essay on mother in odia language

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Odia Essay on "Mother Teresa", "ମଦର ଟେରେସା ରଚନା" for Students

Essay on Mother Teresa in Odia Language : In this article " ମଦର ଟେରେସା ରଚନା ", " Mother Teresa Rachana in Odia  for students ...

Essay on Mother Teresa in Odia Language : In this article " ମଦର ଟେରେସା ରଚନା ", " Mother Teresa Rachana in Odia  for students of class 5, 6, 7, 8, 9, and 10.

Odia Essay on " Mother Teresa ", " ମଦର ଟେରେସା ରଚନା " for Students

ଉପକ୍ରମ : ଆଜିକୁ ଦେଢ଼ଶହ ବର୍ଷ ତଳେ ଓଡ଼ିଶାରେ ଜନ୍ମଗ୍ରହଣ କରିଥିବା ଜଣେ ସନ୍ଥକବି ଭୀମ ଭୋଇ କହିଥିଲେ

“ମୋ ଜୀବନ ପଛେ ନର୍କେ ପଡ଼ିଥାଉ

ଜଗତ ଉଦ୍ଧାର ହେଉ ।”

ଅର୍ଥାତ୍ ମୁଁ ପଛକେ ଜୀବନରେ କୌଣସି ସୁଖ ସୌଭାଗ୍ୟ ଲାଭ ନ କରି ନର୍କଗାମୀ ହୁଏ, କିନ୍ତୁ ଜଗତର ପ୍ରାଣୀମାନଙ୍କର ମଙ୍ଗଳ ହେଉ । ସେମାନେ ସୁଖରେ ରହନ୍ତୁ । ମାନବ ସମାଜର କଲ୍ୟାଣ ଉଦ୍ଦେଶ୍ୟରେ ଏଭଳି ଅଭିଳାଷ ପୋଷଣ କରି ନିଜର ଜୀବନକୁ ଯେଉଁମାନେ ପରାର୍ଥରେ ଉତ୍ସର୍ଗ କରି ଦିଅନ୍ତି, ସେମାନେ ହୁଅନ୍ତି ମହାପୁରୁଷ । ସେମାନଙ୍କର ଜୀବନଗାଥା ଇତିହାସରେ ସ୍ଵର୍ଣ୍ଣାକ୍ଷରରେ ଲିପିବଦ୍ଧ ହୋଇ ରହେ । ସେମାନେ ମହାକାଳକୁ ଅତିକ୍ରମ କରି ଶାଶ୍ୱତ ଗୌରବର ଅଧୁକାରୀ ହୁଅନ୍ତି । ଫ୍ରେସ ନାଇଟିଙ୍ଗଲ, ଦୀନବନ୍ଧୁ ଆଣ୍ଡୁଜ ଏବଂ ଉତ୍କଳମଣି ଗୋପବନ୍ଧୁ ପ୍ରଭୃତିଙ୍କ ଭଳି ଦୟାଳୁ, ତ୍ୟାଗୀ ଓ ମାନବତାବାଦୀ ସେବକ ପୁରୁଷ ସ୍ବଚିତ ଦେଖାଯାଆନ୍ତି । ସେମାନେ ସେବା ଓ କରୁଣାର ଗୋଟିଏ ଲେଖାଏଁ ଅବତାର ଅଟନ୍ତି । ବିଂଶ ଶତାବ୍ଦୀର ଶେଷଭାଗରେ ସେବାକୁ ଜୀବନର ପରମ ବ୍ରତ ଭାବରେ ବାଛି ନେଇ ଦୁଃଖୀ, ଦରିଦ୍ର, ଅନାଥ ଓ ଅବହେଳିତମାନଙ୍କ କଲ୍ୟାଣ ଉଦ୍ଦେଶ୍ୟରେ ଜୀବନକୁ ଉତ୍ସର୍ଗ କରିଦେଇଥିବା ସେହିଭଳି ଜଣେ ମହୀୟସୀ ନାରୀ ହେଉଛନ୍ତି ମଦର ଟେରେସା । ଆଧୁନିକ ଭାରତରେ ସେ ଯଥାର୍ଥରେ ଥିଲେ ଜଣେ ମାତୃଭୂପିଣୀ କଲ୍ୟାଣମୟୀ ନାରୀ । ସେବା ଓ ତ୍ୟାଗର ଯେଉଁ ମହନୀୟତା ଆଦର୍ଶ ସେ ସୃଷ୍ଟି କରିଯାଇଛନ୍ତି, ତା’ର ପଟାନ୍ତର ନାହି ।

