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How To Write Synopsis With Examples

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Blog • Understanding Publishing

Posted on Sep 12, 2018

How to Write an Incredible Synopsis in 4 Simple Steps

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Savannah Cordova

Savannah is a senior editor with Reedsy and a published writer whose work has appeared on Slate, Kirkus, and BookTrib. Her short fiction has appeared in the Owl Canyon Press anthology, "No Bars and a Dead Battery". 

Your novel is fully written, edited, and polished to perfection — you’re ready to pitch it to agents! But you’re missing a critical piece of persuasion: the synopsis. Even after putting together your entire book, you may have no idea how to write one, or even how to approach it.

Luckily, we’ve got answers for you. Read on for our best tips on writing a synopsis that’s clear, concise, captivating… and may even lead to an all-out agent battle over your novel!

What is a synopsis?

A synopsis is a summary of a book that familiarizes the reader with the plot and how it unfolds. Although these kinds of summaries also appear on the pages of school book reports and Wikipedia, this guide will focus on constructing one that you can send out to agents (and eventually publishers).

Your novel synopsis should achieve two things: firstly, it should convey the contents of your book, and secondly, it should be intriguing!

While you don’t need to pull out all the marketing stops at this stage, you should have a brief hook at the beginning and a sense of urgency underlying the text that will keep your reader going. It should make potential agents want to devour your whole manuscript — even though they’ll already know what happens.

While writing your synopsis, make sure that it includes:

• A complete story arc
• Your own voice and unique elements of your story
• The ending or resolution ( unlike in a blurb )

As for the ideal length for this piece, it varies from project to project. Some authors recommend keeping it to 500 words, while others might write thousands. However, the standard range is about one to two single-spaced pages (or two to five double-spaced pages). And if you're interested in knowing how to format the whole of your manuscript for submission, we recommend downloading this manuscript format template. 

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You may also want to have an additional “brief” summary prepared for agents who specifically request a single page or less. Remember: as hard as it will be to distill all your hard work into that minimal space, it’s crucial to keep your synopsis digestible and agent-friendly.

How to write a novel synopsis in 4 steps

1. Get the basics down first

When it comes to writing a synopsis, substance is the name of the game. No matter how nicely you dress it up, an agent will disregard any piece that doesn’t demonstrate a fully fleshed out plot and strong narrative arc. So it stands to reason that as you begin writing, you should focus on the fundamentals.

Start with major plot points

Naturally, you want agents to be aware of your story's plot . So the best way to start summarizing your story is to create a list of those plot points, including:

• The inciting incident — what sparks the central conflict of your story?
• The events of the rising action — what happens in the interlude between the inciting incident and the climax, and how does this build tension ?
• The height of the action, or climax , of your story — this one is the most important, as it should be the most exciting part of your book !
• The resolution or ending — again, unlike a blurb, a synopsis doesn’t need to dangle the carrot of an unknown ending to the reader; you can and should reveal your story’s ending here, as this brings the plot and narrative arc to a close.

Listing these points effectively maps out the action and arc of your story, which will enable the reader to easily follow it from beginning to end.

Include character motivations

The key here is not to get too deep into characterization, since you don’t have much room to elaborate. Instead, simply emphasize character goals and motivations at the beginning and end of your synopsis — first as justification for the inciting incident, then again to bring home the resolution. For example:

Beginning: “Sally has spent the past twenty years wondering who her birth parents are [motivation]. When a mysterious man offers her the chance to find them, she spontaneously buys a ticket to Florence to begin her journey [inciting action].”

Ending: “She returns to the US with the man who was her father all along [resolution], safe in the knowledge that she’ll never have to wonder about him again [restated motivation].”

Also note how the text here is written in third person, present tense, as it should be regardless of the tense or POV of your actual book. Writing a synopsis in first or second person doesn’t really work because it’s not meant to be narrated — just summarized. Basically, the present tense works to engage the reader while the third person allows the story to be told smoothly.

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2. Highlight what’s unique

Now it’s time to spice up your synopsis by highlighting the elements that make it unique. Agents need to know what’s so special about your book in particular — and moreover, is it special enough to get readers to pick it up? Below are some features you might employ to grab an agent’s attention and assure them of your book’s appeal.

Your writing voice is an essential tool here: it conveys your novel’s tone and is one of the most important factors in making your work stand out. However, it’s also one of the most difficult elements to evoke in such a small amount of space.

The best way to capture voice in a synopsis is through extremely deliberate word choice and sentence structure. So if you were Jane Austen, you’d use clever words to magnify your wit: “When Darcy proposes to her apropos of nothing, Elizabeth has the quite understandable reaction of rejecting him.” You may not be able to use all the elaborate prose of your novel, but your synopsis should still reflect its overall feeling.

Plot twists

Even though they’re one of the oldest tricks in the book, readers will never tire of juicy plot twists. If your novel contains one or more of these twists, especially at the climax, make sure your synopsis accentuates it. But don’t hint too much at the twist, as this will make it seem more dramatic when it comes; a couple of words in the intro will suffice as foreshadowing.

For instance, if you were writing a summary of Gone Girl , you might open with “Nick Dunne wakes up one morning to find that his wife, Amy, has apparently disappeared. ” This implies that she may not be as “gone” as we think she is, setting the stage for the later reveal.

Point of view

Another aspect that might set your book apart is a distinctive point of view . Since you’ll be giving your synopsis in third person, you can limit this inclusion to an introductory sentence: “This book is narrated from the point of view of a mouse.”

Although this strategy works best for books with a highly unusual point of view (such as The Book Thief by Markus Zusak, in which the story is told by Death), it can also be very helpful to remember for seemingly bog-standard narrators. If one of your characters narrates in first person, make sure to address their individual narrative quirks as well as any biases or limitations; highlighting a narrator who's not the most reliable can really add to your novel’s intrigue!

3. Edit for clarity and excess

Don’t shroud your synopsis in mystery; this is very frustrating to agents who just want to know what happens in your book! With that in mind, after you’ve written the bulk of your summary, it’s time to edit for clarity. You also may have to delete some text, so you can get it right in that couple-page sweet spot.

Editing for clarity

The paramount rule of synopses is a real doozy: tell, don’t show. It’s the opposite of that classic adage that writers have heard their whole lives, and it’s exactly what you need to write a successful synopsis. 

As you return to what you’ve written, scan for sentences that are vague or unclear, especially toward the beginning. Many writers fall into the trap of trying to hook agents by opening with a sentence akin to the first murky line of a literary novel. Again, though you do want your intro to be intriguing, it has to cut to the chase pretty quickly.

When it comes to opening a synopsis, you need to think like Tolkien, not Tolstoy. “In a hole in the ground there lived a hobbit.” Crisp, clear, and to the point: one of the very few times you should tell, rather than show.

Editing excess words

If your synopsis is longer than a couple of pages at this point, you need make some serious cutbacks. Read through what you have, scrutinizing every sentence and word, even if you think you’ve chosen them carefully. Reduce any run-on sentences or subordinate clauses that unnecessarily lengthen your piece.

Finally, eliminate irrelevant details — anything that doesn’t lead to the next plot point or directly contribute to your voice or other distinctive elements. It’s unlikely you’ll have included any of these in the first place, but just in case they’ve slipped through, cut them. Save the frills for your book; remember, your synopsis is all about substance .

4. Make sure it flows

By the time it’s finished, your synopsis should read like a summary from an excellent book review — or at the very least SparkNotes or Shmoop. This means not only clearly and concisely hitting every important point, but also reading in a smooth manner, placing just the right amount of emphasis on the critical moments and unique aspects we’ve discussed.

Get test readers

A great way to ensure that your synopsis is paced precisely and flows well is to give it to test readers, either someone you know or a professional editor . You’ve spent way too much time with these words to be objective about them, so pay attention to what other people suggest: possible word substitutions, transitions, and which details to emphasize versus delete.

Use professional synopses as models

You don’t want to look at examples of other synopses too soon, otherwise yours will come out sounding formulaic and stale. That said, professional synopses can be a very valuable tool for refining toward the end of the process! Compare and contrast them to the synopsis you’ve written, and adapt any techniques or turns of phrase you feel would enhance it.

Here’s an example of a strong (albeit brief) synopsis of Great Expectations by Charles Dickens , courtesy of the Oxford Companion to English Literature:

Phillip Pirrip, more commonly known as “Pip,” has been brought up by his tyrannical sister, wife of the gentle Joe Gargery. He is introduced to the house of Miss Havisham who, half-crazed by the desertion of her lover on her bridal night, has brought up the girl Estella to use her beauty as a means of torturing men. Pip falls in love with Estella and aspires to become a gentleman.

Money and expectations of more wealth come to him from a mysterious source, which he believes to be Miss Havisham. He goes to London, and in his new mode of life meanly abandons the devoted Joe Gargery, a humble connection of whom he is now ashamed.

Misfortunes come upon him. His benefactor proves to be an escaped convict, Abel Magwich, whom he as a boy had helped. Pip’s great expectations fade away and he is penniless. Estella meanwhile marries his sulky enemy Bentley Drummle, by whom she is cruelly ill treated.

In the end, taught by adversity, Pip returns to Joe Gargery and honest labor. He and Estella, who has also learnt her lesson, are finally reunited.

This synopsis works well because it includes:

• The inciting incident (Pip moving in with Miss Havisham), the rising action (him being in London), the climax (returning to Joe Gargery), and the resolution (reuniting with Estella)
• Character motivations (Miss Havisham wants to punish all men because her fiancé betrayed her; Pip wants to become a gentleman so Estella will fall in love with him)
• A plot twist (Pip’s benefactor being a criminal — whom he knows from his childhood!)
• Distinctive voice (formal yet engaging, doesn’t detract from the plot) and smoothly written style (events are chronological and progress quickly)

Your synopsis is one of the biggest deciding factors in whether an agent wants to see more from you or not. No matter how chipper your query letter , the bottom line is that this summary tells agents (and later publishers) what they really need to know: what your book is about, what makes it unique, and most importantly, if they can sell it. 

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That’s why it’s vital that you make your synopsis airtight. Fortunately, if you’ve followed these steps, yours will be chock full of plot details with a touch of your own special writing sauce: a synopsis that any agent (hopefully) won’t be able to resist. 

Many thanks to Reedsy editors (and former agents) Sam Brody and Rachel Stout  for consulting on this piece!

Do you have any tips for writing an irresistible synopsis? Leave them in the comments below!

2 responses

Elizabeth Westra says:

12/09/2018 – 22:10

This looks interesting, and I will read every word, but this would be different for a picture book. You only get one page to query for many children's books.

Dorothy Potter Snyder says:

14/10/2018 – 20:11

I am curious if anyone has ideas on how translators can write a synopsis for agents / publishers of works in translation? Might there be something about why this author is important in his/her country of origin and literary tradition? Which authors more known to English language readers might relate to this author (they've never heard of before)?

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• Literary Terms
• Definition & Examples
• When & How to Write a Synopsis

I. What is a Synopsis?

A synopsis is a brief summary that gives audiences an idea of what a composition is about. It provides an overview of the storyline or main points and other defining factors of the work, which may include style, genre, persons or characters of note, setting, and so on. We write synopses for all kinds of things—any type of fiction or nonfiction book, academic papers, journal and newspaper articles, films, TV shows, and video games, just to name a few!

The amount of detail and information revealed in a synopsis depends on its purpose. For instance, authors often need to provide a lengthy synopsis when proposing a book, article, or work to potential publishers or editors —in that case, a synopsis will include a full plot overview (which includes revealing the ending), signs of character progression, detailed explanation of theme and tone, and so on. This article will mainly focus on the short synopses you see every day on websites and other media outlets.

II. Example of a Synopsis

Here’s an example of a short synopsis of the story of Jack and Jill:

Jack and Jill is the story of a boy and a girl who went up a hill together. They went to fetch a pail of water, but unfortunately, their plan is disrupted when Jack falls and hits his head, and rolls back down the hill. Then, Jill falls too, and comes tumbling down after Jack.

As you can see, the synopsis outlines what happens in the story. It introduces the main characters and the main plot points without being overly detailed or wordy.

III. Importance of Synopses

Synopses are extremely valuable and necessary pieces of writing for authors, film makers, TV producers, academic writers, and many others.

• On one level, it’s what actually helps a book get published or a film or TV series get made—a successful, well-written synopsis can convince the person in charge of publication or production to bring a work to life
• On the other hand, synopses grab the attention of potential audiences and can convince them to read, watch, or listen
• Also, they help researchers find what they are looking for and decide if a piece is relevant to their field

Without them, audiences and readers would never know what something was about before reading or viewing it! Thus, the importance of synopses is twofold: it both helps works get made and then helps them reach the right audiences.

