a large library of books on fiction and nonfiction subjects is maintained.

A chemical compound of highly impressionistic autobiographic nonfiction and highly romantic fiction and folk tales.

Whether fiction or nonfiction, as claimed by the author, this book realizes the relationships between Plains Indian and buffalo.

In the best of her fiction she is truer to life than he is in a good part of his nonfiction.