ମଦର ଟେରେସାଙ୍କ ସଂକ୍ଷିପ୍ତ ଜୀବନୀ : ମଦର ଟେରେସା ୧୯୧୦ ଅଗଷ୍ଟ ୨୭ ତାରିଖ ଦିନ ଯୁଗୋସ୍ବାଭିଆରେ ଜନ୍ମଗ୍ରହଣ କରିଥିଲେ । ତାଙ୍କର ପିତୃଦତ୍ତ ନାମ ଥିଲା ଏନେସ୍ ଗୋଝା ବୋଜାସି (Agnes Gonzha Bojaxhiu) ଭାରତକୁ ଆସିବା ପରେ ସେବାମୂଳକ କାର୍ଯ୍ୟରେ ତାଙ୍କର ପ୍ରତିଷ୍ଠା, ପ୍ରଶଂସା ତଥା ଆଦର ନିମନ୍ତେ ସେ ମଦର ଟେରେସା ନାମରେ ପରିଚିତା ହୋଇଥିଲେ ।

ମଦର ଟେରେସା ସ୍ଵଦେଶର ବିଦ୍ୟାଳୟରେ ଅଧ୍ୟୟନ କରିବାବେଳୁ ସେବା ପ୍ରତି ଆଗ୍ରହୀ । ହୋଇଉଠିଥିଲେ । ଦୁଃଖୀଜନର ଦୁଃଖ ଦେଖୁଲେ ତାଙ୍କ ହୃଦୟରେ ବ୍ୟଥା ଜାତ ହେଉଥିଲା । ମାତ୍ର ୧୯ ବର୍ଷ ବୟସରେ ଯୌବନର ସମସ୍ତ ସ୍ଵପ୍ନକୁ ଫିଙ୍ଗିଦେଇ ଜଣେ ମିଶନାରୀ ସେବିକାର ପଥକୁ ବାଛି ନେଇ ସେ କଲିକତା ଚାଲି ଆସିଥିଲେ । କଲିକତାରେ ସେ ପ୍ରଥମେ ଗୋଟିଏ ବିଦ୍ୟାଳୟରେ ଭୂଗୋଳ ଶିକ୍ଷୟିତ୍ରୀ ଭାବରେ କର୍ମ ଜୀବନ ଆରମ୍ଭ କରିଥିଲେ । ଏହି ସମୟରେ ମହାନଗରୀର ରାସ୍ତା ପାର୍ଶ୍ୱରେ ଥିବା ଶହ ଶହ ରୋଗୀ, ଦୁଃଖୀ, ଅନାହାରୀ ଓ ବିକଳାଙ୍ଗ ମାନଙ୍କ ଦୁର୍ଦଶା ଦେଖୁ ପ୍ରାଣରେ ତାଙ୍କର ଅସୀମ ଦୁଃଖ ଜାତ ହୋଇଥିଲା । ବିଶେଷକରି ବିଦ୍ୟାଳୟ ପାର୍ଶ୍ୱବର୍ତ୍ତୀ ମୋତିଝିଲ ନାମକ ବସ୍ତିର ଦରିଦ୍ର ବାସିନ୍ଦାମାନଙ୍କର ଅବସ୍ଥା ଦେଖୁ ପ୍ରଥମେ ସେଇଠାରୁ ହିଁ ସେବାକାର୍ଯ୍ୟ ଆରମ୍ଭ କରିଥିଲେ । ସେ ଶିକ୍ଷୟିତ୍ରୀ ଚାକିରି ପରିତ୍ୟାଗ କରି ମୋତିଝିଲି ବସ୍ତିରେ ' ଅସହାୟମାନଙ୍କର ବିଦ୍ୟାଳୟ' ନାମରେ ଗୋଟିଏ ଦାତବ୍ୟ ସ୍କୁଲ ସ୍ଥାପନ କରିବା ସଙ୍ଗେ ସଙ୍ଗେ ରୋଗୀସେବାରେ ନିଜକୁ ଉତ୍ସର୍ଗ କରିଦେଇଥିଲେ । ସେଇଠାରୁ ହିଁ ତାଙ୍କ ପ୍ରକୃତ ସେବିକା ଜୀବନ ଆରମ୍ଭ ହୋଇଥିଲା ।