IV. Examples of Synopses in Literature

Example 1: synopsis of a novel.

When we want to choose a novel, it’s a common practice to read a synopsis of what it’s about. A short synopsis will give us just enough details to draw readers in and hopefully convince them to read the book! Here’s a brief synopsis from Cliff’s Notes of The Hunger Games :

In Suzanne Collins’ The Hunger Games, the Capitol forces each of Panem’s 12 districts to choose two teenagers to participate in the Hunger Games, a gruesome, televised fight to the death. In the 12th district, Katniss Everdeen steps in for her little sister and enters the Games, where she is torn between her feelings for her hunting partner, Gale Hawthorne, and the district’s other tribute, Peeta Mellark, even as she fights to stay alive. The Hunger Games will change Katniss’ life forever, but her acts of humanity and defiance might just change the Games, too.

Example 2: Synopsis of an Academic Paper

Sometimes, teachers, professors, publications, or editors want a synopsis of an academic paper, lecture, or article, which is more formally called an abstract (See Related Terms ). Like with a work of fiction, it gives a summary of the main points of the papers or article and provides a snapshot of what issues will be discussed. Synopses of these types of work are particularly important for scholars and anyone doing research, because when searching, they need to be able to know what an article is about and whether it is relevant to their work.

During his career, J.R.R. Tolkien gave a lecture on the classic Beowulf , which became one of the most respected and most-consulted academic sources on the poem to date. Here is a synopsis:

Before Tolkien, general scholarly opinion held…that while the poem might after all be unified, it was nevertheless unfortunate that the poet had chosen to tell stories about a hero, ogres, and a dragon, instead of detailing the wars in the North to which he often provocatively alludes. Tolkien’s lecture strongly and sometimes ironically defends the poet’s decision and the poem itself. The poet had every right to choose fantasy rather than history as his subject; in doing so he universalized his theme; his many allusions to events not recounted gave his work depth; most of all, the poem offered a kind of negotiation between the poet’s own firmly Christian world and the world of his pagan ancestors, on whom he looked back with admiration and pity.

This synopsis shares the main focus of Tolkien’s famous lecture and outlines its purpose for those who may be interested in it and can benefit from his research.

V. Examples of Synopses in Popular Culture

Example 1: synopsis of a tv series.

Giving the audience a written preview of a subject or storyline is a standard practice for TV producers. Before the series Gotham premiered, Warner Brothers released a detailed synopsis of exactly what the show would be about, which was particularly important because the audience would want to know how it would be placed amongst other Batman storylines. Here is a selection from its official synopsis:

Gotham is the origin story of the great DC Comics Super- Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (The Mentalist, Rome), this one-hour drama follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the genesis of one of the most popular super heroes of our time. Brave, earnest and eager to prove himself, the newly minted detective Gordon (Ben McKenzie) is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne.

This is only one piece of the synopsis provided by Warner Brothers, but it’s a good sample of the bigger picture. It introduces the main theme and major characters, giving us a taste of what the series has in store.

Example 2: Synopsis of a Film

The job of a film synopsis is to build excitement and anticipation in the audience. Fantastic Beasts and Where to Find Them is a long-awaited addition to J.K. Rowling’s Harry Potter universe and the release of this synopsis and trailer was big news in the world of popular culture. Here’s the synopsis:

Fantastic Beasts and Where to Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident…were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.

When a new film is announced, producers usually release a written synopsis like this, as well as an official trailer. Truly, a movie trailer is just a visual form of a synopses. But, a trailer builds even more anticipation in the audience than a written summary, because it gives a true peek at what will unfold on screen.

VI. Related Terms

An abstract is a brief summary of a scholarly work. It does the same things as a synopsis, but goes by a different term—“synopsis” is the preferred term for creative writing, films, and television, “while abstract” is the preferred term for formal or academic works. Overall, they have the same purpose.

An outline is shorter, less defined plan of what you’re going to include in a piece of writing. It’s usually written in the brainstorming phase, and just “outlines” general things that the work will include, and may change as you get farther in your work. An outline comes before a work is written, and a synopsis is written after a work is complete.

VII. Conclusion

In conclusion, synopses are useful summaries that are written for the benefit of a potential reader or audience. It gives an overview and a “sneak peek” at a work, which lets them choose things that are interesting or useful to them personally and/or professionally.

List of Terms

• Alliteration
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• Deuteragonist
• Doppelganger
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• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
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• Cite This Website

What Is a Synopsis and How Do You Write One?

What to Put In and What to Leave Out

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

In the 19th century, a synopsis was a classroom exercise used for teaching traditional grammar but today, the accepted definition of a synopsis is a general overview of an article, essay, story, book, or other written work. In the field of publishing, a synopsis may serve as a proposal for an article or book. In feature writing and other forms of nonfiction, a synopsis may also refer to a concise summary of a polemic argument or event. You might also find a synopsis included in a review or report.

Fast Facts: Synopsis

Pronunciation: si-NOP-sis

Etymology From the Greek, "general view"

Plural : synopses

Adjective : synoptic

Synopsis vs. Outline

Some people use the terms outline and synopsis synonymously and they really are very similar. When it comes to fiction, however, the distinction is more clearcut. While each may contain similar information, a synopsis is an overview that summarizes the main plot points of the work, whereas an outline functions as a structural tool that breaks the plot down into its component parts.

If you think of it in terms of a novel, the synopsis would be similar to the book jacket copy that tells you who the characters are and what happens to them. It usually also gives readers a feeling for the tone, genre, and theme of the work. An outline would be more akin to a page of chapter listings (provided the author has titled the chapters rather than just numbering them) which functions as a map that leads the reader from the beginning of a literary journey to its final destination or denouement.

In addition to crucial information, a synopsis often includes a thematic statement. Again, thinking in terms of fiction, it would identify the genre and even subgenre, for example, a romance Western, a murder mystery, or a dystopic fantasy and would also reveal something of the tone of the work—whether dark or humorous, erotic or terrifying.

What to Include and What to Leave Out

Since a synopsis is a condensation of the original material, a writer must be sure to include the most important details so that the reader will be able to fully comprehend what the work is about. Sometimes, it's hard to know what to put in and what to leave out. Writing a summary requires critical thinking . You're going to have to analyze the original material and decide what the most important information is.

A synopsis isn't about style or details, it's about supplying enough information for your audience to easily understand and categorize the work. A few brief examples might be permissible, but numerous examples, dialogues, or extensive quotations have no place in a synopsis. Do, however, keep your synopsis true to the plot and timeline of the original story.

Synopses for Non-Fiction Stories

The purpose of a synopsis for a work of nonfiction is to serve as a condensed version of an event, a controversy, a point of view, or background report. Your job as a writer is to include enough basic information so that a reader can easily identify what the story is about and understand its tone. While detailed information is important when telling the larger story, only the information crucial to comprehending the "who, what, when, where, and why" of an event, proposal, or argument is necessary for the synopsis.

Again, as with fiction, the tone and the eventual outcome of your story will also likely come into play in your summary. Choose your phrasing judiciously. Your goal is to use as a few words as possible to achieve maximum impact without leaving out so much information that your reader ends up confused.

• Fernando, Jovita N., Habana, Pacita I., and Cinco, Alicia L. "New Perspectives in English One." Rex, 2006
• Kennedy, X.J., Kennedy, Dorothy M., and Muth, Marcia F. "The Bedford Guide for College Writers." Ninth Edition. Bedford/St. Martin's, 2011
• Brooks, Terri. " Words' Worth: A Handbook on Writing and Selling Nonfiction ." St. Martin's Press, 1989
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Learn how to prepare and write a synopsis assignment.

• Newcastle University
• Academic Skills Kit
• Assignment Types

A synopsis is a brief summary which gives readers an overview of the main points. In an academic context, this is usually a summary of a text (a journal article, book, report etc) but in some instances you might be writing a synopsis of a talk, film or other form of presentation. A synopsis is a neutral summary, objectively capturing the main points, rather than your own perspective or critique, and it focusses directly on the text you’re summarising rather than being a wider discussion of a topic, as an essay might be.

A synopsis aims to give the reader a full, if brief, account of the whole text so that they can follow its main points without having to read it themselves. It’s not a ‘trailer’ designed to tempt your audience to read the text itself, so you don’t have to worry about ‘hooking’ them in with hints and high points or ‘spoiling the ending’ - give the whole text equal coverage, including the conclusions. You could add some commentary which gives the reader a bit of context about the text, including the authors and circumstances it was written in (for example, if it is part of a debate, particular school of thought or its significance and what impact it’s had).

Writing a good synopsis is a skill, and there are a number of challenges: 

• Separating the main points from the minor detail
• Knowing what to leave out as well as what to include
• Giving a sense of the overall narrative as well as listing the key points
• Covering the whole text within a small word limit
• Knowing how closely to stick to the original, especially in terms of the wording
• Whether to give all key points equal treatment, or cover some more briefly, even combining them
• Rephrasing things concisely without losing the meaning or misrepresenting it
• Not leaving out anything crucial to understanding the whole overall message

A good synopsis will allow the reader to feel as if they’d skimread the whole text themselves, understanding the overall gist and highlighting what they need to know. A poor synopsis will get bogged down in detail, giving a confused account of the whole story by just listing points, miss out major points or give an inaccurate or one-sided account or stick so closely to the original that it becomes plagiarism without demonstrating a real understanding by the person summarising it.  

How to prepare a synopsis

Boiling down the key points and overall narrative of the original means good reading and note-taking skills which aim to identify and boil down key points to their essence. You could try some of the following approaches: 

• Read the whole text, and afterwards, without re-reading, jot down your first initial summary in 50 words to capture its overall point. You can check it back for accuracy or anything you left out, but stick within ca 50 words
• Read the introduction and first line of each paragraph to get a sense of the overall structure and key points within it
• Highlight one sentence in each paragraph that you think is essential detail to understanding that section
• Alternatively, with a marker pen, cross out anything that isn’t essential to an understanding of the whole section or text 
• Jot down only key words as a summary of each point rather than whole sentences
• Read each paragraph and summarise it without looking, in one sentence of your own 
• Consider how many points you can make within your word count, and reduce or combine your list of summarised points down to this number

You could start small, identifying just keywords or sentences at first and then work them up into phrases, bullet points and sentences as a rough plan or draft, or you could start big with the original text and reduce each section, paragraph and sentence summary again and again until you have boiled it down to its essence.  

When you start to prepare your first plan or draft, try to use your notes or memory and step away from the original as much as you can. You can go back and check it afterwards, but you need to create some distance to be able to create your own account and have confidence in the points you have identified as essential.

Writing a synopsis

The main decisions facing you as you write up your summary are about how closely to stick to the original in terms of structure and style, and how much attention to give to each point. 

• You could begin your synopsis with a brief context, explaining who the authors are, the context and significance of their work, as well as anything you think might help the reader to understand the following summary
• The most common structure is to follow that of the original text, to give a sense of its narrative flow as well as the key points within it. You could choose to depart from it a little though, perhaps glossing over some points faster than others, combining two sections which go together or aren’t enough in their own right, possibly even changing the order a little where it helps to combine two similar points. Careful use of signposting language will help the reader clearly follow the structure (and note anywhere you’ve changed it from the original) so they can identify the bit you’re talking about in the original if they want to
• The style will naturally be strongly influenced by the original wording, but you should phrase it in your own words wherever possible. It’s harder to nibble away words from a much longer original than it is to start again and use your own concise phrasing, and you want to demonstrate your own understanding to the reader. You could use the odd original phrase or quotation here or there, but the synopsis needs to be more than a collage of quotations; it’s a thing in its own right rather than a cut-down version of the original
• You can also show your own response to the text in the way you use language to guide the reader to what you feel are the key points and (briefly) why. Your own voice doesn’t need to be very obvious in the synopsis, as it’s about the text rather than your reaction to it, but you have made analytical decisions about what is important, and might want to explain to the reader why these points are significant in understanding the whole
• What is the main purpose of this text? What did it aim to discover, explain or prove?
• Why was this research done? How significant is it?
• How was the research conducted? What kind of research is it?
• What were the three (or four, five) main things I should be aware of from this paper?
• What is their line of argument?
• What is their overall conclusion, recommendation, finding? Why is that important?

Managing word count

The trick to writing a concise synopsis which keeps within your word limit is not to start from the much bigger original text, but from your own boiled down notes. If you’re over the word count, you could start cutting out words that don’t seem essential, but if you go too far, you end up with a text which does not read well and doesn’t hang together. It might be better to remove whole sentences and perhaps whole points, than nibble away at words here and there.

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Learn how to prepare and write a synopsis assignment. **PDF Download**

How to Write an Essay Synopsis

Liza hollis.

Writing a synopsis for an essay or any other piece of literature is simply about determining the most important parts of a piece of work and using this information to provide a brief summary. In your synopsis you want to highlight the most important facts, as well as the little details that will give your reader a better sense of the essay. The length of your synopsis will depend entirely on what you are writing the synopsis for. It can range from a one paragraph overview to a few pages in length.

Explore this article

• Writing your Essay Synopsis
• Introduce the main characters
• Describe the setting
• Identify the major themes
• Diagram the plot structure
• Know your audience

things needed

• Computer or Paper with pen/pencil
• Essay you are reviewing

1 Writing your Essay Synopsis

2 introduce the main characters.

Introduce the main characters and their motivations. You want to write in active voice, avoiding dull and passive language. Identify what characters drive the story, even if in the essay it is strictly in the mind of the narrator. Then explain how the characters move the essay.

3 Describe the setting

Describe the setting to give visuals for the reader. Establish the place and time the essay takes place. These kind of cues will give readers a better sense of the feel of the essay, as well as allow them to create a picture in their heads.

4 Identify the major themes

Identify the major themes of the essay. What is the author of the essay trying to convey? Are there recurring images, dialogue, or situations that act as symbolism in the essay for the overarching meaning behind the essay? If so, identify this information and work it into your synopsis.

5 Diagram the plot structure

Diagram the plot structure. Even if the essay is completely about one narrator’s thought about one thing, chances are there is some structure to the essay. Diagramming this in your pre-writing and including it in your essay will explain the overall action in the essay.

6 Know your audience

Know your audience to make your synopsis as effective as possible. If you are writing this synopsis to encourage readers to read the original essay, be sure not to give away the ending or too many details. Rather, pique their interest and leave them wanting more. If you are writing to show understanding, include all the information that demonstrates you have properly comprehended the essay.

About the Author

Liza Hollis has been writing for print and online publications since 2003. Her work has appeared on various digital properties, including USAToday.com. Hollis earned a degree in English Literature from the University of Florida.

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How To Write A Synopsis

Last updated on: Feb 9, 2023

How to Write a Synopsis - Easy Steps and Format Guide

By: Cordon J.

Reviewed By: Melisa C.

Published on: Oct 19, 2021

After writing a book or novel, writers are often asked to draft a precise document, i.e., a synopsis.

The publishers sometimes require it as they want to see what happens in a story. Therefore, it must present the entire narrative arc without revealing the ending.

Do not confuse it with a marketing description. Instead, it is an industry document that helps potential agents or editors to assess your story. Similarly, an appealing synopsis also makes it worth it for the audience to read the entire manuscript.

It is not that hard to write a good synopsis.

However, it is important to understand that each literary piece has specific guidelines. Follow the easy tips given in this guide to learn how to write a synopsis in no time.

On this Page

What is Synopsis?

A synopsis presents a brief summary of a literary work to the reader. It must include the following elements:

• Character descriptions
• Overview of major themes

Unlike a summary, it just gives a general overview of the story. Similarly, it covers the main conflict, the resolution, and the character’s emotional development.

A good synopsis appears in the query letter that you will send to the literary agent or publisher. Then they will use it to determine the marketability and salability of your writing piece.

Essential Parts of a Synopsis

Below given are the essential parts of synopsis writing:

• Characters -  Ensure to make the main and secondary characters of your story strong from the outset. They form the foundation of your literary work.
• Conflict -  A conflict is a central reason to keep the audience reading. Therefore, don’t forget to include its short description in the synopsis.
• The narrative arc -  It serves as a skeleton of your plot points. Thus, it must be an inciting incident from the beginning.

What is a Synopsis for?

The following is the primary purpose of writing a synopsis for your book or novel:

• It should tell the agent directly what the major plot twists are.
• It must give a clear picture of the narrative arc.
• It must identify the main characters of your short story.
• It should give hints about the major character development arcs.
• It must clarify to the audience about your point of view,  hook , premise, and pitch.
• It must demonstrate the appeal and how the plot momentum increases.
• It must share an ending that feels satisfying.

The agent will ask you for the full manuscript if your synopsis achieves the purposes mentioned above.

How Long Should a Synopsis Be?

The standard length is about one or two single-spaced pages containing 500-1000 words.

It is recommended to keep a novel or book synopsis short unless there are any specific submission package guidelines. It is because most editors are not interested in a synopsis longer than a few pages. Thus, the standard length is about one or two single-spaced pages containing 500-1000 words.

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Formatting a Synopsis

Here is a complete format structure of a good synopsis:

• Word Count -  One to two pages, 500 words
• Line Spacing -  Single spaced or 1.5
• Font Type and Size -  Times New Roman, 12 pt
• Margins -  One-inch margins
• Indentation -  Paragraphs must be intended
• Language -  Clear, to the point, neutral, and business-like with no spelling mistakes
• Presentation -  Include your title, name, and word “synopsis.” Similarly, it must be written in the third person
• Character Names -  Put the character names in bold and CAPS while introducing them
• Character Thumbnails -  Give a short description of the characters in this section

Lastly, you can also insert a little snippet of 2-3 lines at the top of your synopsis.

How to Write a Synopsis?

Follow the below-given steps for writing synopses that impress publishers.

1. Note Down the Main Characters

In the first step, a writer must note down the main characters and plot. Keep in mind that only the most important characters will be mentioned in a synopsis. Also, ensure that each character should impact the book published in a significant way.

Apart from this, you should also emphasize character motivations at the beginning and end of the synopsis.

2. Enlist the Major Plot Points

The next step is to identify the narrative arc of your story. However, it does not include the subplots. The best way is to make a list of the major plot points that include the following:

• The Inciting Incident -  It must mention the central conflict of your story.
• Events leading to Rising Actions -  It should discuss the incidents that lead to rising actions and the climax.
• The Ending -  This section should mention the story’s ending as it brings the plot and narrative arc together.

Listing down these points effectively helps to map out the actions and arc. It will also enable the readers to follow the story from beginning to end easily.

3. Identify the Unique Perspectives of the Story

The publishers read hundreds of synopsis every day. Thus, it is important to highlight the unique elements of the story to make it stand out. Similarly, you can also use a different angle.

Keep in mind the following elements to grab the agent’s attention:

• Does your story have an interesting and appealing point of view?
• Does the work have a unique twist?
• Does your story fulfill a certain niche in the market?
• Have you used the correct word choice and sentence structure?

4. Follow the Correct Format

It is better to follow the correct formatting guidelines and word limit while writing a synopsis. Remember, every agent has different requirements for synopsis length. Thus, before starting writing, look up a few publishing houses and check out the instructions specified by them.

5. Develop a Synopsis Outline

The next important step is to develop a detailed outline and begin with writing your synopsis. It includes the following paragraphs.

• Synopsis Introduction -  It should Introduce the characters and the conflict and provide a general summary of the entire plot.
• Synopsis Body Paragraphs - These paragraphs should explain the major plot twists that happen in your story. Also, include the obstacles that the character faced and discuss how they overcame them. However, do not go into excessive details about subplots and minor actions.
• Synopsis Conclusion -  Here, describe how the major conflicts are resolved and reveal the story’s climax. Nevertheless, do not introduce any new information about the writing piece in this paragraph.

6. Proofread the Synopsis

After finishing writing, the last step is to proofread your work. Carefully read the synopsis for typos, misspellings, grammatical mistakes, or missing words. Also, remove any unnecessary words, phrases, or clichés.

You can also ask someone from your friends or family to proofread and revise it for you. Furthermore, hiring a professional can get you suggestions that you need to improve your synopsis before submission.

By the time it’s finished, make sure your synopsis should read like a summary. This means clearly and concisely written and follows the right amount of emphasis on the critical moments.

Synopsis Examples

BOOK SYNOPSIS

MOVIE SYNOPSIS

REPORT SYNOPSIS

ARTICLE SYNOPSIS

NOVEL SYNOPSIS

THESIS SYNOPSIS

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Easy Synopsis Writing Tips

Follow the given tips to produce a well-written synopsis.

• Even if your book is written in the first person, always write the synopsis in the third person. It maintains professionalism and a narrative distance.
• Keep it short and focus on the clarity of words.
• Don’t include dialogue in the synopsis. Instead, just summarize what the characters said.
• Always write in the present tense and use an active voice.
• It should present a unique point of view and  creative writing .
• Include the elements that set your story apart from others.
• Use the emotions of the characters to advance your plot and story.
• Always state your category. It may include literary fiction, romance, love, interests, science fiction, fantasy, satire, and more.
• It must convey the narrative arc, problems, plot, characters’ motivations, actions, and the ending.

Common Pitfalls to Avoid While Writing a Synopsis

Here are some common mistakes that you should avoid while writing a synopses:

• Do not ignore the word count and other writing requirements specified by the agents.
• Never get into the details about the setting of the event.
• Discuss a character briefly instead of going into unnecessary details.
• Skip subplots and other minor details in a 500-word synopsis.
• Mention the plot twist clearly for the readers to understand.
• Do not forget to put the character names in CAPS or bold.
• Avoid mentioning excessive characters and events. Instead, limit it to four or five maximum.
• Do not editorialize your novel or book as it will confuse the readers.
• Mention the title of the literary work and your name at the top of the document.
• Never use a vague filename.
• Never use badly structured sentences.
• Don’t go astray and write a hook to intrigue the audience to buy your book or novel.

If you are not making these errors, then your synopsis is good to go. However, if you still need help on getting your synopsis structure right, take professional help.

We understand that not everyone possesses good writing abilities. Thus, it is always better to consult a reliable essay writing service like  5StarEssays.com  instead of risking your grades.

Our professional essay writer online is standing by and waiting to help you with your academic writing. We only hire qualified and experienced people to ensure high-quality work within a given deadline.

Similarly, if you want us to revise your  custom paper  or essay, we will also help you with that. All you have to do is to contact our customer support team that is available 24/7. We ensure to make the ordering process simple and easy for you.

Thus, place your  order  now to get a well-written synopsis at affordable rates.

Literature, Marketing

Cordon. is a published author and writing specialist. He has worked in the publishing industry for many years, providing writing services and digital content. His own writing career began with a focus on literature and linguistics, which he continues to pursue. Cordon is an engaging and professional individual, always looking to help others achieve their goals.

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Are you finding it tough to summarize your detailed story into a short synopsis? If the thought of summarizing your narrative seems overwhelming, know that many students face this challenge.

Imagine the frustration when you have worked hard to create an interesting story, only to feel stuck when trying to make a short synopsis.

But don't worry!

In this blog, we'll not only explain how to write a synopsis but also highlight common mistakes that students make.

Let's begin!

Paper Due? Why Suffer? That's our Job!

• 1. What is a Synopsis? 
• 2. How to Write a Synopsis?
• 3. How to Format a Synopsis?
• 4. How To Write A Synopsis Examples 
• 5. Tips for Writing the Perfect Synopsis

What is a Synopsis? 

A synopsis is a concise and systematic summary of a larger piece of work, typically a book, movie, play, or academic paper.

In literature, a book synopsis is a short summary that talks about the main parts of a story, like main characters, and central conflict.

For movies, a synopsis is a brief summary that tells the main story, introduces the characters, and sometimes gives away exciting parts of the plot.

In academia, a research paper synopsis is a short description that talks about what the study is trying to do, how it's done, what was found, and what it all means.Pu

Purpose of Writing a Synopsis 

The purpose of writing a synopsis is to provide a concise and informative overview of a larger work, be it a book, movie, or research paper.

In simpler terms, when creating a synopsis, it's important to focus on a few key things:

• Making sure the information is easy to understand
• Getting people interested, helping in decision-making
• Presenting it professionally
• Meeting specific submission guidelines. 

Think of a synopsis as a helpful tool that tells a little bit about the big work and follows the rules for where it's being sent.

How to Write a Synopsis?

Writing a synopsis is not a difficult task if you follow the correct procedure. A good synopsis requires proper planning and preparation.

The following are the steps involved in writing synopses effectively:

Understand the Basics 

Before starting your synopsis, thoroughly understand the work you're summarizing. 

Identify the main characters, character motivations, the central conflict, and the key themes. This foundational understanding is crucial for creating an accurate and engaging summary.