ଦୁଇଟି ଦଶନ୍ଧି ଭାରତୀୟ ମୃତ୍ତିକାରେ ଜୀବନ ଅତିବାହିତ କରିବା ପରେ ସେ ଆଉ ସ୍ଵଦେଶକ ପ୍ରତ୍ୟାବର୍ତ୍ତନ କରିବାକୁ ଇଚ୍ଛାକରି ନ ଥିଲେ । ଫଳରେ ଦେଶର ସ୍ୱାଧୀନତା ପରେ ୧୯୪୮ ମସିହାରେ ସେ ଭାରତର ନାଗରିକତା ଗ୍ରହଣ କରି ଏଠାରେ ସ୍ଥାୟୀ ଭାବରେ ବାସ କରିବାକୁ ଆରମ୍ଭ କରିଥିଲେ । ସେ କଲିକତାରେ ‘ମିଶନାରିଜ ଅଫ୍ ଚାରିଟି’ (Missionaries of Charity) ନାମରେ ଗୋଟିଏ ସେବା ଅନୁଷ୍ଠାନ ଗଠନ କରିଥିଲେ । ସେଦିନର ସେଇ କ୍ଷୁଦ୍ର ଚାରାଟି ଏବେ ଏକ ବିରାଟ ମହୀରୁହରେ ପରିଣତ ହୋଇଛି ଏବଂ ବିଭିନ୍ନ ଦେଶରେ ଏହାର ୧୫୦ ଟିରୁ ଊଦ୍ଧ ଶାଖା କାର୍ଯ୍ୟ କରୁଛି । ମଦର ଟେରେସା ସାରା ଜୀବ ଅବିବାହିତା ରହି ଜଣେ ସନ୍ନ୍ୟାସିନୀ ଭଳି ଜୀବନ କଟାଇଥିଲେ । ଦୁଃଖୀ, ଦରିଦ୍ର, ଅନାଥ, ଅସହାୟ, ରୁଗଣ ଓ ବିକଳାଙ୍ଗ ମାନଙ୍କୁ ସେ ଏହିଠାରେ ଆଶ୍ରୟ ଦେଇ ସେମାନଙ୍କର ସମସ୍ତ ପ୍ରକାର ଯନ୍ ନେଉଥିଲେ । ସେ ସମସ୍ତଙ୍କ ପାଇଁ ଥିଲେ କରୁଣାର ଅବତାର ଏବଂ ଜଣେ ସ୍ନେହମୟୀ ମାତା । ସତେ ଅବା ସେ ସ୍ଵର୍ଗୀୟ ବିଭୂତି ନେଇ ମାନବ ସେବା ନିମନ୍ତେ ଦୈବପ୍ରେରିତା ହୋଇଆସିଥିଲେ । 'Service to manking is service to God' - ଏହି ଉକ୍ତିଟି ତାଙ୍କର ଜୀବନରେ ଯଥାର୍ଥ ରୂପେ ପତିପାଦିତ ହୋଇଛି । ତାଙ୍କ ଆଦର୍ଶରେ ଅନୁପ୍ରାଣିତ ହୋଇ ବହୁ ସେବିକା ଏବେ ତାଙ୍କର ଉତ୍ତରଦାୟୀ ଭାବେ ଏଇ ଅନୁଷ୍ଠାନରେ କାର୍ଯ୍ୟ କରୁଛନ୍ତି ।