Start with a Strong Opening 

The opening of your synopsis should grab attention and set the tone for the story. It should introduce the main elements without giving away too much.

Introduce the Main Characters 

Briefly introduce the main characters, emphasizing their roles and relationships within the story. Focus on the key traits that drive their actions.

Outline the Central Plot

Summarize the main plot, emphasizing the key events that drive the story forward. Include the central goal or conflict that propels the characters.

Highlight the Central Conflict 

Identify and emphasize the central conflict or challenges the characters face. Clearly articulate the obstacles that stand in their way.

Include Major Turning Points 

Highlight significant turning points or major plot twists that add complexity and intrigue to the story. These moments should showcase the characters' development and contribute to the overall narrative.

Showcase the Resolution 

Provide a glimpse of how the story concludes without giving away all the details. Indicate how the central conflict is resolved and what changes for the characters.

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How to Format a Synopsis?

Formatting is a crucial aspect of creating a professional and visually appealing synopsis for agents and editors. Here are some formatting guidelines to consider:

• Keep your synopsis concise, typically around 500 to 700 words. Focus on key plot points and essential details without unnecessary elaboration.

Font and Size:

• Use a standard, easily readable font such as Times New Roman or Arial.
• Use a font size between 10 and 12 points for optimal readability.

Margins and Spacing:

• Set standard one-inch margins on all sides of the document.
• Use standard single-space or double-spacing to enhance readability.
• Use clear and straightforward language. Avoid overly complex sentences or excessive details. Aim for a style that reflects the tone of your work.

Presentation:

• Format your synopsis with a readable font and standard font size. Use a professional layout with clear headings and sections to enhance readability

Character Names:

• Introduce characters by their full names  in bold and capslock when first mentioned. This helps clarity without repeating full names.

Character Thumbnails:

• Include brief character thumbnails, providing key traits or motivations. This helps the reader quickly understand the characters' roles in the story.

Extra Points:

• Focus on major plot points and avoid including every detail. Be selective and emphasize on the most impactful elements.

Paragraph Structure:

• Organize your synopsis into clear paragraphs for each section, such as the introduction, main body, and conclusion.

Third Person Presentation:

• Write the synopsis in the third person, even if your story is primarily in the first person. This maintains a professional and objective tone.
• Write your synopsis in the present tense, regardless of the tense used in your actual work. This creates immediacy and engagement.

Document Type:

• Save your synopsis in a widely accepted document format, such as .doc or .pdf.

File Naming:

• Provide a clear and concise file name that includes the title of your work. For example: "Title_Synopsis.docx"

By adhering to these formatting guidelines, you can present a polished and professional synopsis that showcases your attention to detail.

How To Write A Synopsis Examples 

Writing a synopsis means summarizing a big piece of work in a short and interesting way. It could be a story, a movie, or even a research paper. 

Let's look at some important ideas and examples to help you get better at writing a good synopsis.

How To Write A Synopsis Sample:

How to Write a Synopsis for a Film

Synopsis Example for Novel

TV Show Synopsis - Example

Synopsis For a Book

Synopsis For a Short Story

Synopsis For a Story

Synopsis For a Short Film

Here are some more examples related to synopsis writing for research and academia!

Thesis Synopsis - Example

Synopsis For Research

Synopsis For a Project

A Synopsis For Phd

Synopsis of an Article

Tips for Writing the Perfect Synopsis

Here are some essential tips to help you refine your synopsis-writing process and create a compelling summary that captivates your audience:

• Focus on the Main Plot: Avoid including every detail; instead, highlight the key events that drive the story forward.
• Capture the Tone of the Work: Reflect the mood and style of the original work in your synopsis. 
• Emphasize Conflict and Stakes : Clearly articulate the central conflict and what's at stake for the characters. 
• Avoid Spoilers: Provide enough information to generate interest without giving away critical plot twists or the ending.
• Keep It Concise: A synopsis is a snapshot, not the entire story. Aim for clarity and conciseness to maintain the reader. 

All in all, now you have a detailed guide on how to write a synopsis. Take help from the tips and examples to craft an engaging synopsis on your own!

But if you are still confused or don’t have time to complete your synopsis, MyPerfectWords.com is always just a click away!

Our essay writing service for college offers high-quality services. We have experienced essay writers who can easily write your synopsis without any errors. 

They understand your requirements and tailor them according to your needs.

So, why wait? Hire a paper writer now and get your synopsis on time!

Frequently Asked Question

What is the difference between a synopsis and a blurb.

The synopsis is comprehensive and aimed at agents, publishers, or those seeking a detailed understanding. While the blurb is concise and crafted for readers to decide if they want to engage with the book.

How Do You Start Writing A Synopsis?

To start writing a synopsis, begin by identifying the main elements of your work, including the central plot, key characters, and major themes. 

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Dr. Barbara is a highly experienced writer and author who holds a Ph.D. degree in public health from an Ivy League school. She has worked in the medical field for many years, conducting extensive research on various health topics. Her writing has been featured in several top-tier publications.

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Example of a Synopsis

#scribendiinc

Our editors offer an example of a synopsis

Writers hate writing synopses. Some find the idea of a synopsis daunting because they have spent the last two years writing a book. Others find the idea distasteful because it is less about the art of writing and more about the business of writing.

Well, it's time for some tough love. Whatever reason you may have for disliking synopses, it's irrelevant; if you're going to be a writer, you just need to write them.

The synopsis is written with the express purpose of enticing a potential agent/editor to accept your book for representation or publication. For your synopsis to be effective, your writing needs to be concise, clearly organized, and evocative of both your target genre and your own unique voice.

You are not only selling your book but also selling yourself as a writer, so it's important that your synopsis be free from grammatical and spelling errors. Let our book editors help your synopsis land in the right hands.

Here's a sample of a synopsis:

A Prairie Home Zombie

"You might be the undead queen of an army of damned putrid souls, but you sure as shoot can get shot just like everybody else."

—Hope Riverwild

Schoolmaster Chance McPrudence is content with his quiet life. He lives with his sister in a small farmhouse on the outskirts of the fledging eighteenth century community of Riverside, New Mexico. He is well respected in the community and enjoys his work, as well as weaving on his loom, and riding horses across the open plains. But when he finds a mysterious stranger near death in his barn, his quiet life is turned upside down. He cares and nurses this stranger back to health only to find that she is, in fact, the notorious outlaw Hope Riverwild.

Hope Riverwild is wanted in six states for armed bank robbery, moonshine running, and general shenanigan causing. Armed with a shotgun, two six shooters, and a tomahawk, she is clearly not a woman to be trifled with. It is rumored that the notorious Billy the Kid once got into a barroom brawl with her that left him with only nine toes. As Hope regains her strength, she finds herself strangely drawn to the kind and caring Chance, but she must be careful. Surely he could never love her . He is just too handsome, too kind, too settled. Things are just too perfect.

Hope is puzzled by Chance's nature. He seems compelled to care. He dotes over his sickly sister, Lilith, who never fully recovered from a childhood rattlesnake attack and is now homebound with prolonged bouts of Cotard’s syndrome, an illness where sufferers actually believe that they are dead. Hope suspects that Chance sees her just as fragile and in need of protection as Lilith. Eventually, care turns to love and Chance proposes marriage. For Hope, who has been a hired gun since she was 10, this is intolerable. Hope steals Chance’s favorite horse and returns to her rebel life on the lam.

Driven mad by this betrayal, Chance's veneer of perfection dissolves and his true nature is revealed. Underneath his quiet school teacher life, Chance is actually a brujo , a witchdoctor. His sister, Lilith, does not really suffer from Cotard's syndrome and did not actually survive the rattlesnake attack. In actuality, Lilith is a zombie queen and general of a vast army of the undead compelled by her brother's dark magic to do his nefarious bidding. Chance sends Lilith and her horde out to find and destroy Hope Riverwild.

They find Hope in a saloon playing poker and drowning her sorrows. Soon after, a tremendous battle ensues. Hope survives and flees into the wilderness but the army that pursues her is seemingly never-ending. Over weeks, Hope realizes that she will never be free until she deals with Chance. After much planning and with some help from her friends, Hope wages an epic battle against him. While Hope is just fighting for freedom, little does she realize that the ramifications of her fight will be felt forever.

Image source: Beatriz Perez/Unsplash.com

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How to Write a Research Synopsis: Template, Examples, & More

Last Updated: May 9, 2024 Fact Checked

Research Synopsis Template

• Organizing & Formatting
• Writing Your Synopsis
• Reviewing & Editing

This article was reviewed by Gerald Posner and by wikiHow staff writer, Raven Minyard, BA . Gerald Posner is an Author & Journalist based in Miami, Florida. With over 35 years of experience, he specializes in investigative journalism, nonfiction books, and editorials. He holds a law degree from UC College of the Law, San Francisco, and a BA in Political Science from the University of California-Berkeley. He’s the author of thirteen books, including several New York Times bestsellers, the winner of the Florida Book Award for General Nonfiction, and has been a finalist for the Pulitzer Prize in History. He was also shortlisted for the Best Business Book of 2020 by the Society for Advancing Business Editing and Writing. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 260,465 times.

A research synopsis describes the plan for your research project and is typically submitted to professors or department heads so they can approve your project. Most synopses are between 3,000 and 4,000 words and provide your research objectives and methods. While the specific types of information you need to include in your synopsis may vary depending on your department guidelines, most synopses include the same basic sections. In this article, we’ll walk you step-by-step through everything you need to know to write a synopsis for research.

Things You Should Know

• Begin your research synopsis by introducing the question your research will answer and its importance to your field.
• List 2 or 3 specific objectives you hope to achieve and how they will advance your field.
• Discuss your methodology to demonstrate why the study design you chose is appropriate for your research question.

Organizing Your Research Synopsis

• Find out what citation format you’re supposed to use, as well as whether you’re expected to use parenthetical references or footnotes in the body of your synopsis.
• If you have questions about anything in your guidelines, ask your instructor or advisor to ensure you follow them correctly.

• Title: the title of your study
• Abstract: a summary of your research synopsis
• Introduction: identifies and describes your research question
• Literature Review: a review of existing relevant research
• Objectives: goals you hope to accomplish through your study
• Hypotheses: results you expect to find through your research
• Methodology and methods: explains the methods you’ll use to complete your study
• References: a list of any references used in citations

Tip: Your synopsis might have additional sections, depending on your discipline and the type of research you're conducting. Talk to your instructor or advisor about which sections are required for your department.

• Keep in mind that you might not end up using all the sources you initially found. After you've finished your synopsis, go back and delete the ones you didn't use.

Writing Your Research Synopsis

• Your title should be a brief and specific reflection of the main objectives of your study. In general, it should be under 50 words and should avoid unneeded phrases like “an investigation into.”
• On the other hand, avoid a title that’s too short, as well. For example, a title like “A Study of Urban Heating” is too short and doesn’t provide any insight into the specifics of your research.

• The introduction allows you to explain to your reader exactly why the question you’re trying to answer is vital and how your knowledge and experience make you the best researcher to tackle it.
• Support most of the statements in your introduction with other studies in the area that support the importance of your question. For example, you might cite a previous study that mentions your problem as an area where further research needs to be done.
• The length of your introduction will vary depending on the overall length of your synopsis as well as the ultimate length of your eventual paper after you’ve finished your research. Generally, it will cover the first page or two of your synopsis.

• For example, try finding relevant literature through educational journals or bulletins from organizations like WHO and CDC.
• Typically, a thorough literature review discusses 8 to 10 previous studies related to your research problem.
• As with the introduction, the length of your literature review will vary depending on the overall length of your synopsis. Generally, it will be about the same length as your introduction.
• Try to use the most current research available and avoid sources over 5 years old.

• For example, an objective for research on urban heating could be “to compare urban heat modification caused by vegetation of mixed species considering the 5 most common urban trees in an area.”
• Generally, the overall objective doesn’t relate to solving a specific problem or answering a specific question. Rather, it describes how your particular project will advance your field.
• For specific objectives, think in terms of action verbs like “quantify” or “compare.” Here, you’re hoping to gain a better understanding of associations between particular variables.

• Specify the sources you used and the reasons you have arrived at your hypotheses. Typically, these will come from prior studies that have shown similar relationships.
• For example, suppose a prior study showed that children who were home-schooled were less likely to be in fraternities or sororities in college. You might use that study to back up a hypothesis that home-schooled children are more independent and less likely to need strong friendship support networks.

• Expect your methodology to be at least as long as either your introduction or your literature review, if not longer. Include enough detail that your reader can fully understand how you’re going to carry out your study.
• This section of your synopsis may include information about how you plan to collect and analyze your data, the overall design of your study, and your sampling methods, if necessary. Include information about the study setting, like the facilities and equipment that are available to you to carry out your study.
• For example, your research work may take place in a hospital, and you may use cluster sampling to gather data.

• Use between 100 and 200 words to give your readers a basic understanding of your research project.
• Include a clear statement of the problem, the main goals or objectives of your study, the theories or conceptual framework your research relies upon, and the methods you’ll use to reach your goals or objectives.

Tip: Jot down a few notes as you draft your other sections that you can compile for your abstract to keep your writing more efficient.

Reviewing and Editing Your Research Synopsis

• If you don’t have that kind of time because you’re up against a deadline, at least take a few hours away from your synopsis before you go back to edit it. Do something entirely unrelated to your research, like taking a walk or going to a movie.

• Eliminate sentences that don’t add any new information. Even the longest synopsis is a brief document—make sure every word needs to be there and counts for something.
• Get rid of jargon and terms of art in your field that could be better explained in plain language. Even though your likely readers are people who are well-versed in your field, providing plain language descriptions shows you know what you’re talking about. Using jargon can seem like you’re trying to sound like you know more than you actually do.

Tip: Free apps, such as Grammarly and Hemingway App, can help you identify grammatical errors as well as areas where your writing could be clearer. However, you shouldn't rely solely on apps since they can miss things.

• Reference list formatting is very particular. Read your references out loud, with the punctuation and spacing, to pick up on errors you wouldn’t have noticed if you’d just read over them.
• Compare your format to the one in the stylebook you’re using and make sure all of your entries are correct.

• Read your synopsis backward by starting on the last word and reading each word separately from the last to the first. This helps isolate spelling errors. Reading backward sentence by sentence helps you isolate grammatical errors without being distracted by the content.
• Print your synopsis and circle every punctuation mark with a red pen. Then, go through them and focus on whether they’re correct.
• Read your synopsis out loud, including the punctuation, as though you were dictating the synopsis.

• Have at least one person who isn’t familiar with your area of study look over your synopsis. If they can understand your project, you know your writing is clear. If any parts confuse them, then that’s an area where you can improve the clarity of your writing.

Expert Q&A

• If you make significant changes to your synopsis after your first or second round of editing, you may need to proofread it again to make sure you didn’t introduce any new errors. Thanks Helpful 0 Not Helpful 0

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• ↑ https://admin.umt.edu.pk/Media/Site/iib1/FileManager/FORMAT%20OF%20SYNOPSIS%2012-10-2018.pdf
• ↑ https://www.scientificstyleandformat.org/Tools/SSF-Citation-Quick-Guide.html
• ↑ https://numspak.edu.pk/upload/media/Guidelines%20for%20Synopsis%20Writing1531455748.pdf
• ↑ https://www.researchgate.net/publication/279917593_Research_synopsis_guidelines
• ↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/
• ↑ https://www.cornerstone.edu/blog-post/six-steps-to-really-edit-your-paper/

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• How to Write a Summary | Guide & Examples

How to Write a Summary | Guide & Examples

Published on November 23, 2020 by Shona McCombes . Revised on May 31, 2023.

Summarizing , or writing a summary, means giving a concise overview of a text’s main points in your own words. A summary is always much shorter than the original text.

There are five key steps that can help you to write a summary:

• Read the text
• Break it down into sections
• Identify the key points in each section
• Write the summary
• Check the summary against the article

Writing a summary does not involve critiquing or evaluating the source . You should simply provide an accurate account of the most important information and ideas (without copying any text from the original).

Table of contents

When to write a summary, step 1: read the text, step 2: break the text down into sections, step 3: identify the key points in each section, step 4: write the summary, step 5: check the summary against the article, other interesting articles, frequently asked questions about summarizing.

There are many situations in which you might have to summarize an article or other source:

• As a stand-alone assignment to show you’ve understood the material
• To keep notes that will help you remember what you’ve read
• To give an overview of other researchers’ work in a literature review

When you’re writing an academic text like an essay , research paper , or dissertation , you’ll integrate sources in a variety of ways. You might use a brief quote to support your point, or paraphrase a few sentences or paragraphs.

But it’s often appropriate to summarize a whole article or chapter if it is especially relevant to your own research, or to provide an overview of a source before you analyze or critique it.

In any case, the goal of summarizing is to give your reader a clear understanding of the original source. Follow the five steps outlined below to write a good summary.

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The AI-powered Citation Checker helps you avoid common mistakes such as:

• Missing commas and periods
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You should read the article more than once to make sure you’ve thoroughly understood it. It’s often effective to read in three stages:

• Scan the article quickly to get a sense of its topic and overall shape.
• Read the article carefully, highlighting important points and taking notes as you read.
• Skim the article again to confirm you’ve understood the key points, and reread any particularly important or difficult passages.

There are some tricks you can use to identify the key points as you read:

• Start by reading the abstract . This already contains the author’s own summary of their work, and it tells you what to expect from the article.
• Pay attention to headings and subheadings . These should give you a good sense of what each part is about.
• Read the introduction and the conclusion together and compare them: What did the author set out to do, and what was the outcome?

To make the text more manageable and understand its sub-points, break it down into smaller sections.

If the text is a scientific paper that follows a standard empirical structure, it is probably already organized into clearly marked sections, usually including an introduction , methods , results , and discussion .

Other types of articles may not be explicitly divided into sections. But most articles and essays will be structured around a series of sub-points or themes.

Now it’s time go through each section and pick out its most important points. What does your reader need to know to understand the overall argument or conclusion of the article?

Keep in mind that a summary does not involve paraphrasing every single paragraph of the article. Your goal is to extract the essential points, leaving out anything that can be considered background information or supplementary detail.

In a scientific article, there are some easy questions you can ask to identify the key points in each part.

If the article takes a different form, you might have to think more carefully about what points are most important for the reader to understand its argument.

In that case, pay particular attention to the thesis statement —the central claim that the author wants us to accept, which usually appears in the introduction—and the topic sentences that signal the main idea of each paragraph.

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Now that you know the key points that the article aims to communicate, you need to put them in your own words.

To avoid plagiarism and show you’ve understood the article, it’s essential to properly paraphrase the author’s ideas. Do not copy and paste parts of the article, not even just a sentence or two.

The best way to do this is to put the article aside and write out your own understanding of the author’s key points.

Examples of article summaries

Let’s take a look at an example. Below, we summarize this article , which scientifically investigates the old saying “an apple a day keeps the doctor away.”

Davis et al. (2015) set out to empirically test the popular saying “an apple a day keeps the doctor away.” Apples are often used to represent a healthy lifestyle, and research has shown their nutritional properties could be beneficial for various aspects of health. The authors’ unique approach is to take the saying literally and ask: do people who eat apples use healthcare services less frequently? If there is indeed such a relationship, they suggest, promoting apple consumption could help reduce healthcare costs.

The study used publicly available cross-sectional data from the National Health and Nutrition Examination Survey. Participants were categorized as either apple eaters or non-apple eaters based on their self-reported apple consumption in an average 24-hour period. They were also categorized as either avoiding or not avoiding the use of healthcare services in the past year. The data was statistically analyzed to test whether there was an association between apple consumption and several dependent variables: physician visits, hospital stays, use of mental health services, and use of prescription medication.

Although apple eaters were slightly more likely to have avoided physician visits, this relationship was not statistically significant after adjusting for various relevant factors. No association was found between apple consumption and hospital stays or mental health service use. However, apple eaters were found to be slightly more likely to have avoided using prescription medication. Based on these results, the authors conclude that an apple a day does not keep the doctor away, but it may keep the pharmacist away. They suggest that this finding could have implications for reducing healthcare costs, considering the high annual costs of prescription medication and the inexpensiveness of apples.

However, the authors also note several limitations of the study: most importantly, that apple eaters are likely to differ from non-apple eaters in ways that may have confounded the results (for example, apple eaters may be more likely to be health-conscious). To establish any causal relationship between apple consumption and avoidance of medication, they recommend experimental research.

An article summary like the above would be appropriate for a stand-alone summary assignment. However, you’ll often want to give an even more concise summary of an article.

For example, in a literature review or meta analysis you may want to briefly summarize this study as part of a wider discussion of various sources. In this case, we can boil our summary down even further to include only the most relevant information.

Using national survey data, Davis et al. (2015) tested the assertion that “an apple a day keeps the doctor away” and did not find statistically significant evidence to support this hypothesis. While people who consumed apples were slightly less likely to use prescription medications, the study was unable to demonstrate a causal relationship between these variables.

Citing the source you’re summarizing

When including a summary as part of a larger text, it’s essential to properly cite the source you’re summarizing. The exact format depends on your citation style , but it usually includes an in-text citation and a full reference at the end of your paper.

You can easily create your citations and references in APA or MLA using our free citation generators.

APA Citation Generator MLA Citation Generator

Finally, read through the article once more to ensure that:

• You’ve accurately represented the author’s work
• You haven’t missed any essential information
• The phrasing is not too similar to any sentences in the original.

If you’re summarizing many articles as part of your own work, it may be a good idea to use a plagiarism checker to double-check that your text is completely original and properly cited. Just be sure to use one that’s safe and reliable.

If you want to know more about ChatGPT, AI tools , citation , and plagiarism , make sure to check out some of our other articles with explanations and examples.

• ChatGPT vs human editor
• ChatGPT citations
• Is ChatGPT trustworthy?
• Using ChatGPT for your studies
• What is ChatGPT?
• Chicago style
• Paraphrasing

 Plagiarism

• Types of plagiarism
• Self-plagiarism
• Avoiding plagiarism
• Academic integrity
• Consequences of plagiarism
• Common knowledge

A summary is a short overview of the main points of an article or other source, written entirely in your own words. Want to make your life super easy? Try our free text summarizer today!

A summary is always much shorter than the original text. The length of a summary can range from just a few sentences to several paragraphs; it depends on the length of the article you’re summarizing, and on the purpose of the summary.

You might have to write a summary of a source:

• As a stand-alone assignment to prove you understand the material
• For your own use, to keep notes on your reading
• To provide an overview of other researchers’ work in a literature review
• In a paper , to summarize or introduce a relevant study

To avoid plagiarism when summarizing an article or other source, follow these two rules:

• Write the summary entirely in your own words by paraphrasing the author’s ideas.
• Cite the source with an in-text citation and a full reference so your reader can easily find the original text.

An abstract concisely explains all the key points of an academic text such as a thesis , dissertation or journal article. It should summarize the whole text, not just introduce it.

An abstract is a type of summary , but summaries are also written elsewhere in academic writing . For example, you might summarize a source in a paper , in a literature review , or as a standalone assignment.

All can be done within seconds with our free text summarizer .

Cite this Scribbr article

If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

McCombes, S. (2023, May 31). How to Write a Summary | Guide & Examples. Scribbr. Retrieved July 30, 2024, from https://www.scribbr.com/working-with-sources/how-to-summarize/

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How to write a great synopsis

If you want to get published, there’s no way around it. You need to write a synopsis for your book. Nothing strikes agony into a writer (even one who’s written a 100 000 word draft!) more than writing the synopsis. But the synopsis is important for so many reasons, and if you don’t write a synopsis properly then you won’t be able to pitch your book to a publisher or even condense the story properly for everything else that goes into the query process.

If it’s any consolation, everyone struggles to write the synopsis – even seasoned writers on their twelfth or twentieth books.

A good synopsis is helpful to both author and editor. When you’re building your platform you can pull from elements of your synopsis and expand with essays and articles, and you can also use it when you’re redrafting and editing your book – to ensure you’ve included the most important, page-turning elements.

It’s also absolutely essential to pitch your memoir to a publisher!

The difference between the synopsis and the query

Think of it this way: your query letter is like a quick hello at a party – you include the strongest hook in your story to capture someone’s attention and leave them wanting more. But the synopsis is for later, when they’ve sat down next to you at the dinner table and want the complete start-to-finish overview of the story, including a hint at the resolution.

Why you should write your synopsis even before you start the query process

A synopsis helps you distil the key points, challenges, character journey and style of your story so that you can refer back to it if you feel you’re getting off track as you draft.

Having a 350 – 400 word synopsis nearby will help you as you draft. It’s OK if you don’t know the ending when you draft your synopsis – you can tweak it – and you will – when you finish the book.