ପୁରସ୍କାର ଓ ସମ୍ମାନ : ସେବା ଓ ତ୍ୟାଗ ପାଇଁ ମଦର ଟେରେସା ସମଗ୍ର ପୃଥିବୀରେ ସୁପରିଚିତ । ଭାରତ ସରକାର ତାଙ୍କୁ ‘ପଦ୍ମଶ୍ରୀ’ ଉପାଧୁ ସହିତ ୧୯୮୦ ମସିହାରେ ‘ଭାରତ ରନ୍’ ସମ୍ମାନରେ ଭୂଷିତା କରିଛନ୍ତି । ଏହା ବ୍ୟତୀତ ସେ ‘ପୋପ୍ ଜନ ଶାନ୍ତି ପୁରସ୍କାର', ‘ଜବାହାରଲାଲ ନେହେରୁ ପୁରସ୍କାର’ ଓ ଶାନ୍ତି ପାଇଁ ପୃଥିବୀର ବିଖ୍ୟାତ ‘ନୋବେଲ ପୁରସ୍କାର’ ଲାଭ କରିଥିଲେ । ତାଙ୍କୁ ପୃଥିବୀର ବିଭିନ୍ନ ଦେଶରୁ ଏବଂ ବିଭିନ୍ନ ଅନୁଷ୍ଠାନରୁ ବହୁ ମାନପତ୍ର ମିଳିଥିଲା; ମାତ୍ର ପ୍ରଶଂସା ବା ସ୍ତୁତିଗାନରେ ସେ ଥିଲେ ଅବିଚଳିତା । ସେ କହୁଥିଲେ, “ ଏହି ସଂସାରରେ ଦୁଃଖୀ, ଦରିଦ୍ର, ରୋଗୀ ଓ ବିକଳାଙ୍ଗମାନଙ୍କର ସେବା କରିବା ପାଇଁ ସେ ଈଶ୍ବରଙ୍କ ଦ୍ଵାରା ପ୍ରେରିତା ହୋଇଛନ୍ତି । ତାଙ୍କର ଜୀବନରେ ଏହି ଉକ୍ତି ଯଥାର୍ଥ ଭାବରେ ପ୍ରତିପାଦିତ ହୋଇଥିଲା ।

ଏହି ମହୀୟସୀ ମହିଳା ଥିଲେ ସେବା ଓ କରୁଣାର ପ୍ରତିମୂର୍ତ୍ତି, ଅନାଥ ଓ ଅସହାୟଙ୍କ ପାଇଁ ଆଶାର ଆଲୋକ, ଆଉଁ ଓ ପୀଡ଼ିତଙ୍କ ପାଇଁ ଅପୂର୍ବ ସାନ୍ବନା । ୧୯୯୭ ମସିହା ସେପ୍ଟେମ୍ବର ମାସରୁ ସେ ଇହଲୋକରୁ ବିଦାୟ ନେଇଛନ୍ତି ।