Writing a synopsis that an agent / editor or publisher will love

For a publisher, the synopsis gives an overview of the story, genre, major locations / character turning points and challenges the ‘world’ of the story will discuss / explore. It gives an idea of comparative titles, style, hook, time-frame and is basically a ‘high level’ overview of the most important and most marketable aspects of the book, and where it’s going to sit in the marketplace.

Read on for three steps to writing a great synopsis.

1: Start with the story hook (not the backstory)

This is where something UNEXPECTED happens to someone or something (which then leads to the key theme or plot of the story).

Begin with a strong paragraph which identifies the protagonist, conflict, and setting.

If you’re stuck for what your hook is, think of the catalyst event- ie. What unexpected event or decision triggered the story to come.  This could be a question, an event, a health diagnosis, etc etc.

For example, in Almost French , the first line in the back cover blurb is:

One night in Bucharest, a chance meeting with a charming Frenchman changes journalist Sarah Turnbull’s travel plans forever…

Notice how that one sentence tells us the most important information about the two characters who will form the majority of the book.

Sarah is a journalist, and her new beau is a Frenchman…the book is going to cover a changed ‘travel’ plan… So we know, immediately, the genre is travel memoir.

2: Follow with the change initiated by the catalyst event / hook

Write a paragraph (or two short ones) which details the major plot turns, conflicts and mentions key characters that will be central to the story.

This gives the reader (and you) an idea of what’s to come in the story. Think of the ‘new world’ the protagonist (you, if it’s a memoir) enters once they’ve moved from the catalyst event.

To use the example of Almost French   again (even though we don’t have the full synopsis, just the back cover blurb) –as an example

Put a very French Frenchman together with a strong-willed Australian girl and the result is some spectacular – and often hilarious – cultural clashes. Sarah’s clothes, her laugh, her conversation – even how much she drinks – set her apart.

This gives the reader the idea of the genre and type of book they’re about to read. But most importantly, it gives you – the writer – an idea of what sorts of details to include (and how to map out your Chapter Outlines ).

I’d imagine the full synopsis of Almost French would have detailed the cultural clashes in even more detail – perhaps even mentioning key scenes with some of Frederic’s social circle, the wine-pouring incident at the dinner party, the pumice stone, etc.

If you’re really struggling with the middle part of your synopsis, detail three to four major challenges / events that will be included in the story and devote a sentence to each.

3: Finish with a paragraph summarizing the theme, style, questions or challenges the story raises, and how it differs and is similar to two or three comparative titles.

The synopsis should include the conclusion or ‘result’ of the quest of the book, and what the reader will take away at the end of it. Because the synopsis isn’t the back cover blurb, you can include the ending or a hint at the question the ending resolves. If you don’t know it yet, just put a vague allusion to the resolution or result of the story’s quest. You can tweak all of this later.

• You must have also high-level sentence which shows exactly how the narrator (memoirist) changes as a character from start to end of the memoir.

To a final example from the last line in the Almost French blurb – you get a short summary of the themes, questions and style of the book – without knowing the ending in detail.

Funny, perceptive and poignant, Almost French is the story of an adventurous heart, a magical city – and finding love.

• Your (short) synopsis should be between 350 – 400 words (some publishers will ask for a LONG synopsis which is 2-3 pages).
• Once you’ve written it, leave it and come back to it after you’ve had a break – you’ll see a few things you forgot to include, and make tweaks much better with fresh eyes.
• Look at some of your favourite book blurbs – these are short versions of the synopsis and can give you some great ideas for writing the ‘hook’ line.
• Always write your synopsis in the active voice in the third person.
• Some publishers and editors ask for a LONG synopsis and some ask for a short synopsis. The key with the long synopsis is to put more detail about the resolutions to the challenges and obstacles, and include a longer bio for yourself at the end. Always follow publisher-specific guidelines when submitting your synopsis!

11 Comments

Thank you! It is so very much interesting. I can’t wait to start with my Memoir.

Thank you so much. Right from the start this is answering many of my questions. I can see that your suggestions are going to prove invaluable and help me immeasurably. Great stuff!

Really glad it’s answering your questions. More to come!

Thanks Louisa. Your timing for this blog is amazing as I approach a competition deadline. This takes so much stress out of the dreaded writing a synopsis. And from your past advise I already have my hook sorted and my end in mind. Feeling more confident.

Excellent! And everyone always asks “do i write memoir synopsis in third or first person?” Hence I bolded that bit!!

Thank you so much Louisa! I always devour all your blog posts! Linda x

Fab! Hope the writing is going well

Thanks for creating an easy-to-understand (and follow!) road map for first-time memoir authors. You help build confidence and momentum with your encouraging flair! Diving into my synopsis now….

You’re welcome! It’s hard work – but fulfilling, enjoy!

Do you know anyone I can send my synopsis to confirm to me that what I’ve done is correct, and what is the next stage after that.

I offer coaching for nonfiction authors wanting to get traditionally published, and looking at your synopsis is a necessary part of that. My offers are all listed here .

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How to Write a Novel or Memoir Synopsis

Note from Jane: The following post was published years ago, but I regularly revisit, revise, and expand it. I’ve also written a comprehensive post on writing query letters.

It’s probably the single most despised document you might be asked to prepare: the synopsis . 

The synopsis is sometimes necessary because an agent or publisher wants to see, from beginning to end, what happens in your story. Thus, the synopsis must convey a book’s entire narrative arc. It shows what happens and who changes, and it has to reveal the ending. Synopses may be required when you first query your work, or you may be asked for it later.

Don’t confuse the synopsis with sales copy, or the kind of marketing description that might appear on your back cover or in an Amazon description. You’re not writing a punchy piece for readers that builds excitement. It’s not an editorial about your book . Instead, it’s an industry document that helps an agent or editor quickly assess your story’s appeal and if it’s worth them reading the entire manuscript.

How long should a synopsis be?

You’ll find conflicting advice on this. However, I recommend keeping it short, or at least starting short. Write a one- or two-page synopsis—about 500-1000 words, single spaced—and use that as your default, unless the submission guidelines ask for something longer. If your synopsis runs longer, anything up to two pages (again, single spaced) is usually acceptable. Most agents/editors will not be interested in a synopsis longer than a few pages.

While this post is geared toward writers of fiction, the same principles can be applied to memoir and other narrative nonfiction works.

Why the synopsis is important to agents and editors

The synopsis ensures character actions and motivations are realistic and make sense. A synopsis will reveal any big problems in your story—e.g., “it was just a dream” endings, ridiculous acts of god, a category romance ending in divorce. It can reveal plot flaws, serious gaps in character motivation, or a lack of structure. Or it can reveal how fresh your story is; if there’s nothing surprising or the plot is hackneyed, your manuscript may not get read.

The good news: Some agents hate synopses and never read them; this is more typical for agents who represent literary work. Either way, agents aren’t expecting a work of art. You can impress with lean, clean, powerful language. An agent I admired, the late Janet Reid, said that energy and vitality are key.

Synopses should usually be written in third person, present tense (even if your novel is written in first person). For memoirists, I recommend first person, but first or third is acceptable.

What the synopsis must accomplish

In most cases, you’ll start the synopsis with your protagonist. You’ll describe her mindset and motivations at the opening of the story, then explain what happens to change her situation (often known as the inciting incident ). Motivation is fairly critical here: we need to understand what drives this character to act.

Once the protagonist is established, each paragraph ideally moves the story forward (with events unfolding in exactly the same order as in the manuscript), with strong cause-effect storytelling, including the key scenes of your novel. We need to see how the story conflict plays out, who or what is driving that conflict, and how the protagonist succeeds or fails in dealing with it.

By the end, we should understand how that conflict is resolved and how the protagonist’s situation, both internally and externally, has changed. Think about your genre’s “formula,” if there is one, and be sure to include all major turning points associated with that formula. 

If you cover all these things, that won’t leave you much time for detail if you keep the synopsis to a single page. You won’t be able to mention every character or event or include every scene—only those that materially affect the protagonist’s decisions or our understanding of the story’s events. You may have to exclude some subplots, and you definitely have to stay out of the plotting weeds. If there’s a shootout at the story’s climax, for instance, or a big fight scene, it’s fairly useless to get into the details of the choreography and how many punches are thrown. Instead, you say there’s a big fight and make it clear who wins and who loses.

To decide what characters deserve space in the synopsis, you need to look at their role in influencing the protagonist or changing the direction of the story. We need to see how they enter the story, the quality of their relationship to the protagonist, and how their story resolves.  Any character that merits placement in a synopsis should have at least two to three mentions. If you can get away with only mentioning them once, they probably don’t belong at all.

A good rule of thumb for determining what stays and what goes: If the ending wouldn’t make sense without the character or plot point being mentioned, then it belongs in the synopsis.

A synopsis should get to the point—fast

Here’s an example of what I mean.

Very Wordy : At work, Elizabeth searches for Peter all over the office and finally finds him in the supply room, where she tells him she resents the remarks he made about her in the staff meeting.

Tight : At work, Elizabeth confronts Peter about his remarks at the staff meeting.

The most common synopsis mistake

Don’t make the mistake of thinking the synopsis just details the plot. That will end up reading like a mechanical account of your story (or the dreaded “synopsis speak”), without depth or texture.

Consider what it would sound like if you summarized a football game by saying. “Well, the Patriots scored. And then the Giants scored. Then the Patriots scored twice in a row.” That’s sterile and doesn’t give us the meaning behind how events are unfolding.

Instead, you would say something like, “The Patriots scored a touchdown after more than one hour of a no-score game, and the underdog of the team led the play. The crowd went wild.”

The secret to a great synopsis

A synopsis includes the characters’  emotions and reactions to what’s happening. That will help you avoid something that reads like a mechanic’s manual. Include both story advancement (plot stuff) and color (character stuff).

Incident (Story Advancement) + Reaction (Color) = Decision (Story Advancement)

For stories with considerable world building or extensive historical settings

Some writers may need to open their synopsis with a paragraph or so that helps establish the world we’re entering and the rules of that world. This helps us better understand the characters and their motivations once introduced. For example, a synopsis of Harry Potter might clarify upfront that the world is divided into Muggles and wizards, and that the Muggles have no idea that a magical world exists. Or, this fact could be relayed in the synopsis once Harry Potter learns about it himself.

In a historical novel, a writer might have to establish cultural attitudes or facts that might not be known to contemporary readers, so that the characters’ actions make sense and the weight of the conflict is clear.

In science fiction and fantasy, try to avoid proper terms or nouns that have to be defined or explained unless such terms are central to your story (like “Muggles” above). Instead, try to get the point across in language that anyone can understand but still gets the point across. The goal here is to focus on telling the story rather than increasing the mental workload of the agent/editor, who has to decipher and remember the unfamiliar vocabulary.

Avoid splitting the synopsis into sections

In most cases, the synopsis should start and end without any breaks, sections, or other subheadings. However, on occasion, there might be a reason to add “sign posts” to the synopsis, due to your book’s unique narrative structure. For example, if your novel has intertwining timelines, or if it jumps around in time and place, you may want to begin each paragraph with a bold lead-in (“Paris, 1893”), to establish where we are. Other than that, avoid sectioning out the story in any way, or listing a cast of characters upfront, as if you were writing a play. Characters should be introduced at the moment they enter the story or when they specifically contribute to the story moving forward.

Common novel synopsis pitfalls

• Don’t get weighed down with the specifics of character names, places, and other proper names or terms. Stick to the basics. Use the name of your main characters, but if a waitress enters the story for just one scene, call her “the waitress.” Don’t say “Bonnie, the boisterous waitress who calls everyone hon and works seven days a week.” When you do mention specific names, it’s common to put the name in all caps in the first instance, so it’s easy for agents or editors to see at a glance who the key figures are.
• Don’t spend time explaining or deconstructing your story’s meaning or themes.  This can be a particularly persistent problem with memoir. A synopsis tells the story, but it doesn’t try to offer an interpretatio n, e.g., saying something like, “This is the story of how many ordinary people like me tried to make a difference.”
• Avoid talking about the story construction. This is where you add things that describe the book’s structure, such as “in the climax of the novel,” or “in a series of tense scenes.”
• Avoid character backstory unless it’s tied to the character’s motivations and desires throughout the book. A phrase or two is plenty to indicate a character’s background; ideally, you should reference it when it affects how events unfold. If you’ve written a story with flashbacks, you probably won’t include much, if any, of that in the synopsis. 
• Avoid including dialogue, and if you do, be sparing . Make sure the dialogue you include is absolutely iconic of the character or represents a linchpin moment in the book.
• Don’t ask rhetorical or unanswered questions. Remember, your goal here isn’t to entice a reader.
• While your synopsis will reflect your ability to write, it’s not the place to get pretty with your prose. That means you should leave out any attempts to impress through poetic description. You can’t take the time to show  everything in your synopsis. Often you have to tell, and sometimes this is confusing to writers who’ve been told for years to “show don’t tell.” For example, it’s OK to just come out and say your main character is a “hopeless romantic” rather than trying to show it.

Additional resources

• How to Write a Synopsis of Your Novel (one of the best advice articles I’ve seen)
• How to Write a 1-Page Synopsis
• The Anatomy of a Short Synopsis
• The Synopsis: What It Is, What It Isn’t, and How to Write It

If you’re looking for in-depth guidance, I offer a query letter master class that includes a 90-minute lecture on synopsis writing.

Jane Friedman has spent nearly 25 years working in the book publishing industry, with a focus on author education and trend reporting. She is the editor of The Hot Sheet , the essential publishing industry newsletter for authors, and was named Publishing Commentator of the Year by Digital Book World in 2023. Her latest book is The Business of Being a Writer (University of Chicago Press), which received a starred review from Library Journal. In addition to serving on grant panels for the National Endowment for the Arts and the Creative Work Fund, she works with organizations such as The Authors Guild to bring transparency to the business of publishing.

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Thanks for the excellent tips! I can write the NOVEL itself no problem (well, not exactly that simple – go thru many drafts and late nights along the way) but the synopsis stops me cold. Wordiness, that’s me! Will definitely be referring to this blog posting when I have to write my next synopsis.

Excellent! Thanks for stopping by.

Fantastic. Loved the tip about adding the protagonists feelings.

Yes! A lot of people skip that part, but that really gives things texture, makes us care.

Sounds like I should start with my synopsis first and use it as a roadmap to write the novel.

That is, in fact, a fabulous idea.

That’s how I do it. When I have my idea I write a one-paragraph synopsis followed by the longer version. I’ve never had writer’s block and like to believe it’s because I have the biggest parts planned and that causes for less major revisions with the lack of plot holes.

But it doesn’t mean writing the synopsis was easy. Couldn’t have done it, once again, without Jane’s excellent advice!

To me, the most important parts are the inner stakes and outer stakes. I discussed them in my article on synopsis writing found here. http://www.help4writers.com/blog/?p=374 (Bonus: Wizard of Oz was my example synopsis.)

Awesome! Thanks for sharing.

Great article! And thanks so much for including one of my articles on writing a short synopsis in your tips. I really appreciate it

A pleasure!

I figure if my 70-year old grandma who hates fantasy can understand a three-minute version of my whole story, I’ve synopsized well.

[…] Friedman returns to an oldie but goodie: How to write a synopsis that works; agent Jennifer Laughran answers word-count questions across most genres; Karen Dionne seeks an […]

[…] Back to Basics: Writing a Novel Synopsis | Jane Friedman The synopsis conveys the narrative arc of your  novel; it shows what happens and who changes, from beginning to end. (@saphirablue84 Did you see Jane Friedman's synopsis post? It lists additional resources too. Source: janefriedman.com […]

And I’m late here, but thanks for linking to my list 🙂

[…] it or buy the rights to it, and to give you a nice fat contract for your trouble. Jane Friedman has exceptional how-to tips for writing a synopsis for your book that will make an agent drool. Pay attention to the part where she says you have to give away the […]

English that goes straight to the heart

Summary Essay Examples

The summary essay is a brief account of the chief points of an essay. There’s no hard and fast rule about the length of the summary, but so much can be half of the original essay .

In this post, we have added the best 12+ Summary Essay Examples for you.

Summary Essay Examples #1

ESSAY: When we survey our lives and efforts, we soon observe that almost the whole of our actions and desires are bound up with the existence of other human beings. We notice that the whole of nature resembles that of social animals. We eat food that others have produced, wear clothes that others have made, and live in houses that others have built. The greater part of our knowledge and beliefs has been passed on to us by other people through the medium of a language that others have created. Without language and mental capacities, we would have been poor indeed comparable to higher animals.

We have therefore to admit that we owe our principal knowledge over the least to the fact of living in human society. The individual if left alone from birth would remain primitive and beast-like in his thoughts and feelings to a degree that we can hardly imagine. The individual is what he is and has the significance that he has not much in virtue of individuality, but rather as a member of a great human community, which directs his material and spiritual existence from the cradle to the grave. (193 words)

Rough Draft

• Humans are social animals.
• They depend on each other for necessities and social needs.
• Humans use language to communicate with each other and further their mental development.
• Humans are superior to animals as they live in societies that guide their material and spiritual existence.

TITLE: Man and society

SUMMARY: Human beings have their actions and desires bound up with society as they are social animals. They depend on each other for food and clothes and share their knowledge and beliefs, and use language created by others to communicate, which helps in their mental development. They are superior to beasts because they live in human society. An individual left alone since birth would grow utterly beast-like. Human society guides man’s material and spiritual existence. (76 words)

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Summary essay examples #2.

If you will, believe me, you who are young, yours is the golden season of life. As you have heard it called, so it verily is the seed-time of life in which if you do not sow or if you sow tares instead of wheat, you will arrive at little. And in the course of years when you come to look back if you have not done what you have heard from your advisers and among many counsellors there is wisdom you will bitterly repent when it is too late.

The habit of studies acquired at universities is of the highest importance in the afterlife. At the season when you are young in years, the whole mind is, as it were, fluid, and is capable of forming itself into any shape that the owner of the mind pleases to allow it or constrain it, to form itself into. The mind is then in a plastic or fluid state but it hardens gradually to the consistency of rock or iron, and you can not alter the habits of an old man. (180 Words)

Title: The Golden Season of Life / The Importance of Sowing Good Seeds

Youth is the golden and fertile time of life. If one does not listen to and act upon the advice of his superiors, he must eventually repent. Youth is a fluid state of mind and any good habits now will stand you in good stead later in life. Then the mind becomes rigid and no good habits are formed. (58 Words)

The golden season of life is the seed-time of life in which if you do not sow or sow tares instead of wheat, you will arrive at little. The habit of studies acquired at universities is of the highest importance in the afterlife, as the mind is fluid but hardens gradually to the consistency of rock or iron. (58 Words)

Summary Essay Examples #3

Variety is the spice of life – is it not? We all practically live and strive for having better food, but food remains insipid without the addition of spices. The only difference between a good curry and a bad curry lies in the presence or absence of spices. The absence of variety makes life drab and monotonous. A man working six hours a week will have his rest on Sunday. A man wearing a coat for five days will like a shawl on the sixth day. If a man lives in Calcutta for six years, he will like to spend a month outside. We hear that Tagore could not live in the same house for a long time.

He used to change his residence pretty often, which shows a poet’s longing for novelty. Life is many stringed instruments and we must give proper attention to all the strings. Ever since creation man has gone on from progress to progress by responding to new circumstances. So, for the development of civilization, new circumstances and a new environment are necessary. (179 Words)

Title: The Need for Change and Variety / Variety: The Spice of Life

Variety is the spice of life, and without it, life is dull and monotonous. To develop civilization, new circumstances and a new environment are necessary. Tagore was a poet who changed his residence often, showing his longing for novelty. Life is many stringed instruments and we must give proper attention to all the strings. (54 Words)

Summary Essay Examples #4

Everyone has continual control during his life with the variety of experiences known as art. Their experience ranges from the craft level found in the design and execution of the practical things of life to the more imaginative because less material level is required for the enjoyment of music, painting, sculpture, and literature. In the fine arts, human creativity is no longer concerned with producing an object which will be required for use anyhow, whether it is beautiful or not, but with providing a stimulus for the satisfaction of human emotion in its various levels of manifestation.

The majority of human beings since they are culturally underprivileged, are satisfied if their emotions are roused easily and mechanically by the more simple emotional easily identified sentimentalities that easily assimilate emotional reflexes-by dance, and music, by the identified references of cinema organ sentimentalities, by the picture with a story or easily assimilated moral, and by the simple violent plots of the cheap magazine. The culturally privileged demand a more complicated satisfaction. They require because they are educated on the aesthetic aspects of the arts. (180 Words)

Title:  The Power of Art / The Importance of Art Education

The most important idea is that art provides a stimulus for the satisfaction of human emotion and that the majority of people are satisfied with simple emotional sentimentalities, while the culturally privileged require a more complicated satisfaction due to their education in the aesthetic aspects of the arts. (48 Words)

Summary Essay Examples #5

The study of history depends more than any other branch of science or literature on the availability of many books. The history student nowadays is often discouraged or hampered by the lack of them, especially of those older standard works which have gone out of print. Even before the Second World War publishers were not willing to risk reprinting works often running into several big volumes for which the demand, was uncertain and the cost of production high. During the war air raids destroyed over a million books in one district of London alone, and reduced to ashes the entire stock of one firm which had specialized in historical works.

Since the war paper has been costly and scarce; the costs of printing and binding have risen sharply; and the demand, though greater, is still not large enough to make worthwhile the republication of many books which historians regard as essential. The main reason for this insufficient demand is the disappearance of the private library. Private libraries were common in Victorian Times but they no longer exist in modern small houses where there is no room for bookshelves. (190 Words)

Title: The Challenges of Historical Research in the Modern Era

The study of history is hindered by the lack of books, especially older standard works which have gone out of print due to the cost of printing and binding. The main reason is the disappearance of private libraries, which no longer exist in modern small houses. (46 Words)

Summary Essay Examples #6

Speech is a great blessing, but it can also be a great curse, for, while it helps us to make our intentions and desires known to our fellows, it can also, if we use it carelessly make our attitude completely misunderstood. A slip of the tongue. the use of an unusual or ambiguous word, and so on, may create an enemy where we had hoped to win a friend.

Again different classes of people use different vocabularies, and the ordinary speech of an educated man may strike an uneducated listener as showing pride; unwittingly we may use a word that bears a different meaning for our listener from what it does to men of our own class. Thus speech is not a gift to use lightly without thought, but one which demands careful handling. Only a fool will express himself alike to all kinds and conditions of men. (148 Words)

Title: The Blessing and Curse of Speech

Speech is a great gift, but it can also be a curse if used carelessly. Different classes of people use different vocabularies, and the ordinary speech of an educated man may strike an uneducated listener as pride. Careful handling of speech is essential, as only a fool will express himself alike to all people. (54 Words)

Summary Essay Examples #7

Man is the architect of his own fate. If he makes a proper division of his time and does his duties according he is sure to improve and prosper in life; but if he does otherwise, he is sure to repent, when it is too late and he will have dragged a miserable existence from day to day.

To kill time is as culpable as to commit suicide, but our life is nothing but the sum total of hours, days, and years. Youth is the golden season of life. In youth, the mind is pliable and soft and can be moulded in any form you like. If we lose the morning hours of life, we shall have to repent afterwards. It is called the ‘seed time of life’. If we sow good seeds, we shall reap a good harvest when we grow up. (142 Words)

Title: Youth: The Gloden Opportunity to shape your / Man is the Architect of his own Fate

Man is responsible for his own fate, and if he does not make proper use of his time, he will regret it. Youth is the golden season of life, and if we lose the morning hours of life, we will have to repent. (43 Words)

Summary Essay Examples #8

It is sometimes said that the pleasures of giving are peculiar to the rich, and no doubt the joy of giving is one of the greatest and purest that wealth can bestow. Still the poor also may be liberal and generous. The widow’s mite, so far as the widow is concerned, counts for as much as the rich man’s gold.

Moreover, as regards kindness and sympathy which are far more valuable than money, the poor can give as much as, perhaps even more than the rich. Money is not wealth. A proverb says: “A man’s true wealth is good that he does in the world”. When he dies, men will ask what property he has left behind, but Angels will inquire, “What good deeds hast thou sent before thee?” (130 Words)

Title: The Pleasure of Giving / Generosity Knows No Wealth

The poor can give as much as the rich, and kindness and sympathy are more valuable than money. A proverb states that a man’s true wealth is the good deeds he does in the world. (35 Words)

Summary Essay Examples #9

The lot of our Indian peasant is certainly a pitiable one. He labours under many disadvantages. In the first place, he is illiterate, and does not, therefore, care to know more than he has inherited from his ancestors. He laughs at his tiny piece of land from morning to evening and if the seasons favour him, earns what barely suffices to meet his daily demands. He does not grumble to pay his rent so much as he does for the loss of his plough cattle. He lives in debt over head and ears, yet he does not care to save anything for the morrow.