ଶେଷକଥା : ମଦର ଟେରେସା ଜଣେ ବିଦେଶୀ ହେଲେ ମଧ୍ୟ ଭାରତୀୟ ମାଟି, ପାଣି ସହିତ ନିଜକୁ । ଓତଃପ୍ରୋତ ଭାବରେ ଜଡ଼ିତ କରିଦେଇଥିଲେ । ଖ୍ରୀଷ୍ଟିଆନ ପରିବାରରେ ଜନ୍ମ ଗ୍ରହଣ କରି ମଧ୍ୟ ସେବା କ୍ଷେତ୍ରରେ ଜାତି ଧର୍ମର ସଂକୀର୍ଣ୍ଣତାଠାରୁ ବହୁ ଉଦ୍ଧକୁ ଚାଲିଯାଇ ସମସ୍ତଙ୍କର ପ୍ରିୟଭାଜନ ହୋଇଥିଲେ । ତାହାହିଁ ହେଉଛି ଜଣେ ଯଥାର୍ଥ ସେବିକାର ଆଦର୍ଶ । ସେବା, ତ୍ୟାଗ ଓ କରୁଣା କ୍ଷେତ୍ରରେ ସେ ଯେଉଁ ଆଦର୍ଶ ସୃଷ୍ଟି କରିଗଲେ, ତାହା ଯୁଗ ଯୁଗ ଧରି ଅମଳିନ ହୋଇ ରହିବ । ସେ ସମଗ୍ର ମାନବ ସମାଜର ମାତୃତୁଲ୍ଯା ଏବଂ ଜଣେ ବନ୍ଦନୀୟା ନାରୀ । ଏବେ ତାହାଙ୍କୁ ଜଣେ ‘ସଛି’ ବା ‘ସେଣ୍ଟ' ରୂପେ ସ୍ୱୀକୃତି ଦେବା ପାଇଁ ଖ୍ରୀଷ୍ଟୀୟ ଜଗତରେ ବିଚାର ଆଲୋଚନା ଚାଲିଛି ।

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This volume consists of two separate but related works: 'The Mother', a collection of short prose pieces on the Mother, and 'Letters on the Mother', a selection of letters by Sri Aurobindo in which he referred to the Mother in her transcendent, universal and individual aspects. In addition, the volume contains Sri Aurobindo's translations of selections from the Mother's 'Prières et Méditations' as well as his translation of 'Radha's Prayer'.

• The Mother with Letters on the Mother
• 2012 Edition
• 1972 Edition

Oriya translation of 'The Mother' - a collection of short prose pieces on the Mother and her four great Aspects - Maheshwari, Mahakali, Mahalakshmi, Mahasaraswati.

•   Die Mutter    Deutsche
•   श्री माताजी के विषय में    हिंदी
•   মায়ের কথা    বাংলা
•   મા    ગુજરાતી
•   ମା    ଓଡିଆ
•   ಶ್ರೀಮಾತಾ    ಕನ್ನಡ
•   La Madre    Español
•   La Mère    Français

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Translations.

• SABCL > The Mother Deutsche हिंदी বাংলা ગુજરાતી ଓଡିଆ ಕನ್ನಡ Español Français

A collection of short prose pieces on the Mother and her four great Aspects - Maheshwari, Mahakali, Mahalakshmi, Mahasaraswati.

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Odia Essay PDF 2024 – For Classes 8th To 12th & Competitive Exams

• April 20, 2024

Are you searching for the Odia Essay to prepare for your upcoming exams and events, we have published Odia Essay or Oriya Essay for students of primary, secondary, and higher secondary schools, and colleges, and also for Competitive Exams. If you are looking for the Odia Essay books or PDF, here we have provided Odia Essay in PDF format you can download and read the Odia essay.

Odia Essay or Odia Rachana

Odia Essay on the Oriya Language: The Essential Odia Essays (Odia Rachana) are intended to meet the growing demand of pupils in Primary, secondary, and higher secondary schools and colleges. Conscious efforts have been made to carefully choose essays on a variety of subjects that are well within the knowledge and experience range of the pupils.

The Odia essays have been presented interestingly in a simple, plain, and idiomatic language containing vocabulary and structural expressions they are familiar with. Meanings of difficult words supposed to be above their vocabulary horizons have been given in their mother tongue. The purpose is to enrich their vocabulary to enable them to express their feelings and thoughts in a better way.

It is important to know that an Odia essay (Odia Rachana) is not always a complete account of the subject matter. There are no rules about how long or short an Odia essay should be. The pupils at the secondary level are, however, supposed to write an essay in 250 to 300 words on the suggested outlines. All that is important is that the essay must be interesting, well-presented, and free of errors.