To ameliorate his condition, the supply of good plough cattle, the adoption of preventive measures to save the animals from diseases, and, last of all, primary education should engage the serious attention of the Indian Government. (138 Words)

Title: Illiteracy and its effect on Indian Peasant / The Pitiable Conditions of Indian Peasant

The Indian peasant is suffering from many disadvantages, such as illiteracy, poverty, and debt. To improve his situation, the supply of good plough cattle, preventive measures, and primary education should be addressed by the Indian Government. (36 Words)

Summary Essay Examples #10

The aim of culture and religion is the same. Men are all members of one great whole, and the sympathy which is in human nature will not allow one member to be different from the rest or to have perfect welfare independent of the rest. The expansion of our humanity to suit the idea of perfection that culture forms must be a general expansion. Perfection, as culture conceives it is not possible while the individual remains isolated. He must carry others along with him in his march towards perfection. Culture lays on us the same obligation as a religion which says that “to promote the kingdom of God is to increase and hasten one’s own happiness.

Culture is a harmonious expansion of all the powers which make the beauty and worth of human nature. Culture is not consistent with the over-development of any power at the expense of the rest. Here it goes beyond religion, as religion is generally conceived by us. (162 Words)

Title: Culture and Religion: The Two Sides of the Same Coin

Culture leading to perfection, like religion, complements rather than competes with the latter. Culture, like religion, demands perfection rather than the unification of everything. Culture means harmonious development of all faculties and not overdevelopment of any at the expense of others. Here it transcends religion in its emphasis on harmonious development. (50 Words)

The aim of culture and religion is the same: to expand humanity to suit the idea of perfection. Culture is a harmonious expansion of all the powers which make the beauty and worth of human nature, and is not consistent with the over-development of any power at the expense of the rest. It lays on us the same obligation as a religion to promote the kingdom of God is to increase and hasten one’s own happiness. (72 Words)

Summary Essay Examples #11

Perseverance is the very hinge of all virtues. On looking over the world, the cause of nine-tenths of the lamentable failures which occur in much of their history lies not in the want of talents, but in the manner of using them, in flying from object to object, in starting away at each little disgust, and thus applying the force which might conquer anyone difficulty to a series of difficulties so large that no human race can conquer them.

The smallest brook on earth by continuing to run has hollowed out for itself a considerable valley to flow in. Commend me, therefore, to the virtue of severance. Without it, all the rest are little better than fairy gold which glitters in your purse, but taken to the market proves to be state or cinders. (134 Words)

Title: The Importance of Perseverance / Perseverance: The Hinge of Virtues

Perseverance is the key to success, and severance is the virtue of severance. Without it, all the rest are a little better than fairy gold. (25 Words)

Perseverance is the key to all virtues and is the cause of many failures in history. It is the act of flying from object to object, starting away at each little disgust, and applying the force which might conquer anyone’s difficulty to a series of difficulties so large that no human race can conquer them. Without it, all the rest are little better than fairy gold which glitters in your purse, but when taken to the market proves to be state or cinders. (83 Words)

Summary Essay Examples #12

Films should contribute to human understanding and progress rather than hinder them antisocially. The excitement of gangsterdom is permissible so long as the antisocial quality of gangsterdom is not held up as something desirable. Frivolous gaiety may be introduced, but it should not be presented as the be-all and end-all, of living. Life can be made exciting and romantic provided it is not permanently distorted.

For there can never be much human progress if we distort things by pretending the world is much better than it actually is. Thus the attitude of a film to the grimmer side of life can not be worthwhile if it glosses it over, since that only confirms our backwardness. Nothing bad should be treated approvingly. The introduction of gangsterdom, war, idle luxury; slums unemployment, poverty, and their accompanying misery, crime, and disease, should not leave the audience complacent, but should if anything inspire them with a determination to end them. (159 Words)

Title: Films  -Entertainment or Distortion of Reality / The Impact of Films on Society

Films should contribute to human understanding and progress rather than hinder them antisocially, and should not gloss over the grimmer side of life, such as gangsterdom, war, idle luxury, and poverty. (31 Words)

Films should contribute to human understanding and progress rather than hinder them antisocially. Life can be made exciting and romantic, but it should not be permanently distorted. The introduction of gangsterdom, war, idle luxury, slums unemployment, poverty, and their accompanying misery, crime, and disease should not leave the audience complacent but should inspire them with a determination to end them. (60 Words)

Summary Essay Examples #13

A poor woman once came to the Buddha and begged him to revive her dead child. The holy man was touched by the woman’s great sorrow. Then he asked him to bring a handful of mustard seeds from a house where death had never entered. The sad mother started looking for mustard seeds from door to door. One said, our little child died last year. Another said I lost my father. The evening came.

He returned to Lord Buddha with a heavy heart and told him about the results of his search. Then the Buddha gently told him not to think of his own suffering, for suffering and death are common to all.

Title: The Buddha and the Grieving Mother / The Universal Experience of Suffering and Death

Summary:  A poor woman came to the Buddha and begged him to revive her dead child. He asked her to bring a handful of mustard seeds from a house where death had never entered. The mother searched for mustard seeds from door to door and returned to Lord Buddha with a heavy heart. The Buddha gently reminded her that suffering and death are common to all. (65 Words)

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Critical Analysis of Business Strategy and Key Limitations in Costco Wholesale Corporation

This essay about the evolution and merger of Price Club and Costco explores the origins and business philosophies of these pioneering companies in the warehouse club retail sector. Highlighting the innovative strategies of Price Club’s founders in 1976 and Costco’s establishment in 1983, the essay discusses how both companies prioritized low prices on bulk items, quality, and customer satisfaction. The 1993 merger, forming Costco Wholesale Corporation, combined Price Club’s expertise in serving small businesses with Costco’s focus on individual consumers, creating a powerful retail entity. This merger capitalized on shared values and distinct strengths, reinforcing a commitment to value, employee welfare, and membership satisfaction. The essay concludes by reflecting on Costco’s ongoing success, its adherence to founding principles, and its influence on modern retail, emphasizing the importance of visionary leadership and strategic collaboration in achieving sustainable growth.

How it works

The retail landscape underwent a transformation in the late 20th century with the emergence of warehouse clubs, a concept that revolutionized how consumers approached bulk purchasing. At the forefront of this revolution were Price Club and Costco, two entities that would later merge to form the behemoth known today as Costco Wholesale Corporation. This essay explores the origins, philosophies, and subsequent merger of Price Club and Costco, shedding light on how their combined strengths have shaped the modern retail experience.

Price Club, founded by Sol Price and his son Robert in 1976 in San Diego, California, was the pioneer of the warehouse club model.

Sol Price’s vision was to create a membership-based retail outlet that offered low prices on bulk items, primarily targeting small businesses. The innovation didn’t stop at the business model; the operational strategies, including minimalistic store designs and high-volume, low-margin sales, were radical at the time. Price Club’s success soon attracted not just businesses but also individual shoppers, paving the way for a new kind of retail environment.

Meanwhile, Costco, founded in 1983 by James Sinegal and Jeffrey Brotman, adopted a similar approach, focusing on providing exceptional value to its members. From the outset, Costco emphasized quality alongside value, a principle that has remained at the core of its business model. The founders were inspired by Sol Price’s concepts and set out to refine them, expanding the range of products offered and placing a greater emphasis on customer satisfaction. Costco’s approach to treating both its customers and employees well, including offering higher wages and benefits than competitors, contributed to its rapid growth and loyal customer base.

The merger of Price Club and Costco in 1993 was a landmark event in the retail industry, uniting two giants with shared values but distinct strengths. The combined company, named Costco Wholesale Corporation, leveraged Price Club’s experience in serving small businesses and Costco’s expertise in catering to individual consumers. This fusion created a powerful retail force that offered an unrivaled selection of goods at competitive prices, backed by a commitment to customer satisfaction and employee welfare. The merger was driven by the recognition that together, the two companies could achieve greater scale and efficiency, further driving down costs and passing the savings on to members.

Today, Costco Wholesale Corporation stands as a testament to the vision of its founders and the transformative power of the merger. With hundreds of warehouses globally, Costco has maintained its dedication to the principles established by Price Club and Costco. The company continues to prioritize value, quality, and sustainability, adapting to consumer needs and market changes without compromising its core values. Costco’s enduring success can be attributed to its innovative business model, operational efficiencies, and unwavering focus on membership satisfaction.

The legacy of Price Club and Costco, and their merger, provides valuable lessons in retail and beyond. It underscores the importance of visionary leadership, the strength of clear and consistent business philosophies, and the potential of strategic collaborations. The Costco story is one of adaptation, innovation, and commitment to principles, offering insights into building a sustainable, member-centric business in a competitive landscape. As Costco moves forward, it carries forward the legacy of Price Club and Costco, continuing to impact the retail industry and the shopping habits of millions around the world.

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Opinion David Wallace-Wells

Food as You Know It Is About to Change

Credit... Alma Haser

Supported by

By David Wallace-Wells

Opinion Writer

• July 28, 2024

This essay is part of What to Eat on a Burning Planet, a series exploring bold ideas to secure our food supply. Read more about this project in a note from Eliza Barclay, Opinion’s climate editor.

From the vantage of the American supermarket aisle, the modern food system looks like a kind of miracle. Everything has been carefully cultivated for taste and convenience — even those foods billed as organic or heirloom — and produce regarded as exotic luxuries just a few generations ago now seems more like staples, available on demand: avocados, mangoes, out-of-season blueberries imported from Uruguay.

But the supermarket is also increasingly a diorama of the fragility of a system — disrupted in recent years by the pandemic, conflict and, increasingly, climate change. What comes next? Almost certainly, more disruptions and more hazards, enough to remake the whole future of food.

The world as a whole is already facing what the Cornell agricultural economist Chris Barrett calls a “food polycrisis.” Over the past decade, he says, what had long been reliable global patterns of year-on-year improvements in hunger first stalled and then reversed. Rates of undernourishment have grown 21 percent since 2017. Agricultural yields are still growing, but not as quickly as they used to and not as quickly as demand is booming. Obesity has continued to rise, and the average micronutrient content of dozens of popular vegetables has continued to fall . The food system is contributing to the growing burden of diabetes and heart disease and to new spillovers of infectious diseases from animals to humans as well.

And then there are prices. Worldwide, wholesale food prices, adjusted for inflation, have grown about 50 percent since 1999, and those prices have also grown considerably more volatile, making not just markets but the whole agricultural Rube Goldberg network less reliable. Overall, American grocery prices have grown by almost 21 percen t since President Biden took office, a phenomenon central to the widespread perception that the cost of living has exploded on his watch. Between 2020 and 2023, the wholesale price of olive oil tripled ; the price of cocoa delivered to American ports jumped by even more in less than two years. The economist Isabella Weber has proposed maintaining the food equivalent of a strategic petroleum reserve, to buffer against shortages and ease inevitable bursts of market chaos.

Price spikes are like seismographs for the food system, registering much larger drama elsewhere — and sometimes suggesting more tectonic changes underway as well. More than three-quarters of the population of Africa, which has already surpassed one billion, cannot today afford a healthy diet; this is where most of our global population growth is expected to happen this century, and there has been little agricultural productivity growth there for 20 years. Over the same time period, there hasn’t been much growth in the United States either.

How climate change could transform yields of two major crops

Projected change in corn and wheat yields in 2050, based on an upper-middle scenario for global warming.

Change in crop yield in 2050

Corn production in 2050

Drought conditions have already led Mexico to import a record amount

of corn in recent years. Climate change could further decrease its yields.

China is the world’s second-largest

producer of corn, but yields are projected to decrease across most of the country.

Wheat production in 2050

Pakistan, where wheat accounts for nearly two-thirds

of all calories

consumed, could

see sharp declines.

The U.S., one of the largest exporters of wheat, could see increased yields, especially in more northern latitudes.

Drought conditions have already led Mexico to import a record amount of corn in recent years. Climate change could further decrease its yields.

Rising temperatures could make the highlands of Peru

a more productive area for corn.

Pakistan, where wheat accounts for nearly two-thirds of all calories consumed, could see sharp declines.

producer of corn,

but yields are

projected to decrease across most of the country.

consumed, could see sharp declines.

Sources: Jägermeyr et al. (2021) “ Climate Impacts on Global Agriculture Emerge Earlier in New Generation of Climate and Crop Models ,” Nature Food ; World Bank; U.S.D.A.

Note: Yields shown are for the SSP370 middle-upper warming scenario and are compared with a 1983-2013 baseline.

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