Books: Odisha Board Textbooks

Benefits of Writing Essays

Three kinds of essays namely descriptive, narrative, and reflective have been dealt with in this book to give the pupils an idea about how each of such essays can be written with ease and facility. Writing an essay on a given topic needs careful planning and appropriate communicative skills.

Pupils are advised to develop each point of the given outlines into a paragraph in their own words. They may, however, show their ability to write sentences containing clauses, phrases, and other elements they learned somewhere. What is significant is that the use of such phrases, words, and clauses should be appropriate and relevant to the topic.

The beginning paragraph of the essay should be impressive and aim at introducing the topic sustaining the interest of the readers. The last paragraph should sum up the writer’s views on the topic and should equally be lively and impressive. Each paragraph should contain one thought and should lead to the next one. All the paragraphs taken together should be a composite whole instead of being segregated parts.

Last but not least, meticulous care should be taken to revise the Odia essay to correct the errors and weed out irrelevant points. Letter writing, on the other hand, calls for a different skill. Its importance is always felt in our everyday life when we need to write personal letters to friends and relatives, business letters to industrial.

If you find any outdated essay with the unavailable download link, please feel free to leave a comment below.

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mother Meaning in Oriya | mother ମାନିଙ୍ଗ ଇଂ ନୀୟ

mother  ମାଁ

mother =  ମାଁ

Pronunciation  =  🔊 bb1.onclick = function(){ if(responsivevoice.isplaying()){ responsivevoice.cancel(); }else{ responsivevoice.speak("mother", "uk english female"); } }; mother, pronunciation in oriya  =  ମଦର୍, mother  in oriya : ମାଁ, part of speech :  noun  , definition in english : a woman who has given birth to a child , definition in  oriya : କୌଣସି ଶିଶୁକୁ ଜନ୍ମ ଜଣେ ସ୍ତ୍ରୀ ଲୋକ, examples in english :.

• I love my mother very much.

Examples in Oriya :

• ମୁ ମୋ ମାଁ ଙ୍କୁ ବହୁତ ଭଲ ପାୟେ

Synonyms of mother

Antonyms of mother, about english oriya dictionary.

Multibhashi’s Oriya-English Dictionary will help you find the meaning of different words from Oriya to English like meaning of Chāna and from English to Oriya like meaning of Awesome, The meaning of stunning, etc. Use this free dictionary to get the definition of friend in Oriya and also the definition of friend in English. Also see the translation in Oriya or translation in English, synonyms, antonyms, related words, image and pronunciation for helping spoken English improvement or spoken Oriya improvement.

About English Language

English is one of the most widely spoken languages across the globe and a common language of choice for people from different backgrounds trying to communicate with each other. This is the reason why English is the second language learned by most of the people.

About the Oriya Language

Oriya, also known as Odiya is a language spoken by 4.2% of India’s population. The language is spoken mostly in eastern India, with more than 35 million native speakers. Oriya is the predominant language of the Indian state of Odisha (formerly known as Orissa) and also spoken in parts of West Bengal, Jharkhand, Chhattisgarh, and Andhra Pradesh. You can use multibhashi to learn Oriya from English with just little efforts and Concentration. This course will help you understand, learn and use Oriya sentences in your Daily Life.

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Useful phrases in Odia

A collection of useful phrases in Odia (Oriya), an Indo-Aryan language spoken mainly in the Indian state of Odisha (Orissa) by about 31 million people.

Jump to phrases

See these phrases in any combination of two languages in the Phrase Finder . If you can provide recordings, corrections or additional translations, please contact me .

Key to abbreviations: >m = said to men, >f = said to women

Additional phrases

Phrases supplied by Aditya Mohanty and Ansik Mahapatra. Recordings and additional phrases by Arindam Tosh

Download the audio files

If you would like to make any corrections or additions to this page, or if you can provide recordings, please contact me .

Information about Odia | Phrases | Numbers | Tower of Babel

Other collections of Odia phrases http://wikitravel.org/en/Odia_phrasebook http://www.mikecook.com/phrase/oriya.html

Phrases in Indo-Aryan languages

Assamese , Bengali , Bhojpuri , Dogri , Garhwali , Gujarati , Hindi , Kashmiri , Magahi , Maithili , Maldivian , Marathi , Nepali , Odia (Oriya) , Punjabi , Romani , Sanskrit , Sindhi , Sinhala , Sylheti , Urdu

Phrases in other languages

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ଓଡ଼ିଆ ସାହିତ୍ୟ ଓ ଆଦିବାସୀ ସଂସ୍କୃତି

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Essay on odia language (1161 words).

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Essay on Odia Language!

The script in the edicts of Ashoka in 2nd century BC at Dhauli and Jaugada and the inscriptions of Kharavela in Hati Gumpha of Khandagiri give us the first glimpse of possible origin of the Odia language.

From the point of view of language, the inscriptions of Hati Gumpha are near modern Odia and essentially different from the language of the Ashokan edicts. Pali was the prevalent language in Odisha during this period. The Hati Gumpha inscriptions, which are in Pali, are perhaps the only evidence of stone inscriptions in Pali. This may be the reason why the German linguist Prof. Hermann Oldenburg mentioned that Pali was the original language of Odisha.

Traces of Odia words and expressions have been found in inscriptions dating from the 7th century AD. According to scholars, the origin of Odia can be traced back to the 8th or 9th century, but literary works of merit appeared only in the 13th century.

It was in the 14th century, with Saraladasa’s Odia version of Mahabharata, that Odia literature assumed a definite character. Five poets emerged towards the 16th century: Balaram Das, Jagannath Das, Achyutananda Das, Ananta Das and Jasobanta Das.

They are collectively known as ‘Panchasakhas’, since they adhered to the same school of thought, Utkaliya Vaishnavism. The Panchasakha converted ancient Hindu texts into prose (of simple language) easily understood by the people of Udra Desha (Odisha). Achyutananda Das was the most prolific writer of the Panchasakhas.

Under the Bhakti movement, Chaitanya’s influence coloured Odia literature deeply. Upendra Bhanja was adept with words and his poetry had an erotic element. Vishnavism produced great lyrical inspiration and some outstanding poets. Four poets emerged: Baladeb Rath who wrote in champu and the new form of poetry chautisha, Dina Krushna Das, Gopal Krishna and the blind Bhima Bhoi.

But a significant role was played by Brajanath Badjena in starting a tradition of prose fiction, though he is not considered a premier writer of prose. His Chatur Binoda seems to be the first to deal with different rasas, but predominantly the bibhatsa rasa, often verging on nonsense.

It was only in the nineteenth century that prose came to be written in Odia. Fakir Mohan Senapati was a major prose- writer besides being a poet and novelist as well. In mid- nineteenth century contact with the West through English education revolutionised Odia literature. Madhusudan Rao, who founded the Brahmo movement in Odisha, was another great poet of Odisha. Chintamani Mahanty, Nanda Kishore Bal and Gaurisankar Ray are some of eminent writers and poets of this time.

The first Odia printing typeset was cast in 1836 by the Christian missionaries, replacing palm leaf inscription and in the process revolutionising Odia literature. Books were printed, and journals and periodicals published.

The first Odia magazine was Bodha Dayini (1861) published from Balasore. The main object of this magazine was to promote Odia literature and to draw attention to the lapses in government policy. The first Odia paper, The Utkal Deepika, made its appearance in 1866 under the editorship of Gouri Sankar Ray.

In 1869, Bhagavati Charan Das started Utkal Subhakari to propagate Brahmo faith. In the last three-and-a-half decades of the 19th century, a number of newspapers were published in Odia.

Prominent amongst them were Utkal Deepika,Utkal Patra, Utkal Hiteisini from Cuttack, Utkal Darpan and Sambada Vahika from Balasore, and Sambalpur Hiteisini (1889) from Deogarh. The publication of these papers indicated the desire and the determination of the people of Odisha to uphold the right of freedom of expression.

They encouraged modern literature. Radhanath Ray (1849-1908) is the prime figure, who tried to write his poems under the influence of Western literature. He is seen as the father of modern Odia poetry. He wrote Chandrabhaga, Nandikeshivari, Usha, Mahajatra, Darbar and Chilika.

In the twentieth century, a famous name was that of Madhusadan Das, who may not have written much but whose one song composed for the Odia movement is still sung in Odisha. The nationalist movement also produced the Satyavadi group of writers whose leader Gopabandhu Das’s Kara Kabita is noteworthy.

In the post-independence era, Odia fiction assumed a new direction. The trend which Fakir Mohan started actually developed more after the 1950s. Gopinath Mohanty, Surendra Mohanty and Manoj Das are considered the three jewels of this time.

They are the pioneer of a new trend, that of developing or projecting the ‘individual as protagonist’ in Odia fiction. Sachitanand Routray undertook to expose the evils of traditional society and project new social realities.

His Baji Raut and Pandulipi are outstanding. He has won the Jnanpith Award. The other significant fiction writers are Chandrasekhar Rath (Jantrarudha is one of the renowned classics of this period), Shantanu Acharya, Mohapatra Nilamani Sahoo, Rabi Patnaik and JP Das.

The trend started by the writers of 1950s and the 1960s were challenged by the young writers in 1970s. In the 1960s, a little magazine Uan Neo Lu was published from Cuttack. The writers associated with the magazine were Annada Prasad Ray, Guru Mohanty, Kailash Lenka and Akshyay Mohanty.

These writers began a revolution in the text and style of Odia fiction. They brought sexuality into the purview of current literature and they created a new style in prose. ‘Groups’ of writers emerged from different parts of Odisha Anamas from Puri, Abadhutas from Balugaon, Panchamukhi from Balangir, Abujha from Berhampur and Akshara group from Sambalpur.

Jagadish Mohanty, Kanheilal Das, Satya Mishra, Ramchandra Behera, Padmaja Pal, Yashodhara Mishra and Sarojini Sahoo later created a new age in the field of fiction. Jagadish Mohanty is considered as the introducer of existentialism and a trend-setter in Odia literature (Ekaki ashwarohi, Dakshina Duari Ghara, Album, Dipahara Dekhinathiba Lokotie, Nian o Anyanya Galpo, Mephestophelesera Pruthibi short story collections and Nija Nija Panipatha, Kanishka Kanishka, Uttaradhikar and Adrushya Sakal are his novels). Ramchandra Behera and Padmaj Pal are known for their short stories. Sarojini Sahoo’s Gambhiri Ghara is seen as a landmark among Odia novels and she has gained international fame for her feministic and liberal ideas.

Popular Fiction Writing Parallel to aesthaticism in literature, a parallel trend of populist literature also appeared after the 1960s.

Bhagirathi Das, Kanduri Das, Bhagwana Das, Bibhuti Patnaik and Pratibha Ray are among the best-selling writers of Odia literature. The starting of a women’s magazine called Sucharita in 1975 went a long way in helping women writers express their concerns. Writers like Jayanti Ratha, Susmita Bagchi.

Paramita Satpathy, Hiranmayee Mishra, Chirashree Indra Singh, Sairindhree Sahoo, Supriya Panda, Gayatri Saraf, Mamata Chowdhry are a few popular fiction writers in this period. Sarojini Sahoo played a significant role for her feministic and sexuality-oriented approach in fiction.

Popular science writers from Odisha are Gokulananda Mohapatra, Gadadhar Mishra, Debakanta Mishra, Sarat Kumar Mohanty, Nityananada swain, Sashibhusan Rath, Ramesh Chandra Parida, Kamalakanta Jena and others.

A big initiative, Pratishruti, has been started in North America to connect the literary-minded individuals writing in Odia with their peers back in India.

Related Articles:

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• Essay on Sanskrit Language (1022 Words)

Odia Language

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Evolution of Odia Language, its Struggle for Existence & Excellence

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